Celebrity Help! My House Is Haunted Season 5 Episode 1

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Transcript

00:00In these celebrities' homes...

00:02Are the lady okay?

00:04He's a waiting star.

00:06The stars aren't the only ones in the spotlight.

00:10Salvation.

00:12No, I don't like that one.

00:14Because they're being plagued by the paranormal.

00:17The fear was so strong. It was terrible.

00:20You're talking about dead people walking around your house.

00:23Thankfully, there's a team that can help.

00:26There's loads of voices.

00:28Medium, Ian Lawman.

00:30This is a psychic overload.

00:32Jesus, where was that?

00:35Paranormal investigator, Jane Harris.

00:38Oh, it was me. Deep, male voice.

00:41It's going off again. Look, look, look, look.

00:44Tech expert, Barry Guy.

00:47Is there somebody behind me?

00:49Yes.

00:52No!

00:53And American paranormal investigator, Katrina Weidman.

00:56Huh?

00:58Is... is Helen me up?

01:00In this case, Ian, Barry, and Katrina stop at nothing

01:04to return our celebrities' home back to the land of the living.

01:08Ah, well.

01:09Ah, well.

01:10Ah!

01:11Ah!

01:12Ah!

01:13Ah!

01:14Guys, I have this really strange feeling running through my body at the moment.

01:18It's like a chill running through my bones.

01:21On a psychic level, what does that mean for you?

01:23It means, um, that somebody's trying to tell me how they've passed.

01:27Maybe a condition that happened to them prior to the passing.

01:31Ah!

01:32Ah!

01:33Ah!

01:34Ah!

01:35Ah!

01:36In this investigation...

01:37Oh!

01:38Oh!

01:39No way!

01:40There you go!

01:41Ah!

01:42Ah!

01:43Ah!

01:44Ah!

01:45Ah!

01:46Ah!

01:47Ah!

01:48Ah!

01:49Ah!

01:50Ah!

01:51Ah!

01:52Ah!

01:53Ah!

01:54Ah!

01:55Ah!

01:56Ah!

01:57Ah!

01:58Ah!

01:59Ah!

02:00Ah!

02:01Ah!

02:02Ah!

02:03Ah!

02:04Ah!

02:05Ah!

02:06Ah!

02:07Ah!

02:08Ah!

02:09Ah!

02:10Ah!

02:11Ah!

02:12Ah!

02:13Ah!

02:14Ah!

02:15Ah!

02:16Ah!

02:17Ah!

02:18Ah!

02:19Ah!

02:20Yes.

02:23That's not one of you.

02:24No.

02:25That's as clear as I've ever heard.

02:39The case notes are interesting here.

02:41I think what I find fascinating about this

02:43is that we do have some first-hand accounts

02:47of quite intense paranormal activity.

02:50Yeah, and also then you have the layers of history coming in.

02:54Barry and Katrina have seen case notes,

02:57but medium Ian prefers to let his psychic senses guide him.

03:01I'm feeling emotion. I feel I want to cry.

03:04Mm.

03:05Do you think this is a female energy?

03:07It feels very feminine with the emotion I'm getting.

03:12I'm excited.

03:14I am too.

03:15I can't wait for you to see this place, Ian.

03:17It's going to blow your mind.

03:18Really?

03:21The team have been called in

03:22to investigate this 12-bedroomed castle

03:25called the Gart,

03:26which dates back to 1835.

03:34I'm hoping you can tell me

03:36who else is living here with us and why.

03:39For three years,

03:41it's been the UK base of musical icon

03:43Gary Newman and family.

03:45I've always wanted to have a big historic house,

03:52but I found it scary from the very beginning.

03:55I still do.

03:56I love it.

03:57I really love it.

03:57And I don't want to be scared when I'm in it,

04:00but I am.

04:02I just am.

04:06In the three years we've had it,

04:08it's definitely ramped up.

04:10Doors closing on their own.

04:12People coughing behind you,

04:15and there's no one there.

04:16The most unexplainable thing

04:20was I heard voices from my daughter Persia's room.

04:24Sounded like people having a bit of a party.

04:27I thought it was the kids,

04:28so I'm texting them,

04:29really angry, you know,

04:30what do you think you're doing?

04:31People trying to sleep.

04:33And they texted me back,

04:34and they weren't in their room.

04:35They were downstairs in the kitchen.

04:36But that freaked me out.

04:38But then the thing started to happen to Persia,

04:42and that's when it started to get a bit creepy for me.

04:49I was in my room,

04:51and I was trying to go to bed,

04:53and I saw a woman walk across the end of my bed.

04:58She didn't say anything,

05:00and she just kept walking

05:01and disappeared into the other side of the room.

05:03For five days straight every night,

05:08I would be trying to sleep,

05:10and my bed would start shaking.

05:14And the first time it happened,

05:16I went out screaming really loud.

05:20There was one time I felt someone breathing on my neck,

05:25and I sort of, like, opened one eye,

05:29and I saw this black figure

05:32hunched over me.

05:35I feel as though it was a man.

05:37It felt masculine.

05:41After that night,

05:42I was too scared to sleep in my room.

05:44So I was sleeping in my sister Raven's room,

05:47and we both sat up at the same time,

05:51and in the corner of the room

05:53was the same man

05:54peeking out from behind her full-length mirror.

05:58My dad's terrified.

06:01He refuses to come out of his room off the dock.

06:04You're talking about dead people.

06:07Dead people walking around your house.

06:09It's just weird.

06:11You know, and I don't like it.

06:13So I need to find a way of understanding

06:17who they are, why they're here,

06:19and, you know,

06:21to find a way of making us live together

06:23so that I would feel comfortable

06:25to come out of my bedroom at night

06:27and not be freaked out all the time.

06:29And that's what I really want.

06:38Wow, look at this.

06:40It's so beautiful.

06:42It's like a princess's castle, isn't it?

06:44I was just going to say,

06:45it reminds me of Cinderella.

06:47While Barry and Katrina head off

06:49to research further into the case...

06:51See you later. See you later.

06:53Ian's about to find out

06:55if there's spirits inside,

06:57living happily ever after.

06:59Hello?

07:03Hello?

07:05Wow.

07:07I've got these pins and needles

07:10just running down my spine right now.

07:13And that's almost as if

07:14they're aware that I'm here.

07:22Wow.

07:23Now, that's really strange

07:25because I want to sit here for a moment

07:27as soon as I walked into this area

07:32I got this gut wrench

07:35like somebody had punched me in the stomach

07:37and it's quite painful.

07:39Now, is that spirit giving me

07:43a feeling of an illness or a death?

07:46Or is that just energy?

07:48I'm not sure yet.

07:50I'm not sure yet.

07:57What was that?

07:58What? Where?

07:59To my right, I could hear

08:01what sounded like

08:03posts being pushed through a letterbox

08:05rattle, like a rattle.

08:07It was through here.

08:08Hello?

08:16With so many eyewitness accounts

08:18of activity,

08:19I've come to find out more

08:20from Gary's eldest daughter, Raven,

08:22and living caretaker, Jack.

08:25Now, Jack,

08:25you obviously live there

08:26day in, day out.

08:28What have you been experiencing?

08:30So, I think it was about 3am

08:31and I abruptly woke up

08:33for some reason

08:34and the door handle

08:36was just rattling.

08:38And I banged my wife on the leg.

08:41I was like,

08:41there's someone in the house.

08:42There's someone in the house.

08:43I was so petrified.

08:45There's one other thing

08:45that happened.

08:46It sounded very much so

08:48like female humming,

08:51but kind of out of tune.

08:52Wow.

08:53That's incredible.

08:54That's incredible.

08:59Well, there's no exterior door here.

09:07And it was a really loud clatter.

09:13What was that?

09:16That was like humming.

09:18That was in here as well.

09:21Hello?

09:22Who's here?

09:23Are you trying to tell me something?

09:26All the time,

09:27I want to look out

09:28at that water.

09:31Something or somebody

09:33is trying to draw me

09:35out there.

09:42As an American

09:43and a history lover,

09:44one of the things

09:45I'm most excited about

09:46is digging into the UK's

09:48rich and colorful past.

09:50Mark, hi.

09:51Hi.

09:52I'm Katrina.

09:52Hi, Katrina.

09:53Local historian and author

09:55Mark Bridgman

09:56has come along

09:57to help fill me in

09:58on this property

09:58and the ancient land.

10:00This area here

10:02has been inhabited

10:03for probably 4,000 years

10:05that we know.

10:06So we have

10:07Neolithic burial chambers.

10:09There is an old stone circle.

10:11There's an Iron Age hill fort here.

10:13What do we know

10:14about this specific property?

10:16This property

10:16was built in 1835.

10:18It looks,

10:19throughout the house's life,

10:20that it was mostly used

10:21as a summer residence,

10:22a shooting residence,

10:23for very wealthy people.

10:24So very often in the winter,

10:27the staff would be

10:27the only people here

10:28keeping the house going

10:29and keeping the grounds tended.

10:34Every room I move into,

10:36I feel like it's like

10:37every window,

10:39somebody's looking,

10:40somebody's watching.

10:41I can hear distant crying.

10:43It's just very faint.

10:45I do feel

10:46that's a female's voice, though.

10:48This room just feels

10:51very strange for me

10:52with energy.

10:53I don't like this room

10:55particularly.

10:57I feel it's a room

10:58that will ramp up

11:00with activity

11:00the longer you stay in it.

11:06Have there been

11:07any experiences

11:08of movement

11:09and objects

11:10moving around the house?

11:11You've got a good one.

11:12Yeah.

11:12So,

11:13mom and I

11:14were in the bar area

11:16and we heard this big,

11:18like,

11:19like a crash movement

11:21sort of thing

11:21and then we look over

11:22and the bar chair

11:23was moving

11:25and it moved,

11:27like,

11:27a foot

11:27out.

11:29That's terrifying,

11:30isn't it?

11:30I've had a few

11:31other experiences,

11:32like,

11:33as well.

11:33In my bedroom,

11:35with Persia,

11:35actually,

11:36we were sleeping.

11:37It was at, like,

11:381 a.m.

11:38and we both

11:39turned to each other

11:40at the same time

11:41and there was a man

11:42in the corner of the room.

11:47Wow.

11:49There is something

11:50pulling me

11:51downstairs.

11:58The longer I stay

11:59in this property,

12:02the stronger

12:03the connection

12:04with this female

12:05and she's given me

12:07a coldness,

12:09almost like

12:10cold to my bones,

12:12but it's connected

12:12to her story,

12:14how she passed.

12:17I feel something

12:18really dreadful

12:19happened to her.

12:21Lady.

12:24Did you hear that?

12:25Yeah.

12:26Was that humming?

12:26It was, yeah.

12:32The guard's 12 acres

12:34of beautiful countryside

12:34might fool you

12:36into thinking

12:36this place

12:37has always been

12:38idyllic,

12:38but the river teeth,

12:40which runs through

12:41the grounds,

12:41harbors a dark past.

12:44So just up the road,

12:45there's a very deep

12:46area of the river

12:47called the Black Pool

12:48and suicides

12:50happened there

12:51all the time.

12:52Were there any

12:53specific people

12:54from this property

12:55tied to the river

12:57as far as suicides go?

12:58There is a story

12:59of a young girl

13:00called Christina Mackay

13:01and she was

13:03a housemaid

13:03here in the house

13:04and she was

13:05perfectly happy.

13:06She had a cheerful

13:07disposition,

13:08but suddenly that

13:09changed.

13:10She became moody

13:10and she said

13:11she was going

13:12for a walk

13:12one evening

13:13and disappeared.

13:15Her father,

13:16William,

13:17and her brother

13:17came here

13:18to look for her

13:19and then eventually

13:20her body was found

13:21in the river.

13:22The assumption

13:23was suicide.

13:24When she was

13:25working here,

13:25who owned the property?

13:26So the owner

13:27of the property

13:27was a guy

13:29called Sir William

13:30Rowan Thompson

13:31and he had a very

13:32high up position

13:32in the admiralty

13:33and he was a very

13:34wealthy man

13:35and he owned

13:36the property

13:37in 1925.

13:39Interesting.

13:40Okay.

13:40There was another lady,

13:42Jean McGregor,

13:42who died in mysterious

13:44circumstances here

13:45in 1839.

13:46She was a maid

13:46and she was either

13:47pushed or fell

13:48into the river

13:49or possibly

13:50committed suicide.

13:52Okay.

13:52So 1839,

13:531925.

13:54Yeah.

13:55We have two suspicious

13:56deaths associated

13:58with the house.

13:59Yeah.

14:03Wow,

14:04this is so cold.

14:06There is another spirit

14:07trying to come forward.

14:12The energy's changed

14:13slightly.

14:15It does feel

14:16more masculine.

14:18For some reason,

14:19it's almost as if

14:20he'd want to look

14:21over the bed.

14:22Is he

14:22connected to this

14:24other energy

14:25or are they separate?

14:27He makes me feel

14:28quite uncomfortable

14:29if I'm honest.

14:32There's a story

14:33here somewhere

14:34with these two spirits.

14:36The more we learn,

14:42the more intriguing

14:43this case becomes.

14:45Hi, guys.

14:46Hi.

14:47It's time to get

14:48started with spirit

14:49triggers with Gary,

14:50Raven and Persia.

14:52Oh, wow.

14:52Gary Newman,

14:53the house makes sense.

14:55Hi there.

14:56Hi.

14:56Hello, Raven.

14:57Hi.

14:57Hello.

14:58Hi.

14:58Nice to meet you all.

14:59There's a lot going on.

15:01There's definitely

15:01a female here.

15:03Something happened.

15:05I'm not sure

15:06whether it was

15:06in a horrible way,

15:08but there's a male.

15:10Presence is really strong.

15:11So where was

15:12the presence strongest

15:13in the house?

15:14So this room,

15:15for some reason,

15:15I don't like.

15:16The energy here

15:17makes me feel uncomfortable

15:19in this room even now,

15:20but the upper floor

15:22for me was definitely

15:23where I saw a man

15:24and the female

15:26was walking around

15:27as well.

15:27Wow, you are spot on.

15:30This room in particular,

15:31though, is paranormally active

15:33because Raven and her mother,

15:34Gemma, saw that barstool

15:36move on its own.

15:37Wow.

15:38All right, let's get started

15:39with some EVPs.

15:40That's electronic voice phenomena.

15:43As Raven saw the barstool

15:44move in this room...

15:46You ready?

15:47I think so.

15:49..she's going to call out.

15:52Who are you?

15:54Is that upstairs?

15:59Do you guys recognize

16:00that noise?

16:01No.

16:02What do you want?

16:06I've been recording.

16:08All right, let's listen

16:09back to this.

16:10Who are you?

16:14What's that?

16:15Can you see something in here?

16:16Who are you?

16:18Help.

16:19Does that not say help?

16:19That says help.

16:20Does it?

16:21I thought it said help.

16:21That is a feminine voice

16:22saying help.

16:23Listen again.

16:24Who are you?

16:27Ooh.

16:28Phonetically, that sounds

16:30like help.

16:31How do you guys feel?

16:33We good.

16:34Yeah.

16:34Good.

16:36A dead thing in a house

16:38calling for help.

16:39So not good.

16:42We move upstairs

16:44as I'm drawn into

16:45one particular room.

16:47Raven's bedroom.

16:49Why are you drawn

16:50into this room now?

16:51Because I just feel

16:53that the female

16:53wants to tell her story.

16:55She wants to let us

16:56know what happened

16:56to her.

16:58Hang on a minute.

17:00What?

17:01You look very similar

17:03to the female I saw.

17:05Don't she?

17:06Yeah.

17:06To me.

17:08What did the female

17:09spirit that you saw

17:10look like?

17:11She had a tight bun

17:14and then a little bit

17:16of ruffling

17:17and she just went

17:18from there

17:20in my room

17:21across

17:22and she didn't

17:23take any notice

17:24of me.

17:25Kept going

17:25and then gone.

17:26Was your hair colour

17:27the same at that point?

17:29Yeah.

17:29So you're seeing

17:30a blonde woman?

17:31Yeah.

17:31About the same age?

17:32Yeah, very similar.

17:33How old are you?

17:3419.

17:35Would you describe

17:36her outfit as like

17:37somebody who would

17:38live in the house

17:39or somebody who

17:39would work in the house?

17:40Work.

17:41Work?

17:43Really?

17:43If this spirit

17:45looked like a maid

17:45it could link

17:46with the historical

17:47information I discovered

17:48earlier.

17:50So we do know

17:51there were a lot

17:51of suicides

17:52that happened

17:53in this river

17:53and there's two maids

17:55who met their death

17:56here.

17:57So one in 1839

17:58her name was

17:59Jean McGregor

18:00and another one

18:01in 1925

18:02her name was

18:03Christina McKay.

18:04I don't know

18:04the age of the one

18:05who died first.

18:06The second one

18:07was only 20 though.

18:09So very young.

18:10I'd like to use

18:12a spirit box.

18:13Katrina,

18:14if you want to

18:14ask questions

18:15and call out.

18:16Okay.

18:17Okay, I want to

18:18talk to the spirit

18:20that Persia and Raven

18:21have been seeing.

18:22Either the man

18:23or the female.

18:24What's your name?

18:27Whose house

18:27is this?

18:29Vengeance.

18:30That was a man

18:31responding.

18:32Direct response.

18:33In session.

18:34Let's play

18:35the whole file.

18:37Whose house

18:38is this?

18:39Persia's house.

18:40Oh, I could hear

18:41that.

18:42Persia's house.

18:43Persia's house.

18:44Let's carry on.

18:47What was that?

18:51Out.

18:52I was hoping

18:55that it would just

18:56be someone

18:57that was inquisitive.

18:58Yeah.

18:58That wondered

18:59why we were here,

19:00why Persia was here,

19:01or Raven were here.

19:02But it sounds

19:03as if it's a little

19:03bit more sinister

19:05than that.

19:06As Persia seems

19:07to be a focal point

19:08and sensitive to spirit,

19:10I think we could try

19:11mirror scrying

19:12with her.

19:13Mirror scrying

19:14is a very ancient

19:15way of divining.

19:16It's looking

19:17into the mirror,

19:18staring back

19:18at your own reflection

19:19and hopefully

19:20you will allow

19:21that spirit

19:22to come through.

19:24Okay.

19:24You can try.

19:26I'll be overseeing

19:27the experiment

19:28with Persia

19:29in her bedroom.

19:30So whatever you see,

19:32whatever you feel,

19:33if you hear words

19:34in your head,

19:35it might be

19:35your own voice,

19:36somebody else's,

19:37you can just

19:37shout it out.

19:38Okay.

19:39Okay?

19:40While Barry,

19:41Gary, Raven,

19:42and Ian

19:43observe from

19:44the nerve center.

19:48Honey,

19:48how do you feel,

19:48Persia?

19:51Sad.

19:53My back

19:53just got really cold.

19:55Okay.

19:56So that means

19:57she's drawing her

19:58in very close.

19:59So that,

19:59Gary,

20:00what that means

20:00is that that

20:01female spirit

20:01is now in the room

20:02with her.

20:04She's sad.

20:06What's upsetting her?

20:09I want to say

20:10he is.

20:11I definitely feel

20:13like he was

20:13or is.

20:17Yeah.

20:17very overbearing.

20:20What's their

20:20relationship?

20:23I think she

20:23works for him.

20:25So would he be

20:26like a senior

20:27staff person

20:28or would he be

20:28the owner of a house?

20:30Well, that's something

20:30we're going to have

20:31to find out.

20:32I feel like

20:33there's an older man.

20:35Is he the same man

20:37that you've seen?

20:38Do they have

20:39the same energy?

20:39Mm-hmm.

20:40Okay.

20:42One side of my face

20:43looks like

20:44for a second

20:46an old man.

20:48One side of your face.

20:49It's scowling.

20:51Wow.

20:52Can you pick up

20:54on why he's

20:56making her sad?

20:58Maybe he was

20:59controlling her.

21:02you know,

21:04more so

21:05than someone

21:06you work for

21:07should be.

21:08Mm.

21:09Which makes me

21:10question why

21:10he was in here

21:11looking at me.

21:13Maybe he mistook

21:14me for somebody.

21:16Do you think

21:17he mistook you

21:17for her?

21:19Maybe.

21:19Persia is

21:22clearly in tune

21:23with the spirit world.

21:24Yeah,

21:25it's gone.

21:26He's gone?

21:27Everything's gone.

21:28Even her?

21:29Yep.

21:29We head back

21:31in to regroup.

21:33How was it?

21:34It was okay.

21:36Well, listen,

21:37that experiment

21:37was brilliant

21:38and you've actually

21:39given us a lot

21:40of information there.

21:42But I am interested,

21:43Gary,

21:43in the fact that

21:44you don't like

21:45being in the basement.

21:46No.

21:47Or the...

21:48Or the corridor.

21:49Okay.

21:49Yeah, there's

21:50whole loads of places.

21:51So they're all

21:52house, really.

21:53I'm all right here.

21:55I'd like you

21:56to face your fear.

21:57I think it's important,

21:58okay?

21:58Oh, really?

21:59But Ian

22:00is going to take you

22:02down to the basement

22:03and we're going

22:04to give you

22:04an ITC device

22:05called the Alice Box.

22:07Now, this announces

22:08words as spirits

22:09are trying to

22:10communicate with you.

22:13Just a few days ago,

22:14Gary's wife,

22:15Gemma,

22:16saw what she believes

22:17was the apparition

22:18of a little girl

22:19in the basement.

22:20Okay, if you want

22:21to turn the ITC device on.

22:23Once again,

22:25we're observing

22:25from the nerve centre.

22:26Whoever is here

22:31at the moment,

22:32can you let us

22:32know your name?

22:34Did you get that?

22:38What was that?

22:38There was just

22:39something that came

22:41from the far end.

22:43Oh, kid.

22:45Kid.

22:46Oh, crikey.

22:49Kid.

22:49No way.

22:50The girl's down there.

22:51What did it say?

22:52Kid.

22:52Your mum saw something,

22:54didn't she?

22:54A girl.

22:54A little girl.

22:55She saw a little girl

22:55down there, right?

22:57Hey, Ian.

22:59Hi, Katrina.

23:01We wanted to put a reminder

23:02that that's where Gemma

23:03saw that little girl.

23:05Just around the corner, yeah.

23:07Really?

23:07Yeah.

23:08Okay, let's find out

23:09who this child is.

23:10Okay.

23:12Do you have a name

23:13that you can give me?

23:15Let's find out.

23:16Wonder.

23:19Wonder.

23:20Okay, let's wonder around.

23:21Let's walk.

23:23Cold.

23:24Cold.

23:25And it is cold.

23:26It is cold.

23:27It is cold.

23:28It is cold.

23:29That was sudden.

23:30Yeah.

23:31It dropped all of a sudden,

23:32didn't it?

23:33Yeah.

23:34Oh, that's tingly.

23:35Yeah.

23:36As the spirits

23:37are more familiar

23:38with Gary,

23:39they might be more likely

23:40to come forward

23:41if he's left alone.

23:43Gary, if you want

23:44to sit there,

23:45yeah,

23:46I'm going to leave you

23:47to sit there

23:47and I'm going to just

23:48walk out for a few minutes.

23:50Is that okay?

23:51Are you okay with that?

23:52Oh, not really.

23:53Yeah.

23:54Be brave.

23:55Oh, God.

23:58Are you going as well?

23:59I'm going as well.

24:01Watching.

24:03Watching.

24:04Wow.

24:07Look how scared.

24:09Watching him.

24:11Did you walk through here

24:13a few days ago?

24:14Father.

24:19That's really interesting.

24:21Father.

24:22I said father as well.

24:29Salvation.

24:30Oh, what?

24:33No, I don't like that one.

24:36Salvation.

24:36I mean,

24:37we have had a help already

24:38and who's asking for help?

24:40Who's asking for salvation.

24:42That's enough.

24:44That's enough.

24:46Oh, he's done.

24:47Oh.

24:51That was getting

24:52weirder and weirder.

24:54Are you okay?

24:55No.

24:56Mother.

24:57Nothing here.

24:57Mother?

24:58Is that mother?

24:59Mother.

25:00Yeah.

25:01Oh, my goodness.

25:02Wow.

25:04I think we should go

25:05and relieve Gary.

25:07You did great.

25:09Yeah, but it's...

25:10Oh, that's creepy.

25:11It's been absolutely incredible.

25:13This spirit triggers

25:14has actually given us

25:15so much to go on

25:16for the main investigation.

25:18But we have to crack on

25:19and gather as much evidence

25:20as we can

25:21and then we're going to

25:22present it to you tomorrow.

25:23Okay.

25:24We'll see you in the morning.

25:25See you in the morning.

25:26Thanks a lot.

25:27You guys can leave.

25:27Good luck.

25:29Come, kiddies.

25:32Darkness descends

25:33and Gary, Persia and Raven

25:36leave us for the night.

25:41To help us capture

25:42any unusual paranormal activity

25:44during the investigation,

25:46I've got crews

25:47setting up infrared cameras

25:48across the entire castle.

25:50So we've got eight

25:51infrared cameras.

25:52Now, I wanted to concentrate

25:53our efforts

25:54in the basement area

25:55and also Persia's bedroom,

25:57which is a massive hot spot,

25:59isn't it?

25:59And Raven's bedroom.

26:01Barry to Nerve Centre, over.

26:03Go to Nerve.

26:05Can we turn all the cameras

26:06to infrared?

26:07Yeah, copy that.

26:09All right, let's go get set up.

26:10Mm-hmm.

26:17We begin our investigation

26:18back in the basement

26:19to try and connect

26:21with the little girl.

26:22I've got a REMPOD device here

26:24that we can use

26:25to hopefully try and get

26:27some kind of response

26:28from the child.

26:29I've also got

26:30a motion-activated music box

26:31and we're using Echovox,

26:33an ITC application.

26:36Katrina.

26:36Yeah.

26:37Do you want to call out

26:37for this child?

26:38Mm-hmm.

26:39See if we can make contact with him.

26:40All right, let me know

26:41when you're ready.

26:41Did you hear that?

26:45No.

26:45Yeah.

26:45What did you hear?

26:46Was it like a...

26:47Yeah.

26:48Guys, I was recording.

26:50Oh, perfect.

26:51See if we can make contact with him.

26:53Are you ready?

26:55Help her.

26:57Help her.

26:58I mean, I hear it clear as day.

27:00Yeah, clear as day.

27:01That was direct voice phenomena,

27:03so someone is keen to communicate.

27:06I do sense a girl here.

27:09Do you?

27:10Yeah.

27:10With us right now?

27:11Yeah.

27:12She was down the corridor.

27:15Ask her to come forward.

27:17The little girl.

27:18Why don't you just come

27:19and stand here with us?

27:21There's some really pretty lights

27:22on the floor.

27:25Oh, oh!

27:26No way!

27:26There you go.

27:31Can you do that again?

27:33Can you go up to that red light?

27:34We can play a game.

27:38The little girl.

27:40Let's try and play a game again.

27:43Can you do that for me?

27:45Touch it.

27:47No way.

27:48Seriously.

27:52So we have a little girl here.

27:53Yeah.

27:54She looks visually to me

27:56when I close my eyes

27:57and try and bring her forward.

27:59She looks very poor.

28:00I don't see shoes.

28:02I see rags.

28:03Does that fit with any of the history?

28:05Well, I mean,

28:06we know there were people here

28:07during the turn of the century.

28:10There were absolutely families.

28:12But as far as, like, a child dying,

28:14we don't have that information.

28:15It doesn't mean it didn't happen.

28:16No.

28:16It just means we don't have

28:17confirmation right now.

28:18We don't think this girl is connected

28:22to the male and female upstairs.

28:24So I'm going to leave the REM pod

28:26and music box down here

28:27and we head back to Persia's room.

28:32I'm going to run a new ITC application

28:35called Spirit Wave.

28:36So Spirit Wave uses vocalizations

28:39in several different banks,

28:40similar to Echo Vox, I guess.

28:41Hi, we'd like to speak to the woman

28:45who Persia has seen in this room.

28:49Human.

28:50What?

28:52I say human?

28:53Human.

28:54To the female energy that's here,

28:56please, can you tell us your name?

28:59No.

29:00Christina.

29:01What the fuck?

29:03What?

29:04Christina.

29:06I'm going to play that back.

29:09No.

29:10I'm still not.

29:11Christina.

29:12Are you absolutely joking me?

29:14That was clear.

29:16To validate this is the same maid

29:18who worked here,

29:19we need to keep probing.

29:22Christina,

29:23can you tell me what happened

29:24that day in November 1925?

29:27Did you take your own life?

29:32Pain.

29:33Pain.

29:34Is that pain?

29:35Pain.

29:36That was pain.

29:36Yeah.

29:37There is somebody to my right now.

29:40Christina,

29:41is it you to my right?

29:43Why?

29:44In spirit.

29:46In spirit.

29:47In something in spirit.

29:48I get the sense Christina is timid,

29:51and it could be because of this dominating male.

29:54I'm speaking to

29:56any of the spirits in this room.

29:59I'd like to know who

30:01was shaking Persia's bed.

30:04Can you please communicate with us?

30:06Yes.

30:09That's brilliant.

30:11What?

30:13Did that just say William?

30:16It sounded like it's a playback.

30:18Hang on, hang on, hang on.

30:19What?

30:21That's brilliant.

30:22Oh, yeah.

30:24It says William.

30:25It says William.

30:27Here's the challenge, though.

30:28Which William are we talking about?

30:30The two Williams of note

30:32could either be Christina's father

30:33or the owner of the house

30:35at the time of her passing.

30:38William,

30:39are you looking for your daughter?

30:43William,

30:44do you need to be reunited

30:45with your daughter?

30:48Rowan?

30:49Rowan?

30:50Rowan?

30:50Did you hear Rowan?

30:51End recording.

30:53I'll just quickly play that back.

30:54William,

30:55do you need to be reunited

30:56with your daughter?

30:59Rowan?

30:59Sir William Rowan Thompson

31:02was Christina's employer

31:04in 1925,

31:05and this room

31:07would have been part

31:08of the maid's quarters.

31:10Sir William Rowan Thompson,

31:12are you responsible

31:14for shaking Persia's bed?

31:19That's a yes.

31:20It was a yes.

31:21That's a clear, quick,

31:22yes response.

31:23Christina,

31:25did William hurt you?

31:28No.

31:29That sounded like a no.

31:31It did sound like a no.

31:33If he's not trying to hurt her,

31:36why is he shaking the bed?

31:38I'm going to stay up here

31:39and try to find out.

31:42I have Alice Fox

31:43to try to communicate.

31:45I'm recording.

31:47While Barry and Ian

31:48head to the pool room

31:50to find out

31:50who moved the barstool.

31:53Is there anybody

31:54in this room

31:57got anything

31:58to say to us?

32:02Land.

32:04I said land.

32:05Land.

32:06I said it's like

32:07somebody from the outside

32:09is looking in.

32:11William,

32:12I want to know

32:13when you shake this bed,

32:16are you trying to shake

32:17Christina awake?

32:19Duty.

32:20Duty.

32:21William,

32:22are your servants here?

32:24Is this where they stay?

32:27Okay.

32:30Are you getting

32:31the women confused?

32:34Work.

32:35Work, yes.

32:37Are you trying

32:37to get people

32:38to go to work?

32:40So,

32:41there's somebody

32:42from the land here.

32:44Is that correct?

32:48No.

32:48They?

32:49No way.

32:50No way.

32:51So,

32:51there are multiple

32:52spirits potentially

32:53coming in from the land

32:55that are responsible

32:57for the poltergeist-like

32:58activity here.

32:59Nerd sent to the Barry.

33:02Receiving over.

33:05I think the

33:06REM pod's going off

33:07downstairs.

33:09Something or someone

33:10has activated

33:11the REM pod

33:11I left in the basement.

33:13Let's go down now.

33:14The REM pod's going off.

33:15I've moved down

33:16to Raven's room

33:17which is just

33:18below Persia's room.

33:20William,

33:21are you here?

33:23Why do you

33:24shake her bed?

33:26Above.

33:27Above.

33:29Are you above?

33:30Are you upstairs?

33:32Like, yes,

33:32you shake the bed

33:33above.

33:34Yes,

33:34you do that.

33:35Why do you do that?

33:38Workers.

33:39Workers.

33:40Shake the bed

33:40because they're workers.

33:43There we go.

33:43So we've had duty.

33:45Did you not hear that?

33:46Did that just shut?

33:47Yeah,

33:47that was open

33:48slightly a minute ago.

33:49The sound

33:50seems similar

33:51to just jiggling

33:52the handle

33:53which is something

33:53that Jack

33:55has experienced

33:56here before.

33:58It's going off again.

33:59Look, look, look, look.

34:01Maybe the little girl

34:02is back.

34:04If there are spirits

34:05here

34:05and you want

34:06to communicate

34:07with us,

34:08can you make

34:09the light

34:09flash?

34:11Oh, whoa, whoa, whoa.

34:13They're playing.

34:18Is that running?

34:20That's running.

34:21That's proper running.

34:22That's footsteps.

34:24Is this the little girl

34:25I was talking to earlier?

34:28Do you hear?

34:31The music box

34:32just fell off.

34:33This little girl

34:34is trying to play.

34:36I sense she's

34:37happy living here.

34:39That is potential

34:40evidence of

34:41this childlike activity.

34:43Yeah.

34:45Should we go up

34:45and rejoin Katrina?

34:47Yeah, okay.

34:48How did it go?

34:50We asked,

34:50why do you shake

34:51the beds?

34:52And it said workers.

34:54Oh, wow.

34:54And we seemed

34:55to get that

34:56a couple times.

34:57If William's here,

34:58is he getting

34:58the people

34:59in these beds

34:59confused?

35:00Mm-hmm.

35:01Thinking,

35:02like, hey,

35:03what are you doing?

35:03You're supposed

35:04to work for me.

35:04Hey.

35:05Well, I think

35:06we need to put them

35:07at rest.

35:08I mean,

35:08do we send them

35:09to the light now?

35:11Or do we send them

35:13to the light

35:14with the homeowners,

35:15Gary and his family?

35:17Well, let's do that

35:17in the morning

35:18after we've gone

35:18through all

35:19of this audio

35:20and video evidence.

35:22We need to be able

35:22to present that

35:23to them tomorrow.

35:24Sounds good.

35:25All right.

35:26Good job.

35:26Well done.

35:32The next morning,

35:33we present our evidence

35:35to Gary, Persia,

35:37and Raven.

35:37Hey, guys.

35:38Good morning.

35:39Good morning.

35:39How are you doing?

35:40Good morning.

35:41Good morning.

35:41How are you?

35:42Good.

35:42How'd you guys sleep?

35:43Good.

35:44Good.

35:45So, the beginning

35:46of the investigation,

35:47you joined us

35:48for spirit triggers

35:48and we went up

35:49to your bedroom, Raven.

35:51So, we were using

35:52something called

35:53a spirit box.

35:54Now, Katrina asks,

35:56whose house is this?

35:58Whose house is this?

36:01It sounds like

36:02Persia's house.

36:04Interestingly,

36:04we're not entirely sure

36:05why, but you seem

36:07to be a focal point

36:08in the investigation.

36:10Scary.

36:11Well, because of that reason,

36:13Katrina decided

36:14to stay with you

36:15to conduct

36:16another experiment.

36:17Yeah, so essentially

36:18what we tried with you

36:19is called scrying

36:19and you felt like

36:21you saw part of your face

36:22turn into a man

36:23and that you recognize

36:24that man as the man

36:25that you feel

36:26you've seen before.

36:28Well, that was

36:29an interesting experiment.

36:30Then it was Gary's turn.

36:33So, Gary.

36:34I just embarrassed myself.

36:37You and I decided

36:38to go down into...

36:40You decided.

36:42Well, you know,

36:43we decided then

36:45to go down

36:46and we used the Alice box,

36:47an ITC device,

36:49and you felt uncomfortable,

36:50didn't you?

36:51Oh, yeah.

36:51I mean, that's the first time

36:53I've ever been down there

36:53on my own.

36:54Wow.

36:55In the dark.

36:55So, yeah,

36:56really, really uncomfortable.

36:57The words I can remember,

36:59the first time I think

37:00was kid.

37:00Yeah.

37:02A cold came up,

37:03I think.

37:03Then there was

37:04mother, father.

37:06Well, this little girl

37:08that your wife,

37:09Gemma, saw,

37:09they may well have been

37:10looking for their father

37:11and mother.

37:12Right.

37:12But we did manage

37:14to identify

37:15the female spirit

37:17that you've seen

37:19in your room

37:19and also the male spirit

37:22that you've both

37:23experienced in the house

37:24as well.

37:25So, you guys left us

37:27for the evening then

37:28and we used another

37:30ITC application

37:31in your bedroom, Persia.

37:33This one's called

37:34Spirit Wave

37:34and we got

37:36an amazing response

37:38very early on.

37:39To the female energy

37:41that's here,

37:42please can you tell us

37:43your name?

37:45I see.

37:48That was a woman's voice.

37:50Yes.

37:50I'll play it again for you.

37:52To the female energy

37:54that's here,

37:55please can you tell us

37:56your name?

37:57I see.

38:01I thought it was

38:02Christine.

38:03Me too.

38:04It's Christina.

38:06Now,

38:07this is really interesting.

38:09because it gave us

38:11a hit

38:11with the historical

38:13information

38:14that Katrina

38:15has been provided with.

38:16Now, we know

38:17she was a servant here.

38:18In the article

38:19about her death,

38:20it talks about

38:21that in November of 1925,

38:23she meets up

38:24with a friend.

38:26She does not show

38:27and then they find her

38:28in the river

38:29a couple of days later.

38:30So, I asked her,

38:31can you tell me

38:31what happened

38:32in November of 1925?

38:34And then it sounds

38:35like we got a response.

38:37Can you tell me

38:38what happened

38:38that day

38:39in November of 1925?

38:42Over.

38:45River?

38:47Is it?

38:48River?

38:49Can you tell me

38:50what happened

38:50that day in November of 1925?

38:54Over.

38:55Oh, yeah.

38:56Now,

38:56we didn't hear it

38:57at the time,

38:58but that one word

38:59is enough

39:00to piece the pieces

39:02together

39:02and to make sense

39:04of what Katrina

39:05has found out.

39:06Now, Persia,

39:07in your bedroom

39:07you saw

39:08a male spirit.

39:10Your bed

39:10has also been

39:11violently shook.

39:12But we wanted

39:13to know

39:13who was responsible.

39:16I'd like to know

39:17who

39:17was shaking

39:18Persia's bed.

39:20Can you please

39:21communicate with us?

39:23Yes.

39:27Yes.

39:27That's the first response.

39:29Yes.

39:30That's not one of you?

39:31No.

39:32That's as clear

39:32as I've ever heard.

39:34The next response

39:36I'm going to play for you

39:36after the yes

39:37is underneath me

39:39saying,

39:40oh my God,

39:40that's brilliant.

39:42Because I was

39:43flabbergasted at that.

39:45Now you will hear

39:46a name.

39:48Yes.

39:49What?

39:51Brilliant.

39:53William.

39:54Yeah.

39:54Mm-hmm.

39:56Oh,

39:57do you know

39:58what William?

40:00Yes.

40:01We believe

40:01that we got

40:02the middle name

40:03to the William

40:05that we're talking to.

40:07William,

40:07do you need

40:08to be reunited

40:09with your daughter?

40:11It's

40:12Rowan.

40:13Rowan.

40:14Mm-hmm.

40:15Let me play again.

40:18It's

40:18Rowan.

40:19Yeah.

40:20Mm-hmm.

40:20Definitely.

40:21Do you hear that?

40:22Yeah.

40:22And I see Gary

40:23already looking

40:23for the article

40:24and he is 100% right.

40:26William.

40:27Rowan Thompson.

40:28So he was

40:29Christina's employer.

40:31He's the one

40:31who owned this house

40:32during the time

40:33of her death.

40:34So he had a couple

40:35of theories about

40:35why would he be here?

40:37Why is he doing this?

40:38Why is he kind of

40:39singling out you guys,

40:41especially you?

40:43So Kat actually decided

40:44to spend some alone time

40:46in your room

40:47and she took with her

40:48the Alice ITC device.

40:50So the words

40:51that consistently

40:52came through

40:53were things like

40:54duty, work, workers.

40:56So I would speculate

40:58then that

40:59William being here

41:00and maybe bothering you,

41:02he might think

41:03you guys are supposed

41:04to get to work,

41:05that you guys are servants

41:06in the house

41:06and he doesn't understand

41:08why you're not working.

41:09Is that where

41:10the bed shaking thing

41:11might come from?

41:11It could be.

41:12It's like a burst of energy

41:14that these spirits

41:15would put in.

41:17So it could be his way

41:18to communicate with her.

41:19Now you're probably wondering

41:20what have we done?

41:23Have we blessed your house?

41:24Have we got rid of the spirits?

41:25Have we helped them

41:27to cross over

41:27and be with their loved ones?

41:30Well, the little girl

41:32can stay.

41:34You did say that

41:35you wanted the spirits

41:36to stay if they wanted.

41:38If they're okay.

41:38They haven't asked us

41:39to go anywhere.

41:41But then you've got William.

41:43Now William is a problem.

41:45He sees the girls

41:46as being servants.

41:49Therefore he's trying

41:49to shake the bed

41:50and get you out of bed.

41:52So we're going to send him

41:53into the light.

41:55But Christina will be happy

41:56to come back and forth

41:58as she pleases.

41:58But it's very important

41:59that we take her conditions

42:01away from her

42:02and her suffering.

42:03Okay.

42:03Yeah.

42:04Okay.

42:13Dear Father,

42:14we pray to open

42:15the two worlds

42:15that separates us

42:17to lift the conditions

42:18from all the spirits

42:19that are here.

42:20William,

42:21I want you to walk

42:22into that light

42:23where your friends,

42:26family and loved ones

42:27will be there.

42:28Christina,

42:30we're so sorry

42:31what happened to you.

42:33But as you walk forward

42:34into that light,

42:36the conditions you suffered,

42:39the sadness you felt,

42:41will all disappear.

42:42but I do have somebody here

42:44who would like

42:45to talk to you.

42:47Christina,

42:48you're welcome back

42:49any time.

42:50And this is your house

42:52as much as it's ours.

42:54And that I hope

42:56that you're not sad anymore.

42:58We also leave this light

42:59burning for a short period

43:00of time for any other spirits,

43:02for their conditions

43:03to be lifted.

43:04But this house

43:05is an open house.

43:06God bless you all.

43:08Amen.

43:15It's been a truly

43:16memorable investigation.

43:18What an amazing house.

43:20Yeah.

43:21Incredible story.

43:24But who knows

43:25what the next case

43:26will bring.

43:27What an amazing house.

43:28What an amazing house.

43:29What an amazing house.

43:30What an amazing house.

43:31What an amazing house.

43:32What an amazing house.

43:33What an amazing house.

43:34What an amazing house.

43:35What an amazing house.

43:36What an amazing house.

43:37What an amazing house.

43:38What an amazing house.

43:39What an amazing house.

43:40What an amazing house.

43:41What an amazing house.

43:42What an amazing house.

43:43What an amazing house.

43:44What an amazing house.

43:45What an amazing house.

43:46What an amazing house.

43:47What an amazing house.

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