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Las tensiones en la agencia no ceden y una propuesta imprevista coloca a Sanem en una posición sumamente complicada frente a Can. Intentar corregir las cosas sin revelar más de la cuenta se vuelve un juego peligroso, mientras los malentendidos amenazan con distanciar a la pareja justo cuando empezaban a sincerarse. Entre presiones laborales y secretos a medio revelar, las emociones quedan al límite y obligan a tomar una decisión apresurada.

▶ Ver siguiente capítulo:
https://www.dailymotion.com/video/ID_CAP_54

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https://dailymotion.com/playlist/xa5lxo

Cuando los secretos se interponen en el camino, el miedo a perderlo todo suele provocar el paso equivocado.

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00:00:28Thank you!
00:00:57Thank you!
00:01:18Thank you!
00:01:30Ah! Mepky, go!
00:01:31Honey, what happened?
00:01:33My love!
00:01:33Is it your blood pressure? How's it?
00:01:34Nothing's wrong with me!
00:01:35Nothing's wrong with me! I'm fine!
00:01:36If you wanted something to happen to you
00:01:37I'm fine
00:01:39It seems to have worked
00:01:40Yes, it seems so.
00:01:41How clever we are!
00:01:44I close the door
00:01:45Better, because I don't trust them
00:01:46Hey?
00:01:49Aren't you sick?
00:01:51I'm fine?
00:01:52Me too?
00:01:54Were they at the hairdresser's?
00:01:56Already
00:02:01Girls!
00:02:02What are you doing, you scoundrels?
00:02:05Hey, Leila, Sanem, open the door
00:02:09Don't make me angry!
00:02:11Mom, I have to go
00:02:12If you both behave well, Leila will open the door for you
00:02:14Stop acting like fools!
00:02:28It's something
00:02:29Of the girls
00:02:31Clear
00:02:33That seems to be the case.
00:02:35Yeah
00:02:36Already
00:02:40Well
00:02:41Do you feel like eating?
00:02:43So
00:02:44We do something
00:02:47Until the girls
00:02:49Let us go
00:02:50Okay
00:02:55Oh, come on!
00:03:02Oh, they bought everything ready-made.
00:03:04Do you think so?
00:03:05I would never do that.
00:03:05Well
00:03:07It's definitely not as good as when you cook it yourself.
00:03:11But I'm so hungry!
00:03:13I need to eat something.
00:03:16OK
00:03:18Shall we sit down?
00:03:19Yes of course
00:03:40These girls
00:03:41Where did they get them?
00:03:49Divine youth
00:03:51What are you saying?
00:03:54You're still young and beautiful
00:03:57Oh, yes.
00:03:58Flatterer
00:04:00Really
00:04:01Yeah
00:04:02You're the same
00:04:04So pretty
00:04:05That the day I met you
00:04:07Do you want me to say nice things to you?
00:04:10Clear
00:04:11Time passes
00:04:12And I want
00:04:13To be by your side
00:04:14Oh, my love
00:04:15Don't say those things
00:04:20Besides
00:04:22You don't need me to compliment you
00:04:24It's obvious
00:04:26You are a mighty lion
00:04:31And those blue eyes
00:04:34It's like looking at the sea
00:04:36Uh-huh
00:04:37I'm going to blush
00:04:40Mequive
00:04:42I'm hungry
00:04:43Well, eat
00:04:52They're very quiet
00:04:54And they've kicked down my door
00:04:56Okay, okay
00:04:57It's because they're talking
00:04:58How exciting!
00:04:59Well, I have to go
00:05:00OK
00:05:01I think I'll call Osman
00:05:04And what am I going to do with my things?
00:05:06I feel super stressed
00:05:07Don't worry, okay?
00:05:09I would go with you
00:05:10But they've only summoned the creative team
00:05:12It's better if you don't come
00:05:13Well, I'm leaving.
00:05:14Okay
00:05:15You'll tell me.
00:05:16OK
00:05:17Bye
00:05:21My little girl
00:05:22Look how tiny she was
00:05:23The house smelled like a baby
00:05:24Look, look
00:05:28Do you remember?
00:05:29The girls got angry
00:05:30Because it started to rain
00:05:31And we couldn't go on a picnic
00:05:32But you promised them
00:05:33That we would go as soon as the sun came up
00:05:35And suddenly he came out
00:05:36And we went
00:05:37But Sanem
00:05:37He put on quite a show for us.
00:05:39Why don't we take her doll?
00:05:40He was already stubborn
00:05:43Oh, my blue-eyed girl
00:05:45Look, she was always sweet and calm.
00:05:47Oh, we had such a great time
00:05:52Darling
00:05:53I took it off
00:05:55I don't want us to get angry again.
00:05:58Yeah, me neither.
00:06:00And the girls get upset
00:06:02What they've done is very wrong.
00:06:03It scared me a lot
00:06:04When they told me you were sick
00:06:06They did it for our own good.
00:06:09We have
00:06:11Carried like children
00:06:15And them as adults
00:06:16Yes it's true
00:06:19Me
00:06:20Me
00:06:24Me
00:06:24Me
00:06:26Me
00:06:27Me
00:06:27What's the matter?
00:06:30Darling
00:06:32Can you give me a back massage?
00:06:34Does your back hurt?
00:06:36Sure, that's what happens when you sleep in the tent
00:06:38It hurts me
00:06:40I'm going to give you a massage to make you feel better.
00:06:43Oh, oh, come on
00:06:44Let's go to the sofa
00:06:46I'm sure you're better off there.
00:06:47Come on, be careful
00:06:48Slowly, carefully
00:06:50Carefully, slowly
00:07:08Hi gorgeous
00:07:09Hi gorgeous
00:07:10Hello darling
00:07:10Come
00:07:16Hey, are you okay?
00:07:18Yeah
00:07:19I'm fine
00:07:20Yes I'm fine
00:07:20Sure?
00:07:23Are you sure you're okay, honey?
00:07:25Because you seem a little nervous.
00:07:27Your mind is elsewhere
00:07:29No way?
00:07:31Yes, nothing's wrong with me.
00:07:33The only thing is that I'm tired
00:07:35Tired?
00:07:36Well
00:07:36Then I'm going to give you a bear hug
00:07:39I'm going to give you a big hug
00:07:40I'm sending you all my energy
00:07:45Hello
00:07:54Hello
00:07:57Good afternoon
00:07:58Good afternoon
00:08:00Don't you greet your mother?
00:08:04Ah, the truth is that no hotel is as comfortable as your children's house
00:08:08This is better than a five-star hotel
00:08:11You haven't even asked us if you can stay
00:08:13You are not welcome.
00:08:15Already
00:08:18Emre, what do you say?
00:08:19Oh no, Mom
00:08:20I'll accompany you to your room
00:08:24Give me
00:08:25Can you hang it up for me?
00:08:26Thank you
00:08:27Right or left?
00:08:29Left
00:08:31He's not doing well at the hotel and he's asked me to.
00:08:34What was I going to do?
00:08:36I'm going to leave the suitcases
00:08:46I'll open it, dear.
00:08:54They know she's beautiful
00:08:55Do you like it?
00:08:56Yeah
00:08:56Thank you
00:08:57Hello
00:08:58Stylish
00:08:58Hello everyone
00:08:59Hello
00:08:59We have arrived
00:09:00Good afternoon, guys
00:09:01Good afternoon
00:09:02We don't have much time to lose.
00:09:04Let's begin
00:09:07I like being here
00:09:10Did you know?
00:09:11I was happy that you called me
00:09:13I felt like getting some fresh air.
00:09:15And I also wanted to leave my parents alone at home for a while
00:09:18Ah
00:09:19Are you using me?
00:09:20Oh, of course not, Osman
00:09:22Why do you say those things?
00:09:23I don't want to get upset
00:09:24Because you said so?
00:09:26Are you regretting coming here?
00:09:28Why would I regret it?
00:09:29My God
00:09:30I'll be there
00:09:31Whenever you call me
00:09:34Okay
00:09:42Oh
00:09:42Who do we have here?
00:09:43But they're a pair of lovebirds.
00:09:45They are Romeo and Juliet
00:09:46I'm going to get a chair
00:09:47And I'll accompany you
00:09:48There's no need, mosa
00:09:50I was already leaving.
00:09:51So sit here
00:09:52And I was going to accompany you
00:09:53Because?
00:09:54We're going to stay here
00:09:55That way we can take the opportunity to talk about manly things.
00:09:57Leila is quite grown up, isn't she?
00:09:58Yeah
00:09:59I just have to cross one street
00:10:00That
00:10:01Or a street
00:10:01The way is already known.
00:10:02Okay, but call me when you arrive.
00:10:07Okay, see you later
00:10:08Bye
00:10:12Okay, okay
00:10:13Look at that.
00:10:14What do you think?
00:10:19Oh, Osman, Osman, my friend
00:10:21It seems that this time
00:10:22You're going to get your way.
00:10:24With mine?
00:10:25I mean
00:10:25I bet you're very much in love with Leila
00:10:27Finally, you're starting to look her in the face
00:10:29And she gives you puppy-dog eyes
00:10:31That's why things are going well.
00:10:32I'm sure it will be soon.
00:10:34She will wear your ring on her finger
00:10:35You'll see
00:10:36I was buying the ring
00:10:38You'll see
00:10:40Yeah?
00:10:40You think?
00:10:41Of course!
00:10:42It's not the first time I've seen it
00:10:43I've been at it for about 30 years now.
00:10:45In the field of platonic love
00:10:46And his gaze makes it clear.
00:10:48I can see that there's a lot of love in the air here.
00:10:51Leila is in love with you
00:10:52In other words
00:10:53He takes you deep into his heart
00:10:55But
00:10:56I'm also going to tell you something else
00:10:58Don't you dare hurt that girl
00:11:00You'll find out
00:11:01To hurt him
00:11:02I just want to make her happy.
00:11:03May she be happy.
00:11:04That's it, happiness.
00:11:05I'm with you.
00:11:06Although we shouldn't celebrate with juice
00:11:08Let's make a toast this time
00:11:09With something stronger
00:11:10Two, three black men
00:11:12May they be strong!
00:11:21Mother
00:11:24Do you need anything?
00:11:25Well yes
00:11:25I respect
00:11:30Mother
00:11:31You're right
00:11:32But you already know him.
00:11:33You knew my brother was going to react like that
00:11:35Of course I knew it
00:11:36In fact, I was expecting something worse.
00:11:38But he didn't know that girl had so much influence over him.
00:11:42Well
00:11:42In fact
00:11:44My relationship with Jan has improved thanks to Sanem
00:11:48Yeah?
00:11:50So you approve of your brother having a relationship with that girl?
00:11:54Not at first
00:11:56But
00:11:56My brother is happy with her
00:11:58And we must respect that.
00:12:00You know Jan
00:12:01He goes his own way.
00:12:02Already
00:12:03And I also see how he speaks to me rudely.
00:12:05I think he's just as left-handed as you are.
00:12:07I have to go to work
00:12:09Let me know if you need anything
00:12:10OK
00:12:24Okay guys
00:12:25We should follow this strategy
00:12:27Understood?
00:12:28And we need to know the progress of our rival
00:12:32All we know is that they haven't gone into production yet.
00:12:35Exact
00:12:36We should try to find out what Fabre's next step will be.
00:12:39How could they have developed a new product?
00:12:42Without anyone noticing
00:12:43What do you think?
00:12:44Mr. Jan
00:12:45Perhaps it's a variation of a previous perfume
00:12:47Yeah
00:12:48It's been a while since they released a new product.
00:12:49They have all been variations on the same theme
00:12:51That's why I'm worried about their trust.
00:12:53Hey Sanem
00:12:54Do you have any ideas?
00:12:56Hey
00:12:57Well
00:12:57Probably
00:12:58They intend to release a version of one of their classic perfumes.
00:13:02Something with a touch of nostalgia
00:13:04We know that Fabre is a very ambitious man
00:13:07What you're saying doesn't make sense.
00:13:08So refrain from talking nonsense.
00:13:10Well, I think Sanem is right.
00:13:13They might resort to some classic product
00:13:16And they're a safe bet.
00:13:17I've been using the same perfume for years.
00:13:20By the way, good afternoon
00:13:22Good afternoon
00:13:24Well, I think we can start making a forecast.
00:13:28This year's trendy colors
00:13:30They are coral and dark orange
00:13:32It could be
00:13:33An exotic fragrance with intense floral aromas
00:13:38Could be
00:13:39More ideas?
00:13:40If they are so confident
00:13:41It's because it's a women's perfume.
00:13:43Hey Sanem
00:13:44Tell me Juma
00:13:45Oh
00:13:46Excuse me, tell me
00:13:47Hey
00:13:48What do you need?
00:13:49Sanem
00:13:49Can I ask you a small favor?
00:13:51Clear
00:13:52I don't know this cuisine very well.
00:13:54Will you make me some of your tea?
00:13:56They are famous
00:13:57Clear
00:13:57I'll prepare it now.
00:13:59Go
00:13:59Thank you
00:14:02Emre, any ideas?
00:14:04As someone from outside, I'm interested in your opinion.
00:14:06I think it will be a product for women
00:14:09But I can't think of anything else.
00:14:12Thank you so much
00:14:16Look how long her hair was!
00:14:18She's still just as beautiful
00:14:20Look
00:14:49Don't lie to me
00:14:51Can't you see he's working?
00:14:53And that way you can take care of me.
00:15:23The massage went very well for me.
00:15:28Here's your tea
00:15:29Ah
00:15:30Thank you so much, dear
00:15:31You are welcome
00:15:33Dear
00:15:34Jan, I hope you don't mind my presence.
00:15:37While you are working
00:15:39No, I've already accepted that you don't exist.
00:15:41So, as far as I'm concerned, there's no problem.
00:15:44Let's take a break
00:15:45You have everything in the kitchen
00:15:47Tea, coffee, water
00:15:51Phenomenal
00:15:52What a great touch, Sanem!
00:15:54I don't usually like tea
00:15:55But this one is delicious
00:15:57Are you serious?
00:15:58Yeah
00:15:58Well, I'm very glad.
00:15:59Enjoy it
00:16:01Jan
00:16:02The ice is melting
00:16:04He's started treating me better
00:16:05Look, I don't care if the ice melts
00:16:08It's not necessary
00:16:08I don't want you to be friends
00:16:09Don't try so hard to please him
00:16:11Don't trust it
00:16:12Who knows what he's up to this time?
00:16:15You think?
00:16:15I know
00:16:16Well, I thought maybe your mother
00:16:19He wanted to ingratiate himself with me.
00:16:21Too bad
00:16:23Should I open it?
00:16:24Please
00:16:27Do you know what we're going to do?
00:16:28Let's focus on the work
00:16:30Perfumes are your specialty
00:16:32And I'm hoping for wonderful ideas
00:16:33Okay
00:16:40Hello
00:16:40Oh
00:16:42Jeida, how are you?
00:16:43Very well and you?
00:16:45Hello
00:16:48But what?
00:16:49If you're going to ask me what I'm doing here, it's better not to say anything.
00:16:51Every time you see her, you say the same thing, you know?
00:16:53And you're absolutely right.
00:16:55Hi, Jeida
00:16:55Hello darling
00:16:57Mrs. Huma told me that you worked here
00:17:00But he probably called me because he was bored.
00:17:02And Jeida never tells me no, please sit down
00:17:06They've got it set up so well.
00:17:08Yes, that's how young people work.
00:17:10Hey, how long have you been friends?
00:17:12From the party
00:17:14Mom meets Jeida's father
00:17:16And they became friends
00:17:20It was a surprise
00:17:22Yes, you say.
00:17:23Jan, we've worked hard and the team is tired.
00:17:26Can we call it a day?
00:17:27You're right
00:17:28I've also lost the desire to work
00:17:31Listen to me
00:17:31Let's leave it for today.
00:17:33We need to rest.
00:17:34Thank you so much
00:17:35You have done a magnificent job
00:17:37Thank you all
00:17:37Good night
00:17:39You stay here
00:17:41You can't leave because I still have things to do with you.
00:17:45Tell me, Leila
00:17:46Leila, let's see
00:17:46Who?
00:17:47Yes, it's her.
00:17:48So they're back together?
00:17:50Excellent!
00:17:51Yes, I'm so glad!
00:17:52Okay
00:17:53See you later
00:17:55See you later
00:17:55And your parents?
00:17:57Reconciled
00:17:58I already told you it would be fixed
00:17:59It's great that they're back together.
00:18:01You've worried for nothing.
00:18:02I have to...
00:18:03Go home
00:18:03Before...
00:18:04It should be done later, right?
00:18:06Two fingers
00:18:07You start the sentence and I'll finish it.
00:18:08You see how clever I am
00:18:09I'll take you there and then I'm going to the cabin
00:18:12And are you going to sleep there?
00:18:13As long as she's here, I have no other choice.
00:18:15Okay, fine
00:18:19Ah, goodbye dear
00:18:20Good night
00:18:21Jan, we haven't spoken at all.
00:18:23I have to go, it's very late
00:18:25Son, I thought we were going to talk for a while now.
00:18:28Well, it looks like that's not going to happen.
00:18:36Do you want something?
00:18:37Coffee, please
00:18:39Runs
00:18:42I make great coffee
00:18:49Oh!
00:18:50Oh, I'm so embarrassed!
00:18:53Mother!
00:18:54Don't hit him!
00:18:57Ah!
00:18:58Oh!
00:18:59Mother!
00:19:00Oh!
00:19:01Oh!
00:19:04You have such great hands, darling!
00:19:06What a party!
00:19:07Come
00:19:07Ah!
00:19:09My love
00:19:11Oh!
00:19:11But anyway, everything's sorted now, right?
00:19:14This time it lasted too long
00:19:16We didn't know what to do anymore.
00:19:17You gave me quite a fright!
00:19:19I almost had a heart attack
00:19:20I don't even know how I got home
00:19:23We had no alternative.
00:19:24You should see how much you love each other.
00:19:26Yes, it's the only thing we could think of.
00:19:28Come on, admit it worked
00:19:30It's true, it worked
00:19:32Now we will live in peace and harmony
00:19:35Yeah
00:19:35Because from now on
00:19:37There will be no more secrets or lies
00:19:40Of course not, never ever
00:19:42Excellent!
00:19:44How lucky I am!
00:19:46If this family had
00:19:48I am grateful to have you.
00:19:50I give thanks
00:19:51Thank God
00:19:51Ah!
00:19:52No no.
00:20:22No no.
00:20:52And me? Should we see each other more?
00:20:54Of course.
00:20:55I have to organize a dinner party and you're invited.
00:20:58I'll tell Jan to come too, and we'll all be there.
00:21:01Of course, but I don't think Jan wants to come.
00:21:05And if he comes, he won't be alone.
00:21:07Sanem doesn't leave his side for a minute.
00:21:10Well, he thinks it's normal that he sees you as a threat.
00:21:14You are an independent, beautiful, smart, and charming woman.
00:21:19Thank you so much.
00:21:20But it hasn't been enough.
00:21:22The problem is that I gave up on you too soon.
00:21:27Could be.
00:21:28Anyway, that's what I was getting at.
00:21:29I'll organize dinner and let you know.
00:21:31Trust me.
00:21:32Okay, fine.
00:21:35See you.
00:21:36Bye bye.
00:21:48Mother.
00:21:49What's happening?
00:21:50Has he left now?
00:21:51Yeah.
00:21:53I see you've been talking for quite a while.
00:21:56It's very late.
00:21:57I'll just tell you one thing.
00:21:59She is a classy woman.
00:22:00She's the perfect woman for Jan.
00:22:04Mom, she's with Sanem.
00:22:07Seeing how you treated her, I thought you had accepted her.
00:22:09And I'm trying, Emre.
00:22:11I'll try.
00:22:12Will you try it?
00:22:12You try to separate them.
00:22:14Oh, no.
00:22:15No way.
00:22:16I just think Yeida is a more suitable partner for Jan.
00:22:19Mom, let Jan choose whoever she wants.
00:22:22That's their business.
00:22:23Okay, okay.
00:22:24Your brother doesn't think clearly.
00:22:26Look, he's so blinded that he doesn't see that he'll never be happy with a girl from a working-class neighborhood.
00:22:31So our obligation is to open his eyes so that he doesn't make a big mistake.
00:22:35Don't count on me.
00:22:38Don't you think that girl is hiding something?
00:22:45Because?
00:22:46I don't know.
00:22:48You're obsessed.
00:22:49At all.
00:22:51I only trust what my intuition tells me.
00:22:53Something's off.
00:22:55There is.
00:22:56I'll find out.
00:22:59Good night, my love.
00:23:02Good night.
00:23:18Hey, we haven't talked.
00:23:21How did it go for you there?
00:23:22Was his mother there?
00:23:23Well yes.
00:23:24And has he treated you badly?
00:23:25No, although I think she gets along very well with Yeida.
00:23:29He's come again.
00:23:30You don't say.
00:23:32You probably didn't find it funny at all.
00:23:35I understand why you're making that face.
00:23:37But that's not the only thing that worries me.
00:23:41We spent the whole session talking about Fabry's new perfume.
00:23:45And I couldn't speak.
00:23:47How could I say it's my perfume?
00:23:49I really don't know what to tell you.
00:23:52Tell him the truth.
00:23:53I don't see myself as capable.
00:23:55I don't have the courage for it.
00:23:57And what's more, things are getting more complicated every day.
00:24:00Although I don't want to be lying to him either.
00:24:04I think I've made a big mistake.
00:24:07Don't say that, Sanem.
00:24:08Because you did the only thing you could do.
00:24:11They could have condemned Yan.
00:24:12Oh, no.
00:24:13Don't know.
00:24:14But I panicked.
00:24:15And now I think I made a big mistake.
00:24:17Oh, don't believe that stuff.
00:24:19If Fabry had not withdrawn the lawsuit,
00:24:22The company would have lost its reputation and customers.
00:24:25It would have surely sunk.
00:24:27Redmode's campaign has helped her recover.
00:24:30You not only saved Yan, you saved the agency.
00:24:34Well, I hope Yan understands and forgives me.
00:24:37Because I'm going to talk to him and I plan to tell him the truth.
00:24:40Very good.
00:24:42Well, Mom and Dad are back together.
00:24:45We should be happy.
00:24:47Yes, I believe it.
00:24:49Our plan worked.
00:24:51Let me help you.
00:24:58Yeah.
00:25:00And the preparations?
00:25:02Oh, oh, great.
00:25:03Then everything will be ready before we arrive.
00:25:06Okay, then I'll wait for your call.
00:25:08Have a good day.
00:25:09Good morning.
00:25:10Good morning.
00:25:12Tell me, did you go to the cabin?
00:25:14Yes, I'm going to stay there until our mother leaves.
00:25:22Yan.
00:25:23Why don't you talk to her?
00:25:25She is our mother.
00:25:26I have nothing to say to her, you know that.
00:25:28Yes, but...
00:25:29Embré, please, let's stop talking about unpleasant topics that only make us nervous.
00:25:39A ring?
00:25:40Then I'm going to ask Sanem to marry me.
00:25:43Do you think now is a good time?
00:25:45Of course it's a good time.
00:25:46In fact, it's the best.
00:25:52I found this photo and it made me think.
00:25:56It's a very nice photo.
00:25:58Yes, she's pretty, very pretty.
00:26:01This is our last family photo.
00:26:03Look how happy they are.
00:26:05And look now, all we have left is pain and disappointment, Embré.
00:26:11I thought that was the price you paid for loving until I met Sanem.
00:26:19Thanks to her, I have regained the desire to be happy.
00:26:26I'm so happy for you.
00:26:32I have a lot of work.
00:26:35See you.
00:26:36Okay.
00:26:46Laila, wish me luck.
00:26:48I hope it goes well.
00:26:49Are you going to talk to him at the agency?
00:26:51No, I prefer to take it outside.
00:26:54It's a delicate subject.
00:26:55Okay.
00:26:56What a stress.
00:26:57Good morning.
00:26:58Good morning.
00:26:58Sanem.
00:27:01I want us to talk about an important issue.
00:27:03In the office.
00:27:05Clear.
00:27:05Can I go see Jan first?
00:27:07Please.
00:27:09Okay.
00:27:10Okay.
00:27:11I'm coming right now.
00:27:14Sanem, Sanem.
00:27:16Don't take anything off.
00:27:17Leave it on.
00:27:18Brilliant.
00:27:19How beautiful.
00:27:20Turn around.
00:27:22Gorgeous.
00:27:22Come on, we have to go.
00:27:24Where to?
00:27:24Where to?
00:27:25Where to?
00:27:26Where to?
00:27:27Where to?
00:27:27Where to?
00:27:28You always ask the same question.
00:27:29It's a surprise and I can't tell you.
00:27:31Okay, let's go.
00:27:31Jan.
00:27:32You, be quiet.
00:27:33Quietly.
00:27:34I?
00:27:36Jan, we need to talk.
00:27:38Wait.
00:27:41Excuse me, what did you want to talk to Sanem about?
00:27:43Is everything alright?
00:27:44Is there a problem?
00:27:53Tell me about it.
00:27:54Okay.
00:27:55In the office.
00:28:00Let's talk in the cafeteria behind here.
00:28:03Go first.
00:28:04Okay.
00:28:07I'm going to investigate what those two are up to.
00:28:09That.
00:28:11Ah, good morning.
00:28:13Good morning.
00:28:14You've left me all alone at home.
00:28:16Didn't you want to rest?
00:28:18This is not the time to rest.
00:28:20There is a lot of work to do.
00:28:21And my dear Eileen is going to help me.
00:28:25You, Eileen?
00:28:26Uh-huh.
00:28:26Already.
00:28:27Well, have a good time.
00:28:32It doesn't come out.
00:28:32Mr. Emre is not leaving.
00:28:34Well, we aborted the mission.
00:28:38Hello.
00:28:39What's up?
00:28:40Hi, JJ.
00:28:41Account.
00:28:41Were you able to find out anything else?
00:28:43No.
00:28:47Mr. Emre comes out behind her.
00:28:50That?
00:28:50Who's chasing whom?
00:28:51Look, Leila just left the office and Mr. Emre is leaving now.
00:28:56But I'm convinced it's not a coincidence, although I don't know if they'll see each other.
00:29:00We don't know, but you should follow it just in case.
00:29:02How am I going to leave my job?
00:29:03As?
00:29:04As?
00:29:04That?
00:29:05Are you still there?
00:29:06Do as I say.
00:29:07Already.
00:29:08Wait.
00:29:10I'm going out for a moment.
00:29:18I'm going to leave the office.
00:29:19Ugh, it's so cold.
00:29:20Phew, it's cold.
00:29:22Where has he gone?
00:29:23Phew, it's cold.
00:29:25Where has he gone?
00:29:27Oops, I've got the wrong coat.
00:29:31There it is.
00:29:33Phew, it's cold.
00:29:34No!
00:29:58What happened?
00:30:00I'm worried.
00:30:01Yesterday I went to Fabri's company and saw Sanem leaving there.
00:30:07Did Sanem give her her perfume?
00:30:09Yeah.
00:30:10But why?
00:30:11To save Jan.
00:30:17Oh, Aijan, how inconvenient, daughter.
00:30:20Yes tell me.
00:30:21Hi Yeyei, what are you doing?
00:30:22Well, what am I going to do?
00:30:23They met in the cafeteria.
00:30:25I'm secretly watching them.
00:30:26Ah, so they've arranged to meet where no one can see them.
00:30:30I find that very disturbing.
00:30:31Listen, I need you to do me another favor.
00:30:33Please, do it just for me.
00:30:35Please take some pictures of them.
00:30:37Okay, Aijan, I'll do it now.
00:30:39Okay, see you later.
00:30:41Okay, thanks.
00:30:48I understand, but you could have told me.
00:30:51Why didn't he do it?
00:30:52Sanem is sorry.
00:30:54And now she wants to tell Mr. Jan everything.
00:30:56Well, then he shouldn't do it.
00:30:57If he finds out, he'll be angry.
00:31:00And today he's going to ask her to marry him.
00:31:03That?
00:31:05Oh my God.
00:31:06If he finds out about this, he'll be furious.
00:31:09He trusts her a lot.
00:31:10What are we going to do?
00:31:12You'd better call Sanem.
00:31:14Okay.
00:31:19Let's see what my brother says when he sees it.
00:31:22Oh, little brother, I already told you not to trust him.
00:31:27Of course, maybe I shouldn't show it to her.
00:31:30It's for certain people.
00:31:31He's going to be very sad.
00:31:33What am I going to do?
00:31:35Hey, Aijan, do you know when he's going to ask her?
00:31:37Asking for what?
00:31:38Musafer has told me everything.
00:31:40Osman and Leila say they were very close last night.
00:31:43I also saw them last night drinking together.
00:31:46And?
00:31:46So, what's so special about them drinking tea?
00:31:48Well, I went for tea once with my husband
00:31:51And now we have three children.
00:31:52It's true?
00:31:53That's how it starts, you understand?
00:31:55What I don't understand is one thing.
00:31:57Why are you asking me?
00:31:58We know Osman and we are concerned.
00:32:00And things are going very well for him.
00:32:01That's why we're happy.
00:32:03It's actually jealousy; there's a lot of envy here.
00:32:06Of course not.
00:32:07But it's normal to be curious.
00:32:09Leila was with her boss.
00:32:10I saw him driving her around.
00:32:13And so?
00:32:14They are no longer together.
00:32:15Let's be clear.
00:32:16My brother and Leila are friends, and that's it.
00:32:18Alright, I'm leaving.
00:32:19Bye bye.
00:32:20Of course.
00:32:22Friends, friends.
00:32:23Well, now I'm going to ask Medkidé.
00:32:25You stay in the store, okay?
00:32:27Okay.
00:32:27Let's see if I can understand better with Medkidé.
00:32:30Oh.
00:32:31Oh, if we don't manage to reconcile.
00:32:34The shop is a complete mess.
00:32:36How are you, neighbor?
00:32:39No matter how much I clean, I never get rid of the trash.
00:32:41I've come to congratulate you.
00:32:44Why's that?
00:32:45Haven't you heard?
00:32:46Everyone is talking about Leila and Osman.
00:32:49What's wrong with them?
00:32:50Don't know.
00:32:50They got engaged, they're getting married.
00:32:52I'm sure you know better.
00:32:54But bravo, what a clever one.
00:32:56You're much smarter than I thought.
00:32:58When the boy was a butcher you didn't care, but now that he's famous you've decided to get your hands on him.
00:33:04You'll see, you'll find out in the south.
00:33:07I'm going to grab you by your braid and drag you all over the neighborhood until you're completely exhausted.
00:33:13all.
00:33:14I admit you're bad, but smart.
00:33:16I didn't want you to find out through the newspaper.
00:33:18You are never satisfied.
00:33:20You're always talking about other people.
00:33:21I don't care what you say.
00:33:22I intend to find out everything.
00:33:23Get out of here.
00:33:24Go away.
00:33:27Can't.
00:33:31He doesn't answer.
00:33:33He hasn't even seen the message.
00:33:34Sanem puts her mobile phone on silent at night.
00:33:36The sound will not have been activated.
00:33:38Do you want me to call my brother?
00:33:39What should I say to him/her?
00:33:40I need to talk to Sanem urgently.
00:33:43Good idea.
00:33:49No coverage.
00:33:50What do we do?
00:33:51I don't know, I don't know, I don't know.
00:33:53That?
00:33:54Come on, let's go.
00:33:55Where to?
00:33:55To the cabin.
00:33:56We need to talk to her.
00:33:57I'll call the driver.
00:33:59Okay.
00:34:01Come on.
00:34:07But where is my brother?
00:34:09Did he say anything as he left?
00:34:10No, he hasn't said anything.
00:34:11He arrived and then left immediately.
00:34:14Okay, I'll call him then.
00:34:18Good morning.
00:34:19Oh, hello.
00:34:20I was just calling you.
00:34:22I was getting ready for the night.
00:34:24To do what?
00:34:25I've invited Leila over for dinner.
00:34:28I've made a reservation at a good restaurant.
00:34:31I bought this for him.
00:34:35Don't you like it?
00:34:37No, it's beautiful.
00:34:39I'm sure she'll love it.
00:34:41Yeah.
00:34:41He deserves much more.
00:34:43But for now it will do.
00:34:47What's happening?
00:34:47How's everything going?
00:34:48Have you got it sorted?
00:34:50Everything is clean and tidy.
00:34:52Excellent.
00:34:58Hopefully we can arrive on time.
00:35:00They love each other very much and deserve to be happy.
00:35:03Yeah.
00:35:04Yes it's true.
00:35:10She must be worried.
00:35:12Forward.
00:35:17Yes tell me.
00:35:19Hey, where are you?
00:35:20Busy.
00:35:21Tell me.
00:35:22OK.
00:35:23Your mother wants the three of us to have dinner tonight.
00:35:26Can you take care of making the reservation?
00:35:27A dinner.
00:35:28I don't want to have dinner with you.
00:35:30Look, this is your mother's doing.
00:35:32I'm busy right now, okay?
00:35:54Tell me, Mom.
00:35:55Leila, I want to ask you a question and I want you to tell me the truth.
00:35:58Understood?
00:35:59Do you have a relationship with Osman?
00:36:02Oh, with Osman?
00:36:05Yes, with Osman.
00:36:07You just have to say yes or no.
00:36:10Yes, we have a relationship.
00:36:13We're leaving.
00:36:15We'll talk tonight.
00:36:17OK.
00:36:20One day I'm going to have a breakdown.
00:36:26Leila.
00:36:27Yes, tell me.
00:36:27What's your problem with Osman?
00:36:29It's a personal matter, Mr. Embre.
00:36:31Leila.
00:36:33Listen.
00:36:34We can't get distracted now, understand?
00:36:36The important thing is to talk to Sanem.
00:36:39Yes I know.
00:36:41Can it go faster?
00:36:52I was going to ask you to come here.
00:36:55Oh really?
00:36:56Yeah.
00:36:58To speak calmly.
00:37:01Calmly?
00:37:04I know what you're going to say.
00:37:07You know it.
00:37:10But...
00:37:11Don't get involved.
00:37:14Don't get involved.
00:37:14Please, Jan.
00:37:15You have to understand me.
00:37:16Sanem, look.
00:37:18I know you want me to get along with my mother.
00:37:22But it's not easy.
00:37:24Okay.
00:37:26I'll figure it out myself.
00:37:28Don't get involved.
00:37:30Please.
00:37:32I don't want to get angry with you about her.
00:37:36Whatever you want.
00:37:37Good.
00:37:38Well, we both agree.
00:37:40Come on.
00:37:48Here.
00:37:56Already.
00:38:04I can't believe it.
00:38:06I can't believe it.
00:38:28These flowers smell so good.
00:38:30Do you like it?
00:38:31I love it.
00:38:34No flower smells as good as you.
00:38:39I wish we were always here.
00:38:42Alone.
00:38:43In nature.
00:38:45Alone.
00:38:45You and I.
00:38:47You'd get bored of me.
00:38:48No, never.
00:38:49Because you said so?
00:38:59The Egyptians thought there was...
00:39:02a vein that connected the finger to the left hand.
00:39:07with our hearts.
00:39:09Oh really?
00:39:12Modern medicine proved that this was not true.
00:39:14But still,
00:39:15The bride and groom put the wedding ring on their ring finger.
00:39:17to eternally feel love in the deepest part of their heart.
00:39:30Already.
00:39:42The stone?
00:39:44Yes, it's the...
00:39:46moonstone.
00:39:48You complete me.
00:39:49And you help me.
00:39:51But I broke this stone.
00:39:54And you made me a ring.
00:39:59Sanem,
00:40:00since we met,
00:40:03me...
00:40:04I have become a new person.
00:40:06I feel...
00:40:07that I am a better person.
00:40:11Can...
00:40:12be afraid,
00:40:13But I feel...
00:40:14that I am capable of anything.
00:40:17I feel light,
00:40:19like a feather.
00:40:20And very strong at the same time.
00:40:24And after meeting you,
00:40:27I began to feel my eyes.
00:40:30And my heart started beating again.
00:40:35I want to be with you always.
00:40:38I don't want to have to go back
00:40:40to never separate from you.
00:40:46We didn't marry you.
00:40:48We didn't marry you.
00:41:12Do you want to say something?
00:41:18Already.
00:41:20I want to tell you yes,
00:41:21really.
00:41:24But...
00:41:25But what?
00:41:28But what, Sanem?
00:41:32There's always a "but."
00:41:36That...
00:41:38What does it mean?
00:41:39I want to tell you yes.
00:41:40I cannot accept.
00:41:43The thing is...
00:41:45I can't say yes.
00:41:48Are you rejecting me?
00:41:49No, Jan.
00:41:50I could never reject you.
00:41:52It would be impossible for me.
00:41:54Well, let's see if you can get your facts straight, Sanem.
00:41:56I don't understand anything.
00:42:00Jan,
00:42:00I have something very important.
00:42:02What can I say?
00:42:03More important than us,
00:42:05more than this moment.
00:42:06I'm going to tell you right now.
00:42:09It's something you should know.
00:42:14Do you see me?
00:42:15Sanem.
00:42:16Sanem.
00:42:17Leila.
00:42:18Leila.
00:42:19Mr. Jan,
00:42:20I'm sorry to interrupt this moment.
00:42:21No problem.
00:42:22Why have you come?
00:42:23It's an emergency.
00:42:24I couldn't locate Sanem,
00:42:26So I asked Mr. Emre.
00:42:27What's happening?
00:42:28Sanem, Mom has gotten sick.
00:42:30That?
00:42:30What happened to him?
00:42:31I don't know exactly.
00:42:32I think it's the tension.
00:42:33Jan called me Melahat
00:42:34and he told me to go home.
00:42:36Come on, let's go.
00:42:37Yes, yes.
00:42:38Mr. Jan,
00:42:39I think our parents
00:42:40have discussed
00:42:41because of what came out about you
00:42:42in that newspaper.
00:42:43It'll be better if Sanem and I
00:42:44Let's go alone.
00:42:45I understand.
00:42:45You'd prefer I didn't go.
00:42:47Mr. Emre
00:42:48He's waiting for us in the car.
00:42:50Jan,
00:42:50since they have come,
00:42:51I'd better go with them.
00:42:52Yes of course.
00:42:53Emre will leave you there
00:42:54safe and sound.
00:42:55But keep me informed.
00:42:57Of course.
00:42:59See you later.
00:43:01Come on, let's go.
00:43:02How was it?
00:43:02What happened to him?
00:43:03We'll find out now.
00:43:04How could you not know me?
00:43:05Tell me something.
00:43:07I don't know,
00:43:08You feel unwell, Sanem.
00:43:09Tell me what happened.
00:43:11Call Mom
00:43:11right now
00:43:12and ask him
00:43:12If it's better, okay?
00:43:14Let's go, quickly.
00:43:15Sanem, calm down
00:43:16And listen to me for a second.
00:43:17Mom, it's okay.
00:43:18Has anything happened to him?
00:43:20What do you mean, is it okay?
00:43:21So why?
00:43:21Sanem, calmly,
00:43:22Have you spoken to my brother?
00:43:23Have you told him/her?
00:43:23about your agreement
00:43:24with Fabi?
00:43:25I haven't been able to tell her anything.
00:43:26and he was going to do it
00:43:26when you have arrived.
00:43:27Thank goodness,
00:43:28We arrived on time.
00:43:29What does he mean?
00:43:31Sanem, I know everything.
00:43:32I saw you leave
00:43:33from Fabi's company.
00:43:36And so?
00:43:37How is that possible?
00:43:37Look, yesterday
00:43:38I couldn't talk to you, Sanem.
00:43:40I told Leila
00:43:41and it occurred to us
00:43:42a solution.
00:43:43My God,
00:43:44with the secrets
00:43:45that I'm hiding from him to do
00:43:45And now this,
00:43:46What is it that he wants?
00:43:47Am I going to have to go back?
00:43:48Why lie to him because of him?
00:43:49There's no other way, Sanem.
00:43:51If you tell him the truth
00:43:52to my brother,
00:43:53I would never trust you again.
00:43:54Never.
00:43:56I would leave everything and go.
00:43:58Really?
00:43:59Yeah.
00:44:00I would leave everything
00:44:00and I wouldn't go back.
00:44:02My brother
00:44:03has only trusted
00:44:04in you, Sanem.
00:44:05And he hasn't wanted to.
00:44:06no one like you.
00:44:07You have brought down
00:44:08his heart.
00:44:09You have crossed over
00:44:10its limits.
00:44:11But Jan,
00:44:12He hates lies.
00:44:13and the deceptions,
00:44:13of course.
00:44:14And he's asking me
00:44:15that he lies to her again
00:44:16again.
00:44:17I'm going to tell you everything.
00:44:18Sanem.
00:44:18Wait, please,
00:44:19Wait, come on.
00:44:20But the sister...
00:44:20Listen, he's right.
00:44:21It's true.
00:44:22Haven't I paid?
00:44:23the price
00:44:24because of all the lies
00:44:25What did I tell him?
00:44:25I don't want it to be taken
00:44:26another disappointment.
00:44:28This time
00:44:29He won't listen to anyone
00:44:30And he will leave.
00:44:32He can't leave.
00:44:33What would I do without him?
00:44:34We will find a solution.
00:44:39Jan has asked me
00:44:39that I marry him.
00:44:40I know.
00:44:41What did you say to him?
00:44:43That I could not accept.
00:44:44Did you tell him no?
00:44:45What could I do?
00:44:47After so many lies
00:44:48and deceptions,
00:44:49Do you really think that
00:44:50Can I marry him?
00:44:51I feel very guilty.
00:44:53I need to be honest with myself
00:44:54with him before accepting.
00:44:55Do what you want, Sanem.
00:44:57My mother has returned
00:44:59and he's very stressed.
00:45:01He will make a decision
00:45:02whenever.
00:45:03You already know her.
00:45:07But he doesn't know
00:45:08to the real one, Sanem.
00:45:13Okay, let's go.
00:45:37I can't give details.
00:45:41Can't...
00:45:42to tell you yes, that I want to.
00:45:49It's Mr. Andrés.
00:45:50Sure.
00:45:51We're going to lose our jobs.
00:45:52We're going to be fired.
00:45:53You'll see.
00:45:53How do you know?
00:45:54Because?
00:45:56No gossip.
00:45:57No gossip.
00:45:58I can do it.
00:45:59I don't know, really.
00:45:59I'm a little worried.
00:46:00I don't have it.
00:46:00What do you think?
00:46:01I think Mr. Jan
00:46:02and his mother aren't going to do it
00:46:03peace in life.
00:46:03It's even possible that their relationship
00:46:04worsen.
00:46:05I believe he will be able to
00:46:06Mr. Emre
00:46:06at the head of the agency
00:46:07instead of Mr. Jan.
00:46:08It's possible, it could be.
00:46:09But what can we do?
00:46:11Nothing, absolutely nothing.
00:46:12They are the...
00:46:12Yes of course.
00:46:13Furthermore, Mrs.
00:46:14She doesn't want Mr. Emre anymore.
00:46:15Do you want to know why?
00:46:16Because when Mr. Emre
00:46:17He was small,
00:46:18She picked it up and took it with her.
00:46:19And to Mr. Jan
00:46:20He was raised by his father,
00:46:20Mr. Asís.
00:46:21Oh, do you think that's why?
00:46:22Yes, yes, of course.
00:46:23Shut up and get to work!
00:46:25Enough with the gossip,
00:46:26You spend all day gossiping.
00:46:28Blah, blah, blah,
00:46:28You're just talking nonsense.
00:46:30Everyone whispers
00:46:31around the corners,
00:46:31That's how you spend all day.
00:46:33And you take the cake, Gullif.
00:46:35I'm just analyzing the situation.
00:46:37Listen to my theory.
00:46:37Mrs. Huma
00:46:40He could even replace Deren
00:46:41and put Aileen in her place.
00:46:42Yes, I see it as quite likely.
00:46:44If not, time will tell.
00:46:44Sure, Gullif,
00:46:45You know everything that's going on.
00:46:47at this agency.
00:46:48That's enough.
00:46:48Enough with the gossip,
00:46:49These are just speculations.
00:46:51Whether Deren will be replaced
00:46:52by Aileen,
00:46:53Maybe the one who replaces Deren
00:46:54It's Saren.
00:46:54Look at that!
00:46:55Hey, I bet they'll put me on.
00:46:56me instead.
00:46:58You're so mean.
00:46:59Yes, look at her.
00:47:01Here's Deren.
00:47:02Let's see,
00:47:03What do you think?
00:47:04Is it an object?
00:47:05or an executive
00:47:06with years of experience?
00:47:07Do you think it's made of stone?
00:47:09Well, he has feelings.
00:47:10and has a voice
00:47:11and a unique style.
00:47:12She's human.
00:47:13I am human,
00:47:14I am not artificial.
00:47:15I am flesh and blood,
00:47:16man, come on.
00:47:17You're right,
00:47:18You're absolutely right.
00:47:19Yeyei has left
00:47:20the clamp again.
00:47:21How are you, Deren?
00:47:22Are you OK?
00:47:22Very good.
00:47:23Oh, really?
00:47:23Well no.
00:47:24How am I going to be okay?
00:47:26How can I be okay with you here?
00:47:28The office looks like a daycare.
00:47:29Nobody works here.
00:47:31But for gossip,
00:47:32It's good that you all get together
00:47:34in the same place.
00:47:35But when it comes
00:47:36from working,
00:47:37You're shirking your responsibilities.
00:47:38Come on,
00:47:39to work.
00:47:40You're right,
00:47:41you're right.
00:47:42You've already heard.
00:47:43Everyone back to work.
00:47:46Let's not look at each other like that.
00:47:50Why can't I replace Deren?
00:47:52When will you leave?
00:47:53Why don't you include me?
00:47:54in your gossip?
00:47:55I don't go into the iguja.
00:48:03Sanem.
00:48:04Peaceful,
00:48:05Everything will be alright.
00:48:07She won't take her face off me.
00:48:08Jan's head.
00:48:10I've given him a real shock.
00:48:12Little sister,
00:48:14It's true.
00:48:16You know I understand you,
00:48:17But everything you've done
00:48:19It was to defend Jan.
00:48:20Never forget it.
00:48:22If you like,
00:48:23Call him right now.
00:48:24Tell her that Mom is better.
00:48:26And so you hear his voice.
00:48:27Tell him not to worry.
00:48:29That's how we stayed
00:48:30Everyone is more at ease.
00:48:31Come on.
00:48:39Sanem.
00:48:41Jan.
00:48:43I'm already in the neighborhood.
00:48:44I'll call you
00:48:45to tell you.
00:48:46My mother is fine.
00:48:48It was nothing.
00:48:49Glad to hear it.
00:48:49It's in Belajate
00:48:51She's exaggerating.
00:48:52Jan likes to arm himself.
00:48:54How are you?
00:48:56Okay, okay.
00:48:58Thank you for calling.
00:49:01It doesn't matter.
00:49:02Tell him I'm waiting.
00:49:03Get well soon.
00:49:05Or better yet,
00:49:05Don't say anything to him.
00:49:06Don't upset him any further.
00:49:08See you later.
00:49:10See you later.
00:49:16It was very cold.
00:49:18I'm drowning
00:49:19in this sea of ​​lies.
00:49:25I hope this
00:49:25may it have been for the best,
00:49:26As you say.
00:49:31Sanem.
00:49:37Sanem.
00:49:38Don't worry,
00:49:39Everything will be alright.
00:49:40You'll see.
00:49:53Tell me, Mom.
00:49:55Son, where are you?
00:49:56Jan hasn't come either.
00:49:57I'm out.
00:49:58I had things to do.
00:49:59Jan is also an ally.
00:50:00See you tonight.
00:50:02Very good,
00:50:03But bring your brother
00:50:04one way or the other
00:50:04that it doesn't stay
00:50:05to sleep somewhere.
00:50:06That's going to be difficult.
00:50:07He is very upset.
00:50:09Because?
00:50:09What happened?
00:50:11They're all problems
00:50:12and more problems.
00:50:13We're having dinner tonight
00:50:14all together at home
00:50:15And that's all there is to it.
00:50:16I'm going to call him.
00:50:17Mother,
00:50:18has argued with Sanem.
00:50:19Don't be a pain.
00:50:21And why?
00:50:23What happened
00:50:24Why did they argue?
00:50:25But of course,
00:50:26What to expect
00:50:27from that rough neighborhood?
00:50:28He probably wanted to trick him.
00:50:29about the wedding.
00:50:30Well yes,
00:50:30It was because of the wedding,
00:50:31But it's not what you think.
00:50:33Jan has asked her to marry him.
00:50:35Sanem has rejected it.
00:50:36What do you say?
00:50:38Oh well,
00:50:39How is this possible?
00:50:39that Sanem rejects
00:50:40To your brother?
00:50:41Wow!
00:50:42Don't know.
00:50:43We'll talk later at home, okay?
00:50:45Very good.
00:50:45A kiss.
00:50:47Did I hear right?
00:50:49It's very strong.
00:50:51So Jan has asked
00:50:52marriage to Sanem
00:50:53And she rejected him?
00:50:54Exact.
00:50:55That's exactly how it's been.
00:50:56Great.
00:50:57Yes, absolutely.
00:50:58That's great news.
00:51:00But why
00:51:01Did he say no?
00:51:02It's very strange.
00:51:04Who knows.
00:51:08That girl is up to something,
00:51:09I'm sure.
00:51:11Well,
00:51:12I'm going home.
00:51:13Maybe tonight
00:51:14I get something out of Emre.
00:51:15That seems fine to me.
00:51:18See you tomorrow, beautiful.
00:51:40Hello?
00:51:41Hi, Fabri.
00:51:42I have very good news.
00:51:44I'm listening.
00:51:45Sanem, apparently,
00:51:46She doesn't want to marry Jan.
00:51:48Because?
00:51:50Did they have an argument?
00:51:51Well, as far as I know, no, but...
00:51:53This doesn't seem right to me.
00:51:54very normal.
00:51:56Here
00:51:57Something's wrong.
00:51:58I'm sure.
00:52:00Maybe
00:52:00feels guilty
00:52:03for having lied to Jan.
00:52:05Perhaps that's why
00:52:06has not accepted.
00:52:07Jan must be devastated.
00:52:08after that.
00:52:10What excuse did Sanem give?
00:52:11so as not to accept another lie?
00:52:13Maybe so,
00:52:14to get by.
00:52:15But
00:52:15From what I know of Sanem,
00:52:17it won't take long
00:52:18to tell her the whole truth
00:52:19to her beloved Jan.
00:52:22Anyway, it doesn't matter.
00:52:24We continue
00:52:25with our plan.
00:52:26I want you to tell me
00:52:27all
00:52:27about the campaign
00:52:29from Redmond.
00:52:29Will you be able to?
00:52:30One moment.
00:52:31Fabri,
00:52:32I'm trying
00:52:33to gain their trust.
00:52:34They are still hiding me.
00:52:35many things.
00:52:37Aileen,
00:52:38don't have
00:52:39not a minute
00:52:39what to lose.
00:52:40I transferred you
00:52:41my actions
00:52:42for one reason only,
00:52:43you understand?
00:52:44You'll see
00:52:45How do you manage?
00:52:46But I want
00:52:46all the details
00:52:47of that campaign.
00:53:00Lilac,
00:53:01that?
00:53:02Jan calls me.
00:53:03Brilliant,
00:53:04very good.
00:53:05I told you that everything
00:53:05It would be fixed.
00:53:07Come on,
00:53:07Take it.
00:53:09Hello.
00:53:10Hello.
00:53:11How is your mother?
00:53:12Good,
00:53:13good,
00:53:13far better.
00:53:13The attention
00:53:14and the rest
00:53:15all good?
00:53:16Yeah,
00:53:16Yeah,
00:53:17That's enough.
00:53:18Good,
00:53:18glad to hear it.
00:53:19So we have
00:53:20to talk about.
00:53:21Jan.
00:53:22Sherem,
00:53:23You owe me an explanation.
00:53:24after all
00:53:24what has happened,
00:53:25OK?
00:53:26I'm on my way.
00:53:27We'll meet at the port
00:53:28in an hour.
00:53:31Wait,
00:53:31an explanation.
00:53:32Do you want to know?
00:53:32Why hasn't he accepted?
00:53:33Marry him?
00:53:34I want us to meet
00:53:35to talk.
00:53:35Very good,
00:53:36go.
00:53:36And what am I going to tell him?
00:53:38I don't know,
00:53:38We'll think of something.
00:53:39At least we know
00:53:40what you won't tell him.
00:53:41Okay.
00:53:43I feel it walking.
00:53:44He will ask me
00:53:44Why didn't I say yes?
00:53:46Why didn't I accept?
00:53:47Marry him?
00:53:48Hello.
00:53:51Is that the campaign?
00:53:53from Red Mo?
00:53:53No,
00:53:54This is
00:53:54for another client.
00:53:57It's very nice.
00:53:58Thank you so much.
00:54:01Hello,
00:54:01Do you work on the campaign?
00:54:02from Red Mo?
00:54:03No,
00:54:04Miss Eileen.
00:54:05No.
00:54:10Hello,
00:54:11how are you?
00:54:11Is that for Red Mo?
00:54:12No,
00:54:13This is from an old campaign.
00:54:15That turned out really well.
00:54:19Gullit,
00:54:19Do you have a second?
00:54:20Yeah.
00:54:21Clear,
00:54:21tell me.
00:54:23Are you aware
00:54:24that this agency
00:54:25works at the largest
00:54:25project of your history?
00:54:27I haven't seen it yet
00:54:28no one with the campaign.
00:54:29Where are they?
00:54:29The first sketches?
00:54:30I want to see them.
00:54:31It's not my responsibility.
00:54:32of that campaign.
00:54:33Sanem was taking her.
00:54:35I don't know anything
00:54:35of that project.
00:54:36And where are they?
00:54:37The preliminaries?
00:54:37Don't know.
00:54:38Bravo, Gullit!
00:54:40We are working on the project
00:54:41most important
00:54:42that has had
00:54:43this agency
00:54:44and nobody works on it
00:54:45nor does he know anything about it.
00:54:47This way
00:54:47so unprofessional
00:54:48of working
00:54:49It's going to end.
00:54:49Just so you know.
00:54:51Sanem had
00:54:51the file
00:54:52on your computer.
00:54:52Why are you telling him that?
00:54:54Finally someone
00:54:54He gives me an answer.
00:54:56Gullit.
00:54:57Come on,
00:54:57Everyone to work.
00:55:06Gullit?
00:55:07What did he want?
00:55:09I don't know.
00:55:10It's like Deren
00:55:10always yelling at us.
00:55:12Until yesterday
00:55:12I couldn't even get in here
00:55:13and now it seems
00:55:13that commands more
00:55:14that the boss.
00:55:14Because she's the boss.
00:55:15It has 20%
00:55:16of the shares.
00:55:17Don't repeat that to me,
00:55:18Yee, Yee.
00:55:19The power
00:55:20She poisons her.
00:55:21Me too
00:55:22I want to poison myself.
00:55:23I want to have power
00:55:24and poison me.
00:55:26Aileen,
00:55:27She can fire you.
00:55:28He tells you to get out
00:55:29And you have to leave.
00:55:30How many times
00:55:30Do I have to tell you?
00:55:31Don't send
00:55:32negative energy
00:55:32to the universe.
00:55:33Sorry,
00:55:33I was just putting
00:55:34an example.
00:55:36Gullit,
00:55:37Close your eyes.
00:55:38Because?
00:55:38Close the...
00:55:40Now extend your hand
00:55:41with the palm facing upwards.
00:55:42What's this about?
00:55:43You're scaring me.
00:55:44Don't worry,
00:55:45peaceful.
00:55:46That is.
00:55:47What are you going to do?
00:55:47Yee, Yee?
00:55:48I'm afraid.
00:55:50What's that?
00:55:52But what?
00:55:53Don't give yourself the eyes.
00:55:53What are you doing?
00:55:55Tell me now!
00:55:56Open your eyes.
00:56:00It will protect you from Aileen.
00:56:01I have one too.
00:56:03Ay, Yee, Yee!
00:56:06Thank you so much.
00:56:07It doesn't matter.
00:56:10Yee, Yee!
00:56:10Tell me.
00:56:11Let me tell you a secret.
00:56:12No.
00:56:13Don't tell me anything.
00:56:14No, no, I'll pass.
00:56:15If I don't say it,
00:56:16I repeat.
00:56:16You won't see yourself.
00:56:17I'll tell you.
00:56:19Wait, I'll do it for you.
00:56:22Aileen is following Mr. Embree again.
00:56:24I think they're going to come back.
00:56:26Phew!
00:56:26I've already let it go.
00:56:27That can't be.
00:56:28Why not?
00:56:29Because Mr. Embree is with Le.
00:56:31You?
00:56:32You?
00:56:34What is Le, Le, Le?
00:56:35What are you saying?
00:56:35Glasses.
00:56:36With glasses.
00:56:37That is.
00:56:38It's just that lately she's noticed her vision is a little blurry
00:56:40and she has decided that she is going to get some glasses.
00:56:44But anyway.
00:56:45What are you saying?
00:56:45Nothing, you know.
00:56:46Glasses with lenses.
00:56:48Because, apparently, he doesn't see very well up close.
00:56:50And that's it, you know.
00:56:53Go on.
00:56:54You're home now.
00:56:55We left work early today.
00:56:57And where are you going?
00:56:58Since I have time today, I'm going to see Ihan.
00:57:00Of course, if the goal is not to help your mother.
00:57:02I said yes to B.
00:57:03Out on the street, Sheila.
00:57:05Yes, Mommy.
00:57:05Where are you going?
00:57:06Come here.
00:57:06I have to work.
00:57:07Come here.
00:57:08Come.
00:57:09Come on, come here.
00:57:16What's happening?
00:57:17Daughter, I have to ask you some questions.
00:57:20And answer carefully, because I'm feeling warm today.
00:57:22and I might miss you at any moment.
00:57:24Very good.
00:57:25Your question, which I will answer.
00:57:27Leila, what's going on with you and Osman?
00:57:30You're on everyone's lips.
00:57:31Come on, tell me.
00:57:32You'll see.
00:57:35The other day, Osman opened up and told me how he felt about me.
00:57:40Oh.
00:57:41Oh?
00:57:41Of course.
00:57:42He is an honest, hardworking man and also very handsome.
00:57:45You would make a perfect couple.
00:57:47Mom, it's too soon.
00:57:48There's nothing serious at the moment.
00:57:50Because?
00:57:51Hey?
00:57:52Because the person you really like is your boss, Rubiales, right?
00:57:55No, Mom.
00:57:55What does that have to do with anything?
00:57:57I don't like.
00:57:57Look, daughter.
00:57:59In my opinion, Osman is more suitable for you.
00:58:01If you don't want anything to do with him, don't play with his feelings.
00:58:04He's been very honest with you, please.
00:58:07Why would he play with her feelings?
00:58:09If you have serious intentions, we can say so openly, following tradition.
00:58:13And that way we avoid gossip.
00:58:15Is this all just the beginning?
00:58:18Osman told me that he had had feelings for me for years,
00:58:21But it's new to me.
00:58:23I have to get used to it.
00:58:25That makes no sense at all.
00:58:27At your age, you still have your head full of birds.
00:58:30Look, if your father finds out for whatever reason, he'll definitely have a heart attack this time.
00:58:38Furthermore, do not do to others what you would not want them to do to you.
00:58:42Mother.
00:58:42Neither mom nor bagpipes.
00:58:43I've already told you what you have to do and you've understood.
00:58:45You're such a good kid.
00:58:47Furthermore, for us he is like a son.
00:58:49Okay, Mom.
00:58:51Don't break her heart, okay?
00:58:55Oh.
00:59:02Tell me, Osman.
00:59:03Hi, how are you, Leila?
00:59:05Fine thanks and you?
00:59:06I'm fine too.
00:59:08I was studying the script.
00:59:10I was calling because I've been recommended a rug restaurant tonight.
00:59:13I won't be able to today.
00:59:14I've brought work home with me.
00:59:17Ah, I see.
00:59:19Maybe we can meet tomorrow.
00:59:20I'll be out of the recording soon.
00:59:22I think I'll be quite drunk tomorrow too.
00:59:25We're running a late campaign and I oversee the budget.
00:59:28Don't know.
00:59:29Okay, then call me when you have a free moment.
00:59:32Okay, I'm swamped this week, but if I find some time I'll call you.
00:59:36I'm not promising anything, but okay, let's talk.
00:59:38OK.
01:00:00What was it you wanted to tell me, Sanem?
01:00:04When?
01:00:05What do you mean, when?
01:00:06Come on, don't play dumb.
01:00:07In the cabin.
01:00:08When I asked you to marry me.
01:00:12You said you had something to tell me.
01:00:14You can do it now.
01:00:17Sanem, it's just that...
01:00:18You said it was important.
01:00:20What could be more important than us?
01:00:23Sanem, you'll see.
01:00:27I think everything has happened very quickly.
01:00:31Gossip, my family, your family...
01:00:35I think you've felt pressured by all those situations.
01:00:40Sanem, we already talked about this.
01:00:42That's not the case.
01:00:45But we love each other, right?
01:00:49Well, no amount of pressure will work.
01:00:51I don't mind.
01:00:54We talked about it, but...
01:00:55But what?
01:00:58Your mother has returned.
01:01:01I think you're a little confused.
01:01:04What does it matter that my mother has returned?
01:01:07Even though I'm confused about his return, what does that have to do with you?
01:01:11Your mother doesn't like it.
01:01:13I think we've gotten off on the wrong foot.
01:01:18That may be the reason.
01:01:21Sanem, I think you're making excuses.
01:01:23Really?
01:01:24I think so, it's obvious.
01:01:26You're making excuses.
01:01:29And there's only one explanation.
01:01:32You and I don't want the same thing.
01:01:34I don't understand you.
01:01:36Our feelings are not the same.
01:01:40You don't love me like I love you.
01:01:42I already love you so much.
01:01:44And I love you too.
01:01:48Then there's nothing more to say.
01:01:51Believe.
01:01:52I've told you everything I wanted to.
01:01:54I don't know what else to add.
01:02:00From now on, you need to think about it.
01:02:06And make your own decision.
01:02:13Okay.
01:02:14I don't know.
01:02:42Thanks for watching the video.
01:02:49They will remember you.
01:02:51Yet another slogan from the star pupil.
01:03:01Let's see what's here.
01:03:27What are you doing?
01:03:39What are you doing?
01:03:41What are you doing?
01:03:41What are you doing?
01:03:41Not working.
01:03:44Well, I was just passing by.
01:03:46I didn't come for anything in particular, just to take a walk.
01:03:49Well, go away, I'm here now.
01:03:51That I leave the room or the company.
01:03:53Let's see what he means.
01:03:54G.J., come out now.
01:03:55Okay, I'm leaving now.
01:03:56I'm leaving right now.
01:03:59G.J.
01:04:00Yes, yes, yes.
01:04:01What's happening?
01:04:02What's happening?
01:04:02Why isn't it working?
01:04:03I don't understand.
01:04:10Aileen.
01:04:11Aileen.
01:04:12Aileen.
01:04:13Aileen, do you have a second?
01:04:14What do you want, Deren?
01:04:15I've been told you're very tense, that you scold everyone.
01:04:19That's true, darling.
01:04:20I don't know if you've noticed, but this agency has the biggest project in its history
01:04:24and nobody is working on it.
01:04:26Someone has to supervise it.
01:04:28But what do you know?
01:04:29You're not the one running that campaign.
01:04:31It's Sanem, as usual.
01:04:33Where did you get that information?
01:04:34That's not decided yet.
01:04:35Not at all.
01:04:36You're making it up.
01:04:37And you're just standing around with your arms crossed?
01:04:39Deren, when are you going to prove your worth to Mrs. Huma?
01:04:42She believes that they are agents at the agency.
01:04:44Come here, come with me.
01:04:45These things cannot be discussed in front of everyone.
01:04:48I have successfully completed many projects at this company.
01:04:50Okay, Aileen?
01:04:51I have an impeccable resume so far.
01:04:53Yes, but the past is the past.
01:04:55I'm going to ask you another question.
01:04:57Tell me, what slogan have you chosen for the Red Mo campaign?
01:05:01Look, I have several ideas, but as you can understand, I'm not going to tell them to you.
01:05:05In fact, they are still immature.
01:05:07Yes, just as I suspected.
01:05:08That's why I've decided to give you the slogan you're looking for.
01:05:12And which ones?
01:05:12They will remember you.
01:05:14They will remember you.
01:05:16They will remember you.
01:05:17Well, it doesn't sound bad, but whatever.
01:05:21Wait, Aileen.
01:05:24Tell me, why are you telling me your slogan?
01:05:26It's very simple.
01:05:27Because Sanem is not a saint I admire.
01:05:30No.
01:05:30And honestly, I'd rather you succeed than her.
01:05:34Furthermore, it seems that this agency has somewhat forgotten about you.
01:05:37I want them to remember you before it's too late.
01:05:40They will remember you.
01:05:41They will remember you.
01:05:42Go ahead, baby.
01:05:44I'm sure you'll run a great campaign.
01:05:47There are no intelligent women left in this agency.
01:05:50We must support each other.
01:05:52See you later.
01:05:54They will remember you.
01:05:55With Red Mo.
01:05:56They will remember you.
01:05:57Hey, who can lend me a pen?
01:05:59Mommy, turn around.
01:06:00Come on, come on.
01:06:01I need to write something down before I forget it.
01:06:03They will remember you.
01:06:04They will remember you.
01:06:06And now the second line.
01:06:07It's on the tip of my tongue.
01:06:09It has to work.
01:06:10They will remember you.
01:06:11For the public.
01:06:12They will remember you because you are a unique person.
01:06:15And also...
01:06:15Why do you use it like that?
01:06:17Come.
01:06:18Already.
01:06:20I'm working, please.
01:06:22You can't interrupt me when I'm in the middle of a creative process.
01:06:25You've been here for years and you still don't get it.
01:06:28While I work, I want everyone to remain absolutely silent.
01:06:32Don't forget it.
01:06:33Says.
01:06:34Like a cat.
01:06:35He tells me.
01:06:36As if I were...
01:06:37calling to give me food.
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Series y Cine Élite
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¿Podrá Sanem salir de este enredo sin lastimar su relación con Can? 👇

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