El ambiente en la agencia se vuelve insostenible luego de los últimos acontecimientos. Sanem busca una salida desesperada para aclarar la situación, pero las constantes interrupciones y la falta de privacidad juegan en su contra. Can, por su parte, intenta mantener el control profesional mientras procesa las dudas que rondan en su mente. Un evento imprevisto obliga a ambos a colaborar de cerca, reavivando emociones que creían bajo control y complicando aún más la posibilidad de mantener las distancias.
▶ Ver siguiente capítulo:
https://www.dailymotion.com/video/ID_CAP_55
▶ Lista completa:
https://dailymotion.com/playlist/xa5lxo
Cuando el orgullo intenta marcar distancia, la inevitable cercanía termina exponiendo la verdad de lo que se siente.
#PajaroSonador #ErkenciKus #Cap54 #NovelasTurcas #SeriesTurcas #DramaTurco #DobladoAlEspanol #CapituloCompleto #Series2026 #Viral2026 #Tendencias #Recomendados #CineEnCasa
▶ Ver siguiente capítulo:
https://www.dailymotion.com/video/ID_CAP_55
▶ Lista completa:
https://dailymotion.com/playlist/xa5lxo
Cuando el orgullo intenta marcar distancia, la inevitable cercanía termina exponiendo la verdad de lo que se siente.
#PajaroSonador #ErkenciKus #Cap54 #NovelasTurcas #SeriesTurcas #DramaTurco #DobladoAlEspanol #CapituloCompleto #Series2026 #Viral2026 #Tendencias #Recomendados #CineEnCasa
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TVTranscripción
00:00:28Thank you!
00:00:57Thank you!
00:01:13Thank you!
00:01:30He owns 20% of the shares
00:01:31Don't remind me, JJ
00:01:32Power poisons her
00:01:35I want to poison myself too.
00:01:37I want to have power and poison myself
00:01:40Eileen, she can fire you
00:01:42He tells you to leave and you have to go.
00:01:44How many times do I have to tell you?
00:01:45Don't send negative energy to the universe
00:01:47Sorry, I was just giving an example.
00:01:50Gullit, close your eyes
00:01:52Because?
00:01:53Close them!
00:01:54Now extend your hand with your palm facing upwards
00:01:56What's this about?
00:01:57You're scaring me
00:01:58You, calm down, calm down
00:02:00What are you going to do, JJ?
00:02:02I'm afraid
00:02:04What's that?
00:02:06But what is it?
00:02:07Don't give your eyes
00:02:07What's that?
00:02:09Tell me, Luña!
00:02:10Open your eyes
00:02:14It will protect you from Eileen
00:02:15I have one too.
00:02:16Oh, JJ!
00:02:20Thank you so much
00:02:21It doesn't matter
00:02:24JJ
00:02:24Tell me
00:02:24I'll tell you a secret
00:02:26No, don't tell me anything
00:02:28No, no, I'm passing, I'm leaving.
00:02:30I don't want to go.
00:02:30You won't see yourself
00:02:31I'll tell you.
00:02:33Wait, I'll hold it for you.
00:02:35Aileen
00:02:36He's following Mr. Embré again.
00:02:38I think they're going to come back
00:02:39Phew!
00:02:40I've already let it go
00:02:41That can't be.
00:02:42Why not?
00:02:43Because Mr. Embré
00:02:44He's with him...
00:02:45What?
00:02:46Le, le, le, le
00:02:48What is le, le, le, le?
00:02:49What are you saying?
00:02:50Glasses
00:02:50With glasses
00:02:51That is
00:02:51And lately
00:02:53She noticed that her vision was a little blurry.
00:02:54And she's decided she's going to get some glasses.
00:02:58But anyway
00:02:59What are you saying?
00:02:59Nothing, you know.
00:03:00Glasses with lenses
00:03:02Because, apparently, he doesn't see very well up close.
00:03:04And that, you know
00:03:07Oh, you're home now
00:03:09We left work early today.
00:03:10And where are you going?
00:03:12Today, since I have time
00:03:13I'm going to see Ihan
00:03:14Of course, if the goal is not to help your mother
00:03:16I said yes to B.
00:03:17Out on the street, Sheila
00:03:19Yes, Mommy
00:03:19Where are you going?
00:03:20Come here
00:03:20I have to work.
00:03:21Come here
00:03:22Come
00:03:23Come on, come here
00:03:30What's happening?
00:03:31Daughter
00:03:32I need to ask you some questions
00:03:33And answer carefully.
00:03:35I'm feeling warm today
00:03:36And I could explode at any moment
00:03:38Very good
00:03:39Your question, which I will answer.
00:03:41Leila
00:03:42What kind of trouble are you having with Osman?
00:03:44You're on everyone's lips
00:03:45Come on, tell me
00:03:46You'll see
00:03:49The other day Osman opened up
00:03:51And he told me how he felt about me
00:03:54Oh?
00:03:55Oh?
00:03:55Of course
00:03:56He is an honest, hardworking man.
00:03:58And also very handsome
00:03:59You would make a perfect couple
00:04:01Mom, it's too soon
00:04:02There's nothing serious at the moment.
00:04:04Because?
00:04:05Hey?
00:04:06Because actually
00:04:07And who do you like?
00:04:07Rubiales is your boss, isn't he?
00:04:09No, Mom
00:04:09What does that have to do with anything?
00:04:11I don't like
00:04:11Look, daughter
00:04:12In my opinion, Osman is more suitable for you.
00:04:15If you don't want anything to do with him
00:04:17Don't play with their feelings
00:04:18He has been very honest with you
00:04:20Please
00:04:20Why would he play with her feelings?
00:04:23If you have serious intentions
00:04:24We can say it openly
00:04:26Following tradition
00:04:27And that way we avoid gossip.
00:04:28It's all this
00:04:30It has just begun
00:04:32Osman told me
00:04:33That she had felt something for me for years
00:04:35But it's new to me.
00:04:37I have to get used to it
00:04:39That makes no sense at all.
00:04:40At your age
00:04:41And you still have your head full of birds.
00:04:44Look
00:04:45If for whatever reason your father finds out
00:04:48This time he's sure to have a heart attack
00:04:51Besides
00:04:52Don't do it to others
00:04:53What you wouldn't want done to you
00:04:56Mother
00:04:56Neither mom nor bagpipes
00:04:57I've already told you what you have to do
00:04:58And you understood.
00:04:59You're such a good guy
00:05:00Furthermore, for us
00:05:02It's like he's a son
00:05:03Okay, Mom.
00:05:05Don't break her heart
00:05:06Understood?
00:05:09Oh
00:05:16Tell me, Osman.
00:05:17Hello
00:05:18How are you, Leila?
00:05:19Good
00:05:19Thank you
00:05:20And you?
00:05:20I'm fine too.
00:05:22I was studying the script
00:05:24I was calling because I've been recommended to you.
00:05:25A restaurant
00:05:25Would you like to go tonight?
00:05:27I'm not coming back today
00:05:28I've brought work home with me.
00:05:30Ah
00:05:32I understand
00:05:32Maybe we can meet tomorrow
00:05:34I'll be out of the recording soon.
00:05:35I think tomorrow too.
00:05:37I'll be quite busy
00:05:38We're running a big campaign
00:05:40And I oversee the budget
00:05:41Don't know
00:05:43Good
00:05:44Then you call me
00:05:45When you have some free time
00:05:45Okay
00:05:46This week I'm swamped.
00:05:48But if I find some time, I'll call you.
00:05:49I'm not promising you anything
00:05:51Oh well
00:05:51Let's talk
00:05:52OK
00:06:14What was it you wanted to tell me, Sanem?
00:06:18When?
00:06:19What do you mean, when?
00:06:20Come on, don't play dumb
00:06:21In the cabin
00:06:22When I asked you to marry me
00:06:26You said you had something to tell me
00:06:28You can do it now
00:06:31Jan, it's just that...
00:06:33You said it was important
00:06:35What could be more important than us?
00:06:37Jan, you'll see.
00:06:41I think everything has happened very quickly.
00:06:45Gossip
00:06:47My family
00:06:48Your family
00:06:49I think you've felt pressured
00:06:51Because of all those situations
00:06:54Sanem, we already talked about this
00:06:56That's not the case.
00:06:59But we love each other
00:07:01Well, there are no pressures that can stop it.
00:07:05I don't mind
00:07:07We talked about it, but...
00:07:09But what?
00:07:13Your mother has returned
00:07:15And I think you're a little puzzled.
00:07:18What does it matter that my mother has returned?
00:07:22Although he is confused by his return
00:07:23What does that have to do with you?
00:07:25Your mother doesn't like it
00:07:27I think we've gotten off on the wrong foot.
00:07:32That may be the reason
00:07:35Sanem, I think you're making excuses.
00:07:37I really don't.
00:07:38I think so, it's obvious
00:07:41You're making excuses
00:07:43And there is only one explanation.
00:07:47You and I don't want the same thing
00:07:48I don't understand you
00:07:50Our feelings
00:07:51They are not the same
00:07:54You don't love me like I love you
00:07:56Jan, I love you so much
00:07:58And I love you too.
00:08:03Then there's nothing more to say
00:08:04Believe
00:08:06I've told you everything I wanted to.
00:08:08I don't know what else to add.
00:08:14From now on
00:08:15You should think about it
00:08:21And make your own decision
00:08:27Okay
00:08:38Bye
00:09:03They will remember you.
00:09:05What another slogan from the star pupil.
00:09:16Let's see what's here.
00:09:34That which is so tiresome, are secrets, secrets, secrets.
00:09:41What are you doing?
00:09:54J.J., what are you doing?
00:09:55It doesn't work or what?
00:09:58Well, I was just passing by, I didn't come for anything in particular, just to take a walk.
00:10:03Well, go away, I'm here now.
00:10:05Tell me to leave the room or the company, let's see what he means.
00:10:08J.J., come out now.
00:10:09Okay, I'm leaving now, I'm leaving right now.
00:10:13J.J.
00:10:14Yes, yes, yes, yes, yes.
00:10:15What's wrong? What's wrong? Why isn't it working?
00:10:17I don't understand.
00:10:18J.J., do you have a second?
00:10:28What do you want, Deren?
00:10:29Deren, I've been told you're very tense, that you scold everyone.
00:10:33That's true, darling.
00:10:34I don't know if you've noticed, but this agency has the biggest project in its history and nobody is
00:10:38working on it.
00:10:40Someone has to supervise it.
00:10:42But what would you know?
00:10:43You're not the one running that campaign.
00:10:45It's Sanem, as usual.
00:10:47Where did you get that information?
00:10:48That's not decided yet.
00:10:49Not at all.
00:10:50You're making it up.
00:10:51And you're just standing around with your arms crossed?
00:10:53Deren, when are you going to prove your worth to Mrs. Huma?
00:10:56She thinks there are too many people at the agency.
00:10:58Come here, come with me.
00:10:59These things cannot be discussed in front of everyone.
00:11:02I have successfully completed many projects at this company.
00:11:05Okay, Aileen, I have an impeccable resume so far.
00:11:07Yes, but the past is the past.
00:11:09I'm going to ask you another question.
00:11:11Tell me, what slogan have you chosen for the Red Moe campaign?
00:11:15Look, I have several ideas, but as you can understand, I'm not going to tell them to you.
00:11:19In fact, they are still immature.
00:11:21Yes, just as I suspected.
00:11:22That's why I've decided to give you the slogan you're looking for.
00:11:26And which ones?
00:11:27They will remember you.
00:11:29They will remember you.
00:11:32Well, it doesn't sound bad, but whatever.
00:11:35Wait, Aileen.
00:11:38Tell me, why are you telling me your slogan?
00:11:40It's very simple.
00:11:41Because Sanem is not a saint I admire.
00:11:44And honestly, I'd rather you succeed than her.
00:11:48Furthermore, it seems that this agency has somewhat forgotten about you.
00:11:51I want them to remember you before it's too late.
00:11:54I will remember you.
00:11:55I will remember you.
00:11:56Go ahead, baby.
00:11:58I'm sure you'll run a great campaign.
00:12:00There are no intelligent women left in this agency.
00:12:03Ah, we must support each other.
00:12:06See you later.
00:12:08They will remember you.
00:12:10With a network, they'll remember you.
00:12:11Hey, who can lend me a pen?
00:12:13Mommy, turn around.
00:12:14Come on, come on.
00:12:15I need to mark a cross before I forget.
00:12:17They will remember you.
00:12:19They will remember you.
00:12:20And now the second line.
00:12:21He doesn't even have the tip of his tongue.
00:12:23It has to work.
00:12:24They will remember you.
00:12:25It has to work.
00:12:25For the public.
00:12:27They will remember you because you are a unique person.
00:12:29Why do you use it like that?
00:12:31That no one will be able to ignore.
00:12:34I'm working, please.
00:12:36You can't interrupt me when I'm in the middle of a creative process.
00:12:39You've been here for years and you still don't get it.
00:12:42While I work, I want everyone to remain absolutely silent.
00:12:46Don't forget it.
00:12:47It says, like a cat.
00:12:49He tells me, as if he were calling me to feed me.
00:12:54Why do you let her use you as a desk?
00:12:56Are you more of a coward?
00:13:11Oh, but you hadn't left.
00:13:13No, Leila is busy after all.
00:13:15Oh.
00:13:16She stood you up.
00:13:19What are you saying?
00:13:20Why would he stand me up?
00:13:22We'll meet up another day.
00:13:24You'll see that she's busy that day too.
00:13:26Why do you say that?
00:13:27His attitude towards me has changed a lot.
00:13:30Now he likes me too.
00:13:31I wish he only liked this.
00:13:33What do you mean?
00:13:34Well, I don't know whether to show it to you or not.
00:13:37Because the last thing I want is to make you suffer, brother.
00:13:41But I think it's better if you see it.
00:13:45Look at this photo.
00:13:47He's also dating a woman.
00:13:53That?
00:13:53Old photo.
00:13:55Leila told me that they are no longer together.
00:13:57It's a recent photo.
00:13:58JJ sent it to me and he actually took it himself.
00:14:01He's dating you and a woman at the same time.
00:14:04I told you not to trust her, that she would break your heart.
00:14:08Besides, he doesn't deserve you.
00:14:10You deserve a much better girl.
00:14:12Okay, fine.
00:14:13Don't tell me anything else.
00:14:20I'm going to my room.
00:14:29What does Jan say?
00:14:31She's getting changed to go out.
00:14:33No, but it can't be.
00:14:34She goes out every night.
00:14:36And all because of that girl.
00:14:37Mom, you know perfectly well that this isn't about going out.
00:14:40So what?
00:14:42Look, that girl has caused him some trouble.
00:14:44A trick on your brother.
00:14:47Normal.
00:14:48He's from a lower class.
00:14:49What can you expect from a low-class girl like her?
00:14:52How can you talk like that?
00:14:53Okay, okay.
00:14:55Protect her.
00:14:56But I am his mother.
00:14:58I want to know what's going on in your life.
00:15:00You know perfectly well that he doesn't talk to you.
00:15:02I know.
00:15:03I won't ask him directly.
00:15:07Ember, I'm going out.
00:15:09Jan.
00:15:11Why don't you stay for a while?
00:15:13We can have tea together, the three of us.
00:15:18What are you trying to do?
00:15:19I don't understand.
00:15:20I'm trying to improve our relationship.
00:15:22But you refuse to understand that there is no relationship to improve.
00:15:26We have no relationship.
00:15:28We won't have it, okay?
00:15:35Mom, why do you insist on ignoring me?
00:15:37Okay, fine.
00:15:50Hello.
00:15:51Hello.
00:15:52How are you, beautiful?
00:15:54I'm very well.
00:15:55And how are you?
00:15:56Well, as you can see, a little upset.
00:15:58Because of Jan.
00:15:59Has something happened to him?
00:16:01We have discussed it.
00:16:02We don't have a good relationship.
00:16:03I try to approach him, but he avoids me.
00:16:05She has had a falling out with Sanem.
00:16:08It seems they've broken up.
00:16:10Really?
00:16:11Wow, what a surprise.
00:16:13Because it was obvious that it wasn't going anywhere.
00:16:17You really do give off good energy.
00:16:19I wish Jan would realize it too.
00:16:22Maybe he'll realize it soon.
00:16:24Just hearing your voice makes me feel better.
00:16:27I'm sure you would comfort Jan too.
00:16:29Thank you so much.
00:16:31A kiss.
00:16:33Another one for you.
00:16:49And does it?
00:16:50Jan, how are you?
00:16:52Okay, okay.
00:16:53And you?
00:16:53Also.
00:16:54I've just finished work and I don't feel like going home.
00:16:57If you're home, I'll come by to see you.
00:16:59No, I'm not at home.
00:17:00I've gone out.
00:17:01Where are you?
00:17:02Should I come closer?
00:17:03Yes, you're not busy.
00:17:05Uh, no, of course.
00:17:07Clear.
00:17:08Come on, yes.
00:17:08Send me the location.
00:17:17Very good.
00:17:19Great.
00:17:20I haven't found anything else, but that's the general outline of the campaign.
00:17:24That's enough for me.
00:17:26From this point, we will work on it and improve it with our contributions.
00:17:31Now they will advance faster.
00:17:32The products will be on the market in three or four weeks.
00:17:35We have to run faster than them because we have to present our perfume before Redmond.
00:17:40Okay, I'll try to do something else.
00:17:44No, you will give it your all.
00:17:47I need more details.
00:17:48Everyone, in fact.
00:17:50I want to know every step they take.
00:17:52I will set a trap for them using their own weapons.
00:17:56Will I do everything I can?
00:17:58No, you're going to have to do much more than you can.
00:18:07You should have brought us together instead of separating us.
00:18:13Actually, it was my fault.
00:18:16I have hurt Jan and I continue to hurt him.
00:18:20I hope I never lose it.
00:18:47No, no, no, no.
00:18:57Lleida?
00:18:58Lleida?
00:18:59Yeah.
00:19:01Then I won't bother you anymore.
00:19:03I leave you.
00:19:03Okay, see you later.
00:19:09Lleida?
00:19:09No, no, I misunderstood.
00:19:11Lleida said.
00:19:12How is that possible?
00:19:14Lleida.
00:19:15It's in a park.
00:19:16What's Lleida doing there?
00:19:17Because?
00:19:20I'll have the same as you.
00:19:22Another one, please.
00:19:23Right now.
00:19:26I'm glad I came.
00:19:28The truth is, I needed it.
00:19:32Why are we toasting?
00:19:35I don't know.
00:19:36Are you upset about something?
00:19:38A bit.
00:19:39Do you want to tell me?
00:19:42I don't want to talk about it.
00:19:44It's because of Sanem.
00:19:45Have you argued?
00:19:46I told you I don't want to talk about it.
00:19:49OK.
00:19:51Let's have a toast.
00:19:54For freedom.
00:19:56We are free spirits.
00:19:58For free love.
00:20:02Lleida, you'll see.
00:20:04You and I don't have that much in common, do you think?
00:20:10Can I have the darts, please?
00:20:13Thank you.
00:20:18We share more than you think, but you don't want to see it.
00:20:24Have you ever rejected a man like Jan?
00:20:25Have you trampled on their pride and feelings?
00:20:28And you still want me to keep paying attention to you?
00:20:29Oh, shut up, shut up!
00:20:31I want you to shut up!
00:20:33Enough is enough!
00:20:35Enough, enough, enough!
00:20:39This problem has a solution.
00:20:41I'll sort it out!
00:20:42I think I'm going crazy.
00:20:49Please!
00:20:51Same to me, but I want double.
00:20:56You have no idea how long I've been dreaming about this moment.
00:21:00Oh, really?
00:21:02And what else do you dream about?
00:21:06With...
00:21:14I think double is going to be too much for you.
00:21:17I'll put a regular one on him.
00:21:18Does that sound good to you?
00:21:23What were we talking about?
00:21:25I'm impressed.
00:21:27What a mess.
00:21:28Very good.
00:21:41Oh my god, I'm losing it.
00:21:42I'm going crazy.
00:21:45I don't even know how to position myself.
00:21:47Where do I feel now?
00:21:52Leila.
00:21:54Leila.
00:21:55Leila, Leila, Leila, Leila.
00:21:57Leila, Leila!
00:21:58What's happening?
00:21:59But don't shout, for God's sake.
00:22:01It's me.
00:22:02Everything is going terribly, terribly.
00:22:04This is terrible.
00:22:05Jan is in a bar with Yaira.
00:22:06The night is long, and so are her legs.
00:22:08There's the project and there's the campaign.
00:22:09And Leila, alone in a bar.
00:22:10My God, tell me what to do.
00:22:12What are you telling me?
00:22:13I don't understand a single word.
00:22:14Well, they're alone together and they're drinking in a bar.
00:22:18Maybe they've already gone home.
00:22:21Have they gone home?
00:22:23Do you mean that they both went to the cabin together?
00:22:27What are you saying?
00:22:28If something happens between Jan and Yaira.
00:22:30No, don't think that, because if you think it, it will happen.
00:22:33My God.
00:22:34I can't help but think about that.
00:22:36I can't help it.
00:22:37You have to help me.
00:22:38Get up.
00:22:38Sonia, I'm half asleep.
00:22:40We'll talk more later.
00:22:40No, no, no, no, don't fall asleep.
00:22:42Wake up, wake up.
00:22:45We've lost her, we've lost her.
00:22:50You look like a princess, but you snore like a truck driver.
00:22:53I don't understand it, really, sister.
00:22:55Please, I'm going to have a nervous breakdown.
00:22:57I need your help.
00:22:59Wake up, please.
00:23:01Leila, Leila, Leila.
00:23:04Leila.
00:23:05I have to ask you something.
00:23:07Did they go to the cabin?
00:23:09Have you slept yet?
00:23:10But how can you fall asleep?
00:23:13So, what do I do now?
00:23:16Don't worry.
00:23:17Keep sleeping.
00:23:19No problem.
00:23:32You haven't slept.
00:23:35Here's a change.
00:23:37Good night.
00:23:38But yes, yes, no.
00:23:39It just can't be.
00:23:40My father's friend.
00:23:41He won't have enough time to tell her.
00:23:43Good night.
00:23:44Here, getting some fresh air.
00:23:47What I do?
00:23:48I can't go on like this.
00:23:56Hello, Oslo.
00:23:58Hey, are you lying down?
00:24:01I wanted to ask you a small favor.
00:24:06It's really cool.
00:24:07Cool.
00:24:08Sanem, really, nothing's wrong.
00:24:09I'll take you wherever you want.
00:24:10No, man, on top of everything, I've bothered you at this hour of the night.
00:24:13No, no, really, where do you want to go?
00:24:15Do you want to go now?
00:24:16Yes, I want to surprise him.
00:24:17A surprise?
00:24:18Yes, a surprise.
00:24:19I understand now.
00:24:22Hey, can the rearview mirrors be moved?
00:24:24Yes, and Sanem.
00:24:24That?
00:24:25Yes, they are automatic.
00:24:27I knew it, it was a joke.
00:24:28It was a joke, I already knew that.
00:24:30Of course I knew it.
00:24:31And the headlights?
00:24:32They are also automatic.
00:24:33It's important to know.
00:24:34They are switched on from the inside.
00:24:36Look, I'll show you.
00:24:37Osman.
00:24:39I also tested the CS lights that turn on around there.
00:24:42The clutch is a little stiff.
00:24:43Be careful.
00:24:44The clutch?
00:24:46I don't use that, it's not my style.
00:24:48As?
00:24:49Which is important, of course, always has been.
00:24:51Okay, I'm leaving.
00:24:52Goodbye, Osman, I'm leaving now.
00:24:54Thank you, Osman.
00:25:02I was going to say that I don't use the key either.
00:25:05How about that.
00:25:07Don't get cold, come inside.
00:25:09Okay, be careful.
00:25:11The seat belt is important.
00:25:13Life jacket.
00:25:17Started.
00:25:35If you want, I'll take you.
00:25:37Osman.
00:25:38It was a joke.
00:25:40I'll be back in four days.
00:25:53I didn't do too badly.
00:25:54Very well, sir.
00:25:55With sweets, very good.
00:26:11The lights are off.
00:26:13Maybe it hasn't arrived yet.
00:26:15I think it looks great.
00:26:17No.
00:26:19He's not here.
00:26:20Maybe he's been back for a while.
00:26:23What are you saying?
00:26:25They arrived a while ago and are sleeping together.
00:26:29You're going too far.
00:26:30Let yourself torment me.
00:26:31This is too much.
00:26:38Already?
00:26:47Stop for a moment.
00:26:51She came alone.
00:26:53Are you alone?
00:26:54I came all this way for nothing.
00:26:56Can I trust him?
00:27:06Bye bye.
00:27:07Good night.
00:27:14What happened?
00:27:15Slowly, slowly.
00:27:17You just bumped your head.
00:27:18Who gave it to me?
00:27:19Who was it?
00:27:20This is not it.
00:27:21What am I doing?
00:27:23What is this?
00:27:24No, not this.
00:27:26And if I squeeze these two.
00:27:28But how was it done?
00:27:42It's not a crank, it has a button.
00:27:45Well, squeeze it, woman, squeeze it.
00:27:46Roll down your window, please.
00:27:55Documentation.
00:27:55I haven't been drinking.
00:27:56What are you doing here?
00:27:58Well...
00:27:59I was parking.
00:28:01But I didn't look properly in the rearview mirror.
00:28:04I actually park very well.
00:28:06I'll park a little further ahead, so I leave room for others to park.
00:28:09No way, don't do anything.
00:28:11Stay where you are.
00:28:12You'd better not make things worse.
00:28:13Go on.
00:28:15Why have you come?
00:28:16And most importantly, why were you leaving without saying anything to me?
00:28:19Why did you come and why are you leaving?
00:28:20Oh, because I was worried about you.
00:28:24Worried about you, that's the reason.
00:28:26Worried?
00:28:27A lot.
00:28:28You could call me.
00:28:30You shouldn't use your mobile phone while driving, that's the rule.
00:28:33Otherwise, you know, you get a fine, so I couldn't call you.
00:28:37I was driving, so I had both hands on the wheel, you know.
00:28:41Bravo, whose car is that?
00:28:42Osman is new.
00:28:44It was, he bought it recently, but it's almost better that it wasn't so new.
00:28:48And tell me, what were you doing?
00:28:50Hey, you must have come straight from the bar, huh?
00:28:53Did you come back alone, without anyone?
00:28:54All by yourself, right?
00:28:56How did it go?
00:28:56You were dying of curiosity about Yaira, wasn't you?
00:29:00Who?
00:29:02Yaira.
00:29:03Ah, the one with curly hair and crooked legs.
00:29:06No, not at all, why do you say that?
00:29:08Nothing happened, Sane, I went home alone.
00:29:10Oh, well, very good, very good.
00:29:12We all need to get home safe and sound.
00:29:14So every blue owl and bullet.
00:29:16Hey, did you come all this way out of mere curiosity to see if I was with Yaira or not?
00:29:21Oh really?
00:29:23Yes, I was dying of curiosity.
00:29:26After all, I'm your girlfriend, it's not that strange, I think.
00:29:31So, you don't trust me.
00:29:33What are you saying?
00:29:34What do you mean I don't trust you?
00:29:36What are you saying?
00:29:37Please, I don't want you to think that, Jan.
00:29:39Of course I trust you, I trust you.
00:29:40The one I don't trust is Yaira.
00:29:43Come on, you think I'm capable of doing something like that, is that it?
00:29:45No, you misunderstood me.
00:29:48I didn't say that.
00:29:50But why on earth did she go to the bar?
00:29:53Hey, I didn't invite her.
00:29:55I didn't want her to go.
00:29:56But she appeared, what could I do?
00:29:58And she shows up uninvited?
00:29:59Just like that, for free?
00:30:01Answer me, if you want.
00:30:02Very good.
00:30:03Why doesn't someone I know stay where she's more than welcome?
00:30:09As?
00:30:10You are not with me.
00:30:12You've left me alone.
00:30:13And on top of that you scold me.
00:30:15Don't you realize, Sanem?
00:30:17It's incredible.
00:30:18You don't trust me.
00:30:19You don't trust me either, since you had to come all the way here at midnight to watch me.
00:30:25How is it possible that you have that opinion of me when I have opened my heart to you?
00:30:29Take my phone.
00:30:31Take.
00:30:31No, don't get like that.
00:30:32I don't want to.
00:30:33It's a private room, I want to see it.
00:30:35Look at them, you can take it.
00:30:36Gossip about whatever you want.
00:30:37No, please, Jan.
00:30:38Here, take it.
00:30:41Hey, forgive me.
00:30:43Very sorry.
00:30:44I had a fit of jealousy.
00:30:45I was in a mess and didn't know what to do.
00:30:48And when he told me he was already there, I thought maybe...
00:30:52No, no, yes.
00:30:54Deep down you're right.
00:30:56Do you see it?
00:30:56It's normal to feel jealous of your partner.
00:30:58Thank you for understanding.
00:30:59But not like that, Sanem.
00:31:00I think we need to get to know each other much better.
00:31:03Don't worry, from now on I won't say anything about getting married.
00:31:05I won't ask you again.
00:31:06And you know what?
00:31:07You need to grow up.
00:31:08To mature, yes.
00:31:09Okay, fine, let me have the car.
00:31:12I'll take care of it and take you home.
00:31:13I'm sure you left in secret without telling anyone.
00:31:16Your parents may be worried.
00:31:17Don't you think so?
00:31:18As if I didn't know you.
00:31:20And that's it, I consider the matter closed.
00:31:22I'll leave you now.
00:31:23Jan.
00:31:24Jan, please don't leave me.
00:31:26All relationships have friction and problems,
00:31:28But that's no reason to quit.
00:31:29At home.
00:31:30I'll drop you off at your house.
00:31:34You should have said so sooner.
00:31:36There's no need, I can go by myself.
00:31:39I'll leave, don't bother.
00:31:41It's true, it's true.
00:31:43Lest someone sees us and more rumors spread,
00:31:46because it embarrasses you.
00:31:47I love you very much,
00:31:48But it's clear that our love embarrasses you.
00:31:51On the other hand, the fact that you've come to spy on me is fantastic.
00:31:53But the fact that I love you has to be hidden.
00:31:56Jan.
00:32:11Osman!
00:32:14Good morning.
00:32:15Good morning.
00:32:16Are you going to work?
00:32:17Yes, let's see if I arrive on time.
00:32:19San Emo and left without waiting for me.
00:32:21He came this morning to ask for my forgiveness.
00:32:23I was a little sad.
00:32:25Yes, the relationship with Jan isn't going very well.
00:32:28He has asked her to marry him,
00:32:30But San Emo hasn't accepted, I don't know why.
00:32:33And he's upset.
00:32:35She loves him, but...
00:32:37Sometimes, love is not enough, it's useless.
00:32:40I don't know, maybe you can listen to your heart.
00:32:42Osman?
00:32:43Leila, I know everything.
00:32:44What do you know?
00:32:45That you love that man.
00:32:47Which man?
00:32:48To Embry.
00:32:49Isn't Osman...?
00:32:49Leila, please don't say anything.
00:32:52You'll try to comfort me, and I'll get my hopes up again.
00:32:55And I'm tired of waiting for nothing.
00:32:57But just so you know...
00:32:59that will hurt you again.
00:33:13Two bedrooms, first floor, 3,500 leiras per month.
00:33:17Already.
00:33:17And how much for a three-bedroom one?
00:33:194,500.
00:33:21Good heavens, it's not like the parents were included.
00:33:24And this is a reasonable price.
00:33:26No pets allowed.
00:33:28These guys have gone crazy.
00:33:29I don't have a pet, but just so you know, I'm not interested in your house.
00:33:34Sanem.
00:33:34Good morning, Yeye.
00:33:35Good morning, Sanem.
00:33:37You have to see it to believe it.
00:33:38I couldn't sleep a wink last night.
00:33:40I haven't slept at all either.
00:33:42My landlord wants me to leave.
00:33:43These things happen in all couples.
00:33:45It's normal.
00:33:46Rents are extremely expensive.
00:33:47Who can afford these prices?
00:33:49Who can?
00:33:50Who is Yeye?
00:33:51Let's see.
00:33:52Did you know?
00:33:53I'm going to gather my courage.
00:33:54I'm going to go talk to her.
00:33:55Hey, yes.
00:33:55Because calling is useless.
00:33:57I'm going to go to a real estate agency and tell them what I'm looking for.
00:33:59And my conditions.
00:34:00That is.
00:34:01After all, I can't be at the mercy of a landlord.
00:34:03I have my feelings.
00:34:05Everyone has their own needs.
00:34:06Of course.
00:34:07I have my feelings too.
00:34:09I can be jealous.
00:34:09That's perfectly normal.
00:34:10I'm going to explain everything to him.
00:34:12You do it very well.
00:34:13I'll give it to you.
00:34:13That is.
00:34:21Jan, good morning.
00:34:22Good morning.
00:34:23Hey, about last night...
00:34:24This afternoon I met with McKinnon about the Red Mode campaign.
00:34:27There's still time, but we need to start preparing everything.
00:34:30We need to start introducing some ideas to him.
00:34:32Okay.
00:34:32I'll organize it.
00:34:33Stay calm.
00:34:34I have almost everything ready.
00:34:35Very good.
00:34:36Brilliant.
00:34:37My mind was on something else.
00:34:39And you too.
00:34:41Yes, great.
00:34:41Everything is great.
00:34:44Phenomenal, yes.
00:34:51Phenomenal.
00:34:53Good morning.
00:34:54Good morning.
00:34:54Good morning.
00:34:55Good morning.
00:34:55Good morning.
00:34:58It's more suitable for me.
00:35:00Me too.
00:35:01Mom, I have a job.
00:35:02I'm going to my office.
00:35:04Have a good one.
00:35:07Me too.
00:35:11Clear.
00:35:12Exactly what I was telling you.
00:35:14Sinera Juma!
00:35:17But, son, try to be a little more careful.
00:35:20Son, the maternal plan.
00:35:21I can't believe it.
00:35:22Do you want me to call you Mom?
00:35:23He will not have an apartment to rent.
00:35:25That?
00:35:25You know, for rent.
00:35:26Two bedrooms, for example.
00:35:27Do you think I'm a real estate agent?
00:35:29No not at all.
00:35:29I'm looking for an apartment and it occurred to me to ask him.
00:35:32Good morning, Mrs. Juma.
00:35:33Here's your coffee.
00:35:34Good morning.
00:35:39It smells so good!
00:35:41Guliz, right?
00:35:42Yes, that's my name.
00:35:43Her name is Guliz and my name is JJ.
00:35:45We haven't changed our name.
00:35:46Hey kid, get me this coat.
00:35:48My name is JJ.
00:35:49Come on, kid.
00:35:51Yeah.
00:35:57How are you?
00:35:59You look very beautiful.
00:36:00Oh, thank you.
00:36:01You're lovely.
00:36:02I'm going to talk to Emre for a moment and then I'll see you.
00:36:05Very good.
00:36:06Okay.
00:36:15Good morning, handsome.
00:36:17Good morning, Selene.
00:36:18I wanted to talk to you.
00:36:20Well, you've finally decided to talk to me.
00:36:25And to the private sector.
00:36:27I love it.
00:36:28What are you playing at with Fabry?
00:36:30I remind you that thanks to me, Fabry is someone from the past.
00:36:32Oh, darling.
00:36:33You can fool everyone else, but not me.
00:36:36I know Sanem gave her perfume to Fabry.
00:36:39The truth is that I'm a little surprised.
00:36:41From what I'm seeing, love also has a price.
00:36:44But he doesn't know anything about this anymore, does he?
00:36:47You're still pretending.
00:36:49When Sanem gave Fabry her fragrance, he took a step back.
00:36:52But he's still in the game.
00:36:55He decided on his actions so that you would carry out his plan.
00:36:59Good move.
00:37:00What's next?
00:37:02Dear.
00:37:04You really have quite the imagination.
00:37:08I'm fed up with your little games.
00:37:10I'm not playing any games, Emre.
00:37:12You know what my brother will do if he finds out, right?
00:37:14Of course.
00:37:15And I also know what he'll do if he finds out about your shady dealings, Gonzane.
00:37:19Of everything you've done and undone behind their backs.
00:37:23And by the way, your mother is also unaware of all this.
00:37:26Aileen and her blackmail.
00:37:28The blackmail, Aileen.
00:37:31You don't surprise me anymore.
00:37:32I'm not blackmailing you.
00:37:34I'm just reminding you of the situation.
00:37:36Honey, you have to take responsibility for your actions.
00:37:38Everything has a price, that's just how it is.
00:37:40I've told you that many times.
00:37:42But I'll repeat it for you.
00:37:44I'm not you anymore, darling.
00:37:46I already paid for what I did.
00:37:47And don't doubt it...
00:37:49...that you too will pay.
00:37:51Others will pay for me.
00:37:53I assure you.
00:37:54And I remind you and advise you.
00:37:56Be very careful.
00:38:10Hi, Leila.
00:38:13Did you want to see Emre?
00:38:16But I saw that he was busy.
00:38:18It's okay, I'll come back later.
00:38:20Honey, if you still have hopes with Emre, I advise you to forget about it.
00:38:25Emre and I are back together.
00:38:31Of course, nobody in the office knows.
00:38:33Because I prefer that they get used to seeing me around here and accept me first.
00:38:39Look, Leila.
00:38:41You work here and you have a very good working relationship with him.
00:38:46But I advise you not to expect anything more.
00:38:50Don't get your hopes up, that's my advice.
00:38:55Good morning.
00:39:12Let's see.
00:39:14What ideas do you have in mind for the Redmond campaign?
00:39:16I want you to present them.
00:39:18Yes, Jay, Jay, I'm listening.
00:39:20I'm preparing for a long story.
00:39:24This is what I'll tell you.
00:39:26There is a young man.
00:39:28She has been living in the same house for six years.
00:39:31So, his landlord decides to evict him.
00:39:33Despite being the perfect tenant, he pays his rent on time.
00:39:38He knows he won't find any better.
00:39:40The poor man is very upset.
00:39:42So, he starts looking for apartments.
00:39:43She goes out onto the street and enters a cosmetics store.
00:39:46And he starts browsing among shelves and counters.
00:39:50That's normal when you're underneath.
00:39:52Suddenly, he sees a small bottle, looks at it and sees that it says Redmond and approaches it.
00:39:57The designer catches his eye and takes it from the shelf.
00:40:00He smells it and likes it.
00:40:01He goes to the checkout and asks if he can buy it.
00:40:03The cashier tells him, of course, if he pays what it costs.
00:40:06We can put... there.
00:40:07That's great, and how does it end, Jay, Jay?
00:40:09Okay, just a moment.
00:40:09You have to add a little comedy to capture people's attention, just like in real life.
00:40:14Okay, I'll continue.
00:40:15Jay, tell me, is that what comes to mind when you think of cologne?
00:40:18We're talking about a perfume.
00:40:19The perfume is included in the story.
00:40:21At first the viewer doesn't know what's happening.
00:40:24But right after that, if you'll allow me, sir, I'll finish the presentation.
00:40:29Calm down, man, I'm listening.
00:40:30Okay, that's fine.
00:40:32Then our man goes home and the doorbell rings.
00:40:36And it turns out he's the landlord.
00:40:38He comes with two young men to kick him out of the apartment.
00:40:40His children, who were in Germany.
00:40:42Yeah.
00:40:43Oh, what's wrong?
00:40:44I'm fine now.
00:40:47But, Jay, what's wrong?
00:40:48I'm having problems with my apartment.
00:40:50My landlord wants me to leave as soon as possible.
00:40:51By saying Germany, you saw me deified.
00:40:53We're back to square one.
00:40:54Oh, that's typical.
00:40:56Jay, Jay, the owner's children return from abroad and evict the tenant to keep the apartment.
00:41:01Oh, really?
00:41:02Yes, you were doing very well.
00:41:03Don't you want to continue with your story?
00:41:04Mr. Jan, can I continue when I've calmed down a bit?
00:41:07Okay, while Jay Jay gets over his disappointment, do you have any other ideas?
00:41:10Jan, I've been developing one for the campaign.
00:41:13Great.
00:41:14I came up with the advertisement based on a slogan.
00:41:16The slogan would be, they will remember you.
00:41:21Okay, that sounds good to me.
00:41:22Yeah.
00:41:23Uh, we know that the human brain has olfactory memory.
00:41:27It has been scientifically proven.
00:41:29Let me try to explain.
00:41:30For example, when we go somewhere, something smells good and reminds us of someone we like.
00:41:36In other words, we unknowingly leave a mark on the minds of others.
00:41:40We could even use it as the second slogan for the campaign.
00:41:44Your scent is your fingerprint.
00:41:47Let's imagine, uh, how we could frame the advertisement.
00:41:51The scent, the fragrance of everyone else fades away, but only that of Red Moot remains forever.
00:41:56atmosphere.
00:41:57And we see it as a trace.
00:41:59In this way, the actors and actresses search for each other by following that trail and find their loved one.
00:42:05That's nonsense, Mr. Jan.
00:42:06Why? Let's see.
00:42:07Because a scent doesn't linger in the air like a physical trace.
00:42:11That's right!
00:42:12But how is that possible?
00:42:15What's happening?
00:42:16That was my slogan.
00:42:19What? How?
00:42:20Oh really?
00:42:21What do you think?
00:42:22How is that possible?
00:42:22I had it written down in my notebook.
00:42:24I had thought of the slogan.
00:42:25They will remember you.
00:42:28Look, here it is, then.
00:42:30Oh.
00:42:31So what are you trying to imply?
00:42:33Nothing.
00:42:33Did I steal it from you?
00:42:35No, I don't mean that.
00:42:36Except that I had thought of that same slogan.
00:42:39And what do you think I've done?
00:42:41Take the slogan out of your notebook?
00:42:43Create a story based on it?
00:42:45Hey?
00:42:46Do you think I stole it from you?
00:42:47You don't believe I'm capable of creating an advertisement.
00:42:50Do you think I stole it from you?
00:42:51Calm down, calm down, Deren.
00:42:53Peaceful.
00:42:53Okay.
00:42:54Look, Sanem, Deren would never do something like that.
00:42:56I'm sure.
00:42:57And this type of coincidence can occur in a campaign.
00:43:00These things happen.
00:43:01Two people can come up with the same idea.
00:43:03It's quite normal.
00:43:06Oh, do you want to add anything else to that slogan?
00:43:11No, I haven't had time to develop it yet.
00:43:14And what does that mean?
00:43:16You need time, right?
00:43:17You understand that advertising is a very serious job.
00:43:20That's enough, Deren, calm down.
00:43:22Don't worry, it's done.
00:43:23You're right.
00:43:24Being an advertising professional requires total concentration.
00:43:27And the slogan is very good.
00:43:28He's great, we can work with him.
00:43:31You will be the creative director of this project, Deren.
00:43:33Okay, I'm ending the meeting.
00:43:36Keep working.
00:43:38Great.
00:43:39Let's get to work.
00:43:42I'm going to investigate.
00:43:53Hi, Deren.
00:43:54How did it go for you?
00:43:55Did you steal the slogan you gave me from Sanem's notebook?
00:43:58Well yes.
00:43:58Isn't it great?
00:44:00But don't think about that.
00:44:01Just think about the applause.
00:44:03That you miss them.
00:44:04But how could you do something like that?
00:44:06How dare you drag me into your shady dealings?
00:44:08Are you scolding me?
00:44:10Hey, thanks to me you're the new creative director of the Redmond campaign.
00:44:14But if you want, I can tell you everything.
00:44:16And that Sanem is back in charge.
00:44:18You'll look like a thief.
00:44:19What do you say?
00:44:21That's what I think.
00:44:23Look, you know what's good for you.
00:44:25Don't stray too far from me.
00:44:28Okay, let's inform Maquino.
00:44:29And so we will move forward.
00:44:31OK.
00:44:32Let's take a look.
00:44:33Sanem, you stay here.
00:44:34Perhaps you can think of something else.
00:44:36Okay.
00:44:40It seems the boss separates work from love, beautiful.
00:44:50I'm having a better time at this agency every day, to be honest.
00:45:03Good morning, son.
00:45:04Likewise, but they're not good at all.
00:45:07The neighborhood is once again a hive of activity.
00:45:09And all because of the conflict you've had with your husband, Mezquibé.
00:45:12The truth is that everything is abandoned.
00:45:14It seems as if the neighborhood has regressed culturally by at least ten years.
00:45:19They're right.
00:45:21I've abandoned the association.
00:45:22We need to resume activity.
00:45:24And where?
00:45:24The roof of the association has gorse bushes.
00:45:26The water is pouring down.
00:45:27Nothing can be organized there.
00:45:29Haven't they fixed it yet?
00:45:29Of course.
00:45:30I'm on it.
00:45:31They are doing it.
00:45:32But these things take time.
00:45:34If there is no other option, we can meet here.
00:45:36Well yes.
00:45:36But what do we do?
00:45:37We can arrange a talk.
00:45:38Exact.
00:45:39Good idea.
00:45:40A chat.
00:45:42What's that about?
00:45:42So, what can we talk about?
00:45:45I have no idea.
00:45:47Besides, who do we call?
00:45:48I have no idea.
00:45:50We will look for someone who knows how to give talks.
00:45:52We leave the matter in your hands.
00:45:53Let him come and talk about whatever he wants.
00:45:55Ah, I know.
00:45:56It could be a talk about nutrition and a healthy lifestyle.
00:45:59Ah, great.
00:46:01I know who can give the talk.
00:46:02Mrs. Sera Ameral's daughter, who is a nutritionist and has just graduated.
00:46:06He is at home because he has not yet found a job.
00:46:09Really?
00:46:09Of course.
00:46:10You can talk about organic food and give us advice.
00:46:12For example, don't eat gluten and things like that.
00:46:15Okay, go talk to her, see if she wants to.
00:46:16Perfect.
00:46:17I'm going to talk to her now and propose it to her.
00:46:19You can announce the talk.
00:46:21If I offer him 100 lire, he'll surely come running.
00:46:24Don't even think about saying that to her.
00:46:25No, no.
00:46:26But you'll see how it goes.
00:46:27Yes, she says she likes it.
00:46:28Hi, Sunny.
00:46:29How are you?
00:46:30Good, Queen.
00:46:31And you?
00:46:31Thank you too.
00:46:32Let's begin with the activities.
00:46:33I wanted to inform you.
00:46:34Excellent.
00:46:54I thought you'd be here.
00:46:58Did the meeting go badly?
00:47:00You haven't gone with my brother.
00:47:02No.
00:47:06He's very cold towards me.
00:47:08It's addictive.
00:47:09I feel like a stranger.
00:47:11I can imagine.
00:47:13I always disappoint him.
00:47:16But I also know that if I tell him the truth,
00:47:19He will suffer another disappointment.
00:47:20I wish there was another solution to this.
00:47:24I understand you, Sunny.
00:47:25To love someone so much and not be able to communicate with that person
00:47:29It's very difficult.
00:47:32There is a lot of suffering.
00:47:34It's complicated.
00:47:36Very complicated.
00:47:38Oh well,
00:47:40It will pass in a couple of days.
00:47:42And you will speak with him.
00:47:45I have no other choice.
00:47:58I understand.
00:47:59And did you leave the bar together?
00:48:02Well no.
00:48:03That's what I wanted,
00:48:04But in the end it couldn't be.
00:48:07Jan keeps his distance.
00:48:09I understand, my dear, I understand.
00:48:11Okay, we'll talk soon.
00:48:13A kiss, beautiful.
00:48:15A kiss.
00:48:16Bye bye.
00:48:18This girl is a little silly.
00:48:22I'll look for another alternative.
00:48:24Another alternative.
00:48:28Very good, neighbors.
00:48:30As you know, our Meral has graduated
00:48:32and now she's a dietician.
00:48:34But now she can't find a job, poor thing.
00:48:36You would have been better off marrying that boy.
00:48:38the one with spiky hair,
00:48:39But she insisted on studying.
00:48:42Melajad, melajad.
00:48:42Don't change the subject from what we're discussing.
00:48:45Don't listen to him, daughter.
00:48:46That's why I say it.
00:48:46If I only care about the youth of this neighborhood.
00:48:51Silence.
00:48:51Stop chattering.
00:48:53But you all sure do love to gossip.
00:48:54What am I talking about?
00:48:55The two in the back!
00:48:56I'm referring to you.
00:48:57At two o'clock.
00:48:58Yes, at both.
00:48:59If you don't shut up, I'm coming over there and I'll separate you.
00:49:01Continue, Madam President.
00:49:02You're better off with the salty ones.
00:49:04Very well, we have gathered you here to improve the health of the neighborhood
00:49:07and we have organized this talk.
00:49:10And Meral has done us the favor of being our speaker.
00:49:13She's going to talk to us about nutrition and healthy living.
00:49:15What do you think?
00:49:16Okay, whenever you want, daughter.
00:49:18Thank you, Mrs. Mebkibe.
00:49:20Let's start with your questions about nutrition.
00:49:22You can ask me whatever you like.
00:49:24Is there anything you'd like to know?
00:49:25Anything that interests you in particular?
00:49:27They say you have to lose weight by eating, but I eat and I'm going to lose weight.
00:49:30And do you follow any diet?
00:49:31What is that?
00:49:33I hardly ever eat bread.
00:49:34Just one slice a day, but we don't lose any weight.
00:49:36That's what happens.
00:49:37What is a diet?
00:49:38No, it doesn't work.
00:49:40Let's see.
00:49:41If you all speak at once, we can't understand each other.
00:49:43You have to talk one at a time.
00:49:45What's this about the three white poisons?
00:49:46Very good question.
00:49:47Yes, we can start with that topic.
00:49:50What are the three white poisons?
00:49:52That.
00:49:52What are the three white poisons?
00:49:54The oven, the refrigerator, and the freezer.
00:49:56Those three things should be avoided like the plague.
00:49:58It's best not to go near them at all, really.
00:50:01Well, that's not actually what I meant.
00:50:04The three white poisons are flour, sugar, and salt.
00:50:07Clear.
00:50:08What are the three white poisons?
00:50:09Now we know.
00:50:10Sugar, flour, and salt.
00:50:12What are they?
00:50:13Poison.
00:50:14We neither buy them nor sell them.
00:50:16Those who buy or sell them will be flogged, if necessary.
00:50:20Oh.
00:50:20And the fourth will be the white shroud.
00:50:22I can see it.
00:50:23God forbid.
00:50:24Yes, God forbid.
00:50:26Remember the one who died from eating so many sweets.
00:50:29He ate three trays of cakes every day.
00:50:32And did he die?
00:50:33We ate the leftovers at the funeral.
00:50:35Do you remember?
00:50:36And they were really good, weren't they?
00:50:37Already.
00:50:39Okay, Meral, please continue.
00:50:41It's very good.
00:50:41In this way we will be able to avoid trans fats, brands, packaged products and all non-foods
00:50:48organic, okay?
00:50:49And above all, we will try not to consume industrially produced pastries.
00:50:52What did he say?
00:50:53Packaged products?
00:50:54Because I look around and all I see are packaged products.
00:50:57Look at those shelves.
00:50:58All poison.
00:50:59It's food terrorism.
00:51:01Use your head, diabetes, hypertension.
00:51:03What did he say?
00:51:05What's going on here, Medjibet?
00:51:08The coffees are ready.
00:51:11Thank you, you're an angel.
00:51:13Enjoy your meal.
00:51:18The taste is different again.
00:51:20In this agency it is impossible to normalize anything.
00:51:22Of course.
00:51:23And the first thing should be to respect work.
00:51:25This is my children's doing.
00:51:27If they can't even manage to normalize their personal lives a little, imagine trying to impose discipline in the office.
00:51:32But what can I do?
00:51:34Don't know.
00:51:34Have you thought of anything?
00:51:36If I can help you, you know I'd be happy to.
00:51:40Yes, yes, I know, beautiful.
00:51:41You and I think the same way.
00:51:44We're on the same wavelength.
00:51:45For me, you have always been a role model.
00:51:48And I appreciate you very much.
00:51:49Oh, darling.
00:51:53Oh, Leila!
00:51:54Guli!
00:51:54Sorry, I didn't see you.
00:51:56I was looking at my phone.
00:51:57Did you hurt yourself?
00:51:58No.
00:51:58But they are so clumsy.
00:52:00They're running around like headless chickens.
00:52:02Oh, it's incredible.
00:52:04I just can't believe it.
00:52:07That's too bad, Leila.
00:52:11That's intense.
00:52:18You're stupid, Leila.
00:52:20But very silly.
00:52:30Why am I doing this to myself?
00:52:35Why do I torture myself?
00:52:37What am I doing here?
00:52:40I have to go.
00:52:43Leave this office.
00:52:49Hello, Osman.
00:52:51Are you doing anything?
00:52:52If you like, we could meet at the port cafe.
00:52:55I want to talk to you.
00:52:56They didn't say a word to me.
00:52:58This has gone too far.
00:52:59He is putting bread out for his mother.
00:53:00Let's see.
00:53:01That's enough!
00:53:03Everyone out.
00:53:04Tell me, what is this?
00:53:06Good heavens.
00:53:07I arrive at the store and look what I find.
00:53:08I was scared.
00:53:09Why have you brought all these people here?
00:53:10It's not a bad thing, man.
00:53:11Meral is teaching us all how to eat healthy and wholesome food.
00:53:14But wait, didn't all these people eat healthily until now?
00:53:17Where did this healthy eating trend come from?
00:53:19Let's see.
00:53:20Relax, future father-in-law.
00:53:21This store has always sold very healthy food.
00:53:23That much is crystal clear to us.
00:53:24But look at the tambourines these women have.
00:53:26They are all size XXL.
00:53:28Look at Melahat, for example.
00:53:30What are you saying?
00:53:31The problem is that I retain fluids.
00:53:32Yes of course.
00:53:33You sell genetically modified foods.
00:53:34These tambourines are your fault.
00:53:36Please, what is that?
00:53:37Look, if we don't want to harm them.
00:53:40We just want them to introduce healthier alternative foods into their diet.
00:53:43His wife called me to ask me to inform the customers.
00:53:46And what alternative is there to bread and sugar?
00:53:48Let's see.
00:53:49Of course there is.
00:53:50Exact.
00:53:50There are several companies that produce organic food.
00:53:53Clear.
00:53:54No, yes, I already know that.
00:53:55But organic nonsense costs an arm and a leg.
00:53:58I don't have any of that.
00:53:59If you want it, buy it somewhere else.
00:54:00Can we sell too?
00:54:01We can't.
00:54:02Yes, we can.
00:54:03We can't.
00:54:03I'm telling you, yes.
00:54:04No, Mecky, go.
00:54:05I've been in this store for 25 years.
00:54:06I sell in bulk and cheap.
00:54:08And yet I have to trust him.
00:54:09Who is going to buy organic products?
00:54:12Yes of course.
00:54:13You all buy a lot of words.
00:54:14But then, Nanay.
00:54:15Come on, everyone out.
00:54:16Out on the street.
00:54:19Relax.
00:54:19Come on.
00:54:20Come out, all of you come out.
00:54:21You'll convince me eventually.
00:54:22You're not going to convince me.
00:54:23Out, out.
00:54:24Okay, everyone come closer.
00:54:25Have they arrived yet?
00:54:27Pay attention.
00:54:31Deren and I have spoken with Mr. McKinnon.
00:54:33We've just come from a meeting.
00:54:35We exchanged impressions and...
00:54:38We have presented our idea to him.
00:54:42And he's given it his approval.
00:54:46And without making any changes.
00:54:50Tea and coffee for everyone, Mr. Jan.
00:54:52Thank you, Jay Jay.
00:54:53I'll have it in a little while.
00:54:54Very good.
00:54:55Let's see, the guidelines to follow for the Red Mode campaign are very clear.
00:54:59I'm going to give you a general overview, and Deren will be the one to give us the details.
00:55:02The launch will be next month.
00:55:05We're going to leave Fabry at the level of Betul.
00:55:07Yeah.
00:55:08Okay, show us what you're capable of.
00:55:10Yes ok.
00:55:11I am a very high brand.
00:55:12Congratulations, Deren!
00:55:13Go back to the store!
00:55:15Bravo!
00:55:15Go back to the store!
00:55:16Go back to the store!
00:55:18Go back to the store!
00:55:28I'll bring you tea.
00:55:31Freshly made.
00:55:32Thank you so much.
00:55:34Enjoy your meal.
00:55:37One thing, sorry.
00:55:39Do you want me to...
00:55:41Shall we do something tonight?
00:55:43We could go to the movies.
00:55:44I'm busy today.
00:55:46Oh really?
00:55:46I've arranged to meet to watch the football.
00:55:48With fellow photographers.
00:55:50I've neglected them a bit.
00:55:51I'd like to see them.
00:55:53I understand.
00:55:55Will it happen again?
00:55:56Okay.
00:55:58Enjoy your meal.
00:56:03Sanem!
00:56:04Are you OK?
00:56:06Yes, it's nothing.
00:56:07Tell me about it.
00:56:09I asked him if we were doing something tonight.
00:56:11And he told me he's meeting up with his friends.
00:56:13He's getting further and further away from me.
00:56:15I don't know what to think anymore.
00:56:27Jan Dibit.
00:56:29What's up?
00:56:30It's not much, man.
00:56:33I'm...
00:56:34I'm fed up, you know?
00:56:36Tired of not being able to control what happens in my life.
00:56:39I spend my days putting out fires and I'm very tired.
00:56:43What happened?
00:56:44Have you had any problems with Sanem?
00:56:46What do you think, man?
00:56:48I'm asking the woman I love to marry me.
00:56:50And it turns out she rejects me.
00:56:52I ask him the reason
00:56:53and he just tells me nonsense.
00:56:55What is the real reason?
00:56:57So, what are you hiding from me?
00:56:59And what is he going to hide from you?
00:57:00Nothing.
00:57:01So why is he behaving like this?
00:57:02Well, you know how women are.
00:57:04We are simpler.
00:57:05They focus on the details.
00:57:07The details, now.
00:57:08That must be it.
00:57:09I'm sure Sanem has a good reason.
00:57:11But the one that surprises me the most
00:57:14it's you.
00:57:16You're used to living for the day
00:57:18without making plans.
00:57:20And this time you're letting yourself go.
00:57:23You're right.
00:57:25I don't know why I'm so hooked.
00:57:28What will be, will be.
00:57:29Exact.
00:57:31Smile a little.
00:57:34Thanks, man.
00:57:35You are welcome.
00:57:49Everything is underway.
00:57:56Is McKinnon's campaign ready yet?
00:58:00Yes, the presentation has been approved.
00:58:04Very good.
00:58:05I can press the button now.
00:58:18Jan, I'm leaving.
00:58:21It's a bit early.
00:58:22I just have nothing else to do
00:58:24and I can't think of any more ideas
00:58:26for the campaign.
00:58:27I will work from home.
00:58:28I have free time.
00:58:29You look like a little girl.
00:58:31to whom someone has broken a toy.
00:58:32Don't you think so?
00:58:34Well,
00:58:35I always broke my toys.
00:58:37So I don't know.
00:58:38To all my dolls
00:58:40They were missing an arm
00:58:41or a leg.
00:58:42Sanem,
00:58:43I've been thinking about it.
00:58:47And I respect your decision.
00:58:51I can't say I agree,
00:58:53that's true.
00:58:54But I have no intention of doing so.
00:58:55to stop pressuring you
00:58:56nor impose your opinion on me.
00:58:58No.
00:58:59You don't impose anything on me,
00:59:01on the contrary.
00:59:03I love you,
00:59:04but at the same time
00:59:04This worries me a lot.
00:59:05I can't help it.
00:59:06Because I had never wanted to
00:59:08no one as much as you.
00:59:10Neither do I.
00:59:14Have you ever seen
00:59:15two rivers that join?
00:59:18Well no.
00:59:20I was able to see them on a trip.
00:59:22Two rivers of water
00:59:24very calm
00:59:25that...
00:59:26that...
00:59:27by joining
00:59:28create the greatest turbulence
00:59:29that you have seen.
00:59:31It looks like the water is boiling.
00:59:33Everything is a chaotic mess of foam.
00:59:34as if they were fighting
00:59:35and...
00:59:36would have stopped flowing.
00:59:40But then
00:59:41the waters calm
00:59:41and they return to...
00:59:42to proceed in peace.
00:59:44And we are the same.
00:59:45those two rivers,
00:59:47Do you understand, Anem?
00:59:48Like those two rivers.
00:59:51That's why we behave this way.
00:59:53And we have to find
00:59:55the way to flow together.
00:59:58Will we find her?
01:00:00We have met.
01:00:02From now on
01:00:04We can't get lost.
01:00:05We just need more time.
01:00:10What if we leave?
01:00:11to the point
01:00:12where they meet
01:00:13Those two rivers?
01:00:14Oh.
01:00:15If we wanted to
01:00:17we would unite
01:00:18all the rivers.
01:00:21Well, I'm leaving.
01:00:23Okay, see you tomorrow.
01:00:24See you tomorrow.
01:00:30Leila.
01:00:31Are you leaving already?
01:00:32I'm finished.
01:00:34Okay, I'm leaving too.
01:00:35Shall we go out together?
01:00:35Uh-huh.
01:00:36Okay.
01:00:37What's the matter?
01:00:39Are you OK.
01:00:40You look unwell.
01:00:40I'm going to take a vacation
01:00:41one season.
01:00:42And while I search
01:00:43another job.
01:00:44Oh.
01:00:45Because?
01:00:46What happened?
01:00:47I saw him earlier
01:00:47hug Eileen
01:00:48in his office.
01:00:50Oh really?
01:00:51Yeah.
01:00:52And she told me
01:00:54that they are together again.
01:00:55Although for the moment
01:00:56They're hiding it.
01:00:57I'm staying.
01:00:57I wouldn't believe it.
01:00:58I've seen them, Sanem.
01:01:00She was
01:01:01stroking her hair.
01:01:02I can't stand it anymore.
01:01:03I have to leave here.
01:01:05It just can't be.
01:01:06This is like a disease.
01:01:07As soon as I recover
01:01:08I'm relapsing a little again
01:01:09And so it begins again.
01:01:11Alright.
01:01:12Peaceful.
01:01:13Don't suffer anymore.
01:01:15You're right.
01:01:16Nothing.
01:01:16I have to be
01:01:17a very tough experience.
01:01:19Just do what he asks.
01:01:20The body, okay?
01:01:21Make the decision
01:01:22that you consider
01:01:23more correct
01:01:23and that the only
01:01:24that worries you
01:01:25May your happiness be yours.
01:01:26Okay.
01:01:30I want to leave here.
01:01:31Clear.
01:01:32Let's get out of here.
01:01:33Come on, hurry up.
01:01:34Come on.
01:01:34Don't let him see you crying.
01:01:51Congratulations, Deren.
01:01:52You have conquered the lord
01:01:53McKinnon.
01:01:53Well yes.
01:01:54The beginning has been a little
01:01:55It's weird because of you and...
01:01:57But it turned out well.
01:01:58Thank you.
01:01:59Oh, dear Deren.
01:02:00You'd better not get lost
01:02:02in those details.
01:02:03Work is important.
01:02:05You deserve to be the director
01:02:06creative of that campaign.
01:02:08Nobody at this agency
01:02:09is more qualified
01:02:10than you are.
01:02:13I have always valued
01:02:15Your talent is amazing.
01:02:17Thank you so much.
01:02:19You are welcome.
01:02:20Mrs. Kuma
01:02:21He'll soon realize it.
01:02:25Deren,
01:02:27we can return
01:02:28to this agency
01:02:29to the place where he was.
01:02:31Not a novice
01:02:32who wants to climb
01:02:32becoming attached to the boss.
01:02:36Well,
01:02:36Show me the miracle
01:02:37that you have created.
01:02:40We're still on that path,
01:02:41please.
01:02:42We are now
01:02:43on the same side.
01:02:45I just want to see
01:02:46how are you going to approach
01:02:46the campaign.
01:02:49Alright.
01:02:50You can look.
01:02:58I love
01:02:59what you have created.
01:03:00It's perfect.
01:03:08What if I tell him
01:03:10Osman,
01:03:11Do I accept?
01:03:13No,
01:03:14This cannot be.
01:03:17Yeah,
01:03:17I accept.
01:03:19Hello.
01:03:20Osman.
01:03:22Thank you for coming.
01:03:23You are welcome.
01:03:24Sit down.
01:03:25How are you?
01:03:26Good.
01:03:30I hope you don't have any problems.
01:03:31You called me
01:03:32so suddenly.
01:03:32No no,
01:03:33I wanted to tell you
01:03:34one thing.
01:03:35I'm listening.
01:03:37Which I accept.
01:03:38What do you accept?
01:03:39Well, that
01:03:41I accept
01:03:41to go out with you.
01:03:43I mean
01:03:43that we become a couple,
01:03:44you and I.
01:03:46Come on,
01:03:46that I accept
01:03:47be your girlfriend.
01:03:48How difficult it is to say this.
01:03:50Are you serious?
01:03:51I'm serious,
01:03:52Osman,
01:03:52very seriously.
01:03:53Are you sure?
01:03:54Ah,
01:03:54lot.
01:03:54And I say so.
01:03:56with all my heart,
01:03:57Osman.
01:03:58You are a very good person
01:04:00and you've always helped me
01:04:02And you have shown me
01:04:03your love.
01:04:06Because I love you very much,
01:04:07Leila.
01:04:10And I don't want it to be a secret,
01:04:12Let everyone know,
01:04:13man, come on.
01:04:14Very good,
01:04:14Let everyone know
01:04:15And we will do it properly.
01:04:17That?
01:04:18Following tradition.
01:04:19And what does that mean?
01:04:20I'll have to ask them for their hand in marriage.
01:04:21to your parents.
01:04:22Leila,
01:04:23I have no doubts about you.
01:04:24and I don't want that in the neighborhood
01:04:25everyday life of you
01:04:26nor from your family
01:04:26You know they annoy me
01:04:27those things.
01:04:28It's true.
01:04:28Say yes
01:04:29and I will come to your house.
01:04:30Of course,
01:04:30Osman.
01:04:31We will do it that way.
01:04:32forwards.
01:04:33Very good,
01:04:33Then I'll go tonight.
01:04:34Tonight?
01:04:35Why waste time?
01:04:36I've been here a long time
01:04:37dreaming of this moment.
01:04:39I don't want to wait.
01:04:39not a second.
01:04:40Okay,
01:04:41you're right.
01:04:42It's best not to waste time.
01:04:44Although still
01:04:45I haven't told him
01:04:45none of this
01:04:46to my parents.
01:04:47But it's okay,
01:04:48I'll think of something.
01:04:49Come tonight.
01:04:50Perfect.
01:04:51Well, that's it.
01:04:51That's all there is to it.
01:04:53And what should I bring?
01:04:54Well,
01:04:54I'll bring something.
01:04:55Yes, me too.
01:04:56Oh my God.
01:04:57Osman!
01:04:58We're getting married!
01:04:59We're getting married!
01:05:02We're getting married!
01:05:08Congratulations,
01:05:09my love.
01:05:10I congratulate you too.
01:05:11May it be for the best.
01:05:12I hope so.
01:05:14Well,
01:05:14I'm going home.
01:05:15Yes of course.
01:05:16What should I do?
01:05:17I'm going to get everything ready.
01:05:18Yes, hurry up.
01:05:19See you later.
01:05:20See you later.
01:05:21I'm getting married!
01:05:22Are we going to get married?
01:05:28We're getting married!
01:05:30We're getting married!
01:05:34We're getting married!
01:05:52That?
01:05:53What is Osman going to do?
01:05:54He's coming to ask for my hand in marriage tonight.
01:05:56Are you serious?
01:05:57Well yes.
01:05:58But you're safe, Leila.
01:05:59Don't do it out of spite, please.
01:06:01Look, Sanem.
01:06:02I know very well what I'm doing.
01:06:04Emre and I don't fit together.
01:06:05Mom is right.
01:06:06Have you seen Mrs. Huma?
01:06:07How can I be his outsider?
01:06:09Hey?
01:06:10Even though things always went well with Emre,
01:06:12which is saying a lot,
01:06:13She would never accept me into the family.
01:06:15The same thing happens to me.
01:06:17But that's not the point.
01:06:18So, who is the one who has to love you?
01:06:21Don't do something you'll regret later.
01:06:25Look, Sanem, I want to be with someone who is like me.
01:06:28To love someone who loves me.
01:06:30What's wrong with that?
01:06:31But are you sure?
01:06:32I don't know.
01:06:33If that's really what you want, then perfect.
01:06:36Well yes.
01:06:37And do Mom and Dad know?
01:06:40No.
01:06:42And listen,
01:06:43Osman has no parents.
01:06:44Who will come to ask for your hand in marriage?
01:06:46Oh, well, I hadn't thought of that, that's true.
01:06:48And what were you thinking about?
01:06:49That's very important.
01:06:52Oh, Sanem, what do we do?
01:06:53First, you have to tell your mom and dad.
01:06:55Yes, but how?
01:06:56Think of a plan.
01:06:57You always come up with good ideas.
01:06:59Think of something.
01:07:03That he's going to ask for her hand in marriage?
01:07:04I?
01:07:05Exact.
01:07:05I?
01:07:06Yes, yes.
01:07:06You go and ask for her hand in marriage for me.
01:07:08But, man.
01:07:09For God's sake, don't talk nonsense.
01:07:11Leila will not be happy about it.
01:07:13That way she'll definitely reject you and then you'll come crying.
01:07:17Oh, Sanem, she told me herself to go and talk to her parents.
01:07:20The Snow Queen?
01:07:21Don't call her that, she's going to be your sister-in-law.
01:07:22That's intense.
01:07:23What made him do that?
01:07:24Where did it fall from?
01:07:25Let's see if he has amnesia, maybe he's lost his memory.
01:07:28Don't talk nonsense, she told me herself, that we shouldn't hide, that we should announce it to them
01:07:31to all of us who are couples.
01:07:33And what ever happened to that guy, Emre?
01:07:35The other day he showed you a picture of the two of them together.
01:07:37Well, it'll be over.
01:07:38Leila is a determined girl and she has chosen me.
01:07:41Okay, fine.
01:07:42But who's going to propose?
01:07:43It can't be me, I'm too young.
01:07:45It has to be someone older, as tradition dictates.
01:07:48Oh really?
01:07:49Who could it be?
01:07:52Son, give me a kilo of minced meat and some pork chops.
01:07:55I'm going to make some dolmas for dinner that will be finger-licking good.
01:08:03Can you tell me why you're looking at me like that?
01:08:05This is a slaughterhouse, damn it.
01:08:06And they're still looking at me?
01:08:08Can you sit down for a moment?
01:08:09Yes, please, sit down.
01:08:11What's happening?
01:08:11Has something happened?
01:08:12What happened?
01:08:13Can I ask you a small favor?
01:08:15Sure, what do you need, son?
01:08:22Oh my God!
01:08:24Listen to me, everyone!
01:08:25We have a wedding!
01:08:26Oh, wedding!
01:08:27The daughter is getting married!
01:08:29Don't shout, woman!
01:08:31Don't shout!
01:08:31Don't shout, woman!
01:08:32Come here!
01:08:32Come here!
01:08:33What's happening?
01:08:34What's happening?
01:08:34They're getting married!
01:08:35What a joy!
01:08:36I'm going to dream!
01:08:37Be quiet!
01:08:38They didn't tell me!
01:08:39Dad!
01:08:39I'm going to see the sunrise!
01:08:40I didn't see that coming!
01:08:41We're having a wedding!
01:08:42A wedding!
01:08:43Not yet.
01:08:44I'm just going to ask their parents for permission.
01:08:46Of course, that's normal.
01:08:47First the proposal, then the engagement, and finally the wedding.
01:08:50We're having a wedding in the neighborhood!
01:08:52Let the trumpets sound!
01:08:53There's going to be a wedding, neighbors!
01:08:54What can we do!
01:08:55I'm going to spread the word!
01:08:56Let the whole world know!
01:08:57Thank goodness I told him to stop.
01:08:58Don't bother.
01:08:59It's too late; the whole neighborhood probably already knows.
01:09:01I'm going to take this to Melahat and I'll be right back.
01:09:04Melahat!
01:09:12What did you say?
01:09:13Mekive, what did he say?
01:09:14Osman said.
01:09:15Me too?
01:09:16He's going to ask for her hand in marriage.
01:09:17He said he's coming tonight.
01:09:19How could you say that so suddenly?
01:09:22Yes, but Dad, you told us to try not to cause a stir in the neighborhood.
01:09:26Yes, that's what you always say.
01:09:28So, the sooner we get rid of him, the better.
01:09:31These things don't happen that quickly.
01:09:32First you'll have to get to know each other.
01:09:33Yes, I've known Osman since we were little kids, all our lives.
01:09:37And you told me it was right for me.
01:09:39What's happening?
01:09:39What's going on with that?
01:09:40Okay, Dad.
01:09:45How can I hand you over to a man?
01:09:47Oh my goodness, you say...
01:09:49Yes, I give my approval.
01:09:50And that's it, it's over.
01:09:52Go on, look at her.
01:09:53But how can I hand you over to a stranger?
01:09:56But Dad, what are you saying?
01:09:57He's not a stranger.
01:09:59It's Osman, our Osman.
01:10:00The neighborhood butcher, a lifelong resident.
01:10:03Osman, of course.
01:10:05Honest, good, and hardworking.
01:10:07It sounds like you're trying to sell it, but I agree with you.
01:10:10It turns out very well.
01:10:16No, I can't.
01:10:19No, I'm going to hide back here.
01:10:21Stuck in here, stuck in here.
01:10:24And when I get out, it will all be over.
01:10:27Everything will be over and something else will have happened.
01:10:29But Dad, please, there's no need to worry.
01:10:32If everything is going to stay in the family.
01:10:35He's our Osman.
01:10:36These girls are crazy, seriously.
01:10:38Who would think of doing anything less tonight?
01:10:40Does that seem normal to you, my daughter?
01:10:42I think it's time to get her married.
01:10:44There are girls her age who are already having their third child.
01:10:46Sanem, you could come up with another argument.
01:10:48Okay, it's clear they're young and have fallen in love.
01:10:51As you always say, what's important now is for them to be together and start a family.
01:10:55And that's it.
01:10:56It will be possible, you know a lot.
01:10:57Let's see if you know what I'm going to do.
01:10:59Mother!
01:10:59No?
01:11:00Sanem, help me.
01:11:01Come on, me first.
01:11:03I'm going to kill you.
01:11:04Come here, don't run away.
01:11:05We need to prepare; we have just enough time.
01:11:08Bring coffee and cologne when you go home.
01:11:10Come here.
01:11:11May the Lord give us daughters so that He may understand us.
01:11:15And that one ends up like this.
01:11:19I'll be fine there.
01:11:21I think so.
01:11:24Let me see you.
01:11:26But you look so elegant, bro.
01:11:29I don't know if I'm convinced, Musa.
01:11:30What do you think?
01:11:31No, I don't see it.
01:11:32No matter how much I try on, nothing looks good on me.
01:11:35You are broad-shouldered and I am narrow.
01:11:37I look ridiculous in this suit.
01:11:39Look at me, it doesn't suit me.
01:11:40I was talking about myself, I'm the one who's going to get engaged.
01:11:42Oh, yes, you don't say.
01:11:44You're handsome, but I'm not.
01:11:46And I have to dress up a lot more.
01:11:47You already look great.
01:11:49What more do you want?
01:11:50Get out of the way, I need to check myself in the mirror.
01:11:51What are you doing?
01:11:52The one who's going to get engaged is my brother, not you.
01:11:54Do you know where we're going?
01:11:55We're going to Mezquibé's house to ask for his daughter's hand in marriage.
01:11:58And Anika will be there too.
01:11:59And since he gives his blessing to Leila, he can give it to Sanem.
01:12:02And who will be there?
01:12:03Good question.
01:12:04Okay, I need a tie.
01:12:06Where do you have one?
01:12:09Give it to me, give it to me.
01:12:10Okay, let it go.
01:12:11Osma, please.
01:12:12No way, dude, it's mine.
01:12:12I don't need anything more.
01:12:13Let go, man.
01:12:14Will you let me give you a black eye?
01:12:16Give me that tie.
01:12:17But finally.
01:12:17Come on!
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