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00:00:23The Count of Montano
00:00:31The Count of Montano
00:01:00No problem
00:01:00Montano, I didn't kiss you because I felt lonely
00:01:04This is the area
00:01:05But they must have built this castle on top of the bath of faith
00:01:08Do you think the hot springs are down there?
00:01:11Probably
00:01:11Well, it's time to finish, right?
00:01:13It's too dangerous
00:01:14Once we were inside, everything could fall on top of us.
00:01:16You've made me, your lady, look ridiculous
00:01:19Have you forgotten who you owe your allegiance to?
00:01:21But she's the marchioness.
00:01:22He's getting a little drunk
00:01:24Lucrecia, you had a fun morning.
00:01:26What are you hiding there, commoner?
00:01:28Nothing
00:01:31It's just talk, Hernán
00:01:33You know how those poor, starving people in the village are.
00:01:35The information comes from the queen and no one doubts her word.
00:01:37Do you realize the consequences all this could have?
00:01:40Oh, God!
00:01:50Your presence is no longer welcome in the palace
00:01:52Oh my God, brother!
00:01:56Oh my God, brother!
00:01:56I grabbed a vest to beat the joint out of him.
00:01:58It exploded in my hands
00:01:59Damn black man!
00:02:01Get out of the way!
00:02:04Oh my God, miss!
00:02:06You and I are nothing.
00:02:07I know you have no obligation to take care of me
00:02:09No, don't get up yet, you might get dizzy.
00:02:11Don't touch me anymore
00:02:13Hey! No! Let me go! Let me go!
00:02:15Where is the slave?
00:02:17He has fled
00:02:18Tell me where it is
00:02:20He knows! If we don't hide it, we won't catch him.
00:02:25What are you doing?
00:02:26What are you doing?
00:02:28Take me away, take me away!
00:02:29His slave has the English diamond
00:02:33Damn it!
00:02:36What is it about this precious stone?
00:02:39Ah!
00:02:46He saved his head
00:02:47But your son doesn't speak to you
00:02:48And your reputation is still in the gutter.
00:02:49It looks like there's a symbol here.
00:02:51Watch out, master!
00:03:00I still have goosebumps, I love it
00:03:03And fight the beast on the ground
00:03:06But if the beast knows nothing about trees
00:03:08We're no longer on equal footing, are we?
00:03:13It's very hot, isn't it?
00:03:15Well, don't think so!
00:03:18In this era we are in
00:03:19There's still a bit of fresh air.
00:03:22Although of course, with such a warm coat
00:03:24What drives me and what is shown as heroic
00:03:44See?
00:03:45He's sweating buckets
00:03:51Mother, beautiful love
00:03:52What bird do you have on your leg?
00:03:54He needs to see a doctor immediately.
00:03:56No, it's nothing, Sato
00:03:57It's no big deal
00:03:58But what do you mean it's nothing?
00:04:00This isn't a joke, is it?
00:04:01Haven't we been around for centuries longer than the Romans?
00:04:04Sato
00:04:04What we have to do
00:04:06It's about picking rosemary and chamomile.
00:04:08He needs to see a doctor immediately.
00:04:09Sato
00:04:10It's time for the wound to heal.
00:04:12Don't worry
00:04:13Do you think that with some plants you're going to be cured?
00:04:15Where did he learn that from the Chinese?
00:04:20My stepfather
00:04:22Your godfather?
00:04:23He's the one who taught it to me.
00:04:25It's curious, Sato
00:04:27Everything you observe as a child
00:04:28It stays with you for life.
00:04:29No, you're right there.
00:04:30Because all I saw was a small screen.
00:04:32Misery and poverty
00:04:33And look how I've ended up.
00:04:36Go on
00:04:38Let's look
00:04:48Look, here it is
00:04:54That will be enough, love
00:04:57Hey?
00:05:01Nor is it a matter of leaving the forest bare.
00:05:03Sato, help me
00:05:09Okay
00:05:10Yes
00:05:20Okay
00:05:21Okay
00:05:22Okay
00:05:22Okay
00:05:22Okay
00:05:22Okay
00:05:35This is a child
00:05:42Sato
00:05:43Sato, are you okay?
00:05:45Sato, Sato
00:05:47Sato, look at me
00:06:13Madam, I think we should go back to the carriage.
00:06:16Nobody asked you
00:06:18And let this be the last time you dare to tell me what to do.
00:06:20Yes, yes
00:06:23You didn't need to come with me
00:06:25I can go to school by myself now.
00:06:28Ma'am, I wouldn't want to interfere.
00:06:29But it's still very recent
00:06:32Well, don't get involved.
00:06:34Now you're scared of a few commoners
00:06:38I don't plan to hide
00:06:41Look at them
00:06:43Look at her clothes
00:06:45We are much better than them
00:06:47Why are you doing this to me, mother?
00:06:50We're the laughingstock of the village
00:06:53Listen to me carefully, son
00:06:56Never be ashamed of who you are
00:06:59Lift your head and smile
00:07:01Let them realize how happy we are
00:07:16It still smells like blackness
00:07:21What did you say?
00:07:22I?
00:07:24Nothing
00:07:24Nuño, let's go
00:07:26Take back what you said
00:07:28If you'd like to try one, just ask, Madam Marchioness.
00:07:31All together
00:07:32Or one by one
00:07:33As you prefer
00:07:35No, ma'am, for God's sake!
00:07:37Guard
00:07:37For God's sake
00:07:38For God's sake
00:07:39Aid
00:07:42What good is your title, little marquess?
00:07:45Help, for God's sake!
00:07:46Malac!
00:08:07Is anyone else having a problem?
00:08:11Go back to Malacio.
00:08:13Come on, son.
00:08:14Lady.
00:08:15Come on.
00:08:22Come on.
00:08:53Are you feeling better?
00:08:56What has happened to me, love?
00:08:58Did you faint while we were looking at the skeleton?
00:09:01Yes, yes, yes, I remember now.
00:09:08Don't worry.
00:09:10Could it have been Mario?
00:09:12Take.
00:09:14Based on the size of the skeleton, it belonged to a child of about five or six years old.
00:09:23I'm sorry, love. Forgive me, but...
00:09:27I'm still not feeling well.
00:09:29I'm still not feeling well.
00:09:31Let's see.
00:09:33It seems you don't have a fever.
00:09:35I've prepared you now.
00:09:38Saturn, we need to find out who that child was and what he was doing there.
00:09:43That?
00:09:44That?
00:09:46And what for, man?
00:09:47You who find out nothing.
00:09:48What do you mean, what for?
00:09:51We already have the mystery of his mother, and that's more than enough.
00:09:54And maybe what you think is a mystery, isn't one at all.
00:10:03Sator, they put him in a hole. I want to know what happened.
00:10:08I don't understand.
00:10:10Help her, we can't help that one...
00:10:14That poor creature is dead.
00:10:19No, well, it's best not to stick our noses where they don't belong, right?
00:10:23I don't care how much time has passed.
00:10:25You can be sure I'll find out.
00:10:35It's from a child.
00:10:36Based on the size of the skeleton, it belonged to a child of about five or six years old.
00:10:45Sator! Sator! Sator, what's wrong with you!
00:10:55Are you OK?
00:11:02I'm sorry, love.
00:11:03It's about going straight to the point.
00:11:05I don't care, Sator.
00:11:22You should be working.
00:11:24Your village is a pigsty of bastards.
00:11:26When you provoke the mob, they become uncontrollable.
00:11:29You should know that.
00:11:31Now, taking a walk is a provocation.
00:11:33Exposing yourself the way you have done is indeed wrong.
00:11:35I don't care what you do, Lucrecia, but...
00:11:37How many little games have you played that endangered Nuño's life?
00:11:40It was those savages.
00:11:42I would never put my son in danger.
00:11:44Don't mess with me, Lucrecia.
00:11:46No matter how much you dress up in your finest clothes to be in the palace,
00:11:49Things aren't going to change.
00:11:51So what should I do, according to you?
00:11:55Some time in the countryside would do you good.
00:11:57Until things calm down.
00:11:59I have no intention of being forgotten.
00:12:01Quite the opposite.
00:12:03Lady?
00:12:04Yeah.
00:12:08Marchioness of Santillana.
00:12:10I had heard about her beauty many times.
00:12:13Nothing compares to seeing her in person.
00:12:16Please call me, Lucrecia.
00:12:19I present to you Hernán Mejías, commissioner of the town.
00:12:22Nice to meet you. I'm Rafael Bader.
00:12:24The best bullfighter in Spain.
00:12:26I am a big fan of bullfighting,
00:12:27But I haven't seen any bullfights advertised in the town.
00:12:29To what do we owe the honor of your visit?
00:12:31I invited him.
00:12:33He's going to stay at the palace for a few days.
00:12:36Ma'am, I've brought more sweets.
00:12:41I'm sorry, ma'am. It was an accident.
00:12:43Calm down, calm down.
00:12:45This best matador spears pieces on the bone.
00:12:48What do you do with the bulls that are no longer good enough, Rafael?
00:12:51Sacrifice them?
00:12:52I think I'm going to have to do the same thing at the palace.
00:12:55I'm going to show you the stables.
00:12:58I just acquired some beautiful stallions.
00:13:00Will you join us, Hernán?
00:13:02I can't. I have a lot of work.
00:13:04Please.
00:13:15Murder?
00:13:16Yes, Hamlet.
00:13:17The most infamous, horrendous, and monstrous.
00:13:21If you really are the ghost of my father, tell me who he was.
00:13:25So that with wings as swift as fantasy, they may take their revenge.
00:13:30Very good.
00:13:32So far.
00:13:33But then, who was it?
00:13:35Who killed Hamlet's father?
00:13:37Go back to your seat.
00:13:41This is precisely your task for tomorrow.
00:13:45Finish reading this excerpt from Shakespeare's work.
00:13:49But, but father, why does the ghost look like him?
00:13:52Because the past always comes back, son.
00:13:55If you have committed any injustice, it will never go unpunished.
00:14:01This is what the ghost of Hamlet personifies.
00:14:04You can go home.
00:14:06And remember, read it.
00:14:15Satur?
00:14:20I love.
00:14:23Cipriano told me that you wanted to speak with me urgently.
00:14:26Yeah.
00:14:27I've gone back to the forest.
00:14:28And I picked up the child's skeleton.
00:14:30He's in the lair.
00:14:33And I also found this.
00:14:35The emblem of the village orphanage.
00:14:37The same one you were in.
00:14:41Damn, man, children were dying there every day.
00:14:44Because of hunger, leprosy, cholera.
00:14:47But not locked in a hole.
00:14:50Please, my love.
00:14:52I have tried to forget about that my whole life.
00:14:55Don't make me go through this again.
00:15:00We'll go talk to the nuns.
00:15:02Perhaps they remember something.
00:15:05No.
00:15:08I already had to go there once and it stirred up everything inside me.
00:15:11I don't plan to come back again.
00:15:13Sato.
00:15:14Nobody cared about that child.
00:15:17We have the opportunity to do justice.
00:15:18Nobody cared about me either, love.
00:15:25I beg you.
00:15:27I'm asking you, please.
00:15:30Forget it, do it for me.
00:15:34I understand that you're very upset about this, but...
00:15:37I can't leave it.
00:15:39If you investigate what happened in that orphanage,
00:15:43It will stir up all the horror we experienced in there.
00:15:49So, is it true that Rafael Valverde, the Torino, is at the top?
00:15:53Well, it's true.
00:15:55Like you and I are talking here right now.
00:15:57And what is he like in person?
00:15:59Is he handsome?
00:16:02Handsome?
00:16:03And manly.
00:16:04And gallant.
00:16:05He's a man, a real man.
00:16:07Those big eyes of hers have captivated me.
00:16:08It left me frozen in place.
00:16:11Why did he throw the tray?
00:16:12Why has the candidate left?
00:16:14But wait, Margarita, what are you doing here?
00:16:16You were supposed to be at home.
00:16:17Go home and rest.
00:16:18What do you have to do?
00:16:19He's not fit to work.
00:16:20No, Catarina, I'm staying, I can't lose this job.
00:16:22I have nothing else.
00:16:24And you've seen it.
00:16:25Have you crossed paths with him?
00:16:26With who?
00:16:27With the bull?
00:16:29No?
00:16:30Is it really that bad? What do you mean?
00:16:31Oh, wow.
00:16:33Just what Catarina told me has made me tremble.
00:16:36Oh, really?
00:16:37Have important people passed through this palace?
00:16:39Well, I'm telling you, that man, up close, takes your breath away, he really does.
00:16:44He takes it away, he takes it away.
00:16:44Well, get ready, because they say even the queen is swooning over him.
00:16:47It doesn't surprise me.
00:16:47He is waiting for the woman of his life.
00:16:49Fall in love.
00:16:50Then she will get married and have children.
00:16:52Look.
00:16:53I read them on a sheet of paper.
00:16:55Well, honey, she certainly won't lack for candidates.
00:16:58I remember once I went to a bullfight with my cousin Pafa.
00:17:00Well, if I had seen that man already dressed as a bullfighter, that would have been it.
00:17:05With manhood in place and properly positioned, well, it's something like that.
00:17:09Catarina, which the girls did not taste.
00:17:12Oh my God, it's true.
00:17:13Forgive me for rambling on and on.
00:17:14No, no, no, go on, go on.
00:17:15Don't leave us hanging, okay?
00:17:17Well.
00:17:19Well, that man, in the middle of the square, dressed as a bullfighter, the bull comes out, but a real bull.
00:17:26He does it like that, he passes by, but grazing his entire manhood.
00:17:30And that manliness is right there in its place.
00:17:32Not without getting poisoned even a millimeter, well, the screams of the girls could be heard throughout the village.
00:17:36They started when he finished throwing carnations at her, throwing carnations at her, so as not to throw anything else, out of grandmotherly decency.
00:17:41Oh, Catarina, could I help you, please?
00:17:43Marta, that's impossible, for God's sake.
00:17:45No, and I'm doing it for your own good.
00:17:47A man like that will drive you crazy for life.
00:17:49And you even more, man.
00:17:54Hey, doesn't it smell burnt?
00:17:56But hey, that's how you're going to go.
00:17:58I.
00:18:00Oh, the mother who gave birth to the gray of the marchioness.
00:18:07No, it burns and I've ruined you.
00:18:09No, it burns and I've ruined you.
00:18:49Thomas.
00:18:50Thomas.
00:18:51Thomas.
00:18:54Thomas.
00:18:55Thomas.
00:18:58Thomas.
00:19:01Thomas.
00:19:02Thomas.
00:19:03Thomas.
00:19:07Thomas.
00:19:10Thomas, Thomas
00:19:11Thomas, Thomas
00:19:18I'm sure you haven't seen it, Satur
00:19:20We have to go back to the orphanage
00:19:23It's almost nightfall
00:19:24No, I have to find my brother
00:19:27Thomas
00:19:28We've searched everywhere
00:19:30He may have escaped; many do.
00:19:32She would never leave without me, besides, they weren't going to be adopted, you know that.
00:19:35Why would he escape?
00:19:37Thomas
00:19:39Thomas
00:19:39You were playing with him, you need to know where he is.
00:19:47Come on, tell me, please.
00:19:49Think about it, where did you play?
00:19:50Don't know
00:19:51Think about it
00:19:52Don't know
00:19:53You need to know, you need to know, where?
00:19:55Stop it now, we have to go
00:19:58Satur! Satur!
00:20:00Come back, Satur!
00:20:34Everything is to your liking, sir.
00:20:36Is there anything else you need?
00:20:38Don't worry
00:20:38I wish all palaces had such attentive service as this one
00:20:43I wouldn't want to bother you, but if I could put your name here, it's for my children, so they can admire you.
00:20:49to you more than anyone
00:20:50Of course
00:20:52What is the child's name?
00:20:53Murillo
00:20:56And if I could also put my name in small print next to it and a "with love" or something, I would.
00:21:02I appreciate it
00:21:03Catalina, leave and stop bothering my guests, nobody cares about your life
00:21:07Yes, ma'am
00:21:09Excuse me
00:21:16I hope you are enjoying your stay here
00:21:20Fresh air
00:21:21Good wine
00:21:23And a beautiful hostess
00:21:25You can't ask for more
00:21:27Are you going to robotize me, killer?
00:21:30Another glass of Bordeaux?
00:21:31Please
00:21:33Many women would give their lives to have you in their palace
00:21:37I feel lucky
00:21:38I admit that when he imitated me I felt a certain curiosity
00:21:41A queen, a marchioness, and a black slave
00:21:45It's all anyone is talking about in court.
00:21:50Precisely
00:21:50That's why I've brought you here.
00:21:55Read this
00:22:01These are the scriptures
00:22:03From your farm in Granada
00:22:05And your lands of Seville
00:22:07Cáceres and Álava
00:22:11What are you talking about, Marchioness?
00:22:13Do you think you can trick me too?
00:22:16Good
00:22:18So let's stop with the absurd beating around the bush.
00:22:20Whatever you want
00:22:23You're ruined, Rafael
00:22:24You should be more careful with your money
00:22:26How did he find out?
00:22:28I admit it has been a challenge
00:22:29You know how to watch your back
00:22:31But don't worry
00:22:32I've bought all your properties
00:22:34I couldn't bear to see you in poverty
00:22:37What does he want from me?
00:22:40Let's announce our engagement tonight
00:22:45Look at it as a business
00:22:47You get your land back and I clear my name.
00:22:49We both won, dear.
00:23:09Hurry up
00:23:10We have to go back with the children.
00:23:12Be careful
00:23:13Don't let those clothes fall down
00:23:16Mother
00:23:21We shouldn't take a shortcut here.
00:23:23He is very lonely
00:23:27Look what happened to Sister Elena
00:23:28That she was raped
00:23:30To rape her
00:23:30You're not innocent, are you?
00:23:33That's what they all say
00:23:35So as not to admit that they have sinned
00:23:48What do you want?
00:23:49Don't worry, they're not emanating from you.
00:23:50It's the Red Eagle
00:23:55Do you recognize this?
00:24:02It belongs to the room we used to put on the children in the orphanage
00:24:06It was many years ago
00:24:07I found it in the forest
00:24:09Hidden in a hole
00:24:10And next to the skeleton of a child
00:24:13All those who died in the orphanage
00:24:15They were buried in Christian graves
00:24:20Do you know how I can identify you?
00:24:22Do you know her name?
00:24:23Who was something?
00:24:25He took
00:24:26More than 40 years in charge of the orphanage
00:24:29I would be
00:24:31Impossible
00:24:31Remembering everyone who passed through there
00:24:34Alright
00:24:35Thank you
00:24:39The little medal, mother
00:24:43What little medal?
00:24:46All the children wore a little medal
00:24:48With your name and date of birth
00:24:51Thank you
00:24:56Are you alright?
00:25:00I'm fine, I'm fine
00:25:08I don't just catalog my mother
00:25:30The water
00:25:33Do you need anything else?
00:25:34I'm fine, you don't have to worry.
00:25:37I'll feed you.
00:25:38Because
00:25:40I'm going to fall, big head
00:25:41Just like you, huh?
00:25:42Come on, open your mouth
00:25:44Alonso, who did not
00:25:46Auntie, you have always taken care of me
00:25:48Let me help you, please.
00:25:49Come on
00:25:50I am feeling better, really, Alonso
00:25:52You don't have to worry
00:25:53As this cools down
00:25:54You won't be able to eat it
00:25:57Come on
00:26:00Come on
00:26:03See how difficult it was?
00:26:04Take it, Alonso
00:26:06It's Hamlet
00:26:06You have to finish reading it, okay?
00:26:08Okay
00:26:09I'll take care of aunt.
00:26:11Yes of course
00:26:12What I was missing
00:26:12No
00:26:13Hey
00:26:14You've heard it, Alonso
00:26:17It's not that bad either.
00:26:17Hope this helps.
00:26:19Besides
00:26:20You can't go hungry
00:26:21So
00:26:23Open your mouth
00:26:24AND
00:26:25Ah
00:26:26No
00:26:27The little mouth
00:26:28Ah
00:26:29Ah
00:26:30Ah
00:26:30Give me
00:26:35Gonzalo
00:26:35Hello good
00:26:38Margarita has washed your clothes
00:26:39I thought your hands would still hurt
00:26:41Thank you
00:26:42You don't have to worry
00:26:48Well, then
00:26:49We're going to have dinner too.
00:26:52Alonso
00:26:52Help me with the bowls
00:26:58What's wrong, Gonzalo?
00:27:01Gonzalo
00:27:02I'm fine
00:27:05What happened?
00:27:12Why is it so hot here?
00:27:17Are you OK?
00:27:18What happened to you?
00:27:19Something stung me in the woods, but
00:27:21It's not serious.
00:27:22No, no, no
00:27:23I'm better.
00:27:24Come on
00:27:25Let's have dinner
00:27:39For the love of God
00:27:40Come on, you're not in any condition to go in there.
00:27:50Whatever bit me is still there
00:27:52I need to know what animal it is in order to find the antidote.
00:27:55At least let me try.
00:27:57Since I've gotten him into this mess
00:28:01Forget it
00:28:12Why didn't you tell me about the medal?
00:28:17What medal are you talking about?
00:28:19All the children wore a medal to identify you.
00:28:25Why didn't you tell me?
00:28:28I'm sorry, I love
00:28:29That was a long time ago.
00:28:32Besides, I came here to talk about that now.
00:28:35It's the only clue we have
00:28:37That kid was supposed to be carrying her when she died
00:28:41Perhaps he's still in the forest
00:28:42No no
00:28:43You cannot return to the pit
00:28:45He has no right to erase the past
00:28:47Satur
00:28:48You yourself told me what they were doing to you in that place
00:28:52What has happened cannot go unpunished
00:29:00Satur!
00:29:02Throw me the crossbow, master!
00:29:03No, get out!
00:29:03Master, give me the crossbow!
00:29:04Salt!
00:29:05Get out of there!
00:29:06Salt!
00:29:10Satur
00:29:17Don't move
00:29:19Don't move
00:29:21Don't move
00:29:42Shoot, master
00:29:43Shoot, for God's sake!
00:29:44Shoot
00:29:50Shoot
00:29:50I think she gave it, I love it
00:29:52The water is not moving
00:29:53I think she gave it
00:30:16Lady
00:30:16The Duchess of Cardona's carriage has just arrived
00:30:20She is accompanied by other ladies of the court
00:30:22Okay, Catalina, show them in.
00:30:24Yes, ma'am
00:30:26Why have you invited those harpies, Mother?
00:30:28If they come here, it's to laugh at us.
00:30:31Watch your words, Nuño
00:30:34And don't move from my side
00:30:35You don't have much to learn.
00:30:37They come to insult us in our own palace
00:30:40Relations at court are very similar to a war
00:30:43You can't retreat without a fight, son.
00:30:54Duchess
00:30:56Ladies
00:30:56Thank you for accepting my invitation, please.
00:30:59We're putting our reputation on the line by visiting you, Lucrecia
00:31:04So save the compliments
00:31:05What is this important matter you wanted to talk to us about?
00:31:12Rafael, just in time
00:31:14I suppose you already know Rafael Valverde
00:31:18Nice to meet you, ladies
00:31:19As you can see, he is a man of few words.
00:31:22He prefers action
00:31:27Good
00:31:27Now that we're all here, I have something to announce.
00:31:31We have something to announce.
00:31:33Is that right, dear?
00:31:34Yes that's how it is
00:31:34The Marchioness of Santillana and I are engaged
00:31:41You're a bastard
00:31:57What you've done is unspeakable.
00:32:15What is
00:32:18Ladies, what is
00:32:21Ladies
00:32:35Health
00:32:39Health
00:32:42Health
00:32:44Health
00:32:44Health
00:32:51Health
00:32:53Health
00:32:56Health
00:32:57Health
00:32:59Health
00:32:59Health
00:33:01Health
00:33:01Health
00:33:02Health
00:33:02Health
00:33:06Health
00:33:07Health
00:33:08Health
00:33:08Health
00:33:08Health
00:33:08Alonso and I
00:33:12I love it!
00:33:14I love it!
00:33:15I love it!
00:33:19Alonso
00:33:20Alonso
00:33:22Wake up
00:33:25Are you OK?
00:33:28That?
00:33:29I think so
00:33:31What happened?
00:33:35That?
00:33:36Did I hear noises?
00:33:39And I came to see what was happening
00:33:41And Satur got scared and
00:33:43He pushed me
00:33:45But I'm fine now.
00:33:47Did you push me?
00:33:49I thought it was
00:33:51Another person, but
00:33:55I'm sorry
00:33:57I'm truly sorry, I love
00:34:00Sorry
00:34:09I thank you for saving my life, commissioner
00:34:14But I've already told him everything I know.
00:34:16I'm sure of it, but there are some details I'm missing.
00:34:20You say that man was from your crew
00:34:23I've already told him
00:34:25It was Manuel Amaya, my sword handler
00:34:27Did he have something against you?
00:34:29Any kind of dependency?
00:34:32Lately
00:34:34Manuel was very distant with me
00:34:38He thought that between his wife and me
00:34:43That?
00:34:45You understand me now.
00:34:47He hadn't told me that before.
00:34:50It's been a very tough day, commissioner.
00:34:51I would like to withdraw my episodes
00:34:53No, come on
00:34:54It will only be a moment
00:34:58Jesus, Mary and Joseph
00:35:00But how can a man lose his mind like that?
00:35:02Jealousy is a terrible thing.
00:35:03How do you know it's jealousy?
00:35:06Margarita, for God's sake!
00:35:07It's crystal clear that this is a matter of skirts.
00:35:10Thank goodness I caught it in time
00:35:11Because it could have been much worse.
00:35:12Hush, hush, hush, hush
00:35:14I don't want to think about it.
00:35:15Oh my God, how disgusting
00:35:16I'm going to get some rags
00:35:17Stay there
00:35:25Are you sure about what you're telling me?
00:35:31That man has killed the Marchioness of Santillana and her son again.
00:35:35Understand that she wants to know everything about him
00:35:38Clear
00:35:39From the first moment I saw you, Manuel
00:35:43I knew I couldn't live without you by my side
00:35:47I love you and I will always love you
00:35:50Rafael Valverde
00:35:51Now that the life of Felicimil is warning us
00:35:54He prefers that I do it
00:35:55Or you do it, since you have more confidence.
00:35:58No, no, I'll take care of it.
00:36:00And now, if you'll excuse me...
00:36:01Ah, yes, no, already Meody
00:36:09Oh, yes, no, I already noticed you.
00:36:28Phew...
00:37:30What a lovely evening you've had, Marta, my dear.
00:37:32I couldn't get all that blood out of my head.
00:37:37Well, I've been told that the bullfighter was seeing the wife of the dead young man.
00:37:40That's why he lost his mind.
00:37:42I told Margarita, I knew it.
00:37:44If someone gives it to me now, well, I haven't been serving for years.
00:37:50Marta, daughter, go see what the lady wants, because I have a lot of work to do here.
00:38:00How is the marchioness?
00:38:02Well, she was worried about her wedding dress.
00:38:04Honestly, nothing can upset this woman.
00:38:07But don't worry about the suit.
00:38:08If it's necessary for all of us to get together and add points, we'll do it.
00:38:12Catalina.
00:38:14Look, in a moment.
00:38:15That?
00:38:16Because last night I found a letter from Rafael Valverde.
00:38:19AND?
00:38:20The man they killed was her lover.
00:38:23What does it say?
00:38:24Look, look.
00:38:27All these years with you, Manuel, have been the happiest of my life.
00:38:32It is signed in his own handwriting.
00:38:33Well, woman, but it's normal.
00:38:35One was a bullfighter and the other a sword handler.
00:38:37That they have spent a lot of time together and the boys have grown fond of each other as friends.
00:38:41No, Catalina, the letter makes it perfectly clear.
00:38:43Look, I want to feel your mouth on my mouth.
00:38:46Your skin against my skin.
00:38:47And this is one of the lightest things there is.
00:38:48Shut up, don't keep reading yesterday.
00:38:50Don't read any further, a myth is about to be shattered for me.
00:38:53And why did you keep it?
00:38:55Why didn't you leave it where it was?
00:38:56Well, I don't know, well...
00:38:57Because I didn't know what to do.
00:38:58I didn't know what to do.
00:38:59But things could get really messy.
00:39:01Girl, that letter could ruin a lot of lives and get you into a really big mess.
00:39:05I think we should talk to the marchioness.
00:39:07No, not a word about that.
00:39:08She's going to marry him.
00:39:10What if someone picks up the letter?
00:39:12No, I don't think so.
00:39:14Well, bring it to me.
00:39:15And that was the end of it.
00:39:16Nothing's happening here.
00:39:22Catalina.
00:39:24Do you think we're doing the right thing?
00:39:26Look, Margarita.
00:39:28In matters of the bedroom, see, hear, and play dumb.
00:39:31Which then ends on a very large scale.
00:39:54They've beaten us to it.
00:39:57Someone has been in the pit looking for that medal.
00:40:01Leave him alone, love.
00:40:02No.
00:40:04The director of the orphanage knew about that medal.
00:40:06He's hiding something, and I want to know what it is.
00:40:09Oh, really?
00:40:11And what do you plan to do?
00:40:13Torture her, so she'll talk?
00:40:14I'm going to make him confess.
00:40:16Whatever the case may be.
00:40:18He is listening to himself.
00:40:20You're starting to talk just like your brother.
00:40:22Satur, I've seen scratch marks inside that pit.
00:40:25That child was buried alive.
00:40:28What does it say?
00:40:29How do I live?
00:40:30He tried to escape.
00:40:32That kid was locked in that hole for days.
00:40:36That can't be.
00:40:37That's impossible.
00:40:38She tore her nails trying to get out.
00:40:42He was without food, without water.
00:40:43And in complete darkness.
00:40:46Do you understand me now?
00:41:05He was alive.
00:41:10To Their Majesties the King and Queen of Spain.
00:41:13I, Lucrecia de Guzmán, am pleased to announce my marriage to the bullfighter Rafael Valverde.
00:41:21It would be an honor for anyone who could attend such a happy event.
00:41:25Make sure this letter is delivered to the Royal Palace, without fail.
00:41:30And take the veil with you.
00:41:32It will be the one I use on my wedding day.
00:41:35Her future husband will find this lace perfect.
00:41:39By?
00:41:41Because you're going to look gorgeous.
00:41:43Thank you.
00:41:46Mister.
00:41:49When were you planning to tell me you were engaged?
00:41:52Do you realize that we always have the same conversation?
00:41:56You live your life and I'll live mine.
00:41:58I thought you had it all figured out.
00:41:59Lucrecia, I don't care if you bring that bullfighter into the bedroom.
00:42:02But why get married so quickly?
00:42:04Why organize everything so quickly?
00:42:06I'm sorry.
00:42:08I thought you were alone, Marchioness.
00:42:11Don't apologize, Rafael.
00:42:12Hernán, if it's not too much trouble, I'd like to enjoy some time alone with my future husband.
00:42:22Rafael.
00:42:24Lucrecia, I have something important to tell you.
00:42:30We must break our commitment.
00:42:34What's wrong, Rafael?
00:42:36Don't you like what you see?
00:42:39Anyone would fall head over heels for someone like you.
00:42:43The thing is, I...
00:42:48I prefer the favors of a man.
00:42:59Just because we're getting married doesn't mean we have to share a bed.
00:43:05I hope you'll be discreet about your aberrant hobby.
00:43:08One of your maids knows, Lucrecia.
00:43:12Last night he found a letter that could ruin me.
00:43:17I arranged our wedding to clear my name.
00:43:21If this gets out in the village gossip circles, I'll be blacklisted for life.
00:43:24And to die to the man she loved.
00:43:26How dare you talk to me about problems in court?
00:43:35Did you get a good look at the maid?
00:43:37I could recognize her.
00:43:40She was a brunette.
00:43:42With curly hair, very beautiful.
00:43:46Daisy.
00:43:57Are you feeling better?
00:44:00Yeah.
00:44:01Luckily, the snake's venom hasn't affected me too much.
00:44:06Gonzalo.
00:44:08If what I said makes you uncomfortable, I'll leave.
00:44:11And don't worry, I would understand.
00:44:17No.
00:44:18Stay.
00:44:20You don't have to leave.
00:44:23No.
00:44:25Whatever you want.
00:44:28But I'm not going to stop feeling what I feel.
00:44:52This is the confession of a murderer, master.
00:44:56I killed.
00:44:58I killed that child.
00:45:01Don't keep looking for the culprit.
00:45:02Keep looking for the culprit.
00:45:04You said that the past always comes back, and you were right.
00:45:07And he was right.
00:45:08What we try to hide from always ends up finding us.
00:45:11Now I have to face the consequences and turn myself in to justice.
00:45:16Strive to be a servant worthy of you.
00:45:19Bye bye.
00:45:20Sato.
00:45:27Alonso, son, I appreciate it very much, but you don't have to help me with everything.
00:45:30But it doesn't cost me anything.
00:45:33Oh, really?
00:45:33Okay, put it in.
00:45:36Come on.
00:45:40What's going on here?
00:45:42What's happening?
00:45:46Where is your bedroom?
00:45:50I'm not going to ask again.
00:45:52It's upstairs.
00:45:54What's happening?
00:45:59Can you tell me that your men are looking for you at my house, commissioner?
00:46:05There is a complaint against Margarita Ramirez.
00:46:08Practical witchcraft.
00:46:11And she's not a witch anymore.
00:46:13Calm them down.
00:46:13If they're not going to find anything.
00:46:16And who reported her?
00:46:19Prefer not to give his name.
00:46:24Nothing, sir.
00:46:25He hasn't seen it.
00:46:26There is nothing.
00:46:27Very good!
00:46:27Hey!
00:46:29Commissar.
00:46:36A portrait of the queen.
00:46:38Prendesla.
00:46:39No no.
00:46:40No.
00:46:40Don't touch it.
00:46:42Don't touch her!
00:46:42Turn it over!
00:46:43Touches!
00:46:44Don't touch her!
00:46:45Let her go!
00:46:46Mother!
00:46:48Let me go, I'm not a witch!
00:46:50I'm not a witch!
00:46:51Let it go!
00:46:54Let me go!
00:46:54Let me go!
00:47:03So?
00:47:05No.
00:47:06No, you need to move the cape further away from your body.
00:47:13Very good, sis.
00:47:14You have the soul of a killer.
00:47:16But you need to improve your posture.
00:47:18Let me.
00:47:21The hand.
00:47:24The firm hand.
00:47:27Look straight ahead.
00:47:29And concentrate.
00:47:31Never lose sight of the bull.
00:47:33Don't underestimate him.
00:47:34This is a battle between him and you.
00:47:37If you let your guard down, you're dead.
00:47:45You'll take me to see a real bullfight if you marry my mother.
00:47:51All of his time.
00:47:53Again.
00:47:55I've been waiting for you for a while, Nuño.
00:47:56We had fencing class.
00:47:59Rafael is going to take me to bullfighting.
00:48:01I hope such irresponsibility is not true.
00:48:04Sometimes saying one thing at the right time is the best way to educate.
00:48:07Go on, I'll take the swords.
00:48:12I haven't had time before.
00:48:13I would like to congratulate you on your marriage.
00:48:16I am a lucky man.
00:48:17Lucrecia is an exceptional woman.
00:48:20Of course.
00:48:22What I keep wondering is what he's blackmailing her with.
00:48:27My feelings towards the Marchioness are sincere, Commissioner.
00:48:32I hope you're not implying otherwise.
00:48:35Of course not.
00:48:38I congratulate myself on the commitment.
00:48:40Thank you.
00:48:42Yes, I apologize.
00:48:43Thank you.
00:48:45Thank you.
00:48:50Very good, Nuño.
00:48:51Keep your back straight.
00:48:52Let's begin.
00:49:02Are you tired?
00:49:04I'm not well.
00:49:09We'd better leave it for another day.
00:49:10We'll practice.
00:49:12Commissar.
00:49:16Do you think they'll eventually get married?
00:49:18My mother and Rafael.
00:49:20Would you like that?
00:49:21Yes of course.
00:49:24Rafael is brave and famous.
00:49:28At least he would have someone to call father.
00:49:35Alright.
00:49:37Go and rest.
00:50:00You're the worst, Saturn.
00:50:03Murderer and coward.
00:50:06And to hand you over, Uncle Evalu.
00:50:11Let's grow a pair for once in our lives.
00:50:23Verón, I wanted to confess that...
00:50:25Go to confession at the church.
00:50:42Gonzalo.
00:50:43I just found out.
00:50:46Cipri has fallen into a trap.
00:50:48The commissioner said it was an anonymous tip.
00:50:52Who could it have been?
00:50:54Who?
00:50:56I...
00:50:56Don't know.
00:50:59Let's see if he's had any problems with anyone lately.
00:51:02A fight, an argument.
00:51:04But Margarita is a sweetheart.
00:51:06If he hasn't harmed anyone in his life.
00:51:07What enemies will he have?
00:51:08Yes, please, think.
00:51:12Think about what you love most.
00:51:14Any detail can be important.
00:51:20This will be cleared up.
00:51:21Everyone knows Margarita, and she's not a witch.
00:51:28I'm sorry, Gonzalo.
00:51:29I didn't know my loved one was there.
00:51:31Don't worry.
00:51:34Go out on the street and ask everyone if they know anything.
00:51:40Cipri.
00:51:41It's necessary to go house by house.
00:51:44That?
00:51:56Adela Rojo isn't going to let it get to her aunt, is she, Father?
00:52:04No, son.
00:52:08But if you rescue her, she will be a fugitive from justice.
00:52:11He will have to flee the village.
00:52:12And he won't be able to go home?
00:52:19No.
00:52:20If she did, they would take her again.
00:52:23But you can live in a town on the outskirts.
00:52:26No, that's not it.
00:52:30He will spend his whole life running away.
00:52:33Not to pursue her forwards.
00:52:38I have to find the person who accused her.
00:52:42You stay here.
00:52:42Don't move.
00:52:44But father, where are you going?
00:52:45Go see your aunt.
00:52:47Perhaps he knows something we've overlooked.
00:52:49They won't let you see it.
00:52:50She is doomed, Father.
00:52:53I'll watch it.
00:53:14Where do you think you're going?
00:53:15I've come to see a prey.
00:53:16Margarita Hernando.
00:53:18I need to talk to her.
00:53:21You cannot pass.
00:53:23It will only be a moment.
00:53:26Please.
00:53:37Gonzalo.
00:53:44I haven't done anything.
00:53:46I don't want to die.
00:53:48Daisy.
00:53:50Who can believe you're dead?
00:53:52Pink.
00:53:54Pink.
00:54:00Listen to me.
00:54:01I'm going to get you out of here.
00:54:02But you have to help me.
00:54:04Think.
00:54:05Think.
00:54:06It's too late, Gonzalo.
00:54:08There is no time left.
00:54:09No.
00:54:11They're going to burn me at the stake tomorrow.
00:54:15Tomorrow.
00:54:19That can't be.
00:54:21It's my last night.
00:54:28Don't bend down.
00:54:30Let me see your face.
00:54:33Let me see you.
00:54:37I need to remember your face.
00:54:53Who hasn't been allowed in?
00:54:54Let me see your face.
00:54:58Hey!
00:55:06Hey!
00:55:07Hey!
00:55:08Hey!
00:55:10Hey!
00:55:19Would you prefer that I stop you?
00:55:20And you can't see the show?
00:55:34Try to be in the square first thing in the morning
00:55:36or you'll miss the execution.
00:55:45Hey!
00:55:48Hey!
00:55:50Hey!
00:56:02Hey!
00:56:04Hey!
00:56:15Cipri.
00:56:16Nothing.
00:56:18I've asked the neighbors in the neighborhood, the shopkeepers,
00:56:20To the taverns, nobody knows who it could have been.
00:56:23Clear.
00:56:23Who would want to hurt Margarita?
00:56:25If she's better than all of us put together.
00:56:29Alonso, son.
00:56:30Where did he come from? Has he slept at all?
00:56:32I've been up all night putting up signs for the Red Eagle
00:56:35on the rooftops of the village.
00:56:37Well said.
00:56:38I'm scared.
00:56:41If he doesn't come, it's because he may have more important people.
00:56:44to save, right?
00:56:45No.
00:56:49Father, do you know something?
00:56:54Let's go home, son.
00:57:00Let's go over it again, Karina.
00:57:02Let's see if we've missed anyone.
00:57:03Everyone in the neighborhood wants Margarita.
00:57:05In the palace?
00:57:05Well, it's the same in the palace.
00:57:06If all the servants are crazy about her.
00:57:09Neither the nobles nor we paid any attention.
00:57:11I don't know who could have done such a thing.
00:57:13I don't know, Catrina, but someone has been.
00:57:16Everyone's at the palace...
00:57:20Everyone at the palace is very busy with the bullfighter's wedding.
00:57:29The letter.
00:57:31That?
00:57:31Commissioner.
00:57:32Ladybug?
00:57:35If you come to ask for mercy for your friend,
00:57:37save yourself time.
00:57:39And above all, save me mine.
00:57:41We have an execution, we're late.
00:57:43No, sir.
00:57:45I know who reported Margarita.
00:57:49The bullfighter Rafael Valverde did it.
00:57:53And why would I do something like that?
00:57:56Because Margarita found a letter from him
00:57:59in which he confessed his love to...
00:58:03to a man.
00:58:13Are you sure about what you're saying?
00:58:15Yes sir.
00:58:37May I have this dance, miss?
00:58:39It's not that difficult.
00:58:41You just have to listen to the music and...
00:58:45let yourself go.
00:58:46I don't know why, but...
00:58:49But I can't forget someone.
00:58:55I should have forgotten him a long time ago, but I can't.
00:59:01Close your eyes.
00:59:10Things were going so badly for you, and I was remembering
00:59:12from when we were children and...
00:59:13You worked in my father's high school.
00:59:32What did I win?
00:59:35What did I win?
00:59:54What did I win?
00:59:59Rucha!
01:00:37Rucha!
01:00:43Rucha!
01:00:44Rucha!
01:00:49Rucha!
01:00:52Rucha!
01:00:56Rucha!
01:00:58Rucha!
01:01:03Rucha!
01:01:09Rucha!
01:01:10Rucha!
01:01:18Rucha!
01:01:25Rucha!
01:01:26Rucha!
01:01:35Rucha!
01:01:37Rucha!
01:01:39Rucha!
01:01:43Rucha!
01:01:43Rucha!
01:01:44Rucha!
01:01:47Rucha!
01:01:48Rucha!
01:01:49Rucha!
01:01:50Rucha!
01:01:50If your father has made you stay home.
01:01:56They say I look like my mother, but this part is from my father.
01:02:02You know what?
01:02:03You not only have your mother's eyes, you also have a heart.
01:02:15But get out of here! But get out of here! But get out of here!
01:02:22Will you help me?
01:02:25Hello, love!
01:02:27I want to see, I'm not going to take it.
01:02:35But from here!
01:02:39But from here!
01:02:40But from here!
01:02:42But from here!
01:03:35I hope for your sake you didn't lay a hand on him, Nuño.
01:03:45I like men, not boys.
01:03:50And I will personally see to it that this vice is known throughout Spain.
01:04:01And what will you achieve with that, commissioner?
01:04:04Ruin my career?
01:04:07Staying away from the Marchioness of Santillana and her son?
01:04:09Very well. I'll leave. I'll leave and break off the engagement.
01:04:14But I would like to be remembered for my mastery of bullfighting and not for my preferences in bed.
01:04:20Your good intentions aren't enough for me.
01:04:23I need to make sure you won't be tempted to ever return to this palace.
01:04:28In any case, I don't think the Marchioness will like that I'm having affairs with men.
01:04:34What will the court gossip mills say?
01:04:36First a black man, then a faggot.
01:04:41Your reputation will not recover from something like this, and you will be responsible.
01:04:46Alright.
01:04:50If you want to keep deceiving everyone, I couldn't care less.
01:04:52Tell me what you want, commissioner.
01:04:55You will make a public confession.
01:04:59You will say that you tried to abuse the maid and that she rejected you.
01:05:01No.
01:05:02You couldn't stand the humiliation, and that's why you falsely accused her of witchcraft.
01:05:05No, I would be incapable of doing something like that.
01:05:08And even less so for the favors of a maid.
01:05:12You will keep the Marchioness's honor clean.
01:05:15And you will stain yours.
01:05:16Either that, or everyone will know you're a faggot.
01:05:28The Marchioness will break off her engagement when you make the announcement.
01:05:36And if you ever fight bulls in this town again, I will kill you.
01:05:45The Marchioness will break her engagement.
01:06:02The Marchioness will break her engagement.
01:06:26Wait here a moment.
01:06:45Escape this way. It's barely guarded. In your saddlebags you have food, water, and a blanket. You also have money for
01:06:59take a ship to the Americas.
01:07:01The Americas?
01:07:05No one will look for you there. You can start a new life.
01:07:12Let's see, new life. Thank you.
01:07:24Do you need anything else?
01:07:26Have you made me your friend?
01:07:30No, no, no, no.
01:07:59Whatever happens, don't look back. In the village, they won't stop until they find you and kill you.
01:08:08I don't know.
01:08:12No matter how much you miss your loved ones, never go back. Never.
01:08:19Bye bye.
01:08:23Bye bye.
01:08:27Bye bye.
01:08:33Bye bye.
01:08:35Bye bye.
01:08:39Bye bye.
01:09:06Why are you tearing up all the wedding invitations? Have you changed the date?
01:09:13Bye bye.
01:09:17Bye bye.
01:09:20Bye bye.
01:09:21Bye bye.
01:09:41Bye bye.
01:09:42Bye bye.
01:09:50Bye bye.
01:09:52Bye bye.
01:09:53Bye bye.
01:09:59Bye bye.
01:10:01Bye bye.
01:10:14Bye bye.
01:10:17Bye bye.
01:10:18Bye bye.
01:10:20Bye bye.
01:10:22Bye bye.
01:10:23Bye bye.
01:10:25Bye bye.
01:10:40Bye bye.
01:10:42Bye bye.
01:10:47Bye bye.
01:10:48Bye bye.
01:10:49Do you have everything ready?
01:10:51No.
01:10:54Let's begin as soon as possible.
01:11:14Do you think it will be okay?
01:11:21Of course
01:11:23But she is a woman and she is alone.
01:11:29But he'll pull through.
01:11:35Son, your aunt is strong.
01:11:38He doesn't give up easily
01:11:41Already
01:11:43Yes, but we have to go and find her, Father.
01:11:44We have to go with her
01:11:46Alonso, you know that's not possible.
01:11:56Because we have to accept it, Father.
01:11:59Hey?
01:12:01Mother is dead
01:12:04And we'll never see her again.
01:12:05But the aunt is alive.
01:12:09We don't know where
01:12:10But she is alive
01:12:36Alonso
01:12:37Make a tin can with your things
01:12:40We'll go with her, wherever that may be.
01:12:42Right now
01:12:43Right now
01:12:44Ostraso!
01:12:46Ostraso!
01:12:47Cipri!
01:12:49What's happening?
01:12:50That she is not a witch
01:12:50That she is safe
01:12:53What are you saying?
01:12:54Bullfighter Rafael Valverde has confessed
01:12:56That he slandered her out of spite
01:12:57It was a load of crap, a lie.
01:12:59Father
01:13:00Then you can come back home with us
01:13:04I'm going to tell everyone.
01:13:09And Satur?
01:13:11I haven't seen him in a long time.
01:13:12Where is?
01:13:13I don't know, son
01:13:15Now for the important part
01:13:16It's about finding your aunt
01:13:18But
01:13:19We don't know where he's gone.
01:13:21It will be very far away
01:13:24I'll bring her
01:13:43And how were you able to find me?
01:13:46Well
01:13:47I chose a path
01:13:48AND
01:13:49And I was right
01:13:51Well, I imagine that
01:13:52Did you go to China for ten years?
01:13:54And we met again
01:13:57Can't I get rid of you?
01:14:00Well no
01:14:07Okay, I'm going to
01:14:08To find Alonso
01:14:09I'm looking forward to hugging
01:14:10Let's see if he's awake
01:14:36Who's there?
01:14:43It's me, I love
01:14:48What are you doing here?
01:14:53I wanted to know
01:14:54How were you?
01:14:55The lady
01:14:57Good
01:15:08Did they put you in a dungeon?
01:15:14I haven't had the courage, I love
01:15:17Besides being a murderer
01:15:18Am
01:15:21A coward
01:15:23What happened?
01:15:30Tomás was very happy
01:15:33Because they had told him
01:15:35That same day
01:15:35That they were going to adopt him
01:15:42It was very unfair
01:15:43We've arrived longer than expected.
01:15:44That he and the orphanage
01:15:45And that's why you killed him
01:15:47It was an accident
01:15:54We fought
01:15:58I pushed with all my might
01:15:59Thus he fell into the pit
01:16:04I thought he was dead
01:16:05Because it wasn't moving
01:16:10I was very scared
01:16:11Come on
01:16:11I thought they were going to hang me.
01:16:13So I put down some planks
01:16:15To hide the grave
01:16:16And I left.
01:16:22Why didn't you trust me?
01:16:25Why did you lie to me?
01:16:27Because I knew that you
01:16:28I wasn't going to understand.
01:16:32You always do things right
01:16:33I love them with my head
01:16:36And I don't
01:16:37I'm a disaster
01:16:38Am
01:16:40I am a coward
01:16:41I am a murderer
01:16:42In other words, you and me
01:16:43I make mistakes too.
01:16:45Come
01:16:50Report me, I love myself
01:16:54Do what I am not capable of doing
01:17:08Go on
01:17:11We're going to heal your wound
01:17:13Come on, I know things aren't great.
01:17:25To ask for favors
01:17:27And even less so after everything that has happened
01:17:29But
01:17:31I'd like to find
01:17:33To Thomas's brother
01:17:37I don't think it's a good idea
01:17:38Tell him everything that has happened
01:17:41Furthermore, he tied himself
01:17:42It's been a long time.
01:17:45Hold
01:17:47Yes, but you'll see
01:17:48I feel indebted to that family
01:17:49And I would like to be able to do something for him.
01:17:51I know, guys
01:17:52I have a list of missing persons
01:17:53Longer than a mass
01:17:54But
01:17:56If I could make some room
01:18:00Of course
01:18:02Yeah?
01:18:06Thanks love
01:18:07Thank you
01:18:10Sorry, I know I've broken protocol
01:18:12Between master and servant
01:18:13But the thing is
01:18:14It has sprouted
01:18:15I'm sorry
01:18:16Come on
01:18:18I want to see the anchor
01:18:19A closer look
01:18:21Don't think I have it all on my side.
01:18:26It's because these little creatures have a father and a mother.
01:18:29And I'm sure they're lurking around here.
01:18:31The Christian faith of the anchor symbolizes hope in salvation
01:18:35In eternal life
01:18:37Well, it depends on how we find the money
01:18:39Yes, we will have eternal life.
01:18:41No
01:18:43I'm going to build a house
01:18:46What the hell is a house?
01:18:47I'm going to build myself a mansion
01:18:49So that we may all live together
01:18:52Aloncillo, Gaby, you
01:18:55Margarita, your mother, you
01:18:56You'll see.
01:18:58But it also symbolizes
01:19:01It symbolizes security
01:19:02Although to include their entire family tree
01:19:05With the new branches that keep emerging
01:19:07I don't know
01:19:10I don't know, Sato
01:19:12I don't know why they put this symbol here
01:19:15There has to be something more.
01:19:18You'll see the mansion I'm going to build.
01:19:20Made with top-quality materials
01:19:22Just like the Romans did
01:19:23And watch out
01:19:24However I please
01:19:26Hey?
01:19:27Do you see the aqueduct of Segovia?
01:19:29There it is
01:19:30That's staying there forever.
01:19:33Until the end of days
01:19:34Like this
01:19:50Let's go! Let's go!
01:19:54Come on!
01:20:00You will have what you want
01:20:01He is a treasure hunter
01:20:03He died searching for the Holy Grail
01:20:05This book can be of help to us
01:20:07Did they bring this for you?
01:20:08Give it to me
01:20:09Just as he asked me, poisoned
01:20:11I can't imagine a life without you.
01:20:13Thank you for making me so happy
01:20:16Do you really think I don't know?
01:20:17That you wake up in the middle of the night every day
01:20:18And that you leave home
01:20:20I beg you
01:20:21Let me reflect on my next engagement
01:20:23With the Marchioness of Uriarte
01:20:26Come on!
01:20:28Come on!
01:20:28The Virgin Mary appeared to me.
01:20:29The Virgin, yes
01:20:31I think you should have forgiven him.
01:20:33The problem is that you're supposed to be forgiven.
01:20:35Say
01:20:35You have to be on my side
01:20:37The Virgin Mary looked like Satu
01:20:39That?
01:20:40I'm sorry, but I don't think you're watching it.
01:20:41I never lie
01:20:42And if I say I saw her, it means I saw her.
01:20:44You've been acting different lately.
01:20:46A woman has the right to change, doesn't she?
01:20:48I think it's worth it
01:20:49If it's a second chance
01:20:50By order of the Holy Inquisition
01:20:52He is arrested for questioning God
01:20:54And to attack the main dogma of being
01:20:57From the Catholic Church
01:20:58Come on!
01:20:59Come on!
01:21:01Come on!
01:21:02Come on!
01:21:02Come on!
01:21:02Come on!
01:21:03Come on!
01:21:03Come on!
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