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00:03Look! Look! Look, he's dead!
00:05He's dead?
00:07He's definitely dead.
00:09Ladies and gentlemen, a round of applause, please, for Mr Sherlock Holmes.
00:14Nobody move. Everybody stay exactly as they are.
00:18The first thing we must do is to ascertain the cause of death.
00:21Theories, any theories, gentlemen, please.
00:24Please, gentlemen.
00:25Sir, I think the axe may have something to do with it.
00:29The axe may have something to do with, indeed,
00:31but things are not always as they first appear.
00:34For example, this door is locked...
00:38The door is locked from the inside,
00:40therefore the assailant must have entered from this window here.
00:43That's not necessarily so, sir,
00:46because if the door was locked from the inside, how could we have got in?
00:49Yeah.
00:51Also, sir, there's a door here, look. It's open, isn't it?
01:19The good guy.
01:21The door is locked from the inside.
01:21The door is locked from the inside.
01:27The door is locked from the inside.
01:48It's week three in the retraining programme
01:50and the team are mobilised for a simulated forensic exercise.
01:57Right, we're here today on a training exercise for forensics.
02:01This shop has been broken into today.
02:03It's been a minor burglary, but we are going to treat it as a murder.
02:07I want you to go through every inch of this shop.
02:11Now, be careful, because there's an old girl in there
02:13who's had a bit of a shock with a burglary
02:15and she's got a description of the assailant.
02:18What's this all for?
02:19I was told, full dress, sir.
02:22Full battle dress?
02:23I informed everybody to be dressed.
02:24And why did you inform them to dress like this?
02:27Are they going to be attacked by jelly tots?
02:29I'll take it off, sir.
02:30No, no, you leave it on now, it's here.
02:31You're going to sweat, you've got someone to blame.
02:33Right, as you go forward...
02:37You make me feel very uncuttleable.
02:39Can you stand over there?
02:41Is that to keep it in or to let it out?
02:44Marilyn.
02:45Come out here.
02:47Just stand over here.
02:49Stand over here.
02:50Turn your hand with your decide, whatever you've got to do,
02:52but just try and act like a policeman.
02:54Please.
02:55Remember, Smegs, speedy methodical efficiency guarantees success.
02:58Okay, we know we've all done this before.
03:00Decide, get your team throw a permit around here.
03:02Strings, you're in charge of interviews.
03:04Mark fingerprints and be sparing with the dust.
03:10It's for kids, it's kiddy stuff.
03:12I know, Smegs.
03:13It's all done this before.
03:14It's for kids, right?
03:14I know.
03:15Cola cubes!
03:17Wow!
03:18Do you remember these?
03:19God!
03:20These are nice.
03:21Find the curly wordies.
03:23I'm going to have one of these milk teeth.
03:25Look for curly wordies.
03:26They're not proper anercy boards, because anercy boards are all red.
03:29It's Gladys, isn't it?
03:31Yes.
03:31Mm-hmm.
03:32Gladys, right.
03:33I'll see you there.
03:36Do you mind if I take my helmet off?
03:38Are you supposed to?
03:40Not really, but I feel a bit of a tit in it, to be honest with you.
03:43I'm not really a uniform kind of guy, normally.
03:46I'm under colour, but it's an exercise.
03:49I've had to get back in the uniform, but I won't say anything.
03:53I've got to cover my head.
03:53Should it be a normal suite?
03:55I thought we were supposed to be talking about the burglary.
03:57How about the burglary?
03:58I'm trying to put you at ease, OK?
04:01It's part of our training, is to make the victim, which you are, feel at ease.
04:07So I'm just trying to, you know, talk about something else for a minute.
04:10It's OK?
04:11Oh, all right.
04:13Actually, I should be careful with these, because I suffer from terrible IBS.
04:16You know, irritable bowel syndrome.
04:18Oh, I've heard of that.
04:19Bessard finds the first clue.
04:21It's a shattered, small window, shattered just over the toilet.
04:24Down to the glass with some tea and bread on it.
04:26Lovely.
04:27Perfect.
04:28Do you want that?
04:29Yeah.
04:30Stick it under there.
04:30Yeah.
04:31A little bit.
04:32All right.
04:32That's all right.
04:33Thank you, sir.
04:34All right.
04:35Mistrels!
04:36Great.
04:37I find it's not a really bad day.
04:39My stomach can go from a 32 to a 34.
04:42Remember the roses?
04:43Absolutely brilliant.
04:45But the jars, that was the thing.
04:46A corner shopper would say something like, yes, young man, what can I get for you today?
04:50And you'd say, well, I don't know, a quarter of so-and-so.
04:52But a quarter was the proper thing.
04:55That was the measurement.
04:55A quarter of a pound, four ounces.
04:56And you'd get, you've got a bag.
04:59And that was the thing.
05:01And look, what have we got here?
05:03What's she been hiding here?
05:05Oh, mint, handbags.
05:06I love them.
05:07These are the best, mate.
05:09These are fabulous.
05:11Look at that.
05:13Yeah.
05:14Whatever you do, don't touch the humbugs.
05:16I found a dead mouse in there last week.
05:20There you go, young man.
05:23That'll be sixpence, please.
05:26Six old pence.
05:26Six D, that was.
05:28Six old pence, two and a half P.
05:32No, we're just pretending.
05:33Come on, let's show it.
05:36I've got to fly around the universe.
05:38I think you really should be getting on with a job.
05:40Steve Zodiac.
05:41I think you're eating too much chocolate.
05:43It's giving you a sugar high, so.
05:44I'm not giving you a sugar high.
05:45I'm fine.
05:46I think it is.
05:46Look, I've found a small amount of health, you know.
05:52Next to the blood, in the toilet.
05:54I think it's from the perpetrator.
05:56Okay.
05:59I'm getting awkward.
06:00Just sit on the chair.
06:01That's it.
06:03I can't do it.
06:04I'll take this.
06:05Take it, Ray.
06:06Thank you very much.
06:07Right, shall we go and log it in, then, sir?
06:09Yeah, in a minute.
06:09There is nothing, nothing quite like a Mars bar, is there?
06:13It's a milky way.
06:14The fun milky way is right.
06:16Only the crumbliest, flakiest chocolate
06:22Tastes like chocolate never tasted before
06:28I said that was flaked, sir.
06:30What have I got, then?
06:31It's a rum bowl.
06:33What are you doing?
06:36What are you doing?
06:37What do you think you're doing?
06:39I'm looking for creamy truffles, sir.
06:40Well, don't.
06:42Calm down.
06:42You're supposed to be doing my work.
06:44You're supposed to be fingerprinting.
06:45Come on.
06:45Come on.
06:46Come on.
06:47Come on.
06:47Ray, penny shrimps.
06:49Wow.
06:51You're right.
06:52No.
06:54Oh, mate.
06:54Beautiful.
06:55Thanks.
06:57You're bigger than this.
06:58No, what you're seeing here is straightforward, basic forensic police work.
07:03There's nothing mysterious about it.
07:04In the modern police force, it's what we do all the time.
07:06Mark dusting all the bottles, jars, to get fingerprints.
07:11And by a process of elimination, we will find the culprit that perpetrated this crime.
07:16It's quite simple.
07:17Very straightforward.
07:21For the sake of this bottle, these are originals.
07:25Is this it?
07:26Original.
07:27Blackcurrence history.
07:28Fingerprints have been found.
07:31Unfortunately, D.I. Beach forgot to wear gloves.
07:35Have a word, mate.
07:36Look at this.
07:39A bloody mess, isn't it?
07:40There's powder everywhere here.
07:42What are you doing?
07:43It just needs a film, a thin film of powder to identify prints.
07:47It's not all this mess.
07:48You asked me to dust everywhere, sir.
07:50It's like a tarred boudoir in here.
07:51Having said that, sir, there are some unknown prints over there, sir.
07:56All right.
07:56Okay, now we're getting somewhere.
07:59These prints, as Mark has pointed out, can be no other.
08:04Because if you look at forensics, the more that you have of one thing, a lot more of one thing,
08:10than something else,
08:12then the easier it is to pinpoint the culprit's prints.
08:15And here we have what I've determined to be the fingerprints of the burglar.
08:23Without exception.
08:24Without question.
08:26Well, um, Dada's got a point, actually, sir.
08:29She has said that the culprit wore gloves.
08:32Ray, can we get, uh, clear everybody and everything, please?
08:36I just need...
08:37Right, can we clear everybody out of here, please?
08:39Come on, Mark, will you clear, please?
08:42Well, it's absolutely apparent, to me, anyway, but the, uh, the fingerprint evidence is not conclusive for us,
08:49so we have to realise that there's more than one way to skin a cat, so can I have some
08:53ideas, gentlemen, please?
08:54Quick.
08:55Shot?
08:57No?
08:58All right, what do we have here?
08:59Let's have a look.
08:59What have we got?
09:00We've got hair and we've got a piece of glass with blood on it.
09:03Now, what does that tell us?
09:04Hmm?
09:05Evidence.
09:05Evidence, right, what, what evidence?
09:08But it means someone's cut their head, doesn't it?
09:11Hair, glass, blood on it, head cut, head wound.
09:15So what do we do about that?
09:16What do people do who cut their head?
09:19They go to hospital, don't they, to have it sewn up.
09:23So why don't we go to hospital and...
09:29and arrest anybody who, in the last 24 hours, has been admitted with a cut on their head?
09:35Well, go on, then!
09:36Right, come on, Mark.
09:37Go on!
09:37Come on, street.
09:38And you!
09:39Yeah, come on.
09:40Come on, everyone.
09:42You saw it?
09:44I think that's a cut, isn't it?
09:46Gentlemen, please?
09:48Go on, then.
09:49Just follow along, everyone.
09:50Top shot.
09:52Over on the grass there.
09:54Mind your heads.
09:58Over there on the grass.
10:02I'm delighted to report that we have our chief suspect now, who has a small cut on his hand,
10:06but the main piece of evidence was a quarter of cola cubes here that he had secreted about his person.
10:14All we've got to do now is get a positive ID from the old lady, Gladys, and Bob's her uncle.
10:23Oh, it's delicious, aren't they?
10:26She's adamant.
10:27She don't want to do the ID parade.
10:29What is her problemin' like?
10:31She's frightened, sir.
10:32She's frightened that the perpetrator might recognise her.
10:34Jesus Christ.
10:35She's beginning to get on my bloody nerves.
10:36No, that is fair enough.
10:37She's a nice old girl.
10:38She's scared.
10:39We've got nothing in here.
10:40We've got no facilities.
10:41We need a room with a two-way mirror.
10:43Surely that's not beyond the wit of matter to find something.
10:46I'll tell you what.
10:46Leave it like a lash.
10:47I'll sort something out for you, sir.
10:49Please do.
10:49You'll be proud of it.
10:51I'll tell you what you're doing.
10:52Desaad, can you bring the suspect in, please?
10:56Come on, Ed.
10:57Here you go.
10:58Open the site there, Bill.
11:03Right.
11:03Take your time.
11:04Gladys, can you see the suspect?
11:06Yeah, yeah.
11:06I can see him.
11:07Right.
11:08Suspect.
11:09Can you see Mrs X?
11:10No.
11:12All right, Gladys.
11:13Where are you going?
11:14It's not him.
11:15He was taller.
11:17Desaad, taller, please.
11:18Taller, sir?
11:19Yeah, absolutely.
11:20Don't they?
11:22Love, two of them have.
11:23Do you want to make it?
11:25Can't get no eye, sir.
11:27Well, it's not him.
11:29Take him out.
11:31Take him out, sir.
11:32Sorry, sir.
11:36Two stars.
11:41Do you want us to solve this crime or not?
11:44Yes.
11:45Well, don't you just sit there saying it's not him.
11:49Well, how can you be so sure?
11:52Well, I saw him.
11:53All right.
11:54Describe me.
11:57Short.
11:58Fat.
11:59With mousy hair.
12:03You can see what I'm up against.
12:05Everyone knows I'm ash blonde.
12:08You know, you can't rely on visual identification as conclusive evidence.
12:14It's ridiculous.
12:15Especially when it comes from old people.
12:16I mean, quite frankly.
12:17With all due respect to the old woman, Gladys, that, you know, I'd be surprised if she can remember what
12:23she had for breakfast.
12:24There's something wrong with her eyes, Ray.
12:25She must be bloody blind.
12:26Don't make me right in the air.
12:28Look, forget this.
12:29She reckons that I was bald.
12:31Well, 10% of the time they're right, Ray.
12:36That's not very nice for me to say.
12:40I'm not totally bald, you know.
12:42This is where the decisions are made as to, well, this is where we find our culprit, find out who
12:47it is.
12:47So if I can have the hair from the suspect.
13:03I think it's that little bit there in the corner, sir.
13:23And what about the glass with the blood on it, Mark?
13:27It's in there, sir.
13:29It's in the bottle, is it?
13:30Yeah, I thought I'd keep it wet.
13:34Can we switch that off for a second?
13:35I just need a clue.
13:36It's a clue.
13:37Before we carry on.
13:42There's only one bag, sir.
13:47We've had a slight hitch.
13:51All right, complete mess-up, then, with forensics.
13:54But I want you to see something here.
13:56I'd like you to look at this charming individual here, if we can get a close-up on this lovely
14:01man,
14:01who is technically innocent.
14:06But I'll tell you something.
14:07We're not going to be looking for anyone else.
14:14What I'm going to do is rekindle the men's interest in forensics in a rather theatrical way.
14:20I'm taking them all away on a murder mystery weekend in an old manor house,
14:25full costume, with actors, to see how forensics actually operated in the olden days.
14:31And it'd be a good idea if you came along and had a look at this,
14:33because it'd be rather televisual.
14:35It'd be good for the viewers.
14:37DI Beach has written a script for the murder mystery weekend,
14:40and everyone has a part to play.
14:44May I, Hans?
14:45Please be my guest.
14:50I see that your hole's empty, sir.
14:52Would you like me to fill it for you?
14:54Please do.
14:55I can do with a good rough shag.
14:57Would you like some...
15:01Sorry, sir.
15:03Strings takes his role seriously.
15:05Mr. Holmes.
15:07Checkmate to me, I fear, Moriarty.
15:09The game's not over yet, Holmes.
15:11It's the final whistle for you, Moriarty.
15:13I'm afraid your goose is cooked.
15:14Getting closer by the minute, Watson.
15:17May I, Holmes?
15:18Please be my guest.
15:20Hmm.
15:22I deduce from this that your big white ivory...
15:27I'm kidding. Sorry.
15:28You'll not get me to sing for my supper.
15:31It'll be just porridge for you, Moriarty.
15:33But I'm the greatest living master criminal.
15:36You know, nothing but a pathetic man's before we'll take him away.
15:38I'll rest it.
15:39Getting closer by the minute, Watson.
15:41May I, Holmes?
15:42Please be my guest.
15:45Hmm.
15:46I said that your hole's empty, sir.
15:48Would you like me to fill it for you?
15:49Yes, I could do with a good rough shag.
15:52Ready, Rob?
15:54Please, fill it up, Rob.
15:57Would you like a loose fill, sir, or would you like me to stuff it in hard for you?
16:01You're making these lines up now, right, aren't you?
16:03No, no, I'm not.
16:04You are.
16:04Well, it wasn't in the script.
16:05What are you doing now?
16:06He's in this scene.
16:07He's not.
16:08He is in this scene.
16:09He's not, sir.
16:09I beg your pardon, he's not.
16:11I'm sorry, who wrote this?
16:12You wrote it.
16:13I wrote it, yes.
16:14Well, I've read it, and I know it well, and he's not in this scene.
16:16Well, you haven't read it recently, have you?
16:18What do you mean, recently?
16:19Quite clearly you haven't read it recently, otherwise you'd know that Mark Casanova is in this scene with us.
16:24Well, you might have written it, but I mean, since when is Casanova went around with Sherlock Holmes and...
16:28Well, you're right, he did it in the original story, but that's not...
16:31This is my adaptation of it.
16:33I don't want you to argue over it. I'll just go upstairs and get changed.
16:35No, no, say where you are.
16:36We're not arguing about it.
16:37We're just going to get on with the scene now, please.
16:40Look, when you play dead, you're still or you're not still.
16:43Dead people are dead.
16:44They don't move.
16:45There's no two ways.
16:46Ah, well, there are certain schools of thought that would beg to diddle with you on that.
16:51Alucard.
16:56Back, demon, seed, vampire.
17:00Back.
17:01Out.
17:07Let's just start again.
17:08A lovely touch.
17:09I know.
17:10A nice one.
17:10A lovely touch.
17:11I don't want to be here.
17:12I don't want to be here.
17:13I don't want to be here.
17:14Desard, can we go back and do that again?
17:16You look good.
17:17I'm trying to help you get the best out of your park.
17:18Jim, this is ridiculous.
17:19I mean, when you're dead, you don't move.
17:21End of story.
17:22Stop.
17:22Full stop.
17:23I've had to admit to the quality of stillness.
17:25Yeah.
17:25But it's not quite there.
17:26It's just ridiculous.
17:30It says that vampire's lit.
17:32Desard.
17:32No, mate.
17:33You drop that.
17:34All of your props, I believe.
17:35Thank you, sir.
17:35Let's have a look.
17:36I like the lighting.
17:37Yeah.
17:37Very good.
17:38Let's have a look.
17:39See where the undead live.
17:42Ladies, how are you doing?
17:43See you.
17:43Good.
17:45Good.
17:45That's all right.
17:46I'm just getting into the old vampire, you know.
17:50Yes, quite.
17:51Splendid.
17:52Splendid.
17:53Do you want a good carry-on?
17:57Great.
17:57Thank you, sir.
17:58Sergeant Ash has been told to bring Desard into line.
18:02Ah-ha.
18:04Hello, Ray.
18:05All right, Desard?
18:06Yep.
18:10I might have a little word with you about your sort of overall attitude towards this weekend.
18:17Yeah.
18:17What now?
18:18Yeah, look, can we, er...
18:21Was that in the warmer?
18:22Oh, my God.
18:23Look, can we take your camera outside, look?
18:25Can we, er, take this outside, Desard?
18:28This is a very special weekend for the government.
18:30I just don't think you're pulling your weight, mate.
18:33Yeah, but it's just I've got to wear that poxy wig.
18:35It's not, you know...
18:36We've all got...
18:37We've got the friends down.
18:39And you're not.
18:40What are you doing?
18:40You're frolicking in the pool with some young girls.
18:43So what?
18:43You shouldn't even be here.
18:46Desard.
18:46God, don't turn your back on me.
18:54But he could have given me a bit more slack, really.
18:56I mean, you know, I could have gone the whole way and laid on the floor, for example.
19:02But he made me stay on the table.
19:05It's just not showing my full range.
19:09This is how I would stand, naturally.
19:11Well, Watson wouldn't stand like that, would he?
19:14He's a military chap.
19:15He'd have his hands behind his back.
19:16Okay.
19:17Awesome.
19:18Yeah.
19:18Or smart.
19:20If you get the physicality right...
19:21Yeah.
19:22...the voice will follow.
19:23Yeah.
19:23Naturally.
19:24Yeah.
19:24That's what all actors find.
19:26Okay.
19:26So if you do the walk first, remember that he's military bearing, so he's very erect.
19:32No, not on the spot.
19:32Rock properly.
19:35Then, no, let your hands go.
19:38No, come back.
19:39Come back.
19:39It's not working.
19:40I mean, I have had reviews about my corpses.
19:45I have played bodies of another country.
19:48Now, Watson, Casanova, what does one deduce from this piece of evidence here?
19:53Well, Holmes, I would say this is a creeper of the...
19:56No, lower, lower, lower range.
19:58Yep.
19:59Okay.
20:00Okay.
20:00Getting warm.
20:01Warm.
20:02Still can't see anything.
20:03Warm up.
20:04What, the footprint?
20:04The footprint!
20:05Aha!
20:06Oh, the footprint.
20:06That's right.
20:07Now, what does the footprint tell us?
20:09Well, if I...
20:09Every footprint tells a story.
20:11Don't be so bold, sir.
20:12Go ahead, Watson.
20:14What I introduce that we have here is a sports shoe of the Adidas variety.
20:22Adidas.
20:23No, it says...
20:24How do we know it's...
20:25Adidas.
20:26How do we know it's Adidas?
20:27It says it, so...
20:28Aha!
20:29Now, what I deduce from this, Watson, is...
20:32By Jove, yes, it is.
20:34It's a middle-aged man who is not used to wearing and sporting footwear.
20:39And it's caught on fire, sir.
20:40Hang on.
20:41Put it...
20:43Oh, no, Nat.
20:44You've ruined all the evidence now.
20:47No, we don't know.
20:47There are footprints all over.
20:48We know who footprints there are, don't we?
20:50No, couldn't let you just burn, sir, couldn't we?
20:51That was going really well, for a change.
20:54No, but...
20:55You stamped all over it.
20:56It's only a matter of running upstairs and getting your trainer and putting it there again.
21:02That was real, then.
21:04We had something really good going.
21:06Yeah, but it was on fire, sir.
21:07You've ruined it, pair of you.
21:08You make me sick.
21:09The building would have caught on fire, sir.
21:13Things are not going well.
21:16People are confused with Beach's script.
21:22So, clearly, nobody's understood the concept at all.
21:26Well, not on a script I was given.
21:28I'm bringing to...
21:29I'm trying to bring together characters from British literature...
21:33Great characters from...
21:34And French.
21:35...British and French literature together in a situation that you wouldn't normally find them in.
21:40Sort of the three musketeers...
21:42Yes, exactly.
21:43So, you get the juxtaposition of the characters coming together...
21:46...as one.
21:47Yeah.
21:49Dr Moriarty.
21:50Mr Holmes.
21:54The game's not over yet.
21:56The game's not over yet.
21:59It's your Moriarty?
22:00Yeah.
22:01I'm Hans.
22:02Dr Moriarty.
22:04Mr Holmes.
22:05Checkmate to me, I think.
22:06No, this is wrong.
22:08Unfortunately, roles are being reversed.
22:14Let's get rich.
22:24No, this is wrong.
22:28No, this is wrong.
22:41No, that was right, sir.
22:42Was it?
22:43Yeah.
22:44Is that right?
22:44That's me.
22:45That's me.
22:45It's my fault.
22:46I'll tell you what was my fault that time.
22:49Okay.
22:49Let's start again.
22:51Ready?
22:51Are we still rolling?
22:53Yep.
22:55Okay.
23:24Dr Moriarty.
23:26He said, take him away.
23:28He's the criminal, not me.
23:29That's not quite right.
23:30Why would you take me away?
23:32You said, listen, Lois.
23:33You know those two actors, the one that played the Chinaman, the one that played Ben Gunn?
23:37Yes.
23:37They're not coming.
23:40It's something to do with equity and the camera and, er...
23:43I don't really...
23:44They're not coming.
23:45Ray, you've had two weeks.
23:46Two weeks to sort this out.
23:48Come on.
23:50I want replacements straight away to these people.
23:52They're not.
23:53They're not going to play the Chinaman.
23:56I can't.
23:57It wasn't my fault.
23:58I can't even look you in the face because I'm so furious.
24:01I'm sorry about you.
24:02I'm sorry.
24:03It's all it out.
24:04Now.
24:05What's he like?
24:06Let's see.
24:06This is the gardener.
24:08Is he?
24:08Oi.
24:11What are you come as?
24:13What do you look like?
24:15Eh?
24:16Well, I'm...
24:18I don't know where I'm supposed to be, the gardener or a butler, sir.
24:22You're supposed to be both, but not at the same time.
24:25Sergeant Ash has gone back to the professional actors, but they still refuse to take part.
24:30I offered them more money and they just flatly refused it and said they're taking the money.
24:34up with a union.
24:35Hmm.
24:36Hmm.
24:36So we're up a gum tree.
24:38Sorry.
24:39No, no.
24:40Don't be sorry.
24:41No.
24:42Remember, Ray.
24:43It's never a problem.
24:45It's an opportunity.
24:47It's an opportunity to shine.
24:51Beach is determined to see his theatrical ambitions realised.
24:59Right, gentlemen, your undivided attention, please.
25:03I'm about to introduce you to the greatest gumshoe of all, super dick himself, Mr Sherlock Holmes.
25:11Thank you, gentlemen.
25:13Thank you, Dr Watson.
25:14Excuse me, Jim.
25:15Um, we've got to be much longer because, er, it really is getting up now.
25:18Just shut up, please.
25:19I'm talking.
25:19I'm talking!
25:21The reason I've invited you all here, gentlemen, is because I'm about to reveal the murderer.
25:26But before I do that, I'd like to take you step by step to how I reached this conclusion.
25:33Revealing, on the way, some key witnesses who you haven't seen yet.
25:36For instance, the enigmatic, enigmatic Chinaman.
25:41Oh!
25:42Who might that be at the door?
25:44Gentlemen, let me introduce you to the villain of the piece, maybe.
25:48Mr Sherlock Holmes, er, the villain.
25:57Oh, gentlemen!
25:58I am horrible for my call.
26:01I'm Connor!
26:07No, er, sir, sorry.
26:09Are you, er...
26:10Sorry, everyone.
26:12Are you playing Sherlock Holmes?
26:14Playing a Chinaman?
26:16Or...
26:16Are you a Chinaman?
26:20What?
26:21When you're saying shut up, are you saying that within the script?
26:24Or is it...
26:25Just shut up.
26:27Is Sherlock Holmes part of the plot?
26:29Or is he investigating?
26:31I'm talking about it!
26:32Are you kidding?
26:33Teenies!
26:39It's been...
26:39It's been done.
26:40It's been done.
26:40And he's now Treasure Island.
26:42Who...
26:43This is the last hurdle, all right?
26:45So we've all agreed.
26:46Yeah.
26:46You're gonna go along with it, yeah?
26:47Okay.
26:49They're ready for you.
26:50Not coming out.
26:52Why?
26:52They're not taking me seriously, Ray.
26:55They're not taking me seriously.
26:57They're not taking me seriously.
26:57They're not.
26:59Super.
27:01I'm really confused now.
27:03No.
27:03I am really...
27:04It's quite simple!
27:06It isn't confusing at all!
27:08You're only confused because you don't pay f***ing attention!
27:12Don't you talk to me as...
27:14Are you bloody...
27:15Poncy...
27:16Mamby-pamby...
27:17Equity...
27:18Nancy boy!
27:21You can't understand it,
27:23because you've only got half a f***ing brain!
27:25You can keep the tears for me.
27:27No!
27:28No!
27:28Don't!
27:28Don't!
27:29Don't touch me!
27:30I do!
27:32Hey!
27:33Hey!
27:36Look!
27:36Look!
27:37Look at me!
27:38Can I just say something?
27:40What?
27:41I thought you were brilliant.
27:43Did you, Ray?
27:44Yes.
27:44Really?
27:45Yes.
27:46Went rather well, didn't it?
27:49Terrific.
27:49Overall, it was quite...
27:51It was terrific.
27:52Terrific.
27:55I'm gonna get you!
27:59Ready or not, here I come!
28:02I'm gonna get you!
28:05Next week, the team learn how to live off the land and survive in the wild.
28:10I'm gonna get you!
28:11Get you!
28:12Get you!
28:16Get you!
28:17Get you!
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