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00:00:08Today I woke up startled by something I don't know and am trying to find out.
00:00:13I remembered my son Alberto, a journalist, almost always assigned to some war zone on the planet.
00:00:19There are so many armed conflicts that we tend to forget them unless they are very much in the news.
00:00:24He is now in Sudan, a bleeding and impoverished country, plagued by famine and in a fragile peace process.
00:00:30What will life be like for a boy or girl in Sudan, surrounded by death from early childhood?
00:00:36Undoubtedly very different from that of my children, locked away in their ivory tower,
00:00:40and oblivious to the violence and destruction that plague the rest of the world,
00:00:44beyond the borders of our dubious civilization.
00:00:47I'm going to the pool! I'm going to the pool! I'm going to the pool! I'm going to the pool! I'm going to the pool!
00:00:57I'm going to the pool!
00:01:04Idiot! Stop it now.
00:01:06Should I do it? Well, then.
00:01:06It makes me laugh.
00:01:07Do you know what you like?
00:01:08Well, I don't like it when you grab me like the boogeyman.
00:01:11It's a joke.
00:01:12Shall I tell you what I like?
00:01:13Yeah.
00:01:14Never mind, just leave it.
00:01:14How scary?
00:01:16Well, I like all that silly stuff that comes out in movies.
00:01:19Romantic scenes, candles...
00:01:22And I love foot massages.
00:01:24Phew!
00:01:25No, but not now.
00:01:26Oh yes, yes.
00:01:27No, but they're going to catch us.
00:01:29No, leave me alone.
00:01:30No.
00:01:32Open it!
00:01:33That the bed lets us do the dance.
00:01:34Open it!
00:01:35Wait a moment, I'm finishing cleaning the door.
00:01:40No, not there!
00:01:42You too?
00:01:44What about me?
00:01:45Didn't I know you were playing hide-and-seek?
00:01:51Already.
00:01:52You're playing a different kind of hide-and-seek.
00:01:57Open it!
00:02:00Open it!
00:02:03Open it!
00:02:05Open it!
00:02:17Open it!
00:02:25Open it!
00:02:27Open it!
00:02:39Open it!
00:02:40Open it!
00:03:05Oh, no way.
00:03:07Have prices gone down?
00:03:10Listen.
00:03:12Serious riots in the city of Khartoum.
00:03:14Numerous foreign residents were attacked, and shops and northern neighborhoods were looted.
00:03:19The number of dead and wounded has not yet been tallied, as the police are preventing access to the centers.
00:03:25information.
00:03:27A curfew has been declared and the United Nations is urgently considering withdrawing its personnel from the area.
00:03:33United Nations.
00:03:36Always think about your staff.
00:03:38Never in the civilian population.
00:03:41Alberto is in Sudan.
00:03:42Alberto is a real go-getter.
00:03:44Oh my God, I'm...
00:03:45I feel strange.
00:03:48Today I woke up, I don't know, with a start.
00:03:53I know what's worrying you.
00:03:55You're worried about me.
00:03:58Today I'm going to renew the little papers.
00:04:01Oh, it's me.
00:04:01Well, get ready to queue.
00:04:03Yes, get ready, because we're going to make it really difficult for you.
00:04:06But we insisted, since we had no other choice, and we stayed.
00:04:11Fortunately.
00:04:14Where is it, son, because I don't have the...
00:04:16Here, here.
00:04:17Here.
00:04:18Yes, no.
00:04:22You don't like the touch.
00:04:23You don't like the touch.
00:04:24You.
00:04:24I'm going to pacify my area.
00:04:26You always take off his hat, which is what he likes the most.
00:04:29Just like you with my dolls.
00:04:31I take care of them, I don't take them to the pool like you say.
00:04:35But you throw them on the ground, then I'll break my...
00:04:38No!
00:04:38Yeah!
00:04:39No!
00:04:40You're throwing me...
00:04:41Yes!
00:04:45So, what's going on here?
00:04:46Julian won't let me have his goblin.
00:04:49Do you have a leprechaun?
00:04:51She's mine and she wants to be with me.
00:04:53Let's see.
00:04:54Oh, it's because I don't have glasses.
00:04:56I don't see it.
00:04:57When he wants to, he becomes invisible.
00:04:59How lucky she is.
00:05:00How I wish I could do it.
00:05:02For that you'd have to be a goblin.
00:05:05Don't worry, Katia.
00:05:07Look, I have a leprechaun for you, right here.
00:05:09There's nothing here, I'm not stupid.
00:05:11Okay, woman, don't get angry.
00:05:13Look at him, he's running over there.
00:05:15It's flying...
00:05:15Mine did escape, because of you.
00:05:20And what do you do?
00:05:21Are you not in the pool?
00:05:22Come on, let's go for a swim.
00:05:24But we already went yesterday.
00:05:26No, yesterday and the other day, and the other day, and the other day.
00:05:28It's boring.
00:05:29We always do the same thing.
00:05:30I've got the hide-and-seek game down, but I always find myself.
00:05:34He hides in the same place.
00:05:35And why are you hiding in the same place?
00:05:37Because he's a small child.
00:05:40He is a small child.
00:05:41But what do we do?
00:05:42Then you say that I always start it.
00:05:44Don't know.
00:05:44Yes, but what do we do?
00:05:45What if we take a walk in the woods?
00:05:47Yes, we've been a thousand times.
00:05:49What if you let us use your computer?
00:05:51What if we paint the entrance fence?
00:05:53Yes, glittery.
00:05:55No, in black.
00:05:56Yeah.
00:05:57And the play?
00:05:58What is it?
00:06:00Of course, the month is almost over and you haven't prepared it.
00:06:03You wouldn't be so tasteless as to leave me without the play.
00:06:06No no.
00:06:06Okay.
00:06:07Come on, let's think about today.
00:06:08Star Wars!
00:06:09No, no, not Star Wars.
00:06:10I know, I know.
00:06:11I know.
00:06:12A play about a trip to the moon or something like that.
00:06:16And the Flintstones.
00:06:18Already!
00:06:20Disgusting.
00:06:21And why don't we do Peter Pan?
00:06:23I know.
00:06:24To put tables, right?
00:06:26And put in lots of old boxes.
00:06:28You have one, right?
00:06:29And streets, go on.
00:06:30Yes, me.
00:06:30And then we make pirates.
00:06:32Well, of course, there are pirates in Peter Pan too.
00:06:34Exact.
00:06:35There, there.
00:06:36You were all there, right?
00:06:38Do you want to or not?
00:06:39Yeah?
00:06:40Are you?
00:06:41Yes, well it's decided.
00:06:42Very good.
00:06:44We're doing Peter Pan.
00:06:46Okay, fine.
00:06:46Are there pirates?
00:06:47Yes, well it's perfect, go ahead.
00:06:50Now eat the parrot, huh?
00:06:51He is the parrot.
00:06:52He is the parrot.
00:06:52Go ahead, it won't rot me!
00:06:54Go ahead, it won't rot me!
00:06:55Go ahead, it won't rot me!
00:06:55Go ahead, it won't rot me!
00:06:56Go ahead, it won't rot me!
00:06:56Go ahead, it won't rot me!
00:06:58Just like last year!
00:06:59Come on, man, they're going to catch us!
00:07:01Be vigilant!
00:07:06Oh, weren't you taking a bath?
00:07:08What are you doing?
00:07:09Uh, order.
00:07:10Tidy up, because, ugh, look, this is super messy.
00:07:13Order?
00:07:14You?
00:07:15What's happening?
00:07:15What, we can't order or what?
00:07:16But if I notice that you think you are ordering to write with an H.
00:07:22Look, look what he's caught you doing.
00:07:24No Solís's CD is for mom.
00:07:27And what do you want it for?
00:07:29You said they were corny.
00:07:31Oh, did I say that?
00:07:32Yeah.
00:07:32Perhaps I've matured.
00:07:34Because a new stage, you know?
00:07:35I started with techno, then I switched to house, and now from house...
00:07:38But what's going on?
00:07:39People change, don't they?
00:07:40You stop being his bodyguard.
00:07:41And it's definitely for you.
00:07:43It's Teresa's favorite music.
00:07:45Oh, really?
00:07:45Yes, it's a coincidence, isn't it?
00:07:47If you tell us what you want it for, we'll let you have it.
00:07:52Okay, fine.
00:07:53I want to prepare a surprise for him.
00:07:55To Teresa?
00:07:56Yes, to Teresa.
00:07:57What kind of surprise?
00:07:59A dinner.
00:08:00Romantic.
00:08:01Will you be quiet?
00:08:02With candles and music.
00:08:04Romantic, isn't it?
00:08:05In the village?
00:08:06No.
00:08:07I had planned to do it here.
00:08:08If you leave me the music and the cabin.
00:08:11The cabin tonight.
00:08:13How long?
00:08:15Let's say...
00:08:15Two hours.
00:08:16You're crazy.
00:08:17No, I'm not freaking out.
00:08:18I really need it.
00:08:19Besides, you have to understand that you're head over heels for Moritz, right?
00:08:21Get involved.
00:08:24Well.
00:08:25We'll watch a movie.
00:08:27Okay?
00:08:29Thanks, cousin.
00:08:30Eh, eh, eh.
00:08:31I didn't say yes.
00:08:34It seems to me that you and I have nothing to do with this.
00:08:45Let's see, Peter Pan candidates.
00:08:48I.
00:08:50Miguel, you have to memorize a lot of text, huh?
00:08:53Better Gustavo or Iñaki.
00:08:55It can't be Iñaki because he's Feli's brother.
00:08:58And if Feli is going to be Wendy's...
00:08:59And?
00:09:00Well, Wendy and Peter Pan fall in love.
00:09:02And if you're siblings, that's a problem.
00:09:04The pharaohs were brothers and they married.
00:09:06Besides, Feli, you're going to fall in love with your brother and kiss him and all that.
00:09:10Disgusting!
00:09:11Well then, I'm definitely going to be Peter Pan.
00:09:15But he doesn't kiss me on the mouth, okay?
00:09:16We know each other.
00:09:17Do you kiss people on the mouth?
00:09:20Yes, I am very affectionate.
00:09:22You see, well, I...
00:09:23I saw you more as Captain Garfield.
00:09:25No, no, no, that one's mine.
00:09:26I'm Captain Garfield, let's see.
00:09:28And I'm the crocodile.
00:09:29And do they put them in jail?
00:09:31Whom?
00:09:32To the sisters who are getting married.
00:09:36Whom?
00:09:38Are you ready for anything?
00:09:40Whom?
00:09:40Yeah.
00:09:41To Cristina?
00:09:43What is it?
00:09:44Yes, I'm busy, as always.
00:09:46Surrounded by people who were five feet tall.
00:09:50What's up, honey?
00:09:52I won't be scared, I'm not easily frightened.
00:09:54What's happening?
00:09:57You are in the hospital.
00:09:59Are you going to have surgery?
00:10:02Well, don't worry.
00:10:04I'm on my way, okay?
00:10:06Don't talk nonsense, Cristina, what are mothers for, if not to annoy them.
00:10:11Yes, I'm coming now.
00:10:16This is the shopping list.
00:10:18Here are the phone numbers for the doctor, the parents, and the mobile phone list.
00:10:24What do you do with the candles?
00:10:26For a game, it's nonsense.
00:10:28Be careful with the fire, okay?
00:10:29Don't worry.
00:10:32Well, it's strange that a green dog is here.
00:10:34It's not because of Teresa, he's crazy about her.
00:10:35And since she's left, it roars worse.
00:10:37I've tried to talk to him, you know?
00:10:38And you and your daughter?
00:10:39With my daughter, you don't talk, you argue.
00:10:41But, alas, it's a summer love, a first love.
00:10:44It's beautiful.
00:10:45Besides, he's too young for her and nothing's going to happen.
00:10:48And what if it happens?
00:10:50Well, daughter, I have to go.
00:10:52Don't worry, we'll take care of the whole troop.
00:10:54Oh, the troops.
00:10:55Peter Pan.
00:10:57Which Peter Pan?
00:10:57Okay, the children's play is coming up and we're going to start rehearsing.
00:11:02Oh no, don't look at me, okay?
00:11:03I'm terrible at the whole showbiz thing, honey.
00:11:07Woman, peeling potatoes and bathing children is one thing, but directing a play...
00:11:11Oh, they're going to be upset, huh?
00:11:12Well, at most I can teach them how to dance a jota.
00:11:15I'm not giving any more.
00:11:18Let's see.
00:11:21Tata, whom I saw today, told me that Mom is going to have surgery.
00:11:23Yes, yes, but it's nothing serious.
00:11:25She'll be fine soon.
00:11:26Yes, but what's wrong with that?
00:11:27Well, that...
00:11:28Well, it's an ectopic pregnancy.
00:11:31A pregnancy?
00:11:32At his age?
00:11:33Yes, but no.
00:11:36The egg has implanted in the fallopian tube, which is why intervention is necessary.
00:11:39It's not actually a pregnancy.
00:11:41I'm going with you.
00:11:42No, no, no, I prefer that you stay and take care of the little ones.
00:11:44Well, you can rehearse Peter Pan.
00:11:46Me, but they don't even pay attention to me.
00:11:48Do what you can.
00:11:50No, no, no, they will disobey me.
00:11:51And besides, I don't know how to direct theatre.
00:11:53Ah, I do know.
00:11:55What did he call you?
00:11:56No, no, I do know.
00:11:57Directing theatre is one of my secret passions.
00:11:59As a child, when I was little, with other young children, I directed the portrait of Dorian Gray.
00:12:02And I made the portrait right here where you see me.
00:12:05Wow, that's difficult.
00:12:07Okay, okay, it's time to get started, everyone needs to get started.
00:12:08But what is he doing here?
00:12:10Have I called him?
00:12:11No, no, no, I just came by chance.
00:12:12I was hoping I'd run into the vet by chance, and that way, well, we'd just happen to see each other.
00:12:16Oh, and isn't it more practical to call her on the phone?
00:12:19I've called her thousands of times, but she doesn't answer.
00:12:23Oh, well, since she's going to be spending the day at my house waiting for Maria Antonia,
00:12:29Can you direct Peter Pan?
00:12:31Ah, no problem.
00:12:33Provided you are kind enough to call the veterinarian
00:12:35and tell him that, well, hens don't lay eggs.
00:12:38But I don't lie.
00:12:39Well, then tell him that his favorite cow has been to the Prado.
00:12:41Ah, but I don't have any cows.
00:12:43Well, then he's not lying anymore, right?
00:12:44Oh, look.
00:12:46In an hour they're taking my daughter into surgery and her ex-husband is out of the country.
00:12:50Oh dear, I'm so sorry, okay?
00:12:53Let's make a deal.
00:12:55If by the time I return you and my grandchildren have set up Peter Pan,
00:13:00I will call Maria Antonia with any excuse.
00:13:02Okay.
00:13:03Mind you, there are times when I adore her, you know, writer lady?
00:13:05Oh, well, I really don't like myself at all right now.
00:13:08Okay, I'm leaving.
00:13:10And I'm with you.
00:13:14Luck.
00:13:18Wow, the mythical whistle of the lady writer.
00:13:22Well, Peter Pan, get ready.
00:13:41Ann?
00:13:42Is Eva there?
00:13:43No, he went out and left his phone behind.
00:13:46Something wrong?
00:13:48No, nothing.
00:13:50Leave it.
00:13:51Do you know anything about Alberto?
00:13:55Through the newspaper.
00:13:56It is impossible to communicate by phone.
00:13:59Apparently, he left with the photographer towards the Alborotos area.
00:14:02Yeah, you're worried, aren't you?
00:14:06With Alberto by my side, I live worried.
00:14:10Can I help you with anything?
00:14:12No.
00:14:13It just occurred to me that Eva has correspondent friends in Sudan.
00:14:18But, look, leave it.
00:14:21Don't tell him I called.
00:14:23Sure?
00:14:24Sure, sure, Carmen, sure.
00:14:26Whatever you want.
00:14:27See you later.
00:14:29See you later.
00:14:30That?
00:14:30Is something wrong with Alberto?
00:14:32He's in trouble again.
00:14:33Oh, Mother of God.
00:14:34He really read that I had children, huh?
00:14:37And so?
00:14:38That.
00:14:40Let's see.
00:14:46It's the doctor organizing the children for the play.
00:14:50You wouldn't believe the power, the enthusiasm, the...
00:14:52Look, I don't know why we worry so much about men.
00:14:54You give them a whistle and that's it, daughter.
00:14:56Happy!
00:14:58Whore!
00:15:00Whore!
00:15:01Whore!
00:15:02He's the director!
00:15:04He's the director!
00:15:06He's the director!
00:15:08He's the director!
00:15:11No, I like that director better, he's very handsome.
00:15:13If you could...
00:15:14That director is handsome!
00:15:16That director is handsome!
00:15:18Okay, and bravo, bravo, bravo to that director, just the way we like him, great.
00:15:23I cannot get any closer than my heart compels me to.
00:15:29And I can't kiss you, I can't think...
00:15:33Rehearse.
00:15:34Rehearse what?
00:15:35Tonight's dinner.
00:15:37Oh, you're having dinner tonight?
00:15:38With you.
00:15:39And where do I start getting food, if I may ask?
00:15:42Where did I get all that from?
00:15:43I'll manage.
00:15:46What if I say no?
00:15:48What's happening?
00:15:49Have I messed up again?
00:15:52No.
00:15:53Vio, and you are a sweetheart.
00:15:56But...
00:15:56That?
00:15:58That?
00:15:59I still think about Roger.
00:16:01Why didn't you go with him when he told you to?
00:16:19Tonight we have the cabin to ourselves.
00:16:22Two hours.
00:16:24Oh, what a shame.
00:16:25That's not enough, is it?
00:16:26No.
00:16:27What a shame that you're 15 and I'm 19.
00:16:32I don't mind.
00:16:34The fact that?
00:16:34That you're older than me.
00:16:36Do you see it?
00:16:38That?
00:16:39Sorry, I didn't mean to...
00:16:41Already.
00:16:41No, you did want to because that's what you think.
00:16:44That's right.
00:16:45Ah.
00:16:46And what do you think?
00:16:48Well, you're a child.
00:16:54I'm also a child when I kiss.
00:16:56When you kiss me, I don't have time to think.
00:16:58Well, give me another one.
00:17:00Look, to B.O.I.
00:17:01I might seem very...
00:17:04launched and all, but...
00:17:06But what?
00:17:09So, yeah...
00:17:10I never...
00:17:12I've never been with a man.
00:17:14I haven't been with a woman either.
00:17:16Bard.
00:17:19Teresa.
00:17:21Teresa, where are you?
00:17:31I'm not a child, Wendy.
00:17:33Yes, you are, Peter Pan.
00:17:34But look at me closely, Wendy.
00:17:36I am much stronger,
00:17:38much taller and braver than you.
00:17:40Do you think life is a game?
00:17:42And that I'm your toy?
00:17:44Well, Wendy,
00:17:46Because we're playing, right?
00:17:51Wow!
00:17:52Okay, let's see, Gustavo,
00:17:54Do you think you can make a girl fall in love with you?
00:17:56acting silly?
00:17:58Okay, I'm Peter Pan.
00:17:59And Peter Pan doesn't need to charm anyone.
00:18:02Okay, but what do you think Peter Pan needs?
00:18:04A friend?
00:18:05A sister?
00:18:05A nanny?
00:18:06A bride.
00:18:08Exact.
00:18:08A bride.
00:18:09Everyone has invented themselves, right?
00:18:10She needs love.
00:18:12Does Little Red Riding Hood need love?
00:18:14Well, Little Red Riding Hood more than anyone, right?
00:18:16Whose?
00:18:16From the wolf?
00:18:17Well, from his grandmother,
00:18:19from his mother,
00:18:19from his father,
00:18:20even from the hunter
00:18:21who kills the wolf at the end of the story.
00:18:23A hunter?
00:18:24Yes, yes.
00:18:25He's a very handsome guy
00:18:2614 years old
00:18:27and that carries
00:18:28an anorak
00:18:29blue in color.
00:18:30It's Little Red Riding Hood
00:18:31and a blue hood.
00:18:33I don't know what to laugh about.
00:18:35She's wearing blue.
00:18:36like all princes.
00:18:38Or would you wear blue?
00:18:39And he's not a prince?
00:18:40Of course, man.
00:18:41a prince.
00:18:42I have my own story,
00:18:43the story of, well,
00:18:44of Prince Matasanos.
00:18:47That doesn't exist.
00:18:48Of course it exists.
00:18:49Everyone has a story
00:18:50And that's my story.
00:18:51And in that story
00:18:52Everyone finds their own love.
00:18:54Let's see,
00:18:54the story of Peter Pan
00:18:55It's different.
00:18:56To begin with,
00:18:57The prince wears green.
00:18:58and not blue.
00:18:59Well,
00:19:00because she wears green
00:19:01because he's immature,
00:19:02like fruit
00:19:03that is not ripe,
00:19:04but the green
00:19:05It is the color of hope,
00:19:06Peter's hope
00:19:07to turn blue.
00:19:09You heard it, Gustavo.
00:19:10If you want to fall in love
00:19:11to a girl,
00:19:12You don't have to
00:19:12the clown.
00:19:31Very good, daughter.
00:19:33New modality
00:19:34From sink to broom.
00:19:35Very good.
00:19:41Mother.
00:19:42Bad.
00:19:43That?
00:19:45When you call me mom
00:19:46bad.
00:19:48No,
00:19:48I wanted to ask you
00:19:49one thing.
00:19:51That?
00:19:54You,
00:19:55when you went to bed
00:19:56with my father,
00:19:58You were in love.
00:20:00Oh,
00:20:01I don't know.
00:20:02It was a sudden impulse,
00:20:03daughter.
00:20:03We didn't have time
00:20:04nor of falling in love.
00:20:05You did it without thinking.
00:20:07Clear.
00:20:09And I ask myself,
00:20:10being your daughter,
00:20:11Why do I give it
00:20:11so many turns
00:20:12to things?
00:20:15Are you thinking
00:20:16in going to bed
00:20:17with that child
00:20:17that until two days ago
00:20:18Was he playing cowboys and Indians?
00:20:20Well yes.
00:20:22Do you think that's wrong?
00:20:23Well no.
00:20:26I think you're going to suffer.
00:20:27Because?
00:20:28Because he has money
00:20:29and I don't.
00:20:30No?
00:20:31No.
00:20:31Because she is 15 years old.
00:20:33She's going to study
00:20:34to the United States
00:20:35And you're going to stay here.
00:20:36What if I love him?
00:20:36But how will you know?
00:20:37what you want
00:20:38or you don't want to
00:20:38At 19 years old?
00:20:39You did know,
00:20:40TRUE?
00:20:54I feel weird.
00:20:56I would like to cry,
00:20:57But I can't.
00:20:58Why are you a boy?
00:20:59Oh, no, no.
00:21:01I can't cry
00:21:02because...
00:21:02because when I was little
00:21:04I cried a lot
00:21:05and they called me
00:21:06He cried all day.
00:21:07So I left him.
00:21:08and now it's like
00:21:09I have missed it.
00:21:10It's not that big of a deal.
00:21:11Total,
00:21:12It's a minor operation.
00:21:14Yeah.
00:21:14And what if he dies?
00:21:15Come on.
00:21:16The can said
00:21:17which was nothing,
00:21:18that they only took away
00:21:18the trunk.
00:21:19And where is it?
00:21:20That trunk?
00:21:22Well, now
00:21:22You said it.
00:21:24Hello, children!
00:21:25Hey, hi Aunt Laya!
00:21:26What are you doing here?
00:21:27Today is not the weekend.
00:21:28I need to talk
00:21:29with your grandmother.
00:21:29Is he/she around here?
00:21:31No, he's in the hospital.
00:21:33Like in the hospital?
00:21:34She's with my mother,
00:21:35They are operating on her.
00:21:37They cannot be operating
00:21:38to your mother.
00:21:38If he hasn't called me,
00:21:39He hasn't told me anything.
00:21:40So that?
00:21:41Well, to tell me,
00:21:42to accompany her.
00:21:43I am his sister.
00:21:44It may have
00:21:44more trust with grandmother.
00:21:46Well, I think that's very wrong.
00:21:48Oh, well, it seems to me
00:21:48which is not our fault.
00:21:50I'm not even good for that anymore.
00:21:54When you talk about your mother,
00:21:57You're talking about my sister,
00:21:58Cristina,
00:21:59the one that is approaching
00:22:00to us here.
00:22:01Hey, Mom!
00:22:05Go for it, old man!
00:22:07Well, I arrive and Cristina
00:22:09I was already in a room
00:22:10Great!
00:22:10with two nurses
00:22:11and a doctor just for her.
00:22:13Well, that would be normal.
00:22:15But that's not the norm.
00:22:16The usual
00:22:16It's that you spend hours, days,
00:22:18through the corridors
00:22:20waiting for an ultrasound,
00:22:21for an analysis.
00:22:22I am very grateful
00:22:23that they treat my daughter well.
00:22:25But there are many things
00:22:26that need solving in this country.
00:22:27But, but, Mom,
00:22:28Why don't you introduce yourself?
00:22:29to the next elections?
00:22:31Not a chance.
00:22:32Well,
00:22:32How does the movie end?
00:22:33Let's see.
00:22:34Oh, with a surprise ending!
00:22:35It ends like the movies.
00:22:37Japanese horror films.
00:22:38Yes, that's it.
00:22:38And then he makes jokes.
00:22:40And what are you doing here?
00:22:41Me.
00:22:42Cristina called me.
00:22:43You too?
00:22:44Yes, don't you?
00:22:45Are you not okay?
00:22:45Fatal.
00:22:46Everything is a mess.
00:22:47Did I just throw up?
00:22:48Uh!
00:22:49Well,
00:22:50They perform a second ultrasound
00:22:51and Dr. Condominas
00:22:52he tells us
00:22:53come on,
00:22:53for home
00:22:54because of an ectopic pregnancy
00:22:56nothing.
00:22:57But, but,
00:22:58That's a medical error, isn't it?
00:22:59Like I'd trust you
00:23:00of medicine.
00:23:01Oops!
00:23:01Forgive me, daughter.
00:23:03Okay, so in the end
00:23:04It was all just a scare.
00:23:05Well, thank goodness, right?
00:23:07Thank goodness,
00:23:08depends.
00:23:09Condominas is a very good friend of Alex's.
00:23:11and at this hour
00:23:11I'm sure he already knows everything.
00:23:14And Alex
00:23:15that,
00:23:15What's his role in all this?
00:23:17That I'm pregnant.
00:23:18Oh!
00:23:19Are!
00:23:20What you have heard.
00:23:22I can't believe it.
00:23:23Me less than you.
00:23:24Cristina,
00:23:24How exciting!
00:23:27Delusion?
00:23:28But?
00:23:29I have three children.
00:23:30Full-time work.
00:23:32I am a manic depressive
00:23:33And I just got divorced.
00:23:35Delusion!
00:23:38Well,
00:23:39it turns out
00:23:40that yesterday
00:23:41the embryo
00:23:43It was blocked
00:23:44in the trunk
00:23:46and today it appears
00:23:49in the matrix.
00:23:50If not for the ultrasound
00:23:51nor the same condominiums
00:23:52There was an explanation.
00:23:53Ah,
00:23:54You see.
00:23:55Well,
00:23:55if the child
00:23:57He's so eager
00:23:57to be born is...
00:23:59And how exciting!
00:24:00No?
00:24:00If they were twins
00:24:01because like twins
00:24:02we don't have,
00:24:02TRUE?
00:24:05I knew it,
00:24:06Hey?
00:24:06I told you.
00:24:07It's Alex!
00:24:09What should I say to him/her?
00:24:10Well, then...
00:24:10What I do?
00:24:11Whatever you create
00:24:13what you should say
00:24:13or do,
00:24:14I don't know.
00:24:15Right now, anything.
00:24:16less talking to him.
00:24:16I need to think,
00:24:17I need to think.
00:24:18Give me,
00:24:19Give me the phone,
00:24:19I answer.
00:24:20Give it to me.
00:24:21Thank you, Joel.
00:24:24I need to resolve this.
00:24:25all by myself.
00:24:27Give it back to me.
00:24:29And now you...
00:24:31calm down,
00:24:32You lie down for a little while,
00:24:35You rest...
00:24:36Are you making a strip?
00:24:38Hey?
00:24:39Well,
00:24:40this,
00:24:41Laia.
00:24:46What's happening?
00:24:59Cristina had no rights
00:25:01to be so rude to me.
00:25:02That's all I've told him
00:25:02I would like
00:25:03to have a child.
00:25:04And it's the truth.
00:25:05But it's the latest thing
00:25:06What could happen to the poor thing?
00:25:08Oh, the poor thing, the poor thing.
00:25:09There are worse things, you know?
00:25:09Of course.
00:25:11Sudan.
00:25:11No, I'm very sick, Mom.
00:25:13Another writer's crisis?
00:25:15No, they have seized
00:25:15Tano's company.
00:25:17What are you saying?
00:25:18Well, that's it.
00:25:18A truck arrived this morning,
00:25:19They've taken the furniture,
00:25:20computers,
00:25:21the car,
00:25:21Everything is the same.
00:25:22All.
00:25:23And the house?
00:25:24No, the house is in my name.
00:25:25Well,
00:25:25three beatings for the separation
00:25:27of goods.
00:25:28This is serious, okay?
00:25:29Good.
00:25:31Okay, and Tano?
00:25:33He must be on his knees.
00:25:34at some bank
00:25:35requesting a loan.
00:25:36Yeah?
00:25:36Can I help?
00:25:39Well yes,
00:25:39Yes, you can help.
00:25:41I want to work.
00:25:42Well,
00:25:43That's a great idea,
00:25:44because you haven't done it before.
00:25:45Well,
00:25:46Well, because I wanted to write before.
00:25:47Well,
00:25:47Writing is a good job,
00:25:49But you haven't written anything either.
00:25:51Do you think I have no talent?
00:25:53I didn't say that.
00:25:54So you think
00:25:55Am I lazy?
00:25:55No,
00:25:56I think you're crazy
00:25:57from an overprotective husband,
00:25:58But that doesn't matter there.
00:26:01What are you up to?
00:26:03Well, I'm going to open
00:26:04a literary agency.
00:26:06You?
00:26:07You?
00:26:08You?
00:26:09Alone?
00:26:10Well,
00:26:11Yeah,
00:26:11all by myself,
00:26:11for now.
00:26:12But,
00:26:12But that's very complicated.
00:26:15How are you going to start?
00:26:16I don't know,
00:26:17Which authors do you have?
00:26:19Well,
00:26:19well with one
00:26:20that will open for me
00:26:21all the doors.
00:26:22With Eva Segués,
00:26:23with you.
00:26:29With me?
00:26:30With me?
00:26:32But I already have
00:26:33literary people
00:26:35to which I am bound
00:26:35a great friendship
00:26:38and...
00:26:38Yeah,
00:26:39But I am your daughter.
00:26:40and I'm going through
00:26:42through a bad moment,
00:26:42I need you.
00:26:43But,
00:26:44Laia,
00:26:45you can't ask me
00:26:45that they abandon the project
00:26:46to my agent
00:26:48because...
00:26:49Are you telling me
00:26:50no?
00:26:51No,
00:26:51No,
00:26:52No,
00:26:52I'm telling you
00:26:53that I can introduce you to
00:26:55agent,
00:26:56that we can look for
00:26:56together with new authors.
00:26:59I always fall
00:26:59making the same mistake,
00:27:00Hey?
00:27:01I always think
00:27:02that you're going to help me.
00:27:07Take,
00:27:07Go on.
00:27:08Look,
00:27:09Here are my cards,
00:27:10You can take them.
00:27:11I don't need them anymore.
00:27:12Laia,
00:27:13You're asking me
00:27:14that I put my work
00:27:15in your hands
00:27:15because your husband
00:27:16things have gone badly for him
00:27:17in your company,
00:27:18it's not fair.
00:27:21Laia.
00:27:24Laia.
00:27:40Laia.
00:27:41Yeah?
00:27:42Eve.
00:27:43No,
00:27:44Ann,
00:27:45dear,
00:27:45I'm Carmen.
00:27:46Tell me.
00:27:46Ah,
00:27:47look,
00:27:47better.
00:27:48Better what?
00:27:49Don't be Eve.
00:27:51Carmen,
00:27:52You have to do me a favor.
00:27:53Clear,
00:27:54tell me.
00:27:55Under no circumstances
00:27:57children can see
00:27:58television today.
00:28:00No,
00:28:00Well,
00:28:00You know that in this house
00:28:01television
00:28:02You can't see much.
00:28:03Well,
00:28:03just in case,
00:28:04Listen to me.
00:28:05Alberto is in the city
00:28:06from Khartoum,
00:28:07whose whereabouts are unknown.
00:28:08The police have found
00:28:10the chip
00:28:10in which he was
00:28:11and the photographer
00:28:12who accompanied him,
00:28:12but it is not known
00:28:13none of them.
00:28:16How awful,
00:28:17No?
00:28:20It's not the first time.
00:28:23And how are you?
00:28:25Fatal.
00:28:27But...
00:28:28But I'm sure
00:28:29that everything will be alright,
00:28:32Hey?
00:28:34Carmen,
00:28:34please,
00:28:35Don't let them find out
00:28:36the children.
00:28:37No,
00:28:37No,
00:28:38No,
00:28:38Don't worry.
00:28:39Don't worry,
00:28:39darling.
00:28:41AND...
00:28:41Eve,
00:28:42what I do?
00:28:43I'm telling you.
00:28:44You decide.
00:28:45Okay,
00:28:47I can't think.
00:28:50I'm coming,
00:28:51I'm coming.
00:29:10Are you really pregnant?
00:29:13That's what the tests say.
00:29:15From Dad?
00:29:16Of course.
00:29:18That means
00:29:19that you know...
00:29:21Well,
00:29:21that dad and you...
00:29:22Your father and I
00:29:23we have had
00:29:23a normal relationship
00:29:24until very recently.
00:29:25Yeah,
00:29:25But he was with the other woman.
00:29:27I don't know that.
00:29:28I think it's horrible.
00:29:30With the other
00:29:31and with you at the same time.
00:29:32Such is life.
00:29:33Sometimes.
00:29:34You could have taken
00:29:35precautions,
00:29:36No?
00:29:38Could,
00:29:38But honestly
00:29:39I thought that already
00:29:40I didn't need it.
00:29:41Did you make it with pasta?
00:29:43That?
00:29:44Getting pregnant
00:29:45so that dad
00:29:45stay with you.
00:29:46How did you come up with that?
00:29:48Do you see me as so miserable?
00:29:49To anyone
00:29:49He would think of that.
00:29:50Everyone
00:29:51I would think the same.
00:29:52And Dad too.
00:29:55I like
00:29:56How can you help me?
00:29:56Aurora,
00:29:57and how well regarded it is
00:29:58that you have me.
00:29:59Look,
00:30:00Leave me alone for a while,
00:30:01Hey?
00:30:02Go for a swim.
00:30:08The parents
00:30:09They are not perfect.
00:30:10The day
00:30:11that I discovered
00:30:11I took
00:30:12the greatest disappointment
00:30:13of my life.
00:30:13I don't care
00:30:14You cry all you want.
00:30:15I am a crocodile
00:30:17And I'm going to eat you.
00:30:19They promised me
00:30:20a dog
00:30:20and they didn't buy it for me.
00:30:22And my parents
00:30:22They promised me
00:30:23a puddle
00:30:24all for me
00:30:25and neither
00:30:26They bought it for me.
00:30:27My parents
00:30:27They're never home.
00:30:29Neither did my mother.
00:30:31They hunted her down
00:30:31and now
00:30:32It's a monster
00:30:33ladies'.
00:30:36Dad!
00:30:39Very good, huh?
00:30:40Great.
00:30:41Very good,
00:30:41But, but...
00:30:42What time is it?
00:30:43No, it's Peter Pan.
00:30:45He has not acknowledged it.
00:30:46Ah, Peter Pan.
00:30:47Yes, she is Wendy
00:30:48And I am the little crocodile.
00:30:51And until finally
00:30:52Wendy adopts me
00:30:54and we're going
00:30:54to live together.
00:30:56But,
00:30:56But it's just one version, isn't it?
00:30:58Yes, well,
00:30:58It's a personal version.
00:31:00I just like it
00:31:00that the girls
00:31:01Let them keep the weird ones.
00:31:12What are you looking for?
00:31:13The car keys
00:31:14I must have dropped them.
00:31:16Better.
00:31:17I don't want to
00:31:18that you leave angry.
00:31:19It must have been
00:31:19when I opened the bag.
00:31:21You know you can
00:31:22have me
00:31:23for everything you need.
00:31:24What I need
00:31:25You already know that.
00:31:27Grow.
00:31:28and have a little
00:31:28more trustworthy
00:31:29within yourself.
00:31:31Always giving lessons.
00:31:33Well, I think
00:31:33that I am a normal mother.
00:31:35No, no, no, no, no.
00:31:36You're not a normal mother
00:31:37because from the day
00:31:38that your first child was born
00:31:39You dedicated yourself to teaching him
00:31:40to the world
00:31:41that you weren't a mother
00:31:42like the others.
00:31:43And have I done that?
00:31:44Well, you're doing it now.
00:31:46Would helping me be
00:31:47that?
00:31:47An act of weakness?
00:31:48Huh?
00:31:49Well, look,
00:31:49I've had bad luck
00:31:50of interest me
00:31:51through the literary world.
00:31:53You've never introduced me.
00:31:54not a single agent,
00:31:54not a single critic,
00:31:55not even an editor.
00:31:56Nobody!
00:31:57I'm really awful.
00:31:58And you guys are great.
00:31:59You come here,
00:32:00You present me with your problems
00:32:01so that he can solve them
00:32:02and it doesn't even occur to you
00:32:04ask.
00:32:04And you, poor creature?
00:32:06How are you doing?
00:32:06Are you OK?
00:32:09You're always okay.
00:32:14Give me the keys.
00:32:15I know you have them.
00:32:18Which hand?
00:32:20On the right
00:32:21or on the left?
00:32:23The left.
00:32:27You've lost.
00:32:55Come, let's go for a walk!
00:32:58with crocodile
00:33:00to never again.
00:33:02Come and see
00:33:05that sadness
00:33:07will resist.
00:33:10Come on over and you'll get wet
00:33:12with her friends
00:33:14to never again.
00:33:17Come and see
00:33:20like children
00:33:21They will not enjoy it.
00:33:27Like children
00:33:29They will not enjoy it.
00:33:32Okay, okay, okay.
00:33:33It wasn't bad.
00:33:34This first attempt, okay?
00:33:35But I have a few notes
00:33:36because there are a few things
00:33:37that you haven't done well.
00:33:38First, don't be looking
00:33:39to the public.
00:33:39The audience is here, okay?
00:33:40It is very important
00:33:41that you look clearly at the audience.
00:33:43First, Miguel.
00:33:45That crocodile, Miguel,
00:33:46How has it been?
00:33:47No.
00:33:49I would need to hear it again
00:33:50Because I'm missing something, you know?
00:33:54Great, again.
00:33:56Very good.
00:33:57Now you all could...
00:34:02Okay, whoever has to ring the bell
00:34:04that goes down
00:34:04The food is almost ready, okay?
00:34:07Hey, are you listening to me or not?
00:34:09Come on!
00:34:11Minor actors,
00:34:12We'll come back after lunch.
00:34:13Very good, very good,
00:34:14Nice, very good.
00:34:15Well, have you seen Carmen?
00:34:16There's nothing like a whistle, huh?
00:34:18I'm going to buy a whistle
00:34:18because surely the patients
00:34:19They will pay close attention to me.
00:34:21Already.
00:34:21What do we have today?
00:34:22About what?
00:34:23To eat.
00:34:24Salad and Russian steaks, why?
00:34:26No, because I'm staying.
00:34:27The show must go on.
00:34:28Besides, I'm on all day
00:34:29eating pre-frozen food.
00:34:30It's not that I don't know how to cook,
00:34:31I don't know,
00:34:31But my mega-crisis
00:34:32It's kind of become more pronounced, you know?
00:34:33Utrera,
00:34:35I'm not having a good day today.
00:34:35to withstand one of his mega-crises.
00:34:37I know.
00:34:38Nobody has a good day, huh?
00:34:39Okay, I'm going to wash my hands.
00:34:40Very good.
00:34:41Oh, one important thing.
00:34:43What about desserts?
00:34:44He hasn't told me.
00:34:45What about desserts?
00:34:45No, Utrera,
00:34:46I haven't told him.
00:34:47No.
00:34:49Don't ask me about dessert.
00:34:52Where's the TV?
00:34:54Because?
00:34:55Because
00:34:56I want to watch the news.
00:34:57And so?
00:34:58I'm interested in what's happening
00:34:59around the world.
00:35:02Oh, Joel.
00:35:03What's happening?
00:35:04I have to tell you,
00:35:05I'm bursting.
00:35:05What's happening?
00:35:06Let's see.
00:35:07He called Ana on the phone.
00:35:09That?
00:35:09Your brother's whereabouts are unknown.
00:35:11The police have found the car.
00:35:12But there's nobody inside.
00:35:14Fuck,
00:35:14My brother always understood me when I was in trouble.
00:35:15But nothing's going to happen, okay?
00:35:17Nothing's going to happen, right?
00:35:19But listen to me for one thing.
00:35:21Ana doesn't want the children to watch TV, which makes sense.
00:35:23I'm going upstairs to connect.
00:35:25Okay, Joel.
00:35:26One thing.
00:35:28Eva doesn't have to find out, okay?
00:35:29No, no, of course not.
00:35:31Okay.
00:35:41Are you looking for something?
00:35:43No, nothing.
00:35:44I was looking at something from the production company.
00:35:46Is it urgent?
00:35:47No, nothing urgent.
00:35:49Is something wrong?
00:35:50Nothing.
00:35:51Nothing's wrong with me.
00:35:52Something's wrong with you.
00:35:54Well, everything happens to us,
00:35:55Perhaps it's because there's not much time left until the end of the month.
00:35:57It must be.
00:35:59Can I use your computer?
00:36:00What a success the computer is!
00:36:02I've already sent him three messages and nothing.
00:36:03Where did he get the phone?
00:36:05Aurora lent it to me.
00:36:06I wanted to talk to my father.
00:36:08You know your father is in Sudan.
00:36:10Yes, but wherever I am,
00:36:11He always replies to my messages.
00:36:12But try again?
00:36:13Well, it doesn't work for me.
00:36:15Can I try reviewing the chat?
00:36:16It might not be connected.
00:36:18That's definitely not the case.
00:36:19I promised my father
00:36:22that when he decided to do something
00:36:24I would tell him.
00:36:25Wouldn't it be better to tell them in person?
00:36:27When I return and...
00:36:28No, no, no.
00:36:29I prefer to tell him from a distance.
00:36:30Better.
00:36:31Already.
00:36:33And can't we know?
00:36:35No.
00:36:36We can't help you.
00:36:40Well, then...
00:36:41I close the door.
00:36:43Let's see.
00:36:46It's something related to sex, isn't it?
00:36:48Well, yes.
00:36:49Already.
00:36:50I've decided to stop being a virgin.
00:36:53Huh?
00:36:53You're going to be left...
00:36:54At 17.
00:36:55Well, I'm turning 16,
00:36:57But my generation is more advanced than yours.
00:36:59Yes, yes.
00:36:59I'm a little nervous, man.
00:37:00Normal, dude, normal.
00:37:01It's her first time too, you know?
00:37:04Ah, well...
00:37:04Well, huh?
00:37:06Well, I don't know if it's better or worse.
00:37:10But...
00:37:10Have you never been with a girl on her first time?
00:37:13No.
00:37:13I've always been second or third choice.
00:37:15What does he like about women?
00:37:16That depends, man.
00:37:17And it depends on what?
00:37:18Of them.
00:37:19Women are quite different.
00:37:20You know, complex.
00:37:21We are equals, but they...
00:37:22Okay, you...
00:37:23To them...
00:37:24In case you're interested.
00:37:25They are won over by articulating sounds.
00:37:28Hey?
00:37:29In words.
00:37:30With intelligence.
00:37:32With tenderness, with humor.
00:37:34In summary.
00:37:35Communication.
00:37:36This is how women fall in love.
00:37:38That is, talking.
00:37:40Yes sir.
00:37:41Talking.
00:37:42And I don't think you'll have time in the little time that's left in July.
00:37:49And you told the child that?
00:37:50Yeah.
00:37:51But the one I've really messed up is Joel.
00:37:53But Joel is a modern guy.
00:37:55He's progressive, like all your children.
00:37:57Do you know what children expect from a mother?
00:37:59The inheritance.
00:38:01Also, but...
00:38:02Chastity and exclusivity.
00:38:04In other words, squaring the circle.
00:38:07That.
00:38:07Hey, was Teresa sent away?
00:38:11Where are you going to send him?
00:38:12I don't know, far away.
00:38:14No, Carmen.
00:38:14When children...
00:38:15When they're older, not even close.
00:38:20Not far off.
00:38:22You're worried about Alberto, aren't you?
00:38:25He doesn't answer Bio's messages or calls, which is very strange because he's obsessive.
00:38:31on the phone.
00:38:31I mean, it's...
00:38:34Okay, I'm going to pack this up and go home, okay?
00:38:37What time is it, girls?
00:38:38I'm going to watch the news.
00:38:40Hey, about Bio and Teresa, that...
00:38:44Don't worry, I have Joel positioned on that issue.
00:38:47And what about the nanny who says you stole her car keys?
00:38:49That I stole from him.
00:38:51What the nanny wants is not to return to Barcelona.
00:38:53And what about poor Cristina?
00:38:54Oh dear, with everything she's dealing with now, poor thing.
00:39:09No, no, no, no, no, I'm Eve.
00:39:12Yeah.
00:39:14Yes, of course, you have the right, you're the father, yes, yes.
00:39:17But since you're on vacation in Cancun, I suppose you could cancel them, take a plane, and talk to her directly.
00:39:26Already.
00:39:27No, no, son, no, I'm not going to get involved in anything.
00:39:29Clear.
00:39:30I ask Cristina if she wants to talk to you.
00:39:34Okay, one moment.
00:39:35In the cabin.
00:39:37Yes, here, yes, here, yes, here, yes.
00:39:40But how could you say that to him?
00:39:42I don't know, girl, sorry, look.
00:39:48It's Alex.
00:39:50Talk to him, Cris, the decision is yours, Alex, he's gone.
00:39:58Don't go.
00:40:03Alex?
00:40:05No, I wasn't hiding anything from you, I just found out this morning.
00:40:09I didn't know anything, I swear.
00:40:12Alex, listen to me.
00:40:14Okay, yes, I'll keep that in mind, but I haven't decided anything yet.
00:40:19I don't know if I want to have it.
00:40:23And I'm older and I have three children and we just separated.
00:40:26Should I continue?
00:40:27No, I don't want you to come back for this.
00:40:30Alex, I don't know if I want you to come back.
00:40:33I don't know anything.
00:40:37Alex, Alex, Alex, it's Eva.
00:40:40Yes, sorry, I can't hear you, there's hardly any signal.
00:40:45Goodbye, Alex.
00:40:55Same here, but here, same, come here.
00:41:02I'm going to fire you!
00:41:04Cocorro, someone get this bug off me!
00:41:06Is the crocodile coming?
00:41:08You're amazing.
00:41:09I scared you.
00:41:10A lot, but if you don't rush to the rehearsal, they're going to take the role away from you.
00:41:13Yeah.
00:41:14Sure, come on, run, run.
00:41:16I'm going to eat my dad!
00:41:17No, crocodiles don't run without running!
00:41:20Joel, you have to take Teresa with you.
00:41:22That?
00:41:22Yes, take her out of the farmhouse, so she can clear her head a bit.
00:41:25She's been working all month, poor thing.
00:41:27No, no, but now I have to...
00:41:28No, no, not now, not tonight.
00:41:29You are a man with ideas.
00:41:31Already.
00:41:31Think of something.
00:41:32Get her out of the jaws of my wolf.
00:41:35Can't you see?
00:41:35No, you don't see.
00:41:36About to turn 16, he's more of a wolf than ever.
00:41:39Hey, you started it, of course.
00:41:40I know.
00:41:41That's irrelevant.
00:41:42That's irrelevant.
00:41:45With who?
00:41:45Who was it with?
00:41:46Wouldn't it be?
00:41:47It was, it was, it was.
00:41:48But if I had...
00:41:50Twenty years older than me, so what?
00:41:52Because he sees our family.
00:41:55It has a hormonal density never seen before.
00:42:00Listen, I...
00:42:01I'll take it.
00:42:03Yeah.
00:42:03But do you think that separating them for one night will solve the problem?
00:42:05No, no, no, I don't know.
00:42:08But what I do believe is that something has to be done when you don't know what to do.
00:42:11I sing you mission impossible.
00:42:13No, no, darling.
00:42:14You sing very badly.
00:42:15Okay.
00:42:15Hey?
00:42:24I know.
00:42:25It's enormous.
00:42:26It's not good for me and I'm not hungry, but I have to bite on something.
00:42:29How did it go for you?
00:42:30Didn't I tell you that what I need is to bite?
00:42:33You two had an argument, didn't you?
00:42:34You don't argue with my mother.
00:42:36It's being debated.
00:42:37It's Petete's big book.
00:42:38I liked Maya the Bee better.
00:42:41I swear, sometimes I wish I had a more motherly mother.
00:42:44And perhaps a more husbandly husband, right?
00:42:46More husband-like than you? Impossible.
00:42:50Well, I have more bad news.
00:42:56It was top tea.
00:42:58I don't care what it is.
00:43:01They haven't been able to get me the loan.
00:43:03They're asking me for a guarantee that I don't have, and without a guarantee, everything falls apart.
00:43:08A large loan?
00:43:10According to Laia, from the company, I'm sinking too.
00:43:14But I'm not going to drag you along with me, neither you nor the children.
00:43:18I don't understand you.
00:43:19What do you mean?
00:43:21I've thought about it a lot and...
00:43:24It's best if you move on without me.
00:43:26Continue?
00:43:27Where to?
00:43:28Go on with your life.
00:43:30That we separate and...
00:43:32And start a new life.
00:43:39Do you really think I'm with you because of the swimming pools, the credit cards, or the car?
00:43:44No, no, that's all.
00:43:45The thing is...
00:43:45Who do you think you're with, Tano?
00:43:56Lots of sex education, lots of "be careful"...
00:43:58And it turns out she's going to go there so she can get pregnant.
00:44:01Aurora, that way, right?
00:44:02You've been a pain all day.
00:44:03I just don't understand it.
00:44:04My father is going to live with another woman.
00:44:06My mother spends every day of the month crying.
00:44:08And now...
00:44:09Did he tell her?
00:44:10To my father.
00:44:12Not that I know of.
00:44:13And what will he do when he finds out?
00:44:15Don't know.
00:44:16I suppose you make me cry.
00:44:17They're cut from the same cloth.
00:44:18Well, I'd love to have another brother.
00:44:21Can you tell me what you're doing?
00:44:23For cleaning.
00:44:24You're just complaining.
00:44:25I'm less likely to let go of everything I have inside.
00:44:27Okay.
00:44:27Maybe we boys jump through things differently.
00:44:29And I understand what happened to our mother.
00:44:32I care as much as, or even more than, you do, okay?
00:44:35And what are you doing here?
00:44:36Looking for things for the theater.
00:44:37And what is she pregnant with?
00:44:38Your mother.
00:44:39Aunt?
00:44:40We're going to have a brother!
00:44:42Maybe so.
00:44:43Cool!
00:44:44We're going to have a brother.
00:44:45Brother!
00:44:45Look, you have a brother!
00:44:50Joel, I need to talk to someone.
00:44:51No.
00:44:53Yet another problem.
00:44:54No, please.
00:44:55Oh, sorry, okay?
00:44:56I can't even tell my brother.
00:44:58Tano and I are doing terribly.
00:44:59Those kinds of problems can be overcome.
00:45:01Money is just money.
00:45:02Yes, money is only money when you have it.
00:45:06Alberto has disappeared in Sudan
00:45:07And I don't know what to do.
00:45:08How did it disappear?
00:45:09It is impossible to contact him by phone
00:45:11And it's in an area where there have been a lot of attacks and riots and...
00:45:16Well, but that doesn't mean anything happened to him, right?
00:45:20No, I suppose not.
00:45:21But Ana has been glued to her phone all day.
00:45:23And they can't get in touch with him from the reaction team either, and...
00:45:26I feel terrible.
00:45:27And Mom?
00:45:30Mom doesn't know.
00:45:31Better.
00:45:32Oh, especially the children, huh?
00:45:34Yes, we have to try to prevent them from sticking together.
00:45:35Look, you know?
00:45:36Alberto is very used to these kinds of situations.
00:45:39This...
00:45:40It will be fine.
00:45:41Alright.
00:45:41Sure.
00:45:42He's sure...
00:45:42It's out of coverage.
00:45:44That's all.
00:45:44Well.
00:45:45Keep trying, okay?
00:45:46Just keep trying.
00:45:51Oh, and your issue with Tano will definitely be resolved.
00:45:54Sure, really.
00:45:57Sure.
00:46:05Oh.
00:46:06I've been feeling clumsy lately.
00:46:08You work too much.
00:46:09I bet you haven't had a single day off,
00:46:11Neither Saturdays nor Sundays.
00:46:13Well, but it's only a month.
00:46:16But...
00:46:16You'd like to go out for a night, wouldn't you?
00:46:19Yes, but at night all I want to do is sleep
00:46:21And my mother isn't too keen on me going to the village alone.
00:46:25Yes, auntie, but you're 20 years old.
00:46:2719.
00:46:28But without a driver's license.
00:46:30Already.
00:46:32But I'm sure she'll let you with me.
00:46:35Tonight I'm going to a friend's house.
00:46:38Have you ever been in a radar station?
00:46:40No.
00:46:42Well...
00:46:42Are you coming?
00:46:43I?
00:46:44Yes, you.
00:46:46The one from 19.
00:46:47They film at a beach bar
00:46:49And you can take the bikini if you want.
00:46:51I don't know.
00:46:52Look, get dressed up because...
00:46:55Because I'm very stubborn and you're definitely coming, okay?
00:47:04Alberto and I have always gotten along badly.
00:47:07When we were little we were always fighting.
00:47:09And you'll still be doing it when I get back, you'll see.
00:47:13You're a bit unbearable, Leia.
00:47:17Do you find me unbearable?
00:47:19Well.
00:47:21You are grumpy, demanding, nonconformist, stubborn, competitive.
00:47:27You're exactly the type of woman I like.
00:47:33Why don't we sell the house?
00:47:35My name is on it.
00:47:36The house?
00:47:37Yes, it's big and well located.
00:47:39That would pay off all our debts, wouldn't it?
00:47:42Yes, but where would we live?
00:47:43Well, in the studio.
00:47:45My name is there too.
00:47:46You in 50 square meters?
00:47:49Me, you, the children.
00:47:51The important thing is that we're together.
00:47:53Because you will never leave me, just so you know.
00:47:56That you are grumpy and jealous.
00:48:00Sorry.
00:48:01I was looking for Eva.
00:48:03Oh, in case you don't remember, the jealous guy was going to kiss the girl.
00:48:14Nobody makes fun of Captain Hook!
00:48:16Find the crocodile and drag it here by its tail.
00:48:19He's with that silly Wendy.
00:48:21Well, bring them here to kill them.
00:48:23And throw them overboard.
00:48:24The crocodile will eat us, just like it ate your hand.
00:48:27No, if we catch them by surprise, I'll go and find them and bring them back alive or orchards.
00:48:36I don't like this part of the story.
00:48:38Okay, okay, okay, what's wrong, Julia?
00:48:40I want to be a pirate, but I don't want to kill.
00:48:43Yes, but that's just how pirates are.
00:48:44They spend their lives fighting and fighting.
00:48:46I like having a sword, but that doesn't mean I have to kill anyone.
00:48:51Okay, okay, but since we're improvising, since it's our own story, we can keep improvising.
00:48:55And what can we do, let's see, what do you propose, Julia?
00:48:57To be an honest pirate.
00:48:59What is honorable?
00:49:01Ah, well, an honest person is someone who doesn't lie, who, well, always does what their heart feels.
00:49:06And, well, when there's a problem, he solves it.
00:49:09But, well, we were saying that you didn't want to kill the crocodile.
00:49:12So, what would you do?
00:49:14Oh, what is that that moves you in the water?
00:49:16Where did you say?
00:49:18All I see is sea foam.
00:49:20Hello.
00:49:21I will leave and never return to Neverland.
00:49:25Oh, never!
00:49:26Bravo! Bravo! Bravo!
00:49:29Roberto, I just sent you something.
00:49:31It's a story by Laia.
00:49:34From my daughter Laia.
00:49:36I've never asked you for a favor before, but...
00:49:40No, not just read it.
00:49:42My opinion.
00:49:44Judge for yourself.
00:49:47No, impossible this month, it's impossible, but I have dinner all year round.
00:49:53Thank you, Roberto.
00:49:57Arranged.
00:49:58I'm taking her to the set tonight.
00:49:59Have you told Carmen?
00:50:00No, you tell him.
00:50:02Okay, are you going to tell me what's wrong or do I have to guess?
00:50:05Nothing's wrong with me.
00:50:07Is there something wrong with you and Nuri?
00:50:09With work?
00:50:10Has your movie been postponed again?
00:50:12Is everything all right.
00:50:13Everything is so-so.
00:50:14If there's something you don't want to tell me...
00:50:16Mom, you don't have to know everything that's going on in the world.
00:50:22I do.
00:50:23I don't have time.
00:50:25They are asking for my help with a rehearsal.
00:50:34Eve.
00:50:37That's it.
00:50:38Tonight he's taking her to a film shoot.
00:50:41We have it sorted out today.
00:50:44And tomorrow?
00:50:45Tomorrow.
00:50:46Tomorrow, when tomorrow comes, Carmen.
00:50:50Worry about children never ends, does it?
00:50:53No, my friend.
00:50:58I am a good mother.
00:51:00Me too?
00:51:02If they gave one euro every time a woman asks this question, we'd all be multimillionaires.
00:51:14I apologize for insisting, but he promised me that...
00:51:17Yes, yes, yes, yes, I would call Maria Antonia.
00:51:19It was a moment of weakness.
00:51:22Yes, but I have fulfilled my part of the agreement.
00:51:24In other words, if you don't keep your part of the agreement now, you'll become a disgusting liar and
00:51:27a suitcase.
00:51:28And I think it has a reputation for the opposite.
00:51:31And how's the construction going?
00:51:33Ah, great.
00:51:34However, his grandchildren have made a loose version and, well, all that remains of Peter Pan is the crocodile.
00:51:39I hope it doesn't eat me, because of what I'm about to do.
00:51:41No, you're not going to do anything wrong, Mr. Writer.
00:51:43A marriage agency, does that seem like a small thing to you?
00:51:47I'm telling you, he asked me out and he was looking at me really weird.
00:51:50He's my uncle.
00:51:51She even told me to bring my bikini.
00:51:52The best part is that he didn't want to go alone.
00:51:54You know what? Ever since Nuri started doing theater, I've been having a really hard time with it.
00:51:58So, now that he's single and without a daughter...
00:52:00Hey, my uncle is a good person.
00:52:02I don't know, the fact that he throws shade at me doesn't make him a bad person.
00:52:05Well, but the truth is that I don't.
00:52:07No.
00:52:09But aunt...
00:52:09Maybe it's better if I go with him.
00:52:11And our dinner?
00:52:13So, it's probably best if I don't go to the dinner.
00:52:16You're going to drive me crazy, get clear.
00:52:17Well, you've driven me crazy, look at me.
00:52:21I'll talk to Joel.
00:52:22No, don't talk to him because imagine if he's being friendly and we'll get her into trouble.
00:52:30Teresa.
00:52:32Remember at nine o'clock.
00:52:36This one is pretty.
00:52:37This one is pretty.
00:52:40She's going to find out.
00:52:44Hey Maria Antonia, I've finally found you.
00:52:48I need you to come as soon as possible.
00:52:52You see, I want to show you a rather special specimen.
00:52:58His eyes are watery, his jaw is dislocated, and he has a yellowish complexion.
00:53:05No, no, no.
00:53:06No, no, no.
00:53:06It's not a dog, no.
00:53:08I'll tell you as soon as you arrive.
00:53:11Thank you, Maria Antonia.
00:53:12Eve.
00:53:15Have you been invited to the performance?
00:53:16It was the excuse to make me come here.
00:53:18So now you know who's running it.
00:53:21I haven't slept for days because of him, but look, I thought the sooner I confronted him...
00:53:24Him, better.
00:53:25Yes, face-to-face problems, yes, yes.
00:53:27I've decided.
00:53:27Whatever happens, I'm not going to blame Otrera.
00:53:30Look, when I separated from my husband, I proposed to myself.
00:53:33Do not see other men as if they were the same.
00:53:35Wise decision.
00:53:36First floor.
00:53:40Dora, Maria Antonia is coming.
00:53:43Yes, I called her myself. I'm not exactly proud of it, but I think I should.
00:53:48to know.
00:53:48No, no, no, don't worry, we're adults, aren't we?
00:53:51And what I don't understand is what María Antonia saw in that guy.
00:53:54I don't know, love is a crazy thing that goes around attacking people.
00:53:59No, it's my karma.
00:54:00I'm sure there will always be a man who comes along and disrupts my life.
00:54:06Is there any news?
00:54:07I heard the news on my mobile phone and it's still confusing.
00:54:10I've called every ten minutes, but nothing.
00:54:12Yes, I would tell him.
00:54:14So that?
00:54:15I don't know, she has connections, she knows people at the embassy, plus she's his mother and she has
00:54:19to know.
00:54:20What should I know?
00:54:23Nothing.
00:54:24Joel.
00:54:26It's about Alberto.
00:54:29Something's wrong with him, isn't it?
00:54:32He is in Hartung covering the conflict and we have been unable to locate him.
00:54:38Mom, we didn't mean to alarm you.
00:54:40It doesn't alarm me.
00:54:42I always think positively.
00:54:56I'm going to make some calls.
00:55:00Have you spoken to Ana?
00:55:01I told him to come here.
00:55:03I'm calm.
00:55:05No problem.
00:55:11Yes, yes, yes, yes.
00:55:13I'll be in this issue.
00:55:15Anything you can tell me, anything you know, I'd be grateful.
00:55:19Okay, no, no, I'm not nervous.
00:55:21I'm angry at the world.
00:55:24I am what I am.
00:55:26I should have told you sooner.
00:55:31Ana called, you had left, you had left your mobile phone here on top and I picked it up.
00:55:35All I wanted was for the children not to see the news.
00:55:40I'm fed up, fed up with you all deciding what I should and shouldn't know.
00:55:45Already.
00:55:45When I go to the doctor, I want to be the first to know the diagnosis.
00:55:48If the critics are going to tear me apart, I want to be the first to read the newspaper.
00:55:52Eva, it's not the same, it was your son.
00:55:54That's about my son.
00:55:56It was a call for me.
00:55:58It was my phone.
00:56:01I thought it was best for you, but if I was wrong, I'm sorry.
00:56:04Yes, you were wrong.
00:56:05Well, that's it, I'm sorry.
00:56:07Don't do it again.
00:56:08Well, I would do it again.
00:56:09That's very bad.
00:56:11Everyone is the way they are.
00:56:13And don't cry to me now, okay?
00:56:19Man, I was looking for you.
00:56:21Look how nice, I like you too.
00:56:23Hey.
00:56:27You've thought Teresa through carefully.
00:56:29And you?
00:56:30What about me?
00:56:31What's the point of throwing stones?
00:56:33I haven't made a pass at anyone.
00:56:35Yes, he told me.
00:56:36Tonight's thing.
00:56:37Let's see.
00:56:39Do you think I want to hook up with her?
00:56:43Well...
00:56:43So, this thing about asking her out...
00:56:46Just like that...
00:56:47And what makes you think you're so old?
00:56:49Haven't you thought about why that might be?
00:56:51No.
00:56:53Well, to get her out of here, out of you.
00:56:56Because?
00:56:57To prevent you from doing something stupid.
00:56:59You've probably done a lot of stupid things in your life.
00:57:02Many, but they didn't affect the family.
00:57:05That?
00:57:07You are at your grandmother's house, under her responsibility.
00:57:10You've known Carmen your whole life.
00:57:12Don't you think you've chosen something too complicated?
00:57:15I haven't chosen anything.
00:57:17What's happening to me, has chosen me.
00:57:19Very romantic, but if it's so solid, put it to the test.
00:57:22You have nothing to lose and you can save yourself a lot of trouble.
00:57:25Look, tell TAM that I love her.
00:57:28I'm crazy about Teresa.
00:57:29And even if the families try, we're not going to let them separate us.
00:57:33You are 15 years old.
00:57:34And?
00:57:34Well, you're old enough to tell him yourself.
00:57:39Do you like Teresa?
00:57:41Me?
00:57:42No.
00:57:42Do you like it...?
00:57:53What a day I'm having.
00:57:54Three births, two castrations, and an entire flock with gastritis.
00:57:57Do you know why your mother called me?
00:57:58I have no idea.
00:58:00He told me he had a yellow animal.
00:58:02It's not me.
00:58:04That?
00:58:04You look at me as if I were the yellow animal.
00:58:08Well, you are a little yellow.
00:58:09You should get your liver checked.
00:58:11Already.
00:58:11Hey, don't you sometimes get the feeling of being in the middle of everywhere and never anywhere?
00:58:16But are you talking about me?
00:58:20Do you want to go to a film shoot tonight?
00:58:22I?
00:58:23That?
00:58:24I don't know, just in case you found it funny.
00:58:26But are the film shoots funny?
00:58:29Leave it, leave it, leave it, because...
00:58:31No, no, no, I would love to go.
00:58:32I really like you.
00:58:33The thing is, I have to go to bed early today.
00:58:36Already.
00:58:37Today I'm having a very strange day.
00:58:39Well, I'm definitely going for yellow.
00:58:41No, no, it's just that I see the women I've always seen in this house as...
00:58:45as if they were different.
00:58:47Ah, I know.
00:58:49You already know?
00:58:50Yes, it's called the postpartum abstinence period.
00:58:52But don't worry, it'll pass quickly.
00:58:56You have a great eye for animals.
00:58:57It must be the profession.
00:58:58Although artists also have a reputation for being neurotic.
00:59:01Come on, I look arrogant too.
00:59:03Are you neurotic?
00:59:04I'm seeing a very complicated story.
00:59:05There is a man, there is a woman, I am in the middle.
00:59:08But come on, the woman is not the man's partner, she is mine.
00:59:10Why am I telling you all this?
00:59:12I don't know, it happens to screenwriters too.
00:59:13And if you wrote a character like mine, who would he/she end up with at the end of the movie?
00:59:17Well... well...
00:59:18with the screenwriter.
00:59:19But with the screenwriter, but is the screenwriter a woman or a man?
00:59:22Oh, you know nothing.
00:59:30Hello.
00:59:31Hello.
00:59:32I owe you an apology.
00:59:33This is...
00:59:35a trap.
00:59:36Oh, I'm so glad you came.
00:59:38What a surprise.
00:59:39Don't get tired.
00:59:41He knows it.
00:59:42But you will not be the yellow animal.
00:59:44Yes, yes, I suppose so.
00:59:45Well, and it's not the only one up there, is it, Doctor?
00:59:48No, well, she's adored, the panther woman.
00:59:51Great, that's very comprehensive.
00:59:53Well, sooner or later it was bound to get boring.
00:59:55Okay, assembly after the show.
00:59:58Assembly.
01:00:03Ann.
01:00:04I'm here.
01:00:05What if he knows something new?
01:00:06Look, I've forwarded my landline to my mobile and I'm waiting for calls.
01:00:10The last thing I know is that they found Alberto's jeep, but it was empty.
01:00:13And nothing is known about him, or the driver, or...
01:00:16I'm glad you're here.
01:00:17Oh, me too.
01:00:18Children don't know anything, do they?
01:00:20No, no, they are happy with their play.
01:00:22Good.
01:00:23The show begins.
01:00:26Ann.
01:00:26Hello.
01:00:27Hello.
01:00:28Hello, come on, let's go.
01:00:29Have you come to see the play?
01:00:30Yes, the play.
01:00:32Sure, yes.
01:00:33Something wrong?
01:00:34Well, if I were to tell you, it would be before me.
01:00:37Come on, we're late.
01:00:42Crocodile, our love is beautiful, but don't you realize it's impossible?
01:00:46Impossible loves do not exist.
01:00:49There is adventure.
01:00:50Attract me to run away and it will be our adventure.
01:00:54Where will we go?
01:00:55We will canoe along a coast.
01:00:58We will cross the oak forest.
01:01:01And we will reach the hill of the fairy's house, she comes and goes.
01:01:05The fairy comes and goes.
01:01:07She will order her imagination at night as only she knows how.
01:01:10And it will fold our beautiful ideas over and the ugly ones under.
01:01:13And it will erase our fears and then blow our dreams.
01:01:18Come on!
01:01:18There the corner will rise up for us.
01:01:22We need help.
01:01:23I am the pirate by degree.
01:01:25Silvete a mi barca.
01:01:39Have you seen the bell?
01:01:40We need to warn Peter Pan.
01:01:42And where is it?
01:01:43On a very dangerous mission.
01:01:46Eternal children are always having adventures.
01:01:49And if they stop, they grow old.
01:01:51Yes, yes.
01:01:53I'll continue, I'm listening.
01:01:54Peter Pan!
01:01:55Peter Pan!
01:01:56It's trustworthy.
01:01:59And the police are after it.
01:02:02Good.
01:02:04Don't forget about me.
01:02:06Keep me informed of everything, okay?
01:02:10The driver has appeared.
01:02:12The police have found him.
01:02:14Apparently, the rebels forced them out of the jeep at Kalashnikov point-blank and took them away.
01:02:21The driver was told he could leave.
01:02:26Have they taken Alberto away?
01:02:27Yeah.
01:02:28Alberto and Luis, the photographer.
01:02:32A kidnapping.
01:02:34If it's a kidnapping, no one has asked for a ransom.
01:02:38What time did that happen?
01:02:40Five or six hours ago.
01:02:45Let's not lose the cargo.
01:02:47Alberto has come out of worse situations than this.
01:02:49Yes, but we were in contact.
01:02:51We never lost touch, but now...
01:02:54Maybe they've been taken to a safe place, to...
01:02:58safe from the fighting.
01:03:00Incommunicado.
01:03:02Alberto's mobile phone has been out of service for 22 hours.
01:03:05Well, maybe they're half.
01:03:07Interference, this happens in places where there are many people, such as at demonstrations, on the beach.
01:03:14Yes, no, yes, this must be it.
01:03:17Well, come on, the children are going to miss us.
01:03:22With the sun on my back.
01:03:24My parents are never home.
01:03:26Neither did my mother.
01:03:27They caught her and now she's a lady's purse.
01:03:38We will notify the trolls so they can help us with their magic.
01:03:41Arny, Ruby, come immediately.
01:03:45Ruby, do you know why they called us?
01:03:47Yes, Enix, to find Peter Pan.
01:03:50Come on!
01:03:51Peter Pan!
01:03:52Peter Pan!
01:03:53Peter Pan!
01:03:56I love Wendy, I despise the crocodile.
01:04:00I don't think they can be happy together.
01:04:02bored all day in that puddle gobbling up flies.
01:04:05I just can't understand people who live their lives without ever leaving their own little corner of the world.
01:04:10But I want to fly, and if Wendy doesn't want to fly with me, well, that's her loss.
01:04:13But I need to fly, move, sing, shout, see everything from above.
01:04:19London, London is much prettier seen from above.
01:04:23London, here I come.
01:04:26And know that if it rains tonight, they are tears of Peter Pan crying for Wendy.
01:04:33Come on!
01:04:43Come on!
01:04:45Come on!
01:04:51Come on!
01:04:56You're not London, are you?
01:04:57No, no, no.
01:05:27I would trade every last corner to hold you by the waist
01:05:33And I can't kiss you
01:05:38If your kisses don't give me
01:05:47And I can't love you, no
01:05:52If I can't hear you breathing
01:06:06It is always women who desperately search
01:06:09The names of our loved ones
01:06:12In the lists of combatants, of the disappeared, of victims, of catastrophes
01:06:16We women watch over the bodies, we wash them, we shroud them.
01:06:20We buried them, we mourned them
01:06:22And we wear mourning clothes to express our grief.
01:06:24And so the world, since the beginning of time, has been full of widows and mothers.
01:06:29Sisters and daughters dressed in black, with pain in their souls
01:06:32But no matter how much death knocks near my door
01:06:35I'll never get used to it
01:06:37Now that I imagine happiness
01:07:10I forgot to turn it off
01:07:11No, no, don't answer
01:07:13Okay, wait, I'll turn it off.
01:07:16He is my father
01:07:18Are you going to take it?
01:07:21Come on, answer me
01:07:25Yeah?
01:07:28I'm sorry I find you.
01:07:29Dad, it's just that now...
01:07:30No, listen, from today
01:07:31Listen, because this could end at any moment.
01:07:34Hey, I can't get in touch with either Mom or Grandma
01:07:36It's very important that you tell them I'm okay
01:07:38OK?
01:07:38Don't worry about the news
01:07:40Did you hear me?
01:07:40Yes, yes, but has something happened?
01:07:41Not anymore
01:07:42Tell him, okay?
01:07:43Tell them I'm safe
01:07:44And that I will call again
01:07:45Tell him right now.
01:07:46Okay, Bioy?
01:07:51My father
01:07:53I have to...
01:07:54What, what, what?
01:07:58Okay, come on
01:08:00Go do what you have to do
01:08:16Mom, are you there?
01:08:24Dad?
01:08:26He called Dad
01:08:27Dad?
01:08:28Yeah
01:08:30Alright?
01:08:31Yes, I just spoke with him
01:08:32He says not to worry
01:08:34When did he call?
01:08:36Right now
01:08:36I couldn't get in touch with Mom
01:08:40But you were worried about him
01:08:42What's happening?
01:08:43Why are you congratulating Bioy?
01:08:45Did he write in the play?
01:08:53Wait, Maria Antonia
01:08:54Maria Antonia
01:08:54That?
01:08:55That?
01:08:55That?
01:08:56What did you think of it?
01:08:57The work
01:08:57Well, the kids have been great, haven't they?
01:08:59They are the best actors
01:09:00That I have had in my orders
01:09:02Yes, but
01:09:03It's wrong to use children.
01:09:04To say what you don't dare to say
01:09:06And?
01:09:07What, am I a crocodile?
01:09:08You're a crocodile
01:09:09And me, Wendy's silly girl.
01:09:10And besides, I can't stand myself.
01:09:13Well, at least
01:09:14Dora will have no complaint
01:09:15Because she is the
01:09:15The absolute protagonist
01:09:17You send her to London to cry.
01:09:19It's not an ending either.
01:09:20Hilarious
01:09:21And I wanted to send her further away.
01:09:23Well, London
01:09:23It's the perfect place
01:09:24For depression
01:09:25Because it's so sad
01:09:26And it rains so much, you know?
01:09:27Leo
01:09:29You are original
01:09:29But sometimes originality
01:09:31It's tiring
01:09:33Okay, then
01:09:34Without being original
01:09:35Or, to be original, okay?
01:09:36But no jokes
01:09:37No wordplay
01:09:38I'm going to ask you a question
01:09:41Maria Antonia
01:09:45Will you marry me?
01:09:48That?
01:09:49Get married?
01:09:50Yes, that thing you put on to look handsome
01:09:52And you go to a church
01:09:53And so the crocodile
01:09:54I was going as a penguin
01:09:56We said no word games
01:10:00Marry me
01:10:00Please
01:10:08Thank you so much for everything, Helio
01:10:11But first I have to go to London
01:10:27Hello
01:10:33I was going home to pick you up
01:10:35I've gone home too
01:10:37And I've seen your things
01:10:40Our things
01:10:40And I have been unable to stay
01:10:43That's why I'm here.
01:10:46Neutral ground is best
01:10:48I've done terribly, Dora
01:10:50I'm so sorry
01:10:51I don't understand how I could have hurt you so much.
01:10:53If only...
01:10:55Just a moment, Maria Antonia
01:10:56Before you say anything
01:10:57Things you might regret
01:11:00I left my husband
01:11:01To feel free
01:11:01And you go from one place to another
01:11:03And you're still confused
01:11:05Me at this moment
01:11:07I don't feel like it.
01:11:08Carrying this weight
01:11:09On my back
01:11:12It's best if you come back
01:11:13With the crocodile
01:11:16I do love him
01:11:17But I love you too.
01:11:18You don't know what I would give.
01:11:19For changing my mind
01:11:20But I don't know how
01:11:22I understand.
01:11:23Tell me to get lost
01:11:24It's better for you
01:11:25And for me
01:11:28I need to travel
01:11:29I can't be
01:11:30In one place
01:11:31A long time
01:11:35Stay in the pond
01:11:37And be happy.
01:11:40Had you already chosen?
01:11:40To the animals
01:11:41Before you met me?
01:11:44I don't know whether to start crying
01:11:45But thank you
01:11:48The one who cries in this story
01:11:49It's Peter Pan
01:11:51And I am Peter Pan.
01:11:55I don't know
01:12:10Well, a little bit here
01:12:12So, what's up, Joel?
01:12:12Will you take me to the film set?
01:12:14Uh-huh
01:12:14Clear
01:12:15And you're coming, right?
01:12:17I?
01:12:17Yeah
01:12:17Are they famous now?
01:12:19Yeah
01:12:20Oh
01:12:21Someday I'll get something.
01:12:23After so much waiting
01:12:24And such a long queue.
01:12:25But I did it
01:12:27What needs to be done
01:12:28We have to do
01:12:29Very good
01:12:30Health
01:12:31Alcohol?
01:12:32Yeah
01:12:32And I don't
01:12:33Yes, indeed.
01:12:35Mother
01:12:36Have I decided yet?
01:12:38I've thought about it and I've decided
01:12:39I'm going to have it
01:12:44I was excited
01:12:45Congratulations, darling
01:12:46This is my girl
01:12:50Yeah
01:12:51Yeah
01:12:52Ah
01:12:53Hey, wait a minute
01:12:54Just a moment, yes
01:12:56Laia
01:12:57He's my editor.
01:12:58He wants to talk to you
01:12:59With me?
01:13:01With the author
01:13:02Yeah
01:13:04Is helping children a new thing?
01:13:07Yeah
01:13:07Yes, it's something new.
01:13:11They just got a call from the newsroom.
01:13:13They have located Alberto
01:13:14He'll be here soon.
01:13:22Alberto is
01:13:23White, rich
01:13:25And lucky
01:13:28It's unfair
01:13:31But I'm selfish
01:13:36And I'm glad that my son is
01:13:37I'm telling you
01:13:46Are you OK?
01:13:49Fuck off
01:13:55Okay, come on
01:13:56Let's all toast
01:13:58Now yes
01:13:59In the life we are given to live
01:14:01We went through some difficult times
01:14:02Of weakness
01:14:03Of doubts
01:14:03But however serious our problems may seem to us
01:14:07As long as we live in an ivory tower
01:14:09None of them are comparable.
01:14:10To those who suffer in wars
01:14:12That ravage the world
01:14:13I don't want arguments.
01:14:24And even less so today.
01:14:24That's the last day
01:14:25Well, we're nervous.
01:14:26Because this is coming to an end.
01:14:27Out there
01:14:28There is a gentleman
01:14:30He wants to talk to you.
01:14:31I want your farmhouse
01:14:32For a goal field
01:14:34I am unreachable
01:14:35Nothing is unattainable
01:14:36Thanks, but I don't sell.
01:14:37I've been given a very good offer for the house
01:14:39I might sell it.
01:14:41You've been a very good neighbor.
01:14:43Come on!
01:14:45Tano and Laia without a company
01:14:46You're unemployed
01:14:47And I'm invalid.
01:14:47It's like I'm very young again.
01:14:49Let me tell you something, my friend.
01:14:51July 1st
01:14:52You brought me a child
01:14:53Today you'll take home a man in love.
01:14:55On one hand, I know he has to go through this.
01:14:57And on the other
01:14:58I don't want her to suffer
01:14:59I don't want Teresa to suffer either.
01:15:01I have an idea, don't you?
01:15:02It just looks too small to me.
01:15:03If everything goes as I plan
01:15:05This winter, you and I are living together.
01:15:07I don't want to go to the United States to study
01:15:09I ask you, please, not to force me
01:15:10What does Teresa have to do with all of this?
01:15:12Hey, I understand that Bio and you
01:15:13You've become very good friends
01:15:14You kept putting it off until you finally got it, didn't you?
01:15:16It's been really nice
01:15:17But the responsibility is yours, Teresa
01:15:19You are the oldest
01:15:19But you do it very badly
01:15:21Well, couldn't you have called us?
01:15:22Hey?
01:15:23Or to have sent Bio home
01:15:24The holidays are over
01:15:25Everything comes to an end
01:15:26And then other things begin
01:15:28I'll call her tomorrow
01:15:30Says...
01:15:31Upcoming construction of a golf course
01:15:32Do you know anything about this?
01:15:33Everyone around here wants to sell the farmhouse
01:15:35This house is very big
01:15:36That is rarely used
01:15:37And that generates many expenses
01:15:39Boys aren't to blame for growing up
01:15:42It's me
01:15:43Nothing's going to happen, you'll see.
01:15:44The town is organizing itself
01:15:46I've always thought about myself, haven't I?
01:15:47I am their employee, not their friend.
01:15:49Why would you change now?
01:15:51Are you going to sell?
01:15:52When the voice is sad
01:15:54There is no good news.
01:15:59There is no good news.
01:16:09There is no good news.
01:16:10There is no good news.
01:16:11There is no good news.
01:16:11There is no good news.
01:16:11There is no good news.
01:16:11There is no good news.
01:16:12There is no good news.
01:16:12There is no good news.
01:16:12Thanks for watching the video.