Celebrity Help! My House Is Haunted Season 1 Episode 2

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Transcript

00:00There is someone or something in this house with us.

00:03Things move all the time.

00:05I'd like to know that I'm not going mad.

00:10No way.

00:12No, no, no!

00:13The number of us believing in ghosts, spirits and the supernatural is on the increase.

00:20I could have really sleep at night.

00:22Even our favourite celebrities' homes are plagued by paranormal activity.

00:26Luckily, there are three people who can help.

00:32Dark arts specialist Ian Lawman is an ordained exorcist and medium.

00:38The people in this house do not know what they're dealing with.

00:42Paranormal researcher Jane Harris is a psychologist and historian.

00:46Oh! Jane's sore!

00:49Investigator Barry Guy is the technical expert.

00:52Oh, it's moving! It's moving!

00:54Together, they're investigating celebrity homes.

00:58Guys, we're locked in!

01:00Gathering evidence and communicating with spirits.

01:03Someone just grabbed my windpipe.

01:05Doing whatever it takes to return our homes back to the hands of the living.

01:11If they're evil, they can...

01:13Coming up...

01:22I can't have it, right?

01:25A celebrity living in fear.

01:28I want help to find out if there's something here.

01:32Learning paranormal secrets.

01:35Oh, no, no, no, no, no, you know!

01:38No, you've got to be joking!

01:40Very deep underground...

01:42It's like she lives on a graveyard.

01:45Causing the team...

01:47Ooh, someone just touched my back.

01:49It's all right, mate. It's all right. It's all okay.

01:50...to experience...

01:52Guys, we're locked in!

01:53...one of their most intense investigations ever.

01:56Oh!

01:57Oh!

01:57So, guys, we're heading into the city of Sunderland.

02:09I used to live here.

02:11I know, yeah.

02:12It dates back to Norman times as well, so older than I thought.

02:14Yeah, it does.

02:15Older than me.

02:17Older than you, yeah.

02:19But it's a town called Hortonless Spring.

02:21That's where we're heading.

02:23Way I, man.

02:24This former coal mining town dates back to the 12th century,

02:30though Roman and prehistoric remains have been discovered here.

02:34The team have been called in to investigate reports of paranormal activity

02:38in this celebrity home in the town.

02:41I don't think you're ready for this.

02:46It's the home of TV personality Charlotte Crosby, star of reality show Geordie Shore and winner

02:53of Celebrity Big Brother.

02:55When I first bought the house, it was just a shell, an empty shell.

02:59It was completely barren.

03:02It had a lot of work to be done.

03:04I don't know what attracted us to the house so much.

03:07This house has had endless freaky things happen here.

03:13I was on my social media filming this whole area behind us,

03:18and at that moment, something really peculiar happened, but I didn't notice.

03:25My house looks so stunning from this angle.

03:29All of a sudden, my phone starts going crazy.

03:34Like, everyone freaking out, saying,

03:37Oh, my God, the chair, the chair.

03:39And I'm like, the chair?

03:40What about the chair?

03:41The chair moves in your video.

03:44And I'm like, what?

03:46So I look back,

03:48and lo and behold,

03:50one of the dining room chairs

03:53moves back

03:55completely on its own.

03:57That chair definitely moves.

04:03That is no trickery of the eye.

04:06And I was like, right, okay,

04:07I'm getting pretty scared now.

04:09Like, this is a big house to be in alone.

04:12And I am in it alone.

04:17I can't even count

04:19on two hands

04:21how many dead birds

04:23I find

04:24along the outskirt

04:25of the whole property.

04:28There was one time

04:29this tiny little bird

04:30was just sat

04:32on the window ledge.

04:33For God's sake,

04:34it's still there.

04:36Don't know what to do about it.

04:37Just staring into the house.

04:41It's in shock.

04:42It's in shock.

04:43I know it is.

04:43I've seen it before.

04:45And it was just

04:46perched on the window

04:47looking inside,

04:48like, looking into my soul.

04:51I do want help.

04:53I want help

04:54to find out

04:55if there's something here,

04:58what kind of energy it has,

05:01do we need to bless the house?

05:03Are we close

05:05to the location now, then?

05:07Not just yet.

05:09But you tell me

05:10if you're picking anything up,

05:11Ian,

05:11if you're sensing anything now.

05:13Yeah.

05:14I was very conscious

05:15of something to do

05:18with the ground.

05:19So are we going

05:19to a piece of land

05:20where the land is haunted?

05:23Medium Ian

05:24insists on being told

05:25nothing about

05:26the investigation

05:27in advance.

05:29I always like to travel

05:30and have no

05:32pre-programmed

05:33mind

05:33or receive

05:34any information

05:35from any crew

05:36or Barry or Jane.

05:37And the reason

05:38for that for me

05:39is that I know

05:40what messages I receive

05:41is true, genuine

05:42spirit messages.

05:45Getting close, guys.

05:49I can see

05:50flat caps.

05:51I can see

05:51dirty, filthy

05:52hands,

05:54black face.

05:55Are we talking

05:56people who worked

05:57under the ground?

05:58There is going

05:59to be children

06:00or a child here

06:01as well.

06:02That's going to be

06:03quite prominent.

06:05And there's also

06:05going to be

06:06quite a strong

06:07male figure there.

06:09And I'm wondering,

06:11as I visualise myself

06:12walking,

06:13it's almost like

06:14I want to fall

06:14through the floor.

06:15So I'm wondering

06:16if there's something

06:17below.

06:20This is it, guys.

06:22Wow.

06:22Oh, wow.

06:36Wasn't what I was

06:37expecting,

06:38but beautiful property.

06:40Well, I'm going to meet

06:40up with the homeowner's

06:41best friend who's had

06:43some paranormal

06:43experiences here.

06:44OK.

06:45OK.

06:45Well, I'd better

06:45go and find the

06:46local historian,

06:47see what they can

06:48tell me about the

06:48area, maybe the

06:49house.

06:50And I'm going to

06:50leave you to it.

06:51I'm going to do

06:51my walk around.

06:52All right.

06:53See you later.

06:54Wow, this is

07:00breathtaking.

07:01Look at that

07:01staircase.

07:15OK.

07:15The energy, as soon

07:16as you walk from the

07:18entrance hall into here,

07:20it's just the

07:21palpitations is

07:22absolutely taking

07:24my breath.

07:25And I'm

07:26automatically drawn

07:27over to this

07:28direction.

07:34Now, there's

07:35someone not right

07:36here.

07:48There's a massive

07:50burst of energy

07:51when I sit on

07:52this chair.

07:53I can hardly

07:54breathe.

07:56This is where the

07:56energy's been pulled

07:57in.

07:58I'm going to have

07:59to move.

08:00There is a poltergeist

08:01or something within

08:03this little dining

08:03area that's causing

08:04problems.

08:07I just feel, I feel

08:09like a 70-year-old

08:10man stood here,

08:11really struggling to

08:12breathe.

08:12I feel really

08:22apprehensive about

08:23walking into this

08:24room for some

08:25reason.

08:29Why is it so dark?

08:31I'm very aware of

08:44little people running

08:46around in and out of

08:47here.

08:48I think there's

08:51something below us.

08:53This property has been

08:55built on a piece of land

08:57or there's something

08:59below us that is

09:01causing problems for

09:02this homeowner.

09:05I've come to Durham

09:06Mining Museum to meet

09:08local historian Paul

09:09Lanigan and hopefully

09:11find out about the land

09:12Charlotte's house is

09:13built on.

09:14Now the house we're

09:17interested in is on

09:18Primrose Hill.

09:19That's right, yeah.

09:20Is there a connection

09:21first of all?

09:22Because I've done a bit

09:22of research and I

09:23believe there is but I

09:24haven't been able to

09:25find out too much.

09:26Yeah, well Primrose Hill,

09:27back in the day this

09:28would have been just a

09:29quiet lane surrounded

09:30by farmland and then

09:32in the 17th century

09:33someone discovered

09:34coal underground in a

09:36field not far from

09:37the property.

09:38So I can see an old

09:39map here, Paul, but

09:40whereabouts would

09:41Primrose Hill be?

09:42We're just down here,

09:43Lumley Sixth Pit.

09:44It's really very close

09:45to Primrose Hill.

09:47Now coal mines were

09:48often a network of

09:48tunnels, weren't they?

09:49So do you think it's

09:50likely that there are

09:51tunnels beneath the

09:53property that we're

09:54investigating?

09:54Yes.

09:55If you lived in the

09:55vicinity of a colliery

09:56such as Primrose Hill

09:58most undoubtedly

09:59underneath your feet

10:00would be the workings

10:01of all mines.

10:04This is one of those

10:05houses that you want

10:06to shout out before

10:08you go upstairs.

10:10Hello?

10:10My name's Ian.

10:15Can you talk to me?

10:24This house is taking my

10:27oxygen and it's kind of

10:30weird.

10:31I just feel that there's

10:33a minor connection or

10:34something like that

10:35because this is why

10:36my lungs are burning

10:38and I'm struggling

10:38to breathe.

10:53I won't want to sleep

10:54here because whatever

10:55spirit being is in this

10:56room is projecting

10:57themselves through that

10:58mirror and looking

11:00right back at these

11:02people in this bed.

11:05That's quite unnerving

11:06in itself, isn't it?

11:09Why do we have a

11:10connection with spirit

11:13that would connect to

11:15this land also connected

11:19to the people that live

11:20here?

11:21There's a connection.

11:22The person who owns

11:26this house, the spirit

11:30want them back here

11:31or want them here.

11:35There's a name

11:36connection.

11:38Mining was a really

11:38dangerous profession,

11:40wasn't it?

11:40Were there any

11:41disasters at Lumley

11:42Pit?

11:43Sadly, yes.

11:44There was a big

11:44explosion in 1799

11:46where 39 miners

11:48lost their lives.

11:49The youngest person

11:50to be killed

11:51underground in that

11:52disaster was only

11:53nine years old.

11:54And he's killed.

11:56I know there may

11:58well not have been

11:58any records, but do

11:59we know any names of

12:00anyone who died?

12:02Well, we're quite

12:02lucky that the Durham

12:03Mining Museum keep a

12:05very detailed list of

12:06a lot of the disasters

12:07for this area.

12:08So we know, for

12:09example, the names of

12:10those killed in the

12:111799 explosion.

12:13Oh, wow.

12:14I mean, we can see

12:15here, Jane, a young

12:16lad called John

12:17Crosby, aged nine.

12:19The nine-year-old boy

12:21was called Crosby.

12:22John Crosby, yeah.

12:23And there were other

12:24Crosbys here as well?

12:25That's right.

12:25Now, they were probably

12:26relatives, you know,

12:28of that young lad.

12:29I'm surprised to see

12:29that name, actually,

12:30Paul.

12:31I'll tell you what,

12:31the homeowner that

12:32we're helping,

12:33the surname is Crosby.

12:35Is that the common

12:36name in this area?

12:37It's not.

12:38Now, the fact that

12:38there's four of them

12:39killed in that disaster

12:40suggests that they

12:41lived in that area,

12:42you know, back in the

12:43day when this

12:43explosion took place.

12:45So there could even

12:45be a family connection

12:46that we don't yet know

12:47about.

12:51I've come to meet

12:52Charlotte's best friend

12:53Lauren to get her take

12:55on what's been

12:56happening at the house.

12:58So, Lauren, do you

12:59think Charlotte's house

13:00is haunted?

13:01Yes, definitely.

13:03I do think it's

13:04haunted.

13:04Well, what's she told

13:05you about?

13:05So what's Charlotte

13:06experienced in the house?

13:07There's been flickering

13:09lights.

13:14Birds constantly fly

13:16into a house and

13:17then, like, you'll go

13:18to let a dog outside

13:20and there'll just be

13:21a dead bird.

13:23Ah!

13:26Which is awful and

13:28very weird.

13:30It is a bit weird.

13:31I mean, how often

13:32does this happen?

13:32It's like she lives

13:33on a graveyard or

13:34something like that.

13:35Like, it's happened

13:37loads.

13:38Really?

13:38I definitely do

13:39think there's a man.

13:41There is a man on

13:42the top floor.

13:43If I ever try and

13:44sleep on the top

13:44floor, I can't get

13:46to sleep.

13:47And I've never

13:48really known why.

13:51He definitely needs

13:52investigating further

13:53because it's a male

13:54spirit.

13:55You know, why he's

13:55there?

13:56Is he friendly or

13:57not?

13:57What's he want?

13:58What does he want?

13:59Well, what's he want

14:00exactly?

14:00Why is he there?

14:01What does he want?

14:02So we've got a

14:03challenge in our hands

14:05here.

14:05Yeah, you definitely

14:06have.

14:08There's somebody

14:23whispering upstairs

14:24in this room.

14:25As soon as I walk

14:41into the room,

14:42the whispering and

14:42the talking's now

14:43stopped.

14:44But when I focus and

14:51concentrate, I can hear

14:54distant voices.

14:58And this upper space

15:00for me, I just feel as a

15:03gentleman walking around

15:05this house looking at

15:09everything that goes on.

15:11Now we've all finished

15:14our initial investigations,

15:15we're meeting up back at

15:16the house to talk through

15:18what we've found out before

15:19telling Ian who our

15:21celebrity is.

15:22Heyo.

15:24Wow, so interesting.

15:25But it's a new property,

15:26right?

15:27Yeah.

15:27So I feel it's something

15:28to do with the ground it's

15:30built on.

15:31Do you want to know whose

15:32house this is?

15:33Go on then.

15:34Charlotte Crosby.

15:34No way.

15:36Hi, guys.

15:37Hi, Charlotte.

15:38How are you?

15:39You good?

15:39Well, I've walked around

15:40your house earlier and I'm

15:42very conscious of a

15:44gentleman in the upper

15:45floor.

15:46I'm very aware of

15:47poltergeist activity,

15:49moving things.

15:50Don't see that.

15:51But what fascinates me the

15:52most is there's a really

15:53strong miners' connection

15:55here.

15:56Really?

15:58Do you know what?

15:58What we want to do now,

15:59let's waste no more time,

16:00Charlotte.

16:00If you're up for it, we're

16:02going to go in and do

16:03something called spirit

16:04triggers.

16:04So we actually want to

16:05try and trigger a response

16:07from any spirits in your

16:08house.

16:08And I can be involved?

16:09Yeah, of course.

16:10Oh, my God, I'm so

16:11excited.

16:11Come on, let's go in.

16:12Come on, then, come on.

16:18Right, this is the

16:19sitting room.

16:23So, guys, we've just

16:25walked past.

16:27I said it was crew, but

16:28there's somebody on the

16:28landing, on the stairs,

16:30a gentleman.

16:31Which is the first set

16:32or the second?

16:33The first set.

16:34That's where I always

16:35feel like the energy is.

16:38Already here.

16:38It was all in black.

16:40OK.

16:42I said outside that I'd

16:43tell you a little bit more

16:44about the mining

16:44connection, Charlotte.

16:45Yeah, yeah.

16:46I've got a list here.

16:47Now, in 1799, so this is

16:49really old for a mine,

16:50actually.

16:51There was a disaster and

16:5239 people were killed.

16:54In the list of names,

16:56Charlotte, there are four

16:57people, including a nine-year-old

16:59little boy with the surname

17:02Crosby.

17:03No way.

17:03No, you're lying.

17:05No way.

17:05I'm not lying.

17:06No way.

17:07So that's the connection I'm

17:08picking up with you in the

17:10house.

17:10That is next level, strange.

17:13Like, that is just weird.

17:16It could be that these

17:18family members, these Crosbys,

17:20they may have a connection

17:22to you, and they may have

17:23drawn you here, because

17:24remember, when a disaster

17:25happens, something like

17:26that, those souls aren't at

17:28rest.

17:29So you know what's weird

17:31about that is I wasn't the

17:32first one who was drawn to

17:34it.

17:34It was me, Mum, and Dad.

17:36And then they loved it, and

17:38they loved it so much, and

17:39then I was like, yeah, it's

17:41gorgeous.

17:41And then when it went up for

17:43sale, I was like, I'm going

17:44to get it.

17:45So all three of you were

17:46drawn to this house?

17:47It wasn't just me.

17:48It was all three of us.

17:49I think that we should

17:50try something called

17:51Necrophonic, which is an

17:52app on this tablet here, and

17:54this will allow the spirits to

17:56try and communicate with us

17:57using a word bank, a sound

18:00bank, essentially, of

18:01phonetics.

18:02So you're going to be

18:02calling out, Charlotte.

18:03Right, OK.

18:05John Crosby, if you are here

18:07in this house, please

18:09communicate with us.

18:11Yes.

18:12Yes.

18:16This is why Rock and

18:17Elias is getting a little

18:18bit scary.

18:19You're all right.

18:21Is that the chair that

18:22moved?

18:23Sit.

18:24Sit.

18:25Sit.

18:27Sit.

18:27I think you need to go sit

18:29in that chair.

18:30What?

18:30It's telling me to sit in

18:32that chair?

18:33I am about to actually

18:35crap my pants.

18:37Let's take this.

18:38There's some really scary

18:39voices coming through on

18:40that.

18:40I know.

18:41But let's go sit on it,

18:42and then let's take this

18:43stuff over with us.

18:44Oh, God.

18:48Sit.

18:49Like, it knows what we're

18:50talking about.

18:51Yeah.

18:51It's what's freaking us

18:52out.

18:54Guys, did you hear that?

18:56Oh, my God.

18:56It just sounded like a

18:57little boy saying,

18:58I'm here.

18:59I thought it sounded like

19:00me.

19:01Where did it come from?

19:02It was just here.

19:03It was just like, it went,

19:04I'm here.

19:06But I thought it sounded

19:07like me, and you must have

19:08been playing the recording

19:09back then.

19:09It was my voice.

19:09This isn't recording.

19:10You're playing now.

19:12Okay, it's recording now.

19:14Place the voice recorder on

19:15the table towards you.

19:16That's it.

19:17You ready?

19:18Yeah.

19:19And I'd like to speak

19:22to John Crosby.

19:25John Crosby, are you

19:26here right now?

19:29Yeah.

19:30You're here.

19:30Oh, no, no, no, no, no.

19:33You're not.

19:34No, you're going to be

19:35joking.

19:35No, you're joking.

19:36Here.

19:37Yeah, again.

19:38So keep calling out.

19:42John.

19:43John.

19:44John.

19:45John did.

19:46I just heard it did.

19:47Get out.

19:48I thought you should get out.

19:49It did say get out.

19:50No, don't say it said

19:51that again.

19:53What we hopefully can do

19:54is find out why they're

19:56here, exactly why they're

19:57here, and if they want

19:59help.

19:59Now, sometimes spirits are

20:00quite happy to coexist with

20:02you if you're happy to

20:03coexist with them, but

20:04sometimes they're here for

20:05a reason.

20:06They need something.

20:07They need our help.

20:08Well, Lauren doesn't like

20:09the upstairs in the house,

20:10and you guys have had an

20:12experience up there.

20:13Yeah?

20:13I think we should go

20:14upstairs and see whether or

20:15not it is potentially one

20:17of those minor spirits.

20:18Yeah.

20:19Or something else.

20:20Okay, let's do it.

20:31So, Charlotte, this room was

20:33really active when I came up

20:34earlier on my walk around

20:35earlier today.

20:36So I was conscious that

20:37somebody had walked around

20:38your house before.

20:39Yeah, yeah, yeah.

20:40But the gentleman I also

20:42felt, sorry to say, was in

20:44your bedroom.

20:47You know, right, this is

20:49really strange, right?

20:50But I haven't slept in my

20:52bedroom now for about ten

20:59days.

20:59Okay.

21:00Because every time I've tried

21:01to sleep in there, I have

21:03woke up red hot, like so, so

21:07hot, that I've had to sleep in

21:09the front room because it feels

21:10cooler there.

21:11I'm giving Charlotte an SLS camera

21:15which uses structured light to

21:17capture spirit presences

21:18invisible to the naked eye.

21:20Point it wherever you feel.

21:22Okay.

21:23You might see something.

21:24So the big one is...

21:26What's the matter?

21:28It's the chair.

21:30It's there.

21:30The thing's there.

21:32Turn it back.

21:32Turn it around.

21:35Watch, watch, watch.

21:36You ready?

21:36Look, nothing.

21:37Nothing anywhere.

21:39Oh, no, it's at the door.

21:41Yeah, there's something at the

21:42door.

21:43Oh, my God.

21:43He's moved from the chair.

21:45There he's.

21:46Stop.

21:47Leave it there.

21:50What is that?

21:52But that was on the chair.

21:54There.

21:55Can you see?

21:57Can you see it's on the chair?

21:58Can you see it?

21:59Yeah.

21:59Yeah, I can see that.

22:02It's gone.

22:03No.

22:04It wasn't the light or else

22:05it would still be doing it now.

22:07It's true.

22:07It's gone.

22:08Why don't I try something else?

22:11You've got a beautiful big

22:12mirror there, Charlotte.

22:13Have you ever done any mirror

22:14scrying?

22:15No.

22:15You stared in the mirror and

22:17asked for the spirits to

22:18actually show themselves to you.

22:19I don't really feel like I'd

22:21want to do that, Gin.

22:22It sounds like possibly the

22:24scariest thing you could

22:25ever choose to do.

22:27It's my bedroom, one that's

22:29freaked me out, and I felt

22:30really even scared sleeping

22:33in there.

22:33When I'm in there, it's like

22:35just this really strange

22:36energy, like really scared.

22:37So you feel uncomfortable

22:38in your bedroom?

22:39Yes.

22:40And I felt uncomfortable

22:41in your bedroom.

22:42So can we not go down there

22:43for five minutes?

22:46Yeah.

22:47Shall we go down then?

22:48Yeah, let's go down.

23:02Charlotte, if you're happy,

23:03we'll get a chair.

23:04Yeah.

23:05If you sit and face the mirror,

23:07scrying really is just an

23:09ancient form of trying to

23:10connect with the dead.

23:12So you need to just stare into

23:13the mirror, just relax your

23:14eyes, try to clear your mind,

23:16don't think about anything

23:17in particular.

23:18I'll be using red light,

23:19because red light traditionally

23:21relaxes the muscles around

23:23the eyes.

23:23So if there's anything that

23:25either comes into the room,

23:26around you, behind you,

23:28or actually tries to come

23:30through physically through

23:31your features, you'll see it

23:32a bit more easily, hopefully.

23:34Through my features?

23:35You may see changes.

23:36If you do, just speak out,

23:38just say exactly what you can see.

23:39So I might see them in myself.

23:41See them in yourself,

23:42see the reflection of the

23:43mirror, do you understand?

23:44Yeah.

23:46OK, so what I'd like you to do,

23:48Charlotte, you just need to

23:49relax.

23:51All we're going to do now is

23:53call out, ask for any spirits

23:55that may be around to come

23:58forward.

23:59Oh, it's making this feel

24:00really weird.

24:01Just let the spirits know

24:03you have permission to show

24:05yourself to me.

24:07Oh, God, that's a bit scary,

24:09but OK, I'm just saying...

24:10You're safe, we're here,

24:11don't worry.

24:11You have permission to show

24:13yourself directly to me.

24:25Oh!

24:26Like, I'm not...

24:27This is no word of a lie,

24:29right?

24:29When I'm staring at myself

24:31and I'm straight-faced,

24:32I can see...

24:34This is so weird.

24:35I can see I'm smiling back.

24:39Like, my mouth's starting to go,

24:40but I'm not.

24:41But I'm not smiling.

24:43There's a gentleman stood to

24:44your left.

24:48And I think he's trying to

24:50express himself through you.

24:51The best thing you can do

24:59is stay there

25:01and just let it come through.

25:03Don't fight it.

25:04Yeah, don't fight it.

25:05Do you know why I'm fighting?

25:05I'm fighting it so much.

25:07It just stops.

25:08It automatically is like,

25:09I have to stop.

25:09Don't fight.

25:10Don't fight.

25:11It's gone.

25:20It's gone.

25:21Not even the smiles going.

25:23How do you feel now?

25:24I feel a really...

25:26I'm not going to lie,

25:27I feel very strange

25:28that that just happened

25:29because that was like...

25:30I never expected that to happen.

25:33I'm going to be perfectly honest

25:34with you, Charlotte.

25:35I didn't like what I saw

25:36in that mirror.

25:37It's made me feel

25:38a little bit uneasy for you,

25:40I'll be honest.

25:41So I do feel

25:42this is a little bit dark.

25:44You do have my word

25:46that we can get rid of this.

25:48We're going to do

25:49the investigation tonight

25:50and hopefully tomorrow

25:51then we'll reveal

25:52all the evidence to you

25:53and things will be

25:55very, very different.

25:56OK.

25:57Bye.

25:58I'm so scared now.

26:00I just want to get out for you.

26:06Once Charlotte has left

26:08for the night,

26:09Barry takes myself

26:10and Ian into

26:11the nerve centre

26:11to talk us through

26:13how he set up

26:14the cameras

26:14for the investigation.

26:18Hi, guys.

26:19I've got eight

26:20fixed infrared cameras

26:21located across

26:22the entire property.

26:23So camera number one,

26:24you can see,

26:25is outside.

26:26Now this is in the garden

26:27looking directly

26:28at the back

26:28of the building.

26:29So camera number two

26:30is at the front entrance

26:32hallway to the building.

26:33So as soon as you

26:33open the front door,

26:34we've got a good camera there

26:35looking at the staircase.

26:37Camera number three,

26:38this is in the lounge area

26:40where we carried out

26:40our first spirit trigger session.

26:43And that's where

26:43I picked up

26:44poltergeist activity.

26:46Camera number four

26:46is actually in the dining room area

26:48where we moved into

26:49doing our spirit trigger session.

26:51That's an active area.

26:52That's a really good shot actually

26:54because you can see the chairs.

26:56So if there's any movement

26:56on those tonight,

26:57we should get it.

26:59Camera number five

27:00is in the cinema room.

27:02That is an interesting area as well.

27:03Did you have any feelings

27:04when you were walking around?

27:06Yeah, I was very conscious

27:07of what I would call

27:07children or little people activity.

27:10Camera number six

27:11is upstairs

27:12on the first floor landing.

27:14Now this is an interesting

27:15camera position

27:16because you can see

27:17all the entrances

27:18of the bedrooms

27:18and also the stairs

27:20leading up to the third floor

27:21of the building.

27:22Camera number seven

27:23is actually in Charlotte's

27:24master bedroom.

27:26She became really uncomfortable

27:27in that room

27:28and to say that it's her bedroom,

27:30you know,

27:30I think that's really key

27:31for us actually tonight.

27:32It's just making that space

27:34feel really safe

27:35and comfortable again for her.

27:37The final fixed infrared camera

27:39is right upstairs

27:41in the loft bedroom.

27:43This is where Lauren

27:44stays over.

27:45She feels unsafe.

27:47She doesn't like sleeping in there.

27:48And that's where I think

27:49we should begin

27:50our investigation.

27:51Cool.

27:52Let's go.

27:58I've brought the SLS camera

28:00to see if I can capture

28:01the spirit on screen

28:03just like Charlotte did earlier.

28:07Wow.

28:08Yeah.

28:09This space,

28:11I just don't like it.

28:14And I'm using a REM pod,

28:16a device which sets up

28:17an electromagnetic field

28:18in the room.

28:20If anything breaks that field,

28:21it lights up

28:22and makes a noise.

28:25There's an energy behind me.

28:28Can you feel it?

28:29Hello?

28:30Hello?

28:34Who's here?

28:38The gentleman that was in here

28:40with us earlier.

28:41Can you hear my voice?

28:46What connections do you have here?

28:50Whoa, whoa.

28:51Okay.

28:51Yeah.

28:57Can you tell me your name?

29:03Did you hear that?

29:04Yeah.

29:08REM.

29:10Thank you, spirit.

29:13I think I've captured

29:14something on my recorder.

29:17Can you tell me your name?

29:18Can you tell me your name?

29:23Phenetically, two words.

29:29It's a...

29:30At the beginning.

29:31Yeah.

29:32God.

29:33Hmm.

29:36Cosby.

29:37No.

29:37No, it's not, is it?

29:39Listen, play that again.

29:40It went,

29:40Cosby.

29:42It could be, you know.

29:43Do you?

29:44It's a Cosby.

29:47Do you tell me your name?

29:52Fuck.

29:52Crossby.

29:53It's a Crossby.

29:54Shit.

29:55It is.

29:55Shit.

29:56Remember, it's going off.

29:57Look.

29:58Look.

30:00There's a validation there.

30:01Yeah.

30:02Thank you, spirit.

30:03I smell shit.

30:04I can smell shit.

30:05Like horse manure.

30:07Can you smell anything?

30:08I can't smell it.

30:09Yeah.

30:10I want to move this.

30:12This cabinet.

30:14It's about the attic.

30:18It's just storage space.

30:23It's going off like mad, the Rumpod.

30:26Something.

30:30But why were you drawn over there to move that and find that?

30:35I can't explain it.

30:37I don't know why.

30:40The Rumpod's going crazy.

30:42Yeah.

30:42So let's think about it.

30:43You guys were getting that smell, that manure kind of smell, at the same time that...

30:49Did you hear that?

30:50What?

30:51Did you just hear that?

30:52No.

30:52What?

30:52I thought you belched.

30:54It went, whoa.

30:55You belched?

30:56I didn't belch.

30:57I didn't belch.

30:57It came from behind me.

31:01You guys were getting that smell, and the manure kind of smell.

31:04Yeah.

31:04Yes.

31:05Yes!

31:06Yes!

31:07Yes!

31:08That was it.

31:09Do it again, do it again.

31:10I heard that.

31:11Oh, my God.

31:12That was right.

31:13Yeah, that was really loud.

31:15Yeah.

31:16I can't believe you didn't.

31:17I thought it was a bell.

31:18Let's find out.

31:19Yeah.

31:20Yes!

31:21Oh!

31:24That's not good, that.

31:26Is that what's in the mirror?

31:29Well, we need to identify it and get rid of it, if it is.

31:32Yes.

31:33So, why don't we go down the level into her bedroom, because it's virtually below us,

31:41isn't it?

31:42And just see what we're getting there.

31:48You potentially think that there's a connection with mirrors at the minute, don't we?

31:53Mm-hmm.

31:54Um, which is a portal, just almost like a doorway, an entrance.

31:59Is there a connection to this mirror in here?

32:02Is this an exit, or an entrance, and then we need to find the other one, in the other

32:09room?

32:10Well, this is where I saw that man come through.

32:13What, and he doesn't leave in this way?

32:15No, he came forward and popped his head back.

32:18What was that?

32:20Who's that?

32:22Hello?

32:23Thanks.

32:24Hello?

32:25Ben.

32:31Oh.

32:32What was that?

32:33Is there someone that wants to come through the mirror?

32:35Yes?

32:36Yes.

32:37No.

32:38It's my eyes.

32:39My eyes are stinging.

32:40Who wants to come through?

32:41What?

32:42Guys, we're locked in.

32:50What?

32:51What?

32:52What?

32:53What?

32:54What?

32:55What's that?

32:56What?

32:57What?

32:58What?

32:59What?

33:00What?

33:01Guys, we're locked in.

33:02Whoops.

33:03What?

33:04What's that?

33:05What?!

33:06Oh, my God, they're locked in.

33:07Whoops!

33:15Oh, my God!

33:21Whoa, crazy.

33:25Something's going on in here, and I need to find out what.

33:30Do you like the mirrors?

33:32Yes. Yes.

33:37Which bedroom do I need to go into to close the portal?

33:48The room's gone quiet at the minute.

33:51I think they're going from mirror to mirror.

33:55The spirits seem to have stopped communicating with us here.

33:58So we head downstairs to the cinema room, where I sensed a child's spirit earlier,

34:04to try and work out if it's the same poltergeist spirit

34:07which moved the chair in Charlotte's dining room.

34:11So, guys, look, I've got a new toy.

34:13We think it's the spirit of nine-year-old John Crosby, who died in the mining accident.

34:20So we're trying to tempt him to play with this robot.

34:24That's not creepy at all, is it?

34:27And a train, both of which are triggered by spirit activity close to them.

34:31What's that?

34:34What?

34:36Oh!

34:38Robo's going out.

34:39Why is that going as well?

34:41Yeah, look, look, look!

34:44It looks like the child spirit is playing with toys.

34:48We haven't been near that.

34:50But I want to connect with him personally.

34:58John, can you speak loud and clear so we can record your voice?

35:02My anomaly flew towards you, Barry.

35:16No way.

35:17Yeah.

35:19Came across here.

35:21Went into you and disappeared.

35:24Holy shit.

35:27John?

35:28Can you show yourself in spirit form?

35:36Touch my hand.

35:44Ooh, someone just touched my bag.

35:46It's all right, mate.

35:47It's all right.

35:48It's okay.

35:50It's okay.

35:53Just chill.

35:54I felt like a little hand on my back.

35:55Did it? Okay.

35:56Absolutely.

35:59There's nothing here that would have touched me, right?

36:02There's no furniture or dangly thing or...

36:06That was mad.

36:11Slowed down and highlighted,

36:13it's clear to see the orb of light coming towards me.

36:17When you reacted, it was basically on you.

36:22That is so weird.

36:25Well, that was good evidence.

36:28What do you want to do, guys?

36:29So, I think possibly then we need to say some prayers, help those who want to cross over and leave do that.

36:39Mm-hmm.

36:40And then we seal those mirrors.

36:43Do you not feel that Charlotte would be a good person to maybe do something?

36:50Hmm.

36:51I think she needs to be the one to say the final goodbye, possibly.

36:58Before we leave for the night, Ian and I cleanse Charlotte's house.

37:03We ask of you, Lord Almighty, to send the people to the light.

37:09The only way I can close the portals and get rid of negative energy is by using positive, powerful prayer on all the mirrors around the house.

37:18We ask of those to travel safe, for you protect them.

37:23The prayers close the portals, but I'm paying particular attention to the one in Charlotte's bedroom.

37:30And you will live within the light.

37:32Amen.

37:39I'm burning sage, used for centuries to disperse negative energy.

37:44This is your time now to pass.

37:48Pass over.

37:51Go into the light.

37:56So, I've now closed all the mirrors in the house.

38:00And you should find now that everything has eased and all the portals, the exits and the opens have all closed.

38:08So, there'll be no more problems now.

38:11They've all been blessed.

38:14As dawn breaks, we invite Charlotte back into her house to tell her about our night-time investigation.

38:24Good morning.

38:26Morning.

38:27One thing dies, Bill.

38:29Well, after you left us, we went right back up to the attic bedroom.

38:33And I think Barry was recording, weren't you?

38:35And got this.

38:37Now, Ian asks for a name.

38:38I'm not going to tell you what we think this says.

38:41You tell me what you think it says.

38:43Can you tell me your name?

38:44Can you tell me your name?

38:54What do you hear?

38:55CrossFit?

38:56Yeah.

38:57We all heard it at the time.

38:58Really?

38:59You all heard that?

39:00Yeah.

39:02What the hell?

39:03I wouldn't have been able to keep calm.

39:04Now, we had some other extremely strange experiences up in that upper attic loft room.

39:12We were hearing noises.

39:13Myself and Ian heard a growl.

39:17Listen to this.

39:19Around your kind of smell.

39:20Yeah.

39:21It sounds fun.

39:25Oh, that's a weird one.

39:28I'm glad I wasn't hearing yous, because this is too scary for me when you can actually hear it.

39:33So then we moved back down to your bedroom because we felt, again, this is a space that we really wanted to make feel better for you.

39:41Ian had a theory, actually, about the mirrors, so he asked some questions.

39:45And I want you to just listen to these responses.

39:49Do you like the mirrors?

39:56What was that?

39:58What?

39:59That was...

40:00That was...

40:01Well, that wasn't a person?

40:02That was Spirit.

40:03That was Spirit saying yes.

40:04That was so clear.

40:05Mm-hm.

40:06So, at this point, I realised that Spirit was travelling from room to room via the mirrors.

40:13There were portals.

40:14So, what the spirits are doing, they're going to the place where your attention is.

40:19Yeah.

40:20To try and get your attention.

40:22And that's why the mirrors were very significant in this investigation.

40:26Yeah.

40:27But there's another question that Ian asked, and listen to the response to this.

40:31Which bedroom do I need to go into to close the portal?

40:37Charlotte.

40:38Yeah.

40:39Yeah.

40:40So, it's quite static here.

40:41Sure.

40:42It's quite electronic sounding, but it's there.

40:43Oh, I knew it.

40:44I just knew it.

40:45And that's the biggest mirror.

40:46That's the biggest mirror in the old house, isn't it?

40:49That was so clear, yeah.

40:50Mm-hm.

40:51It was, I mean, 100% validation for us.

40:53Yeah, yeah, yeah.

40:54So, we were on the right lines, we knew what we needed to do.

40:56Yeah, yeah, yeah.

40:57And that led us to the end part of our investigation.

41:00We wanted to try and establish some kind of contact with this little boy, this John, this nine-year-old boy.

41:06So, we went into a cinema room and we used a couple of little toys.

41:09So, as I was calling out into the ether, asking John's spirit to engage and play with us,

41:15our cameraman, Adrian, had the camera on me, and he could see light anomalies almost passing into my body.

41:21Wow.

41:22Okay?

41:23And then one seemed to enter my body, and it was the exact same moment that I felt like someone had touched the back of my neck.

41:30Will we have that clip to show you?

41:31I'll show you the clip.

41:39Ooh, someone just touched my back.

41:41It's all right, mate.

41:42It's all right.

41:43It's all okay.

41:44That's so weird.

41:45It actually hits you the same time.

41:46Well, the important thing for you to know is that we did cleanse the house.

41:50I feel your house was haunted by your family ancestors.

41:55Mm-hm.

41:56That's why you've been drawn to this house.

41:58Right.

41:59You've got nothing at all to fear within this property.

42:02Yeah.

42:03It's your family.

42:04It's your loved ones.

42:05I think what would be nice for you to do now, Charlotte, with us, if you want to,

42:09Crosby to Crosby, say a blessing and send them on their way.

42:13Right.

42:14We'll just light a candle.

42:15Yeah.

42:16And we'll all do it together.

42:21Just look at the glow.

42:22That beautiful light there.

42:26And when you feel ready, just say whatever comes to you first.

42:30So this is a message, really.

42:32It's a goodbye.

42:33It's a blessing.

42:34It's a blessing.

42:35Anyone who is still lingering in my property, I would like to say you can be free now.

42:49And spirits, if you can follow the light now, if you can see a bright white light, keep walking towards that.

42:59With our blessing.

43:00Do you feel like they've gone?

43:01Yeah.

43:02I think you did really well.

43:03Did you?

43:04Yeah.

43:05And I think there's one more thing to do.

43:06I think you and I need to go upstairs and go into your bedroom and see how you feel.

43:21Okay.

43:22You happy?

43:23Yeah.

43:24Okay, let's go.

43:25Come on.

43:30Oh, here we go.

43:31Do you think she's all right?

43:32Yeah, I think so.

43:33I think she'll feel the difference in the energy and the environment.

43:46I hope so, yeah.

43:52Well, it definitely feels different to what I felt like last night.

43:55Yeah?

43:56Because it was a very tense, scary feeling last night.

43:58Mm-hm.

43:59And look in the mirror.

44:00Go to the mirror for me and just see how you feel there.

44:05I think I'm feeling a lot more calmer about this room.

44:09Mm-hm.

44:10But I suppose the real test is going to be if I can sleep in here at night.

44:14All I can do is give you my word that there's nothing left here.

44:17Right.

44:18Okay, Ian.

44:19Thank you, Charlotte.

44:21This has been a fascinating and entertaining investigation.

44:24That was interesting, wasn't it?

44:25It was, yeah.

44:26And Charlotte Crosby, eh?

44:27I know.

44:28I'm glad we've convinced her to stay.

44:29Yeah.

44:32But who knows what their next case will bring.

44:39Right, so I am going to give sleeping in my bed a go tonight.

44:47Wish me luck, that's all I can say.

44:49Let's see how long I can last in here tonight.

44:54I have.

44:55I have.

44:56I have.

44:57I have.

44:59I have.

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