Celebrity Help! My House Is Haunted Season 1 Episode 4

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Transcript

00:00...stained exorcist and medium.

00:03The people in this house do not know what they're dealing with.

00:07Paranormal researcher Jane Harris is a psychologist and historian.

00:12Jane Saw!

00:14Investigator Barry Guy is the technical expert.

00:18Oh, it's moving! It's moving!

00:20Together, they're investigating celebrity homes.

00:23Guys, we're locked in!

00:25Gathering evidence and communicating with spirits.

00:28Someone just grabbed my windpipe.

00:30Doing whatever it takes to return our homes back to the hands of the living.

00:36If they're evil, they can...

00:42Coming up...

00:48People in this house do not know what they're dealing with.

00:53A star of social media.

00:55Oh, God!

00:56Running scared.

00:57I've got to get out. I've got to get out of here.

00:59...in his own house.

01:00Is this real?

01:01Whose brutal history...

01:03And he was dead within a week.

01:05...terrifies the team.

01:06Oh, God!

01:07...and its occupant.

01:09This is real!

01:10This is real!

01:12Team, we are in Dover, in Kent.

01:22Beautiful place.

01:23And there's Dover Castle.

01:24And there's Dover Castle.

01:25The 12th century Dover Castle and the surrounding area have long been the key to protecting Britain from foreign invaders.

01:33Much blood has been shed here over the centuries.

01:37The team have been called in to investigate reports of paranormal activity in this house.

01:45I can't wait for this. It's going to be awesome!

01:48It's the home of social media sensation, Aaron Craskill, whose online pranks and comedy have gained him millions of followers.

01:57I totally believe in the paranormal.

01:59I believe that there is someone or something in this house with us, yeah.

02:06I'm going to piss it off, aren't I?

02:08So the top floor for me is a place where I use it as a painting studio, but you're not alone up there.

02:17100% you're being watched.

02:19It's not a malicious feeling, it just feels like you're not alone.

02:25So I was in the shower, and I looked over, and the tap was on full.

02:33But this tap, it's hard to push up.

02:38100% Sumik is doing that.

02:40Sumik is doing that in our bathroom.

02:43And I'm not, I honestly believe, I'm going to say it, but I think it's a child, ghost.

02:51Because it's like playful behaviour.

02:54We were having a meal Saturday night in the kitchen, eight o'clock, and the dimmer switch.

03:00Didn't turn off, it just turned round, so the lights went dark.

03:07Can't explain that!

03:08So basically, the help I want from the team is to figure out what's going on in the house,

03:14but I'm hoping...

03:17Oh, God, am I hoping that you do find something?

03:21Oh, God.

03:22I'm hoping you find something, yeah, I'm hoping.

03:24Oh, God!

03:28We're not too far from location, Ian.

03:30Are you picking anything up?

03:33I think this property is going to be interesting.

03:35I think there's going to be a lot of history in this property,

03:38so I think we may get multiple or different types of personalities when we walk in.

03:44Medium Ian insists on being given no information about the investigation in advance.

03:50When I'm sat in the back of this vehicle, I know nothing.

03:53And I like that because it just gives me a true emotion, a true feeling.

03:57So when I'm travelling along and I receive something,

04:00I know it's coming from spirit genuinely and not pre-programmed or pre-knowledged.

04:06I feel there's poltergeist activity, but there's definitely a male presence there

04:11that I would say is quite...

04:12I don't know whether he's mad, crazy, or he's just a strong personality.

04:18I think he will be communicating or trying to get through to us this evening.

04:25This is it.

04:26OK.

04:27That's a nice property, isn't it?

04:34It is nice.

04:35It's Victorian, I think.

04:36Yeah.

04:37Do you know whether anything happened outside here on the road?

04:40What?

04:40I don't know.

04:40I just feel there's some energy around this property for some reason.

04:43So something definitely happened around here.

04:45Well, I need to go and find out more about the area, Dover, maybe even the house itself.

04:50So...

04:50And outside as well, please.

04:51Yeah, yeah, I will do.

04:53OK.

04:53Well, I'm going to meet up with the homeowner's partner,

04:56who's had her own personal paranormal experiences here.

04:58OK, cool.

04:59Well, I'll catch up with you later.

05:00See you later, guys.

05:00Great architecture in here. It's amazing.

05:16Do you know something?

05:17As soon as you walk into this property, the property's buzzing with really hyper energy.

05:22Straight away, I'm instantly drawn to a child stood on the top of that stairs,

05:27and she's just stood smiling at me.

05:28She's active spirit, so she will be able to communicate with me.

05:32And there's something drawing me to this room on my right, so I'm going to walk into here.

05:40There's definitely an energy of a spiritual animal in here.

05:44I just see something running out the corner of my eye.

05:50I can still hear the child on top of the landing on the staircase.

05:53She's still there trying to get my attention.

05:56There's a spirit walking around, but something just doesn't feel right.

06:00It feels a little bit sinister.

06:02But it's definitely a male presence that's making me feel really uncomfortable.

06:08I've come to meet local historian Barry O'Brien, who I'm hoping can give me some information about

06:13Aaron's house and the area around it.

06:16The house that we're investigating is on Folkestone Road.

06:21What can you tell me about that?

06:22Well, Folkestone Road had been a King's Highway since the 13th century.

06:27So it was a well-worn route to the nearest town of Folkestone.

06:32And obviously with all of that, the small hamlets and villages that were already there

06:37all became absorbed by the town of Dover.

06:39And that then spread up the Folkestone Road towards Maxton, which is the area you're looking at.

06:44I can spy some maps here. What have we got?

06:46Yeah, so Maxton originated as Maxton Manor, which goes back a long, long way.

06:53And eventually passed into the hands of a well-known family called Worthington.

06:57One of the Worthington families was a very, very successful wine merchant in the town.

07:03And when he had Maxton Manor, he built a brewery alongside the Diamond Brewery that you see there.

07:10Now, sometimes we find that there have been significant events in places where houses now stand.

07:17Do you know of anything that happened at Diamond Brewery?

07:19Oh, well, a lot of things happened there, but one of the most notorious things that happened there

07:24was when one of the foremen working there was bitten by a rabid dog.

07:28There was a big outbreak of rabies throughout the town.

07:31He was a worker at the brewery, and he was out in the yard at 3am one morning,

07:37found a gate open and a strange dog inside. So he tried to throw something at it to shoo it away,

07:43but instead the dog leapt at him, bit him above the eye.

07:47He went to a chemist, and the chemist said there wasn't anything to worry about.

07:51Now, didn't they used to call rabies hydrophobia because of the fear of drinking water in the later stages?

07:58That's correct, yeah, yeah.

07:59So they'd be foaming at the mouth. Presumably the body's kind of overcompensating for that.

08:03He starts to convulse.

08:04You go into fits. Not a very pleasant disease to have.

08:08Eventually he developed delirium and tried to commit suicide,

08:13tried to throw himself out of a window, and took six people to restrain him.

08:18And a week later, unfortunately, he was declared beyond help and died of rabies.

08:25And he was dead within a week?

08:26Yeah, yeah.

08:27Oh, my God. Where this happened? I mean, I'm looking here at the brewery,

08:31and it is literally slap bang where our house is. So I think this is something we need to consider

08:36during our investigation. Oh, thank you.

08:44As you're travelling upstairs, you can feel the energy changing, and it feels

08:47more sinister, the higher I go, or more uncomfortable.

08:57Wherever I go, I feel this little girl following me around. It's almost like she's trying to counteract

09:04that negative feeling I've got towards this property.

09:07Then I'm drawn to this room here, which is obviously the bathroom.

09:16Energy. So the interesting thing about this room here is, once again, is it the little girl?

09:22Is it poltergeist activity? Because we've got water, and it wouldn't shock me

09:28if spirit doesn't mess around with this, because anything poltergeist will love playing with water.

09:35Because it's energy. It's just all energy.

09:40I've come to the local pub to meet Aaron's fiancée, Charlotte, and find out what she's experienced

09:46in the house. So tell me what's been going on in your home. A couple of things. The main thing

09:52that sticks in my mind is the bathroom tap. It's quite a stiff tap to turn on, but it's just been on

09:58twice now, just running. On this own accord? Yeah.

10:04I haven't been upstairs. I've come up the stairs, heard the water running,

10:13and gone in the bathroom and had to turn it off. And there's no way this could have

10:17been one of the children or anyone else? No, they were downstairs with me at the time, yeah.

10:21The girls have had this aerial doll, and she sings. And I was in bed one night,

10:26and about quarter past eleven, it woke me up because it was singing in the bathroom. No way.

10:35And I just laid there, froze in bed, and I was like, no. And then it stopped. So I was like,

10:40okay. But then it went off again. So I got up, turned all the lights on, and obviously there was

10:46nothing. So I went downstairs and I threw this doll out the front door.

10:52So tell me, how did this doll turn on by itself?

10:55Um, she has a little button on her chest, and you physically have to push it in,

10:58and then she sings. Wow. So something or someone had to have pressed the button?

11:03Yeah. That's really creepy. Yeah.

11:05Yeah, that freaks me out. Okay, so how would you explain that?

11:08I couldn't. The girls were asleep, Aaron was out, and yeah, I was in bed.

11:14In your home, where do you feel most uncomfortable?

11:19The top floor, our third floor, yeah. I don't often go up there.

11:24But when I'm up there, especially on my own, I don't like to be up there too long.

11:27What do you think is up there? I don't know. I suppose where I always want to check over my shoulder,

11:33I feel like there might be something looking at me. So then if we do come into contact with

11:38spirits in your home tonight during the investigation, how do you want us to deal with them?

11:43Ask them to leave. Nicely. Okay. Will do.

11:47There's something drawing me to this particular part of the house.

11:59I normally love negative energy, but for some reason...

12:04I don't know. Just feels a bit strange. Hello?

12:13I'm sensing something not right. I'm feeling really uncomfortable before I enter this room.

12:20And we've got to tell the homeowner that, that your playful spirit isn't so playful.

12:25See, I'm greeted with this, as this. Which is somebody being crazy. But for me,

12:38this represents what I'm feeling in this space right now, this anger. And this dark, uncomfortable feeling energy.

12:48So this piece of artwork that the homeowner's done is quite dark. It's grimacing. You can see

12:57clearly by his face that he is almost screaming at you. And I feel like he's been overshadowed by this

13:04dark entity. What's in this space in this room up here. And it's imposing on him while he's doing it. And that's a weird thing.

13:14I feel quite sick up here. And you know the crazy thing about the homeowner don't even feel that.

13:20The people in this house do not know what they're dealing with.

13:35Now we've all finished the initial part of our investigation, Barry and I head back to the house

13:40to meet Ian and reveal to him who lives there.

13:43Hiya. How'd you get on? Yeah, it was really interesting.

13:45Yeah. I found out some crazy stuff. Did you?

13:48Yeah, the house is active. Hi guys. Excellent. Hiya.

13:51Hi, what an interesting place. There's this savage, crazy gentleman following me from room to room,

13:58which I couldn't understand why. He was kind of really angry.

14:02Do you want to know whose house this is? Yeah.

14:04This is Aaron Craskill's house. Well, that crazy guy who does all the social media stuff.

14:09Right. Here he is. Hello, everyone. How are you? How are you?

14:13Yeah, I'm good. I'm good. I'm good. Okay.

14:14So, let me just start. So, how haunted do you think this house is?

14:18What, on a scale of one to ten? Yeah.

14:20Three? So, for me, you know, you're saying number three.

14:25I'm saying potentially eight or even more. Really? Yeah.

14:28Do you know what? Why don't we make a start? Oh, man.

14:32Aaron, this part of our investigation, we need your help if you look for it.

14:37Yeah. It's called spirit triggers because that's what we want to do.

14:40We want to trigger any spirits in your house. Yeah.

14:44And we want you to do that with us. I'm ready. Yeah.

14:46Let's go. Let's go. Let's go.

14:53Before we start the session, I need to explain to Aaron what I've found out.

14:58I just want to tell you what I've discovered, first of all.

15:01So, your house is Victorian. Right.

15:04Before the house was here, there was a brewery.

15:07Quite a large brewery here.

15:09Maybe that's why I like drink.

15:12It will be.

15:14But something happened on that land, part of that brewery.

15:17There was a gentleman who we think worked there, maybe,

15:20and he was bit by a dog and he was bit actually just above the eye.

15:27He contracted rabies as a result of that bite.

15:30Oh, geez.

15:31This guy would have been delirious, probably hallucinating.

15:34I think he tried to take his own life at one point.

15:38So, that happened pretty much exactly where this house is.

15:42So, this could be the gentleman in this house.

15:45Oh, wow.

15:46He was dead within a week.

15:48So, why don't we, while the going's really good,

15:50let's just move up a level and go outside the bathroom

15:54and on that next-floor landing.

15:55Yeah, that's a good idea.

15:56Yeah. Yeah?

16:04We're heading upstairs to Aaron's bathroom

16:06to begin the spirit trigger session.

16:08I was thinking we could use Echovox now.

16:12I've connected it to this Bluetooth speaker that lights up

16:15when there's a response.

16:16And we're going to be running this application,

16:18which essentially is going to be...

16:20It's an ITC device.

16:21It's Instrumental Transcommunication.

16:23Spirits can use this and the phonetic bank

16:26that is stored in the application

16:28to try and give us intelligent responses, words.

16:31Okay. All right?

16:32Aaron, begin calling out.

16:40If there's anyone here, um,

16:42I'd like to speak to you, if it's possible.

16:46Erm...

16:48No, fucking way.

16:49What was that?

16:52What was it?

16:52Put...

16:53Zed.

16:53Zed?

16:55Zed?

16:56Zed?

16:57Zed?

16:58Zed?

16:59Zed?

17:00Zed?

17:01Zed?

17:01Is this real?

17:02Yeah.

17:03What do you mean?

17:05I'm well done when I come in here.

17:10Oh, mate, I'm sorry for running.

17:11I've run out.

17:12It's still happening.

17:14Can you hear my name?

17:16My name's Ian.

17:18Can you repeat that?

17:19Can you try and talk to us?

17:28It's...

17:28Me.

17:29Me.

17:30It's me.

17:32Thank you very much.

17:35Can you tell me why you're in Aaron's house?

17:43Why are you here?

17:46Work.

17:47Work?

17:48Work.

17:49Work?

17:49Work.

17:52Did you work near here?

17:55Yes!

17:55Oh, Jesus.

17:57I've got to get out of here.

18:00You all right?

18:00Yeah, I'm all right.

18:01How many of you are there?

18:03Three.

18:04Three?

18:04Oh!

18:06Today, I spoke to three spirits.

18:10A man, a child, and some form of energy.

18:13Okay.

18:14Aaron?

18:15Yep.

18:16He's moved from here to the bottom of your upper stairs.

18:21Okay.

18:23So do you want me to follow him?

18:24Yeah.

18:25Just sit on the bottom of the stairs.

18:27Take that.

18:28Take it, take it, take it.

18:28You're still on the stairs with it.

18:30Why is it not doing anything?

18:31Stop this.

18:33What, is he here now?

18:34Yeah.

18:37Just stay there, Aaron.

18:38Oh, fucking hell.

18:40Sorry.

18:41Sorry.

18:42Guys, so listen, right.

18:43Let's just stop that two seconds.

18:45So why don't we go upstairs, and where I felt really uncomfortable earlier today, and let's just see what goes on in there.

18:54Aaron?

18:56Yeah, I know.

18:57Yeah.

18:57Take us up.

19:00Come on.

19:00Let's go.

19:02Well done, guys.

19:02That was great.

19:06Okay.

19:10Sorry about the mess, guys.

19:11Creative space.

19:12It's a very creative space, yeah.

19:14Very.

19:15Aaron, this was a room that I felt really uncomfortable in earlier today.

19:19Just this place here.

19:20How do you feel at this moment in time?

19:22I'm actually scared.

19:24Um, I feel really angry up here.

19:28Yeah.

19:28Really?

19:29Yeah, I'm having to really pull my energy back.

19:31I feel quite agitated and quite uncomfortable.

19:36So this spirit is giving an impression he likes to empower, he likes to overshadow.

19:44Got an idea.

19:46Okay.

19:46Why don't you both stay up here, and Aaron.

19:50We'll put a canvas up.

19:54No, no, no.

19:54Listen, hear me out on this.

19:56You want me to paint?

19:58You can almost transgress and get Aaron into a meditative state.

20:04See what you mean?

20:04So, so, okay, I understand what you're trying to say now.

20:08So we put a clear canvas up here.

20:10Yeah.

20:10And I'm going to sit you down on a nice comfy chair, and I'm going to talk you through a form of meditation,

20:16and I'm going to invite spirit to come really forward towards you.

20:20Okay, and I'm going to let him absorb your energy, and you absorb his.

20:26When I feel we're at that stage, I'm going to just say to you, now paint.

20:30And I don't want you to think about anything.

20:32I just want you to paint.

20:33Don't talk to me.

20:34Don't communicate.

20:34Just paint.

20:35Oh, man.

20:36Okay.

20:37Oh, my God.

20:38Are you up for it?

20:39Yeah.

20:40If you're in any danger at any point, I'll be here with you, so I can make sure you're fine.

20:45If you're feeling uncomfortable, you just tell me and we'll stop it, the whole process.

20:49It can, it's instantly stopped?

20:51Yeah.

20:52Yeah, sure?

20:52Yeah, yeah.

20:53Look, we'll leave you up here.

20:55Jane and I will go and monitor you from the nerve center, and I can watch everything that's going on

21:00for the two fixed rig cameras that are up here, okay?

21:02Yeah.

21:03Brilliant.

21:03All right, all right.

21:04Let's start.

21:06Ian gets Aaron set up in the attic.

21:09You take a seat.

21:10While Barry and I watch on from the nerve center, which Barry's set up in Aaron's kitchen.

21:16So, Aaron, all you can do is hear my voice.

21:20There's nothing else in the room apart from my voice.

21:24You're sat in darkness, and all you can hear is my voice.

21:28So, at the moment then, I think what's happening, Ian is just kind of taking Aaron into a meditative state.

21:38I want you to relax, but behind you, there's a gentleman.

21:44This is the gentleman that expresses himself through you, through your artwork.

21:50I want you to absorb his energy and his darkness, and he's going to come through you, and he's going

21:56to express himself.

21:59On the count of three, we're going to open our eyes, and all you're going to do is walk towards that

22:04canvas, and I want you to do whatever you feel until I tell you to stop.

22:09We're going one, we're going two, we open our eyes.

22:28Hey, did you notice something?

22:30Hm?

22:30Literally, he's just gone straight.

22:32He's already seen something.

22:34Yeah, yeah.

22:34Yeah.

22:35It's instinctive.

22:42Gentlemen, let him come close.

22:44Let him take control of your mind, arms, your hands, your paintbrush.

22:49This gentleman's behind you in posing.

22:54That looks like a face.

22:56Oh, my God.

22:59He's chosen black.

23:08I heard stop instantly as soon as I started painting, so I'll rip it, but I'll paint it over that.

23:13Okay. Just continue. Just go beyond him. He's trying to get you to stop.

23:22When you feel you've done enough, and when you sit straight back on your seat,

23:26you continue for as long as you want, or as short as you want.

23:33I'll never paint my eyes.

23:34I want you to sit down. I want you to close your eyes. I don't want you to look at the painting.

23:46Just close your eyes for me.

23:48The gentleman's still behind you, and in front of you is your painting.

23:52We ask this gentleman to stand back quite assertively.

23:57Stand back. Stand back. Stand back.

24:01The man has now left.

24:06And on the count of three, we open our eyes.

24:09One, two, and three.

24:15How do you feel?

24:16My ear and my eyes are really hot.

24:19Yeah.

24:20And my arms are really warm.

24:21Yeah. Have a look and express that.

24:24Yeah.

24:24Just weird.

24:30So you've drawn the apparition or the gentleman that haunts your house.

24:37Really?

24:38Yes, really.

24:40That's amazing. Well done.

24:41I don't know why I wanted to write stop.

24:44Because he wanted it to stop. He doesn't want to be identified.

24:46He doesn't want to see him.

24:48Yeah.

24:49Well done, mate. Take some fresh air.

24:51Yeah.

24:51And that's amazing.

24:54Why the fuck's my ear?

24:55It's just clear audience. They're shouting at you.

24:58That was real.

24:59Yeah, because you're thinking it was my voice.

25:00It's spirit channeling through my voice for you.

25:03OK, yeah. Go get some fresh air. Well done, mate.

25:07OK, thank you.

25:08You're welcome.

25:09How is Jane? Do you want to come and have a look?

25:12Yeah, we're coming on up, mate.

25:18Jane and I need to see the painting for ourselves.

25:25Look at the chills.

25:26That's dark.

25:28This painting has got his energy in,

25:31so this is now a haunted painting.

25:34If he is entrapped in this,

25:36then I think what we should do is burn that painting,

25:39and he'll go with it.

25:42As Aaron leaves his house for the night,

25:45I take Jane and Ian into the nerve centre

25:48to talk them through how I've set up the cameras for the investigation.

25:53As you can see, I've set up eight infrared cameras across the property.

25:57And we've got three floors to cover.

25:58So camera number one is outside in the garden.

26:01This is looking towards the back of the property.

26:04Camera number two is located here in the kitchen or nerve centre.

26:08And the reason for that is because the dimmer switch in this kitchen

26:12has gone off by itself.

26:14Camera number three is in the lounge area.

26:16Camera number four is upstairs, and this is in the hallway.

26:19So you've got a shot there of the bathroom and also the stairs leading up to the second floor.

26:25Yeah.

26:26Yeah, I was very aware of a gentleman walking around there and also the little girl as well.

26:30We need to bear in mind that this gentleman's name, the guy who died from rabies,

26:35was James, James Whaley.

26:36He was 37 when he died, which brings us to 1877.

26:42So just a few dates for us to think about.

26:44Camera number five is actually in that bathroom, in that haunted bathroom.

26:48That's where Charlotte and Aaron have both experienced the tap being pulled up,

26:52going off full blast by itself.

26:55Camera number six is in the bedroom, also on the first floor.

26:59The seventh camera is upstairs on the top floor, and this is in the DJ room.

27:04But it's looking into Aaron's art room.

27:08And that's one creepy place.

27:11And the eighth and final infrared camera is actually in the art room.

27:14It's a high-positioned camera.

27:15This is giving us a really good perspective of that room,

27:18so we can see anything coming in and out of any of those doors.

27:21So where should we start, guys?

27:22I think let's go back to the lounge and then work our way up.

27:25Let's go.

27:28We're beginning by using a spirit box, which sweeps radio frequencies.

27:38So I'll run both channels, so we'll have AM and FM frequency going.

27:43To hopefully communicate with the child spirit Ian sensed earlier.

27:48It would be interesting to see who she is.

27:50And also the male spirit, who we believe is a man called James,

27:55who died of rabies after being bitten by a dog.

28:00Good evening, spirits.

28:03Is there a gentleman called James in this house?

28:08Jennifer.

28:11What?

28:11Why did I say Jennifer?

28:12I don't know.

28:13You just said Jennifer.

28:14Why did you?

28:15I don't know.

28:17Maybe it's a little girl.

28:18I just felt as if, how weird is that?

28:22I just, I felt as if I'd known that name for ages.

28:27Let's go with it.

28:28Go with it.

28:29Jennifer.

28:34Can you hear me?

28:38Are you the little girl who walks within this room?

28:41I just heard a yes.

28:46Jennifer, could you just tell us please how old you are if you know?

28:52I think I've captured an EVP or electronic voice phenomena.

28:56Could you just tell us please how old you are if you know?

29:00Did you hear it?

29:01Oh, my God.

29:01Did you hear it straight at the end?

29:03Shit.

29:03Do it again.

29:04Listen, listen.

29:06Just tell us please how old you are if you know.

29:08Did you hear the six?

29:12Yeah.

29:12They actually had this s sound first.

29:14Yeah, yeah.

29:15Six.

29:16We've got some great evidence already and now we decide to move upstairs to the bathroom.

29:23Ooh, guys, you're feeling that shift in energy.

29:26Yeah.

29:29The taps have turned on on their own here several times so I'm putting a sensor next to them.

29:34That will be alerted, so if anything touches a tap.

29:39Yeah.

29:40Like that, okay?

29:44All right, so where do we want to put Brian?

29:46Put him in the bathroom.

29:47Yeah.

29:48In the bathroom?

29:49On the floor.

29:49Yeah, on the floor.

29:52I'm using Brian, a robot with built-in gesture recognition sensors.

29:57Intelligent spirits can interact with it and if they do, it will move on its own.

30:03Well, Jennifer, it's Ian again.

30:07Can you see the little lights in the bathroom?

30:10Can you see the little robot?

30:15Can you try and move it for me?

30:17Walk towards him.

30:18Can you hear my voice, Jenny?

30:21I'm here as well.

30:23She's on the stairs looking down.

30:25It sounds cold now.

30:30What?

30:30I just said, she's on the stairs looking down.

30:34Barry says, invite her down and then she did that.

30:36That robot did that.

30:38Good girl.

30:40Can you do it again?

30:42Oh!

30:43Well done.

30:43Oh, it's moving.

30:44It's moving.

30:45It's moving on its own.

30:47It's moving.

30:49It's going round the bathroom.

30:50Good girl.

30:51Good girl.

30:51Put the camera in there.

30:52It's going round the bathroom.

30:54Good girl.

30:55Keep doing it.

30:56It can only do that if something is gesturing it to move in that direction.

31:02And it's turned around.

31:03It's turned around.

31:03It's going towards the bathroom.

31:04Jenny, can you bring it back out of here for us?

31:09Good girl.

31:10Holy shit.

31:12Wow!

31:13It's coming out.

31:14It's coming out.

31:18Jenny, bring it to me.

31:21It's falling over.

31:23The proximity sensor.

31:26It's going up.

31:28Good girl.

31:29Oh, my God.

31:30Did she just try to turn the tap on?

31:31Well done.

31:32She's just trying to turn the tap on.

31:34Well done, sweetheart.

31:35You're such a clever girl.

31:39Tap, tap, tap.

31:40Oh, my God.

31:42Look.

31:42It's coming.

31:43It's coming.

31:44Come on, it's coming.

31:45Bring him, bring him, bring him.

31:46Come on, Brian.

31:46Go on.

31:48Bring him towards me.

31:48Come on, Brian.

31:50Can you come here?

31:52He's going round the bathroom.

31:53Whoa!

31:54Shit.

31:56She rammed that.

31:57Well, let's see if we can get anything through this ITC app.

32:02Jenny, Jennifer, will you speak to us, please?

32:10Sure.

32:10Did it?

32:11Yeah, it did.

32:12It said sure.

32:14Who are we speaking to?

32:15Do you get out?

32:19I don't know.

32:20I don't know.

32:21She's left.

32:22Jenny, is this gentleman with us?

32:22Yes.

32:24The man's with us.

32:24Do you like dogs, James?

32:25Were you attacked by a dog?

32:26A rabid dog?

32:27Where were you bitten?

32:38A rabid dog.

32:41Where were you bitten?

32:44Eyes.

32:44Eyes!

32:45Eyes!

32:46Oh my God!

32:47That was eyes!

32:48Oh!

32:48What?

32:49Oh, he's a bit!

32:50He's fucking running around.

32:51I just said that.

32:52As you've just said.

32:53You did stick!

32:53Jennifer, play with Brian.

32:56Bring him towards me.

32:57It's not Jennifer, mate.

32:58It's not, it's not.

32:59What do you mean it's not Jennifer?

33:00It's not Jennifer.

33:01Who is it?

33:04James?

33:05James, leave my beautiful robot alone.

33:08Listen.

33:09Never?

33:10Never!

33:13Do you want us to stop?

33:17Stop!

33:18We're not going to stop until you tell us who you are.

33:22Tell me your name.

33:23What?

33:27James!

33:28James.

33:29Thank you, James.

33:30Do you know what?

33:31I think we've had some really intelligent spirit interaction here around this bathroom this evening already.

33:38So, why don't we then, now that we've got this open channel of communication, both actually seem willing to interact with us.

33:46Why don't we head further up into the attic where Aaron feels that this male energy is strongest.

33:52OK, let's go.

33:53OK, let's go.

33:54Let's do that.

33:56I'm bringing an SLS camera, which uses structured light to capture spirit presences invisible to the naked eye.

34:10That's a creepy room.

34:14OK, guys, I'm going to run the Echovox app in here.

34:17Ian?

34:17Do you want to call out and see what communication we can get with James?

34:22Yeah.

34:22James?

34:28You and I have met a few times now.

34:30Can you hear my voice?

34:37Are you here with us?

34:41James, we believe he was attacked by a dog.

34:46Yes.

34:46James, did you have rage?

34:52Lots.

34:53Lots.

34:54Lots.

34:55Wow.

34:56She said lots.

34:59Does your soul need releasing, James?

35:02I'm filming Ian with the SLS camera and I've noticed something.

35:08I've got a figure stood right next to Ian.

35:10Really?

35:11Can you see that?

35:12That's weird.

35:14To the left of Ian, there seems to be a spirit.

35:17There it is.

35:19Put your hand out, down a bit more.

35:22Can you touch Ian's hand?

35:28It's leaning over towards you.

35:32James?

35:35Are you still there?

35:36It's really tall.

35:37I cannot see its head until it sort of bends down towards you.

35:41Door.

35:42Door.

35:44Thank you, James.

35:45I know where you are.

35:47James, is he still here?

35:48Shhh.

35:48Mum?

35:51Yes.

35:52Yes.

35:53Did you just touch my face?

35:58Yeah, I'm getting prickly everywhere so I want to touch him.

36:02Let's just have a think then.

36:03So, we do seem to have a male here because we do keep hearing this same low-toned voice,

36:11but the responses aren't clear.

36:12They're literally like one word.

36:14Yeah, they are.

36:17So, why can't we make contact with him in here properly?

36:21Is his essence trapped in that painting?

36:23I think so.

36:25And that would be my belief, that he's now within that, so we can't communicate.

36:32So, the only way to get rid of him is to get rid of the painting.

36:40Yeah.

36:41As James is clearly a malevolent spirit, we need to help him cross over and stop him from

36:47being such an oppressive force on Aaron.

36:50Okay, so this is where we're going to release his anger and his spirit.

36:57Okay.

36:58He who dwells in the shelter of most eye will abide in the shadow of God almighty.

37:09The only way to do that is by burning the painting.

37:17That negative energy, all that anger has been released.

37:20Yeah.

37:22At least James is at peace now.

37:24We feel that Jennifer is a benevolent spirit.

37:36So, we're giving her the choice of staying here if she wishes.

37:39We ask the Father Lord for you to open your pathway, to open your love and your light and your heart,

37:48to let all the trapped stragglers, all the spirit beings who want to move on before us,

37:53to let them walk through.

37:55Once Ian has cleansed the house with prayer, I burn sage in the attic room,

38:00to ensure any residual negative energy is dispersed.

38:03James, you don't belong in this place.

38:10You'll now be free.

38:13And any fear and anxiety that was in this space,

38:17either Aaron's or James's, that will now be dispelled as well.

38:29As dawn breaks, we invite Aaron back into his house to talk him through what we found out.

38:36Yesterday blew my mind, by the way, guys.

38:37And I had a really good night's sleep, though.

38:40Are you about to have your mind blown again?

38:42Oh, God.

38:42OK.

38:44So, after you left us, we decided to actually come back down here into the lounge.

38:49OK.

38:49And we ran a spirit box.

38:52We did get some responses.

38:53Really?

38:54And we'll play those for you.

38:55Yeah.

38:56Listen to this one.

38:56Is there a gentleman called James in the sands?

39:03Yes.

39:05I'll just explain to you.

39:06So, the gentleman who we found in the documentation who died at the brewery...

39:13What were they by?

39:14...who was bitten by a dog, was called James Whaley.

39:18Oh, God!

39:20Now, during that conversation, we were asking not only for James to come forward,

39:23but we were also identifying this childlike spirit that Ian had picked up on during his walkthrough.

39:29OK.

39:30Yeah, so, when I called out, I just said Jennifer.

39:33Jennifer?

39:34Yeah.

39:35It was just a name that just came out of nowhere.

39:38OK.

39:40So, we wanted to establish how old Jennifer was, and we did get an answer.

39:46I want you to listen to this.

39:48Could you just tell us, please, how old you are, if you know?

39:55Six.

39:57Six.

39:58If Jennifer is here, it's nice to know that she's here, you know?

40:02Like, if she likes the house, then...

40:04Well, we had probably our most intense burst of activity actually going back up to your bathroom.

40:11Brilliant.

40:12Brilliant.

40:13We were using another application.

40:14This is necrophonic, and we were calling out and asking specific questions.

40:19Now, here are some responses, OK?

40:22Now, we were now communicating with James.

40:24Oh, shit.

40:26OK?

40:26Were you attacked by a dog, a rabid dog?

40:31Where were you bitten?

40:34Eyes.

40:34Eyes!

40:35Oh, my eyes.

40:36Yeah.

40:37So, you can hear that.

40:38And he got bitten there.

40:39Yeah.

40:40Face.

40:40How do you feel now you're hearing this?

40:42Oh, it's awful.

40:43Just awful.

40:44Yeah?

40:44Yeah.

40:46I can't believe he's in his house.

40:49Here's another response straight after.

40:50Can you tell me you was in the bathroom?

40:52Yeah.

40:53No.

40:58Oh, my God.

40:59I heard that.

41:00Yeah, that's probably helped me.

41:01That's really clear.

41:03That's somebody in distress, isn't it?

41:06Oh, my God.

41:07Oh, my God.

41:07How?

41:08What?

41:10What?

41:13Yeah.

41:13This is real.

41:16This is actually real.

41:18So, following on from that, we went to the attic, didn't we?

41:24We did.

41:25We used something called an SLS camera.

41:28So, at this point, I decided to sit in the doorway or the entrance,

41:33just to see what would happen there.

41:34And I was very conscious of somebody being with me.

41:37And this is what they mapped.

41:39Now, you can see, obviously, this wall, nothing, just here.

41:44But actually, there's an arm almost reaching out.

41:47A stick man.

41:48Yeah.

41:49So, I put my arm out for it to touch me.

41:52This is me, sat down in a chair.

41:54And this is an apparition or something that it's mapping,

41:58reaching out and touching me.

42:02We believe that that spirit anomaly, that that anomaly that's detected there,

42:06we believe that that was James.

42:07OK.

42:08Oh, man, like, so I've been painting up there for two, two and a half years,

42:14so I've not been on my own.

42:15What we can promise, though, is that we have cleansed your house.

42:20Oh, thank you.

42:21And we feel we only need to get rid of these spirits that are causing you problems.

42:25James.

42:27James.

42:28So, we come to James.

42:30So, we decided as a team, the best way forward was to burn that paint.

42:35Oh, thank you. OK, it's burnt.

42:37Yeah.

42:38OK.

42:39We just want to prove to you that we did that.

42:43So, as this is burning, we're releasing all the negativity.

42:48Yeah.

42:48All the sorrow, all the sadness that James had suffered throughout his life.

42:53Wow.

42:54So, he's now become one with himself.

42:56OK.

42:57Yeah.

42:57Let's do it.

42:58He's now released.

42:59So, he's no longer in your attic space.

43:02100%.

43:03He's now gone to the pearly gates.

43:06Yeah, well, thank you so much for that.

43:08I really appreciate that.

43:09You're welcome.

43:09What about Jennifer?

43:11We knew she was happy here.

43:13So, we thought we left that doorway for her.

43:16If she wanted to walk through, she was more than likely entitled to.

43:20But she decided to stay.

43:22Really?

43:22And she wanted to be in your house because she loves it here.

43:25OK, brilliant.

43:27That's fine.

43:28She's got to start paying a bit of rent, though.

43:29I don't know.

43:30LAUGHTER

43:31No, in all seriousness, I'm, I mean, I'm happy.

43:36I've got, my house is full of love and girls, like, my little girls.

43:40And there's lots of toys here.

43:43How has this whole experience been for you?

43:45Absolutely mind-blowing.

43:47I was very intrigued, and I was, I felt quite bad that you were going to come here, and,

43:51and it was going to be a waste of your time.

43:53But, I mean, I know what the internet's like.

43:55I know what the TV world's like, and there's lots of critics and people at home going,

43:59oh, look at this book.

44:00This is real.

44:02Like, I, I, I put my hand on my heart.

44:04This is actually real.

44:07Blown my mind, and I just want to say thank you.

44:09I'm welling up.

44:11Honestly, thank you so much.

44:12You're welcome.

44:13This has blown my mind.

44:15This has been an intense and exciting investigation.

44:20That was such a great investigation.

44:21It was.

44:21It was amazing, wasn't it?

44:22Well done.

44:24But who knows what the next case will bring.

44:29That's huge.

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