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00:01Surveillance is 1% action, 99% boredom, as you know,
00:05and we have to find a way of combating that boredom.
00:07Mind over matter.
00:09And remember, spunk.
00:11Silence, position, undercover, nocturnal know-how.
00:16All right, gentlemen, in order to combat the boredom,
00:19we're going to have a little exercise now in stillness.
00:21Silence and stillness.
00:23Just like the household cavalry,
00:26who stand there, unblinking, unmoving,
00:30for hours and hours and hours, every day.
00:35We are going to do just that today.
00:39Ray, the stopwatch, please.
00:42No.
00:43I didn't say start it.
00:44Sorry.
00:45Stop it now. Start again.
00:47It won't stop.
00:48Well, I can't get it.
00:49One to zero.
00:52I've tried that.
00:54It just doesn't go back to normal.
00:55Bill, would you have a look at that?
00:58It just needs to go back to zero.
01:00There you go, sir.
01:01There you go.
01:03Don't make it at all.
01:04It's gone off again, sir.
01:07It's gone off again, sir.
01:08Sorry.
01:35The good guy.
01:37The good guy.
01:38The good guy.
01:39No.
02:00No.
02:02Stop the watch.
02:03Month.
02:05Back here, now.
02:10Now, over in the corner by the benches.
02:12Now, please. Running all the way. Sorry, sir.
02:15They don't stink.
02:18Start the watch again, Ray.
02:20He's still going.
02:36What have you got there? What are you doing?
02:39I'm making my own butter, sir.
02:41What?
02:42Oi! I'm tired. Bill. Over there. By the bench. Now!
02:47I expected more of you.
02:48It's Per Blanc, actually, sir.
02:50I don't think it's Raymond. Bloody Blanc.
02:52Making you butter on my tongue. Get over by those benches now.
02:55Go on.
02:58How long was that, Ray?
03:0025 seconds, sir.
03:02It's rather good.
03:05I'm impressed with that.
03:07Well, they're all laughing at me.
03:09But this is organic. I know exactly where it comes from.
03:12All that stuff in the supermarket, I don't trust it. One iota.
03:15I mean, they irradiate all the milk.
03:18They put all hormones into the cows. Everything.
03:21This comes from a mate of mine's farm. Straight from it.
03:26Mmm. Delicious.
03:33At least you know where it's coming from.
03:36Mmm. That is smashing.
03:39It's week two in the retraining programme.
03:42And Hollywood comes to Hendon.
03:50We have Jude Law, a well-known film star.
03:53And Bobby Lee Miller.
03:55Johnny.
03:57Johnny Lee Miller, who is also an actor.
04:00Jude Law and Johnny Lee Miller are big-time Hollywood actors.
04:03And their next roles are playing policemen.
04:06So they need to go somewhere and have a look and research it.
04:10So where do they come to?
04:11Us.
04:12The experts.
04:14Johnny, I saw you in Trainspot.
04:17And I thought it was a very, very accurate portrayal of a heroin addict.
04:22Brilliant.
04:23Brilliant.
04:23Thanks.
04:33Nobody told me he was a heroin addict.
04:35Ray?
04:35No, no, no.
04:36He was Trainspot in certain.
04:37He was just playing a heroin addict.
04:39Look, Ray.
04:40I haven't spent all these years in the force not to recognise an addict when I see one.
04:44What is it?
04:45Look, he played a part as a highwayman in another film.
04:48There you are.
04:48Okay.
04:49Casting to type again.
04:50Right.
04:51He's got addict written through him like Danish through bacon.
04:55Wow.
04:55He has bacon.
04:56It's all to do with earlobes, high forehead.
05:01It's the criminal type.
05:05Can I interrupt this for a second?
05:06Sorry.
05:07Sorry.
05:08Do you mind?
05:09Erm, let's get on with the job in hand.
05:12I'm sure these gentlemen have got better things to do than answer silly questions.
05:15Jude will be coming with us.
05:17And Johnny, you shoot up with the ART team.
05:22The reason why we've separated you is because I think you're two different personalities really.
05:27And I think Johnny would benefit by being with the ART team.
05:30He needs straightening out, let's face it.
05:31I mean, he's a...
05:33He's just an actor.
05:34That was a performance.
05:35Yeah, and I appreciate he's your friend.
05:36But, erm, as far as I'm concerned, he's in the best place and with the best people to learn.
05:41You, however, Jude, I mean, you're a different girl official together.
05:44Stick with us.
05:46We're such as you and yourself.
05:47And learn from us.
05:49We have a lot to offer you.
05:51I'm just here.
05:52I'm ears and eyes.
05:53I just want to be as authentic as I can in the performance.
05:57Yeah.
05:58Ignore that.
05:59Because, as far as we're concerned, it's nothing to us.
06:01We've done...
06:01It's an old hat to us, isn't it?
06:03We've done all this before.
06:04We did documentaries.
06:05I hope you...
06:06Did you see some of that?
06:06Yeah, I was sent a couple of videos.
06:08I saw a couple of the last...
06:09You operational good guys.
06:10Yeah.
06:11It was received rather well.
06:12We only got a lot of...
06:13We got more mail than that hotel woman, didn't we?
06:16I've got some favourites.
06:17Did you?
06:17Yeah.
06:18Did you reply?
06:19Yeah, of course.
06:20Yeah.
06:20Yeah, you should.
06:21But this time, this could be the Jim and Jude show.
06:26Hey, enough of that nonsense, but...
06:28Just stick close.
06:30I will do it.
06:31And stick with me, kid, and you'll learn a lot.
06:32You do it.
06:34Give me all the camera, okay?
06:36You're not acting now.
06:37This is real.
06:38All right?
06:39Okay, yeah.
06:40And I'm telling you something.
06:41If you want to do this job properly,
06:43you'd better sharpen your act up.
06:45Take your hands off your hips.
06:47Stand up straight.
06:48Okay.
06:49How's that?
06:50Well, it's better.
06:52Hmm?
06:52If you start...
06:53Don't...
06:54I'm talking.
06:55If you start slopping about...
06:57and sniggering...
07:01Sorry, sir.
07:03You'll get nowhere fast.
07:04Do you understand what I'm saying to you?
07:05Yes.
07:06Sorry, I didn't hear that.
07:07Yes.
07:08Inspector.
07:09Good.
07:10Sir.
07:10Okay.
07:11And join your friend.
07:14Thanks.
07:16Sorry about that.
07:18I was thinking, you know,
07:18Kojak had his lollipop and I was hoping to meet up with,
07:22you know, a policeman with a bit of attitude.
07:24Instead, I ended up with this guy who's like...
07:26You know, with a little boxed mouth and...
07:29Like that all afternoon.
07:30Leave me alone.
07:31Leave me alone.
07:33Because you're...
07:34You're...
07:34You're head of this particular operation, this division, aren't you?
07:38Yes.
07:38And you're also the shortest guy here.
07:42Have you ever heard the expression...
07:44I've just...
07:45In life, you know, that size isn't everything.
07:49Okay?
07:50I have heard that.
07:51Diamonds come in small packages.
07:53You're not a big feed me, don't you?
07:55No.
07:56Big socks.
08:00Anyway.
08:01Have you seen my wallet anywhere?
08:03No, sir.
08:04Can't say I have.
08:05I don't smell...
08:08Johnny Lee Miller was in here, wasn't he?
08:10Yeah.
08:11Yeah.
08:12Well, he's got it, hasn't he?
08:13I don't think so, sir.
08:14Find him.
08:15Now.
08:16He's immediately started.
08:17And get my bloody wallet.
08:18He's the type, is what he is.
08:19Are you sure you took it in?
08:21Find him now.
08:22You're always forgetting it.
08:24Right.
08:24Get Johnny Lee Miller.
08:26I'll ask him, sir.
08:26Don't you bloody ask him.
08:27You'll strip-search him if necessary.
08:29One thing I must impress.
08:32Very heavily, particularly on you, Desaad, Bill.
08:35The surveillance exercise that you're about in Barkhunt
08:38is of paramount importance to us.
08:41It's points we need.
08:43We're being scored on this exercise.
08:46The other thing I need to press upon, both of you,
08:48is that we've been kindly given the location by the commissioner.
08:52It's his house.
08:53It's his personal property.
08:54It's being renovated at the moment.
08:55So please take great care.
08:58Well, the next part of our training exercise is surveillance, of course,
09:02and Desaad and his team have been chosen to do this.
09:04But as you know, Desaad loves playing up to camera.
09:07So the BBC have come up with an excellent idea.
09:10See, in the commissioner's house,
09:12they've concealed two hidden cameras behind two two-way mirrors.
09:16One at the back and one at the side.
09:18So Desaad and his team will never know they're there.
09:21The surveillance exercise begins.
09:23I hate the boredom.
09:25I've got someone coming in, Sarge.
09:27Male, Caucasian, about 25 feet.
09:29Joe, wait, Joe.
09:30Black.
09:30Stick it down in the logbook.
09:32I told you to.
09:32Everything goes in the logbook.
09:33Every little detail, mate.
09:35All right?
09:36See, the thing is, John,
09:38what you've got to do is those caps, silly caps they make you wear,
09:40just never ever wear them.
09:42Shove them in there.
09:43Look at that.
09:44Looks good, isn't it?
09:45See that?
09:45Good, isn't it?
09:46Cut some mean silhouette.
09:48Unaware of the cameras,
09:50Desaad has found a good use for the two-way mirrors.
09:54Then you pull it out, like that.
09:58Hey, hey.
10:00That's good.
10:00Hey, you're getting the hang of that.
10:01Helps you balance as well.
10:03What we're going to do now...
10:04Meanwhile, Jude begins his research.
10:08...is I'm going to do a little exercise
10:10on how to trail someone for the viewers at home
10:12to show you how you trail somebody without being seen.
10:15So, Ray and Jude.
10:16Where are you?
10:17Jude, come here.
10:18I'm going to walk off that way.
10:20I'm going to give them a certain amount of time,
10:21then I'm going to trail them.
10:22And you've got to try and lose me.
10:24And you've really got to go for this,
10:25because if you don't go for it,
10:26it all falls down.
10:27It doesn't work at all.
10:28Understand you?
10:29Well, it's just like what we do when we go home.
10:31Yeah.
10:31It's exactly that, Ray.
10:34No.
10:35Start again, start again.
10:36Clap your hands, right?
10:57Go!
10:58Go!
11:05Again.
11:06Hey!
11:08Hey!
11:10Bill, come here, mate.
11:15Nice to meet you.
11:17It's all a f***ing wine, isn't it?
11:19It's all right.
11:20He's getting real flesh.
11:2346, 47, 48, 49, 50.
11:26Coming.
11:26Ready or not?
11:27Right.
11:27All right.
11:41In his spare time, Bones is a vigilante crime fighter.
11:44And today, he's recruiting Mark.
11:46You must wear it.
11:47I'm not wearing it, Bones.
11:48It looks ridiculous.
11:49If you're coming out vigilante crime fighter with me,
11:51you've got to wear it, I'm afraid.
11:53I'm sorry.
11:55That red over there, that'd be a fortune, mate.
11:58They're all over the house.
11:59There's about ten of them all over the house.
12:01They're the old, original Edwardian radiators.
12:04That is nice, though, isn't it?
12:05It's lovely, isn't it?
12:06Yeah.
12:07Lovely, Brad.
12:08All right, here we are.
12:09Ready?
12:10Here we go.
12:11That's it.
12:12That's it.
12:13We've got it.
12:14That's it.
12:15Hello, my dog.
12:16This is work.
12:18Excuse me, I'm looking for two men.
12:19They must have come by here shortly,
12:22or a short while ago, I think.
12:23One's a tall chap, bald.
12:25And the other is good-looking, an actor, famous actor, Jude Law.
12:29He was in Gataka with Yuma Thurman.
12:33Oh, there's another one with Wild in there.
12:36Something Wild.
12:37Wild Bill Hickok?
12:38No, not Wild Bill Hickok.
12:40Wild at Heart.
12:42Born to be Wild.
12:43No, no, no.
12:44That was a song.
12:45That was a song.
12:45Oh.
12:47No, you're right.
12:47Listen, not away.
12:49Thanks for your trouble.
12:50That's all right.
12:51Not quite the full ticket.
12:52I know.
12:54Work it.
12:55Work it.
12:56Work it.
12:57Watch your eyes.
12:58Watch your eyes.
12:59It's coming.
12:59It's coming.
13:00Got it.
13:02That's lovely.
13:03Look at that.
13:07It's a gorge, mate.
13:08Look at that.
13:09Excuse me, mate.
13:09Sorry.
13:11What zone is that in?
13:12It's in zone six.
13:13So you need one to six travel cards.
13:15So it's going to be cheaper?
13:16Yeah, two of them.
13:17Two of them.
13:18Yeah.
13:19Okay.
13:21Brilliant.
13:22You've got them.
13:24You're better off getting the travel card.
13:26Oh, look at that.
13:27Look at that.
13:28Oh, look at that.
13:31See the toilet on the stage at all?
13:33Uh-huh.
13:34All right.
13:35So we've got the door, the fireplace, the covings.
13:38All the coving, innit?
13:39Mm-hmm.
13:40Door with nocker.
13:42Oh, yeah.
13:42Door with nocker.
13:43Okay.
13:45Okay.
13:45All right.
13:46Five, six room.
13:48Yeah.
13:50Five, six room.
13:52Let's start off.
13:53Yeah.
13:53Let's arrange on one of these then, yeah?
13:58Right.
13:59See, between the two houses.
14:01Yeah.
14:02Look, just over the back gardens to the back, there's that reclamation yard.
14:06See it?
14:06Yeah.
14:07Just there, mate.
14:08All right.
14:08That's where we're going now.
14:10Close the door, John.
14:12You took a bloody taxi.
14:15You took a bloody taxi.
14:16How can you get here so quickly?
14:18We walked.
14:18And how is Duke supposed to learn anything if you're not going to play the game properly?
14:22We walked.
14:22We walked.
14:23Slowly.
14:23We really did.
14:24We walked.
14:24Did you, Jim?
14:25Yeah.
14:26Yeah.
14:26Sergeant Desaad needs a favour from strings.
14:29All right, guys.
14:30Yeah, all right, mate.
14:31How's it going?
14:31Johnny.
14:32All right, mate.
14:33We've got this gear here.
14:34Ah.
14:35Let's get some of the stuff and put it over in the reclamation yard.
14:38Yeah, well, be careful of it, though, aren't you?
14:40Yeah, yeah, no problem.
14:41But we'd have to take all the seats down, then.
14:43Yeah, all right.
14:44Well, yeah.
14:44Go on.
14:45Yeah.
14:46It's a nice door, isn't it?
14:47We're not going to see nothing through Westminster.
14:49We want to show the camera some action, right?
14:51So what we want to do, we want to go up through here and go through sort of the east
14:55end,
14:56the bits that are a little bit dodgy, where it might, you know, we might get a bit of...
15:00..if it's going to take us an hour and a half to go with it.
15:02It doesn't matter.
15:03However long it takes, that's what we're here for,
15:05is to patrol the underground and protect people.
15:22Bones' vigilante patrol begins.
15:26Mark, always, when you patrol, you always stand up as well.
15:29So you're ready to never sit down?
15:31No.
15:32Let's other people have seats as well.
15:36Find it all.
15:37Do it up as well.
15:40Do it up.
15:40Do it up.
15:41Do it up.
15:41Like Chubby Brown, look.
15:44There's a scorn-forking old square girl laughing at me.
15:46Some sort of protection.
15:48Do it up.
15:50He's not coming with me again, I tell you.
15:53I'm better off on me own.
15:56Oh, God.
15:58Oh, God.
16:00Oh, God.
16:02Oh, God.
16:05Well, you must have hidden the doorway.
16:07No.
16:08And watched me go by.
16:09No.
16:10We walked straight, slowly, and then you just went off the other way.
16:16Johnny's research takes him across a wide spectrum of police techniques.
16:20You must always remember, it's discipline.
16:23Without discipline, nothing works.
16:26Come on, darling.
16:27Off you go.
16:31So, I've got a black saw.
16:33I will have it tomorrow, man.
16:35Nice saw.
16:36Yeah, downstairs.
16:38Yeah, someone's in it.
16:40You're not the ace!
16:43Get them!
16:44Bring the handcuffs.
16:45Bring the handcuffs.
16:46I ain't got any handcuffs.
16:47What the f*** are you doing?
16:48You ain't coppers.
16:49Yes, we are.
16:52Stay still.
16:53Stay still.
16:53Stay still.
16:55Oi!
16:55I'm police!
16:56Get down!
16:57Down!
16:57Hands behind your butt!
16:58Let me see your eyes!
17:00Behind your back!
17:04Didn't mean that.
17:05It's good, Phil.
17:06Not bad.
17:08Not bad.
17:09Don't you f***ing move!
17:12You've done that nice, mate.
17:13Yeah?
17:14Yeah, it felt good.
17:15You're getting the hang of this.
17:15It looked good.
17:16It feels good.
17:16It looked good.
17:17You had the movement.
17:18On your feet!
17:22Jude's invited me down to his film set, so that I can have a little look.
17:26He's got the right face, man.
17:27He might put me in as a little extra.
17:29Yeah.
17:30What do you mean if we did that?
17:33He's got the right face for it.
17:35You can do it, sir.
17:36You'd be much better than mine.
17:37I've had the experience, sir.
17:40Didn't that box master, sir?
17:42No, he's just saying about your left.
17:46Nothing.
17:47So when do we go down to the set?
17:49I can make an arrest.
17:50I can make a citizen's arrest.
17:52Come on.
17:52It's a citizen's arrest.
17:53We're coppers.
17:54You don't need to make a citizen's arrest.
17:55Look at the state of yours, sir.
17:57You're going, I'm a copper.
17:58I'm a copper.
17:58Look at the state of yours.
17:59Like Catwoman on a bad night, but we still make the arrest.
18:03I'm a copper, eh?
18:05Jude Law's research carries on off-duty.
18:08It's pretty action-packed, but I think it's important that you see the private life as well,
18:13the more domestic life that an officer has.
18:17Come in with me, Jude.
18:21Hello, Mum.
18:22Hello, love.
18:23Right.
18:24I'm just going to go up to my room with my friends.
18:27Can you give us a call when he's ready?
18:29Yes.
18:30Come as well.
18:33Come on, Jude.
18:38Right, we'll just do a bit of platform work from now on.
18:41Yeah?
18:42So we just patrol the platform.
18:44See the...
18:45You all right, missus?
18:48Sort of...
18:49He's made me wear this stupid hat.
18:50I mean, apparently there's supposed to be protection from spitting, you know.
18:54I just think it's ridiculous.
18:57I mean, the one thing I will say is you can't knock him.
19:00I mean, he means well.
19:03You know, we're doing it with our own sort of spare time.
19:06That's fair enough.
19:14That's it.
19:16I'll give him the mic.
19:17Damn.
19:18That's brilliant.
19:21Jude, do you want a sip?
19:22Can I try it out?
19:23It's great.
19:25All right, what a fun?
19:26I'm all right.
19:26Yeah.
19:27If you look round the walls, you'll see all my Hoover stuff.
19:32I'm fascinated by J. Edgar Hoover.
19:33But here, this is the pièce de résistance.
19:47Now, here you go.
19:50This is a real FBI badge.
19:53Genuine article.
19:55People pay a lot of money for this stuff like that.
19:57FBI.
19:58Brilliant.
20:00And I've got here.
20:04It's belonged to Hoover.
20:06The stole.
20:07The wig.
20:07The net dress.
20:09And this beautiful bodice.
20:11Which she's actually got boned.
20:12It's actually boned.
20:14It's not really my size.
20:16But Ray will put it on.
20:18Let's see if you have a full effect.
20:21I'd rather not.
20:22Ray, put it on so Jude can see what it looks like.
20:24No, I'm sorry.
20:24I'd rather not.
20:25That's an order, Ray.
20:26You're going to put it on right now.
20:27I'm going to give you some hair, Sergeant Ash.
20:30Here we go.
20:31I don't want to.
20:32Put it on.
20:33I don't want to.
20:33Now.
20:37Don't normally sit down on these runs.
20:39Bones' homemade butter has returned to haunt him.
20:45That's really got me.
20:46I'm going to stay off the dairy products from now on.
20:48No, it ain't dairy products, Bones.
20:49It's butter, innit?
20:51What do you eat the butter for, you idiot?
20:53It's curdling in your tummy.
20:54Never, never, never add to me before.
20:57I've always been fine with it.
20:59Oh, you...
21:01Oh, you shudder bastard.
21:03Oh!
21:04Oh!
21:05I can't help it.
21:06Oh, you're wrong.
21:08It's horrible.
21:11Well, the reason it looks absolutely stupid is because you're just too dour.
21:17I'm not too dour.
21:18You are dour.
21:18I can't.
21:19You're not giving...
21:19You don't want to get any dressed libs.
21:21It should.
21:22That's fine.
21:23What?
21:24Please, Ray.
21:25Don't come in.
21:27What's that?
21:28It's a television camera.
21:29They're doing a documentary.
21:31Oh.
21:32Oh.
21:32We have female company.
21:33Hello.
21:34Hello.
21:35What's your name?
21:38Mary.
21:39Oh, God.
21:40There's no toilets in between here and there.
21:44Oh.
21:45It's not funny.
21:46Shut up.
21:46It's funny.
21:47Oh.
21:49Just go up there, then.
21:51I can't go on the pavement.
21:52I'm a police officer.
21:55Oh, no.
21:56It's coming out.
21:57Give me that bag.
21:59Give me that bag.
22:01You should film him.
22:03Get up there.
22:07Oh, piss off.
22:08Can't I have a bit of privacy over here?
22:15Is anyone got a tissue?
22:18Just leave it up there.
22:19Well, how can I leave it?
22:20What if a kid opens it or something?
22:22Oh, that's disgusting.
22:24It's not that disgusting.
22:26It's a human function.
22:27A human bodily function.
22:28Everyone does it.
22:31Wait.
22:32This is so totally surreal.
22:35I feel like I'm in a for-leaning film.
22:37What's surreal about this?
22:38It's a fondue.
22:38You'll find that when you go and shoot your next movie in L.A.,
22:41everybody's be eating fondue.
22:43Do you work with me?
22:45My, um, my sister does.
22:47Oh.
22:48No, my brother does.
22:49Brother, Sergeant Ash.
22:51Oh, sorry.
22:51She's Mary Ash.
22:52Oh, mate.
22:53You look just like your brother.
22:55What do you think, sir?
22:55You do.
22:57And we've got more hair.
22:59Sorry?
23:00Pardon?
23:01More hair.
23:02What's wrong with his hat?
23:03He hasn't got anything.
23:04He has.
23:04He's not bald as a coot.
23:06He has.
23:06He's got some round the edges.
23:07He's got a hair sort.
23:08A little bit of fluff.
23:10I can't.
23:11I can't leave it for the dustman.
23:13Oi!
23:14Oi!
23:14Oi!
23:20I am an off-duty police officer.
23:23I am arresting you for actual robbery of my back on your feet!
23:34Oi!
23:35Oi!
23:35You're Nick, son.
23:36Pick up the bag, Mark.
23:38What?
23:39Pick up the bag!
23:42I ain't picking up the bag.
23:44I've got hold of the assailant.
23:45That is evidence, now.
23:47No, that's a bag of your shit in there.
23:49I ain't picking up.
23:50What's in it?
23:51That is evidence, mate.
23:52You pick it up.
23:53We've got to have that.
23:55Mary, you can come any time.
23:59That's not very nice to do, is it?
24:00Don't do that.
24:02No, that's a terrible thing to do.
24:04I didn't bring him up to do that.
24:06No.
24:07You've done that before.
24:09I've been irritated all day.
24:10I don't know what's wrong with you.
24:11I certainly didn't bring him up to do that.
24:13That's shocking bad manners.
24:15Desaad has finally found a use for Johnny.
24:18He's going to abseil him out of the window.
24:22It's like a gargoyle.
24:23A big gargoyle.
24:24A stone gargoyle.
24:25Work that loose, right?
24:27And we take that.
24:28We take that down the recognition.
24:29Oh, yeah.
24:29Nice.
24:31I see what you're saying.
24:33There's nothing to tie it to.
24:35We've had everything away.
24:36Yeah, I know.
24:36It's not a secure point in a room.
24:39What we'll do is we just hold it.
24:41I'll belay it.
24:42I'll belay it.
24:43I'll belay it.
24:44Yeah, exactly.
24:45We'll run it round you and then I'll hold it.
24:46No problem.
24:47He's all right, then.
24:49Now, work it loose.
24:50Work it.
24:51Work it.
24:51Yeah.
24:52That's it.
24:53Great.
24:53Brilliant.
24:53Brilliant.
24:54No, no, no!
25:02You know, Jude, this is something that might interest you.
25:09This is a bullet.
25:11A real bullet.
25:12It was actually found in J. Edgar Hoover's gun on the day that he and his G-Man shot John
25:16Dillinger.
25:18It's quite interesting, actually.
25:19I'm sorry.
25:20I'll never know yet.
25:20Can I have a little look?
25:21Oh, man.
25:22You might have a little look.
25:23I can at least have a look.
25:24Why don't you get them?
25:25I can't tell you get them.
25:26Oh, sorry.
25:27Nobody panic.
25:28Sorry.
25:28No one panic.
25:29It's okay.
25:31Just fish it out.
25:33That's all.
25:37Sorry.
25:41I have to smile.
25:42Because it really is quite comical.
25:44See, the trouble with these Hollywood types is Johnny Lee Miller, Jude Law, you know.
25:50They think the danger's all over, you know, as soon as the director says, cut, which, of course, it is.
25:55But they found out, didn't they, that there's no stuntmen in this industry.
26:00But, um, they'll be all right, you know, Johnny's leg is on the mend and Jude.
26:06You can live without a spleen.
26:09Meanwhile, Bissard's new sideline in Reclamation has paid off handsomely in the form of a Toyota Celica. Soft top.
26:17Hello, sir.
26:18All right, Ray?
26:19Lovely.
26:20Bit of evasive driving techniques are we showing, Johnny?
26:22Certainly are, sir.
26:23How's the leg, Johnny?
26:24Not too bad, sir.
26:26You know, it goes with the territory, doesn't it, really?
26:27I suppose it does, really.
26:28Yeah.
26:30Oh!
26:31What do I detect under there?
26:33Bit of a shine.
26:34Not your handiwork, is it, Bill?
26:36Certainly is, sir.
26:37Bit of hand-to-hand, please.
26:39Well, obviously, I've managed to soak up a lot of police activity.
26:45Well, I really feel like I have.
26:47I think I've got a lot that I can sort of start to use, the basic blocks from which we
26:51can build.
26:53And then also learned a quite interesting amount about radiators coving, ceramics.
27:01You know, the different old brands of ceramics and how much money the reclamation yard will give you for different
27:07brands.
27:07It's quite interesting.
27:09Yeah.
27:09To say, like, an armytage is, you know, not worth as much as I thought it was.
27:17The commissioner's house has been stripped bare.
27:21When's he back?
27:22I took the coving, you know, next week, sir.
27:24All the coving.
27:26Get this one, right?
27:27Every inch of copper pipe has been taken from the house, which is caused flooding, which is caved in all
27:32the ceilings.
27:34There's untold damage to the walls.
27:36There's holes knocked everywhere.
27:37All the fireplaces have gone.
27:39Give me a minute.
27:39I feel very tired.
27:41You all right?
27:42You sure?
27:44Yeah.
27:45Look, the front door.
27:46Even had the front door away.
27:49I can't believe it.
27:52Right, you sit down there a minute.
27:55All right, Gripper?
27:56All right, Bones.
27:57Can you get someone to come and bang him up, please?
27:59Yeah, all right.
28:00That's the evidence.
28:01Bag snatch, mate.
28:03Sorry?
28:03Can you label it in there?
28:05Yeah, no problems, no problems.
28:06No, I wouldn't do that if I was you, mate.
28:08Oh, f***ing hell, what is that noise?
28:11I did warn you.
28:13Biohazard it is.
28:15The hidden cameras are finally discovered.
28:18It looks odd.
28:21It's technically, isn't it?
28:21It's not bad, isn't it?
28:24F***!
28:25I'm gonna get you
28:29Ready all night, here I come
28:31I'm gonna get you
28:34Next week, the team are involved in a murder mystery investigation.
28:39I'm gonna get you
28:41Get you, get you, get you
28:45Get you
28:47You
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