Tras las revelaciones que sacudieron a la agencia, Can busca respuestas directas mientras Sanem intenta reparar el malentendido antes de que la distancia entre ellos sea definitiva. Sin embargo, las intervenciones de terceros y los malos entendidos continúan generando un clima de incertidumbre donde cada gesto es malinterpretado. Frente a un dilema que involucra sus sentimientos y su trabajo, los protagonistas deberán decidir si ceder ante el orgullo o luchar por la verdad.
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Cuando las explicaciones llegan tarde, recuperar la confianza perdida requiere más que simples palabras.
#PajaroSonador #ErkenciKus #Cap52 #NovelasTurcas #SeriesTurcas #DramaTurco #DobladoAlEspanol #CapituloCompleto #Series2026 #Viral2026 #Tendencias #Recomendados #CineEnCasa
▶ Ver siguiente capítulo:
▶ Lista completa:
https://dailymotion.com/playlist/xa5lxo
Cuando las explicaciones llegan tarde, recuperar la confianza perdida requiere más que simples palabras.
#PajaroSonador #ErkenciKus #Cap52 #NovelasTurcas #SeriesTurcas #DramaTurco #DobladoAlEspanol #CapituloCompleto #Series2026 #Viral2026 #Tendencias #Recomendados #CineEnCasa
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TVTranscripción
00:00:28Thank you!
00:00:57Thank you!
00:01:18Thank you!
00:01:30Don't tell me you invited her.
00:01:32No, not at all. It caught me by surprise too.
00:01:39Have you told him anything about Sanem?
00:01:41Do you know what neighborhood you live in?
00:01:43I haven't said anything to him.
00:01:44He only asked me about you.
00:01:46He's seen the news
00:01:48And I told him that it's true that you're together.
00:01:50She has gone to Sanem's neighborhood.
00:01:51He pretended his car broke down.
00:01:53What a coincidence!
00:01:55If you haven't said anything to him,
00:01:57Who could have told him?
00:01:58Huh? Who else is he in contact with?
00:02:01The only thing I can think of is...
00:02:03Aileen.
00:02:06Of course, Aileen.
00:02:07Yeah, she's involved in everything.
00:02:09Seriously, when are you going to get rid of her?
00:02:11Don't worry.
00:02:12I'll tell Mom not to go near her.
00:02:14And besides, she already knows we're not together.
00:02:17Come on, it's unbelievable that you don't know her.
00:02:19When you tell him not to go near Aileen,
00:02:20The first thing he will do is precisely approach her.
00:02:23And he will ask her questions to get information out of her.
00:02:26TRUE.
00:02:27Why do you think it appeared so suddenly?
00:02:30Because?
00:02:31It doesn't surprise me that much.
00:02:32I simply think she got overwhelmed when she saw that you had been arrested.
00:02:35And I tried to calm her down.
00:02:36But it didn't work.
00:02:38Absolutely nothing works with her.
00:02:40Absolutely nothing.
00:02:41Everything has to be his way.
00:02:42I hope she doesn't stay long now that she has her husband.
00:02:45In a couple of days she'll be back with her daughter.
00:02:48No.
00:02:49She's divorced.
00:02:50Ah, you see?
00:02:51Now everything is perfectly clear.
00:02:53Look, coming to see us is just an excuse, okay?
00:02:56She's just looking for someone to comfort her, and when she gets bored, she'll leave.
00:03:01Don't say that.
00:03:02I know he cares about you.
00:03:04Why does he care about me?
00:03:05And what is it that worries her?
00:03:07Did he do it when he abandoned me and left?
00:03:11On my birthday?
00:03:12When did I play basketball?
00:03:13Or on Mother's Day?
00:03:15He should have cared more about me and done more to see me.
00:03:21I don't want to talk about this subject anymore.
00:03:23See you tomorrow.
00:03:30That woman is going to mess with you, you'll see.
00:03:33Absolutely.
00:03:34Mom, what should I do?
00:03:36And if I apologize.
00:03:38Apologize for what?
00:03:38Haven't you done anything wrong?
00:03:39It's true.
00:03:40Clear.
00:03:41Mom is right about that.
00:03:42She knew who you were when she came to the neighborhood.
00:03:46So the thing about mistaking me for the maid was a lie.
00:03:48Clear.
00:03:49Well, if she tries to hurt you, I'll go and talk to her myself.
00:03:53Mom, calm down.
00:03:53Don't get upset, please.
00:03:55A mother doesn't ignore her child for years and then just show up out of nowhere.
00:03:58But since Jan is very serious about you, he wanted to drop by.
00:04:02Don't let this woman walk all over you.
00:04:04You're not helping me much right now.
00:04:06Mom, don't try to understand Sanem any more.
00:04:09Little sister, that lady is your mother, whether you like it or not.
00:04:11And you have to find a way to get along with her.
00:04:13I know.
00:04:14Even though he hasn't behaved like one.
00:04:15She's his mother and she loves him, I'm sure of it.
00:04:17Do you see it?
00:04:18Yes, my daughter.
00:04:20Because mothers and children are always inseparable.
00:04:23She may be unbearable, but none of us are like her.
00:04:26We're not going to be rude just because she is.
00:04:30Love is repaid with love.
00:04:32And with how beautiful you are, you'll see how you get along.
00:04:34And if not, it's her loss.
00:04:37No no.
00:04:38That?
00:04:38I see that all the pieces of the puzzle are starting to fit together.
00:04:42Didn't he come to the neighborhood by chance?
00:04:44You've opened my eyes, Mom.
00:04:46Nothing happens by chance.
00:04:48He did it all on purpose.
00:04:49And that's how it's been.
00:04:51Don't think that, daughter.
00:04:52He didn't even come to ask for permission for her to get married.
00:04:54The kick, the cat's food.
00:04:55It wasn't an accident.
00:04:56Jan wouldn't allow anyone to treat you badly.
00:04:59She's not a good advisor, Mom.
00:05:01Why are you bringing up the problem now?
00:05:02Can you tell me what that has to do with anything?
00:05:04Now it's always the same.
00:05:04No rushing things, we know each other.
00:05:06What are you saying?
00:05:07No, you're always the same.
00:05:14You're so slow, aren't you?
00:05:15I'm coming.
00:05:17Here you go.
00:05:18Come on.
00:05:19Oops, I dropped it a little.
00:05:21Well, it's not my fault.
00:05:22I'll clean it for you, don't worry, okay?
00:05:26Okay?
00:05:38It's her.
00:05:39Those dominant altars.
00:05:41It's Aileen.
00:05:42Can I get Aileen?
00:05:43It's not Aileen, it's Mrs. Hu.
00:05:45He's probably here to fire someone.
00:05:47Sure.
00:05:48And I think I'm the one with the most points.
00:05:54Good morning.
00:05:55Welcome.
00:05:56Good morning.
00:05:57Good morning.
00:05:59Mrs. Hu.
00:06:01Juma de Yehid.
00:06:04Ethiopia?
00:06:07Ethiopia?
00:06:07That's a long way off.
00:06:09I'm sure that's his way of telling me he's firing me.
00:06:12I'm referring to coffee.
00:06:13The coffee is from Ethiopia, right?
00:06:15It smells good.
00:06:16Tell me, Gullit, is the coffee from Ethiopia?
00:06:19Yes, the coffee is from Ethiopia.
00:06:21Right.
00:06:21It's great.
00:06:22How divine.
00:06:24Mrs. Juma.
00:06:26What's wrong with it?
00:06:27I've prepared it for you.
00:06:28It's an excellent coffee.
00:06:29You'll see what a great taste it leaves in the bread.
00:06:33I've already found my favorite guy.
00:06:35What was your name?
00:06:36Yei, yei.
00:06:39I don't like.
00:06:40I prefer a boy.
00:06:43He's a boy.
00:06:44You command.
00:06:48The coat is too small.
00:06:58Mrs. Juma, good morning.
00:07:00Good morning, dear.
00:07:01What an early riser.
00:07:02And what a surprise that he came to visit us.
00:07:05Where do I sit?
00:07:06Ah, of course, please sit down.
00:07:08Did you squeeze coffee on him?
00:07:09Don't you see he's carrying it in his hand?
00:07:10Let's see if we pay more attention.
00:07:12Hey, kid, try not to wrinkle it.
00:07:14It's extremely expensive.
00:07:16How funny, Gullit.
00:07:17I bet you'll eat your coat, gorgeous.
00:07:19And look, it's a brand name.
00:07:21So you won't find it hard to digest.
00:07:23OK?
00:07:23You'll see how great it feels on you.
00:07:25Don't make me angry.
00:07:25Please don't bother me.
00:07:27I'm not in the mood for nonsense.
00:07:29Okay?
00:07:29Oh, boy.
00:07:32Dinners?
00:07:33Make me a coffee.
00:07:34Do it for me!
00:07:35He took mine!
00:07:36I'm coming, kid!
00:07:36I want Ethiopian coffee!
00:07:38I thought he was going to send me to Ethiopia.
00:07:41Girls, are you leaving without eating anything?
00:07:43Mom, we're late.
00:07:44We'll eat something along the way.
00:07:45Oh, Sanem, you never sleep
00:07:47And that's why I've been overconfident.
00:07:48It's very late.
00:07:49Well, what do you want me to do about it?
00:07:50I was very tired.
00:07:52Come on, let's go.
00:07:54Come in, come in.
00:07:56But how annoying.
00:07:58Ah, Osman.
00:08:02Good morning.
00:08:03Good morning.
00:08:04Good morning.
00:08:05Time to work?
00:08:06Yes, we're late.
00:08:08And you?
00:08:08Are you going to work?
00:08:09No, I'll be right back.
00:08:10At this hour?
00:08:11We filmed night scenes.
00:08:13If you want, I'll take you.
00:08:15No, you're probably tired.
00:08:16I'm fine, I'm up, I'll take you.
00:08:18Come on.
00:08:18Poor thing, you're falling asleep.
00:08:20For once we're late,
00:08:22no problem.
00:08:22Ah, okay...
00:08:23Time to rest.
00:08:24You'll take us to the office another day, okay?
00:08:27Ale, Osman, go to sleep.
00:08:29Come on.
00:08:30Very good.
00:08:31Whatever you want.
00:08:32Okay then.
00:08:32Hey, Osman, get in the car.
00:08:34See you.
00:08:36Poor.
00:08:37Yes, he's been working all night.
00:08:40Uh-huh.
00:08:43Hey, what did I say?
00:08:44Poor.
00:08:45I feel sorry for you.
00:08:47Yes of course.
00:08:48Come on, hurry up.
00:08:49Help us, we're late!
00:09:05He's watching us to see who messes up.
00:09:08She's the boss, Gigi.
00:09:09He's putting pressure on us.
00:09:10He wants to see us mess up.
00:09:12I know.
00:09:12Well, I think she's a very nice woman.
00:09:14He wants us to mess up.
00:09:15Go on, shut up.
00:09:20Mrs. Huma.
00:09:22Dear Huma.
00:09:23Oh, Aileen, darling.
00:09:24How are you?
00:09:28When I see her, my blood pressure rises.
00:09:30And what could that have been?
00:09:31But do they know each other?
00:09:32They?
00:09:32Do they know each other?
00:09:33Let the adventure begin, my friends.
00:09:35What adventure?
00:09:36If Mrs. Huela...
00:09:37Huma.
00:09:39Look at them, you can tell they're very good friends.
00:09:41Oh, really?
00:09:42I missed you so much.
00:09:47How elegant!
00:09:48But today I just put on the first thing I grabbed.
00:09:50I love boots.
00:09:51They are a limited edition.
00:09:53Me too.
00:09:54What great taste!
00:09:55This is just so romantic.
00:09:56There you go.
00:09:58He has a perception problem.
00:09:59She said he's a sweetheart.
00:10:01Be quiet, I can't hear what you're saying.
00:10:03That?
00:10:04Is there no place for the queen mother?
00:10:05I was organizing.
00:10:07Come with me, dear Huma.
00:10:08Let's go to Emre's office.
00:10:09But I was going...
00:10:10Deren, has the coffee run out? Can you get her another one?
00:10:12What a joy!
00:10:13You have to fill me in on everything.
00:10:17And now he's going to yell at me...
00:10:19Three, two, one.
00:10:21Jay, Jay!
00:10:22Yeah?
00:10:23Jay, Jay, coffee!
00:10:24I'm coming!
00:10:25Runs!
00:10:26Okay, but calm down, Deren.
00:10:28What are you doing?
00:10:30Don't get like that.
00:10:32It's like a dragon breathing fire.
00:10:36How will he do it?
00:10:40So, how are you?
00:10:42Not very well, Aileen.
00:10:43No.
00:10:44Have you met Sanem yet?
00:10:46Did you find the site with the directions?
00:10:48Yes, yes.
00:10:49And also to his mother.
00:10:50It's just like you said.
00:10:52What ordinary women.
00:10:54And they're also lucky.
00:10:56It's clear that those shopkeepers are only interested in money.
00:10:59That's right, Juma.
00:11:01But your Jan is completely blind.
00:11:03He doesn't want to see reality.
00:11:04And the worst part is that now they also want to go after Emre.
00:11:07Who?
00:11:08Tell me.
00:11:09The sister, Leila.
00:11:10Leila?
00:11:11Your assistant?
00:11:12Yes, you know her.
00:11:14Oh!
00:11:15Oh my God.
00:11:17My children are toys in the hands of those women.
00:11:21AND...
00:11:22Emre and you?
00:11:24Emre told me that you two are not together.
00:11:27Don't ask.
00:11:29The relationship cooled on his part.
00:11:32I really did everything I could to save us, believe me.
00:11:35I even forgave him everything.
00:11:38But Leila...
00:11:40He has done everything he could to separate us.
00:11:43You can't imagine how alone I've felt.
00:11:47I didn't know whether to save Jan, save the company...
00:11:51Or save Emre.
00:11:53The truth is, I didn't know what to do anymore.
00:11:55And the worst part is that we're going to lose everything because of those gold diggers.
00:11:59Oh, I'm calling dibs.
00:12:01Come.
00:12:02That's it, darling.
00:12:04That's it.
00:12:06I'm here now and I'm not going anywhere.
00:12:08OK?
00:12:09You'll see, darling.
00:12:11Everything will be alright.
00:12:13Thank you so much.
00:12:15Come.
00:12:22I won't be able to.
00:12:24I won't be able to.
00:12:25Should I go in or not?
00:12:26But he should be able to.
00:12:28My phone is ringing.
00:12:29It's still important.
00:12:29Take...
00:12:30Hold.
00:12:31Who will it be?
00:12:34Look how strange.
00:12:41They said, poor thing, go to sleep.
00:12:43They sent me home.
00:12:46Brother, don't you think you're too focused on Leila?
00:12:49Because you said so?
00:12:51Hey, don't be mad at me.
00:12:53I didn't want to tell you anything so you wouldn't get upset.
00:12:55But I think that's enough.
00:12:57Look, two days ago I was with Emre.
00:12:59Hey?
00:12:59I saw them holding hands.
00:13:01I know.
00:13:02But that's part of the past.
00:13:05Because Leila has already seen who he really is.
00:13:07And finally I have opened my heart to him.
00:13:09In fact, I think she feels something for me too.
00:13:12Well, I don't trust it.
00:13:13If he hurts you again, then I'm going to tell him a few home truths.
00:13:17She might be my best friend's sister, and we might be lifelong friends.
00:13:20But in the end, everything has a limit.
00:13:23Osman.
00:13:26You are my brother and I love you.
00:13:28We only have each other.
00:13:30I don't want anyone to make you suffer.
00:13:32I love you very much too.
00:13:34You'll see, everything will turn out alright.
00:13:35I will marry Leila.
00:13:39So, how's the store doing?
00:13:41Very good.
00:13:42I'm here almost as a model.
00:13:43Anil is the one who does everything.
00:13:45Don't say that.
00:13:46I put the eggs in and occasionally talk to the meatballs, but little else.
00:13:52And how's your acting career going?
00:13:54I'll tell you later.
00:13:55I'm going home to get into bed.
00:13:57Okay, go and rest for a while.
00:13:59Okay, see you.
00:14:00Bye bye.
00:14:04Osman.
00:14:06I bought you a fleece pajama set so you won't get cold.
00:14:09Come here.
00:14:10Oh, thank you, little sister.
00:14:13You're welcome, brother.
00:14:14Tell me, who would I do without you?
00:14:15Already.
00:14:16I've also changed your sheets.
00:14:18That way you'll have a warm and clean bed to sleep in, okay?
00:14:20Okay.
00:14:21See you later.
00:14:29Let's see...
00:14:31Let's see...
00:14:40Yes, it has a tropical flavor.
00:14:42He's from Ethiopia.
00:14:43Or from Honduras, maybe from Indonesia, I don't know.
00:14:45I'd have to look into it.
00:14:46Its aroma is intense.
00:14:52Although it could also be from the Himalayas.
00:14:58I don't say it well.
00:15:00Himalayas.
00:15:01Juma, juma.
00:15:03Okay, I'm already overwhelmed.
00:15:04The important thing is the coffee.
00:15:06It has a very...
00:15:07Very intense at first, but then it leaves a slightly acidic taste on the palate.
00:15:12That's exactly what I know.
00:15:14I'm feeling dizzy.
00:15:17And I'm going to faint.
00:15:19How awful.
00:15:20Everything is spinning.
00:15:22I've had a lot of coffee.
00:15:24Yeyei.
00:15:25Tell me.
00:15:26What's wrong with you?
00:15:27Nothing, I'm fine.
00:15:28I'm getting ready for when Mrs. Huila asks me for coffee.
00:15:31It is said, Juma.
00:15:32Learn it once and for all.
00:15:33Leave me alone.
00:15:34I try several coffees because it seems that in this company everyone gets promoted, except me.
00:15:38Call me Chico, please.
00:15:39And that can't be.
00:15:40Yes, yes.
00:15:40But be careful what you do.
00:15:42Because this woman can kick you out in a second, okay?
00:15:45And by the way, do you know where Sanem is?
00:15:47And what do I know?
00:15:48It will arrive whenever you want, miss.
00:15:50Sanem, it arrived late.
00:15:51Let's see if they give you a good prize.
00:15:53Ask someone else and leave me alone.
00:15:54I only asked you one question, but don't worry, I'm not going to ask you anything else.
00:15:58Let's see if it's true.
00:15:59A little bit of education.
00:16:00Well, have a good day.
00:16:01Likewise.
00:16:02See you later.
00:16:03Sanem!
00:16:04What's happening?
00:16:04Sanem!
00:16:05That?
00:16:06Sanem!
00:16:06That?
00:16:07Sanem!
00:16:08Tell me!
00:16:08For!
00:16:09But where was Sanem?
00:16:10Someone asked about me.
00:16:12They don't ask questions here, they fire you.
00:16:13That?
00:16:13Mrs. Julia is here and I don't know what to do.
00:16:17You have to tell me what I have to do first thing in the morning.
00:16:19I heard tap, tap, tap, tap.
00:16:20I still have it in my head.
00:16:21He's been walking around the office and has stressed us out a lot.
00:16:24Juela, you say?
00:16:25Mr. Yang's mother.
00:16:27Juma, Yei Yei.
00:16:29Juma.
00:16:31Juma.
00:16:32His name is Juma, Yei Yei.
00:16:35Juma.
00:16:36It's Juma.
00:16:37Say it right.
00:16:38I don't know.
00:16:38I don't know how to say it.
00:16:40Juma.
00:16:41Juma.
00:16:43Oh yeah, they're very much like little friends.
00:16:45And so?
00:16:45Yes, yes, yes.
00:16:48You don't know.
00:16:49Don't look, don't look, don't look at Medusa.
00:16:52Jellyfish or what?
00:16:53She shares his character and his gaze leaves you speechless.
00:16:56And she has snakes in her hair.
00:16:57It's true!
00:16:58With snakes!
00:16:59It's Medusa.
00:17:00Hey, tell me.
00:17:02Do they know he's late?
00:17:03No.
00:17:04Okay, that's perfect.
00:17:05Let's organize this.
00:17:07We need to put the folders away.
00:17:08Yes, that's it.
00:17:09Let's get to work.
00:17:10Exactly, discipline is very important.
00:17:12Okay, okay.
00:17:14Oh!
00:17:15Good morning, Salem.
00:17:17He says good morning because I'm late.
00:17:19Ah, good morning, Deren.
00:17:21Oh, sorry for being a little late, but I overslept this morning.
00:17:25People come here to work.
00:17:27No excuses.
00:17:28So less excuses and more work.
00:17:31OK.
00:17:33Understood.
00:17:34Let's get to work.
00:17:35Come on.
00:17:35You told yourself I was late.
00:17:37Oh, what are you saying!
00:17:39Wow!
00:17:40You're a snitch!
00:17:45Good morning.
00:17:46Hello.
00:17:47How are you?
00:17:53Oh!
00:17:54Good morning, sleepy bosses.
00:17:56What time is it, my children?
00:17:58You're still here.
00:17:59I thought you were leaving.
00:18:00I'm your mother, so please treat me with more respect.
00:18:04You have to earn respect, so goodbye.
00:18:07Not now, brother.
00:18:09Jan, why are you acting like this?
00:18:11Why are you saying these things to me?
00:18:13Do you really want to speak in front of everyone?
00:18:15Hey?
00:18:17Well, you know.
00:18:20Come.
00:18:33Oh.
00:18:46aller conmigo.
00:18:48Oh.
00:18:48Kita, I'd lose you, correspondent, right?
00:18:52No, man.
00:18:55No no.
00:18:56No.
00:18:57No, no, no.
00:18:59No, no, no.
00:18:59No, no, no.
00:18:59No, no, no.
00:19:02No no.
00:19:11If he sleeps like a log
00:19:16Oh, my dear
00:19:17Oh, my dear
00:19:18You're stubborn like no other
00:19:21One day your store will be robbed.
00:19:27What's happening?
00:19:28I was wrong
00:19:29Good morning, shopkeeper
00:19:31Hey, I wasn't sleeping.
00:19:33I was resting my eyes a little.
00:19:35Yeah, sure.
00:19:37And what about snoring?
00:19:40I didn't sleep well last night.
00:19:42And I was taking a little nap
00:19:44Hello, seriously, don't tell me
00:19:47I thought you were delighted sleeping here in your cardboard bed
00:19:51Come on, don't go overboard
00:19:52Tell me, what do you want?
00:19:53I'm going to make cabbage
00:19:54Cabbage?
00:19:56Stuffed
00:19:56Meat?
00:20:00Yes, for Jan
00:20:01And what about me?
00:20:04Ah
00:20:04Didn't you like the food at the bar?
00:20:07They don't have stuffed cabbage there.
00:20:10Or do they not prepare it as well as I do?
00:20:13First, you put a layer of meat with peppers and a little bit of pepper.
00:20:18Then it is served with some spicy peppers and plenty of sauce
00:20:21And you add more pepper.
00:20:25Great!
00:20:25Yes, but it's also true
00:20:27Home-cooked food is nothing like what they serve out there, right?
00:20:32I still don't understand it.
00:20:33Why are you going to prepare cabbage for him?
00:20:35Because the boy is going through a tough time and I want to cheer him up
00:20:38Do you think that's wrong?
00:20:38And me too
00:20:39But it doesn't matter.
00:20:40By the way, the woman who came the other day is Jan's mother
00:20:44He came here in his expensive clothes and with his airs of grandeur
00:20:47Who?
00:20:47Which woman?
00:20:48I don't understand anything
00:20:49Ah, you don't understand.
00:20:50If you explain it to me, I'm sure I will.
00:20:52I'm in a hurry, I'll tell you later.
00:20:53In addition, you have customers
00:20:54I dodged
00:20:54That you take care of her
00:20:55Two lupins of milk and one kilo of sugar
00:20:58Go
00:20:59My husband wants rice pudding today
00:21:03Really?
00:21:04Well yes
00:21:05Ideal after eating cabbage
00:21:07There won't be any cabbage today, just rice.
00:21:16Very good
00:21:20You told my mother
00:21:21Where does Sanem live?
00:21:23Yes, it was me.
00:21:24And?
00:21:24Aileen
00:21:25You own some of the shares, and that's why you're here.
00:21:28But be very careful.
00:21:29Don't tell my mother anything about Jan and Sanem again, okay?
00:21:32Oh, man
00:21:33I don't understand you anymore
00:21:34So, since when do you get along so well with your brother?
00:21:38Up to there
00:21:39And I already told you
00:21:40How much I regret it
00:21:42You were my weakness and I loved you
00:21:45But I've stopped loving you
00:21:46I don't want to hurt Jan
00:21:49So accept it
00:21:50Of course
00:21:51Because you're in love with Leila, right?
00:21:54Think whatever you want
00:21:56Okay?
00:22:10What are you doing?
00:22:11Have you brought me some tea?
00:22:12Yeah
00:22:14It's teatime.
00:22:16Brilliant
00:22:19Great!
00:22:20I'm glad to hear it
00:22:23Why are you giving me the cold shoulder?
00:22:24And your mother?
00:22:25And?
00:22:25He's not going to stay long
00:22:26I'll make him leave.
00:22:28Jan
00:22:29Don't be like that
00:22:30You should give it a try
00:22:32Sanem
00:22:33We have our most important account
00:22:36We have the Fabri issue
00:22:37And temporarily we have to put up with Aileen
00:22:39I don't want to think about them or about my mother.
00:22:41I prefer to ignore them for now.
00:22:43Because I want to focus on my work, okay?
00:22:45Okay
00:22:45Let's get to work
00:22:47What's the matter?
00:22:48Yes, that's it.
00:22:49Let's get to work now
00:22:50Very good
00:22:51Very good
00:22:52Okay
00:22:52Okay, well, I'm going to start jotting down some ideas.
00:22:55Perfect
00:22:56Very good
00:22:58For now I'm going to write down what we have
00:23:01First we thought of this idea
00:23:07It seemed good, but I'm not sure if it convinces me.
00:23:11For...
00:23:13Hey...
00:23:14Red Moon
00:23:16I would consider the campaigns
00:23:21Hey, Jan
00:23:21Jan, can you hear me?
00:23:24Please concentrate a little.
00:23:25We are working
00:23:26Yes of course
00:23:27It's true
00:23:27We need to concentrate
00:23:29Hey...
00:23:30By the way
00:23:30Deren has already asked
00:23:33Information from other campaigns
00:23:34Hey...
00:23:35Good
00:23:35Brilliant
00:23:37Okay
00:23:37That's it
00:23:49It's Fabio
00:23:51Why is he calling you?
00:23:52Jan, it doesn't matter.
00:23:54Listen
00:23:55We no longer have any relationship with you.
00:23:57Why are you calling her?
00:23:58Hi, Jan
00:24:00Yes you're right
00:24:01Our employment relationship has ended
00:24:03I wanted to apologize
00:24:05With Miss Sanem
00:24:06After everything that has happened
00:24:08You have nothing to say to her.
00:24:10Leave my girlfriend and my company alone
00:24:11Understood?
00:24:12Please
00:24:13It's better if we are civilized.
00:24:15All I want is to tie up loose ends properly.
00:24:18On our part
00:24:18There's nothing to talk about
00:24:23Jan
00:24:24Sanem
00:24:26If that guy calls you again
00:24:28Don't answer the phone
00:24:29You've come to talk to me
00:24:30OK?
00:24:32Okay
00:24:33Okay, I'm going to keep working
00:24:40Yes, Mrs. Juma
00:24:41I'd like to introduce you to our amazing creative team
00:24:44They are the screenwriters
00:24:45Our communications team
00:24:48The social media kids
00:24:50The post-production team
00:24:52And the assistants
00:24:52Without them we couldn't do our job
00:24:54Gulip!
00:24:55Applause!
00:24:57Together we are a team
00:25:03It seems to me there are more people here than work.
00:25:08No
00:25:09On the contrary
00:25:10I assure you that during peak work periods
00:25:13We may even run out of staff
00:25:15Bravo!
00:25:16Bravo!
00:25:17Applause!
00:25:18Even more!
00:25:19You've got it all, man!
00:25:21Tell me one thing
00:25:22Is something strange happening to that boy?
00:25:25Does it look like it's missing a nerve?
00:25:27Ah!
00:25:28Yeah!
00:25:30Bravo!
00:25:30Bravo!
00:25:31You did very well!
00:25:32No!
00:25:34J.J. can be adorable
00:25:35He's a very good person.
00:25:36A little different
00:25:37But it's harmless
00:25:38As?
00:25:39Wow, I see you're talking about me.
00:25:41What are you doing?
00:25:41I'm so sorry for the interruption.
00:25:44I am truly adored
00:25:45Oh!
00:25:47They're calling me
00:25:48But it is important
00:25:51Hello!
00:25:52Hi, J.J. How are you?
00:25:53I can help her
00:25:55Sorry?
00:25:56What are you doing?
00:25:57Why are you talking to me like that?
00:25:58What does "I can help her" mean?
00:26:00It's not like I'm calling you to ask for two kilos of tangerines.
00:26:02Really!
00:26:03I call my boyfriend and he answers like he's a telemarketer
00:26:06Wow!
00:26:07It's a very important call
00:26:09I'll be right back
00:26:10Golid!
00:26:11Um!
00:26:12Oh, ha!
00:26:12Don't be angry, daughter
00:26:14I didn't mean to tell you that.
00:26:15Actually
00:26:15I wanted to ask you
00:26:16How are you?
00:26:17Oh really?
00:26:17It doesn't matter, J.J.
00:26:19It doesn't matter
00:26:19I want to entrust you with something important.
00:26:21A secret mission
00:26:23As?
00:26:24Secret?
00:26:25Oh!
00:26:25Not at all.
00:26:26Although on the other hand
00:26:27I'm also a little intrigued.
00:26:29Secret mission
00:26:31Okay
00:26:31I want to do it
00:26:32I will be your agent
00:26:33On a secret mission
00:26:35I want you to follow Leila
00:26:36And how am I going to follow her?
00:26:37Just like in the movies, huh?
00:26:39Can I rent a car
00:26:40And leave with my donut
00:26:41And my waiting coffee
00:26:42Can I put on a trench coat?
00:26:43And lift my collar
00:26:43Like secret agents
00:26:45What if I put on a hat?
00:26:46Just like spies do, huh?
00:26:48No, man
00:26:49Not like that
00:26:49I want you to observe her
00:26:50And tell me
00:26:51What does he do with Embré?
00:26:52What are you doing?
00:26:52Well, walking hand in hand
00:26:55Hey, Aijan
00:26:56Do you want me to get involved?
00:26:57In private life
00:26:57In other people's private lives?
00:26:58Because I'm not going to do that.
00:27:00The thing is
00:27:00Leila is fooling around
00:27:02With my brother
00:27:02And with Embré at the same time
00:27:03What is he doing flirting with your brother?
00:27:05And also
00:27:06Are they holding hands?
00:27:08Are they holding hands?
00:27:09Well, I don't know that.
00:27:10Just observe her
00:27:11And then you can tell me everything.
00:27:13This is very important to me
00:27:14I don't want it to hurt.
00:27:15To my brother
00:27:17Take it seriously
00:27:18And inform me
00:27:18Understood?
00:27:19Good morning
00:27:20Now I have to hang up
00:27:22Okay
00:27:22Have a good one!
00:27:26Day
00:27:28He used to tell me
00:27:29Hang yourself first
00:27:30Then he would tell me
00:27:31I love you
00:27:31With little kisses
00:27:32And now he's hanging up on me.
00:27:34We are entering into monotony
00:27:36We're getting into a routine.
00:27:38Our relationship is routine
00:27:40And perhaps it lacks more passion
00:27:41Yes, I don't know.
00:27:42I need to think about it.
00:27:42But it can't be.
00:27:43This
00:27:44It just can't be
00:27:45Hey, you
00:27:47Where are you going?
00:27:48What's that about?
00:27:49But what's it about?
00:27:50And then he tells me
00:27:51He wants to apologize to Sanem.
00:27:53Forget about that guy
00:27:54It's over
00:27:54It's a real pain in the neck.
00:27:56But he doesn't fool me.
00:27:57He's looking for something.
00:27:59And in the end I'll find out
00:28:01Calm down
00:28:01If you want, I can go talk to him
00:28:02What are you saying?
00:28:03What do you mean you're going to talk to him?
00:28:05That guy is nobody
00:28:05Someone you can talk to
00:28:06First he deceives you
00:28:08With his apparent tranquility
00:28:09And when you trust
00:28:10It gets on your nerves
00:28:11And it makes you lose your stability
00:28:12That guy is no saint.
00:28:13Do you understand?
00:28:14And you can't talk to him
00:28:15OK
00:28:16But we have solved a problem
00:28:19Let me go talk
00:28:20Calmly
00:28:20Okay, give it a try
00:28:21Let's see what happens
00:28:22But try to stay calm.
00:28:23Because it's going to drive you crazy
00:28:24OK
00:28:25I have things to do outside.
00:28:26I'll go see him later
00:28:27And take Juma with you.
00:28:29Just looking at her makes me sick
00:28:30I can't stand her
00:28:31Let her go with you.
00:28:33Okay
00:28:50Tell me
00:28:50Tell me
00:28:51Hello
00:28:52Don't call me again
00:28:54Okay?
00:28:54You already have the formula
00:28:55So leave me alone
00:28:57And don't call me.
00:28:57We're not finished yet.
00:28:59Miss Salem
00:29:00Ah, look
00:29:02In its formula
00:29:03There is an error
00:29:04An impossible mistake
00:29:05I've been using it for years.
00:29:07That formula is fine.
00:29:08We replicated it in the laboratory
00:29:10But we haven't obtained
00:29:12The same result
00:29:13Therefore
00:29:14It's wrong.
00:29:14And of course
00:29:16Or it's a mistake
00:29:18Or
00:29:19He gave us a bad one.
00:29:21Because he's afraid of Jan
00:29:22Why would I give it to her badly?
00:29:24Tell me
00:29:24Try again
00:29:26They must be doing it wrong
00:29:28Listen to me carefully
00:29:29I
00:29:30I work with a team of people
00:29:32Highly qualified
00:29:32They have tried several times
00:29:35So
00:29:35What I want
00:29:36Let him come here
00:29:38And do it yourself
00:29:41I?
00:29:42Can't
00:29:43If you like
00:29:45I'm sending it to you again.
00:29:48Miss
00:29:49This is serious.
00:29:50We're talking business
00:29:51Okay?
00:29:52And I also remind him
00:29:53We have a signed contract
00:29:55That's why
00:29:57You have to come here
00:29:58To help us
00:29:59To obtain the perfume
00:30:03And if you are not willing
00:30:04To keep his word
00:30:06Nor can it wait
00:30:07That I go and fulfill my obligations
00:30:08With mine
00:30:09Well
00:30:10If you prefer to go and talk to Jan about it
00:30:13Okay
00:30:13Okay
00:30:15One second
00:30:16Sanem
00:30:16Sanem
00:30:17I was looking for you.
00:30:19What are you doing here?
00:30:21I
00:30:22I'm very busy
00:30:24I'm checking
00:30:25Previous campaigns
00:30:26From Redmode
00:30:26Know?
00:30:27Mrs. Huma
00:30:28Wants
00:30:28Talk to you
00:30:30With me?
00:30:31Yeah
00:30:31I'm coming right away
00:30:37Hello
00:30:38Okay
00:30:39I will approach
00:30:41At noon
00:30:44I will correct the formula
00:30:56What are you doing?
00:30:58Very sorry
00:30:59Excuse me
00:31:03Mother
00:31:03I'm going out
00:31:04Okay
00:31:05Do you want me to take you?
00:31:07Somewhere?
00:31:07I'll leave when I want.
00:31:09That's what it's for.
00:31:09I have a driver
00:31:10I know your brother
00:31:12And you
00:31:12You worry a lot
00:31:14But don't worry
00:31:15I am not a stranger
00:31:18You'd better
00:31:20Get used to it
00:31:20In my presence
00:31:21Yeah
00:31:22Well
00:31:22Whatever you want
00:31:23See you
00:31:29Bye
00:31:30What is this campaign?
00:31:32This is from Redmode
00:31:33The cosmetics company
00:31:35I know.
00:31:35But you like them
00:31:37Those colors
00:31:37Oh
00:31:38They are very inaccurate.
00:31:40Dan
00:31:41A negative feeling
00:31:43Yeah
00:31:43Me too
00:31:44It seems so to me.
00:31:44They lack
00:31:45Some strength
00:31:46We should strengthen
00:31:48Magenta tones
00:31:49But unfortunately
00:31:50Mrs. Huma
00:31:51I am not the director
00:31:52Creative for this campaign
00:31:53So I can't
00:31:54I just do
00:31:55What they tell me
00:31:56Mr. Jan
00:31:56And Sanem
00:31:57Sanem
00:31:59Sanem
00:32:00Mrs. Huma
00:32:01Did he want to see me?
00:32:02Yeah
00:32:03Everyone is working
00:32:05And you?
00:32:06It's just that I had things
00:32:07What to do in the file
00:32:08It's true
00:32:08Sanem loves it
00:32:10Go work on the file
00:32:11And it has settled there
00:32:13Far from everyone
00:32:14There, for sure.
00:32:15That she finds it
00:32:16Good place
00:32:17To hide
00:32:17I guess
00:32:18As?
00:32:20Hey
00:32:21No
00:32:22That's not what he thinks
00:32:23I
00:32:23One thing
00:32:24Tea and coffee
00:32:26That is consumed
00:32:26Is it free?
00:32:27For the employees?
00:32:29Clear
00:32:29That's why I brought him
00:32:31A tea
00:32:41Tell me
00:32:42Have you chosen?
00:32:43The campaign colors?
00:32:45Yeah
00:32:47Oh
00:32:47But if not even
00:32:49The color is good.
00:32:49From the tea you make
00:32:51It's true
00:32:53How could they have
00:32:54Trusting a campaign
00:32:56That important?
00:32:57So
00:32:57I review what I have done
00:32:59Leila has sent
00:33:00The budget
00:33:00It's already approved
00:33:01Leila?
00:33:02Leila is the assistant
00:33:03In Demre
00:33:04Ah
00:33:04That
00:33:05And where is it?
00:33:07I'm sure that in his office
00:33:09Leila
00:33:10Can you come please?
00:33:11Fast
00:33:16Really
00:33:16We are very happy
00:33:18With Leila
00:33:18She is an employee
00:33:19Very disciplined
00:33:20And very hardworking
00:33:21He does everything well.
00:33:22Yeah
00:33:22He called you
00:33:24Mrs. Huma
00:33:25Tell me
00:33:26Why did you pass?
00:33:27The budget
00:33:28Before taking
00:33:29A decision
00:33:29About the project?
00:33:31As?
00:33:32What does that mean?
00:33:33It doesn't surprise me.
00:33:34You haven't understood.
00:33:36How they work
00:33:37Things
00:33:40Don't make a face
00:33:41As a student
00:33:41Innocent
00:33:42He's talking
00:33:43From the campaign
00:33:45Mr. Jan
00:33:46He is the one who approves
00:33:47The budget
00:33:47From the campaign
00:33:48Don't come at me
00:33:49With excuses
00:33:49Save yourself the trouble
00:33:51Are you sisters?
00:33:52You?
00:33:53Yeah
00:33:54Yeah
00:33:54I'm not surprised.
00:33:59Is there a problem?
00:34:01To Mrs. Huma
00:34:02He doesn't like them
00:34:03The colors
00:34:03That you have chosen
00:34:04For this campaign
00:34:05Are you questioning me?
00:34:07I remember you
00:34:08That I am a partner
00:34:08From the company
00:34:09You come every 40 years
00:34:10Bravo
00:34:11What a partner!
00:34:12Aileen agrees
00:34:13With me
00:34:14In which the choice
00:34:15It's not accurate.
00:34:15Oh really?
00:34:16Well yes
00:34:16She is an expert
00:34:17In making very bad decisions
00:34:19I think you should
00:34:20Just choose
00:34:21The colors
00:34:21From your makeup
00:34:22Understood?
00:34:23You've gone too far
00:34:24Questioning
00:34:25The colors
00:34:26Don't get involved
00:34:27In things
00:34:28That you don't know
00:34:30And you don't have
00:34:31No idea about tea
00:34:34Dear
00:34:34Ignore him
00:34:39Jan
00:34:39Jan
00:34:41Your father
00:34:42He has worked very hard
00:34:43To build the company
00:34:45He always had a good eye
00:34:47And he never gave him power.
00:34:49To a person
00:34:49That he didn't deserve it
00:34:51I trust you
00:34:52As a mother
00:35:02See you later
00:35:03Thank you so much
00:35:05Give my regards to the family
00:35:07Prami!
00:35:08A tea
00:35:08I'm going right now.
00:35:15Hey, Engin!
00:35:17Hello
00:35:21Oh well
00:35:22If you're there
00:35:23Half asleep
00:35:24What's the matter?
00:35:25Is the business
00:35:25Things haven't been going very well lately?
00:35:27Clear
00:35:27It's terrible.
00:35:28There's nothing more to it than seeing you.
00:35:29If I ask some questions
00:35:30Sometimes sillier
00:35:31I'm telling you.
00:35:32They always go for
00:35:33Small business owners
00:35:34How will it survive?
00:35:35A store selling
00:35:36Two loaves of bread
00:35:37And four eggs?
00:35:38And people turn
00:35:39Poorer
00:35:39If you see a gentleman
00:35:40Stealing sugar from the bar
00:35:41And who was it?
00:35:42No one in particular
00:35:43It was an example
00:35:44I haven't seen anyone
00:35:45Taking the sugar
00:35:46I just want more peace and quiet.
00:35:48Clear
00:35:48It's hard to stay calm.
00:35:50Because there is no money
00:35:51And without money
00:35:51There is no peace.
00:35:52It's impossible.
00:35:53Living with a little
00:35:55Peace and quiet
00:35:55But I have big plans.
00:35:57For this neighborhood
00:35:58Look, I'm going to build
00:35:59Five hotels
00:36:00More houses are needed
00:36:01And more apartments
00:36:02To liven this up
00:36:03And you'll see.
00:36:04Like the little bell on the door
00:36:05It keeps ringing
00:36:05Of the number of customers
00:36:07Already
00:36:07And then they will come to settle there.
00:36:09Supermarket chains
00:36:10And I'll have to close the door.
00:36:12Say yes, Musafer
00:36:13Thank you
00:36:13No, man
00:36:14You haven't understood.
00:36:15I'm not a great
00:36:16Defender of capitalism
00:36:17But the other day
00:36:18He came to our neighborhood
00:36:19A woman
00:36:20That made us rethink things
00:36:21Again
00:36:22And on and on with talking.
00:36:23About that woman
00:36:24Yes, but what a woman!
00:36:25She looked like a princess
00:36:26What am I saying, a princess?
00:36:28She looked like a queen
00:36:29I swear
00:36:29I have never seen a more elegant woman
00:36:31Look, he even gave us money.
00:36:32For stray cats
00:36:34I saw it with my own eyes
00:36:35I don't care, Musafer
00:36:36I don't care
00:36:37But he said he wanted to invest
00:36:38In our neighborhood
00:36:39You understand.
00:36:40He was talking to me
00:36:41In people
00:36:41He even called me
00:36:42Mr. Musafer
00:36:43Can you believe it?
00:36:44My mother and Isan
00:36:45They were following her
00:36:46Yes, they were after that woman.
00:36:48As if they were a couple of starving people
00:36:50Although maybe
00:36:51They want to talk to your Mepkibé
00:36:52Do you know anything?
00:36:53Do you know if they've called her?
00:36:54By the way
00:36:55Where is?
00:36:56Where is?
00:36:56And what do I know, Musafer?
00:36:58But how do you expect me to know?
00:36:59Where are the others?
00:37:00If I don't know where I am
00:37:01Oh, mother
00:37:02Come on, come on, come on
00:37:03Don't even think of wise words, friend.
00:37:05Well, what do you say, huh?
00:37:07One could almost say
00:37:08That we are both equal
00:37:10You should cheer up
00:37:10And get into the business, man
00:37:12That way we can stroke our beards
00:37:14And let's get busy counting money.
00:37:15Come on, invest money
00:37:17And live life
00:37:17Musafer
00:37:18Are you okay?
00:37:20Hey?
00:37:20Why are you talking to me like Isan?
00:37:21The thing is...
00:37:22You're making me really nervous
00:37:24Well, I'm bursting with energy.
00:37:26I've discovered that the real estate business
00:37:27It puts me in the rows
00:37:28Because it's a world
00:37:29Where there is a lot of money
00:37:30We're going to make a fortune
00:37:31We're going to be rich
00:37:32Enough
00:37:33Go away and leave me alone
00:37:35I don't want to see you in the store anymore.
00:37:36All week
00:37:37Whatever you want
00:37:38But like I said
00:37:39There's a lot of money.
00:37:40In the real estate world
00:37:41Shut up already!
00:37:42Sorry
00:37:57Leila
00:37:57Oh, J.J., what a scare!
00:37:59You hit me
00:38:00Oh, really?
00:38:01Are you hiding something?
00:38:02You seem like a person with secrets.
00:38:04No, not at all.
00:38:06Look, your body language
00:38:07Your shoulders are raised
00:38:09You're tense and walking with your head down.
00:38:11And you also avoid eye contact
00:38:13You say hello, hello, hello
00:38:15What are you hiding, Leila?
00:38:17What are you saying, J.J.?
00:38:19What does one thing have to do with the other?
00:38:21Let me work
00:38:22Leila
00:38:23Tell me, J.J.
00:38:24Do you have Osman's phone number?
00:38:26Why are you asking me that?
00:38:27So, why do you want to talk to him?
00:38:29I want to call him about a possible film shoot.
00:38:31Or you can tell him yourself
00:38:32When you have coffee together
00:38:34Or were you worried?
00:38:35Let Mr. Emre know
00:38:37And there are problems
00:38:38Hey?
00:38:38But what does one thing have to do with the other, right?
00:38:40Oh, what are you saying?
00:38:41Really
00:38:42This guy's gone off the rails
00:38:43I already have what I need
00:38:50What's that?
00:38:52Because it smells like food in this office
00:38:58Oh, Sanem
00:39:27Hello, Mezquibe, how are you?
00:39:28Hi, Jan
00:39:30I've prepared stuffed cabbage for you
00:39:32What are you saying?
00:39:33You didn't have to bother
00:39:34Let's go inside
00:39:34Yes, thanks
00:39:41Sanem, your mother has come
00:39:43My mother?
00:39:44Yes, he's with Mr. Jan
00:39:45And Mrs. Huila has seen it
00:39:46Mrs. Huila?
00:39:48Jan's mother
00:39:48It's Juma
00:39:49Juma
00:39:51Di Juma
00:39:53Say it right, it's Juma
00:39:55Juma
00:39:56So what do I do now?
00:39:57Take Mr. Jan some tea
00:39:59And you act surprised
00:40:00Mom, I didn't know you were there
00:40:01Good idea, I'm off!
00:40:02Perfect
00:40:02Great, great
00:40:07Brilliant
00:40:08That's lovely
00:40:10Mesquite
00:40:10This stuffed cabbage is spectacular
00:40:12I feel like sticking my head inside
00:40:14And eat it all
00:40:15I swallow it without chewing
00:40:16I love
00:40:17How do you prepare the leaves?
00:40:20Do you macerate them for several months beforehand?
00:40:22Because I'm telling you the truth.
00:40:23This turned out great!
00:40:24No, I don't macerate them.
00:40:26I add a squeeze of lemon.
00:40:27Do you put lemon on it?
00:40:28Ah, well, it gives it an amazing touch
00:40:32Enjoy!
00:40:34By the way, Sanem has already told me everything.
00:40:37And I'm very sorry that the situation is like this.
00:40:39I know Sanem caused the commotion
00:40:43It's only fair that she tell him herself.
00:40:46What did you say?
00:40:46Huma never really understands things.
00:40:48And that's why he makes inappropriate comments.
00:40:50So I apologize on his behalf.
00:40:53No problem
00:40:54Oh, they haven't introduced us yet.
00:40:56I am Huma
00:40:57Jan's mother
00:41:00And I am Mezquibe
00:41:02Sanem's mother
00:41:08I've suddenly lost all my appetite.
00:41:10I'll eat it later
00:41:12Of course
00:41:12Eat it whenever you want
00:41:14How strange, right?
00:41:15You suddenly appear after I don't know how many years
00:41:18And your car breaks down right in Sanem's neighborhood
00:41:20Look at that
00:41:21It's incredible, what a coincidence
00:41:23Already
00:41:24And it wasn't a pleasant experience.
00:41:26Excuse me, what did you say?
00:41:28Mother
00:41:30Very good
00:41:31I had no idea you were here
00:41:34Well, I've brought you tea
00:41:35Mrs. Huma
00:41:38As you can see, the color of your tea is different from the others.
00:41:41If you look closely, you'll notice it's different.
00:41:45Mother
00:41:45Did you bring stuffed cabbage?
00:41:48Stuffed cabbage
00:41:49Stuffed cabbage
00:41:50Mrs. Huma, you have to try my mother's stuffed cabbage
00:41:53It turns out great!
00:41:54Very tasty
00:41:54Isn't that right?
00:41:55Of course, it's a real treat
00:41:58Want to try it?
00:41:59I don't eat things that I don't know where they come from.
00:42:02Well, you don't know.
00:42:04But I did, because my mother cooked it.
00:42:06I don't want to
00:42:07Try one, nothing will happen to you
00:42:09Sure, at least one
00:42:10I already told you no.
00:42:11Daughter, don't insist anymore
00:42:12If she doesn't eat home-cooked food, it's because she's not used to it.
00:42:15I hope he doesn't react badly to it.
00:42:16Bring me here
00:42:17Give it to me
00:42:18Yes, I am
00:42:19Am I?
00:42:20Of course, like homemade food.
00:42:22Although our food is very different from yours
00:42:25Different?
00:42:27I don't like neighborhood culture
00:42:29I prefer a different atmosphere
00:42:31Ah
00:42:31And then you run out of bread at night
00:42:33And there isn't a single shop open.
00:42:35And you end up going to bed hungry.
00:42:37Oh, the rich ones, that's how they are.
00:42:39Mother
00:42:39I prefer modern life
00:42:42Ah, modern.
00:42:43But he probably doesn't know.
00:42:44Not even what his neighbor's name is
00:42:46Do you find out he's died because there's a sign in the elevator?
00:42:49You can't live alone in buildings
00:42:53Exactly, I completely agree.
00:42:54Here, have some tea.
00:42:55Thank you so much
00:42:56Well, anyway
00:42:57Let everyone live as they wish.
00:42:59I have things to do.
00:43:00And I can't waste any more time
00:43:02Bye
00:43:04Bye
00:43:05It makes me nervous
00:43:06She's an unbearable woman.
00:43:09Really
00:43:10We'll be waiting for you.
00:43:11Unless you've changed your mind
00:43:19Hi, JJ
00:43:20Have you found out anything?
00:43:25No news, agent
00:43:27Everything clear
00:43:28What does it mean?
00:43:30Nothing
00:43:31That's what they always say in the movies.
00:43:33And I took the opportunity to say so.
00:43:34Stop talking nonsense
00:43:36Have you heard what's going on between Leila and Emre?
00:43:38More or less
00:43:38But right now I have other problems.
00:43:40Because Medusa is at the agency
00:43:42Jellyfish?
00:43:43Jan's mother
00:43:45What's going on here?
00:43:46And well, you have no idea how bad that lady is.
00:43:49He spoke to Sanem and Leila
00:43:50And now Mrs. Mepkime has also appeared.
00:43:52That's why I'm giving it my all.
00:43:55So as not to lose your calm at any time
00:43:57Oh, I'm sure Sanem is super stressed.
00:44:00Yes, yes
00:44:01Hey, I'll leave you alone
00:44:02I'm going to try to read their lips.
00:44:04Let me see if I can find out what they're talking about.
00:44:06We'll talk later, Aijan
00:44:07Okay, keep me posted.
00:44:17Please, Medusa
00:44:18Thank you
00:44:19Thank you for the food
00:44:21You are a magnificent cook
00:44:22Everything is delicious!
00:44:23My stomach is delighted.
00:44:24Thank you for brightening my day.
00:44:26You're welcome, son.
00:44:27I'll cook for you again.
00:44:28And I'll bring you more.
00:44:29So you can eat as much as you want
00:44:31Thank you
00:44:32Mother
00:44:33Hello
00:44:34Hello, daughter
00:44:34Aijan
00:44:35Do you mind if I go with my mother?
00:44:37She must have been a little shaken up
00:44:38And I don't want him to be in a bad mood
00:44:41Clear
00:44:42I take advantage of this time to go to the gym
00:44:44I need it
00:44:45Because I've eaten a lot
00:44:46Okay?
00:44:48I don't think it will take long.
00:44:49Okay?
00:44:49And then I'll see you.
00:44:50You should have seen it
00:44:51The look of disgust on his face
00:44:54Goodbye, Medkibet
00:44:56Goodbye, see you later, Jan
00:45:02My God
00:45:03She brought stuffed cabbage
00:45:05I've never seen anything like it.
00:45:07Oh
00:45:08Ordinary
00:45:09And I would say that the daughter
00:45:10She's worse than her mother.
00:45:11Don't say the daughter
00:45:13There are two
00:45:13She has two daughters
00:45:14And just so you know, between the two of us
00:45:16They are capable of sinking the agency
00:45:18My poor children
00:45:19Poor
00:45:21But of course
00:45:22Right now
00:45:22They are completely blind
00:45:24They don't know who I am
00:45:30They don't know who I am
00:46:04That's wonderful, Mrs. Juzba!
00:46:05Yes, it helps with concentration.
00:46:07I can't imagine an office without music.
00:46:09It's true.
00:46:10J.J.!
00:46:11Phew!
00:46:12What music!
00:46:14So nice!
00:46:16Yes, I love it!
00:46:18Bravo, Gizem!
00:46:19Gully!
00:46:19Bravo!
00:46:20Music feeds the soul.
00:46:22Of course, yes, that's true.
00:46:24I think the same,
00:46:25Although perhaps, Mrs. Jurula...
00:46:27Look, I'm already used to listening to music, of course,
00:46:31But my colleagues also think it's a little excessive.
00:46:35because they are not.
00:46:36That's just how they are, huh?
00:46:37Well, they'll get used to it.
00:46:38What do they get used to?
00:46:39Yes, I have that philosophy.
00:46:42It's all a matter of time.
00:46:43Time is the best medicine.
00:46:45That's my motto.
00:46:47Don't worry, I'm going to take you all to another level.
00:46:49Trust me.
00:46:50Yes of course.
00:46:51Yes, yes.
00:46:52I love it.
00:46:53Guys, what's going on here?
00:46:55What are you doing?
00:46:56My chakras have become misaligned.
00:46:58J.J., can you tell me what all this is about?
00:47:00But wow.
00:47:02Look at me.
00:47:03Suddenly I'm feeling much more relaxed,
00:47:05being a great inner peace, truly.
00:47:07Oh, right?
00:47:09It's normal.
00:47:10I knew you had good taste.
00:47:12Thank you.
00:47:12And what is this?
00:47:13Well, it's music.
00:47:16Hey, can I?
00:47:17Okay, fine.
00:47:18Yes, from now on we're going to listen to music for at least two hours a day.
00:47:23Great, great.
00:47:25Listen carefully to each instrument and feel how they interact.
00:47:28It's important.
00:47:29Music heals your soul.
00:47:31I still can't believe it.
00:47:32I can not stand.
00:47:34And we're going to hear this every day.
00:47:39What are you doing?
00:47:41J.J., can you turn the music down?
00:47:42I'm trying to concentrate.
00:47:51Music is related to culture.
00:47:54Clear.
00:47:54It is a kind of differentiating element that separates the elite from the common people.
00:48:00I don't blame you for your lack of culture.
00:48:02How are you going to hear any arias in that neighborhood?
00:48:04But, but, you must respect those who do.
00:48:09I respect.
00:48:10Something you clearly don't have, okay?
00:48:13I see you have self-esteem.
00:48:16It runs in your family.
00:48:19I feel so out of place when I can't relate to people in my class.
00:48:23Come on, kid, bring me the coat and the bag.
00:48:25You're right.
00:48:26Right now.
00:48:27I'm coming, I'm coming.
00:48:28Come on.
00:48:29Goodbye, have a good day.
00:48:31Leila.
00:48:32Gullit, please take that down.
00:48:38Well, I'm going now, I need to meditate.
00:48:44It has what it needs, doesn't it?
00:48:46Because I wouldn't want to have to come back here.
00:48:48No, nothing is missing.
00:48:49We have everything.
00:48:50Okay, I'm leaving then.
00:48:51How are you doing?
00:48:54Have they finished yet?
00:48:56Yes, it's done.
00:48:57How about we go eat together?
00:48:59Can't.
00:49:00Have a good day.
00:49:01Thank you.
00:49:05Is it resolved?
00:49:07Have you corrected the formula?
00:49:09Now we know where the error was and we have modified the formula.
00:49:13Magnificent.
00:49:14This perfume is going to be amazing.
00:49:16We're sure to be a huge success in the market.
00:49:18We started production.
00:49:20Yes, hurry up.
00:49:21We don't have time to lose.
00:49:22We're already behind schedule.
00:49:23Come on, let's get to work.
00:49:24Yes sir.
00:49:49What are you doing here?
00:50:45Tell me, what's wrong?
00:50:47She's going to launch a new perfume, and it seems like an ambitious project.
00:50:51Are you sure?
00:50:52Yes, it seems they are working in the laboratory.
00:50:55Fabry is stressed.
00:50:57Apparently there was a problem with the formula, but they just fixed it.
00:51:01They seem to be in a hurry.
00:51:03I see
00:51:03I didn't expect it to be so fast
00:51:06Be very careful and keep me informed
00:51:08Try to find out about everything that's happening
00:51:10And you keep me updated, okay?
00:51:12Clear
00:51:14Is everything alright?
00:51:16Fabry, who is going to produce a new perfume
00:51:18It caught me by surprise
00:51:21It's clear that it's going to affect your campaign
00:51:23What do we do?
00:51:24We need to bring the campaign forward.
00:51:26In other words, we have to launch the perfume before he does.
00:51:29Then we should talk to Jan right away.
00:51:33Exact
00:51:34I was planning to stop by the agency later.
00:51:36If you want, I can tell them so they can prepare.
00:51:39Yes, yes, of course, talk to him.
00:51:40I have to go to the office
00:51:42Call me and I'll give you all the details, okay?
00:51:44OK
00:51:46Well, we'll leave you at the agency
00:51:47Okay
00:51:49Afikri Harika
00:51:50OK
00:52:08But how frightening!
00:52:10I'm scaring you, aren't I?
00:52:12You were focused on your own things
00:52:14With a fixed gaze
00:52:15Without seeing anything at all
00:52:16Let me see you for a moment
00:52:17You look a little flushed.
00:52:19What's the matter?
00:52:20Ah, I came running to the office
00:52:23Because I didn't want to be late.
00:52:24Did you end up going to the gym?
00:52:27Sure, a little time like this helps me de-stress.
00:52:29Good
00:52:30I feel better
00:52:31Brilliant
00:52:32Jan
00:52:33Phew
00:52:34Hello, Lleida
00:52:35Hello darling
00:52:39How are you?
00:52:41I'm so glad to see you
00:52:43Me too
00:52:44I need to talk to Jan about some new developments.
00:52:46Ah, yes
00:52:48I think we're going to have to get you an office with a view of the city
00:52:51So you can save on trips
00:52:53Let's talk
00:52:58Tell me
00:53:00What happened?
00:53:01I'm curious
00:53:02Jan
00:53:04Fabry is launching a new perfume
00:53:07And so?
00:53:09But how is that possible?
00:53:11Max and I were returning from a meeting
00:53:12When they called him on the phone
00:53:14I think he has a spy in Fabry's company.
00:53:16What do you mean, a spy?
00:53:18I'll upload it myself.
00:53:18I think so
00:53:19I think so, yes
00:53:21Sit down
00:53:22Thank you so much
00:53:23Ah
00:53:25It seems she intends to launch the perfume before Red Mode.
00:53:29And they say he's very confident in his perfume
00:53:31And Mr. McKinnon is going to ask me to move up the launch date
00:53:34Exactly
00:53:35Because we can't let Fabry hit the market before Red Mode
00:53:40We have to prevent it
00:53:41Don't worry, Lleida
00:53:43Count on us
00:53:44We will do everything we can, without a doubt.
00:53:45I know, I know you're on our side
00:53:49I'll really enjoy seeing Fabry fall
00:53:51He still keeps calling Sanem
00:53:52Can you believe it?
00:53:53Oh really?
00:53:54Yes that's how it is
00:53:56Come in, Deren
00:53:58There have been new developments
00:54:01That?
00:54:02They're bringing forward the launch
00:54:03Oh really?
00:54:04Hello, Lleida
00:54:05Hello
00:54:06Okay, so do we know the reason?
00:54:09Fabry's company is going to launch a new product on the market
00:54:12How can that be?
00:54:13We've been running their campaigns until very recently
00:54:15And I don't remember them having anything planned
00:54:18Anyway, we don't have time to lose
00:54:20I'm going to redo the planning.
00:54:21Let's talk later
00:54:25Well, I'm going back to work too.
00:54:33Oh my God, what am I going to do?
00:54:35Sanem, listen
00:54:37Oh, Lleida
00:54:38What's wrong with you?
00:54:40Let's go inside, he can't find out
00:54:41What happened?
00:54:44Makinon has a spy in Fabry's company.
00:54:46And she knows they're launching a new perfume
00:54:47That?
00:54:48Yeah
00:54:49I don't know what will happen when Jan finds out.
00:54:51Calm down, let's properly assess the situation
00:54:55Let's think
00:54:56If Lleida had more information, he would have told her.
00:54:59I know
00:54:59But if the spy saw me, she'll surely find out everything.
00:55:03Don't talk nonsense
00:55:04He doesn't know anything yet, okay?
00:55:06Don't know
00:55:07Right now I can't even think.
00:55:08I'm very worried
00:55:10Sanem, please stop torturing yourself with this.
00:55:12Calm down
00:55:13Don't you see that Jan can't see you like this?
00:55:15Look
00:55:21Do you think he knows?
00:55:22Do you know what worries me?
00:55:23Well, then our parents should stop talking to each other.
00:55:25Dad is still sleeping in the store
00:55:27And we can't do anything to help them
00:55:29So think about how to solve that problem
00:55:31Think about it
00:55:32So what do we do now?
00:55:34I have an idea, but you might think it's a bit childish.
00:55:37Tell me, it'll do me good.
00:55:39Okay, let's see what you think.
00:55:51Have you returned yet?
00:55:53Yes, brother
00:55:54How have you been?
00:55:56Well, it turns out I wasn't there.
00:55:57I'll go talk to him tomorrow
00:55:58OK
00:55:59Lleida has just left
00:56:01We've crossed paths
00:56:02We're bringing the campaign forward because Fabry is launching a perfume.
00:56:06Apparently, it will be released before Red Mode.
00:56:08So the launch and the campaign are being brought forward.
00:56:14Is your mind elsewhere?
00:56:15Nothing
00:56:16I'm tired
00:56:18Well, rest.
00:56:20See you
00:56:23I think it's a great plan.
00:56:24Yes? Do you like it?
00:56:25A lot
00:56:25Okay, I need your help.
00:56:27Guys, come here
00:56:28Oh, mother
00:56:29You, don't worry.
00:56:29Don't get upset
00:56:30What's happening?
00:56:31Don't get upset
00:56:32Hey, guys
00:56:35Fabry is going to launch a new perfume on the market
00:56:38We're going to have to go all out with the Red Mode campaign.
00:56:41They're bringing forward its launch
00:56:43And that's why we're going to have to do...
00:56:45Overtime!
00:56:45Very good
00:56:46Bravo
00:56:47It's going to be a tough few weeks.
00:56:49But I am convinced
00:56:50That the campaign will be great
00:56:52In this case
00:56:52Let's get to work
00:56:54Yes sir
00:56:54Let's do it
00:56:55What I want you to know
00:56:56I have a slightly different idea
00:56:58Very original and a little crazy
00:56:59Work from home
00:57:00Yes, exactly.
00:57:02You see, I think we'll all be much more comfortable there.
00:57:05And we can start brainstorming.
00:57:07Well, see you at my house
00:57:09I'll be waiting for you around 8
00:57:10Of course, sir.
00:57:11Very good
00:57:11Guys, I want you all full of energy
00:57:13Be prepared
00:57:14Okay, okay
00:57:15Shall we go now?
00:57:16Ah, darling.
00:57:17I have to go by my house
00:57:19It is important
00:57:20Ah, okay, fine.
00:57:22Can't I help you?
00:57:23No, thanks
00:57:34Leila
00:57:35Leila
00:57:36Leila
00:57:37Mom, she's at Melahat's hair salon.
00:57:39Ah, great.
00:57:40Let's get started!
00:57:41Come on
00:57:41We have to give ourselves a break
00:57:42Yes, by God
00:57:43So she doesn't tell her parents she wants to get married, does she?
00:57:46No way, don't miss it!
00:57:47The creature is only 18 years old
00:57:49What's the rush?
00:57:50Do you want life ahead of you?
00:57:52Honestly, today's youth is becoming increasingly rebellious.
00:57:54There's no way they'll fall in line.
00:57:56Mother!
00:57:57Mom, run!
00:57:58Dad is sick
00:57:59As?
00:58:00He's home
00:58:01Daughter
00:58:01Don't worry, dear
00:58:03I'll go with you
00:58:04No, better, neighborhood
00:58:05Don't leave the hair salon unattended
00:58:07We'll tell you everything later.
00:58:09How do you want it?
00:58:09Mom, run!
00:58:10Let's go see Dad
00:58:11I hope nothing happens to him
00:58:19Dad
00:58:19What's happening?
00:58:20Something bad
00:58:21But what?
00:58:21Mom is sick
00:58:22How? Where?
00:58:23He must be at home
00:58:24Leila called me
00:58:25At home?
00:58:26Oh, mepkibé!
00:58:27Mepkibé!
00:58:28Mepkibé!
00:58:36Mijat!
00:58:37Mijat!
00:58:38Mijat!
00:58:41Mijat!
00:58:50Mijat!
00:58:53Mijat!
00:58:53Mijat!
00:58:54Mijat!
00:58:55Mijat!
00:58:56Nothing's wrong with me.
00:58:57Nothing's wrong with me.
00:58:58I'm fine
00:58:58I don't know what I would do.
00:58:58If something were to happen to you
00:58:59I'm fine
00:59:00It seems to have worked
00:59:02Yes, it seems so.
00:59:03How clever we are
00:59:06I close the door
00:59:07Better
00:59:07Because I don't trust them
00:59:09Hey?
00:59:11Aren't you sick?
00:59:13I'm fine
00:59:14Me too
00:59:16If I was at the hairdresser
00:59:17Already
00:59:23Child!
00:59:23Girls
00:59:24What are you doing, you scoundrels?
00:59:27Hey, Leila, Sanem
00:59:28Open the door!
00:59:30Yeah
00:59:31Don't make me angry
00:59:33Mom, I have to go
00:59:34If you both behave
00:59:35Leila will open the door for you
00:59:36Stop acting foolish
00:59:49It's something
00:59:51Of the girls
00:59:53Clear
00:59:55That seems to be the case.
00:59:57Yeah
00:59:58Already
01:00:02Well
01:00:03Do you feel like eating?
01:00:06So
01:00:08We do something
01:00:09Until the girls
01:00:11Let us go
01:00:13Okay
01:00:18Oh, come on!
01:00:24They bought it
01:00:26Everything is ready.
01:00:26Do you think so?
01:00:27I would never do that.
01:00:28Well
01:00:30It's probably not that good
01:00:31Like when you cook it yourself
01:00:33But I'm so hungry!
01:00:35I need to eat something.
01:00:38OK
01:00:39Shall we sit down?
01:00:41Yes of course
01:01:02These girls
01:01:04Where did they get them?
01:01:12Divine youth
01:01:14What are you saying?
01:01:16You're still young
01:01:18And beautiful
01:01:19Oh, yes.
01:01:20Flatterer
01:01:22Really?
01:01:24Yeah
01:01:24Are you the same?
01:01:26So pretty
01:01:27That the day
01:01:29Did I meet you?
01:01:30Do you want me to tell you?
01:01:31Pretty things?
01:01:32Clear
01:01:33Time passes
01:01:35And I want
01:01:36To be by your side
01:01:37Oh, my love
01:01:37Don't say those things
01:01:42Besides
01:01:44You don't need
01:01:45That she compliments you
01:01:46It's obvious
01:01:48You are a mighty lion
01:01:53And those blue eyes
01:01:56It's like looking at the sea
01:01:58Uh-huh
01:01:59I'm going to blush
01:02:03Mepkibé
01:02:04I'm hungry
01:02:06Well, eat
01:02:15They're very quiet
01:02:16And they've kicked down my door
01:02:18Okay, okay
01:02:19It's because they're talking
01:02:20How exciting!
01:02:21Well, I have to go
01:02:22OK
01:02:23I think I'll call Osman
01:02:26And what am I going to do with my things?
01:02:28I feel super stressed
01:02:30Don't worry, okay?
01:02:31I would go with you
01:02:32But they have only summoned
01:02:33To the creative team
01:02:34It's better if you don't come
01:02:36Well, I'm leaving.
01:02:36Okay
01:02:37You'll tell me.
01:02:38OK
01:02:39Bye
01:02:43My little girl
01:02:44Look how tiny she was
01:02:45The house smelled like a baby
01:02:47Uh-huh
01:02:47Look, look
01:02:48Ah!
01:02:50Do you remember?
01:02:51The girls got angry
01:02:52Because it started to rain
01:02:53And we couldn't go on a picnic
01:02:55But you promised them
01:02:56That we would go as soon as the sun came up
01:02:57And suddenly he came out
01:02:58And we went
01:02:59But Sanem
01:03:00He put on quite a show for us.
01:03:01Why don't we take her doll?
01:03:03He was already stubborn
01:03:05Oh, my blue-eyed girl
01:03:07Look, she was always sweet and calm.
01:03:10Oh, we had such a great time
01:03:14Darling
01:03:16Mekive
01:03:17I don't want us to get angry again.
01:03:20Yeah, me neither.
01:03:23And the girls get upset
01:03:24What they've done is very wrong.
01:03:26It scared me a lot
01:03:27When they told me you were sick
01:03:28They did it for our own good.
01:03:32We have
01:03:33Carried like children
01:03:37And them as adults
01:03:38Yes it's true
01:03:46Mekive
01:03:48Mekive
01:03:49Mekive
01:03:50What's the matter?
01:03:52Darling
01:03:54Can you give me a back massage?
01:03:57Does your back hurt?
01:03:58Clear
01:03:58That's what happens when you sleep in the tent
01:04:01It hurts me
01:04:02I'm going to give you a massage
01:04:04To help you feel better
01:04:05Oh, oh, come on
01:04:07Let's go to the sofa
01:04:08I'm sure you're better off there.
01:04:09Come on, be careful
01:04:10Slowly, carefully
01:04:12Carefully, slowly
01:04:16Hi gorgeous
01:04:32Hello darling
01:04:33Come
01:04:39Hey
01:04:39Are you OK?
01:04:41Yeah
01:04:41I'm fine
01:04:42Sure?
01:04:45Are you sure you're okay, honey?
01:04:47Because I notice you
01:04:48A little nervous
01:04:49Hey?
01:04:50Your mind is elsewhere
01:04:51No way?
01:04:53Ah
01:04:53If nothing happens to me
01:04:55The only thing is that I'm tired
01:04:57Tired?
01:04:58Well
01:04:59Then I'm going to give you a bear hug
01:05:01I'm going to give you a big hug
01:05:03I'm sending you all my energy
01:05:04What will come of that?
01:05:05Mister
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