- 9 months ago
"Luda kuća" serija je o naoko običnim ljudima iz susjedstva - onima s malo novca i mnogo velikih želja, problema i još više peha. Miljenko Majer svojevrsni je glumački Don Quijote, mali glumac s velikim ambicijama. Više od svojih snova o slavi i bogatstvu voli tek Matildu i njihova sina, gimnazijalca Filipa sklonog nogometu - u kojem, naravno, vidi ispunjenje svojih ambicija. Majerovi su ljudi čija je kuća uvijek puna nepozvanih gostiju, oni su vrsta ljudi koji nikom ne znaju reći NE, pa makar koliko ih to stajalo. Upravo zato s njima živi i umirovljeni policajac Đuro Pletikosa, nema dana kad k njima ne svrati usidjelica Božena, a pospremačica Brankica radi često i ispod cijene, jer život Majerovih doživljava kao besplatnu zabavu. Za trgovanje i financijske kombinacije zadužen je Laci, vlasnik kafića u kojem Miljenko provodi najveći dio svog radnog vremena, uglavnom ispunjenog pauzama i dugim čekanjima na mali nastup. Kako biti sretan, umjereno bogat i uspješan, moto je priče o stanovnicima "Lude kuće".
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FunTranscript
00:00I'll see you next time.
00:30I'll see you next time.
01:00I'll see you next time.
01:29I'll see you next time.
01:59I'll see you next time.
02:59I'll see you next time.
03:29I'll see you next time.
04:29I'll see you next time.
04:31I'll see you next time.
05:01I'll see you next time.
05:31I'll see you next time.
05:33I'll see you next time.
05:35I'll see you next time.
05:37I'll see you next time.
05:39I'll see you next time.
05:41Slavik.
05:43I'll see you next time.
05:45I'll see you next time.
05:47I'll see you next time.
05:49I'll see you next time.
05:51I'll see you next time.
05:53I'll see you next time.
05:55I'll see you next time.
05:57I'll see you next time.
05:59I'll see you next time.
06:01I'll see you next time.
06:03I'll see you next time.
06:05I'll see you next time.
06:07I'll see you next time.
06:09I'll see you next time.
06:11I'll see you next time.
06:13I'll see you next time.
06:15Never mind.
06:17I'll see you next time.
06:19What?
06:20You want some money?
06:22Where are you?
06:23Where are you?
06:24Where are you?
06:25Where are you?
06:26Oh, here they are.
06:27Just look at me.
06:28Yes?
06:29Thank you, sir.
06:31Thank you, sir.
06:34What do you want for?
06:35Yes, sir.
06:38Bye.
06:39Bye.
06:40Bye.
06:41Bye.
06:42Bye.
06:44Five Five Five Six Six Five.
06:53No, no, no, no, no.
06:54We're looking for a revanche.
06:55No, no, no, no.
06:56We can't.
06:57Mr. Volader said that this woman was impaled to check out because kerami jewel has changed the bridleст.
06:58I didn't mind those when he tried to printer?
07:02No, no...
07:038 is the most painful.
07:04Amen.
07:05Everyone we're supposed to work at home.
07:09I'm sorry, I'm not allowed to...
07:12I don't care. We have to open a cafe.
07:29What are you doing?
07:32It's the end of the door.
07:35Hurry up until the woman has arrived. I will be surprised.
07:38I don't want to do that. I don't want to do that. I don't want to do that.
07:43Did you know when Božena was talking about how bad it is going to hurt the skin?
07:48I'm going to eat the whole life. I'm healthy when I dream.
07:53Yes. How nice it is.
07:57Come on.
07:59Thank you very much.
08:01And a drink.
08:03But Božena doesn't drink this with coffee.
08:06I don't understand that.
08:08But for who? Miljanko went to work for a while.
08:11I know, but the night came...
08:14I think that Philip got him in front of the house.
08:19My son.
08:20What do you have? You have more sons?
08:25What do you do here on the table?
08:27I said to you that he has a drink of water and water.
08:32Who is going to get a drink of water?
08:35Miljanko.
08:36You have to be the most compassionate man to the dog.
08:39He can be the best.
08:40He can be the best.
08:42How much?
08:45You're welcome.
08:46You'll drink coffee again.
08:48I'll drink a drink of water.
08:50You're going to drink a drink of water.
08:52You're going to take a little bit more.
08:53I can do it.
08:54I'll give you tofu and algae from the refrigerator.
08:57Tofu?
08:58Yes.
08:59I'll drink a drink of water.
09:01I'll drink a drink of water.
09:02I'll drink a drink of water.
09:03I'll drink a drink of water.
09:04My son.
09:05Why did you tell us that you will come?
09:08Dad would come to you in the pool and I'd eat a drink of water.
09:11I was hungry.
09:12I didn't eat.
09:13What?
09:14The turn was finished earlier?
09:15Well, it was not.
09:18Well, it was not.
09:19Well, it was not.
09:20No.
09:21Well, how did you go home?
09:23I got a drink of water.
09:25Why?
09:26Why?
09:27Well, it's a long story.
09:29We have time.
09:30Okay.
09:31Let me break a long story.
09:33The clients asked me to drink them in training.
09:37You're drinking?
09:38Oh God.
09:39What?
09:40When I got a drink of water.
09:42Oh God.
09:43Please don't talk about that.
09:44You're drinking a drink of water.
09:46No one's not drinking a drink of water.
09:47A little wonder they all thought about it.
09:49I know.
09:50Why?
09:51Why?
09:52I don't know.
09:53I don't know.
09:54I mean, the police wanted to prevent the scandal
09:56and she told me that they don't appear more.
09:58Let me see.
09:59No.
10:00No.
10:01No.
10:02No.
10:03No.
10:04No.
10:05No.
10:06No.
10:07No.
10:08No.
10:09No.
10:10There are nothing.
10:11You have a thing that's right now.
10:14Sometimes the law abrireth a little blind person.
10:18Today, they received andra geneAL CBD.
10:21No way, don't throw a gasp!
10:23Some people ate the meat and they didn't.
10:26You must be happy to let him CASA or assimilate.
10:32I'm a conscious.
10:33I'm available for a pause.
10:35No no.
10:37I don't care, let's go with you.
10:42Zdenko!
10:44Don't forget that you have to be in the state to control the keramechars.
10:48I have a job. I'll pay for it.
10:52Pay for it?
10:53I don't care.
10:54What do you care?
10:55You have to do everything from the beginning.
10:57In other words, I'll stay with Slavka,
10:59or a woman with Matilda.
11:01In other words, it's freedom.
11:03No, I'm in agreement with a revanche.
11:05The woman won't let him go.
11:07I'd like to sleep one night.
11:08You're crazy.
11:10Come on, man.
11:11Come on.
11:12Come on.
11:13Give me some beer.
11:14Let's go.
11:15When you were hunting for a mammoth.
11:17It's not a mammoth.
11:19A mammoth is one.
11:21It's a wild lion,
11:22which didn't take you from Zoloch's breed.
11:25I'm dehydrated.
11:27Don't look at it.
11:29You can't do autogramechars.
11:31I'd say he'll still get his five minutes.
11:34I'm a little bit.
11:36Come on.
11:37Why are you not satisfied?
11:39The advertising is 100 times daily.
11:41I open the news.
11:42I don't see them.
11:43I don't see him.
11:44I don't see my face on the other side.
11:46I don't see my face.
11:47I don't see these crazy people.
11:49Okay.
11:50That's the technical details.
11:51What do I have to do?
11:53You have money.
11:54You have money.
11:55You have money.
11:56You have money.
11:57You have money.
11:58You have money.
11:59I'm so excited.
12:00I'm a fan of the madrid.
12:01I'm a fan of the Hrvatsk.
12:03I'm a fan of the Dramske.
12:04Who is the president now?
12:06I don't have any idea.
12:08I don't talk about that.
12:09You've played the Dramid for years.
12:11I'm not that old man.
12:12I'm so tired.
12:13I'm so tired.
12:15I thought I would have given the Mlinac chance
12:19I have given you some chance to find you in a better place.
12:28Brankice, what are you doing here?
12:30We have agreed that Boženin is a priority.
12:32Have you promised to do that?
12:34I can't do that in 5th grade,
12:36when all the teachers go to the headquarters.
12:39What are you doing?
12:41I didn't.
12:42No, I didn't.
12:43I knew that my son has a promise
12:45to take his teachers during training.
12:48It's not possible.
12:50No, it's not.
12:51What are you doing?
12:52They all thought about it.
12:54Do you always say that they are 15 people?
12:57I'm saying that my mother should be able to believe in sin,
12:59and not to be beaten up with people.
13:03Well, lady, you have a little right.
13:06I don't know why you don't believe it.
13:08Philip never is here for the children.
13:10I don't remember.
13:11Never, never.
13:12Brankice, 15 children say that Philip is here for the legs.
13:1515!
13:1715!
13:1815!
13:1915-13!
13:2015!
13:2115!
13:2215, sada!
13:24That's not a curse.
13:26It's a shame.
13:27Something to say!
13:28What, a curse?
13:29Brankice, it's 6-year-olds!
13:32They grow quickly and start to die.
13:34To your new generation is now giving up!
13:37I really don't know what to do.
13:39I'm completely lost.
13:41I don't know.
13:42No problem. Listen to me, why don't you ask Džuru if he is looking for a little bit and looking for it?
13:51And Džuro was a police officer, huh?
13:54Brankice, you're a genius. Thank you. Džuro!
14:01Hello? Listen, tell his assistant that my people don't eat fried food.
14:07They don't eat any sandwich. You don't want to be the main fool.
14:11What? With the brazen people! They look like the thieves in Ben-Hur.
14:16But it's all written nicely. You should read it. So, you idiot!
14:21I mean, where are you going? I'm going to take a break for you.
14:24I'm not a break. I'm going to take a break.
14:27I'm going to take a break. Give me one.
14:29How many times do I have to go to the brazen costume?
14:34I'm going to read the conversation.
14:36I'm going to read it.
14:37So, you're not. Why don't you read it?
14:39You're not going to read it.
14:41Listen, the letter says that the identification of the person's identity is in the mask.
14:47You're not going to read it.
14:49You're not going to read it. I'm going to read it.
14:51I don't think it's the same as home.
14:53I'm at home, in the family.
14:55Okay, that's not enough.
14:57I mean, you're the best man in the country,
14:59and you're walking around with him.
15:01I'm not walking around.
15:03I'm directly from the sajma,
15:05and I'm going to get rid of these correlations.
15:07Okay, what do you do now?
15:09Oh, pardon, it's not a problem.
15:11Okay, it's not a problem.
15:13Listen, you're going to do it and you're going to do it?
15:15Of course, you're going to do it.
15:17Listen, here's your honor for today.
15:19I'm going to take my own decision.
15:21Listen, don't forget to go to the market tomorrow.
15:23The rally starts at 8.
15:25What would you say to the rally?
15:27What would you say to the rally?
15:29What would you say to the rally?
15:31Listen, Mlinaca, what about the other auditions
15:34that you promised me?
15:36Is there a good audition for me?
15:38I don't think I'm going to say to you.
15:40You're constantly not satisfied.
15:42You know how many people would have been to your place now?
15:45I know, I'm going to say that.
15:47I'm going to say that.
15:48I'm going to say that.
15:50I'm going to say that I could give you more.
15:53It's not.
15:54No, I'm going to say that.
15:55And cover it up.
15:59What's your name?
16:00What's your name?
16:01It's so funny.
16:02It's a stress-like job.
16:03It's a dumbass, if you ask me.
16:05Why not you?
16:07Why?
16:08You're going to see it.
16:10That's why.
16:12Okay.
16:14It's a mess.
16:15It's a mess.
16:16There's a mess.
16:17There's a mess.
16:18How many people have?
16:19What?
16:20I'd have to be called a duck for a duck.
16:23I'd have to be called a duck until the end of life.
16:25I've written everything here.
16:28You think that we should be engaged with the judge?
16:32Who are we?
16:34I don't know.
16:35I think that we should be able to do that.
16:37Don't listen.
16:38Listen to me.
16:39The judge will take you here.
16:41You're going to be able to talk to the judge while the thing is still cold.
16:46I know how to do it.
16:48The kids are on the tour in Split.
16:50I work every week.
16:52I can do it?
16:53If I can do it, I can do it.
16:56The judge will take you to the judge.
17:00I want to send someone to the judge.
17:04I don't want to tell you the judge.
17:06I don't want to tell you, but I've already had to be with the judge.
17:09You see, you're up from the judge.
17:11You don't want to take the judge.
17:13I'll do it.
17:14I'll do it.
17:15You've done it.
17:16Look, you've done it.
17:17You've done it.
17:18You've done it.
17:19You've given it to the judge.
17:20I've got to take it.
17:21You've got to take it.
17:22You know what?
17:23We're nervous.
17:26You don't want to tell us.
17:27Why are you nervous?
17:28If you're nervous, if you're worried about you,
17:30you're worried about yourself.
17:31Then take something, nice.
17:33Take it!
17:34Take it!
17:35What?
17:36That's a mistake.
17:37It's a mistake.
17:38It's a mistake.
17:39It's a mistake.
17:40It's a mistake.
17:41I don't want to listen to him.
17:42It's a good job to make money.
17:43Listen to me.
17:44Listen to me.
17:45When do you think you're worried about yourself?
17:49I'm going to do it instead of you.
17:50I know a woman from television.
17:53It's a show about the pre-reaching of the state.
17:57Okay, I'll explain everything.
17:59I'll explain everything.
18:00I'll explain everything.
18:05You don't want to eat in the evening.
18:07I don't want to eat you.
18:09That's it.
18:10We'll see you tomorrow.
18:11Hold on.
18:12Hold on.
18:13If you go to G. Božene,
18:14I'm going to go with you.
18:16If you need help,
18:17clean, clean, clean, clean, clean,
18:18clean, clean, clean,
18:19whatever you need,
18:20just pray for you to finish this.
18:22I know, Slavka.
18:23I don't want to take care of yourself.
18:25It won't be long.
18:26It won't be long.
18:27It won't be long.
18:28I know.
18:29I'm going to go.
18:30Wait.
18:31I'm going to go.
18:32Here it is.
18:33Here it is.
18:34Here it is.
18:35Here it is.
18:36Hold on.
18:37Why don't you stop the phone?
18:39Where is Zdenko?
18:41There is with the master.
18:43Yes, with the master.
18:44I've been there.
18:45He told me that he didn't come.
18:47I don't know what he thinks.
18:48Who?
18:49Master?
18:50No.
18:51Zdenko?
18:52I'm going to go.
18:53I'm going to ask him to help my kitchen.
18:57No, it's not.
18:59What's wrong with the glass?
19:00Here it is.
19:01Here it is.
19:02He has removed the phone.
19:03I'll go.
19:04I'll kill him!
19:05Don't worry.
19:06Don't worry.
19:07I'll do it.
19:08Let's make a little bit of water.
19:09I'll swallow it.
19:10I'll swallow it.
19:11I'll swallow it.
19:12I'll swallow it.
19:13When I saw how many layers are there,
19:15I won't even now.
19:16What does it matter?
19:17No.
19:18It doesn't matter.
19:19It's all that someone is trying to do the diversion.
19:20And I said to your chef,
19:22that everything is good from the beginning.
19:24From the beginning?
19:26Oh, that's good.
19:28I have to say,
19:30if I go to Africa,
19:32I'm going to ask him for David.
19:34It's better that he doesn't appear before his eyes.
19:40Oh, you hear this?
19:42The direction of diversions.
19:44Well, it doesn't matter.
19:46Do you think you want to call the team?
19:50No, I don't think.
19:52Yes, yes.
19:54We just need evidence.
19:58If I understood you,
20:00you want to call the team now?
20:02Not just now.
20:04Maybe another day.
20:06Tomorrow, tomorrow.
20:08Love, when anyone asks you.
20:10Zdenko, you're not normal.
20:12You're not normal.
20:14Our son is only accused of maltrating the teacher.
20:18And you'd have to call the room.
20:20No, not the whole room.
20:22No, no, no.
20:23Just one room.
20:24Here, I'll sleep in the room, for example.
20:26In which I sleep with my best friend.
20:28Well, you're stupid.
20:30Or you're just doing it.
20:32I'm really interested.
20:34You're not going to call the team.
20:36You're not.
20:37You're not going to call it.
20:38You're not going to call it.
20:39No, no.
20:40They're not going to call it.
20:41I believe that.
20:42You're the only one.
20:43Did you get to Juru on the train?
20:46Yes.
20:47I know that it's hard to be, but everything will be fine.
20:51No, it won't be fine. No, it won't be fine.
20:54Philippe, don't say that. I trust you.
20:57And then you're the only one.
20:59And your father trust you, Juru, Branky, Božena, everyone.
21:03Who is now on the phone and who is not sure? Tamara.
21:06She said that she never wanted to talk with me.
21:08A little bit, it's normal in such situations.
21:12Is it normal that Jurica has the night of the sea because of me?
21:14No, it's not because of you.
21:16You know, that girl has certain problems in the situation.
21:19I've noticed that when they were here with us.
21:21No, please, okay?
21:22Where are you going, Philippe?
21:24Let's go.
21:36I wanted to be old.
21:39Let's go to Zološki.
21:41We feed the maimune.
21:43And the giraffe.
21:46Well, the giraffe doesn't have, but she won't even hear me.
21:50I'm here, old man.
21:52Yes, yes.
21:53Yes, yes.
21:54Yes, yes.
21:55Yes, yes.
21:56Yes, yes.
21:57Yes, yes.
21:58Yes.
21:59Yes, yes.
22:00I've told you that I got a loss.
22:02Yes, old man.
22:04I said you got a loss.
22:05Look, I'll get a glob.
22:07Look, I'll get a look.
22:07I'll get to the police.
22:09I'll get to the police.
22:09I'll pay you for the time.
22:10Who do you know?
22:12No matter what, I'll pay you.
22:14I'll pay you all.
22:15I'll pay you all.
22:16I'll pay you all.
22:17But I'll go first.
22:20Let's go.
22:20Let's go.
22:21Let's go.
22:22Let's go.
22:23Oh, that's it.
22:31Here, where are you?
22:33I'm not going to ask the car or church.
22:35How are you doing, little boy?
22:37Let's drive him home.
22:39How are you doing?
22:41Okay, I'll drive you. I'll wait to open it up.
22:45Tell me, what's the idea of the city's decision?
22:48No, I won't even hear it.
22:50It's crazy.
22:51Yeah, it's normal.
22:53That's why I decided to call you when she's in school.
22:56Whatever you know, you won't get sick.
23:19Hello?
23:21Juro, you are!
23:23No, I'm not sleeping.
23:24I've been a long time.
23:25Don't care.
23:26It's only a woman who's sleeping with me,
23:28I can't speak loud.
23:30What are you doing now?
23:33You were on a vacation with them.
23:36Who are you doing?
23:38With Juric?
23:40What a good idea.
23:41That's so early.
23:42What a good idea.
23:43What a good idea.
23:44What a good idea.
23:45I might think.
23:46What can I do.
23:47I'm gonna find all three days there.
23:48I can't find the computer.
23:50Tell me, tell me, Juric.
23:51Sure.
23:52Thanks a lot.
23:54Thanks a lot, thanks a lot.
23:55You're working on all new things.
23:58You're working on all things.
23:59You're working on all things.
24:00Thank you very much, Juric.
24:01Goodbye.
24:02People really need to listen to me when they call me.
24:06And you would be able to turn the computer until you sleep.
24:09No, I didn't sleep.
24:12And when you go over there, you go around everything.
24:17I'm the first time to go.
24:19Let's go, let's go.
24:25Good morning everyone.
24:27Good morning girl.
24:30Where is he?
24:31I don't know.
24:33The whole night he called me, then he got away from her.
24:36So, did you talk with Matilda?
24:39I did. We talked about it.
24:41And it's sad that you guys are so bad and bad.
24:46She's not a woman.
24:47We've already talked about it.
24:49You know that Božena is going to break down there?
24:51You don't care about it.
24:55When the team comes,
24:57it can be, it can be.
24:59But Božena and Matilda are not going to continue.
25:02I know, Zdenko, no worries.
25:04No, no, everything will be fine.
25:05Okay.
25:07I think I have.
25:08Yes.
25:09Who's going to kill you, Matilda?
25:11Okay.
25:12I'm sorry.
25:13I'll help you, Matilda, where you want.
25:15I have to stop now.
25:16I'll understand later.
25:19Filinko, we're going.
25:20You're at home.
25:21Yes.
25:22The whole day.
25:23I'm listening to Filipa.
25:24Yes.
25:25I'll go to the refrigerator for the grill.
25:26I'll go to the refrigerator for the grill.
25:27I'll go to the next week.
25:28I'll go to the next week.
25:29I'll go.
25:30Bye.
25:31Bye.
25:32Bye.
25:39Sorry, old man.
25:40You're welcome.
25:41But it's been my five minutes.
25:44I'll go.
25:46You're welcome.
25:47Maybe it's been my five minutes.
25:49It's been my 10 minutes.
25:50It's been my five minutes.
25:51I've been like, hey, I can't wait.
25:52No.
25:53No, no.
25:54I'm waiting for a few people.
25:56I'm really going to be the team.
25:57It would be better.
25:58No, I don't try.
25:59No, no.
26:00No, no, no.
26:01I'm not going to be a big deal.
26:02I'm going to pass.
26:03What do you think?
26:05No, I'm waiting for some people.
26:07It's actually a TV team.
26:09It would be better.
26:11I don't believe it.
26:13How can you talk about it?
26:15No, Philip, it's not like that.
26:21I don't have a wife.
26:23I thought it was a TV team.
26:25Now they come.
26:27I'm going to give you something.
26:29I'll give you something.
26:31Here it is.
26:32I'm sure I'm familiar with what I'm doing.
26:35Come on.
26:36You don't want me to think about it.
26:38You can use the chance.
26:40Maybe you won't get it.
26:42Come on.
26:48Woman, I don't want to understand me,
26:51but we think that something happens in your house,
26:54in your state.
26:56Who are we?
26:57We.
26:58Slavko, Brankica, and I.
27:00You know what?
27:01I don't want to mention this woman.
27:03Emi is almost destroyed the state.
27:06Emi is sent to these inexplicable masters.
27:08Maybe the masters are not so inexplicable.
27:10I'm not capable of doing it.
27:11Let me ask you.
27:12You can see how I'm going to get rid of them.
27:14I won't pay anything.
27:15I won't pay anything.
27:16No, the masters are wrong.
27:17But who?
27:18I don't know.
27:20But I think that someone else has their fingers.
27:23What do you want to say?
27:24What do you want to say?
27:25That someone's trying to sabotage.
27:26That's right.
27:27That's right.
27:28You know what?
27:29Brankica has a fantastic idea.
27:31In the evening, in your state,
27:33when the masters leave,
27:34we'll be waiting for him.
27:35And wait.
27:36You know what?
27:37When I wait for him,
27:38he will say that he was born.
27:41Good morning.
27:42Good morning.
27:46Good morning.
27:47You are the same.
27:48Of course, please.
27:49Please, please.
27:50Please, please.
27:51You can do this for a meal.
27:52You are for a burger.
27:53Yes.
27:54Yes.
27:55Yes.
27:56Well, Martina, the first job.
27:57Is that the state?
27:59Yes.
28:00Yes.
28:01Yes.
28:02According to Denkov's words,
28:03I'm expecting that he's in a bit worse.
28:05But the bathroom room is much more than usual.
28:08You can see us.
28:09Let's go!
28:10Let's go.
28:14Here, that's the place.
28:17Here will be a lot of work.
28:19Yes, that's why I invited you. I want to welcome your wife.
28:23What is this?
28:25My costume.
28:26Where is that costume?
28:28It needs to be a job.
28:30Mr. Milenko, I think we should talk a little bit.
28:34Martina, give it.
28:35Yes, Martina.
28:40Oh, where are you?
28:46Laci, give me something, Mr. Boženi, to come to me.
28:50What are the water?
28:51What are the water?
28:52What is the water?
28:53What is the water?
28:54What happened?
28:55We were in the house in Boženin's house
28:58and we found a woman who broke the ball.
29:02Then it was recognized how the lady was charged
29:05to do more work
29:06and how he opened the windows,
29:08and the water was charged with the bags.
29:10Yes, you're welcome.
29:12Don't give me anything, please.
29:15Do you know you can sleep with us?
29:17Nothing to do with us.
29:19We're going to the hotel
29:22and we're going to the room
29:23and we're going to the room.
29:24I don't have money.
29:25Do you know I don't have it?
29:26Don't worry.
29:27Wait.
29:28Wait.
29:29I was going to ask Laci to me.
29:30I don't allow you to lower yourself so much.
29:33You can be with us
29:35while the state is in the room.
29:37It's going to be a bit faster.
29:39Okay.
29:40Okay.
29:42I won't let him go
29:45even in a second from the window.
29:47He doesn't need to sleep.
29:48He can sleep on your bed.
29:49I'm not a dog.
29:51And you're not.
29:52You're not going to destroy your own house.
29:57Hey.
29:58Hey.
29:59What are you doing here?
30:00I'm waiting for Voloder to get out of the bag.
30:02I don't want to get out of the bag.
30:04I don't want to get out of the bag.
30:05I don't know.
30:06What?
30:07The wife gave me a gift.
30:09Wait.
30:10Tate is hiding in the room
30:12a little bit of milk.
30:13After the funeral.
30:14What?
30:15Hi.
30:16Hey.
30:17Hey.
30:18Come on.
30:19Oh, good evening.
30:20Why didn't you hear me coming?
30:21I love me when I was I bought you a plane.
30:23I've lost my battery to my room.
30:26I gave you a littlenight.
30:27But, that's why I made it happen.
30:32You can praise me.
30:35For now, you're an free guy.
30:38I tell you, what?
30:40Come on.
30:41You're still talking about things.
30:45Wait, what are you saying that Jurica is going to eat it?
30:50Yes, I know, while we were in trouble.
30:53He said to me that he was going to meet another child with chocolates...
30:58...to tell him that the trainer is going to throw the ball in the legs...
31:01...because he is weak.
31:03Really.
31:04I can't believe that Jurica would do it.
31:07He loves me. I'm trying to be like a other dad.
31:10You see, even that's why he wants to kiss his mother.
31:14And you don't fall into that story.
31:19And I tell you.
31:21Mom, please, stop. I'm telling you that it's true.
31:24How would it be true? It's not true.
31:26I think it's better to happen now than later, when it's later.
31:30When later? What do you see?
31:38He has to be a little sane.
31:41I don't know.
31:42No, I would call him the trainer and ask for my son to return to the job.
31:46And he would still be charged for mental illness.
31:48What about mental illness?
31:50I would have had to be a doctor for the pain of the legs...
31:53...because I'm going to shoot for this child.
31:57And that's how you see. Jurica has cooked everything.
31:59I don't know.
32:00I don't know.
32:01He's too small, but he's too small.
32:03I don't know.
32:04Okay.
32:05I think Philip's going to return to the job.
32:06Yes.
32:07That's what we thought.
32:08But she's a fool out of the leg.
32:09She's got a foot in the leg.
32:11And she's got a rhythm.
32:12I'm telling you that there's no more than Greek.
32:15And now you tell me that we, men, are not threatened.
32:18That means that Philip pushed the job.
32:20Hello?
32:21Hello, my lady.
32:23This is a murder of the Majer.
32:27Excuse me.
32:30Hello?
32:31Hey, Mlinac.
32:32How are you?
32:33What?
32:34Tomorrow?
32:35Yes, yes.
32:36I'm free.
32:38Can I?
32:39Can I?
32:40Can I?
32:41Can I?
32:42When?
32:43I remember.
32:44In the 10th, near Cibonino Tornja.
32:47And hunting is cash on my hands.
32:49Okay.
32:50Okay.
32:51Okay.
32:52Okay.
32:53Okay.
32:54Hey, Gaža.
32:55Yes.
32:56Yes.
32:57They don't have a team building.
32:59And they want to win a medal.
33:00Yes.
33:01Yes.
33:02Yes.
33:03Yes.
33:04Yes.
33:05Yes.
33:06Yes.
33:07Yes.
33:08Yes.
33:09Yes.
33:10Yes.
33:11Yes.
33:12Yes.
33:13Yes.
33:14Yes.
33:15Yes.
33:16Yes.
33:17Yes.
33:18Yes.
33:19Yes.
33:20Yes.
33:21Yes.
33:22Yes.
33:23Yes.
33:24Yes.
33:25Yes.
33:26Yes.
33:27Yes.
33:28Yes.
33:29Yes.
33:30Yes.
33:31Yes.
33:32Yes.
33:33Yes.
33:34Yes.
33:35Yes.
33:36Yes.
33:37Yes.
33:38Yes.
33:39Yes.
33:40Yes.
33:41Yes.
33:42Yes.
33:43Yes.
33:44Yes.
33:45Yes.
33:46I'm a drama teacher.
33:48Evo, what did you say?
33:50The most famous story of domestic marketing.
33:52Mr. Mayer, is this the top of your career?
33:55No, no, no.
33:57It's an obscure desk.
33:59It's obscure.
34:01I'll take it.
34:06It's done!
34:07You heard me?
34:08It's done!
34:09It's done!
34:10It's done!
34:11I want to!
34:12Listen, because of your interview,
34:14it's not just that we had to give up our interview,
34:16but they called me from telecom
34:18and wanted to raise your speech against you!
34:20Why?
34:21I didn't do anything.
34:23No, no.
34:24Who did you do?
34:25My dad, huh?
34:26Technically, she was looking at her.
34:28Miljenko didn't mention that she was in the costume.
34:32I looked at the title from the beginning to the end.
34:34Okay, who are you?
34:35I?
34:36Božena Mužić.
34:37Mr. Boženo Mužić,
34:39because of this amateur,
34:41I got these two big stones
34:44that are lying in my cage.
34:46And who else will pay for the team building
34:48with the team director?
34:49Who else?
34:50Who's paying?
34:51Of course.
34:52Zdenko.
34:53What are you doing?
34:54We have to pay for the maestro,
34:56right?
34:57I don't have to pay for the heart.
34:58I don't have to pay for it.
34:59I don't have to pay for it.
35:00Here you go.
35:01You have to pay for it.
35:02You have to pay for it.
35:03You have to pay for it.
35:04You have to pay for it.
35:05How do you pay for it?
35:07Yeah!