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00:03What's happening?
00:58Thanks for watching the video.
01:04Thanks for watching the video.
01:39Thanks for watching the video.
01:49Thanks for watching the video.
02:19Okay, so if you can go without me in the workshop, I'll go to the kitchen. I've left one...
02:25half-cleaned tripe dish.
02:27Don't worry, boss, if I have any doubts I'll go and ask him.
02:32I told Angustia to make me a lamb chop so I can hold out until my sandwich.
02:38mid-morning.
02:39OK.
02:42Rosa, who could Rosa be? What does this name remind me of?
02:47Angustia, warm up my tripe and open a can of fabada for me.
02:53And wine.
02:59Good morning.
03:01Good morning.
03:02What? Did I leave you hanging again?
03:04Yes. Why don't we go for a walk and you try it?
03:08Okay. We'll take a walk. But a short one, okay?
03:12Go ahead, I'll be more at ease holding onto you.
03:14Okay.
03:19That's it. Come on, get in.
03:24Yes, yes, but don't get so close you're suffocating me.
03:26It's in case you make a sudden start. Hey, if you don't like me hugging you, just say so.
03:30That's not it, woman.
03:34That?
03:35Out on a hike, huh?
03:37No, let's try this thing that's failing.
03:39And where do you come from?
03:42From a meeting at the federation.
03:45Is the aunt you're dating now called a federation?
03:48What a strange name, isn't it?
03:49Don't be a stick-faced fool.
03:51I have the right to have fun, don't I?
03:53That's what I'm a champion at.
03:55Yeah, but don't overdo it, dude.
03:57List?
03:58List.
03:58Well, let's go.
04:16Man, the prodigal son.
04:18Don't give me a hard time, darling.
04:21Smell that expensive perfume.
04:22Go on, lie down.
04:24By the way, Dad is in the kitchen eating some grilled chops with aioli.
04:27Mother?
04:28She left early, you get a facial.
04:30So get your act together if you don't want them to find out you haven't slept at home.
04:34Yes, that will be better.
04:35Say hi to Enrique, okay?
04:37Yes, yes.
04:38It will be when I see him.
04:39I haven't heard from him in over three days.
04:42Is that how things stand?
04:43Uh-huh.
04:44He'll give signs of life soon.
04:46Okay, see you later.
04:48Bye bye.
05:01And prepare me a kilo of strawberries with cream, okay?
05:04No, the dozen chops I've eaten are enough.
05:07Otherwise I won't have room for the French toast, man.
05:13This anxiety has been relieved by the garlic in the aioli.
05:17Rufo!
05:17Where are you?
05:24Good morning.
05:26Good morning.
05:26I would see some, wouldn't I?
05:28No, no, no.
05:28We are both very healthy.
05:30Look, look.
05:31It's just that you look healthy all over.
05:34How beautiful.
05:35Juan, Juan García.
05:36But you already want to come with me.
05:38Not even the years have changed you.
05:40Well.
05:40Look, I'm going to introduce you.
05:42Mr. Espartero, I present to you Don Juan García.
05:44Juan García, I present to you Don Darío Espartero.
05:46Ah, a relative of the horse.
05:48He was a second cousin of a paternal great-uncle.
05:51In other words, he doesn't get a piece of the horse, not even its tail.
05:54Nice to meet you.
05:55How are you?
05:56Oh, sorry.
05:57I'm sorry.
05:58It's motorcycle grease.
06:01Grease the motorcycles with lamb chops.
06:03The shawl.
06:04They're going smoother, yes.
06:06And you, out of curiosity.
06:08Who is it?
06:09But I've changed so much.
06:10My name is Asunción López.
06:12But when we were madly in love, he called me Rosa Banderas.
06:16Rosa Banderas?
06:17Yes, woman, of course.
06:19Rosa Banderas.
06:21I don't remember.
06:22That's strange.
06:24Because you were living together for a long time.
06:27Seven days.
06:29Seven days in the life of an innocent and pure young woman.
06:32It's an eternity.
06:34Ah, of course.
06:35Pink, pink.
06:36You arrived a little while ago.
06:38Sure, sure.
06:39Rosa Pendón.
06:40Flags.
06:41Rosa Banderas.
06:42At that time I worked at Casa Charo.
06:45The one made forward.
06:45In the Tetuán area.
06:47Of the Victories.
06:48No, man, no.
06:48Tetouan, Morocco.
06:49When I was Spanish.
06:50Yes, yes.
06:51We had no problems catching furels.
06:55Well, I did my military service in Tetuán.
06:57And while you were learning to march in time,
06:59He used to visit Doña Rosario's house.
07:02The one made forward.
07:03And that's where she met you, my client.
07:05Oh, are you her pimp?
07:06No, no, no.
07:08Oh, no.
07:09Well yes.
07:10I think I remember.
07:12Yes, woman.
07:14We went away for a few days to Sabuen to the tourist inn
07:17to celebrate that I got my license.
07:18And we went in there and stayed for seven days without coming out, huh?
07:23Seven days, me?
07:24Damn, what a time that is.
07:25I wish I could catch them, huh?
07:27I remember now.
07:30And you are that rose that had a body that was that.
07:33He could put up with it.
07:35Hey, you've really let yourself down, haven't you?
07:37Man, time flies, damn it, huh?
07:39Sure, sure, yes.
07:41And if I remember correctly, huh?
07:44You used to belly dance, didn't you?
07:46Yes, yes, but that's already happened.
07:48I was an oriental dancer.
07:50Okay, okay, but sit down, yes.
07:52Well, we just set up this corner
07:55so that customers can wait for quick repairs.
07:58Everything is freshly painted.
08:00Well, I'm sorry I didn't recognize you like that at first glance.
08:04It's been so long...
08:05You're the same too, just a little fatter.
08:08Shall we begin?
08:08Well, I just finished a horse diet.
08:10Barley is very fattening, isn't it?
08:12I don't mean to imply that I ate the same as the horses.
08:15Rather, the regime was very harsh.
08:18Well, since they've fondly reminisced about their happy younger years,
08:22Let's get to the point.
08:24Do you think the amount of barley grain is small?
08:26Ah, you always give it your signature!
08:29He always loves it!
08:30And you know what? I'm still hitting people.
08:33Oh, that aunt still looks great!
08:36Which grain are you referring to?
08:38I thought you wouldn't mind.
08:40a pension of 250,000 pesetas per month.
08:44Are they going to give me 50,000 pesetas a month?
08:46So, where do I sign?
08:48Down here.
08:50I'm sure of it, because then the judges will protest.
08:52if the signature is illegible.
08:54How lucky!
08:56There's nothing like eating what you don't yet feel like eating.
08:58so that things get better.
09:00What are you saying?
09:01Yes, yes, yes.
09:01Down here.
09:03Great.
09:04Just a moment, wait.
09:06The beneficiary is listed here.
09:08Who is the beneficiary?
09:10I.
09:10She.
09:11The beneficiary of what?
09:13From the pension of 50,000 pesetas
09:14that you have to pass on to me.
09:15Oh, what?
09:17I, you?
09:17Because?
09:19As compensation for the time
09:21that you spent together.
09:2350,000 duros monthly pension
09:25for 7 days of trick-or-treating.
09:27Well, if you get the same out of it
09:29to all those who slept with you
09:30then,
09:31You will be able to lend it to Imelda Marcos.
09:34But Rosa has chosen you specifically.
09:37Well, why me?
09:39He was able to choose the entire regiment.
09:41with barmaid included.
09:43Why only with you
09:45Did Rosa have a child?
09:47A son?
09:50What's up, the flag
09:51Has she had a child of mine?
09:54Why didn't you tell me before, you slut?
09:57Juan,
09:59after those 7 days
10:01of a Roman orgy,
10:02You were given a license
10:04And you disappeared from my life.
10:08When I found out I was
10:09in that situation
10:10so embarrassing, then,
10:12how I had fallen in love with you,
10:16I asked you to move on.
10:18with whatever came
10:20until he was born
10:23Juanito.
10:25Juanito?
10:25That's what it's called
10:27our son, like you.
10:29And then this saint
10:30He abandoned his dissolute life,
10:32shame and dishonor.
10:34Shut up, you idiot!
10:34It wasn't a print run either.
10:35Go on.
10:36No, no, no.
10:37But how could it be
10:38if they are from the last recruit
10:40even the colonel
10:41They knew your mole
10:42in the groin?
10:43Oh!
10:44Do you remember?
10:46Look, I'm taking off the red one.
10:48And I don't teach.
10:48No, no, no.
10:48There's no need, Sepia.
10:51Be that as it may
10:52his past life,
10:53mole included,
10:55the case
10:55It's because he has continued working
10:57to get ahead
10:58the fruit
10:59of his crazy love
11:00with you
11:01so that the young man
11:02may tomorrow be
11:03a useful man.
11:05And that's fair.
11:06that you,
11:07who is the father,
11:08contribute financially
11:10to vote
11:10the expenses
11:11of their education.
11:12He's determined to go for it.
11:13Clearly.
11:14You know,
11:15by the judge.
11:18Their education?
11:22What are you studying now, Juanito?
11:24Third,
11:25of basic general education.
11:27Sign the agreement
11:28I have a lawsuit
11:29through influence peddling
11:30at eleven
11:31and I would like to attend.
11:33Before,
11:35I want to see my son.
11:37We suspected as much.
11:38Good,
11:38Mrs. Rosa.
11:39He's at the boarding house
11:40expecting.
11:41He's looking forward to it
11:43meet his dad.
11:45Where can we meet?
11:47I say it
11:47because we know
11:49who are you
11:50a married man.
11:51Are?
11:51And he won't want to.
11:52let the child come
11:53and...
11:54No no,
11:54It's true,
11:55my wife.
11:56Let's see how I can explain this to him.
11:58Well,
11:59go away
11:59and call me
12:00in a little while.
12:01Well,
12:02Well, we're leaving.
12:04We'll call you.
12:06You'll see,
12:07He's a really good son.
12:10You'll be proud
12:10from your Juanito.
12:13See you later.
12:15Bye bye.
12:19Here are the torrijas,
12:20boss.
12:21And that have come out
12:22juicy for a while.
12:23Can you
12:24eat six in one sitting.
12:25I'll leave them on the table
12:26or like you
12:27Right here, standing.
12:28No,
12:29Take it to Anguish.
12:30I have a knot
12:31here in the stomach.
12:32That's what I put
12:33twelve chops.
12:34Then I told
12:35the bones
12:35And there were eleven.
12:36It has docked
12:36You're a bone,
12:36boss.
12:38What a bone!
12:38I have to gnaw now.
12:40Well,
12:40come on,
12:40so they fit properly
12:41French toast,
12:42I'll make you some hot chocolate
12:43thick,
12:43nice and hot,
12:44with some croutons.
12:46Well,
12:47Give me ten,
12:48but with a lot of sugar,
12:55Hey?
12:57Oh,
12:58My God,
12:58how the place was.
12:59I did not know
13:00that there were so many women
13:01with dirty skin.
13:02Thank goodness
13:02that he had just asked for.
13:04That?
13:05How did they leave me?
13:07I find you taller,
13:08Hey?
13:08If I say skin,
13:09Doesn't it shine anymore?
13:10That's a caperra,
13:11lady.
13:12I haven't cleaned myself up
13:13the complexion in my life
13:13And look at me,
13:14I look gorgeous.
13:15Comfort,
13:16come,
13:16come,
13:17Let's talk.
13:18About something important?
13:20Yeah,
13:20and confidential.
13:22Anguish,
13:23go to the supermarket
13:23and buy something.
13:24If you want, I'll buy it.
13:25even to put on earplugs
13:26And so I don't hear
13:27what they are going to talk about.
13:28That's not a bad idea.
13:29But do you think
13:30that I have nothing else
13:30What to do...?
13:31Anxiety?
13:32Bye bye.
13:33But, boss...
13:33Bye bye.
13:34Well,
13:35Well, goodbye.
13:36Bye bye.
13:40What do you say?
13:41We'll go home.
13:42No one should come here
13:43and interrupt us.
13:53What if I become
13:54Cosmetic surgery on the face?
13:55You don't need
13:56to make a face.
13:57You look gorgeous.
13:58It seems that way to you.
14:00But I...
14:01I have the morals
14:02on the ground.
14:05Well,
14:06What will you say?
14:07Well,
14:08Well, you'll see.
14:09You and I
14:10We've only had two children.
14:12You wouldn't want to
14:13at our age
14:13Let's have the third one?
14:15Probably
14:16You don't need to have it.
14:18I don't understand you.
14:20Comfort,
14:22I have been young
14:23and being young
14:24I had to go into the military.
14:25What did you do in Morocco?
14:27Did you already tell me?
14:28In Tetouan, yes.
14:30And there,
14:30one, two, three, ha,
14:31one, two, three, ha,
14:32quarter right,
14:33middle to the left,
14:35all day
14:35in the barracks.
14:38Because, of course,
14:39We were at the barracks,
14:42I was always getting arrested
14:44because she didn't clean
14:45The shotgun is good.
14:46That's why
14:47I didn't come out
14:48from the barracks,
14:49from the barracks.
14:50They were in trucks
14:51and all I know
14:53mechanics
14:53of the car
14:54I learned it there.
14:56Perhaps that's why
14:57They took Morocco from us.
14:59Well, I was
15:00in the barracks.
15:02You were at the barracks,
15:03You already told me.
15:04Yeah,
15:05there doing guard duty
15:06inside the barracks
15:08because I was,
15:10I was always
15:11in the barracks.
15:13A barracks
15:14closed
15:14with its windows
15:15and their things.
15:16And me, come on,
15:17It's never
15:19I was leaving the barracks.
15:20Until one day,
15:21Hey?
15:22This was one day,
15:23one day,
15:24I left the barracks.
15:26Congratulations, man.
15:27Yes, yes,
15:28I left the barracks.
15:30And where did I go?
15:31You might ask yourself,
15:32clear.
15:33Well,
15:34Where were they all going?
15:36Because I was
15:37always at the barracks,
15:38Hey?
15:38Don't go in again
15:39at the barracks?
15:40Yes, yes,
15:40After all the trouble I went through to get out,
15:43So I went,
15:44I went
15:47to Charo's place,
15:49the front plate.
15:51Don't tell me
15:52which was a brothel.
15:54If you don't want to,
15:55I'm not telling you,
15:56But it was a brothel.
15:58And what were you doing there?
16:01Comfort,
16:01I was always
16:02in the barracks.
16:02No no,
16:03I'm no longer in the barracks.
16:06Had
16:07twenty-two years old
16:08of my soul.
16:09What was I going to do?
16:10to go to a brothel
16:11at that age?
16:12Ah, I see.
16:14You went to...
16:15Yeah,
16:16That's what I went for.
16:18And there
16:19I met a dancer
16:20that at the beginning
16:21I thought it was a blackberry
16:22and then it turned out
16:24to be from Pontevedra.
16:26A dancer
16:27who was dancing.
16:28How can I put it?
16:29If she was Galician,
16:30I would dance the muñeira.
16:31No,
16:32oriental dances,
16:34orientaleiras
16:34She called them.
16:35Ah, I see.
16:37Lightly dressed.
16:38Yeah,
16:39Yes, she danced lightly,
16:40But as for clothes...
16:42Come on,
16:42the only thing I was wearing
16:43Well, they were false eyelashes.
16:45I wouldn't get hot.
16:48And she danced
16:49belly dancing
16:50in a way
16:51that...
16:52Memory
16:53that was put
16:53a walnut in the navel
16:55and so he did
16:55clascadas
16:56and the waterfall.
16:58A nut
16:59in the navel?
17:00I have
17:01to prove that.
17:02Well,
17:03but it begins
17:03with a hazelnut,
17:04lest you leave
17:05to break something.
17:06The point is that
17:07I met her,
17:09He liked me,
17:10I liked it
17:12and I bought it
17:13fifteen kilos
17:13of nuts
17:14so that I could jerk them off
17:15just me.
17:17How did I buy
17:18the whole dancer?
17:20Oh,
17:21then
17:21You were so handsome.
17:23Yeah,
17:23to say something else
17:24That would be a lie.
17:25That's not it...
17:26And why?
17:26You're telling me that now?
17:28Because,
17:29as a result
17:30from that binge
17:31of nuts,
17:33A child was born.
17:36What did you say?
17:38But,
17:39I should have left
17:40from the barracks.
17:41A child?
17:43A child of yours?
17:45And what about the husk?
17:46walnuts?
17:47So
17:48that you got married
17:48with me
17:49having a child
17:50with another
17:50And you didn't tell me?
17:52Well,
17:52I didn't find out.
17:53until today
17:53that has come
17:54Rosa Banderas
17:55to tell me.
17:57Who is Rosa Banderas?
17:58Was
17:59the dancer
18:00of nuts.
18:02Well,
18:02of the nuts
18:04and of the fruit
18:05of our madness
18:06youth.
18:08Already,
18:09You didn't know anything.
18:11No?
18:14He hid it from me
18:15so as not to bother me.
18:16Deep down
18:17She's a good girl,
18:18but now it seems to be
18:19that my son
18:20He needs me.
18:22He's in third grade
18:23of education
18:23basic general.
18:25Juan,
18:26You have an obligation
18:27to take care
18:28of that child.
18:30Knew
18:31that you would react
18:32So
18:32with that generosity.
18:34Besides,
18:34that kid
18:35in hands
18:36from the nut shell.
18:37No,
18:38the poor thing
18:38with age
18:39which it now has
18:39It doesn't crack anymore.
18:41Anyway,
18:43look,
18:43Let it come
18:44to live with us.
18:45I'll put it on
18:46a little crib
18:46in the fourth
18:47Carlos.
18:48After all
18:48They are brothers
18:49and I will take care of him
18:50as if it were
18:51her mother
18:51and you will help him
18:53to do the homework.
18:55You're so nice.
18:56I was sure
18:57that you would understand
18:58the problem
18:58and you would help me
18:59to solve it.
19:01It will be them.
19:02I told them
19:02that they would call me.
19:05Tell me.
19:06Ah,
19:06Yeah,
19:06Yeah,
19:06it's me,
19:07Roses.
19:08I have spoken
19:09with my wife
19:09And that's all.
19:10Solved.
19:11Come with the child
19:12We're waiting for you.
19:13Until now.
19:15The one who has come
19:16with a lawyer.
19:18Comfort,
19:18I love you.
19:20Hey,
19:21if annoying
19:21leave.
19:22Hey?
19:23I'm going back to bed.
19:25Can't
19:25Kiss your mother?
19:26Yeah,
19:27But that's how you started
19:2820 years ago
19:29and soon after
19:30I was born.
19:31Look how funny.
19:32And you
19:33what time
19:34Are you getting up?
19:34They've stuck to me.
19:35the sheets.
19:36But let's not change.
19:37of the topic.
19:38Immoral.
19:39But what do you want?
19:42Get me
19:42a little brother.
19:44Who knows?
19:45Probably
19:46the little brother
19:47It's already on its way.
19:49It's not possible.
19:50mother.
19:52Are you pregnant?
19:53No,
19:53man,
19:53No.
19:54No.
19:54Go on,
19:55Get ready and have breakfast
19:56something your father
19:56and I hope to visit.
19:57Well, if it happens to me
19:58that seems very good to me
19:58that you have a child
19:59And if not, remember
20:00by Picasso
20:01or Charlotte.
20:03To your father
20:04so that she can be Charlotte
20:05He's missing his mustache,
20:06the bowler hat
20:07and the cane.
20:08No,
20:08the mustache and the bowler hat
20:09Yes, I'm missing them.
20:11but not the cane.
20:12Go on,
20:13Don't be a boor.
20:15They won't be long,
20:16They were in the cafeteria
20:17with a cane.
20:17I'm very nervous.
20:18I'm going to meet
20:19to a woman
20:19that in your life
20:20has meant
20:21many things.
20:22Yeah,
20:22many nuts,
20:23Ah,
20:23sorry.
20:24Here it comes,
20:25natural estate.
20:26Don't let them notice
20:27that we agree
20:28to stay
20:29with that little piece
20:30of my flesh.
20:35Good morning.
20:38Good morning.
20:39I'm going to introduce you
20:41Comfort,
20:42my legitimate wife
20:43and Rosa the other one.
20:46Nice to meet you.
20:47Nice to meet you.
20:49The gentleman is the horse
20:50from the esparto grass worker.
20:51Oh, no, no,
20:52No, sorry, no.
20:52It's Mr. Espartero.
20:54Legal adviser
20:55from Doña Rosa.
20:56But sit down,
20:57please,
20:58sit down.
21:01What are you laughing at, Juan?
21:04It's nonsense.
21:05Pink,
21:06I don't know if you'll remember
21:07that one day
21:07at the house of the chapalache
21:08that when going to break
21:10the Adam's apple with the navel
21:11it slipped out
21:11and you hit him
21:12a nutty
21:13to the colonel
21:13regimental
21:14throughout the eye
21:15and you hit him
21:16for passion.
21:16That's what happened to me.
21:18many times.
21:19I used to put it on him
21:20much enthusiasm
21:21with the navel stick.
21:23Apparently,
21:24I said you
21:24by phone
21:25that the matter was settled.
21:27Yeah.
21:27I've spoken to my wife,
21:29has understood the case
21:30and he has accepted.
21:31She's a saint.
21:32A gesture that does you credit, ma'am.
21:35Very good.
21:37Don Juan,
21:37Please sign here.
21:39And you, generous lady,
21:42firm too
21:42giving their consent.
21:44One moment.
21:46Before arriving
21:46to no agreement,
21:48Where is the child?
21:50Expecting.
21:51At the door.
21:52Here comes the little piece
21:53from my insides.
21:54It's not possible.
21:55Are you sure?
21:56Yes, why wouldn't I?
21:57Yes, it was just now.
21:58Hold the motorcycle
21:58I'm going to get a wrench.
21:59No, Rufus, no.
22:00But what happened?
22:01Nothing, Don Juan,
22:01nonsense.
22:02A silly thing, no.
22:03That's there at the door
22:03There's a hooligan
22:04that when we entered
22:05to one side
22:05a slap to the young lady.
22:06I'm going to tell Juanito
22:08Let it happen.
22:08There are a lot of thugs around.
22:09out there somewhere.
22:10Maybe it was unintentional.
22:11Well, if he does it out of love for us
22:12throws them both to the ground.
22:14Sirs,
22:14Here's Juanito.
22:17Here's my baby.
22:33The child.
22:38Juanito,
22:39There's your father.
22:40Don Juan,
22:42Here is your son.
22:44Dad!
22:45I was so looking forward to meeting you!
22:47But I wasn't good at the log
22:48that you were so young, man.
22:50What's up, buddy?
22:52But I'm not your uncle,
22:53nor your colleague,
22:54neither your father.
22:55You're a hooligan,
22:56Man, who's laughing at you...
22:56Rufo, leave her alone.
22:58Wow, she gets so worked up!
22:59For an affectionate touch
23:00that goes on the buttocks
23:01to the girl.
23:02Juanito,
23:03Too bad.
23:04No, Juanito,
23:05That's not it.
23:07Your father is this man
23:08so kind and so nice.
23:10This...
23:11Daddy!
23:11Iji!
23:12One moment.
23:14Is this my husband's son?
23:16Clear.
23:17Can't you see it's his own face?
23:18Yeah,
23:19my own hair.
23:20We were expecting a boy
23:21younger.
23:22Why younger?
23:24He is in third grade
23:25of EGB.
23:26That's what you said.
23:27Yeah,
23:27I'm repeating a year.
23:29But you've been here for 15 years
23:30repeating, son.
23:31No, you see,
23:32It's that the professor
23:33He's taken it out on him.
23:33He's got a grudge against him, you know?
23:35The truth, gentlemen,
23:36This is starting to get to me
23:37It smells like a rip-off
23:38or attempted fraud.
23:40Lady,
23:41because of those words
23:42we could file a lawsuit,
23:43Hey?
23:44Well, look,
23:45I'm not saying that for sure,
23:46But come on,
23:47It seems to me
23:48that this parrot
23:49He is not my son.
23:50Well, we'll have to subject him to it
23:51you to the test
23:52of fatherhood
23:52And if he refuses
23:53to submit to it,
23:54the judge will rule
23:55judgment in my favor.
23:56Well,
23:57one moment.
23:58Let's see if it's true.
23:59Hey?
24:00My great-grandfather,
24:01my grandfather,
24:02my father,
24:03me and my two children
24:05We all have
24:06a birthmark
24:07dwelling
24:08here on the arm.
24:10Show me yours.
24:12Show it to her first.
24:13Right now.
24:15Here it is.
24:17Let him show his.
24:18to the child.
24:18Oh.
24:19No, because you see,
24:20because she had a really ugly one
24:22and I took it off her
24:23with sandpaper.
24:24The fact that?
24:25Juan.
24:25The stain, Juan.
24:27Ah.
24:28Well,
24:28Well, that's clear.
24:29which mine is not.
24:30And I don't even think
24:31that it be of this flag.
24:33Let's see if it has a mole.
24:34in the groin like her.
24:36Juan,
24:36you will not pretend
24:37that the nutcracker
24:38show us your groin
24:39Here's to everyone.
24:39And much less so.
24:40Don't show it
24:41that pig.
24:42Man,
24:43She could teach something, couldn't she?
24:44I, for teaching
24:45I'll teach you anything, okay?
24:46No,
24:46custom of teaching
24:47Yes, you do, daughter, yes.
24:48I don't teach anything.
24:49That's enough.
24:50I'm going to teach
24:50next month
24:51that I'm going to do my military service.
24:52Military service, you know.
24:54And it happened to him in Ceuta.
24:55like you, Juan.
24:56Well, be careful.
24:57with the Arab dancers
24:58that you find yourself there,
24:59handsome.
25:00Oh well,
25:00What military service?
25:02Juan,
25:03When did you graduate?
25:05Well now...
25:06Monthly indeterminacy
25:07we could leave it
25:08in 100,000 pesetas.
25:10The sales have already started.
25:11Ah, of course,
25:12it's true.
25:13I graduated
25:14more than 30 years ago.
25:15My son would have
25:16to be that age.
25:17We could leave it all behind
25:18in 50,000 pesetas
25:20delivered right now
25:21and only once.
25:22How are you?
25:24Well,
25:25It's over.
25:26Rufo,
25:26Call the police.
25:27But see how what had been
25:28It's been like
25:29what I have been given
25:30shameless.
25:30If there weren't 300 years,
25:32Because, listen to what I'm telling you.
25:33If there was no acости
25:34on the left,
25:34He entered.
25:35That's why I never go down
25:36the clinket stick.
25:38I already told you
25:39What an idiot!
25:40that you have chosen
25:41It wasn't going to be convincing.
25:42No,
25:42No,
25:42No.
25:51Great job, boss! You were phenomenal!
25:54Bravo!
25:55Phenomenal!
25:57When you get like this, so energetic, I like you much more, Juan.
26:02But how could I not have noticed that hereditary mark after living together for so many years?
26:07It's not hereditary. She did it to herself yesterday with a screwdriver right here with me.
26:11For once I pick up a screwdriver.
26:13But look, it worked out. Although, if you want me to be honest, I was really looking forward to having it.
26:20another son.
26:20Well, it's worth a try.
26:23Yes, but I don't want to use another child, even if very young.
26:26Well, Rufo, I'm off, this is getting to the nine and a half week mark.
26:30No, I can manage in fifteen minutes.
26:32Less fuss.
26:35Bluffing? Rufo, I'm not available for anyone for fifteen minutes.
26:39Well, anyway, if it gets dark and you see that I haven't made it out alive, you call an ambulance.
26:44marriage.
26:45As long as it doesn't make us feel unwell during digestion.
26:47I'm not telling you in Chinese.
26:48I'm not telling you in Chinese.
26:54I'm not telling you in Chinese.
27:38Thank you!
27:46Thank you!