- hace 2 días
Diego ha acudido al INEM para contratar a una camarera. Loli, la nueva empleada, es un desastre y muy pronto acabará con la paciencia de los hermanos Serrano. A pesar de lamentar su situación personal, embarazada y sin dinero, deciden despedirla. Santiago no se atreve a despedirla, la envía a casa de su hermano para que sea éste quien se lo comunique. Loli encaja mal la noticia y pide a Diego que le sirva una copa. La mujer se emborracha enseguida y, accidentalmente, le hace un corte en la pierna a su jefe, quien se desmaya del dolor. Tras despertarse a la mañana siguiente, Diego descubre que ha dormido con la camarera, mientras Lucía estaba en una excursión del colegio. Por otro lado, la primera suegra de Diego, Sagrario, ha decidido pasar unos días con sus nietos tras romper con su esposo por haberle sido infiel. La visita reaviva en Carmen los recuerdos de su marido Paco, al que echa mucho de menos. Buscando entre sus viejos recuerdos, descubre una vieja carta que puede mancillar la memoria de su difunto esposo. Asimismo, África descubre en la elección de Miss y Mister Santa Justa que Raúl le ha dado más votos a Eva que a ella. Los celos llevan a la joven a urdir un plan para probar si su novio la quiere o está enamorado de su mejor amiga.
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TVTranscripción
00:00:00...
00:00:00Since Paquillo left the tavern, my father and my uncle Santiago had to take care of the dirty work.
00:00:16and they all ended up exhausted every day.
00:00:19They had been looking for replacements, but as my father said, they hadn't had any luck.
00:00:23His papers, his pay, and all that.
00:00:25Remember the Argentinian, who was already worth his while.
00:00:27Well, well, well, don't mess with the Argentinian, he was a great man.
00:00:31Hey, can I have a glass of Ribera wine?
00:00:33Of course, let's have some wine.
00:00:37Hey, wine.
00:00:41A little gray hair, wouldn't you prefer? It's nice and fresh.
00:00:45Well, nice and tidy, what was it?
00:00:48And if it's because of his height, you put him on stilts and he can run.
00:00:50No, Santi, I told you no.
00:00:51Damn, I even called the employment office this morning and they're already sending someone to me.
00:00:57He's coming tomorrow at nine.
00:00:58That news left my uncle devastated; he thought about the fourteen paychecks, social security, and overtime.
00:01:04And he said everything but nice things to my father.
00:01:07Who are they going to send us to?
00:01:08Here we need a cart that carries the barrels and the soaps and removes the yellowing from the bat without being squeamish or fussy.
00:01:14Well, they're going to send us more or less that, I mean, what a girl is.
00:01:20Well, maybe the girl is strong and not fussy, right, Santi?
00:01:23I'm going to tell you something, brother.
00:01:24Bring a woman into a men's place and it's ruin, ruin.
00:01:29Because?
00:01:30Because if it's good, it's bad.
00:01:32And if it's a reheated tripe, even worse.
00:01:33I agree with Santi, women are always a problem.
00:01:36Okay, will you stop talking nonsense?
00:01:37So, a waitress is coming here, a waitress, and she's coming, what's she coming for, to work?
00:01:41And what does it take to work here?
00:01:42Two hands and that's it.
00:01:43And that's it.
00:01:44Yes, sir, yes, sir.
00:01:45No, no, no, no, no, no, no, no, no.
00:01:47The problem is that my father hadn't met the new waitress yet, and when he did, all hell broke loose.
00:01:53That problem, and I'll get to the point.
00:01:55On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:02Come soon to see the sea and send a postcard.
00:02:05I already knew that day was the end.
00:02:10Now I have much more.
00:02:13Red, black, strike and strike.
00:02:15Finally, luck brings an ace and a crystal to look through.
00:02:19And a wall to hang it on.
00:02:21Seven smiling faces in a passport photo.
00:02:25My stories were not about tales made by chance.
00:02:29Nobody told me that destiny was giving me this opportunity.
00:02:38One plus one equals seven.
00:02:41Who would have thought?
00:02:44Was it really that easy to be happy?
00:02:49But why not, Marcos?
00:03:01Okay, then you're not coming.
00:03:04No, I'm not angry, but I find it very strange that you can't find plane tickets all week.
00:03:09All week, Diego.
00:03:10Hello darling.
00:03:10I've been telling you all week that there's a literature seminar in Valladolid today and tomorrow.
00:03:15Yes, I know, Lucia, I know, but what I'm saying is that Valladolid is barely two hours from here.
00:03:19Why don't you come sleep at my house?
00:03:21Excuse me, but it's an absurd beating, isn't it?
00:03:23Am I staying over at Candela's?
00:03:25You're not the Moor, you.
00:03:26I'm not going to have an orgy.
00:03:28Hey, don't even mention the word orgy to me, please, don't even mention it.
00:03:31But come on, don't be naive, Lucia.
00:03:32Do you know why teachers go to these kinds of conferences?
00:03:35They're going to vent, to throw barbs, yes, because they say they're stressed and what they do is throw barbs, yes.
00:03:39But come on, think for a second.
00:03:40Why are conferences held in Valladolid and not in Madrid?
00:03:42But, Diego, please, it's just one night.
00:03:44Yes, but one night things can get really bad.
00:03:47The night invites sin.
00:03:48Look, I'm going to tell you something.
00:03:49Many marriages have broken up in a single night.
00:03:53You're just saying that for yourself, aren't you?
00:03:55Not for me.
00:03:56No.
00:03:56No.
00:03:57No, because you can leave for one night, or two, or three, or a month, two months, three months, or a year.
00:04:05But I'll save your face.
00:04:06There, stick your tongue in, I mean, if two of you already know and that's it.
00:04:11You're stupid, what am I going to give you? I'll open it myself.
00:04:13So, who is it, baby?
00:04:15You don't bother me, and you're heavy.
00:04:19How are you, kids?
00:04:20Yes, yes.
00:04:21Yes, yes.
00:04:22How are you, Lé, Lé, Lé, Lé?
00:04:23I'll take your valet.
00:04:24How are you, sir?
00:04:25Bye bye.
00:04:25Oh my God.
00:04:26Oh, give me a glass of water, children, for I have come from the village without having tasted a drop.
00:04:31Of course, very good.
00:04:32Hey, Lucia, what should we plant? Chrysanthemums or gladioli?
00:04:36What do you think? Because the gladiolus has more color, but...
00:04:39Lucia, I'd like to introduce you to Sagrario, my mother-in-law.
00:04:42Go on.
00:04:42My mother-in-law, my mother-in-law, Marta's mother.
00:04:45Well, I was really looking forward to meeting her.
00:04:47I'd like to introduce you to my mother, Carmen.
00:04:49Ayola.
00:04:49How nice.
00:04:51Okay, then I'll go later, I'm going to buy the flowers and go to the cemetery.
00:04:55Okay.
00:04:55Yeah.
00:04:56No, the day after tomorrow is the anniversary of my father's death.
00:04:59Ah, yes.
00:04:59Yes, yes, son, yes, yes.
00:05:00Well, it's been seven years since I lost my husband and since then I haven't stopped thinking about him for a single day.
00:05:07Seven years is a long time.
00:05:09That he saw you love him very much to continue with the sorrow.
00:05:11Yes, because my husband was...
00:05:14Okay, guys, guys, guys, come on, let's go to school, it's getting late.
00:05:18Come on, come on.
00:05:19Yes, yes, yes, yes.
00:05:20Before, Guilla, I did it for you.
00:05:21Yes, yes, yes, yes.
00:05:22Come on.
00:05:23So, what brings you here?
00:05:24Sagrario, tell us.
00:05:25I'm going to divorce my husband.
00:05:27What? What? About Benito?
00:05:31The tabernacles, for God's sake, they get along wonderfully. What happened?
00:05:33The worst, son, the worst.
00:05:35That she has defiled the bed with the skirt.
00:05:38Eighty-five years old and still having a few gray hairs?
00:05:41Damn, well, the daddy.
00:05:42Yes, they're not just a fling.
00:05:43No, no, it's that she did it with her skirt in her own bed.
00:05:45In other words, it has defiled the bed by raining.
00:05:47But hey, that's the first rule of marriage.
00:05:50Shall you not defile the bed?
00:05:52Well, if you need to vent, then like always, you vent outside the house.
00:05:55And if you can go in an enclosed space, even better.
00:05:57And that way, if they catch you, you might even be able to explain yourself.
00:06:00But how are you, a foreign fluid, in the marital bed?
00:06:02The marital bed, that's for them, that's sacred.
00:06:05That is the sanctuary of marriage.
00:06:07Damn, and to desecrate that, to desecrate that, you've screwed up for life, man.
00:06:11So, what about the new waitress?
00:06:13He's coming for the closing!
00:06:15No, it's eleven o'clock.
00:06:17No, I'm going to call the INE (National Electoral Institute) because they told me I was coming to the clothes.
00:06:19The Chinese one is coming, better.
00:06:20I've been walking around and with that salary we can pay two people without papers.
00:06:23Come on, let's go!
00:06:24That's it, the Argentinian and a cousin of his, who will carry him on his shoulders.
00:06:28Come on, let's go!
00:06:30And he tells me he can't come because there are no tickets,
00:06:32But I've looked online and there are tickets to give away.
00:06:36Well, I'm silly, I've gotten my hopes up again, Afri.
00:06:39I don't care, he ignores me, I'm going to ignore him.
00:06:43No, you're not going to pass, but it's not worth thinking about it now.
00:06:47Let's focus on the end-of-year trip, okay?
00:06:51Look, mate, what I'm telling you is, Merceditas has an ass that's a work of art.
00:06:55and some pots that...
00:06:57I'd put a foot on this chick.
00:07:00Chucky, dude, I'm in favor, where's your judgment?
00:07:02Chucky, focus and choose a hot chick, not a gaudy old thing.
00:07:05Damn it, the magpie, the magpie!
00:07:12Host!
00:07:14Chucky, dude, you know that authority turns me on like crazy, dude.
00:07:19Okay, guys, the English teacher is going to be a little late, okay?
00:07:22But don't set the standard against what I'm standing right next to.
00:07:24Okay, listen to me for a moment.
00:07:31Hey, we need to get our act together about the end-of-year trip, okay?
00:07:35We need to think about how to get the money and all that.
00:07:38Last year's ended up in Teruel, you know why, right?
00:07:41Because Teruel also exists.
00:07:44Ha ha, very funny with your antics,
00:07:46But could you contribute something different?
00:07:48A proposal or something like that, right?
00:07:50Well, look at that, as usual, huh?
00:07:52The clowns have already taken the initiative and gone ahead, okay?
00:07:55Miss Santa Justa contest, one thousand euros prize, okay?
00:07:58And we're already here deliberating to see which one of you will represent us.
00:08:01List?
00:08:02That?
00:08:03Raul, you really think we women are cattle, don't you?
00:08:07Yes, yes, but pedigree cattle, eh?
00:08:09Careful, okay?
00:08:10Eva, don't get all feminist on me now, okay?
00:08:12One thousand euros is one thousand euros, damn it.
00:08:13Okay?
00:08:13We have more talent in this class than in Madrid.
00:08:16Miss and Mister Santa Justa Contest.
00:08:18No, but the, I mean, the contest itself, no.
00:08:20Well, we all go or none of us do.
00:08:21No, Eva, no, because we are, no, it's an idea, no, that's not it, no, no, no, it's our idea.
00:08:25Raúl, if we all go on a trip, we'll show off our curves.
00:08:28No.
00:08:28All.
00:08:28No, because, no, no, no, no, no, no, Eva, Eva.
00:08:33Let me explain it again, yes, look, look.
00:08:34Yesterday I was talking to a guy named Carrasco.
00:08:36That's it, Carrasco, that's it, eh.
00:08:37Then he told me that today he was sending me to a waitress at nine in the morning.
00:08:41But it's past twelve, nobody has come here and I've already called twice.
00:08:44Yeah.
00:08:45But what do you mean, what do you want me to do?
00:08:47Damn, well, tell me where the waitress has gone.
00:08:49Here, here, here I am.
00:08:51Sorry for the delay.
00:08:53Yes, it's here, it's here.
00:08:54Pussy.
00:08:55I'm really sorry, eh.
00:08:57But I had a hell of a morning.
00:08:58First, Caesar, the eldest, shat on me.
00:09:00Then the subway strike.
00:09:02And my little one has chickenpox.
00:09:03So, I'm late but exhausted and so thirsty...
00:09:06But if the waiter could bring me a small glass of water, please.
00:09:09The waiter?
00:09:09Ah, no, no, no, no, no, the waiter is not the waiter.
00:09:11So, the waiter is my brother Santiago Serrano, who is the...
00:09:15Co-owner of the tavern.
00:09:17I saw Fructuoso Martínez Carrasco.
00:09:18The Fiti for friends.
00:09:20Dolores Santaella Gómez.
00:09:22The loli at your service.
00:09:23Power, man, I'm going to Patchouli that makes you want to back down.
00:09:29That's what you'll see.
00:09:30I haven't seen it.
00:09:31She's pregnant, pregnant.
00:09:33She's gorgeous.
00:09:33Okay, what we're going to do now is go inside and I'll give her an apron and she'll start washing up the dishes there.
00:09:39Oh, well, washing dishes won't be possible because I have tendonitis in my wrists.
00:09:44I worked in a cannery in Boiro for five years removing the bones from the tuna, but they closed it down.
00:09:49And then I said to myself, I'm going out to sea, inland.
00:09:52And I came inland for the capital.
00:09:54It's a cannery.
00:09:56In other words, no doctorate.
00:09:57Hey, everyone knows how to serve olives like that, right?
00:10:01Everyone knows how to do it.
00:10:02Calm down, Sancho.
00:10:03Everyone knows how to do that.
00:10:04Antiso, blind.
00:10:10Well, these Vargas people must certainly be literate.
00:10:15Every time I come here I find this cross, my gypsy.
00:10:17And their eyesight probably isn't good either.
00:10:22Not even looking at the soldier's picture.
00:10:24Oh yes, she's gotten so ugly.
00:10:27I need to find one so you can see how handsome he was.
00:10:31For his category, for his style, for being the greatest, the greatest, Paco Gómez Altaña.
00:10:39Kid, come here.
00:10:40Okay, okay.
00:10:41Let's see if there's anything at the graves.
00:10:43Well, I remember that my grandmother always took me to the swings.
00:10:45Oh yes, yes, I was crazy about you.
00:10:48For him, there were only two things in this world.
00:10:51The army and his family.
00:10:53Well, he certainly had that kind of luck.
00:10:55Yes, yes.
00:10:55Because I'm going to tell you something.
00:10:57Man is unfaithful by nature.
00:10:59And sooner or later everyone ends up getting cheated on.
00:11:02No, no ma'am, no.
00:11:03Not my Paco.
00:11:05My Paco never looked at anyone other than me.
00:11:08Oh, either that or you didn't find out.
00:11:11No, look Sagrario, I understand that you might have some resentment at this moment.
00:11:16A grudge against her husband.
00:11:18But mine was never unfaithful to me, not even in thought.
00:11:22And if I had the slightest doubt, I couldn't go on living.
00:11:24Well.
00:11:25No, no, well, no.
00:11:26Look, Grandma, how pretty.
00:11:28Hey, where do I put them here?
00:11:29Or maybe they look better in the middle, don't you think?
00:11:30Yes, this is better.
00:11:31They are very pretty, yes, the lady is annoying.
00:11:34I almost got caught.
00:11:35Okay, so the templates are divided into the basic sections that make up beauty.
00:11:39They are one, Perolas, two, Culamen and three, Careto.
00:11:42Okay?
00:11:43And it's the hamburger that Chucky had suggested that was rejected so as not to stir up controversy.
00:11:47Okay?
00:11:47What's happening?
00:11:48What's happening?
00:11:49What's happening?
00:11:50That?
00:11:50If you look around a bit, the sections are the same for uncles as for aunts.
00:11:53Huh?
00:11:54What we're doing is making the overall impression a little easier.
00:11:56Huh?
00:11:57Understood, right?
00:11:58Well then, let's vote.
00:11:59Then our delegate collects it and tomorrow we'll know who has won.
00:12:01Come on.
00:12:03I mean, I have it...
00:12:05In other words, the...
00:12:07Dude, dude, dude, dude, they're undressing us with their eyes, man.
00:12:09Look at her, Javi, like she-wolves.
00:12:10What do you think I do?
00:12:12I'm taking Africa's jacket off right now.
00:12:14I take it.
00:12:16Hey kid, watch out for me or I might open the cookie tin.
00:12:18Here, even the main person gets paid.
00:12:19Okay, okay.
00:12:19If you think, don't think.
00:12:20Don't think.
00:12:21Well, don't think about it.
00:12:22Well, don't think about it.
00:12:23Who do you think Mr. Santa Justa could be?
00:12:26It could be Raúl, right?
00:12:28Man.
00:12:29Your little raumito isn't bad.
00:12:30No.
00:12:31But Alex's performance is outstanding.
00:12:33Or not?
00:12:35No.
00:12:36No, no, no, no, no.
00:12:37I'm totally with Raúl.
00:12:39For Mr. Santa Justa, Mr. Universe and Mr. Proper, if necessary.
00:12:44I'm the one who loses sight of loyalty.
00:12:46Already.
00:12:47Yeah.
00:12:49Chucky.
00:12:49Let's see how we can screw him over.
00:12:51Come on, run.
00:12:54Look.
00:13:02He's had his comeback, kid.
00:13:04You've done a great job, you've got my girl hooked.
00:13:05Entrance, entrance.
00:13:06Oh, that's cool.
00:13:07Open it, go ahead.
00:13:10Oh, nine.
00:13:12Nine.
00:13:12It's not bad at all.
00:13:13Holy shit, la la la pillar that has put the five in my ass, dude.
00:13:16Oh, dude, dude.
00:13:17How awful, huh?
00:13:18Okay, let's go, man.
00:13:19They're going to catch me eventually.
00:13:20And we allied ourselves.
00:13:22Perfect.
00:13:23He throws it, he throws it, he throws it, he throws it, he throws it.
00:13:26Oh, shit.
00:13:27Be a little careful, Loli.
00:13:39She's the third tray you've thrown at me.
00:13:41What nonsense!
00:13:43The tray is full of grease.
00:13:44And I'm watching the skies with tendonitis, huh?
00:13:46It's a good thing I'm carrying them.
00:13:52God.
00:13:53Wow, what a temper he has, man.
00:13:55Hey, tell him something, Santi.
00:13:56Oh, what's wrong, Santi?
00:13:58What's happening?
00:13:59What's happening?
00:14:00They sent us one of yours.
00:14:01No experience.
00:14:03Pregnant and angrier than a monkey.
00:14:05Let's see, let's see how I'm going to tell him now
00:14:07scrape the yellow from the cup onto the bat.
00:14:09Relax, Santi.
00:14:10Calm down, calm down.
00:14:10Because it deserves a chance.
00:14:12You said it.
00:14:12If it's yours and the poor woman's and she's pregnant,
00:14:14Well, that's a reason for integration.
00:14:15What is integration?
00:14:16Integration, Miguel.
00:14:17Integration, man.
00:14:18It's not even good enough to feed him.
00:14:21Yes, yes, yes.
00:14:21Leave it to me.
00:14:22Let me do it, I'm going to do it
00:14:23which is mostly quality control.
00:14:27Loli.
00:14:28That?
00:14:28Look, woman.
00:14:29Hey, could you get me a beer?
00:14:31and a slice of ham.
00:14:32We're a bit confused here.
00:14:33Yes, yes, yes.
00:14:34If my wrist is the size of a regulation ball.
00:14:37Okay, let's go.
00:14:40Let's try.
00:14:42Let's see if I can get the cut right.
00:14:43This is appealing to me.
00:14:45Let's go.
00:14:47What a benzeira.
00:14:48It looks really good.
00:14:51Let's go.
00:14:52There we are.
00:14:53There we are.
00:14:55Come on, there it is.
00:14:56Wow!
00:14:58The ham.
00:14:59And now for the reeds.
00:15:02What is this?
00:15:04A step?
00:15:05Or a T-bone steak from Ávila?
00:15:07Wait, it sinks them, it sinks them.
00:15:08Fiti, that's enough already.
00:15:10Because you did it just to mess with me.
00:15:12Yes, because you've grasped the hardest part.
00:15:13The most difficult thing, yes.
00:15:14What is the doctoral thesis of taverns.
00:15:16The ham cut.
00:15:17But this woman has to be good for something,
00:15:18man.
00:15:18For sure yes.
00:15:19To organize the foam party.
00:15:21But I'm going to learn, okay?
00:15:25I'm going to learn.
00:15:28Damn my luck.
00:15:30Damn my luck.
00:15:32And this one, this one is better than the Argentinian one.
00:15:34It's better than the Argentinian one.
00:15:35That's where I'm coming today.
00:15:37In one week,
00:15:38Udo is asking us to let him go because of his stumps.
00:15:39or by the drum.
00:15:40Nothing.
00:15:41We need to finalize it.
00:15:42and what is requested.
00:15:44You're right, Senti.
00:15:45You're right.
00:15:45But I, frankly,
00:15:46So this pregnant woman,
00:15:47Well, I don't have the courage.
00:15:48I have no stomach.
00:15:49But I support you.
00:15:50I support you.
00:15:50I support you.
00:15:51I'm going home, I have a problem.
00:15:52and the children are alone
00:15:54because they are not in Albucia.
00:15:55Go away!
00:15:56Obar!
00:15:57Your brother is staying here!
00:15:58He's going to do the dirty work!
00:15:59Go away!
00:16:00You're right.
00:16:01You're right.
00:16:02You'll see.
00:16:03Look.
00:16:04London, Madrid.
00:16:05London, Madrid.
00:16:06London, Madrid.
00:16:07There are seats available on all flights.
00:16:09In all of them.
00:16:10No way, no way.
00:16:10That's what they say.
00:16:11to sell places and so on,
00:16:12man,
00:16:13then people
00:16:14It gets stranded at airports
00:16:15And I've been watching it.
00:16:16on the news, man.
00:16:17Damn it, Raúl,
00:16:18You're a star at cheering.
00:16:19You have so little brain, son.
00:16:21And what do I need a brain for?
00:16:22Hey, babe?
00:16:23Why would I want a brain?
00:16:24having a perfect body
00:16:25Like the one I have, huh?
00:16:26So you're snooping on my template
00:16:28And on top of that, you restrict it.
00:16:29Don't make me fussy, honey!
00:16:30Don't make me picky, okay!
00:16:32If I tell him
00:16:32I'm about to break.
00:16:33Man, I'm a demigod.
00:16:35Please look at me.
00:16:36Hey?
00:16:36Oh, I'm going to make myself a canteen.
00:16:41Well, don't burst.
00:16:42Hey, hey, hey.
00:16:43Wait, wait, wait.
00:16:44We don't have any.
00:16:44Hey, no, no, hey, hey.
00:16:45Give me that, give me that.
00:16:46Where are you going?
00:16:49But it's nine thirty.
00:16:51Culame nine and a half.
00:16:54And a six on the face.
00:16:56Hey, what's the overall impression?
00:16:57He is remarkable.
00:16:58Churri, a piece of eight twenty-five.
00:17:01Already.
00:17:02Hey?
00:17:02And you gave Eva a ten out of ten in everything.
00:17:06No, but it's for objectivity, honey.
00:17:08The important thing here is to win the contest, you know?
00:17:10You know, in top-level competition you have to be sure.
00:17:12If you're doing very well.
00:17:14Look at how you turn me on, baby.
00:17:15A boar lost, huh?
00:17:17The only thing, then, is a little bit, nothing, you know?
00:17:20A little bit of a cheeky face, then, like a chubby little dog.
00:17:24But she's super nice, huh?
00:17:26It doesn't bother you or anything, right?
00:17:28Why would it bother me, for God's sake?
00:17:31No, we had to vote, and so we voted.
00:17:33That's it.
00:17:35Okay, I'm going to the bathroom.
00:17:51This way, right?
00:17:52Yeah.
00:17:53What I don't understand is why I have to come to his house after talking to his sister at this hour.
00:17:56I don't know, she called me and told me to come over to her house because I need to talk to her.
00:18:01And this will be paid for like extras.
00:18:03Because I have a family to take care of, and work matters are discussed at work.
00:18:06Yes, yes.
00:18:07Or do they want a housekeeper?
00:18:08Well, I'm telling you now, no.
00:18:10Well, I don't know.
00:18:12Just speak and he'll tell you.
00:18:17Come on!
00:18:17Okay, okay.
00:18:27Can't you hear the doorbell?
00:18:28No, Loli.
00:18:30But no, sorry, I was just getting changed.
00:18:32That...
00:18:33Tell me, tell me.
00:18:34What should I tell him?
00:18:35Yeah.
00:18:35Well, I'm telling you, I'm very, very upset.
00:18:37This is not right for me, I have a family to take care of.
00:18:39I understand, Loli.
00:18:40I understand.
00:18:40But what do you want me to do?
00:18:41In other words, my brother is the co-owner of the tavern and he fired her.
00:18:44Well, there's nothing I can do now.
00:18:46What does it say?
00:18:47His brother didn't fire me.
00:18:49What he told me was that you wanted to talk to me.
00:18:51He's going to fire me.
00:18:53He called me to say goodbye.
00:18:56Yes, yes, Loli, yes.
00:18:58And I'm sorry, but you are diminished.
00:19:00No, no, no.
00:19:00Disabled, I mean.
00:19:01And I'm all for integration, but it's just that...
00:19:04We need someone to lend us a hand, to help us.
00:19:06What's wrong with him?
00:19:07No, no, no, no, don't cry for me, don't cry for me.
00:19:09For God's sake, come in, come in and we'll talk.
00:19:11Calm down, calm down, nothing's wrong.
00:19:13Come on.
00:19:14At your service, my general.
00:19:18No, no, no.
00:19:19Paco was a lieutenant colonel in the air force.
00:19:24What's wrong, my love?
00:19:25My stomach hurts from that area, grandma.
00:19:27Come on, come here, I'm going to give you a medicine that works like a charm.
00:19:31For digestion.
00:19:32For a stomach ache, medicine.
00:19:34Look, lift up your shirt and I'll fix you up in a jiffy.
00:19:40Do you know what they call my grandma in the village?
00:19:42No.
00:19:43The witch.
00:19:44Since you don't know why.
00:19:46Lift up your shirt and you'll see.
00:19:48Come on, get up.
00:19:49That.
00:19:57Better?
00:19:59Come on, I'll continue a little longer, you'll see how you feel better.
00:20:01And this?
00:20:02What is it?
00:20:03These are love letters.
00:20:05From my Paco.
00:20:06From when we were dating.
00:20:07For Carmen, for Carmen, for Carmen.
00:20:12Grandma, this one doesn't have a return address.
00:20:15Let's see.
00:20:19Thank you.
00:20:20Have you turned as white as goat's milk?
00:20:26I do nothing but think of you, my gypsy.
00:20:41This cat purrs because of your caresses.
00:20:50I'll be waiting for you in your room at six.
00:20:53Don't be late.
00:20:54Daisy.
00:20:55Lucia, daughter.
00:20:57Don't make any noise, Dad is sleeping.
00:20:59Hey?
00:21:00Come.
00:21:05Margarita, they leave you the clothes.
00:21:07Yeah.
00:21:07This girl is not focused on what she should be, Carmen.
00:21:10He's not where he should be.
00:21:12You're too good.
00:21:14But that's why I love you.
00:21:16My baby girl, come with daddy, come on.
00:21:20My Lucia, come with daddy.
00:21:22Let's play for a little while.
00:21:24Oh, my Lucia.
00:21:26Oh.
00:21:27Carmen.
00:21:28What a beautiful girl we have!
00:21:29She is the most beautiful girl in the world.
00:21:31Let's go!
00:21:37She's the new waitress at our bar.
00:21:42It was, it was, I mean, already...
00:21:44Okay, fine.
00:21:46I'm leaving, see you tomorrow.
00:21:48See you tomorrow, Carmen, see you tomorrow.
00:21:50Loli, please, there's no need to...
00:21:52Leave it, leave it.
00:21:53But the thing is, if you don't go on the cushions every day,
00:21:56your kapok will get infested.
00:21:57Ah, it'll get fleas...
00:21:57Well, look, Loli, I already realized it.
00:21:59that you also have a knack for domestic matters,
00:22:01But I've already explained it to him,
00:22:02The thing is, here in this house we don't need any assistants.
00:22:04But, woman, sit down first, sit down for a little while.
00:22:07Sit there.
00:22:08Okay, please, sit down.
00:22:11Don't sink on me, Loli, don't sink on me.
00:22:13I have a little bit of water, so you can come by.
00:22:17And won't you have a small glass?
00:22:19I'm hoping they'll calm me down a bit.
00:22:21I mean, a little glass of this, you know?
00:22:22With alcohol and all that...
00:22:24Look, Loli, excuse me, but I don't know if it's in your condition,
00:22:26Well, it might not be good for the baby, because...
00:22:28Well, the nerves I'm going through right now will be worse for her.
00:22:31Besides, I don't metabolize alcohol and I'm just going to wet my lips.
00:22:34Well, if I'm just going to wet my lips, I...
00:22:36I'll give you a little drink, no problem, okay?
00:22:39But don't worry, woman, you'll see as soon as your hands heal.
00:22:42The tendinitis is there, and then I'll have the baby...
00:22:44He's going to be flooded with jobs, huh?
00:22:46Jobs never came pouring in for me.
00:22:48Clear.
00:22:49What came my way were children, four of them, who are on their way.
00:22:57Wait, let me show them to you.
00:22:58To the...
00:22:59Look, look, this, this is Joshua.
00:23:04He is the son of a footballer who was signed to Ourense for a season
00:23:07And then, he went back to Senegal.
00:23:10Ah, well...
00:23:10And this, this is the lady.
00:23:12Yeah.
00:23:12His father is a Celtic bagpiper.
00:23:14He went to Scotland to make a killing and...
00:23:18And to this day...
00:23:19Oh.
00:23:20Everyone left me.
00:23:21Already.
00:23:22It must be because of the cannery, because...
00:23:24Because of the plague, tuna.
00:23:27Well, that...
00:23:28They didn't work, that's for sure.
00:23:31Yes, I'm sorry, Loli.
00:23:32But it's a little late and there are...
00:23:34He has to do his things at home.
00:23:35That's true, but...
00:23:37Don't worry, this...
00:23:40Look, I'll pick this up for you in no time.
00:23:42No, don't bother, woman.
00:23:43Yes, because...
00:23:43What doesn't happen?
00:23:44Oh, listen!
00:23:45Oh, listen!
00:23:46I'll...
00:23:46Let me know!
00:23:47Come on, come on!
00:23:48This is that quiet one.
00:23:50Don't you see that if I don't get the glass out of his leg
00:23:51Can it travel through the bloodstream to the heart and affect the colander?
00:23:53How do I know?
00:23:54But no, no, no, no, no, don't poke me, for God's sake, don't poke me.
00:23:57Don't pry into me, I'm supposed to be.
00:23:57But what are you doing, lady, throwing alcohol on me?
00:23:59in what are my parts?
00:24:00No, for God's sake, I've told him, I've told him this is either staples or stitches.
00:24:04I'm already 61.
00:24:05No, no, no!
00:24:07I got this out of my head in a flash!
00:24:08Look, I've certainly gotten a lot of things out of my kids.
00:24:11I even extracted nails a hand's breadth long from Caesar Augustus.
00:24:13How are you?
00:24:13The Colombian one.
00:24:14Look, you can cut this out a little bit with the knife.
00:24:17What does it do as a knife?
00:24:18What does it do as a knife?
00:24:18That's something children do.
00:24:19What's this doing here?
00:24:20No, take that off, for God's sake.
00:24:21No, no, let's come.
00:24:22With the tweezers.
00:24:23No, but don't touch my bone, for God's sake.
00:24:24What are you doing?
00:24:24No, no, that's it.
00:24:25Get out.
00:24:25Yes, yes, I love myself.
00:24:25And I can't breathe.
00:24:26Yes, no, I'm not breathing.
00:24:27I'm not breathing, but I'm careful.
00:24:28No, no, no, no, no, no, no.
00:24:29Ah!
00:24:31That?
00:24:32Wasn't it so bad?
00:24:43My Gypsy.
00:24:43That, although God...
00:24:45Nobody, nothing, doesn't agree with me as I've been pleased.
00:24:46Good morning.
00:24:47Good morning.
00:24:48Today for breakfast...
00:24:50...lard with pork rinds.
00:24:52It's true.
00:24:53That's got some food, huh, Tete?
00:24:58Oh, I'm more inclined towards the vein, do you know Ivan?
00:25:01For all its derivatives.
00:25:04Daughter, eat, eat.
00:25:05That you are at a growth age.
00:25:08Grandma, what's wrong?
00:25:09Are you crying?
00:25:10No, no, daughter, no.
00:25:11I know I've got something in my eye.
00:25:13How is your little one today?
00:25:14Very good.
00:25:15Good?
00:25:15Let's see, Maritere, did I tell you or didn't I?
00:25:19I'm leaving, witch.
00:25:20Right?
00:25:21Guillén, don't even think about it.
00:25:23What about me?
00:25:24That?
00:25:24I, Guillén.
00:25:32Well, it broke me, damn it.
00:25:34We have to get up.
00:25:35Lucia, do we have to get up, Lucia?
00:25:37Loli, I'm Loli.
00:25:43Loli.
00:25:43What is it?
00:25:44Loli.
00:25:44Shall we go to your bathroom?
00:25:47No, no, no, no, no, no, no, no, no, no, no, no, I'm going to the bathroom, I'm going, son, I'm going.
00:25:50I am the traffic here.
00:25:52What time is it?
00:25:54Eight o'clock, eight o'clock, Loli.
00:25:55My God.
00:25:56I left them with the visitor.
00:25:58Diego, forgive me, it's just that I felt like I could rest a little and calm down here after the treatment.
00:26:03But with two and without sleeping, three, a little drink, I don't know.
00:26:07Take it away, sir.
00:26:08No, it's there, it's there.
00:26:13My father must have stuck the sheet to himself.
00:26:16I'll see if I can wake her up.
00:26:18Hello Sagrario, delighted to see you again.
00:26:21I agree, son.
00:26:23I think you look very handsome and very well.
00:26:25And see if you go around town,
00:26:27that Encarni is still single and asking about you.
00:26:31Come on.
00:26:33What's going on? Why are you being so secretive?
00:26:43I wasn't expecting you, and that didn't startle me a little.
00:26:47Brother, I haven't been able to sleep all night thinking about the dead man I know you are.
00:26:52How did you say goodbye to yours?
00:26:54Whose?
00:26:56The waitress, damn it.
00:26:58Ah, the waitress, the waitress, she fired her by firing her.
00:27:02Now that he hasn't left yet, but he's going to leave, he's going to leave now.
00:27:07What have you done? What have you done?
00:27:09Loli, if you please, go and cool off a little.
00:27:13But I've already refreshed myself.
00:27:14No, well, it gets refreshed again, please.
00:27:16She cools off a little in the bathroom.
00:27:18This is not what it seems.
00:27:20But how can it not be what it seems?
00:27:21He has already defiled, he has defiled the bed.
00:27:23Let's not leave it like this, not at all.
00:27:25Listen to me, listen to me.
00:27:27No, he hasn't defiled anything.
00:27:28I'll explain the other thing to you because this has an explanation.
00:27:30The two dead ones, Santi, help us get out of here.
00:27:32We have to go to this housewife, no matter what.
00:27:33Shall I explain the others to you?
00:27:34Can I explain the others to you like this?
00:27:35But one little thing to get an idea.
00:27:37Yeah.
00:27:38Am I fired or not?
00:27:39Let's see, Loli, that's been discussed and settled.
00:27:43And that's it.
00:27:44Come on, let's lend a hand around the house, man.
00:27:46Let's see.
00:27:47Stay here.
00:27:48I'll give you a signal when you can go out.
00:27:50Yeah.
00:27:54Eva, I'm going to ask you something.
00:27:56I bet you don't know how a toilet cistern works!
00:27:59I bet you don't!
00:28:00Clear!
00:28:01And that's why the pontooners are made in August.
00:28:03Because you haven't got a clue how a toilet cistern works.
00:28:06And when it breaks, close the rule.
00:28:08The pontooner, right?
00:28:09Well, now we're going to fix it.
00:28:10Come on.
00:28:11Hey!
00:28:12What am I looking at!
00:28:13Uncle!
00:28:14Uncle!
00:28:15Uncle!
00:28:16Uncle!
00:28:17Uncle!
00:28:18Uncle!
00:28:19Uncle!
00:28:20Uncle!
00:28:21Uncle!
00:28:22Uncle!
00:28:23Uncle!
00:28:24Uncle!
00:28:25Uncle!
00:28:31Carmen.
00:28:32Yeah?
00:28:33Do you know if there are coconut cookies?
00:28:34Coconut cookies?
00:28:35Yes, it's because he's kind of given it to my brother on a whim.
00:28:37And?
00:28:38So, coconut cookies.
00:28:39Oh, well, I don't know where it comes from.
00:28:40Come on, come on, let's go find her.
00:28:41Shall we go look for her?
00:28:42Come on, come on!
00:28:43Are you going to look for her?
00:28:44The people.
00:28:45Sorry, no, let's go look.
00:28:47No, also.
00:28:48Go find some cookies.
00:28:49Are you sure they will?
00:28:49It's LA.
00:28:50No, I know what's wrong with you.
00:28:51Yes, it happened to me.
00:28:52Do if he doesn't want to be there anymore.
00:28:53V Char reverse hero!
00:28:54Go and look.
00:28:54Oh, not soft.
00:28:56What cold.
00:28:57Hey, what are you doing?
00:29:08Hello.
00:29:08Hello.
00:29:09Hello, my name is Lucia, I live in this house, the seminar has been cancelled.
00:29:15Ah, yes, ah, yes, ah, well, that's great, isn't it?, that the seminar...
00:29:18Well, Lore, you're hired, you start working today.
00:29:23Really?
00:29:24Yes, yes, yes, Dolores, my brother and I have reconsidered, I mean, my brother and I, and you're hired, you're hired.
00:29:29Thanks, Santiago, what did you want to do?
00:29:31Well, nothing, it's Dolores, who is the new waitress we have at the tavern, and Lucía, my lady, Dolores, Lucía, my lady.
00:29:37Delighted, delighted.
00:29:38We're heading back to the tavern now, because we have some work to do. See you later, love.
00:29:52Okay, so what's up?
00:29:53I am Arab.
00:29:54Did he jump?
00:29:54Did he jump?
00:29:55Did he jump?
00:29:56Did he jump?
00:29:58What kind of man is your man?
00:29:59Please, but how is Apostle going to do it?
00:30:00He must have done it by accident, man.
00:30:01Unintentionally, of course.
00:30:02Hey guys, just so you know, I'm going to get some rest, so please be quiet, I haven't slept all night.
00:30:07because Candela won't stop snoring.
00:30:09Are you absolutely sure, Sagrario?
00:30:12Calm down, guys.
00:30:14I do nothing but think of you, my gypsy.
00:30:18So, my boyfriend thinks you're a perfect 10 and that I have a cute, chubby dog face, that's for sure.
00:30:31And on top of that, he says it to my face.
00:30:32Do you think I have a chubby dog face, Eva?
00:30:34No, Afri, you don't have a chubby dog face, you're very pretty, okay?
00:30:38That's 36 times, are you going to stop now?
00:30:40What is nonsense?
00:30:41Nonsense, nothing, dude.
00:30:42If my sweetheart, who knows me inside and out, has given me a 10 in everything, then I'm the best hero in the class.
00:30:47Who's going to Mr. Santa Augusta?
00:30:49Me, kid, me.
00:30:50And then Mr. Madrid, Mr. Spain, Mr. Europe and Mr. of the whole world.
00:30:54You understand?
00:30:55There, all out, like the chuanse.
00:30:58Like a brick.
00:30:58The chuanse?
00:30:59¿El chuanse náguer?
00:31:00Dude, I'm telling you, man, it's unbelievable.
00:31:02Know?
00:31:02And I'm already seeing it, yes I'm seeing it, kid, there are girls everywhere, pim, pam, pim, pam, churri, up, churri, down.
00:31:08And then I finished, and all of four, five, and six, just me.
00:31:10And then, and then governor of the Galician matter, there until I die.
00:31:15Do you understand what I'm going to tell you?
00:31:16What he really means is that you're the one Raúl really likes.
00:31:20And I'm just his second choice.
00:31:21Africa, please, what does finding one woman cute have to do with being in love with another?
00:31:26Okay, let's focus, you're not Naomi Campbell either.
00:31:28The thing is, Raúl has idealized you because he's in love with you.
00:31:32So what?
00:31:33But of course, let's see, who was the first guy who hit on you when you got to high school?
00:31:36And who was it that kept insisting over and over again?
00:31:39Africa, that was a long time ago, Raúl and I are like brothers, okay?
00:31:43A long time ago.
00:31:45The thing is, this school is also a source of unresolved sexual tension, and you've been left wanting more.
00:31:50Know?
00:31:50But two drinks, intimacy and relaxation, and the one you and Raúl organize is not exactly sibling-like.
00:31:55Okay.
00:31:58Shit.
00:32:00Damn, huh, won?
00:32:01Sayonara, baby.
00:32:08Second, don't mess with me.
00:32:11Uncle.
00:32:13Raúl, damn it.
00:32:13It seems the swastika race will be run by the firefighter, right?
00:32:18Unless you put yourself in my hands, eh?
00:32:22I'll make you president of the government, kid.
00:32:2650 euros, I'll make you emperor of Lavapés.
00:32:29Whatever you want.
00:32:3150 euros.
00:32:34But make it something nice, okay?
00:32:36Okay?
00:32:36I mean...
00:32:37Exquisite.
00:32:38Hello good.
00:32:42Hello good morning.
00:32:48What's happening?
00:32:49Did Diego also lack the guts to fire the stumps?
00:32:51Yes, yes, yes.
00:32:52Worse, much worse.
00:32:54But, but, but, but, but, but, but...
00:32:59That?
00:33:04You two were already making out, weren't you?
00:33:07How could I not give it to him, Diego?
00:33:08How could you not give it to him?
00:33:09But what do you mean, not to give it to him?
00:33:10What have you told him?
00:33:12What am I going to tell him?
00:33:13That they have defiled themselves with the children and the two mothers-in-law at home.
00:33:16We need to add some hair!
00:33:17Okay, let's see, let's see, let's see.
00:33:19I explained it to you once so you would understand.
00:33:20I mean, what happened yesterday.
00:33:21I mean, I fainted, I fainted.
00:33:24Because something got stuck here.
00:33:25Well, a crystal in the, in the thigh.
00:33:26And she, who was tipsy because she wasn't on steroids, well, she stayed for the night.
00:33:31And it put him to sleep just the same.
00:33:33Well, yes, but yes, he slept, he slept.
00:33:35But nothing more, I mean, he slept and nothing else.
00:33:36What do you know, for God's sake?
00:33:37But you, well, if she was drunk, you were wasted, how do you know?
00:33:40Well, well, I know it because I know it, damn it, Fiti, I know it because I know it.
00:33:43Yes, Diego, please, skin to skin and a man in bed...
00:33:45He is a man in bed and he gets up, man.
00:33:48It's okay, damn it.
00:33:50Well, it's normal that you've been through it.
00:33:53But no, for God's sake, I haven't even touched her, nor have I gotten up, man.
00:33:56Let's see, let's see, let's see, I have control, for God's sake, I've only ever been a man with my wife.
00:34:01I swear, I swear on what is most sacred, okay?
00:34:03But by all that is sacred, I'm with yours, I mean, with the disabled woman, with this poor woman,
00:34:07that nothing has happened, nothing, nothing, nothing, nothing.
00:34:08The fact is that he slept in the marital bed.
00:34:11Yeah.
00:34:11And that's called defiling.
00:34:14So, how do you explain to Lucia that you have defiled her but not consummated the act?
00:34:17It's strange.
00:34:18Very strange.
00:34:18Very strange.
00:34:19But that's very strange.
00:34:20No, well, it's not unusual.
00:34:21Well, because Lucía is at school now, but come on, tonight when we see her, I'll tell her.
00:34:24No, no, no, no.
00:34:54With the one in the skirt.
00:34:5650 years together.
00:34:57And now he just picks up and leaves.
00:34:58He asks her for a divorce, but she waits for him.
00:35:03Come on, come on, come on, come on, don't worry.
00:35:06The important thing is that Lucía doesn't know anything and will continue not to know.
00:35:11The sheets will need changing.
00:35:12The sheets?
00:35:13No, no, no.
00:35:14Why do you mean, you simpleton?
00:35:16Why?
00:35:18Because here, Rosalía de Castro smells of patchouli that's overwhelming.
00:35:22And in those kinds of acts, evidence and signs are left behind, and they smell it, they notice it, they feel it.
00:35:36We're going to eat now, aren't we?
00:35:38Yes, there isn't a single moment at home that I want, because I've forgotten how.
00:35:45This one, this one is going to catch the father of the fool.
00:35:49There's no doubt about it, Galician bird.
00:35:50No, as you already know, those chosen to represent the class in the Miss and Vista contest...
00:35:54I can't do it, I can't fit it in.
00:35:55I don't understand the "pachón dog" thing.
00:36:00To the daughter, to succeed in the competitions.
00:36:02Do they like Pekingese dogs?
00:36:04Because I'll have a face like a chubby dog.
00:36:06But Eva is a Pekingese.
00:36:07The contest is tomorrow morning, so tonight the candidates have to go to Bogamba to register.
00:36:11The exception is 90 euros, so we're talking about four paid per person.
00:36:14Come on, loosen up.
00:36:17Eva, aunt, congratulations, huh?
00:36:18I knew, well, you know I voted for you, right?
00:36:20Well, it was known, well, I don't know, excuse me, Fri, be careful, I knew he was going to bring you out.
00:36:23He's kicking me out!
00:36:25This one's for the Pekingese.
00:36:26Hey, where is it?
00:36:27Fixed gear.
00:36:28Oh, right.
00:36:29Hey, have you seen Alex?
00:36:32Alex?
00:36:33What happened to you?
00:36:34Ah, nothing, nothing, a very small parchment.
00:36:35But dude!
00:36:36Stop, dude, what have you done to him?
00:36:38Look at what you've done to his face, like a map.
00:36:40Dude, what did you hit him with?
00:36:41You didn't ask for a high-quality job, well, there you have it.
00:36:43I did the one with the... Do you know the one with the toilet tank?
00:36:45Here, Gache, for Maci, see, I replied.
00:36:48Here, Maci, see, ahead, Gache.
00:36:51Subject has seen from the vicinity.
00:36:52Well, great, Gache, we'll continue with the operation.
00:37:17So, so, well, guys, so, so, what do we do?
00:37:34Because here, a friend seems like Bolivia's foolish brother.
00:37:38Well, I guess the second one will have to go, right?
00:37:41Well, the second one is Raúl Martínez.
00:37:43Damn, thanks, girl.
00:37:47Thank you, really.
00:37:48The good kind.
00:37:50Damn, thank you so much.
00:37:51I'm going to leave the bar set really high, really high, really high.
00:37:53Well, Eva, Eva and I are going to set the bar very high.
00:37:57Hey, Eva?
00:37:58And on top of that, she's already flirting too.
00:38:00We set the...
00:38:01The music?
00:38:02Hey?
00:38:02We had a few drinks.
00:38:03Who is that for?
00:38:04Okay?
00:38:04Okay.
00:38:05Let's all go, shall we?
00:38:06Yes, cool, cool.
00:38:06Everyone, come on.
00:38:07You know, we need to get out a little because we need to see how we walk and things like that.
00:38:10What's the matter?
00:38:12Won't you be happy that your boyfriend is entering the competition?
00:38:15Hey Alex, I have a chubby dog face.
00:38:20I'm asking because my boyfriend thinks I have a chubby dog face.
00:38:23And if he thinks that, it's because he doesn't like it, right?
00:38:26What do you think?
00:38:26Don't talk nonsense.
00:38:28I'm going to snore like that, Lucia, please.
00:38:30No?
00:38:31Yes, daughter, yes, sorry.
00:38:32Well, to be honest, there was a moment when I almost managed to fall asleep, but I woke up
00:38:36suddenly because I thought there was a wild boar in the room.
00:38:40Well, as an excuse to stay in bed all morning, it doesn't seem bad to me, does it?
00:38:44At least you got some rest, right?
00:38:46Well, no, the truth is, no.
00:38:48The typical absurd paranoia has come over me.
00:38:51When I got home I found Diego Alessante there, who were hiring the
00:38:55new waitress.
00:38:57She was being hired at home.
00:38:58Yes, at home.
00:39:00And what I found strange is that the woman was wearing one of those orthopedic wristbands,
00:39:05about two hands, and she was pregnant, very pregnant, like eight
00:39:09months.
00:39:12But anyway, it's absurd.
00:39:14It's absurd, absolutely absurd.
00:39:15What is absurd?
00:39:16Okay, tell me everything.
00:39:18Well, Candela, when Diego introduced us, he got nervous.
00:39:22Well, not just nervous, extremely nervous.
00:39:24And when I went up to the room and lay down in bed, I smelled patchouli.
00:39:28Throughout the entire room.
00:39:30And guess what I found on my pillow?
00:39:32What's that?
00:39:43Hairs.
00:39:44And they're not mine.
00:39:45It's weird, it's weird, huh?
00:39:55It's strange.
00:39:56Well, you're all weird, because you're the first, Lucy, don't tell me.
00:40:00But the strangest thing of all, if you think about it, is that Santiago hired a waitress.
00:40:03pregnant to the mouth and with wristbands.
00:40:04Hello.
00:40:08And Diego?
00:40:10Isn't it there?
00:40:11There goes Lomo.
00:40:13It's over.
00:40:14And as soon as it ends, everyone...
00:40:16Loin, loin!
00:40:17Back!
00:40:17Hey, where's Loba the waitress?
00:40:19The waitress...
00:40:21It's about to happen.
00:40:22She will be with Diego.
00:40:23Look, Lomo is looking for you.
00:40:25Fiti, come here for a moment, I have to tell you something, darling.
00:40:27You'll see.
00:40:29What can I say now?
00:40:31Oh, oh, how's your monkey doing, my love?
00:40:33This needs to be fixed.
00:40:34We'll change it for you this afternoon, okay?
00:40:36Just a moment, just a moment.
00:40:37So much kissing just to change my jumpsuit.
00:40:39What's happening?
00:40:40How was your night, Diego?
00:40:41Just the two of them.
00:40:42Rodriguez's?
00:40:43At your house all night.
00:40:45I saw him as kind of silly.
00:40:47And I said to myself...
00:40:48I'm going to keep it.
00:40:49So that he doesn't miss her.
00:40:50So that he doesn't miss her.
00:40:51I said, I'm going to stay and sleep with him.
00:40:53Because I saw him looking kind of silly and all.
00:40:55You're nicer.
00:40:57You're nicer.
00:40:58Come on, Lucy, let's go, we're running out of time, queen.
00:41:01Our morning.
00:41:02Thank you, Ortiz.
00:41:03See you later.
00:41:04Come on.
00:41:04Okay.
00:41:09Everything's under control, right?
00:41:10I have denied it.
00:41:11Me too.
00:41:12But now...
00:41:14And one word, Diego.
00:41:15We're not going to worry him now that he doesn't suspect anything.
00:41:19What did your silly brother tell you?
00:41:20Well, she spent the whole night with Diego.
00:41:23Yes, exactly.
00:41:24AND...
00:41:24Well, it's one of two things.
00:41:25These three either had a gay orgy or they're lying.
00:41:27Patchouli.
00:41:29That?
00:41:30There it is.
00:41:31The new waitress.
00:41:32Last night was a big one, wasn't it?
00:41:34What's needed is for the doorknob not to belong to Diego.
00:41:36No way, Lucy.
00:41:38Lucy, how can you think such things, dude?
00:41:40No.
00:41:49What is it?
00:41:50No.
00:41:51That?
00:41:51No.
00:41:52No.
00:41:52No.
00:41:53No.
00:41:53No.
00:41:54No.
00:41:59No.
00:42:00Is that me, Diego?
00:42:05Why are you scared?
00:42:07You weren't doing anything wrong.
00:42:09Something bad? What nonsense is this, Carmen?
00:42:10Well, I was doing the laundry because I had some free time and I was putting...
00:42:15Excuse me, they're calling me here
00:42:16Yes, Santi
00:42:18Yeah
00:42:20Yeah
00:42:21No, yes, I already changed my clothes, yes
00:42:24Yeah
00:42:24I'm becoming paranoid, completely paranoid, I'm becoming paranoid, you understand?
00:42:29I know why, why, why, why, why suspect me, why do you smell something?
00:42:32What are you doing, Mom?
00:42:41This is the first time in my life I've seen your husband changing the sheets.
00:42:45And it smells strange to me, like patchouli.
00:42:49Patchouli, Mom, my perfume, and stop smelling it, please, ola
00:42:53Just stop it.
00:42:54Oh, daughter, I used to do the same with your father, I would cover him up
00:42:58I didn't want to see.
00:43:01But men, my daughter, are unfaithful by nature.
00:43:05And sooner or later, everyone ends up cheating on you.
00:43:08What are you saying, Mom?
00:43:09Look, what's this all about?
00:43:11That?
00:43:11There were skirts in this house last night.
00:43:14And very suspicious attitudes, Lucia, very suspicious.
00:43:17Mom, don't be so mysterious, you're making me nervous.
00:43:20What happened?
00:43:23Well, Diego told me she was the new waitress.
00:43:27But what waitress, what waitress, she was about to give birth.
00:43:32But be thankful that at least you can tell your husband what you think.
00:43:37And to vent.
00:43:40But that's me.
00:43:42He's going to find out, if you're here I'll find out.
00:43:46It was with grandma, she looks like a zombie, doesn't she?
00:43:48Auntie, don't laugh, poor thing, she's exhausted.
00:43:51Do you know why?
00:43:52Well no.
00:43:54Look.
00:43:57Well, I can't think of anything else but you, gypsy.
00:44:02My Gypsy?
00:44:04Oh dear, it seems the grandfather is hanging out with the gypsies.
00:44:06No, Len, no.
00:44:07That you don't understand.
00:44:08This was written by another woman who called her that.
00:44:11Women?
00:44:11Well, Maritira, this is getting interesting.
00:44:13How can he be so insensitive?
00:44:16Let's see, we have to help my grandmother.
00:44:18What she needs is to talk to my grandfather and clear everything up.
00:44:20Do you understand?
00:44:21Oh, right, man.
00:44:23Talk to your grandfather.
00:44:24It's just that if he didn't arrive because of a small problem, I mean, he's been dead for seven years, but...
00:44:28Yeah, but your grandma's a witch, right?
00:44:31And supposedly, if she's a witch, she can talk to the dead.
00:44:34Uh, yes, but come on, I don't think they'll answer him.
00:44:37Listen, Guilla, my grandmother said that she couldn't live if she believed that her husband had been unfaithful to her.
00:44:41No?
00:44:41So it doesn't matter whether the dead answer him or not.
00:44:44What matters is that she believes it.
00:44:46What they...
00:44:47Yes, yes, yes, but come on, I don't think I've been taken in by it, have I?
00:44:50Yes, ma'am, talking to the dead is a gift that God has given me.
00:44:54And I say, well, I'm going to tell Carmen.
00:44:56Let's see if she wants to include her husband in a conference on such important dates.
00:45:02Holy God, Tabernacle!
00:45:03Do you really talk to the dead?
00:45:08Yes, yes, of course, of course, yes.
00:45:10Yeah.
00:45:18And what really bothers me is that if she really thinks I have a face like a chubby dog, then she's given me a passing grade, right?
00:45:24Even if it's about the "pachón dog" thing, I'll do the arachiry right here.
00:45:26Now?
00:45:27Maybe I'm being a little paranoid.
00:45:29Same, same, just because.
00:45:32Two Cuba Libres, please.
00:45:36If you keep buying them drinks, you're going to go broke.
00:45:38Yes, Alex, but I have to test them, you understand?
00:45:40Because I need to clear up my doubts.
00:45:42If they don't get together today, they're lost and alone.
00:45:45They never roll up!
00:45:46We're already pedigreed cattle!
00:45:47We're already pedigreed cattle!
00:45:50Long live pedigree!
00:45:52Well then, let's celebrate!
00:45:54Hank!
00:45:56Hank!
00:45:56Hank!
00:45:56Hank!
00:45:57Hank!
00:45:57Hank!
00:45:58Hank!
00:45:58Hank!
00:45:59Hank!
00:45:59A night is a night.
00:46:01Hank!
00:46:01Well, we're leaving.
00:46:03Already?
00:46:04Already?
00:46:04Yes, yes.
00:46:05I'm feeling a little dizzy.
00:46:06Yeah?
00:46:07Okay, let's go?
00:46:07No, no, no, let's not go.
00:46:09In other words, you stay, celebrate, enjoy yourselves, and think about what tomorrow holds.
00:46:12Yes, it's because they're bothering him a little, and I'm going to accompany him home.
00:46:15Okay, okay?
00:46:15Yes, yes.
00:46:17I swear?
00:46:17Thank you.
00:46:19Come on.
00:46:20Ouch!
00:46:21Ouch!
00:46:22Bye!
00:46:22Hey!
00:46:23I love you, uncle.
00:46:25Come on!
00:46:26Wow!
00:46:33Look at them, Alex!
00:46:34They're getting all mixed up, man!
00:46:36They're getting into trouble!
00:46:37What are they going to get into?
00:46:39You're the only one I had here!
00:46:40I can't see Javaro!
00:46:42Come on, let's go, let's go!
00:46:53Africa, we've been here for over an hour and nothing's happening.
00:46:57Damn it, Raúl and I are just friends!
00:47:01I don't know, maybe you have a certain breed.
00:47:03Okay, let's go.
00:47:04Wait, Alex, wait, wait.
00:47:07Do you think I have a chubby dog face?
00:47:10In other words, according to you.
00:47:11Imagine you don't know me at all and suddenly I introduce myself, and what would you think...
00:47:15Alex!
00:47:16Alex, dude, help me!
00:47:17I'm asking for your opinion, man.
00:47:19Okay, let's begin the invocation.
00:47:21Kneel down and put your hands together as if you were praying.
00:47:24You see, I know that some people have a special gift for talking to the dead,
00:47:33May God have them in his glory, but I'm a little skeptical, you know?
00:47:38Sure, sure, sure, but it's normal.
00:47:41But you do what I tell you and we'll see what happens, right?
00:47:44Yeah.
00:47:45Wait, wait.
00:47:46Wait, because I have a question.
00:47:49Can the dead lie?
00:47:51No, no, they can't.
00:47:53The dead man always tells the truth.
00:47:55That's always been the case.
00:47:56Hey, girl, I'm going to take the bait, you little rascal.
00:48:00Yes, but her mother is very sad.
00:48:02The deceased was Paco, wasn't he?
00:48:04Paco, yes.
00:48:06Paco!
00:48:08Paco!
00:48:10Can you hear me?
00:48:13If you're there, make a move.
00:48:19That means it's here.
00:48:21Oh, Paco's here!
00:48:23Oh!
00:48:23Oh, tell him I'm Carmen and I need to talk to him!
00:48:29Paco!
00:48:31Paco!
00:48:33Your wife wants to talk to you.
00:48:38What are you doing?
00:48:39Shh!
00:48:40Relax, buddy, nothing's wrong.
00:48:41Be quiet!
00:48:42If you want to talk to your wife, knock!
00:48:48God.
00:48:53Aren't you going to bed, darling?
00:48:58In bed, in any bed, I'm getting into bed now, yes, of course, I'm getting into bed.
00:49:02Yeah.
00:49:02Is something wrong?
00:49:03You seem a little nervous.
00:49:04No.
00:49:04Perhaps you have something to tell me, don't you?
00:49:05No, I have nothing to tell you, I'm not nervous or anything.
00:49:08No?
00:49:08Are you sure?
00:49:09Yeah.
00:49:09And can you tell me what these hairs are doing on my pillow?
00:49:17Oh, there are some hairs on the pillow, well, I have no idea, girl.
00:49:21I don't know.
00:49:23Let's see if you're going to act like a dog, huh?
00:49:24Yes, because he doesn't govern it.
00:49:26I mean, you leave and my uncle gets on the bed and leaves his hair behind.
00:49:28The animal has no more hair than Chewbacca.
00:49:29It has hair, yes, yes.
00:49:31Look, Diego, please, whatever you have to tell me, tell me, whatever it is.
00:49:36I'll understand, but what I can't stand is the lying.
00:49:39What lie? I mean, there's no lie.
00:49:40Yes, but I'm going downstairs now and Grandpa, but it's not a lie or anything.
00:49:46Did you or did you not defile the marital act with your employee?
00:49:51Answer!
00:49:52Did you defile or not?
00:49:54No!
00:50:00Why else?
00:50:01Don't worry.
00:50:01He has spoken.
00:50:03He said no.
00:50:05He said it clearly.
00:50:07That did not defile.
00:50:08He said no.
00:50:10He said no.
00:50:12I'm very afraid of you.
00:50:14Can you sleep with me?
00:50:15Yes, yes, don't worry, Corrito.
00:50:21Mancillé, Lucía.
00:50:22I defiled.
00:50:23The incident with the employee, Mancillé.
00:50:25No, I defiled, no.
00:50:26I'm telling you, I'm not defiled.
00:50:27Do you want to go with Mancillé?
00:50:28For me, I defiled.
00:50:30Lucia.
00:50:31Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:32Lucia.
00:50:33Lucia.
00:50:34Lucia.
00:50:34Lucia.
00:50:34Lucia.
00:50:34Lucia.
00:50:35Lucia.
00:50:36Lucia.
00:50:36Lucia.
00:50:38Lucia.
00:50:39Lucia.
00:50:40Lucia.
00:50:40Lucia.
00:50:41Lucia.
00:50:41I'm not going to shake your hand.
00:50:43No.
00:50:43Lucia.
00:50:43That's new, huh?
00:50:45Oh, that wasn't there.
00:50:47Be quiet.
00:50:48Be quiet.
00:50:48Be quiet.
00:50:49Be quiet.
00:50:49You're not going to give it to me.
00:50:51Be quiet.
00:50:52Be quiet.
00:50:53Be quiet.
00:50:53What hunger?
00:50:53Be quiet.
00:50:54In other words, no.
00:50:55No.
00:50:55Shut up, it hits me.
00:50:56Be quiet.
00:50:57Be quiet.
00:50:58Be quiet.
00:50:58No, don't let go of me.
00:51:00Don't let go of me.
00:51:01Yeah.
00:51:01Be quiet.
00:51:02Be quiet.
00:51:02Be quiet.
00:51:03Tell me the idea
00:51:08That?
00:51:09Inviting you to the last
00:51:10But it's the last one, Raúl
00:51:12If you've cooked me like a shrimp, have you seen yourself?
00:51:14I'm doing great, okay?
00:51:16I'm in college
00:51:18Look, I'm a little drunk, yes.
00:51:20Well, you should know that it's your girlfriend's fault.
00:51:22My girlfriend what?
00:51:24Your girlfriend is inviting us out for drinks all night.
00:51:27It's your fault
00:51:28It's true?
00:51:29It's true?
00:51:30With the lakes in that messed up place?
00:51:33I know why, you'll see, this is very funny
00:51:36Your girlfriend has started thinking
00:51:38Because you gave me more time than her
00:51:40The beauty queens
00:51:42Well, you like me
00:51:43And what if they leave us alone with a couple of drinks?
00:51:46We created a nightmare.
00:51:47Are you kidding me?
00:51:51She's crazy
00:51:52Oh, what a load of rubbish
00:51:55No, no, no
00:52:00As brothers, no
00:52:01Twins, tell them twins
00:52:03I mean, at this stage of the game
00:52:07So, you're touching me, right?
00:52:11It's like if I touch myself
00:52:14Just like me
00:52:15Look, I'll touch you, you'll see I feel nothing.
00:52:17That?
00:52:20Nothing
00:52:20That?
00:52:21Sure, yes
00:52:22I'm going to touch you in time
00:52:24I bet you don't feel anything
00:52:29Are you laughing?
00:52:32Let's see a little bit
00:52:33Nothing that I've enjoyed
00:52:34It's like...
00:52:35Don't laugh, Raúl
00:52:36Don't laugh, Raúl
00:52:50What the hell?
00:53:02Raúl
00:53:03Raúl
00:53:04Raúl
00:53:04Raúl
00:53:04It's a little bit of affection.
00:53:06Fuck
00:53:07A little kiss is something, isn't it?
00:53:10Raúl
00:53:10The one you wake up in
00:53:11That everyone has gotten up
00:53:13Shit
00:53:17Shit
00:53:18I don't know, Africa
00:53:21Guille has sneaked into the bathroom
00:53:22How should I know?
00:53:23Eva, are you there?
00:53:28Africa, I'll open it in a second, okay?
00:53:30Okay
00:53:30What do I do, what do I do, what do I do?
00:53:37Look at me
00:53:38Always
00:53:39For God's sake
00:53:43Hello
00:53:50Hello
00:53:51We went downstairs for breakfast, I'm starving
00:53:53I need to talk to you.
00:53:55What's the matter?
00:53:57Nothing, I just don't feel very well.
00:53:59Wanted to...
00:54:00I wanted to apologize.
00:54:02Because I've been very silly
00:54:03Very heavy
00:54:04And very striped
00:54:05AND...
00:54:06Sorry
00:54:07No
00:54:07It doesn't matter, Frida
00:54:09The thing is...
00:54:10No, it does matter, Eva
00:54:11Yes, it matters
00:54:12I have become suspicious of my boyfriend
00:54:14And above all, I've distrusted my best friend
00:54:17Yesterday I was spying on you at the disco
00:54:19More than an hour
00:54:22I don't know what happened to me, aunt
00:54:23I lost my mind and started freaking out
00:54:25Forgive me, I'm such an idiot.
00:54:29Yeah
00:54:29I know you would never do such a thing
00:54:32Will you forgive me?
00:54:41Come on
00:54:41We drank coffee
00:54:43I'm going to call Raul
00:54:50Now?
00:54:52Yes, I need to tell him
00:54:54Hello good morning
00:55:17Good morning
00:55:18Hello
00:55:18Yaya, you're going to stay and live with us forever.
00:55:23No, son, no
00:55:25I don't want to be a burden.
00:55:26But, Yaya, you're not a burden at all.
00:55:28Also, I want you to stay
00:55:29I would also say
00:55:30Right...?
00:55:31That's true, Yaya, yes
00:55:31That we don't have
00:55:32Hello
00:55:32Good morning
00:55:33Hello hello
00:55:35Hello, Grandma
00:55:36You look so happy, don't you?
00:55:37Oh yes, I'm very happy, daughter
00:55:39Absolutely delighted
00:55:40And what do you do here? You do everything right.
00:55:42In pajamas?
00:55:43Come on
00:55:43It's going to get late for school
00:55:45Oh, Auntie, your grandmother is more innocent than a three-dollar bill.
00:55:49Squeeze, are you coming to the shower?
00:55:51Yeah?
00:55:51Yeah
00:55:51A little coffee?
00:55:55A little more?
00:55:56No
00:55:56What's wrong with him?
00:55:59I don't know, she seems kind of sad.
00:56:01Yes, ma'am, yes
00:56:03I miss my house and my husband so much.
00:56:06It's been 50 years of living together
00:56:09And even though he did what he did to me, well...
00:56:13It's hard to separate
00:56:14Yes, yes
00:56:15I can imagine it.
00:56:16And why doesn't he call her?
00:56:19What matters is that you love him, right?
00:56:21It has hurt me a lot
00:56:22And I am very proud.
00:56:23Go on, and me, and look how I swallow
00:56:25Or is it that you want it to be easy for me?
00:56:28Go to the cemetery
00:56:29Let us sing the praises of that saint
00:56:31No, daughter, no
00:56:33Don't you think I've swallowed it?
00:56:35The pantomime of the invocation, isn't it?
00:56:37No, no, ma'am, no
00:56:38I'm old, but not senile
00:56:40And I can still distinguish my son-in-law's voice from those of the afterlife.
00:56:43But I did it for my granddaughter, you know?
00:56:47Because I can see she's worried about me.
00:56:49Well, we're all set.
00:56:51My situation is beyond repair, sanctuary
00:56:54But yours, yes.
00:56:55Listen to me
00:56:57Call your husband and talk to him
00:56:59No
00:57:00I don't call Benito
00:57:02And when I say one thing
00:57:04I won't take a step back, not even if I burst.
00:57:06Good morning
00:57:09And Diego?
00:57:11Ah, well
00:57:12The sheets must have stuck to her again.
00:57:15Let's see
00:57:20The Yachos
00:57:22Benedict
00:57:27Good morning
00:57:29Look, I'm Carmen
00:57:30Well, a friend of his wife
00:57:34What's happening?
00:57:43And Lucia, Fiti?
00:57:44Lucia is fine
00:57:45He has slept in my case
00:57:46God
00:57:47I've lost her
00:57:48I've lost her forever.
00:57:49The conscience that betrayed me
00:57:52That damn conscience that betrayed me
00:57:54Fuck
00:57:55With such a storage
00:57:56I just jerked him off
00:57:58I'll bang it with all the little letters
00:58:00I just can't believe it
00:58:01Okay, Lucia
00:58:02But you have to forget this
00:58:03Know?
00:58:04You can't be there all the time
00:58:05All the time
00:58:05Because you've been like this since yesterday.
00:58:06And you're going to get sick
00:58:07You're going to have a...
00:58:08Well, how could I not get it, Candela?
00:58:09He's very fat.
00:58:09Sorry, it's just that he's very fat
00:58:10Express divorce
00:58:11That's what it is
00:58:11Express divorce
00:58:12And the blame
00:58:12It's that waitress's fault
00:58:14Damn the time
00:58:15Where I hired her
00:58:16I already told you
00:58:16A woman was only going to bring us ruin.
00:58:18You are very clever.
00:58:20You're always saying everything
00:58:20Just a moment, please.
00:58:21A moment of tranquility
00:58:22Lucia, what is it?
00:58:24A mostly understanding woman, damn it
00:58:26And well, and in the end
00:58:28There was no...
00:58:29Damn, why wasn't there one?
00:58:30Was there none?
00:58:31What wasn't there?
00:58:31No no
00:58:31So what you have to do
00:58:32It's about dialogue.
00:58:34What to talk about?
00:58:36What will it be, Lucia?
00:58:38Whether the child is his
00:58:38How it feels
00:58:39If he's going to take charge
00:58:41Perhaps it was just a slip-up
00:58:42No, Candela
00:58:43No, I know Diego
00:58:44And that Diego isn't like that.
00:58:45Diego doesn't sleep with anyone
00:58:47If he's not in love
00:58:47In love
00:58:49In love, that is
00:58:50My whole thigh is bruised
00:58:51That has flattened me
00:58:52That aunt of a teacher
00:58:52It's because he's lisped me.
00:58:53Because he has lised me
00:58:54Calm down, brother
00:58:55You're going to have a heart attack.
00:58:55Well, then, let him give it to me.
00:58:56I don't give a damn.
00:58:57Because I am...
00:58:58Wait, wait
00:58:58Wait
00:58:59That he still has a chance
00:59:01To fix things
00:59:02But what a chance, Fiti?
00:59:04Don't give him false hope
00:59:05That this is not the rule
00:59:07Not even the most holy life
00:59:07Santi, calm down.
00:59:08Calm
00:59:09That he gets his relative back
00:59:10My name is
00:59:11Fructuoso Martínez Carrasco Labín
00:59:12Diego
00:59:13Attentive
00:59:15What am I going to apply to you?
00:59:17A system
00:59:17Infallible
00:59:19And also tested
00:59:20The future
00:59:23The future
00:59:26The future
00:59:27The future
00:59:27What the rule does not
00:59:29The future
00:59:30The future
00:59:30The future
00:59:31The future
00:59:31The future
00:59:32The future
00:59:33Better
00:59:34The future
00:59:35Uncle
00:59:36Uncle
00:59:36Little
00:59:37Uncle
00:59:38The future
00:59:39The
00:59:40X
00:59:42The future
00:59:43You tell yourself
00:59:44The future
00:59:45Is
00:59:45Long
00:59:46Girl
00:59:46Is
00:59:47AND
00:59:47The future
00:59:48Yo
00:59:55he
00:59:58he
01:00:01he
01:00:03he
01:00:06he
01:00:08he
01:00:10he
01:00:12he
01:00:14But how can I not forgive myself, Citi, please?
01:00:17I forgive you, darling, I really do.
01:00:18I forgive you, darling.
01:00:19Do you truly forgive me?
01:00:26Are you faking a suicide?
01:00:28This is the last straw, come on.
01:00:29That's the last straw.
01:00:30This is as far as we've come.
01:00:31Listen to me, damn it.
01:00:32Listen to me, damn it.
01:00:33Pull, pull!
01:00:34Stay right there, damn it!
01:00:35Listen to me, woman!
01:00:37We're leaving.
01:00:38We'll leave you alone!
01:00:39Come on, go on, go on.
01:00:40Lucia, please listen to me.
01:00:46If they leave me, I'll die, I really will.
01:00:48Another blackmail attempt.
01:00:50Don't blackmail me, Lucia, damn it.
01:00:51What is love?
01:00:53I can't live without you.
01:00:56You are life to me.
01:00:57Okay, very poetic, Diego.
01:01:00Well, look, I thought of that before.
01:01:01Demacilla del cama, as you say.
01:01:03Yes, you're right.
01:01:04And I agree with you.
01:01:05That I've been a pig.
01:01:07You have no idea how sorry I am.
01:01:09But, I don't know if you want us to change the mattress and the bed frame and call the company that does that disinfection.
01:01:14Look, Diego, take a look.
01:01:17I just want to ask you one thing.
01:01:21Is the baby yours?
01:01:24But what baby?
01:01:25Which baby?
01:01:26Didn't I give birth, Lucia?
01:01:28Which baby?
01:01:29Did I not father a child?
01:01:30Okay, so tell me what's going on.
01:01:33That?
01:01:34You've fallen in love with her.
01:01:35Yes, Diego, because you're not the typical guy who sleeps with a girl for one night.
01:01:38But what has he ever done to his aunt?
01:01:40Because I haven't slept with any of my aunts.
01:01:42I know, I swear to you on my most sacred life that I haven't touched a hair on his head since.
01:01:44But I'm going to brush.
01:01:45Well then, I don't understand anything.
01:01:46What are we talking about?
01:01:47I'll explain it to you.
01:01:48I'm going to explain it to you because the problem is that...
01:01:49Let's see.
01:01:49I mean, this tuida from the...
01:01:50No, the disabled one.
01:01:51In other words, it's not yours.
01:01:52Well, I'm in favor of integration.
01:01:53I like integration.
01:01:54I support integration.
01:01:55Do you understand?
01:01:56Well, this disabled woman is going to her aunt's.
01:01:58And since he's very clumsy, why is he so clumsy?
01:02:00Being disabled is one thing, being clumsy is another.
01:02:02This one is clumsy.
01:02:03He goes and sections me.
01:02:04I mean, he kicks me out with his leg.
01:02:05He pulls it out and leaves me speechless.
01:02:06The clumsy woman has left me speechless.
01:02:07Because he's clumsy and your life has left me crippled.
01:02:10Approved and guaranteed system.
01:02:12I have faked my own death with cancer three times.
01:02:15Three.
01:02:15How wonderful, how wonderful, how wonderful!
01:02:21What's the matter?
01:02:22I feel like crap, Raúl.
01:02:24That I'm a fucking traitor.
01:02:25That's who I am.
01:02:26Don't exaggerate, man, come on.
01:02:29Auntie, what we have is solid, you know?
01:02:31In other words, a little fling.
01:02:32Giving in to unimportant meat.
01:02:34It's not important, aunt.
01:02:36I can't take it anymore, Raúl.
01:02:37I'm going to tell Africa.
01:02:39That?
01:02:40Are you kidding me?
01:02:41No.
01:02:42Eva, aunt, who stands me up.
01:02:45Damn, I love her.
01:02:48Auntie, I...
01:02:49Eva, Eva, I really love her.
01:02:51Know?
01:02:52I know it's a mess.
01:02:53It won't happen again.
01:02:54I don't know, Raúl, but it's mine.
01:02:55Where is the most beautiful couple in Santa Junta?
01:02:57But you did a great job.
01:03:00Come here.
01:03:01I love you all.
01:03:06Afri.
01:03:08Pretty.
01:03:09That...
01:03:09I have to tell you something, my girl.
01:03:12What's happening?
01:03:14Just a moment, okay?
01:03:15Yeah.
01:03:19Marcos.
01:03:21That?
01:03:22Oh really?
01:03:23When?
01:03:27Of course I'm excited.
01:03:30Okay.
01:03:31Okay, we'll talk later.
01:03:32A kiss.
01:03:34What's coming, Marcos?
01:03:35What's coming, Marcos?
01:03:35Next week.
01:03:36How cool!
01:03:38Wow!
01:03:39At last!
01:03:40Aunt.
01:03:42Okay, okay.
01:03:43What is true?
01:03:43Coming?
01:03:44Well, yeah, yeah, if that's the case...
01:03:46Well, you tell him that too.
01:03:49But tell us, what is this mysterious thing you have to tell us?
01:03:53Well, that...
01:03:54The thing is...
01:03:54Raúl and I...
01:03:58Dude, we had a great time with this whole contest nonsense and all that, man.
01:04:05Come on, guys.
01:04:06You have to go back on stage.
01:04:08We're going to give the results.
01:04:09The winner of Miss Santa Justa 2005 is Eva Catevila.
01:04:18Applause!
01:04:39And Mr. Santa Justa 2005, Raúl Martínez.
01:05:00Applause!
01:05:01Applause!
01:05:31No, it's heavy.
01:05:32What's happening?
01:05:34He's my little one, don't let him see me, don't let him see me
01:05:36Okay, okay, okay, okay, okay, you stay still
01:05:38Who called you?
01:05:40Woman, you're going to dislocate my hip.
01:05:42Oh, but I saw how much I missed him.
01:05:46Grandmother?
01:05:48She didn't like the difficult one, Sagrario, woman, come on
01:05:51Before I die, please say something
01:05:53That Lufo guy, let him go back to the village with his skirt.
01:05:56Hello, I'm Carmen, your wife's friend.
01:06:00The one who called, you know?
01:06:02Look, well, it's just that...
01:06:04He doesn't want to come.
01:06:06What a stubborn bitch!
01:06:10So he tells him to go fry some black pudding.
01:06:12But how can I tell him that, man of God?
01:06:14It's an animal!
01:06:15He tells her to go fry blood sausages with that skirt!
01:06:18What does your wife say?
01:06:19Go fry it...
01:06:21Well, yes, that...
01:06:24You are right.
01:06:25That...
01:06:26That she's stubborn and that...
01:06:28And that I could forgive him
01:06:30You are right.
01:06:31What is an animal?
01:06:32And that he deserves the worst.
01:06:33But...
01:06:35She also deserves a chance, woman.
01:06:37All is not lost yet
01:06:39That you are the woman of his life
01:06:41That you are the man of her life
01:06:42And that I could forgive him
01:06:44If he asks her on his knees
01:06:46And it crawls in front of her
01:06:48Man!
01:06:48No, no, neither man nor anything else
01:06:50After talking about the skirt
01:06:51Well, what else could you expect, right?
01:06:57Benito, get up, man
01:06:59And on top of leaving me for being cheated on
01:07:01You're going to embarrass me.
01:07:02Hey, Ayos, you've really outdone yourself, huh?
01:07:04Well, you're not exactly a cuckold at your age.
01:07:05Dude, you're a beast
01:07:07Guille
01:07:07Adelario, please forgive me
01:07:09That I without you
01:07:11You know that without you I am nothing.
01:07:14I don't want to live without you.
01:07:17Come on, get up and let's go home
01:07:20Oh, what a shock!
01:07:22Benito, don't act like a bull.
01:07:23Oh, what pains, louparlo
01:07:25Oh, what pain, wait, I have preached to you
01:07:27Wait, look, heioni합니다
01:07:27Wait, what should I call him?
01:07:28Yes, per dene Carry-te!
01:07:29I haven't come, I haven't come
01:07:29Uh, those excesses
01:07:46Well
01:07:47No no
01:07:49No!
01:07:57Frame
01:07:58It's Marco!
01:08:03He's a grown man, man!
01:08:04We killed another one of his mothers! He's a real man now!
01:08:05Well, my period was supposed to start a week ago.
01:08:07and there's nothing about her
01:08:09Everything we were missing, Lucia, everything we were missing
01:08:11Be careful, Eva
01:08:12Yes, yes, yes, no, it's extra well cared for and well maintained
01:08:15Because you're a cheapskate, Santi, you're a cheapskate
01:08:17Yes, you're a cheapskate, and your stinginess is going to bring us a lot of misfortune.
01:08:19I don't even want to think about it.
01:08:20But it's definitely the dog's fault for having that skin.
01:08:22I'm coming, work!
01:08:24Tell me it only stains!
01:08:26What happened?!
01:08:27What are you doing, Santi?!
01:08:29What are you doing, Santi?!
01:08:29What are you doing, buddy?!
01:08:30Hey, class, class, class, guys!
01:08:32How many of you have just arrived from the English kingdom, Martos!
01:08:38Tell Martos something?
01:08:41I'll shit on you!
01:08:42Missionaries are asking me for 120,000 euros!
01:08:45How long do you think a little thing can last?
01:08:46Mine?
01:08:47One week, my child
01:08:48Would you think so?
01:08:50Would you think she was seeing someone else?
01:08:51Go, go, go, Marcos, man, go
01:08:53What? What don't you give him?
01:08:54What's happening?
01:08:54What's happening?
01:08:54Seriously, you're just as stubborn as your father.
01:08:56But still, still, still
01:08:57The newspaper
01:08:58Here is the diary
01:08:59The newspaper?
01:09:00You're kidding me, they still have that?
01:09:02Have you heard of the besectoria?
01:09:03Well...
01:09:04No
01:09:04No, no, no, no, no
01:09:05What, but what?
01:09:06He says that...
01:09:06It's clear.
01:09:07The dog leaves the house
01:09:08Come on, you're going to cut off his balls
01:09:10No!
01:09:10You didn't ask, please!
01:09:11I don't want her dad to pass it on.
01:09:13It won't be the same
01:09:14It won't hurt
01:09:15Super crisis!
01:09:19If you layer Pepe, you're going to shit yourself
01:09:21What did you swear you said, girl?
01:09:22Maybe something's wrong with him
01:09:23What is your name?
01:09:24What is your name?
01:09:25Father
01:09:26Rebea, hello, hard
01:09:27Can you tell me what's wrong with you?
01:09:29Conmiguita hasn't told you
01:09:30What a mess this idiot has made.
01:09:30No?
01:09:31That?
01:09:31But do you realize?
01:09:32What is he about to kill my brother?
01:09:33But, well, for about one and two million
01:09:34I almost killed my brother
01:09:35Your brother needed help, damn it.
01:09:37You didn't ask for that Pepe!
01:09:39You didn't ask for that Pepe!
01:09:39You didn't ask for that Pepe!
01:09:40You didn't ask for that Pepe!
01:09:41Dad will never leave things the same!
01:09:42No!
01:09:43No!
01:09:44You didn't ask me to see you, to see you, to see you, to see you, to see you, to see you!
01:09:45I dedicate myself body and soul and you no longer come to my aid
01:09:46Fierce
01:09:49That?
01:09:49The child
01:09:50That?
01:09:50My brother's got his dick out, he's in your heat
01:09:52TRUE?
01:10:07The child
01:10:22The child
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