Los Serrano - 4x12 - Hay una rosquilla para ti - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Marcos y Eva serán pillados in fraganti por toda la familia Serrano. Enfurecido, Diego se muestra muy intransigente con Marcos, por lo que ambos enamorados deciden irse de casa. Marcos y Eva planean una cita íntima mientras toda la familia va de visita al zoo. Sin embargo, la excursión se anula debido a la lluvia y los Serrano regresan al domicilio, donde descubren in fraganti a los dos hermanastros. Fiti, por su parte, se entera de que Candela ha convencido a Pablo Rivas, un escritor amigo de Lucía, para que imparta un curso literario en Santa Justa. A pesar de que el mecánico aparenta entereza ante la idea de que su mujer rehaga su vida, convence a Santiago para que ambos se apunten al taller de literatura con el fin de sabotear dicha jornada y evitar que Candela caiga en brazos de Pablo. Además, un chico del colegio tiene atemorizado a Curro, a quien ha robado sus balones de fútbol. Aconsejado por Lucía, Diego propone a su hijo menor que dialogue con el matón para solucionar la cuestión. Sin embargo, Santiago y Fiti consideran que esa actitud va a hacer de Curro un blando, por lo que convencen a Diego para que busque una solución más masculina a dicho problema.

Transcript

00:00:30Dad and Lucia know that what I'm most excited about is seeing the dolphins.

00:00:33But it seems that when you get older, you no longer enjoy dolphins.

00:00:37And you even prefer to stay and study

00:00:39Don't bother another sister who is sick

00:00:41Come on, let's go, little worker, let's go

00:00:43See you later

00:00:43Come on

00:00:44Bad

00:00:47What's here is very good

00:00:49But very good, very good

00:00:51What's that?

00:00:54Wow!

00:00:55Irresponsible, Marcos

00:00:59Hey, hey, one thing

00:01:01Have you picked up the peanuts?

00:01:02Yeah

00:01:02We bought five kilos, Lucia

00:01:04But I mean, if it can't be given as a light

00:01:05Ah, but yes, yes, it can't be done

00:01:07Yes, come, yes they see you

00:01:08Yes, they see you.

00:01:08We have to get through this rough patch, which I'm not going to continue with.

00:01:11Please come

00:01:12It's unbearably hot

00:01:14Curro, turn on your heating.

00:01:15Go on, for Guille

00:01:16Everyone can set whatever temperature they want.

00:01:18How much do you want? 23 degrees?

00:01:2022

00:01:20It's very nice

00:01:21But we could have gone bowling.

00:01:23Or to the heat excursion

00:01:24Yes, I don't think so.

00:01:24The donkey is already very old because of these things.

00:01:26In other words, don't growl at me

00:01:27So, you love the show

00:01:29You like monkeys the most, huh?

00:01:31Monkeys are so funny, the damn things.

00:01:33But I was the one who came, don't catch me, in fact, of being

00:01:35My uncle really likes

00:01:37It's about growling and preparing

00:01:39Dad is the only one who has fun with me when we play.

00:01:42Lucía says it's because he's a big kid.

00:01:45That is

00:01:49Don't worry, son

00:01:50Don't worry

00:01:51Sometimes I'm afraid to want something too much, because it seems like it always gets jinxed.

00:02:15So I try to think of something else, but I can't.

00:02:21This family is leaving us, Lucía, they're leaving us, but how can I not have a dirty look in my eyes?

00:02:27You're provoking yourself, Lucia.

00:02:40Mr. Serrano, if you continue to act this way, we're going to have to talk, because, above all, there are

00:02:49What a lot to talk about, right?

00:02:50We need to talk, we need to talk like this.

00:02:55Everyone has changed, they leave.

00:02:58Mother, what are you doing?

00:03:00For God's sake, I'm in on it with your enthusiasm, Lucia, and with our clothes, mother.

00:03:03What did the gown say?

00:03:04What did the robe I gave you say was for someone?

00:03:07What did the gown say?

00:03:08What did the gown say?

00:03:09Marcos and Eva had had fun that afternoon playing dad and mom, but my father

00:03:13He wasn't amused at all.

00:03:15And as they played and played, they ended up wanting to have their own house.

00:03:25Of course, that really drove my father crazy.

00:03:27On a station platform, under the blazing sun, you were talking about a skyscraper in the sky

00:03:37from New York.

00:03:38Come soon to see the sea and send a postcard.

00:03:41I already knew that day was the end.

00:03:46Now I have much more.

00:03:49Red, black, odd stop.

00:03:51Finally, luck brings an ace and a crystal to look through.

00:03:55And a wall to hang it on.

00:03:57Seven smiling faces in a passport photo.

00:04:00My stories were not about tales made by chance.

00:04:05Nobody told me that destiny was giving me this opportunity.

00:04:14One plus one equals seven.

00:04:17Who would have thought?

00:04:21It was so easy to be happy.

00:04:25Who would have thought?

00:04:55I would like to be a bird.

00:04:56Stop fantasizing, ma'am.

00:04:58That there are no gardeners or Malian people who will rent you your property.

00:05:01I was sending it to you.

00:05:02Let's see what would fix it for you.

00:05:04To you.

00:05:05Currito, we'll give him a hand in the car later, okay?

00:05:10What's wrong, don't you want to?

00:05:11It's just that I don't have the courage.

00:05:14Why have you lost it, son?

00:05:16Man, to lose, to really lose, no.

00:05:20He left it with Robert Jr. and damn, he asked me for it and I gave it to him.

00:05:24You left it to Robert Junior

00:05:27No, work

00:05:29No, it was stolen from you.

00:05:30And that's because you're a coward, I'm sure they stole it from you because you're a coward.

00:05:33Come on, Guille, don't talk nonsense.

00:05:36The boy said he left it behind

00:05:37And very good, son, very well done.

00:05:39Did I take the ball from you by force?

00:05:42Really? And you didn't defend yourself or anything?

00:05:44Did you give it to him willingly?

00:05:45Look, Santi, sometimes you just don't listen.

00:05:47He didn't say that, he didn't say they took the ball away from him

00:05:49He said he left it there

00:05:50Why did he let him have it? Because Robert is a friend of his.

00:05:53And since he's a friend, well, you let friends have the balls and that's it.

00:05:55Sure, Dad, but Robert Junior doesn't have any friends.

00:05:58It's been stolen

00:05:59Because you're a sucker, that's why they stole it from you.

00:06:01The boy is right, he didn't defend himself.

00:06:04What a small mouth, pointy, pointy, cowardly

00:06:06Take it away with your hand, take it away with your hand

00:06:08And don't make me nervous.

00:06:09One thing, Curro, listen to me, I'm your father

00:06:11You've done a great job, fantastic!

00:06:13Well, you ask Robert Junior, Robert's son, to give it back to you.

00:06:16Since it's yours, then he should give it back to you.

00:06:17You ask him for it and he'll surely give it back to you.

00:06:19What's going on? Don't you get it?

00:06:21But don't you see that Curro will never see that ball again?

00:06:24Because you're a loser

00:06:25And a coward

00:06:26And that's it, it's over

00:06:28One thing, listen to me, I'm serious now

00:06:30You ask him for the ball

00:06:32And if he doesn't give it back to you

00:06:33A paw in the eggs

00:06:34But what a pain in the ass, don't make me nervous

00:06:36What a kick in the balls, no, a kick in the balls

00:06:37If he doesn't give it back to you, my son

00:06:39If he doesn't give it back to you

00:06:40Well, I'll buy you a ball.

00:06:43What's more, I'll buy you a ball and then I'll go kill myself.

00:06:44You're welcome, you're welcome

00:06:47One thing, good morning

00:06:49We'll do it in a moment

00:06:50Lucia and I have been talking about what happened yesterday

00:06:52And we are not willing to let it happen again.

00:06:56Because we understand your feelings

00:06:58And we understand about the hormones and all that.

00:07:01But this is disrespectful

00:07:04It is disrespectful to us, to your brothers

00:07:06And to the family in general

00:07:08And it can't be.

00:07:08That can't be, you have to understand our position

00:07:10Yes, Mom, but listen, who can understand us?

00:07:13But Eva, forgive me, forgive me Lucia

00:07:15But what is there to understand?

00:07:17So, we saw you rubbing yourselves against each other on our bed

00:07:20And with our clothes

00:07:21By the way, what the hell are you saying about our clothes?

00:07:24Leave it, you'd better keep quiet.

00:07:26No, don't tell me.

00:07:26So, you guys were putting on a show, damn it.

00:07:28In other words, by defiling the marital bed

00:07:30So you were reveling in the sight of your brothers, for God's sake!

00:07:32So, it's not our fault either.

00:07:33You know, you arrived earlier than you should have.

00:07:36Sorry, no, no, I haven't done well

00:07:40So, you have it ready

00:07:41So, you've deceived us.

00:07:43So, Lucía and I were thinking that it was a kind of heat-like thing

00:07:45And no, no, no, there was no intention

00:07:46In other words, there was intention.

00:07:47What do you want us to do, Dad?

00:07:48That?

00:07:49In other words, nobody gets to be alone in this house.

00:07:51And besides, you don't let us sleep outside, do you?

00:07:54Fuck

00:07:55Well, what do you want me to say, Dad?

00:07:57Quite a lot, quite a lot, we'll stop now

00:07:58But what do you mean by "quite a lot"?

00:07:59But what kind of nonsense are you spouting?

00:08:02No, listen to me

00:08:03Nobody frolics in this house

00:08:05No, no, and especially not with our clothes

00:08:06In my house, none of that happens.

00:08:08Well, uh, uh, uh

00:08:09It's our home too, you know?

00:08:11But how can it be our house?

00:08:11No, you haven't understood.

00:08:13This is my house, my house

00:08:14Because?

00:08:14Because I pay the mortgage.

00:08:15Who pays the mortgage?

00:08:16I

00:08:16Just to make it perfectly clear

00:08:18For both of us

00:08:19While you are in this house

00:08:20You do what I say.

00:08:21Because?

00:08:22Why at my house?

00:08:23Is that clear?

00:08:24In my house, things are done my way.

00:08:25That's it

00:08:25My house, yes, my house

00:08:27My treasure

00:08:28Hey, sorry

00:08:28Are you kidding me?

00:08:29I'm not messing with you

00:08:30Are you kidding me?

00:08:30No, Marco, you're messing with me.

00:08:31Repeat it to me

00:08:32Repeat it to me

00:08:33I think you're messing with me.

00:08:34Repeat it to me

00:08:34Repeat it to me, damn it

00:08:36Tell me to repeat that.

00:08:36You know what I'm saying, Dad?

00:08:37That?

00:08:38I'm leaving, I'm leaving this house, okay?

00:08:39I'm leaving your house

00:08:40Okay?

00:08:40What do you think?

00:08:41Well, if Marco leaves, I'm going with him.

00:08:42Just a moment, just a moment

00:08:44A little common sense in this house, please.

00:08:45Where are you going?

00:08:47If you don't have money

00:08:48Well, we're looking for work and whatever else we can get.

00:08:51Oh no, I'm coming for you.

00:08:52No, man, Marco

00:08:53We don't know each other.

00:08:54Well, I'm going to make it perfectly clear for you.

00:08:55In the tavern

00:08:56You don't work

00:08:57It's more

00:08:58In other words, you're not going to see a penny of mine.

00:08:59In your life

00:09:00In your life, do you understand?

00:09:01Not a penny

00:09:02Fine, because I don't want anything from you.

00:09:03I'm so glad, that's great!

00:09:04I don't work with you, Dad.

00:09:05I wouldn't work with you if you paid me.

00:09:06Well, great.

00:09:07If you're not going to work

00:09:07I'd rather starve to death.

00:09:09Okay, very good.

00:09:09Come on, let's go under a live bridge

00:09:10One day I'll give you

00:09:11One day for you to come back home repentant

00:09:13And ask for forgiveness

00:09:14One day I'll give you

00:09:14Okay, that's enough!

00:09:15Diego, fuck

00:09:16As a father, you are unbeatable.

00:09:18Very good

00:09:19You fixed it, handsome

00:09:19Really

00:09:20Let's see, what if it turns out I'm to blame?

00:09:23The thing is...

00:09:23I finished it last night

00:09:25And?

00:09:27Precious

00:09:27Right?

00:09:28Very surprising, isn't it?

00:09:30Why are you telling me about that ending?

00:09:31The gardener, his mistress, the widow

00:09:33Well, it's just beautiful

00:09:35Well, and the moment they find themselves in

00:09:37Sparks are flying

00:09:38For love

00:09:39What sensitivity this love has.

00:09:40Yeah

00:09:41You have to see how Pablo Rivas lays bare his characters.

00:09:43Pablo Rivas?

00:09:45They undress them, yes

00:09:46But inside and out

00:09:47Is something wrong?

00:09:49What's happening?

00:09:50Have you also succumbed?

00:09:52To the charms of Pablo Rivas's little novel?

00:09:55Well yes

00:09:55Yes, because she's great.

00:09:56Besides, don't get too confident, okay?

00:09:58There aren't many writers who would come to the school to collaborate like he does.

00:10:00Again, Candela

00:10:01But weren't you in Barcelona?

00:10:03Yes, but he's back

00:10:04Are you going to give a creative writing workshop?

00:10:07Yeah

00:10:07Well, it took me ages to convince him

00:10:09Because of course, that was because they thought I was crazy, remember?

00:10:11But then nothing.

00:10:12Did I convince him better, man?

00:10:14Look, I already know what this guy's courses are like.

00:10:15It's me, myself, my navel

00:10:18Me, me, me

00:10:19Yes, I liked it very much.

00:10:20And I think it's very generous of him to take the time to come and give a course

00:10:24Generoso Lurdita is mine, forgive me, but I know him like the back of my hand.

00:10:27And this guy does the courses for what he does them for.

00:10:29What's he going for? What's he going to get?

00:10:32What are you giving yourself?

00:10:33It's not a bad thing that he's your friend, is it?

00:10:35Well, let me tell you something

00:10:36I think he's a great writer

00:10:37She is sensitive without being cloying

00:10:39Explore the female world

00:10:41That, baby, isn't easy.

00:10:42Look, Candela, if she writes well, she writes well.

00:10:43But with women, it's all about timing.

00:10:46That's because she likes them all.

00:10:47Dinner, champagne, a good time, that's fine.

00:10:52And then, if I've seen you, I don't remember.

00:10:53Dinner, champagne, a good time, that's fine.

00:10:57And if I've seen you, I don't remember.

00:10:58You're making it so hot, girl, it makes me want to jump.

00:11:01Candle

00:11:01Let's see, Lucia, for the love of God

00:11:03A young writer who's good because we're going to see

00:11:07Is Pablo hot or not?

00:11:08Who's hot?

00:11:10What do you want, Raúl?

00:11:14Dad told me to give you the 100 euros for the tracksuit.

00:11:18Ah, okay.

00:11:20Raúl, darling, I'm going to arrive a little later tonight, okay?

00:11:24Because Lourdes and I started a creative writing workshop

00:11:26Who's hot, Mom?

00:11:28Because you didn't talk about Dad

00:11:29Goodbye, Raúl, you're late for class

00:11:30The class is with you, Mom.

00:11:32Mine?

00:11:38How are you, Santi?

00:11:40Which is the most beautiful ball to buy?

00:11:43Tell Fiti what happened with the other ball

00:11:45There's nothing to tell.

00:11:46What happened?

00:11:47What happened?

00:11:48What? Nothing?

00:11:49No, what happened?

00:11:50Damn, right?

00:11:51It's nonsense.

00:11:52Well, Currito has a friend, Robert Jr., Robert's son

00:11:55Well, he abuses him

00:11:56He abuses him and takes the balls away from him.

00:11:57Damn, what did you say to Currito?

00:11:59Nothing

00:11:59Let's have a dialogue

00:12:01And that he would give him another ball.

00:12:03Well

00:12:04That's it, just like I can see it.

00:12:06Lucia has interfered and you've listened to her

00:12:08Yes, I listened to him because he was right.

00:12:10And if my wife is right, then I'll listen to her.

00:12:12What's happening?

00:12:12Is that very strange?

00:12:13Goodbye, my friend, these things can't be solved with dialogue.

00:12:15The school has always been like this.

00:12:16Some give and others receive

00:12:18And if you're one of those who receive, well, that's it.

00:12:19You are marked forever.

00:12:20Are you telling yourself that you've scored?

00:12:21How do you feel about your score?

00:12:22Marked with what?

00:12:23Yes, damn it, because they start by taking the ball away from you.

00:12:24And in the end you become a loser

00:12:26And you lose respect for everyone.

00:12:27You've hit the nail on the head.

00:12:29It's a jungle, it's like a jungle

00:12:31Fuck

00:12:31What do vermin do?

00:12:33Well, they mark their territory

00:12:34As?

00:12:35Casting fairies on me

00:12:36I saw it myself in a documentary.

00:12:37Yes, but what they do, for example

00:12:39That the cheetah

00:12:40What does the cheetah do?

00:12:40The cheetah arrives there

00:12:41She stands her ground, she confronts

00:12:42And it says

00:12:43I am the cheetah

00:12:44And here, not even God hesitates me.

00:12:45What about you, really?

00:12:47So, you're comparing me

00:12:47To the cheetah with my son

00:12:49Okay, let me remind you

00:12:50That he is in third grade

00:12:53The Serengeti

00:12:53I believe school is life

00:12:54Damn, that's life.

00:12:56So, today they're teasing you at school

00:12:58Tomorrow they're taking away your university notes.

00:13:00Then they take away your parking space.

00:13:01That's a chain reaction, Diego

00:13:02Well, so you know

00:13:04I'm not going to tell my son

00:13:05Let it stick with others

00:13:05It's clear I'm not going to tell him.

00:13:07And that's it.

00:13:07I don't tell him

00:13:08I don't want it to stick

00:13:08CCC is back

00:13:10Sorry

00:13:11CCC

00:13:12Yes, yes

00:13:13Don't play dumb

00:13:14Don't you remember Expósito?

00:13:16That I was scalding you

00:13:16Well, he was the one who invented the CCC thing.

00:13:18Big-headed coward, cowardly

00:13:20Hey?

00:13:21Do you remember?

00:13:21Yes, I remember the Expósito thing very well.

00:13:22So what happens?

00:13:23So what happens?

00:13:23He abused you, he abused you.

00:13:25Until you stood up for yourself

00:13:26And that's when his nonsense ended.

00:13:27And that's the end of the CCC

00:13:28Well, those were different times.

00:13:30You know that perfectly well.

00:13:31Those were different times.

00:13:32So, as an example

00:13:33It's not worth it.

00:13:33Is it not valid?

00:13:34In other words, what it was worth to you

00:13:35It's not suitable for your son right now.

00:13:37Is that how you're going to look for him?

00:13:38If you don't face Expósito

00:13:40You should have been a shit-eater your whole life

00:13:42And that's what your son has to do.

00:13:43Otherwise, he won't get out of the hole

00:13:44Okay, fine.

00:13:46Leave me alone

00:13:47Hey?

00:13:48One day the woman will finally answer well

00:13:50Absolutely nothing is said to him.

00:13:52Hey?

00:13:53Look at Brad Pitt

00:13:54We all say it's very good

00:13:55And that doesn't mean

00:13:56That we want to have something with him

00:13:57No?

00:13:58Uh, hi

00:14:00Hello

00:14:01Hello

00:14:01What's happening?

00:14:05Hello

00:14:05What are you doing?

00:14:07Well, that's it, dude.

00:14:08We're going to live together

00:14:10Oh really?

00:14:11Yeah

00:14:11I'm there together.

00:14:14Raul, uncle

00:14:14Raúl

00:14:15We've had a rough time

00:14:16And we're leaving home

00:14:17We are looking for an apartment

00:14:19Yes, of course, of course

00:14:20Awesome

00:14:20Clear

00:14:21And independence

00:14:23Being there alone

00:14:25Know?

00:14:25You and your colleagues

00:14:27Colleagues, right?

00:14:28Because the window has been like a sin

00:14:29We'll have to share it.

00:14:30Well, I see it now.

00:14:31Well, I see it now.

00:14:31Much bad

00:14:31Let's see

00:14:32Leave it to me

00:14:34You guys are a little bit

00:14:35Piglets

00:14:36Ah, let's see.

00:14:3860 meters

00:14:39Double bed

00:14:41800 euros

00:14:43How often?

00:14:47Every month?

00:14:48Yes, well, at first, yes.

00:14:49In Valbancario we have

00:14:51The fact that?

00:14:52Okay, no, then no.

00:14:54300 euros?

00:14:57Yes, yes, yes

00:14:57Here you have to share the house

00:14:58A Roman family

00:15:01Are they good people?

00:15:04Yes, well, yes

00:15:05We've left home

00:15:06And we have nowhere to turn.

00:15:07My father was right.

00:15:09No, Marcos

00:15:10Your father was wrong, okay?

00:15:12And then we go back home

00:15:13We are together

00:15:15And we love each other.

00:15:15And that's the most important thing, okay?

00:15:20Dad

00:15:20Pedro, what's wrong?

00:15:23What's happening?

00:15:24What's happening?

00:15:26Mother

00:15:27That colorful bun

00:15:30It's a writing workshop

00:15:31Damn, you scared me, man

00:15:33Okay, well, nothing.

00:15:35Let him be entertained

00:15:35Well, she likes it a lot

00:15:37That whole book thing

00:15:38No, no

00:15:38That this workshop

00:15:39The writer gives it.

00:15:41Know?

00:15:42The writer

00:15:43The one who didn't come

00:15:44To give a short course

00:15:45To the institute

00:15:46The one about the oceans

00:15:47Of the...

00:15:47I don't know what

00:15:48Paul, this Paul

00:15:49The Pablo Rivas

00:15:50This Rivas

00:15:51This

00:15:52I have a feeling he likes it

00:15:53Dad

00:15:54Know?

00:15:54That he likes it a lot

00:15:55Know?

00:15:56That I will be here

00:15:57Dad thinking about...

00:15:58Rebuild your life

00:15:58Know?

00:15:59The other?

00:16:00No, no, no

00:16:01Come on, I mean, yes.

00:16:02That could be

00:16:02Could be

00:16:03So what happens?

00:16:04Your mother is a free woman

00:16:06You have the right

00:16:07And if he wants to rebuild his life

00:16:09Well, that's real

00:16:10But Dad

00:16:11What if she leaves with someone else?

00:16:12What's happening?

00:16:13So, what's wrong with you?

00:16:14What's wrong with me?

00:16:15Look, son

00:16:16Son

00:16:17What's important here?

00:16:19What is important?

00:16:21May you have your love

00:16:22And your love

00:16:22And don't see us arguing

00:16:24Us

00:16:25And I, I, I

00:16:26If your mother

00:16:26And your mother

00:16:27She sets about rebuilding her life.

00:16:29Right now

00:16:29I am happy

00:16:30Because she is happy

00:16:31And you have to be happy too.

00:16:32And that's it.

00:16:33There was no reason.

00:16:37There was no reason.

00:16:39Yeah...

00:16:40If the important thing is to think about her

00:16:42Know?

00:16:42Yeah...

00:16:43Of course...

00:16:45You're awesome, dad

00:16:46You're awesome!

00:16:47Look, Dad

00:16:48If you're okay

00:16:49Hey?

00:16:50I'm fine too.

00:16:51Know?

00:16:53All good

00:16:54All good

00:16:54You're the greatest, Dad

00:16:56Not bad

00:16:57That you're there

00:16:58For everything

00:17:00Come on

00:17:01Come on

00:17:02See you later, okay?

00:17:03Hello, Raúl

00:17:03I'm so proud

00:17:05Finally

00:17:05I'm so proud

00:17:06No, daughter

00:17:07Come

00:17:07Come on!

00:17:09You'll see in the end.

00:17:10No, she'll get tired of it.

00:17:11This is unstoppable

00:17:12That I lose it

00:17:13Be quiet!

00:17:14That he was proud

00:17:15Because of what you've done before

00:17:15Not because of the time

00:17:16This is not the way

00:17:17This guy

00:17:17He wants to get in there

00:17:18In the middle of a marriage

00:17:19With a child in the age of deserving

00:17:21Knowing that there is a crisis

00:17:22With predestination and treachery

00:17:26This guy has her crazy about him

00:17:28That's what he gave

00:17:29The Fiti

00:17:29The Fiti is going to give up

00:17:30The Fiti doesn't give up

00:17:31And what's more, I'm going to beat him.

00:17:32On their own turf

00:17:33The three of us are going to sign up

00:17:34To that literary course

00:17:36Yes, all three.

00:17:37Because?

00:17:38Because we have to beat them there.

00:17:39Fuck

00:17:39You have to be there

00:17:40In the workshop

00:17:41And if we need to be sensitive

00:17:42Well yes

00:17:43If we have to write about oceans

00:17:44Well, it's written about oceans

00:17:45Okay, but don't count me in.

00:17:46With me, for example

00:17:47Don't tell

00:17:47Because I have enough to deal with just my children.

00:17:48In other words, you can't count on me.

00:17:49I'm sorry, Fiti

00:17:50Well yes

00:17:50Damn, what if I go alone?

00:17:52My true colors are going to show.

00:17:53And we must prevent anything from happening.

00:17:55Between Candela and this guy

00:17:56But you don't realize it

00:17:57That's for people

00:17:58That he/she likes to read

00:17:59And you and I do

00:18:00We haven't read a book in centuries.

00:18:02We're going to get there

00:18:03And we're going to make fools of ourselves.

00:18:04And Candela

00:18:05Candela is going to have a party

00:18:06But you don't need to read a book

00:18:08Damn, we'll talk there

00:18:09A few chapters there

00:18:10We chose some chapters

00:18:11And then we write about it.

00:18:12That works

00:18:12I'm telling you.

00:18:13That works

00:18:13Besides

00:18:14I'm going to tell you something

00:18:15Lurditas has also signed up

00:18:17Well, look, I'm happy to help.

00:18:22To save your 18-year marriage

00:18:25I'm reading a book

00:18:26A 7

00:18:27And to the command

00:18:28Hello

00:18:29One thing

00:18:32Do you know anything about what Marcos is wearing?

00:18:34Have they called?

00:18:34They called

00:18:35That?

00:18:36Well, nothing.

00:18:36They said they were coming

00:18:37Go pack your things

00:18:38Coward

00:18:39Don't worry

00:18:40Don't worry

00:18:42Because in the end they're going to get in.

00:18:43So, she's a little girl

00:18:44No, Diego

00:18:44No, no, no

00:18:45Facing off against children

00:18:47It's not the best way

00:18:47If we don't achieve anything

00:18:48Look, we have to try

00:18:50Outsmart them

00:18:51So let's go

00:18:52Let's try

00:18:54Temporize

00:18:55Temporize

00:18:56Temporize

00:18:57You understand?

00:18:58What's up, Currito?

00:19:00Is something wrong?

00:19:02Hey, let's see

00:19:03Did you do what I told you?

00:19:04Did you ask Robert Jr. for the ball?

00:19:05Yes, yes, yes

00:19:06I asked him

00:19:07But

00:19:07Because I needed it.

00:19:09A little more time

00:19:11Already

00:19:12And what happened to the new ball?

00:19:14The new ball

00:19:15The thing is

00:19:16The new ball me

00:19:17He asked me

00:19:19Because I needed it.

00:19:20Come on, they've returned to you

00:19:21Let's steal the ball, right, Curro?

00:19:23I mean, Curro

00:19:24You face Robert Jr.

00:19:25You're not going to become

00:19:25What's next

00:19:26Being a shitty cop

00:19:27Hey, go for it

00:19:27What could be so cowardly?

00:19:28And hide your head

00:19:29Like an ostrich

00:19:30What good are you guys doing?

00:19:31Go on

00:19:31I'm going to wash your hands, darling.

00:19:32Are you guys crazy?

00:19:36Let's see, let's see, let's see

00:19:36Wait, listen to me, listen to me, Lucia

00:19:38We have to do something

00:19:39Damn, what about the kid?

00:19:40They're showing him off.

00:19:40That's two balls already.

00:19:41Okay, fine

00:19:42Something has to be done.

00:19:42But don't get like that

00:19:43I'm talking to Lurdita

00:19:44She's her teacher.

00:19:45And they solve it.

00:19:46And on top of that, he's snitching.

00:19:48So that he gives the other person arguments.

00:19:49So that it falls on him

00:19:49Santi is right.

00:19:50But how can Diego be right?

00:19:52Okay, listen to me

00:19:52We have to teach Curro

00:19:53Let him defend himself.

00:19:54Because since the world came to be, the world began.

00:19:55The children defend themselves

00:19:55Is that so?

00:19:56Okay, look, forgive me, Diego

00:19:57But I am a teacher

00:19:58Many years ago

00:19:58And things aren't solved by hitting.

00:20:01Okay, but precisely for that reason

00:20:02Listen to me, Tomina, for a second

00:20:03Heard

00:20:04You are indeed an educator

00:20:05And don't confront them.

00:20:06With these kinds of problems

00:20:07Because?

00:20:07Because girls don't hit each other, damn it!

00:20:08Girls shouldn't fight over dolls

00:20:10But the kids

00:20:10Since the world to the world

00:20:11Yes, it sticks.

00:20:12And so it is

00:20:12Well, what if it doesn't get hot?

00:20:14And it remains marked.

00:20:15And they catch the little salamander of the ostrich

00:20:16Okay, shut up

00:20:17Be quiet for a little while

00:20:18I know she's talking to Lucia

00:20:19But they're robbing him.

00:20:21And it all starts with a ball.

00:20:22And then it continues with the faculty notes

00:20:24And then they take away your parking space

00:20:25And it's a waterfall

00:20:26It's a waterfall

00:20:26What nonsense are you talking about, please?

00:20:28Look, I'm not going to allow it.

00:20:29Let my son go hitchhiking around there

00:20:35Look, look

00:20:36I already have it

00:20:37Let's see

00:20:38Let's see

00:20:39Lazarillo de Tormes

00:20:41Anonymous

00:20:42From Anonymous

00:20:43That doesn't ring a bell.

00:20:44Look, let's see this one

00:20:46Twenty love poems

00:20:50And a desperate song

00:20:51Pablo Neruda

00:20:53Chili

00:20:53Uh, Chilean

00:20:54This one is truly unknown, even to God.

00:20:56They need to draw on their own experiences

00:20:59Their lives are their creative power

00:21:02Feelings

00:21:04Can?

00:21:07You?

00:21:08Hello

00:21:08You, Santiago?

00:21:09Yeah

00:21:10Hey, we're coming

00:21:11Because we signed up at the last minute today.

00:21:13Here, what is the workshop

00:21:14Goes

00:21:15Please sit down

00:21:17Hello

00:21:19Hello

00:21:20Well, we've already introduced ourselves

00:21:24Why don't you tell us something about yourselves?

00:21:27I don't know

00:21:27What kind of literature do they like?

00:21:30Me

00:21:30I am fruitful

00:21:32And what I care about...

00:21:34The kind of literature that I mostly enjoy

00:21:36Well, uh...

00:21:38Literature in general

00:21:39Same as before

00:21:41Of old

00:21:42The Lazarillo de Tormes

00:21:45From Anonymous

00:21:46Well, it's just that...

00:21:49Let's see, actually we

00:21:50We're not there.

00:21:52People of many books

00:21:54We're not there all day long, going on and on.

00:21:55But we've got the bug.

00:21:57And we want to learn.

00:21:57I think it's great, eh

00:21:59I like that

00:22:00Well

00:22:01As an introduction to the workshop

00:22:03Let's write

00:22:03Imagine

00:22:06They have just gone through a breakup

00:22:08They are hurt

00:22:10And they miss their loved one

00:22:12Write about it

00:22:14They have 20 minutes

00:22:15And then we read

00:22:16I can write the saddest verses

00:22:41This is perfect for me, man.

00:22:42Nailed

00:22:43There you have it, Fiti

00:22:44They just don't realize it

00:22:46Let's see if even Diego hasn't read this

00:22:48That poetry

00:22:48Let's read some

00:22:50Fruitful

00:22:53Are you up for it?

00:22:56Well

00:22:56Okay

00:22:57Okay, I got it...

00:23:02It came out in verse

00:23:03Just like in verse

00:23:04Let's see...

00:23:05Okay, very good.

00:23:05Let's see how it goes

00:23:07I can write

00:23:09The saddest newsrooms

00:23:12Tonight

00:23:12To think that on nights like this

00:23:15I held her in my arms

00:23:17My soul

00:23:19He is not satisfied

00:23:20Having lost her

00:23:21Even if this is the last time

00:23:24I write it

00:23:25Precious

00:23:27Truly beautiful.

00:23:29That's how it turned out

00:23:30Improvising

00:23:31Yes, yes

00:23:33That's how it turned out

00:23:34I understand that

00:23:35I had things to fix.

00:23:36But anyway, the idea

00:23:37I think that...

00:23:38Be careful

00:23:39Be careful

00:23:40Because of things like this

00:23:42They give you the Nobel Prize for Literature

00:23:43It can't be that bad, can it?

00:23:46No, really

00:23:47I'm telling you the truth.

00:23:48It's more

00:23:49They handed it over to a guy

00:23:50That he wrote something

00:23:51Very similar to this

00:23:53What was his name?

00:23:55Bah

00:23:56Pablo Neruda

00:23:57The man over there with the pipe

00:23:59I propose another exercise

00:24:03For tomorrow

00:24:03What do you think of this topic?

00:24:05Is it a recurring theme in literature?

00:24:08The first time

00:24:08The first time for what?

00:24:13The first time you met

00:24:15Carnal desire

00:24:16Lourdes

00:24:17The first time they met

00:24:20Love

00:24:20Physical pleasure

00:24:22The handover of the bodies

00:24:24They are going down

00:24:28Remember

00:24:29Temporize

00:24:29If we want them to stay home

00:24:31Temporize

00:24:32Don't worry

00:24:32Okay?

00:24:40We've already picked everything up

00:24:41So we're leaving

00:24:42Very good, children

00:24:42Well, that's all, see you later

00:24:43You look happy, don't you?

00:24:46Well yes

00:24:46Yes, yes

00:24:47Because I've been

00:24:48Syncing

00:24:48And when I temporize

00:24:49Well, I see things this way

00:24:50Much clearer

00:24:51So, I think it's great.

00:24:52Leave

00:24:52You're surprised that I'm telling you this, aren't you?

00:24:57You wonder why

00:24:58Because we're in Europe

00:25:00In Norway, for example

00:25:01When do the kids leave home?

00:25:02At 19 years old

00:25:02And here in Spain

00:25:03Even more European.

00:25:05At 17 years old

00:25:05In other words, I think it's great.

00:25:07Leave

00:25:07Let me tell you something

00:25:08If Guille gets silly

00:25:10I'm moving out on my own next year

00:25:11Have you gotten anything to eat?

00:25:13No no

00:25:14Because you told us

00:25:15That you weren't going to give me anything

00:25:16It's true

00:25:17I said it

00:25:17But where I said I said I said

00:25:18I mean, Diego

00:25:19I need to start packing a bag

00:25:20With a little bit

00:25:20Cheese

00:25:22Great

00:25:22An eye sausage

00:25:24And once you have an apartment

00:25:25Well, I'll bring you the ham.

00:25:26Five stars

00:25:27Because you know one thing

00:25:28That the ham

00:25:29Makes a home

00:25:30Because you'll have a house, right?

00:25:32Yeah

00:25:32Yes, yes

00:25:34Yes, that's what happens

00:25:35They're not keeping it safe

00:25:36But

00:25:37Because we don't have to pay the bail

00:25:39They're asking us for a deposit.

00:25:40And how are you going to pay the deposit?

00:25:43And then the months?

00:25:44Because that's what a pastor will cost.

00:25:44Hello

00:25:45Lucia and I will help you, don't worry.

00:25:47And if that's not enough for you

00:25:49Well, let's make you a calón

00:25:50I'm arriving, please.

00:25:51Save this

00:25:52Okay guys

00:25:54Can you tell me how you're going to pay?

00:25:55Every month the house?

00:25:56Well, let's go look for work.

00:25:58But it's okay.

00:25:58Lucia, that's good

00:25:59Because work dignifies

00:26:00You already know.

00:26:00Yeah

00:26:01We can work things out perfectly fine.

00:26:02Because we love each other

00:26:03And that's enough.

00:26:04Ah, yes

00:26:05Love is enough, of course.

00:26:06What are you going to eat, love?

00:26:08Yes, because love is incredibly nourishing.

00:26:09And electricity

00:26:10Water, gas

00:26:11All of that is paid for with love.

00:26:12Love, love

00:26:13And much more love

00:26:14Are you all stupid, or what?

00:26:16Hey?

00:26:16Eva, you are 17 years old

00:26:18What are you studying?

00:26:19What are you going to do for work?

00:26:19And stop studying?

00:26:20Are you going to throw away this course?

00:26:21Through the window

00:26:22Over something trivial?

00:26:23Over something trivial, Eva

00:26:24It's nonsense.

00:26:25Look, Mom

00:26:26For me, Marcos

00:26:27It's the most important thing in the world

00:26:28So it's worth it to me.

00:26:29This nonsense, okay?

00:26:30Oh, really?

00:26:30Yeah

00:26:31And what, are you going to ruin your life?

00:26:32Hey?

00:26:32Due to a lack of awareness

00:26:33Think about it carefully

00:26:34It's just an instant.

00:26:35It's true

00:26:35No, no, no, forgive me

00:26:36I forgot.

00:26:37I'm talking to Ms. Conscious.

00:26:38With Doña Perfecta

00:26:39You do everything right

00:26:40Eva, don't go too far with me

00:26:41I love Marcos

00:26:42Okay

00:26:42And I'm going to fight for this relationship.

00:26:44Whatever it takes

00:26:44Oh well

00:26:45You have no idea about that

00:26:46Because everything is handed to you on a silver platter.

00:26:47Always

00:26:47Oh, really?

00:26:49Yeah

00:26:49Well, you know what I say?

00:26:50Both of you should leave

00:26:51Right now

00:26:51Yeah, I want to see you all leave here

00:26:53But just so you know

00:26:54That Diego and I

00:26:54We're not going to help each other at all.

00:26:55Well, we don't need it.

00:26:56Let's see how you manage.

00:26:56We don't need it

00:26:57We don't need it

00:26:58Well, look, the food stays here.

00:27:00Let's see how you eat every day.

00:27:01Let's go, Marcos

00:27:02And what are you on about?

00:27:13Hey?

00:27:14Hey?

00:27:14You almost bought their apartment

00:27:15Let's see, let's see

00:27:16Lucía hasn't told me to compromise.

00:27:17Well, I'm taking my time.

00:27:18But hey, but for you

00:27:19What does it mean to contemporize?

00:27:21Temporize

00:27:22So, what are you doing?

00:27:24What have you posted already?

00:27:25Let's see, right now

00:27:25Let's see

00:27:26Let's see

00:27:27The first time I made love

00:27:29It was with my sweetheart

00:27:30At the boarding house in the neighborhood

00:27:31Good

00:27:32Full stop

00:27:33We had to leave

00:27:34To the pension

00:27:35Because we didn't have

00:27:37Money for more

00:27:39A new paragraph

00:27:41What are you doing?

00:27:43Hey, this way

00:27:44Nothing, I'm just giving it a clean.

00:27:46The Fiti editorial team

00:27:47I don't know how to type, man.

00:27:49And your brother, Santi, damn it

00:27:51He has fingers like sausages.

00:27:52That gives him three keys each time

00:27:53Well, leave it, leave it

00:27:54Leave it, leave it, beautiful

00:27:55I'll help you.

00:27:56Go watch TV, you little duck.

00:27:57Sure?

00:27:58Yes, woman, I'll help you.

00:27:59Don't worry

00:28:00Sit down, walk

00:28:01What are you doing, you wretch?

00:28:03But what were you dictating to him?

00:28:04A cheap pornographic newsroom

00:28:06But you are a finger

00:28:06What are you doing?

00:28:07You're a finger

00:28:07What are you doing?

00:28:08For God's sake

00:28:08What are you doing?

00:28:09Do you know what this is?

00:28:10That?

00:28:10This is art, kid

00:28:11This is a literary exercise

00:28:13Art!

00:28:14Art!

00:28:15Go for it, really!

00:28:16What's happening?

00:28:17Curro is drawing Bambi

00:28:19Bambi?

00:28:20Yes, but that's that deer

00:28:22His mother died, right?

00:28:23This is really bad, huh?

00:28:24This is awful.

00:28:25We have to go there

00:28:25No, no, no

00:28:26It came off by your hand

00:28:27And there's no need to go there

00:28:27Let's see

00:28:27Yes, damn it

00:28:28It's for their own good.

00:28:29It's for their own good.

00:28:30That kid is really going all out.

00:28:31Yes, it's been going on for many years.

00:28:33Many

00:28:34Poor focus

00:28:35With so many women

00:28:36And so much dialogue

00:28:36Damn, we need to redirect him

00:28:38Guide him down the right path, Diego

00:28:39Look, Dad

00:28:39I think Fiti is right

00:28:41We cannot let Curro

00:28:42Be a loser your whole life

00:28:43I know.

00:28:44You're right

00:28:45We need to teach him

00:28:46To face things

00:28:47Because that can't be.

00:28:48A wretch of a man.

00:28:48And we have to teach him

00:28:49To defend oneself

00:28:50We need to take our eyes off him.

00:28:51From the tiger to that kid

00:28:52Clear

00:28:53Sure, I know.

00:28:55What needs to be done

00:28:55In other words, what needs to be done

00:28:56With Curro, it's about provoking him.

00:28:57And who better than me?

00:28:59Hey?

00:29:05Hi, Curro

00:29:06Hello

00:29:06Currito

00:29:07Hello

00:29:15What are you doing, Solana?

00:29:17Drawing

00:29:17Are you stupid?

00:29:24Oh, look what Curro has done!

00:29:26Oh, look what Villa has done!

00:29:26What broke your little drawing?

00:29:27Hey?

00:29:31Nothing, man

00:29:31I'm more talking

00:29:32That the puppy is the toilet paper

00:29:34Well, no more

00:29:35But what's he going to do, man?

00:29:40What's he going to do, right?

00:29:42If it's a chicken

00:29:43Dad, dad, dad, dad

00:29:45Dad, dad, dad

00:29:46Dad, look at that thing!

00:29:47Ah, Currito

00:29:48He called you a chicken.

00:29:49Hen

00:29:50What's happening?

00:29:51Are you going to allow it?

00:29:55You know what I'm bringing you, Curro.

00:29:57If you're going to alleviate it

00:29:58You'd better go to Maritera's room

00:29:59Let's play with her and the dolls.

00:30:00Okay?

00:30:01Hey, sissy?

00:30:02He called you a sissy, Curro

00:30:03But I am not a threat

00:30:05Defend yourself, Currito

00:30:06Defend yourself

00:30:06Defend yourself, son

00:30:07Please

00:30:07Defend yourself, man

00:30:08Chac!

00:30:13There it is, look at it

00:30:14Look at her

00:30:14The Tiger's Eye

00:30:15If you already have it there

00:30:16Look

00:30:16Curro, son

00:30:18Curro

00:30:19The first time I was with a woman

00:30:29It was with Violeta

00:30:31No, you hit it high

00:30:33I can't concentrate

00:30:34Dad

00:30:36Do you do it here?

00:30:39Are you there now?

00:30:40No, Mom doesn't eat dinner at home.

00:30:41And so I take advantage of it

00:30:42And I'm going to the movies with Afri

00:30:43Hey?

00:30:44There

00:30:44Nothing

00:30:45As?

00:30:48What do you mean your mother doesn't eat dinner at home?

00:30:50No, that...

00:30:51That she's gone to dinner with the writer

00:30:53A Ty Gardens, male

00:30:55It's not so bad, man.

00:30:56Look, take a look

00:30:57You interview him

00:30:58It's very nice

00:30:59My aunt's at home, man.

00:31:01I'm excited

00:31:01She looked like a fifteen-year-old girl

00:31:02Trying on those clothes

00:31:03So, what should I wear?

00:31:04What don't I know?

00:31:04What is straight hair?

00:31:05What is an updo?

00:31:07Yes?

00:31:07She looked beautiful, didn't she?

00:31:09Damn, I'm telling you

00:31:10Dude, and here I was, all set to stay

00:31:11That he would make his life.

00:31:12With this writer

00:31:13And he'll pass you by.

00:31:14Look, you were right, Dad.

00:31:16The truth

00:31:17Don't be selfish

00:31:18If it's true

00:31:19In other words, if she's going to be happy with him

00:31:21Well, I support her.

00:31:23Know?

00:31:23Just like you

00:31:24Hey?

00:31:25And the same goes for you, Dad.

00:31:26If you tomorrow

00:31:27You also rebuild your life

00:31:29And you get involved with the baker

00:31:31Whatever

00:31:32Know?

00:31:32I support you too

00:31:33Well, don't be surprised, okay?

00:31:35Don't be surprised that I now

00:31:36At a given moment

00:31:37I do it here, pim, pam

00:31:38And rebuild my life too

00:31:40Like your mother

00:31:40And what else can I tell you?

00:31:42Don't worry.

00:31:43Know?

00:31:43That Pablo Rivas is

00:31:44It's not that bad, really.

00:31:46Stepfather's

00:31:47Know?

00:31:47That guy's well-traveled

00:31:50Know?

00:31:50And I turn her things over

00:31:51Know?

00:31:52And thanks to you

00:31:54Well, I understand.

00:31:55Know?

00:31:56And that they are

00:31:57Well, important

00:31:58Come on, buddy

00:32:00Have a good time

00:32:00Okay

00:32:01You look great!

00:32:02Come on

00:32:03Look, look

00:32:06Almost forty years

00:32:08And he lost his bachelor status.

00:32:10Of course, his wife

00:32:12It is literature

00:32:12But it says here

00:32:13Don't mess with me before

00:32:14Look

00:32:15Your most exciting trip

00:32:16It was when he sailed up the Nile

00:32:19In a wooden boat

00:32:20This is a hack writer

00:32:22Jerk and sensitive

00:32:24That deceives them

00:32:25And with four trips

00:32:26Of these rare ones

00:32:26Look, this guy

00:32:27He almost kicked the bucket

00:32:29In Tanzania

00:32:29Because they gave him food

00:32:31Worm

00:32:31But with spice.

00:32:33And he's allergic to spicy food.

00:32:35Look

00:32:36You already have two things in common.

00:32:37You both like it

00:32:38Candle

00:32:39And they are allergic to spicy food.

00:32:41That she's going to rebuild her life

00:32:43Pussy

00:32:43That in the end he rebuilds his life

00:32:44Fuck

00:32:44That they have left

00:32:45To a Thai

00:32:46Dinner time

00:32:47A date

00:32:48That

00:32:48I don't know what to do.

00:32:50Pussy

00:32:50Let's see

00:32:52I'll think of something

00:32:53That's it

00:32:54I'm clear on that.

00:32:55I'm going to screw up

00:32:57The romantic dinner

00:32:59As?

00:33:00You'll find out soon enough.

00:33:01No, no, no

00:33:02Tonight

00:33:02We're out

00:33:03Parrot

00:33:03I'll call you

00:33:04Okay?

00:33:04You're going to mess things up.

00:33:05You're going to mess things up.

00:33:06See you later

00:33:08Come on, Dad

00:33:08See you later

00:33:09See you later

00:33:09Hello

00:33:10Hey, what's up?

00:33:12Where do you come from?

00:33:15My God

00:33:15Guys, seriously

00:33:17I'm sorry.

00:33:17Know?

00:33:18We tried.

00:33:19There to the death

00:33:20But there's just no way

00:33:21We haven't made any money

00:33:21Nothing's wrong

00:33:22No, Raúl

00:33:24I'd rather sleep.

00:33:25In a park

00:33:25Under a bridge

00:33:26Anywhere

00:33:26No

00:33:27Maybe it'll grow a little bit

00:33:28It's cold, isn't it?

00:33:30Oh well

00:33:31You're still going on about that nonsense

00:33:33When are you going to settle down?

00:33:34And go back home?

00:33:36Santiago, we're not going back home

00:33:37Okay?

00:33:38I don't want anything from my parents.

00:33:39Proud!

00:33:40Let's get married proudly!

00:33:41Well, now

00:33:42To be cold

00:33:43You can't come to my house

00:33:58Because it's fiti

00:33:59And we don't fit.

00:34:00You can't sleep in the warehouse

00:34:03At least there's a stove

00:34:05Thank you, sir.

00:34:06Not a word, Diego

00:34:09Not a word

00:34:10I think it's perfect, really.

00:34:13We fixed it up a bit and

00:34:14Our first home

00:34:16Our first

00:34:18The best one

00:34:19Hey! Hey!

00:34:23Less sexuality

00:34:24And more there

00:34:24Come on, let him run there

00:34:25Tito is perfect, really.

00:34:28That...

00:34:29I don't know

00:34:30That we'll be able to be alone

00:34:31For us right now

00:34:32It doesn't matter anymore

00:34:32That's what the hell

00:34:33As a condition for the stay

00:34:35I respect

00:34:36There's a lot of food here.

00:34:38And we must keep

00:34:39Very strict rules

00:34:40Hygiene

00:34:40So

00:34:41Respect for the site

00:34:42And I respect you.

00:34:44Yeah

00:34:44Take

00:34:46Thank you, sir.

00:34:47Frame

00:34:49This is nonsense, man.

00:34:51Why don't you settle down?

00:34:52And are you going back home?

00:34:55No no

00:34:56We can't, Tito

00:34:57Really

00:34:57Well

00:35:00My God

00:35:02Take

00:35:03As a wedding gift

00:35:04Thank you so much

00:35:06And a word to your father

00:35:08And one word

00:35:10It's coming

00:35:14It's coming

00:35:15Look how she's dressed

00:35:17It seems

00:35:17Leaving class

00:35:19Were you there?

00:35:24In New York?

00:35:25Yeah

00:35:25No, no, I was very welcome.

00:35:26Did he touch her butt?

00:35:27Did he touch her butt?

00:35:27Haven't you seen it?

00:35:28No, man, no

00:35:29He touched his back

00:35:30I'm going to teach this one.

00:35:31What is the back

00:35:32Did you see?

00:35:33This is a leg, man.

00:35:35He wants to take her from me.

00:35:36Did you bring the hot sauce?

00:35:37I've brought him everything

00:35:39Look

00:35:39The hen

00:35:40Tobacco

00:35:41And the chili pepper

00:35:42Okay

00:35:43Yes, yes

00:35:43Let's get the salads

00:35:45What are you doing here?

00:35:52Oh, my old lady

00:35:53What a coincidence

00:35:53Good night

00:35:55Good night

00:35:55Nothing, we're going to close the Chinese place down.

00:35:57And it was packed.

00:35:58And I told myself

00:35:59Okay, come on

00:35:59To Thai

00:36:00With two balls

00:36:01In short, they're going to put the same thing.

00:36:02Surely

00:36:03TRUE?

00:36:04Well, then

00:36:05Hey

00:36:05Do you mind if you don't

00:36:07Shall we all sit together?

00:36:08And so we discussed

00:36:08The thing about the writing workshop

00:36:09And things like that

00:36:10Try salads here

00:36:12I think it's

00:36:12Deathly

00:36:13Okay?

00:36:13Okay, well then

00:36:14Come on

00:36:15We put the tables together

00:36:16And so deliciously

00:36:18Here

00:36:19Open

00:36:20See how easy that is?

00:36:23My gear just slipped out.

00:36:24Well

00:36:31Thank you

00:36:33Well, I liked it

00:36:34I liked your book

00:36:35Pablo

00:36:36The one from

00:36:36Yours

00:36:37The one about oceans

00:36:38From oceans of

00:36:39This

00:36:40And that's because I

00:36:40That which to me

00:36:41What is geography?

00:36:43It's not that I go away very often.

00:36:44And don't look at me like that.

00:36:46Chucky

00:36:46That is true

00:36:46I liked the book

00:36:47Come on, sheikh

00:36:48Fiti

00:36:50You're that Fiti

00:36:52The cold cuts

00:36:53Himself

00:36:56That's me.

00:36:57Fructuoso Martínez

00:36:58The father

00:36:59Ah, 20 years

00:37:00What are we going to do at home?

00:37:01No, we're not going to do anything anymore.

00:37:02Because we are separated

00:37:03Viti, do you remember?

00:37:04Separated

00:37:05And nothing happens

00:37:06I mean

00:37:06I, let's say I am

00:37:08As the titular husband

00:37:09And if my relative

00:37:11Dinner with you

00:37:12I understand.

00:37:14I mean, I'm from the neighborhood

00:37:15But modern

00:37:17Are you alright, Pablo?

00:37:25Sorry

00:37:26I'm allergic to spicy food.

00:37:28Ah

00:37:29No, no, no

00:37:30Don't worry

00:37:32I'll bring you some rice.

00:37:32Did you see?

00:37:33Please

00:37:34Rice, rice

00:37:34Bring rice

00:37:35Yes, yes

00:37:35Thank you

00:37:37That's it

00:37:41Okay, I was going to say that.

00:37:42Excuse me

00:37:42Well

00:37:43It's not so bad, is it?

00:37:47No

00:37:47Furthermore, he thinks that

00:37:49What if there's a nuclear war?

00:37:51We have food

00:37:52At least for

00:37:53Three months

00:37:54Yeah

00:37:54Okay, Eva

00:37:59I promise you

00:38:00What am I going to find?

00:38:01Something better, really

00:38:01Although better than this

00:38:04It's not very difficult.

00:38:05No, but

00:38:05We found it together, okay?

00:38:08Okay

00:38:09Okay

00:38:09Hey, how do you imagine

00:38:14What will be our first house?

00:38:17Well, I would like that

00:38:18That it was

00:38:18Very big

00:38:20And that it had a garden

00:38:22And that it be very tall

00:38:24To see the rooftops

00:38:25I think it's going

00:38:26Which is the first

00:38:28I would like that too.

00:38:33That it was tall

00:38:33Yes

00:38:34That it has a terrace

00:38:35Oh, yes.

00:38:36To see the stars

00:38:38Yeah

00:38:39You can't see it here

00:38:40And a dog

00:38:44That's great, isn't it?

00:38:48It's so nice that we can be here

00:38:49In a good mood

00:38:50The husband

00:38:52The friend

00:38:52Well, the friend

00:38:53Whatever it is

00:38:54Because

00:38:54I want to not be conditional

00:38:56Neither

00:38:57We're having dinner

00:38:58Nothing else

00:38:58Yes, but oh well

00:39:00One day, a nice dinner around here

00:39:01Another day

00:39:02A little something to eat over there

00:39:04One thing leads to another.

00:39:05And in the end

00:39:06You surprise yourself

00:39:07Which is redoing

00:39:08And thank you very much.

00:39:09That you are so understanding

00:39:10But

00:39:10Careful

00:39:12Careful

00:39:12Me too

00:39:13I'm thinking of redoing

00:39:14I've already set my sights on that area.

00:39:16I'm telling you

00:39:17But let's see

00:39:18What I was getting at

00:39:18The one that worries me

00:39:20Look

00:39:20I feel sorry for you.

00:39:21It's Raúl

00:39:23Raúl

00:39:24Who is Raúl?

00:39:26Raúl

00:39:26Our son

00:39:28What haven't you told him?

00:39:29We have a child?

00:39:32And I would be very grateful.

00:39:33That the topic of Raúl

00:39:34We'll address that at another time

00:39:35We sat down together

00:39:36And I don't remember incorrectly.

00:39:36To talk about the workshop

00:39:37Of literature

00:39:38In the end

00:39:39Well, Caldera

00:39:40At least from Neruda

00:39:42He can talk, and talk a lot.

00:39:43Are you very spicy?

00:40:03No no

00:40:04No, I don't know.

00:40:06I'm eating the same thing

00:40:07And it doesn't beep at me

00:40:10Look, look

00:40:11Look

00:40:12Look

00:40:13Look

00:40:13Don't show me

00:40:16Was that me?

00:40:19Sorry

00:40:20Now it was my turn

00:40:21Speak?

00:40:25Runs

00:40:25Grab the paper

00:40:26Don't clean them all night

00:40:28Runs

00:40:28Nothing, Lucia

00:40:48Nothing, Diego's offline

00:40:52Hey, look, it's over

00:40:52We stayed up all night.

00:40:54We were already at the police station

00:40:56We report it and let me

00:40:57Here, I'm going to take a quick shower.

00:40:59Hello, Marcos

00:41:04Leave your message

00:41:04Marcos

00:41:06Marcos' son

00:41:08That's me

00:41:08We've called you more than a thousand times

00:41:10Please

00:41:10If you hear the message

00:41:11Answer us

00:41:12Did you hear me, Marcos?

00:41:14I'm a dad

00:41:14Fuck

00:41:16Damn, Cagún

00:41:17What a scare, damn it

00:41:18The fright almost killed me.

00:41:19Santi, really

00:41:19What, what, what

00:41:20No, no, not all night

00:41:21We haven't slept

00:41:22We haven't slept

00:41:23We haven't slept

00:41:23Okay, calm down, calm down.

00:41:27No problem

00:41:28Well, it's okay.

00:41:28I have seen

00:41:29I have seen

00:41:29What have you seen?

00:41:30Hey, if I'm referring to the other thing

00:41:33It doesn't matter, forget about it

00:41:35As if I hadn't seen anything

00:41:36What can you tell us about Marcos Lleva?

00:41:38I'm going to tell you something about Marcos Lleva

00:41:39No, don't worry.

00:41:41That Marcos carries

00:41:42They slept warm

00:41:43It is true that Marcos is wearing

00:41:45They have escaped

00:41:46But what are you doing here?

00:41:48For the same reason as you, ma'am

00:41:49But let's see

00:41:49What's happening?

00:41:50What's happening?

00:41:51What's happening?

00:41:51And to the poor who were going to sleep in the open air

00:41:53And I've left them in the tavern's storeroom

00:41:55Already

00:41:56I've already said it

00:41:56How are you all doing sleeping in the warehouse?

00:41:59As if they were two jars of olives

00:42:01And what are you going to do, ma'am?

00:42:02They are my nephews

00:42:03And is there feeling involved?

00:42:04Tell me, sir

00:42:05Tell me, sir

00:42:06Thank you so much

00:42:06Thank you

00:42:07No, no, no

00:42:11He kissed me

00:42:13Look, look

00:42:14Look how red he's turned!

00:42:16You can really tell it's centuries old.

00:42:17That the female rhyme is not

00:42:18I'm not as desperate as you are.

00:42:20I don't read books about gardeners.

00:42:22Her yellow

00:42:23How cultured you are

00:42:24So

00:42:24Clearly possible

00:42:25Pepe

00:42:27Breakfast

00:42:28Come on, kids, to school!

00:42:32Come on

00:42:32Don't talk to me, man

00:42:33What a night we've had

00:42:34So that Pablo Rivas is

00:42:37He slept hugging the toilet, I'm sure.

00:42:39This guy doesn't taste good enough for my lady, I'm telling you.

00:42:41Dad

00:42:42Come on

00:42:43What is this?

00:42:44Let's see

00:42:44This

00:42:46For work

00:42:47Not for work

00:42:49It's for work.

00:42:50Yes, Dad.

00:42:51You don't know what the room is like.

00:42:52It's covered in Bambi drawings.

00:42:54And you don't know what you're hearing.

00:42:57Andy and Lucas

00:42:59He does not swear

00:42:59Andy and Lucas

00:43:00Andy and Lucas

00:43:01This is like freckles, damn it

00:43:03And Bambi

00:43:04This kid is hopeless.

00:43:05And she's going to bring me more little wigs.

00:43:07Ah, well, this is it.

00:43:08This is it

00:43:09Very good, very good idea.

00:43:09Mortal Arts

00:43:11Face to death in Van Gogh

00:43:12This, this

00:43:13Yes sir

00:43:13Guille

00:43:14This is a really good idea, damn it

00:43:15He needs to start watching manly things.

00:43:16Stop with the silliness already

00:43:17Kitty, you're silly.

00:43:18So, how am I going to fix my son?

00:43:20These action movies?

00:43:21Are you stupid?

00:43:22Very good

00:43:22Your son is going to get a beating

00:43:24And you're not planning to do anything, are you?

00:43:25So, what's that, Guille?

00:43:26What's this about my son getting a beating?

00:43:27Let's see

00:43:27Yes, Dad.

00:43:28Robert Jr. is going to hit him this afternoon

00:43:30The whole school knows it

00:43:31And you, meanwhile, will just stand idly by.

00:43:33Look at him

00:43:34That's it

00:43:34You've already got it there with the knitting, damn it

00:43:37That kid is lost

00:43:38He's practically begging you to guide him down the right path

00:43:40Leave me alone already, okay?

00:43:41Leave me alone

00:43:41Yeah?

00:43:53Fermín, I am, I am, I am Diego

00:43:55Hi, Diego

00:43:56How are you?

00:43:57This is good, look at yourself

00:43:57You already expected badly because I am, I am very worried

00:43:59I'm very worried about my young son and his donkey.

00:44:01Oh, really? What's wrong?

00:44:02Well, you see, I'm going to try to explain.

00:44:03In other words, what we are doing

00:44:04It's about trying to instill in him what traditional values are.

00:44:07In other words, the values that help you move forward in life

00:44:10Go ahead and get out of here and out

00:44:11So that's what we're trying to do

00:44:13But the kid, I mean, Curro, isn't permeable.

00:44:15He is not receptive to what we try to teach him.

00:44:17What values are you referring to?

00:44:19Well, I'm referring to the lifelong Fermín values.

00:44:21In other words, what are typical values?

00:44:22I can't believe this little guy.

00:44:23Typical values are not being discussed in quotation marks.

00:44:24These are normal values.

00:44:26What is vocation and what is getting ahead in life

00:44:28No beating around the bush, damn it

00:44:29Excuse me, Diego, but I don't quite understand what you mean.

00:44:33Fermín, hello, how are you?

00:44:37How are you? I'm Fructose.

00:44:39Hello, hello, how are you?

00:44:40Yes, Raúl's father

00:44:42Yes, yes, Fiti, yes

00:44:43That is

00:44:43Okay, let's see, let's see if...

00:44:45The thing is, what's been happening here is that the little worker

00:44:47Well, he's soft.

00:44:48It's a soft

00:44:49He's softened because he goes out into the yard and they take it away from him

00:44:54The sandwich, they take the ball away from him and he doesn't face them

00:44:56They're doing what the ostrich does, hiding its head between a rock and a hard place

00:44:59And there's no way.

00:45:00So what we've done...

00:45:02Okay, okay, Fiti and I

00:45:03Gandhi is there

00:45:05Gandhi is fucking awesome

00:45:06Let's see, Fiti

00:45:07First of all...

00:45:08Hey, one thing, Fermín, let's leave it at that because now is the time

00:45:10Why is he explaining anything to you?

00:45:12Okay, I'll explain it to you calmly.

00:45:13I mean, yeah...

00:45:14I'll call you another time and explain it to you.

00:45:16A hug

00:45:17A hug

00:45:18Okay, so what?

00:45:33How did Pablo turn out in the end?

00:45:35What a scare, damn it!

00:45:36You should see how irritable that kid's colon is.

00:45:38Leave me alone

00:45:40Who do you think you are?

00:45:43I don't know what this workshop and dinner thing is all about.

00:45:45If you accept that I have separated it from you

00:45:47Listen to me for a moment

00:45:48Listen to me for a moment, okay?

00:45:49The workshop came about because of my own concerns.

00:45:51And the thing about the dinner that year was a coincidence, just so you know.

00:45:53By chance?

00:45:54Do you think I'm stupid?

00:45:55You come to spy on me like a fifty-year-old, Fiti

00:45:56You're pathetic, aren't you?

00:45:58Pathetic?

00:45:59Pathetic

00:45:59Pathetic, isn't it?

00:46:03I'm just telling you what's what.

00:46:04Hey?

00:46:04What there is

00:46:05So what is there?

00:46:06I don't go around dressed like a teenager to dinner

00:46:09And showing the embers, hiding information

00:46:11What's up, huh?

00:46:13That you are ashamed of your marriage

00:46:15And that you have a son

00:46:15Is that it?

00:46:16Fiti, it seems you never get tired of making a fool of yourself

00:46:19Because it's what you do best.

00:46:21Of course, if I had any doubts about whether I wanted to go out with you, I was right.

00:46:23I was already taking them off, you know?

00:46:25Maria

00:46:27Let's...

00:46:35Sorry

00:46:37Shall we read any of the literary exercises about the first time?

00:46:42We walked through the park

00:46:44There were many stars and then it happened

00:46:47I let myself be carried away by passion

00:46:51He was young

00:46:52I didn't think

00:46:53He took advantage of my moment of weakness

00:46:56AND...

00:46:57And he kissed me

00:47:00Green?

00:47:02The exercise was the first time you experienced sex

00:47:05Hey?

00:47:06Yes, yes, no, it's true

00:47:08But...

00:47:09Well, this story is also very beautiful.

00:47:10I was fourteen my first time

00:47:13I didn't know the girl very well.

00:47:15I think her name was Violeta

00:47:18I remember she had a mole on her cheek.

00:47:21Who was your girlfriend?

00:47:25Well, as much as a girlfriend

00:47:26I knew her

00:47:28Well

00:47:29She was very well known

00:47:32He always worked in the same place

00:47:34She wasn't just anyone.

00:47:37It cost me 500 pesetas

00:47:39Well, there were 300 ones.

00:47:42But Father told me

00:47:44It's not that you, my son

00:47:45That's the first time

00:47:46And you'll remember it for the rest of your life

00:47:48Cheap wallpaper

00:47:52A bare light bulb

00:47:54A sink on the wall

00:47:55It was my first date

00:47:57And the final one

00:47:59I would get pregnant

00:48:01And he would be my husband

00:48:02Two children

00:48:04We drank to cheer ourselves up

00:48:06I'm insecure

00:48:08He was insistent

00:48:10I thought love was something else

00:48:12I thought life was something else

00:48:14The boarding house wasn't the Ritz.

00:48:17We two neighborhood boys

00:48:19There were no candles.

00:48:20Not even flowers

00:48:21Not even champagne

00:48:22Nothing a little girl expects

00:48:23But there was nothing left to think about.

00:48:26There was no turning back.

00:48:28I married my boyfriend

00:48:29The only man in my entire life

00:48:32Very good, Candela

00:48:35Very good

00:48:37Very good

00:48:38There is a lot of pain there.

00:48:39And I like how you use direct storytelling.

00:48:43We could almost talk about a...

00:48:46Dirty realism

00:48:47Very good

00:48:49Very good

00:48:50Shall we continue this afternoon?

00:48:52Well, very old

00:48:53And what about me?

00:48:54Aren't you going to comment on it?

00:48:55What dirty realism?

00:48:56Shady or what?

00:48:57Add some music

00:48:58Guys

00:49:13I have found you

00:49:16A bargain

00:49:17Home and work in one

00:49:20Kid

00:49:21What do you think?

00:49:22And the best part of all

00:49:23The house costs nothing.

00:49:25You just have to do a little bit of work

00:49:27A little job?

00:49:28Yeah

00:49:28What little job?

00:49:30From Guardenses

00:49:30About what?

00:49:31From Guardenses

00:49:32So they're filming a movie in the house

00:49:34Okay?

00:49:34And you have to take care

00:49:35That's all

00:49:36Okay?

00:49:37Are they going to film abroad now?

00:49:38Hey?

00:49:39What do you say?

00:49:40That house is free

00:49:41And on top of that, they pay you.

00:49:42Do you know what I am?

00:49:43I just can't believe it

00:49:44I don't know, Marcos

00:49:46I don't know

00:49:47Maybe we should go back home

00:49:49Marcos

00:49:49This is getting out of hand.

00:49:51Eve

00:49:51What do we have to put up with?

00:49:54We have a home and a job

00:49:56Eve

00:49:56Come here for a moment

00:49:58Am I actually here, moving my voice?

00:50:08Yeah?

00:50:10Santiago has already told us

00:50:11Where did you sleep last night?

00:50:12But let's see

00:50:14Do you think this is normal?

00:50:16Sleeping in a laver storage room

00:50:18Really?

00:50:19And on top of that, involve Santiago

00:50:20Poor man

00:50:20How far do you want to go?

00:50:22With this power head?

00:50:23Well, it was just one night.

00:50:24A bit...

00:50:25One night

00:50:26Yeah

00:50:27Well, you can't imagine what a night it was.

00:50:28What have we been through, I ask you?

00:50:29Yeah

00:50:31Please, daughter, come back home

00:50:34Let's put an end to this once and for all.

00:50:35We've missed each other a lot

00:50:38All

00:50:39All

00:50:40Yeah?

00:50:46Oh, you silly old fool!

00:50:47What did you think, you fools?

00:50:49Could you go on your own with all this?

00:50:51Just a moment, just a moment

00:50:52Mom, just a moment

00:50:53Who do you think you are?

00:50:55Can't Marcos and I move forward on our own?

00:50:58Ah, very clever.

00:50:59Well, just so you know, we have a home and a job.

00:51:01Oh, so you already have a house and a job?

00:51:05Yeah

00:51:05Ah, well...

00:51:08Well then

00:51:09Glad to hear it

00:51:10Glad to hear it

00:51:12Well, then I suppose you won't mind

00:51:14Diego and I are going to meet her, right?

00:51:17I suppose you won't mind, of course.

00:51:18No

00:51:20No no

00:51:22No no

00:51:22Dinner

00:51:24Are you coming for dinner?

00:51:25Okay

00:51:26Well, at nine o'clock

00:51:28Then you give me the address

00:51:31Okay

00:51:31Have you had work done?

00:51:34Hey

00:51:34Marcos and Eva have lost their minds

00:51:45Where are they going to live?

00:51:46Tell me, where?

00:51:48Hey?

00:51:48What are you doing?

00:51:50Oops, headache

00:51:51That night I had to have dinner with Pablo.

00:51:53And I haven't stuck next to the night

00:51:54Candela, no

00:51:55No, no, no

00:51:56Damn, not with that guy

00:51:56Not with that guy

00:51:57Let's see, Teresa

00:51:58I'll talk about whatever you want.

00:51:59Nothing has happened yet.

00:52:01We're saving ourselves for New York

00:52:03Booking for New York?

00:52:06As?

00:52:07What do you mean you're leaving?

00:52:09Well, Caja Madrid has some loans

00:52:10For things like this, you'd be blown away, girl

00:52:11And you know that the Empire State

00:52:13It is 102 stories high

00:52:15Where did that guy go with the paralytic?

00:52:17It wasn't because she became paralyzed

00:52:18Okay

00:52:22Let's go

00:52:24We're all grown up now, aren't we?

00:52:27Well

00:52:27Well, the only thing that happens

00:52:28Pablo has proposed to me

00:52:30Go away with him to New York for a week

00:52:31And I'm going to leave

00:52:32Well, you already know what I think of Pablo

00:52:34And how does he relate to Lucia?

00:52:36Yes, Lucia

00:52:37But I'm not looking for a husband.

00:52:38I like my site

00:52:40I can talk to him about a thousand things

00:52:43A little bit on my skin

00:52:45Lucia

00:52:46That's almost 20 years living with Fiti

00:52:48You know what that means, right?

00:52:5120 years of football on Sundays

00:52:53Chinese food on Fridays

00:52:54Systematically

00:52:55Okay

00:52:58He's the only guy who's ever gone there in my life

00:52:59Let me get some fresh air, gorgeous.

00:53:01Alright

00:53:01Give yourself a breath of fresh air

00:53:02But this guy isn't the right guy.

00:53:04Sure, it gives you a certain air.

00:53:05And Fiti was the right uncle.

00:53:07But you love him, Candela

00:53:09And he loves you

00:53:10And now you're angry

00:53:11And you're right.

00:53:12Because he has done it

00:53:12Lucia

00:53:12I can't take it anymore.

00:53:14This is over

00:53:17You sit down there

00:53:20Don't move, okay, kid?

00:53:27There he is, Robert's son

00:53:30What's that?

00:53:31Leave me alone, I know what to do with him

00:53:32How are you, Robertito?

00:53:36Son, how are you?

00:53:37Would you like a soft drink?

00:53:38A small plate of ham?

00:53:39Would you like that?

00:53:40No

00:53:40You'll see, son

00:53:42I wanted to talk to you about Curro

00:53:44From my young son

00:53:45You already take them to class together

00:53:47And that when classes are over

00:53:48Well, you guys sometimes play ball

00:53:49And that he lets you have it from time to time

00:53:51The ball, I mean.

00:53:52What lets you do it?

00:53:54What takes them away?

00:53:54What took the ball from him?

00:53:55Shut up, shut up

00:53:56Let me shut up

00:53:57And I also know that you

00:53:59Without malice, of course

00:54:01That you sometimes take advantage of Curro

00:54:03And that's not right

00:54:05And I also know that this afternoon

00:54:06You want to hit him

00:54:07And that's not done.

00:54:09Well, friends, yes

00:54:10No abuse

00:54:11But I can't be friends with Curro

00:54:13He's a loser.

00:54:14And a dwarf

00:54:14And that's it.

00:54:15No, no, son

00:54:16That's not how it works.

00:54:16That's not the case.

00:54:17Because if everyone

00:54:17We say the same thing

00:54:18Do you understand?

00:54:18No, no, that's not how the world worked

00:54:20Imagine that Guille and I

00:54:21We are much bigger than you

00:54:22Well, we took advantage of you

00:54:23No, no, no, no

00:54:24Would that be okay with you?

00:54:25That we abused you?

00:54:25You're touching me.

00:54:26And you go straight to the child advocate.

00:54:28Damn it!

00:54:29But Dad

00:54:30I told you so.

00:54:30That kid is a pimp

00:54:31But he's a pimp

00:54:32And on top of that, he took the balls away from him

00:54:34He's laughing at us

00:54:35No, no, Guille

00:54:36No

00:54:36We need to talk to him

00:54:37In other words, dialogue is the main thing.

00:54:38Dialogue is much more important.

00:54:39And to make the child understand

00:54:40So, how much do you want?

00:54:41Why did you let my brother win?

00:54:42Well, let me win.

00:54:4340 euros

00:54:44Look, son

00:54:48Things aren't like that, are they?

00:54:49You need to think things through a little.

00:54:51Because it is not the way

00:54:52Violence and abuse

00:54:53That's not the way.

00:54:5425 euros

00:54:55And my father will treat you to whatever you want

00:54:56Deal.

00:55:00Okay, 25 euros

00:55:04I think it's a valuable

00:55:0525 euros

00:55:05But let it cost

00:55:07This isn't a bribe, okay?

00:55:08This is a little bit of money.

00:55:09We're giving it to you as a reward

00:55:10Since you're friends with a donkey

00:55:11Well, you're also a friend of the family.

00:55:12Something, to sum it up

00:55:13That your family gives you a little something.

00:55:15And you let yourself fall

00:55:16Bye

00:55:20Bye

00:55:21The guille

00:55:21The dialogue has taken root

00:55:22Hello, ta-da!

00:55:30Hey?

00:55:31Have you seen what a magnificent palace it is?

00:55:32Has Uncle Raul been found?

00:55:34I'm so tremendous

00:55:35Do I understand you?

00:55:36It's great!

00:55:36Are they really filming a movie here?

00:55:40Yeah

00:55:40Oh, well, hey

00:55:42Take care of her for me

00:55:43Hey?

00:55:43Please

00:55:43Oh ok

00:55:44And if you use the bed

00:55:45I changed my sheet, okay?

00:55:46And you will use it

00:55:47You will use it

00:55:48And this?

00:55:50Uh, next to it

00:55:51I don't know, maybe it's a police matter

00:55:53In the movie or something

00:55:54Never turn your back on a police officer

00:55:57See?

00:55:58Of police

00:55:59Hey, the kitchen is huge!

00:56:01Yeah?

00:56:01The kitchen, the kitchen is very good, huh?

00:56:03It's very nice

00:56:04This must be strong

00:56:05As?

00:56:07Marcelina

00:56:07Hmm?

00:56:10Look

00:56:10Raul?

00:56:15Raul!

00:56:16That?

00:56:16Can you come here for a moment, handsome?

00:56:19Yeah

00:56:19Oh, you can really tell it's a Spanish movie, huh?

00:56:31Raul, whose movie did you say it was?

00:56:33No idea

00:56:34Rocco

00:56:35Rocco Varela

00:56:36No, Rocco Sifredi

00:56:37Rocco Sifredi, Rocco Sifredi

00:56:38Is that Hector Porno, Raul?

00:56:39No wonder the sheets needed changing

00:56:41Where have you led us, you idiot?

00:56:44Hey?

00:56:44Where have you taken us, Raúl?

00:56:45I don't know

00:56:46Damn, they've let me have the house

00:56:47I don't know

00:56:48It's a film shoot, dude.

00:56:49No idea, nor...

00:56:50I know

00:56:50Marcos

00:56:50Your father and my mother will be here in less than three hours

00:56:53Tell me where we can find another house

00:56:55Let's see, let's see, let's see

00:56:55Don't panic

00:56:56You, in principle, are a very normal house.

00:56:59With mirrors, yes

00:57:01But very normal

00:57:02Again

00:57:07Good afternoon

00:57:08Good afternoon

00:57:09Well

00:57:11Shall we read the remaining essays?

00:57:15Fruitful

00:57:16Would you like to read yours?

00:57:29My first time

00:57:30By Fructuoso Martínez

00:57:32My first time was

00:57:35With the only woman I've ever loved

00:57:38In my 40 years of life

00:57:40She wasn't the prettiest in the group

00:57:43She was a little thin

00:57:45And my friends said I had a really bad temper

00:57:48But for me, she was mostly a queen

00:57:51Sparks flew on their first date

00:57:54I wish I'd had the money to take her to a palace

00:57:59And give her jewelry, flowers, champagne, and everything.

00:58:02But we only had enough for the neighborhood boarding house.

00:58:05A bottle of cider

00:58:07And a box of doughnuts from Casa María

00:58:10They're some rednecks from around here

00:58:12Typical

00:58:12When dawn broke

00:58:14I couldn't stop looking at her

00:58:17While she

00:58:18While she slept

00:58:19And I thought that

00:58:20He was the luckiest man in the world

00:58:23At one blow

00:58:25I had won the lottery

00:58:26The Good Lotto

00:58:27The refund

00:58:28And the blind man's coupon

00:58:29I knew I wanted to be with her

00:58:33The rest of my life

00:58:35I asked her to marry me

00:58:38And if I had had a gold ring

00:58:41I would have given it to him

00:58:41But

00:58:42I only had one doughnut on hand.

00:58:44And she said yes.

00:58:47I've had almost 20 years of awards

00:58:52And I keep thinking

00:58:53That everything important is

00:58:56Was

00:58:58Sleeping next to me

00:58:59Only with time that she

00:59:02He wanted to be with me

00:59:04It has given me so much more

00:59:06What I deserve

00:59:07Now she is gone

00:59:09And I'm sorry I didn't realize it.

00:59:11Before all this

00:59:12Very good, Fructuoso

00:59:21Very good

00:59:28Well, and you already know

00:59:29When you keep the pact

00:59:30You'll find out

00:59:31Don't worry

00:59:32Hey, sissy

00:59:40Did they turn it upside down or what?

00:59:42Leave me alone

00:59:43Sissy

00:59:44What, let me?

00:59:45Hen

00:59:45Nenaza, lemon, naza

00:59:47Nenace, hen

00:59:47Can't you see he's a coward?

00:59:51Bighead, what's up?

00:59:52Aren't you going to do anything?

00:59:53Guille, let me

00:59:53No, Dad, take me away

00:59:54We have to stop

00:59:56Don't let the flavor take effect

00:59:57Oops, I pushed him.

00:59:59I pushed him, Guille

01:00:00Huh?

01:00:01What big head?

01:00:02What's happening?

01:00:03Are you not going to answer?

01:00:03Very good, my son.

01:00:26Very good, great!

01:00:27Very well, the busaria is over

01:00:28Very good, son

01:00:28Very good

01:00:29But children

01:00:30What are the gestures?

01:00:33See? I'm not a coward.

01:00:37It happens, earn it

01:00:38Very good

01:00:39You, give me that ball.

01:00:41Give me that ball

01:00:44I've put everything in the closet

01:00:58The important thing is that they don't get in.

01:01:00Don't let them into the room

01:01:01No?

01:01:01They're not going to catch us, Marco

01:01:03No, don't ask us.

01:01:04Yes, they're going to catch us.

01:01:05Open

01:01:06Hello

01:01:13Hello

01:01:14How are you?

01:01:16Hello

01:01:16How are you?

01:01:18Well, this is the house

01:01:19Well yes

01:01:22We need to set one more place setting.

01:01:24I'm already taking an uncle

01:01:24I see

01:01:25The house looks really nice, doesn't it?

01:01:28How much does this cost us?

01:01:29Yes, because this has to be worth a shepherd, right?

01:01:31And do I know what the job entails and what it involves?

01:01:33Very easy

01:01:33Insurance salesperson

01:01:35Yes, we do everything by phone.

01:01:37Yeah

01:01:37And where's the phone?

01:01:40The phone?

01:01:41Ah, it won't be posted tomorrow.

01:01:42Not tomorrow...

01:01:43Mobile

01:01:44For now, we're doing it with our mobile phones.

01:01:46Yeah

01:01:46Do you want to see the house?

01:01:48Yeah

01:01:48Okay

01:01:49No, better that way.

01:01:51No, this way, this way

01:01:51Here

01:01:51Yeah

01:01:52The kitchen that then

01:01:53Okay, fine.

01:01:54The truth is, she cooks better.

01:01:55Well, this is the kitchen

01:01:59That...

01:02:01It's huge, isn't it?

01:02:02Yes, yes

01:02:02I've seen it as very big

01:02:03And the truth is, it surprised me a lot at home.

01:02:05Well

01:02:05And what's certain is that...

01:02:08Look, look, look

01:02:11Pejos de la pared

01:02:12Pejos del techo

01:02:14Yeah

01:02:14And this?

01:02:15And this?

01:02:16This is a round bed

01:02:17Yes, well, well, uh, Santi

01:02:19This is a decoration

01:02:20Which is now called decoration

01:02:21Modern

01:02:22Well, nothing's wrong with that.

01:02:23But as a modern woman

01:02:23This is typical of a roadside club, man.

01:02:25Yes, well, yes

01:02:26Nor should we exaggerate.

01:02:28Hey!

01:02:28But, but what are you doing!

01:02:29Oh, oh!

01:02:30Tour!

01:02:30Yes, yes, yes

01:02:31No, no, no

01:02:31It turns, well, then, okay

01:02:32If it turns, if it turns it doesn't happen

01:02:34Just let go!

01:02:34Thank you!

01:02:34No, damn it!

01:02:35Listen to me, Santi

01:02:36That my children are okay

01:02:37They have a job

01:02:38And this house is fine

01:02:39Well, if it turns

01:02:40Well, I heard it said around here

01:02:40Fuck!

01:02:41Well, I heard it said around here

01:02:42You're going to stop this!

01:02:43Damn, look!

01:02:43Already

01:02:44Look, Santi

01:02:45Santi, leave me alone

01:02:46And don't mess with me, okay?

01:02:47And this?

01:02:48And this?

01:02:49Look

01:02:49A cabaret-style hash

01:02:51It's not that I'm doing badly.

01:02:54How are you?

01:03:03A bit

01:03:04A bit

01:03:05A bit

01:03:05Yes, yes

01:03:06That?

01:03:10What is he going to say?

01:03:12Have you come here to add spice to the beer?

01:03:14What are you saying?

01:03:15No no

01:03:15I've come to say goodbye

01:03:17I heard you're going on the trip

01:03:18Yes, yes

01:03:20Leave

01:03:20I was going to tell you.

01:03:21The thing is

01:03:21No, not at all.

01:03:22Don't worry

01:03:23I don't care.

01:03:24Women

01:03:25You're going to New York

01:03:27New York, huh?

01:03:29Wow!

01:03:30There with all the buildings

01:03:32All the people

01:03:32And the things that exist

01:03:33The tower is

01:03:35From King Kong

01:03:36To which she was leaving

01:03:37Let's see

01:03:37It's a very good thing, isn't it?

01:03:40If I were you

01:03:41Well, I was leaving too.

01:03:42But for you, they are just a few.

01:03:44Too many hours on a plane

01:03:45No

01:03:45I don't

01:03:46I don't

01:03:46You

01:03:46Come on

01:03:46I see you

01:03:47I see you

01:03:48See you in New York

01:03:49I feel like it

01:03:50Take

01:03:53What is this?

01:03:55The papers of the

01:03:57From the separation

01:03:58That they already are

01:03:59I already have them signed

01:04:01So, why wait?

01:04:03No, Churri?

01:04:03Yeah

01:04:04I'm already very clear on that.

01:04:07From the newsroom

01:04:09What they have read this morning

01:04:10I already

01:04:10Come on

01:04:11I already know everything

01:04:12And you're not happy with me.

01:04:14Nor have you ever been.

01:04:16No, Churri

01:04:18That's right.

01:04:19Candle

01:04:19I'm a cheapskate

01:04:21Don't tell me

01:04:22The pension thing

01:04:23From the doughnuts

01:04:25That was romantic.

01:04:27That wasn't romantic.

01:04:28That was really tacky.

01:04:29Very, very cheap

01:04:30And without mincing words.

01:04:31It has to be said like this.

01:04:32You are absolutely right

01:04:33You deserve it

01:04:36And they have always deserved you

01:04:37Something better

01:04:37It doesn't surprise me.

01:04:39That you're fed up with

01:04:40So many football Sundays

01:04:42And so much Chinese

01:04:43Don't worry

01:04:45That I am

01:04:46Come on, great!

01:04:46Come on

01:04:47I at one point

01:04:49I am also

01:04:50I'm rebuilding my life

01:04:51Pay attention to what I'm telling you.

01:04:52The baker has her eye on me

01:04:54That's it

01:04:56I'm fine.

01:04:56That

01:04:57Don't think about me anymore

01:04:59And so

01:05:00Okay?

01:05:01And

01:05:02Excellent

01:05:04That you deserve

01:05:07Focus on what makes you happy

01:05:08Canavilla

01:05:08Okay, have a good trip

01:05:13Okay?

01:05:34Look at the camera!

01:05:35Look at the camera!

01:05:37And this?

01:05:38What do you say?

01:05:39Never turn your back on them

01:05:40To a police officer

01:05:41My God

01:05:42Well, that's because Marcos

01:05:43Be the policeman

01:05:44Whatever the thief is like

01:05:45It's going to give

01:05:46My God

01:05:46But for God's sake

01:05:47But it can't be.

01:05:48My children

01:05:49No, it can't be.

01:05:50They're having sex here

01:05:51They've moved into business

01:05:52Of those movies

01:05:53That are recorded and sold

01:05:54For sale

01:05:55No, but what you know

01:05:55It has been my fault.

01:05:57It's my fault

01:05:57I've kicked them out of the house

01:05:58And I have led them

01:05:58Because they had no money

01:05:59They left for easy money

01:06:00But no, nothing's wrong.

01:06:02I'll get Marcos out of being

01:06:03I'll put him to work in the tavern.

01:06:04I'll give it a floor

01:06:04What will be missing

01:06:04Careful

01:06:06Discreetly

01:06:08I don't want to suspect anything

01:06:09In the gaps

01:06:11But what gaps?

01:06:14We were thinking

01:06:15Uncle Santiago and I

01:06:16That job thing

01:06:17You have the insurance thing

01:06:18What have you said?

01:06:18That's what it takes.

01:06:19A little bit of life

01:06:20And Santiago told me

01:06:21I don't

01:06:21That with stuttering

01:06:23That fool who has

01:06:23Marcos

01:06:24Well, we don't see him

01:06:25We don't see him

01:06:26And in the tavern

01:06:26Reinforcements are needed

01:06:27Yes, much better to work

01:06:28In the tavern

01:06:29Which is a more familiar thing

01:06:29What are you saying?

01:06:30That with what you pay

01:06:31Well, it's not enough for an apartment

01:06:32Already

01:06:32Okay, well then

01:06:33Well, you pay more.

01:06:34Payment is made, if necessary.

01:06:35You pay double.

01:06:35And don't worry about the apartment.

01:06:36We searched the area

01:06:37The Toledo Gate

01:06:38Or the Castellana

01:06:38Or wherever it's needed

01:06:39Diego, just a moment

01:06:40Can you tell me what's going on?

01:06:41Please

01:06:42Tell him

01:06:42No, no, we shouldn't say anything.

01:06:44No problem

01:06:45No problem

01:06:46Tell him

01:06:46No beating around the bush

01:06:47What is your wife?

01:06:48That the children

01:06:49They've taken over the business

01:06:51Of movies like that

01:06:52They record there

01:06:53With the mischievous ones

01:06:54And the wives like that

01:06:55No, no, no

01:06:56Just a moment, just a moment

01:06:56Mommy, I'll explain, okay?

01:06:58I'll explain.

01:06:58It's true, it's true

01:07:00Please, it's true

01:07:01There's a room in there.

01:07:02With mirrors and cameras

01:07:04Like in the James Bond movies

01:07:04And with a round camera

01:07:06It's like a rotating one

01:07:07That's nonsense.

01:07:07Look at it

01:07:08You are welcome

01:07:09That they sell insurance

01:07:10It's a lie

01:07:11Man, this is the only thing

01:07:12What they sell is a shyness

01:07:13That get worse there

01:07:14And rising again

01:07:15And they send it to the internet

01:07:17Well, no

01:07:18Just a moment, just a moment

01:07:19With the videos

01:07:19Or the cups over there

01:07:20No, Lucia

01:07:21That's not it

01:07:21Yes, but yes

01:07:22Lucia, who is not

01:07:23But let's see

01:07:26Because I've kicked them out of the house

01:07:27I have led them

01:07:28This barbarity

01:07:29But that's fine, that's all right.

01:07:29One moment

01:07:30Mom, let's see

01:07:31Mom, listen to me

01:07:33Okay?

01:07:33Because they don't

01:07:33I'm looking forward to hearing from you.

01:07:35Let's see

01:07:35It's a lie that this is our home.

01:07:38And it's true

01:07:39Movies are filmed here

01:07:41De Rocco

01:07:42Rocco, yes, Freddy

01:07:42What is an actor?

01:07:43Yes, yes

01:07:43He's a porn actor

01:07:45But let's see

01:07:45Let's see

01:07:46We only take care of the house.

01:07:48We don't make those kinds of movies.

01:07:50Marcos, Marcos

01:07:51No, no, no

01:07:52Don't deceive me

01:07:53It's because you do it for my own good.

01:07:54Because you don't think I won't get something.

01:07:56But I was about to have a heart attack

01:07:57But they pay us, Dad.

01:07:58For taking care of the house

01:07:59How could you even think of that?

01:08:00Are we going to make porn movies?

01:08:01Dad, for God's sake

01:08:01No, no, no

01:08:03Sick mind

01:08:04No no

01:08:04Sick mind

01:08:05Hey, come on in, sugarcane workers

01:08:14You're keeping quiet

01:08:15I said, damn it

01:08:16Enough of this nonsense

01:08:19Look, right now

01:08:21Are you going to pack your bags?

01:08:22And we're leaving.

01:08:23Home

01:08:24Is that clear?

01:08:25Home

01:08:25And not another word.

01:08:27I was there for several years

01:08:28Teaching at New York University

01:08:30Teaching Ibero-American literature

01:08:33And I adapted very well to their way of life

01:08:35Hey, Candela

01:08:37Our first trip together to New York

01:08:40We didn't have a penny.

01:08:47And we had to

01:08:49To save

01:08:50We went camping

01:08:51With the tent

01:08:52From my cousin Manolin

01:08:53How cold!

01:08:54Fuck

01:08:56Do you remember that we didn't feel like it?

01:08:58No topic?

01:09:01Pussy

01:09:01That night was

01:09:03The one you told me about

01:09:05That you were pregnant

01:09:06I've already gotten over it

01:09:07The cold for life

01:09:08We threw ourselves

01:09:09We were awake all night

01:09:10Thinking about what to name the baby?

01:09:12No no

01:09:12Thinking no

01:09:13Discussing

01:09:14That you had to be called

01:09:15Fructuoso Junior

01:09:16Yes, we had to fire him

01:09:18Now I'm remembering

01:09:19Rock, paper, scissors

01:09:21Of this

01:09:21Yes, I won

01:09:22Fuck

01:09:23Fructuoso Junior

01:09:24It was going to be called

01:09:24Yes, well

01:09:25But then I talked you out of it

01:09:26Well

01:09:27No

01:09:28I still have my head

01:09:29The thing is

01:09:30At the time

01:09:31I traded it for a

01:09:32By a morning newspaper

01:09:34From this

01:09:34Well, I remember.

01:09:36That's why the kid is called Raúl

01:09:37That after that morning

01:09:39As if you had told me

01:09:40His name was Marilyn Manson

01:09:41As if it hadn't mattered to me at all

01:09:43That he would have entered anyway

01:09:44If I don't take a trip every year...

01:09:46I feel like I'm drowning in Barcelona

01:09:48Always seeing the same faces

01:09:50The same people

01:09:51The same streets

01:09:52I don't know

01:09:53The truth is that

01:09:54I got a little annoyed

01:09:55People are like

01:09:56That it has to go out

01:09:58All the time

01:09:59To be happy

01:10:00I

01:10:01Let me say one thing

01:10:02With work

01:10:03And the three of us will have dinner there with Raúl.

01:10:05And watch TV for a while

01:10:07I don't need any more.

01:10:09I know.

01:10:10And I already know you.

01:10:11I

01:10:12Just getting up in the morning is enough for me.

01:10:15And seeing your toothbrush there

01:10:18Brand new

01:10:19Next to mine

01:10:20With the bristles a mess

01:10:22Mainly

01:10:26That's enough for me.

01:10:28Mainly

01:10:30Candle

01:10:31What do you think?

01:10:34You mostly said

01:10:35Already?

01:10:37Sorry

01:10:38I didn't hear what you said.

01:10:39As?

01:10:41I was telling you that you were very brave.

01:10:43By taking this step

01:10:43Most people

01:10:47It wouldn't be worth that much.

01:10:48Because it's very difficult

01:10:51Realize

01:10:52That your life up to this moment

01:10:53It was shit

01:10:54And that you have to change it

01:10:55We have to go pick up our suitcases.

01:11:03Remember that our grandfather leaves at twelve.

01:11:06The note, please

01:11:10Forgive me

01:11:12If ever

01:11:15I made you cry, eyes of heaven.

01:11:20Forgive me

01:11:21If ever

01:11:24I stole a "I love you" from your lips.

01:11:29Forgive me

01:11:31They're probably already crossing the pond

01:11:55But

01:11:58You were pathetic.

01:11:59It's quite

01:12:00I'm going to crawl to Santi

01:12:03Pussy

01:12:03I behaved like a man

01:12:04I told him to leave

01:12:05Well, she

01:12:07It's good that they use emotional manipulation when they want to

01:12:11They catch us

01:12:12I don't play it.

01:12:13Fuck

01:12:16I just start crying

01:12:17And I get a craving

01:12:18That he doesn't see

01:12:18Take out a little bit of the loin

01:12:19Go on

01:12:20What is it?

01:12:20I'm really a little

01:12:21Loose

01:12:22It's closed

01:12:30And another reed comes out

01:12:32Go on

01:12:33So that it happens

01:12:33Well

01:12:43I'm going to start picking them up

01:12:45You've forgotten something

01:12:51Or do you want me to take you to the airport?

01:12:52Or something

01:12:53No

01:12:54The thing is

01:12:55It's just that in New York

01:12:57I've been thinking about it

01:13:00And you leave

01:13:01And you're leaving right now

01:13:02To travel up the Nile

01:13:04Both

01:13:05No

01:13:05It's not that

01:13:07I've been thinking that if I ever go to New York

01:13:10The first thing I would do would be

01:13:12Go to that King Kong building

01:13:15To see the mask I would wear

01:13:17What would I put?

01:13:22Yes, because

01:13:23If I ever go to New York

01:13:25Or to the Nile

01:13:25Or wherever

01:13:26I would like it to be with you.

01:13:29If you still love me, of course.

01:13:33But

01:13:36And Pablo?

01:13:38Pablo

01:13:39Well, it's just that

01:13:41I have a problem with Pablo

01:13:43It's just that I don't want him

01:13:46Because I'm in love with you

01:13:50That

01:13:51It's a misfortune like any other.

01:13:52Other people steal it from the car

01:13:54Or he/she has allergies

01:13:55And so

01:13:55And I'm in love with you

01:13:57But you had told me that Pablo

01:14:03She was the ideal person

01:14:04That he was cultured

01:14:05And that she was sensitive

01:14:06And so

01:14:06Not anymore

01:14:07Yes, yes

01:14:08But it has a flaw

01:14:10It's just that it's missing one thing

01:14:11Very important

01:14:12What's missing?

01:14:17It's just that he doesn't

01:14:17It doesn't say

01:14:18Mainly

01:14:20Well, that's it.

01:14:48Because Lucia and I

01:14:49We want you to come home

01:14:50And that you stop once and for all

01:14:52That dirty Big Brother guy

01:14:53Because enough is enough.

01:14:53I mean, really

01:14:54Okay, guys

01:14:54Because you have to study

01:14:56You have to be in a place

01:14:57One you can focus on

01:14:59That's all

01:15:01Anything else to add, Diego?

01:15:02No

01:15:03Okay, then it's your turn.

01:15:05I'm speaking

01:15:06Well, we

01:15:09Us too

01:15:10We are ready

01:15:11Going back home

01:15:11Provided that they are met

01:15:12A series of conditions

01:15:13What do we have here?

01:15:14And above all

01:15:16Please respect our relationship

01:15:18What relationship, Eva?

01:15:18Let's see, what relationship

01:15:19What relationship?

01:15:20Please

01:15:20Ernesto, won't you let us talk?

01:15:24Will you let them exhibit?

01:15:25Okay, what do you mean?

01:15:26With your relationship?

01:15:27In what sense?

01:15:28No, no, it's just that if the meaning

01:15:29It's for what I'm thinking

01:15:31In other words, if he goes because

01:15:32This house is going to be a joke

01:15:33I'm telling you in advance

01:15:34No

01:15:35I mean, I don't want to be in this house

01:15:36Not even to chugs

01:15:37No shows

01:15:37Nothing.

01:15:38Is that clear?

01:15:39Well, the negotiation is over

01:15:41Thank you

01:15:41That's great!

01:15:42Well, it's over.

01:15:42One moment

01:15:42Please

01:15:44Please, one moment

01:15:45Seat us

01:15:47That is

01:15:48We hear you, right?

01:15:51Yeah

01:15:51We listen

01:15:52Let's see

01:15:53Well, you see

01:15:55We believe

01:15:56Which isn't too much to ask.

01:15:56Let some gesture be respected.

01:15:58With affection

01:15:58In the common areas

01:16:00Like cooking

01:16:00Or the living room

01:16:01Whatever comes out naturally

01:16:02Without restraint

01:16:03Without restraint

01:16:04But with decorum

01:16:04With decorum

01:16:05With decorum

01:16:06Okay

01:16:06No, one thing is missing.

01:16:09We want freedom

01:16:11So we can go abroad

01:16:12Some weekend

01:16:13What other

01:16:13Alone?

01:16:17Alone, Diego

01:16:17Alone

01:16:18Already

01:16:19And who doesn't pay for that?

01:16:20And who doesn't pay for that?

01:16:21Yes, Lucia

01:16:21So, on top of that

01:16:22We're going to pay him

01:16:22Every weekend

01:16:23A small hotel in the mountains

01:16:24So that they do what we know

01:16:25The others who are doing

01:16:26Because we know it perfectly well.

01:16:27Do you know what's happening to me again?

01:16:28I'm hearing the choirs again.

01:16:29I hear them here again

01:16:30Incest

01:16:31Incest

01:16:32Incest

01:16:32And I'm watching

01:16:33I'm watching my children there, enjoying themselves.

01:16:35Reveling

01:16:36Enjoying

01:16:36I'm watching it

01:16:37There is no agreement.

01:16:38Diego

01:16:38There is no

01:16:38Yes, there is an agreement.

01:16:40Because I want the boys to live at home

01:16:43Okay, I understand what you're saying.

01:16:49There has to be mutual respect

01:16:51Well, that's great.

01:16:52Well, from now on

01:16:53I am blind, mute, and deaf.

01:16:55So, I'm going to play dumb.

01:16:56And you can do whatever you want

01:16:57Yes indeed

01:16:58Without me knowing

01:16:59I don't want to know anything about it.

01:17:01Is that clear?

01:17:01Okay, so we're in agreement, right?

01:17:03Yeah

01:17:03OK?

01:17:04There is agreement

01:17:05Well, we have, uh

01:17:07Let's say we've done some

01:17:08I have written to us

01:17:09Marcos, okay

01:17:10Good night

01:17:12Just a moment, just a moment

01:17:16I want to go to the police too, okay?

01:17:20Let's see

01:17:20These are my requests

01:17:21Let's see

01:17:21Five hours of beauty and console

01:17:23Hey, an Iberian loma sandwich

01:17:24Every day

01:17:25One shower a week

01:17:26And well, more food

01:17:27For when I go to the bathroom

01:17:28I'm bored

01:17:28Diego, are you going to give him a slap on the back of the head?

01:17:33Or should I give it to him?

01:17:34Okay, please.

01:17:34Yeah

01:17:41I don't understand

01:17:43Lurditas, but you already know

01:17:43They are children

01:17:44Sure, sure, sure

01:17:46No, no, no

01:17:46I'll talk to him

01:17:47Come on

01:17:48Okay, thank you very much, huh?

01:17:50Yes

01:17:51Okay, see you later

01:17:52What, what, what?

01:17:54Do you know who he was?

01:17:55Lurditas

01:17:56AND?

01:17:57Talking to me about

01:17:57Curro

01:17:58From Curro

01:17:59Okay, Diego

01:18:00He told me that your son

01:18:01He's become a thug

01:18:03Who abuses his colleagues

01:18:04Who, Curro?

01:18:05Yes, Curro

01:18:06Let's see, let's see

01:18:06That can't be.

01:18:07Lucia, please

01:18:07But Curro is Gandhi.

01:18:08I mean, Curro

01:18:09What is Gandhi?

01:18:11Who's in there?

01:18:13Okay, so what's happening?

01:18:16Look, Diego

01:18:17Or you talk to him

01:18:19Or should I speak?

01:18:19I'll speak, I'll speak

01:18:20Okay

01:18:20How are you, Currito, son?

01:18:28As?

01:18:29How cool is that music?

01:18:32Can you lower it a little, handsome?

01:18:35Take it down!

01:18:36Very good, son

01:18:41How did he/she get on at school?

01:18:42Good

01:18:43You already saw it

01:18:43I'm a worker

01:18:45Yeah

01:18:45And listen

01:18:46And those balls?

01:18:47Well, these balls are mine

01:18:48These are the ones you gave me.

01:18:50And these are the ones who take things away from the children.

01:18:52As?

01:18:53Oh, no

01:18:53Okay, son

01:18:54Let's see

01:18:54What's this about you taking them away from the children?

01:18:57But that's what you wanted

01:18:58What was it that I...?

01:19:00No

01:19:00No, work

01:19:01You'll see

01:19:01Yes, sit down, son

01:19:02Sit down

01:19:02Let's see

01:19:05What I wanted was for you to defend yourself.

01:19:08Not that you should go around taking balls away from children.

01:19:10Do you understand?

01:19:11So, you can't become a thug now.

01:19:13You can't become something you hate.

01:19:15But Dad, people respect me

01:19:18Already

01:19:19Just like you when you hit that foundling

01:19:21Oh my God, what a mess I've made!

01:19:23I'm going to tell you a secret, son

01:19:25The truth is, I never hit a foundling.

01:19:30No

01:19:30In other words, you don't have to follow an example

01:19:32And listen to me, because what I'm about to tell you is important.

01:19:34But I love you just the way you are

01:19:37Because I already have your brother Guille and your uncle Santiago for donkeys.

01:19:40So, I'm very proud of you

01:19:42And I don't want you to change.

01:19:44Okay?

01:19:49Hey, Dad

01:19:49That?

01:19:50Did they beat you up when you were little?

01:19:52Man, to hit me, what you'd call hitting me

01:19:53Yes, they would hit you.

01:19:54Yes, they would hit you.

01:19:55You're right, kid.

01:19:56But Santi, Santi, let him be

01:19:57Don't touch me with your little hand, you're making me nervous

01:19:58Leave it be because he's already cleared it up with the child

01:20:00Is it clear now?

01:20:00Well, and how cool!

01:20:01She ordered me to defend her

01:20:03Because he wasn't moving his muscles.

01:20:04So, your grandfather ordered me to defend her

01:20:06Because it was CCC

01:20:07CCC, CCC

01:20:08I'm going to tell you something

01:20:10Me, me, what happened to me is that I didn't want to take advantage of people

01:20:12Do you understand?

01:20:12Because ever since I was little I've been rather on the stocky side.

01:20:14But with a beak, unlike others

01:20:16Because things get sorted out by talking.

01:20:18Do you understand?

01:20:19You don't understand, no

01:20:19Because you are a CCC

01:20:20CCC

01:20:21It's you

01:20:22Short, big-headed, scrawny, and Neanderthal

01:20:25Do you understand?

01:20:25You are a Cro-Magnon

01:20:26And that you always defended yourself with spitting and kicking

01:20:29A offered

01:20:29But this is not

01:20:30Is that what you tell your brother?

01:20:32To my brother, yes

01:20:32Your brother?

01:20:33Who stood up for you?

01:20:35You, stand up for me

01:20:36Am I going to tell you that?

01:20:36I'll tell you, teacher, it's half a meter

01:20:37Half meter

01:20:38Skinny, big-headed, and Cro-Magnon

01:20:39Half a meter of host

01:20:41No eggs, no eggs

01:20:42No eggs?

01:20:43He says there are no eggs

01:20:43"There are no eggs," he says, "you'll see."

01:20:45Hey, commotion, the old folks have gotten angry!

01:20:48So that sometimes there are eggs and sometimes there aren't.

01:20:50Water, the lid's coming, I say, Lucia

01:20:57What's going on here?

01:21:03Uh, nothing, we were, we were teaching Culpa

01:21:06Talking with the family

01:21:07That's what Marcos gave us.

01:21:10Listen up, Dani and I, dude.

01:21:16Nor is it a initiated churro

01:21:18Cuchurro started, no, really

01:21:20But he was the most lavish jeweler, man.

01:21:22That's what it's like not having a fucking clue

01:21:23And this?

01:21:24Are you going to give doughnuts to your sweetheart too?

01:21:26No, not donuts

01:21:27Casa María's doughnut

01:21:29Damn, the first time

01:21:31About the relationship, do you remember?

01:21:33I put the donut on his finger like this.

01:21:35As if it were a ring

01:21:36But you're not going to give her the ring now, are you?

01:21:38Oh, seriously, my friend, you're not very romantic, damn it.

01:21:40No, what I'm going to do is put the ring on.

01:21:43So, in the doughnut

01:21:44Hey?

01:21:45Then I put it on his finger

01:21:47And he's completely blown away

01:21:48Well, there you have it.

01:21:54Hello

01:21:56Hello my love

01:21:58So, what's that secret you've got up your sleeve?

01:22:00The secret is that I've prepared a new first date for you.

01:22:04Look, with the doughnut from Casa María

01:22:08Dinner and whatever comes after

01:22:10Well, for now, let's just have a toast, shall we?

01:22:14With Cava or whatever

01:22:15Do you have anything there, Cava?

01:22:16Cool and refreshing

01:22:16Have?

01:22:18It's just that now isn't a date, I don't know if...

01:22:19Look, let's see

01:22:20Look, let's see

01:22:21Santi!

01:22:23Santi!

01:22:27Santi!

01:22:28Santi!

01:22:29The ring is stuck!

01:22:30But, but the donkey!

01:22:32Get in!

01:22:33Get in!

01:22:34Well, it'll come out eventually!

01:22:35I'll stick my finger in you!

01:22:36No!

01:22:36Wait, now...

01:22:37Digging!

01:22:38Let's see!

01:22:39Girl, a jar!

01:22:40A bottle of lollipop!

01:22:41No, no, no, no, let's go, let's go, let's go

01:22:43Take that!

01:22:44Take that!

01:22:45Take that!

01:22:46Bitch!

01:22:47Bitch!

01:22:48Every table, every table

01:22:50The silly things we do for men

01:22:53How long does it usually take you for a quickie?

01:23:02Of these mid-day snacks

01:23:03Are you saying that?

01:23:04It's because the bed no longer fulfilled its purpose.

01:23:05Fuck

01:23:05He's dating that brat.

01:23:13She's a psychopath

01:23:14A party

01:23:15Ah, Humberto, the handsome one from third grade

01:23:17That your sister likes Humberto

01:23:20Hello, leave me alone

01:23:21You're going to see a live performance

01:23:26Come on, let's go

01:23:27This issue of...

01:23:31Fiti with a 69, why?

01:23:33Damn, that's my lucky number

01:23:34Let's see, Diego

01:23:35Are you OK

01:23:36But we're not exactly rolling in the clouds either.

01:23:38It's because of the sex, they were on one side

01:23:40What's going on here?

01:23:44Awesome cartilazo!

01:23:45And every year, the same story

01:23:47Let's go see Candelaria, darling.

01:24:00You'll know a lot about the book.

01:24:02But what about male psychology?

01:24:04Mostly it's that you're short on cash

01:24:06What's going on here?

01:24:07La, la, la, all the way down

01:24:10Halfway through

01:24:12Halfway through

01:24:13Halfway through

01:24:16Thank you!

Los Serrano - 4x12 - Hay una rosquilla para ti - HD 1080

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