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00:00:00Dad, crew, come on!
00:00:01I don't miss this little corner!
00:00:03Come on!
00:00:05Let's see, maybe he's looking for a girlfriend
00:00:07And he hasn't told us anything.
00:00:15Have you already found out?
00:00:17What are you saying?
00:00:18That he had given us a few euros
00:00:19so we wouldn't tell you that we had seen him
00:00:21to kiss the Basque woman.
00:00:23I know you're with...
00:00:24Pigs.
00:00:25Something has suddenly come up, I'm not going to lie to you.
00:00:27You need to disconnect.
00:00:29Tomorrow that mountain body will be finished
00:00:31who does some dancing.
00:00:32Come on, I'm not going to be your typical mother
00:00:33that she's going to start talking about her daughter.
00:00:35I just remembered that I have the...
00:00:38Let's see if I can start behaving myself.
00:00:40like a professional in the kitchen
00:00:41Because I can't be with you here.
00:00:43Boy!
00:00:44You can't even tie an apron properly, you know, Iñaki?
00:00:47Please.
00:00:47I'm just being silly, I'm being silly.
00:00:49What? Are you going to tell us what's going on?
00:00:51Yes or yes?
00:00:52Let's see, it happens.
00:00:54But this is what happens.
00:00:57Carmen, listen.
00:00:58The mole, the mole, it's me.
00:01:02I.
00:01:03Oh, Dolores, look, I'm not firing you.
00:01:05Already.
00:01:06I'd like you to be a double agent.
00:01:10Is that it?
00:01:12Timi just sent me a WhatsApp message
00:01:14making me an offer with so many zeros
00:01:15I'm feeling dizzy.
00:01:16Not a word from anyone until I make up my mind, okay?
00:01:18And much less to Carmen.
00:01:20Dani, it's Miren.
00:01:22Hey, look, that...
00:01:23that I have a business up and running
00:01:24And I'd like you to lend me a hand.
00:01:26Wouldn't you like to do something?
00:01:27With that land you have here?
00:01:29Oh, of course.
00:01:30Ah, great.
00:01:31Because Dani has a very lucrative business.
00:01:33A Basque-style windfall.
00:01:34Yes, but I just can't.
00:01:35My father left him the land
00:01:36to a benefactor.
00:01:37Dad?
00:01:38Yeah.
00:01:38I need money.
00:01:39I've found you a buyer.
00:01:41that he is willing to pay
00:01:41a pastureland across your lands.
00:01:43I've received a little money.
00:01:44Oh, what a guy.
00:01:45I sold the land, let's see.
00:01:48Enrique, everything is ready.
00:01:50Yes, the lands I told you about
00:01:51The ones from the little marquis need to be reclassified.
00:01:53So get the paperwork ready.
00:02:11Thank you!
00:02:31Iñaki, are those baby squid coming out?
00:02:33Or should I go look for them at the port?
00:02:34Hey?
00:02:34Baby squid!
00:02:35Oh no, no, no, forgive me.
00:02:37Look, I had thought
00:02:38since we closed the bridge,
00:02:40Why don't we take advantage of this?
00:02:41Shall we take a short break?
00:02:43More than the one you're hitting on yourself, Iñaki.
00:02:45No, look, I mean a break.
00:02:48You and I.
00:02:49To spend a little time together.
00:02:52And these options seem few to you.
00:02:55What do you think?
00:02:55Let's see, I had thought about taking Elaya
00:02:57and go to the coast.
00:02:58And that's how we changed the olive oil
00:03:00because of the tanning oil.
00:03:01I love it!
00:03:03I love it!
00:03:04The only thing is, I'm going to get the baby squid.
00:03:06And I'm going to take them to the people at table 8.
00:03:07Because otherwise, they're going to cross the bridge here.
00:03:09And we don't like it.
00:03:10Better?
00:03:11Hey?
00:03:12Come on.
00:03:19Carmen, Carmen.
00:03:22Carmen, I'll put you on a video call.
00:03:25Hello, Iñaki.
00:03:26Guess what I bought him yesterday for the first time
00:03:29Elaya?
00:03:31Her first swimsuit
00:03:32Should I take her to Puente beach?
00:03:34Oh no, no, no.
00:03:35That can't be.
00:03:35Because?
00:03:36Because I'm taking her to the beach.
00:03:38Oh, Iñaki,
00:03:39What took us to Malaga?
00:03:41Okay, relax, relax,
00:03:42no problem.
00:03:43Why don't you come with us?
00:03:44They're going to a resort.
00:03:46A resort, he says.
00:03:47It's called a resort.
00:03:48Resort.
00:03:48Resort.
00:03:50Resort.
00:03:50Resort.
00:03:50Resort.
00:03:50My cousin works there, you know?
00:03:52And he gives us a discount, just like that.
00:03:53We are all together
00:03:54And the girl can be with Zucitoce, huh?
00:03:56Hey, well, I think it's a great idea.
00:03:58Look, I'm going to let Gozzone know, okay?
00:04:00Ah.
00:04:01Ah.
00:04:01What's coming, Gozzone?
00:04:03Yes, well, that was the idea.
00:04:06No not at all.
00:04:08Why is something going to happen?
00:04:09I say that like in Malaga
00:04:09It's so sunny
00:04:11and she is Basque
00:04:12which might just vaporize.
00:04:14You tell him about it.
00:04:16Come on.
00:04:17Bye.
00:04:18Goodbye.
00:04:22Phew.
00:04:29She's going to make a smoothie.
00:04:32Excuse me, Carmen,
00:04:33I've really messed things up, haven't I?
00:04:34I did it for a good cause.
00:04:36so that you can be together
00:04:37and in the end it'll be all mixed up.
00:04:38Look, José, I'm saying
00:04:40that I'm into these things
00:04:41I'll have to get used to it, won't I?
00:04:42Because I'm fine.
00:04:45Are you okay?
00:04:46Are you okay?
00:04:46Yes, yes, let's go.
00:04:47You look very calm.
00:04:48A super pa...
00:04:51Very calm,
00:04:51like the Dalai Lama.
00:04:52Okay, fine, yes.
00:04:53I'm a little nervous,
00:04:54But since I got this job
00:04:55This is the first time I've left the hospital.
00:04:57What if something happens?
00:04:58And I don't understand.
00:04:59Well, absolutely nothing can happen here.
00:05:01If the most exciting
00:05:01what has happened lately
00:05:02The water tank has run out.
00:05:04Dolorete, I don't know why,
00:05:05but a little nervous.
00:05:06Take note of what I'm telling you.
00:05:07Me?
00:05:07Yeah.
00:05:07Nervous?
00:05:08Why would I be nervous?
00:05:09So come on, please.
00:05:10Maybe you're the one giving me stress.
00:05:12Could be.
00:05:12The best thing is for you to leave.
00:05:13Because in the end
00:05:14We're going to end here
00:05:14and everyone drinking linden tea.
00:05:15Yes, but look,
00:05:16I'm going to tell you something.
00:05:17If I leave and something happens,
00:05:18You would tell me, right?
00:05:19Yes, of course I do.
00:05:20Well then, I'll leave feeling more than a little calm.
00:05:22Look, nothing happens.
00:05:30Hey, Gozzone, about the bridge
00:05:35It's already fixed.
00:05:36Oh, really?
00:05:37Yes, yes.
00:05:37Look, we're going to Malaga.
00:05:39Are you sure?
00:05:40Yes, we're going to a resort
00:05:41because Jose's cousin
00:05:43works there
00:05:43And well, anyway,
00:05:45José has signed up.
00:05:46Uh-huh.
00:05:47And we're going with the Aya, obviously.
00:05:49And it also comes, well, anyway,
00:05:51Carmen is coming too.
00:05:53Ah, Carmen!
00:05:56Excellent!
00:05:58Hey, Gozzone, Gozzone.
00:06:00That?
00:06:00Gozzone, darling.
00:06:02I know you have to hit the octopus.
00:06:04But you're giving it
00:06:04The beating of his life, huh?
00:06:06Yes, of course.
00:06:09Gozzone, I'm sorry.
00:06:10Look, I know it's a bit weird, okay?
00:06:12But mainly
00:06:13I want to go to Malaga
00:06:14For three reasons, okay?
00:06:15One, for being with the Aya.
00:06:19Two, because I think
00:06:20which will be good for us
00:06:20spend time together
00:06:21and three because
00:06:23Anyway, that's it
00:06:24We've told him
00:06:25to Jose's cousin
00:06:26and has reserved a room for us
00:06:27But if it's going to be
00:06:28an awkward situation
00:06:29I really call
00:06:30No, no, no, no, no,
00:06:31Iñaki, no, yes
00:06:33I
00:06:34I think that
00:06:35Well, that might be okay.
00:06:37Besides, we are already
00:06:38They're a bit older, aren't they?
00:06:39Oh.
00:06:40That
00:06:41I think that
00:06:43We could have a good time.
00:06:45Of course.
00:06:46Yeah.
00:06:46Sure?
00:06:47Sure.
00:06:49Octopus.
00:06:50Octopus.
00:07:02I was bringing you
00:07:03a palm tree like that
00:07:04heart-shaped
00:07:05But I'm running out.
00:07:06to break
00:07:07and the truth
00:07:07It's just that it's a little
00:07:08a disaster of a metaphor.
00:07:11What's the matter?
00:07:12Are you tired?
00:07:13And I keep turning it over in my mind
00:07:14Regarding Trini's topic,
00:07:15Fraud.
00:07:15So, what did you think?
00:07:17What are you going to say to him?
00:07:17I'm just not sure.
00:07:19What do you mean you're not clear on it?
00:07:20If you are here in Seville
00:07:21And it's the best
00:07:21that life can happen to you.
00:07:22If all that is needed
00:07:23that little jets of water come out
00:07:24up the walls
00:07:25so that it looks
00:07:26even a spa.
00:07:26Yes, well it will be for you
00:07:27because I'm at work
00:07:28all the way up.
00:07:28Well, that's just how it goes.
00:07:30It's just that it's fashionable now.
00:07:30that people catch colds.
00:07:32But come on,
00:07:33that in two months
00:07:34Not even a dog comes here.
00:07:35But that's not it.
00:07:35I just haven't been feeling well lately.
00:07:37as highly valued in Seville.
00:07:39What are you saying, little girl?
00:07:41Carmen values you very much.
00:07:43Come on, I'm sure of it.
00:07:44I'm so sure,
00:07:45so sure
00:07:46Look,
00:07:47Look what I do
00:07:47with Trini's proposal.
00:07:49See you later, Trini.
00:07:51Those were the analyses
00:07:52of Don Fabián's urine.
00:07:54Okay, okay, okay.
00:07:57Listen to me for something.
00:07:59Trini,
00:07:59It doesn't offer you that.
00:08:01because I value you,
00:08:02but because he's using you
00:08:03to hurt Carmen.
00:08:04He's done the same to me,
00:08:05who has used me.
00:08:06And that's because I've done
00:08:07horrible things,
00:08:08which is really
00:08:09I regret so much...
00:08:12In the past.
00:08:15When she was the boss.
00:08:17Yes, but what if they exploit me?
00:08:18At least pay me well.
00:08:19They exploit me for free here.
00:08:21Little girl, but that
00:08:22You talk to Carmen about it.
00:08:23and solves it.
00:08:24People can understand each other by talking.
00:08:25And that's it.
00:08:28I'm going to call Trini.
00:08:29Trini?
00:08:31To tell him no.
00:08:34Okay.
00:08:38Oops!
00:08:40Madrella?
00:08:44I'm going to Malaga.
00:08:45That's possible, señaki.
00:08:46First Seville,
00:08:47then Malaga.
00:08:48You're going to have to change
00:08:49the name of the calla.
00:08:50Beach bar,
00:08:50the Alhambra.
00:08:51No, Hook,
00:08:52I'm going away for the long weekend with my daughter.
00:08:54Great plan.
00:08:54A little bit of beach,
00:08:55little sun.
00:08:56Disconnect from all of this.
00:08:57Disconnect from the crew.
00:08:58Hey, Iñaki?
00:08:59For a long weekend that Carmen is giving me
00:09:00and you go downstairs.
00:09:01Yes, yes.
00:09:01You are like the moon and the sun.
00:09:03That you meet from time to time
00:09:04and for a little while,
00:09:05because...
00:09:06That's great, Marichu.
00:09:07Well, you don't know how happy that makes me.
00:09:08I hope you'll be encouraged.
00:09:09Yes, it's going to be great.
00:09:11Okay.
00:09:12Okay.
00:09:12Come on, let's talk.
00:09:13Very good.
00:09:14Yes, a little kiss.
00:09:15Goodbye, goodbye.
00:09:17Iñaki,
00:09:18your uncle Sabino and I,
00:09:19We took advantage of the long weekend
00:09:19And we're going outside.
00:09:20And you know what?
00:09:21Your mother and Benito
00:09:22They also signed up.
00:09:23Wow, that's great.
00:09:24Alright, everyone, everyone.
00:09:25We are going to leave the Basque Country empty.
00:09:26To the.
00:09:27But Marichu and Benito
00:09:28They were not traveling.
00:09:29Yes, but we've arranged to meet
00:09:30that on the way back
00:09:30the four of us got together
00:09:31in Malaga.
00:09:35So much more Malaga
00:09:36than Malaga.
00:09:37Malaga?
00:09:38Because José
00:09:38has managed to get us
00:09:39a very cute resort
00:09:40and incredibly cheap.
00:09:41My God,
00:09:41But it's already been resolved.
00:09:42me with the girl
00:09:43And Carmen is coming too.
00:09:44and Gozzone
00:09:46It's coming too.
00:09:48Sorry,
00:09:49Gozzone and Carmen
00:09:50in the same hotel.
00:09:51I mean,
00:09:52I had heard
00:09:52that people use
00:09:53the bridges
00:09:54to commit suicide,
00:09:54but not like that.
00:09:55Ah, Ana,
00:09:56Yeah, that's an exaggeration.
00:09:57Risky.
00:09:58No no,
00:09:58let's see,
00:09:58I've spoken to both of them.
00:09:59and they agree,
00:10:00Okay?
00:10:01Oh, and you?
00:10:02What are you doing on the bridge?
00:10:03Because this is where it closes, okay?
00:10:04As?
00:10:05Closed.
00:10:05And what are we going to do?
00:10:07A change of scenery,
00:10:08I don't know.
00:10:08No,
00:10:08I'll cut off my arm
00:10:10before going
00:10:11to one of those places
00:10:12that are useful to you
00:10:12a meatball
00:10:13crushed
00:10:14in a cardboard box.
00:10:15A burger,
00:10:15It's called a burger.
00:10:16And don't hold back.
00:10:17the arm still,
00:10:18that you're going to need
00:10:19for cooking.
00:10:22Hey?
00:10:23Let's cook.
00:10:25Ah,
00:10:25Colo is right,
00:10:26Yeah,
00:10:26Anshon takes charge
00:10:28of all this,
00:10:28That way you don't lose money
00:10:29and we
00:10:30We continue playing mus.
00:10:31And you're not closing?
00:10:32For me,
00:10:34No problem,
00:10:34Iñaki.
00:10:35Yes indeed,
00:10:36provided you forgive me
00:10:37the check.
00:10:39Well,
00:10:40Iñaki,
00:10:40Well, you're going to lose money.
00:10:41sure.
00:10:44Anshon,
00:10:44Deal done.
00:10:45Yes indeed,
00:10:46I'm going to hire someone
00:10:47so that I can help you.
00:10:47No way,
00:10:48I'll help you.
00:10:55You see, Don Fabián,
00:10:56We've had a little problem
00:10:57so unimportant
00:10:57with its analytics.
00:10:59No, no, no,
00:11:00Don't be alarmed
00:11:00That's not that kind of problem.
00:11:01come on,
00:11:01You are perfectly fine.
00:11:02What, what?
00:11:03Have you told him yet?
00:11:03How did he take it?
00:11:06No, no,
00:11:07No, Don Fabián,
00:11:08that you are perfectly fine,
00:11:09Look at your analytics,
00:11:10Hey?
00:11:10He takes a look at it
00:11:11And if you have any questions
00:11:12You call me,
00:11:13that will last
00:11:14a lot of years,
00:11:15Don Fabián.
00:11:15Come on,
00:11:16see you later,
00:11:16I don't know how to do it right.
00:11:17I don't do it right.
00:11:18Are you crazy?
00:11:19No,
00:11:19I just wanted to know
00:11:20if you had spoken to Trini.
00:11:22Well, look,
00:11:23Yeah,
00:11:23I was going to call her,
00:11:23I was going to call her.
00:11:24But,
00:11:25but,
00:11:25I found out
00:11:26that there is a medical convention
00:11:27in Brussels
00:11:28and that the Hispali clinic
00:11:29He's going to send a specialist.
00:11:31Let's see,
00:11:32What does that have to do with it?
00:11:32Can you eat the flu with fried tomatoes?
00:11:34Well,
00:11:35Well, I want to check.
00:11:35Let's see how much Carmen values me.
00:11:37Carmen values you very much.
00:11:38the one who doesn't value you
00:11:39It's that harpy Trini.
00:11:40which is like Frankenstein
00:11:41that is made
00:11:42of the worst scraps.
00:11:43Well,
00:11:43Well, if he values me,
00:11:44I say he can count on me.
00:11:44for the convention.
00:11:46Clear.
00:11:46Well,
00:11:46Well, if that's the case,
00:11:47I will not call on the Trinity.
00:11:49Don't worry, your name is...
00:11:50Count on it,
00:11:51really?
00:11:54Oh,
00:11:54but.
00:11:57Sabine,
00:11:58grab your flip-flops
00:11:59for the spa,
00:12:00that you are very prone
00:12:00to fungi.
00:12:02Nothing,
00:12:02my parents
00:12:03who are going to Malaga.
00:12:04No,
00:12:05Christopher,
00:12:05It hasn't closed yet.
00:12:06the appointment with the councilor.
00:12:07Yeah,
00:12:08I was going to write to him now,
00:12:08But you know what happens?
00:12:09There's a pain in the neck.
00:12:10that won't leave me alone.
00:12:11Of course it's you.
00:12:13Chick,
00:12:14Can I have your sarong?
00:12:15Yeah,
00:12:15one moment,
00:12:16love.
00:12:17I'll call you when I know something.
00:12:18Oh,
00:12:19yes.
00:12:21Hey,
00:12:21Look,
00:12:22You won't have a swimsuit,
00:12:23No, daughter.
00:12:23I can't find mine.
00:12:24Yes I have,
00:12:25love.
00:12:26What I don't have
00:12:26It's the same waist as you.
00:12:28Oh,
00:12:28Look at this.
00:12:29That's how I felt
00:12:30before I had you,
00:12:31pretty,
00:12:31Or what do you think?
00:12:40Hey,
00:12:42We already have the appointment with the link
00:12:44because of the matter we were discussing.
00:12:46Yeah,
00:12:47the ranch thing.
00:12:48Which ranch?
00:12:49That's key.
00:12:50Man,
00:12:50They're not going to say
00:12:51land reclassifications.
00:12:52He will be corrupt,
00:12:53but not,
00:12:54fuck,
00:12:54cock,
00:12:54be quiet.
00:12:54It will be,
00:12:55It will be on Saturday,
00:12:56clear.
00:12:57In the bite?
00:12:58Yeah,
00:12:58That's in code.
00:12:59That's a restaurant.
00:13:00I can't do anything right.
00:13:01Yeah,
00:13:01Yeah,
00:13:02If you can't,
00:13:02I'll take care of it.
00:13:03Yeah,
00:13:04man,
00:13:04which is also the ranch.
00:13:07That's it.
00:13:08Perfect.
00:13:09We have a date set,
00:13:10time and place.
00:13:11All we need to do now is install microphones.
00:13:12Well,
00:13:13I know of some
00:13:14that the only ranch
00:13:15that they are going to take
00:13:15It's going to be the one they give them
00:13:16packing.
00:13:18Excellent,
00:13:19Rosa Mari!
00:13:57Subscribe to the channel!
00:14:00Sorry,
00:14:01José,
00:14:01Wow, what a fantastic hotel!
00:14:02No?
00:14:02That one, yes.
00:14:03I feel like it
00:14:04all the time
00:14:04of shouting buttons.
00:14:08It was a joke,
00:14:09come on.
00:14:09No,
00:14:09look,
00:14:09cock that's here,
00:14:10look,
00:14:11all this,
00:14:11all of this.
00:14:12You have to see that I'm going
00:14:13a weekend
00:14:13There will be four of us,
00:14:14Hey?
00:14:14Hey,
00:14:15the five.
00:14:16The five.
00:14:17Hello.
00:14:18Everything is so beautiful,
00:14:19No?
00:14:19Well,
00:14:20You have to see the bathrooms.
00:14:21It's just embarrassing to pee.
00:14:23Hello,
00:14:23how are you?
00:14:24Josieras,
00:14:24No?
00:14:25Yeah,
00:14:25and you?
00:14:26Chochones,
00:14:26No?
00:14:26No,
00:14:26me too,
00:14:31Hi Carmen?
00:14:33Hello.
00:14:33How are you?
00:14:35Good,
00:14:36good,
00:14:36good.
00:14:39Well,
00:14:40Is the weather nice?
00:14:41Hey?
00:14:42Yeah.
00:14:45All,
00:14:46the air conditioning,
00:14:47No?
00:14:47That they have put it
00:14:48as very strong here,
00:14:49Or what?
00:14:49What's happening?
00:14:49Did I give you a cold?
00:14:50Yeah.
00:14:52It's because I'm getting a helmet.
00:14:53There, aunt.
00:14:54We're here!
00:14:56Man,
00:14:56man,
00:14:57man,
00:14:58Love!
00:14:58How was the trip?
00:14:59Very good,
00:14:59very good,
00:14:59I'll tell you later.
00:15:00Oh,
00:15:00my little thing,
00:15:01I'll eat you,
00:15:01I'll eat you,
00:15:01I'll eat you up!
00:15:02Well,
00:15:03Well,
00:15:03What a fantastic hotel!
00:15:04No,
00:15:05José?
00:15:05Oh,
00:15:05You kept that quiet, didn't you?
00:15:06about your cousin!
00:15:09And what power!
00:15:10reconvocation,
00:15:11as if you were getting a commission,
00:15:12Can you imagine?
00:15:15Do you get a commission?
00:15:16No!
00:15:17He/She takes a commission
00:15:18with my colleague,
00:15:19that...
00:15:20Yeah.
00:15:21But,
00:15:22and how well we're doing
00:15:23to be here all together,
00:15:24Hey?
00:15:24Yes indeed.
00:15:26Hey,
00:15:26hey,
00:15:26hey,
00:15:27that it has to be me
00:15:28the last
00:15:28to find out
00:15:29of yours,
00:15:30Hey?
00:15:31Well,
00:15:31Thank goodness this time
00:15:32It's huasca.
00:15:33And ole,
00:15:35Look at this.
00:15:36And that Benito would be
00:15:37from Goyerri.
00:15:38Hey,
00:15:39Why don't we become
00:15:40A photo of you arriving?
00:15:41It occurs to me there
00:15:41at the entrance
00:15:42from the web.
00:15:43Come on!
00:15:43Come on!
00:15:45Come on!
00:15:45Come on!
00:15:46Come on!
00:15:46Come on!
00:15:58Come on!
00:16:00Wow, what views!
00:16:04For me, it's the best.
00:16:09Look at the hell out there,
00:16:10little girl,
00:16:11that you already know
00:16:12I don't like compliments.
00:16:13Oh,
00:16:14This is my piglet,
00:16:15Hey?
00:16:15Harder
00:16:16than yesterday's bread.
00:16:18Are you happy?
00:16:20A lot.
00:16:20The sea,
00:16:22little sunshine,
00:16:23all of Malaga
00:16:23for us,
00:16:25the room,
00:16:26the jacuzzi.
00:16:27The jacuzzi.
00:16:29Just the way you like it,
00:16:30little one.
00:16:32Little one?
00:16:33I say that precisely
00:16:34little one
00:16:35It's not the room.
00:16:36We can't complain.
00:16:40No.
00:16:41We've been dealt a bad hand
00:16:43the typical little jerk.
00:16:45He's not a child,
00:16:46She's a girl,
00:16:47my daughter.
00:16:47Sorry.
00:16:50I can't believe it.
00:16:52Carmen!
00:16:55What's wrong with Elaya?
00:16:56Is he already spitting irrichis?
00:16:58Let's see,
00:16:58the children's thing,
00:16:59daddy,
00:17:00They cry.
00:17:01What a coincidence,
00:17:02No?
00:17:02We are neighbors.
00:17:04Yes, yes.
00:17:07Hey,
00:17:08I'm so excited!
00:17:09to debut Elaya's swimsuit.
00:17:10Will you bring it to me?
00:17:11And should I take her to the pool?
00:17:12Of course.
00:17:12Goes,
00:17:13then...
00:17:13Come on,
00:17:14later.
00:17:23Gozón,
00:17:24are you OK?
00:17:28Hey,
00:17:28really,
00:17:28if you want us to change
00:17:29of room,
00:17:30I ask for it and...
00:17:31No,
00:17:31No,
00:17:32What nonsense!
00:17:32no,
00:17:33Iñaki,
00:17:33which is not necessary.
00:17:34Sure?
00:17:34No,
00:17:34No,
00:17:34besides,
00:17:35look,
00:17:35better.
00:17:36That's how you are,
00:17:37Marcelita de Elaya,
00:17:38No?
00:17:38Well, that too.
00:17:39It's true.
00:17:40Come on.
00:17:48Man,
00:17:49You can also order
00:17:50change your room,
00:17:51No?
00:17:53No,
00:17:53No,
00:17:53better,
00:17:54better,
00:17:54better.
00:17:55Take the girl,
00:17:55It tickles her
00:17:56And let him laugh,
00:17:56that he laughs heartily.
00:17:57That's a sound barrier.
00:17:59fathomless.
00:18:01Hey?
00:18:03No,
00:18:03No,
00:18:03No,
00:18:04Everything's fine here.
00:18:04Carmen,
00:18:05Don't worry
00:18:05that everything is under control.
00:18:08You won't be talking
00:18:10with Carmen,
00:18:10No?
00:18:13Why does he say that?
00:18:14Yeah,
00:18:15because I know perfectly
00:18:16that awkward little smile,
00:18:17Dolores.
00:18:22Carmen,
00:18:22I'm going to attend
00:18:23Just a moment
00:18:24to a patient,
00:18:25Hey?
00:18:25Come on,
00:18:27wait,
00:18:27Don't hang up.
00:18:28Dolores,
00:18:29I ask you,
00:18:29please,
00:18:30not a word
00:18:31about you,
00:18:31not a word
00:18:32until we know
00:18:33something from the convention,
00:18:34Hey?
00:18:34Yeah,
00:18:35Yeah.
00:18:35Pain,
00:18:36dear,
00:18:36that I know
00:18:37What does it cost you?
00:18:37that costs you your life,
00:18:38But watch out for the little beak,
00:18:39we are working on it,
00:18:40Watch out for the little beak.
00:18:42Nothing about the convention,
00:18:43Hey?
00:18:44Look at me.
00:18:47Nothing about me
00:18:48nor about the convention.
00:18:53Sorry,
00:18:53Carmen,
00:18:54I'm here now.
00:18:54Hey,
00:18:55Regarding the convention,
00:18:56Do you know who
00:18:57Is he going to send it now?
00:18:59No,
00:18:59women,
00:19:00I'm telling you because
00:19:00As a friend, I think
00:19:02which would be better
00:19:03that would get rid of you
00:19:04as soon as possible,
00:19:05No?
00:19:05And things like that
00:19:05which then fester
00:19:07and...
00:19:09Come on,
00:19:10Another one for you
00:19:11and another one for the girl.
00:19:12AND...
00:19:13Yeah,
00:19:14come on,
00:19:14I love you all,
00:19:15I love you all so much.
00:19:16Bye bye,
00:19:17bye bye.
00:19:22Dolores,
00:19:24You're more of a fraud.
00:19:25that one euro
00:19:26with the face
00:19:26Popeye.
00:19:31Marching
00:19:31for the ticket
00:19:31a caramelized saloport
00:19:33and with views of the hamlet.
00:19:38Phew!
00:19:38But what does it smell like?
00:19:39This food?
00:19:40What is this?
00:19:41This is inedible.
00:19:42Let's see,
00:19:42that he be held responsible.
00:19:44The chip pops out
00:19:45He's got guts!
00:19:47And the chip pops out!
00:19:48Well, I don't have any eggs.
00:19:49But I have grapes.
00:19:50Do you want it?
00:19:51The good one or the bad one?
00:19:55What a doting face!
00:19:56You've got it.
00:19:57You are the majority
00:19:58From the wide one, right?
00:19:59I thought you'd be older.
00:20:01It's obvious you drink good wine.
00:20:03Alcohol
00:20:03It keeps you well.
00:20:05Wow!
00:20:06That?
00:20:06Have you met Arantxa?
00:20:07The girl who put
00:20:08one day here
00:20:08so that he can help me.
00:20:09Well, girl, not so much girl,
00:20:10that seems to be ending
00:20:11to go out for pleasure.
00:20:13Well, because...
00:20:13you wear it on your apron
00:20:14Otherwise...
00:20:15I was already asking you
00:20:16the "do you study or work" thing.
00:20:18I've never been one for studying.
00:20:20I always went out with my friends.
00:20:21Hey, by the way,
00:20:22You remind me a lot of them.
00:20:24They were like that, handsome,
00:20:26like you.
00:20:27Well,
00:20:28so that later they can say
00:20:29that the most women
00:20:30who are not nice.
00:20:30Look, look.
00:20:31You're not going to say the same thing
00:20:32when I beat you at mus.
00:20:33Anyway, we're talking
00:20:34A lot there too, huh?
00:20:35I'm going to work
00:20:36I'm getting overwhelmed with work.
00:20:37Sure, sure.
00:20:39And on top of that, he knows how to play mos.
00:20:41But this is not a woman.
00:20:42This is a dream.
00:20:43I'm delighted.
00:20:44It's great.
00:20:45Yeah.
00:20:45You're married too, huh?
00:20:46Don't forget.
00:20:47Not like others, huh?
00:20:48Okay, Koldo.
00:20:49I'm saying this in a professional capacity.
00:20:51In the kitchen
00:20:52I have my head
00:20:52where I need to have it.
00:20:54That's the same now.
00:20:55You should have it in there, shouldn't you?
00:20:57Damn, the panchinetas
00:20:58They fit, you're welcome!
00:21:05You are!
00:21:09You are!
00:21:11What a dog!
00:21:12Oh my God,
00:21:13But what's wrong with you?
00:21:14Already, my love?
00:21:15Have you eaten?
00:21:16Have you been drinking?
00:21:17Does he change your diaper?
00:21:18What's wrong, sweetheart?
00:21:20That?
00:21:21Do you know what's wrong with him?
00:21:22Do you know what's wrong with him?
00:21:23Because he is half Basque,
00:21:25Well, there's so much blue here,
00:21:26such good weather all of a sudden,
00:21:27because he doesn't control it.
00:21:28It's beyond him.
00:21:30What's the matter?
00:21:31What's wrong, sweetheart?
00:21:34We're so happy to be here,
00:21:35my love,
00:21:35and the trouble they're giving me.
00:21:37And the trouble they're giving me too
00:21:39that man to me
00:21:39who keeps staring.
00:21:40It makes me very uncomfortable.
00:21:42Who is it?
00:21:42That one, the one with the curls.
00:21:44You, right?
00:21:44What are you looking at?
00:21:45You look.
00:21:46Coming?
00:21:48Coming?
00:21:48Coming?
00:21:49Coming?
00:21:49Coming?
00:21:49Coming?
00:21:50Man, he's walking.
00:21:51That's it, my love,
00:21:52please.
00:21:54No, no, he's walking this way.
00:21:55Let's go, then.
00:21:56Yes, yes, my love.
00:21:58Poor thing, huh?
00:21:59Yeah.
00:21:59When they get like that
00:22:00It's distressing, isn't it?
00:22:01Sorry, okay?
00:22:02Nothing, nothing.
00:22:03How old are you?
00:22:04Man, do you think it's beautiful?
00:22:05enter a girl's city?
00:22:07I meant,
00:22:08How old is the baby girl?
00:22:10Month.
00:22:11Six.
00:22:12Clear.
00:22:13And what's its name?
00:22:15Elaya.
00:22:16Oh really?
00:22:17Yeah.
00:22:18Elaya in Galician
00:22:19It means to cry.
00:22:20Oh, yes, look.
00:22:21Oh really,
00:22:22How good it has been for him.
00:22:23She cries.
00:22:23Elaya cries.
00:22:24Cry, Elaya.
00:22:25Well, sorry,
00:22:26I am Yago.
00:22:27I, José, forgive me, okay?
00:22:28Yago.
00:22:29Yes, Carmen.
00:22:30A very busy woman
00:22:31and very overwhelmed.
00:22:32Honestly, I'm not up for this.
00:22:35Excuse me, what for?
00:22:38Is that what I'm saying?
00:22:40That?
00:22:42I approached
00:22:43in case it could help.
00:22:45Do I want to help myself?
00:22:47Do you really want to help me?
00:22:48Yeah.
00:22:49Do you know how you can help me?
00:22:51Going back the way you came.
00:22:53Look, those two girls over there
00:22:54I'm sure they'll give you more conversation than I will.
00:22:56Sorry.
00:22:57But...
00:22:57Nothing.
00:22:59Please.
00:23:00To jail.
00:23:01No?
00:23:02No?
00:23:03I know who the girl got her temper from.
00:23:05Now you find out, José.
00:23:06We've spent half our lives together.
00:23:08No, my friend,
00:23:09I'm not going to get involved in the girl's situation.
00:23:11But, little girl,
00:23:12man, relate,
00:23:12that we're on vacation.
00:23:14The man has been very kind.
00:23:16And listen to me,
00:23:17Everything was beautiful.
00:23:19He was Galician.
00:23:20What do you have?
00:23:21A magnet for people from the north
00:23:22Or what's the topic?
00:23:23He needs to relax.
00:23:25José, a little bit
00:23:26and stir things up.
00:23:27And why me?
00:23:27Look at the brunette
00:23:28that he has back there looking at you.
00:23:29Me?
00:23:29Won't he be looking at me?
00:23:31Look.
00:23:32Oh yes, me.
00:23:34She's hot, huh?
00:23:35He's not my type, he's not my type.
00:23:37Oh, no?
00:23:37And what is it that you want?
00:23:39Braspeed?
00:23:40No, she's brunette.
00:23:41Good, but more tanned.
00:23:43No?
00:23:43Yes, that's right.
00:23:44With long legs,
00:23:45long hair,
00:23:46that works in the Hispanic community
00:23:47And what do I know, my Irene.
00:23:48Oh, José,
00:23:49You need to get it out of your head.
00:23:51I know, aunt.
00:23:52I know.
00:23:53But look
00:23:54I forget things,
00:23:55Hey?
00:23:55Well, I have Irene tucked away in there.
00:23:56and the fire and here.
00:23:59Yes, yes.
00:23:59I know it, my heart,
00:24:01which must be difficult,
00:24:02But you really have to move on.
00:24:06Again?
00:24:07Is he here again?
00:24:08And it came from the pharmacy?
00:24:09Can you imagine?
00:24:10who bought a condom?
00:24:12Oh, come on...
00:24:13Sorry,
00:24:13I don't know if you have this,
00:24:14But it still helps.
00:24:15Oh really?
00:24:16I mean,
00:24:17What kind of league are these?
00:24:20It's a biter.
00:24:21For the little girl.
00:24:23Yes, I think so.
00:24:24in the middle of the teething process.
00:24:26Well,
00:24:26who is growing teeth.
00:24:27That's why,
00:24:28the crying,
00:24:28the discomforts.
00:24:31If you put it in the refrigerator,
00:24:32better.
00:24:35Thank you.
00:24:36Entire.
00:24:37Tooth says,
00:24:38My child is very small,
00:24:39My child has no teeth.
00:24:41Let it go, let it go.
00:24:42Laia.
00:24:43God.
00:24:44God, the Virgin Mary is a piranha.
00:24:45Thank you so much,
00:24:46Because you know so much about children.
00:24:49Well,
00:24:50It turns out I'm a pediatrician.
00:24:54I am a nurse.
00:24:56What a coincidence,
00:24:57No?
00:24:57Say.
00:24:58Well,
00:24:59very good.
00:25:00Nice to meet you, huh?
00:25:01And sorry again.
00:25:03Thank you.
00:25:04And sorry.
00:25:05Goodbye, Laia.
00:25:06Then...
00:25:07This can't be serious, can it?
00:25:08I don't think so.
00:25:12What a monster.
00:25:13Or he has silenced them both.
00:25:20Let's see if I can find out.
00:25:21We have bought the land
00:25:22That hick, right?
00:25:23Do you want sugar?
00:25:23Milk?
00:25:24No, what I want to know is
00:25:26Why did I ask my father
00:25:27100,000 euros
00:25:27If the land is worth 12?
00:25:29Let's see, Christopher,
00:25:30You're a businessman, aren't you?
00:25:31I don't have to explain it to you.
00:25:32which means
00:25:33the percentage
00:25:34for management expenses.
00:25:35You don't have to explain anything to me.
00:25:36man,
00:25:36That's as far as I go, okay?
00:25:37But every business
00:25:38It has its benefits
00:25:39And I say that mine...
00:25:40Yours
00:25:41It will come in due time.
00:25:42This little bit of money
00:25:43It's for the councilman,
00:25:43because of the permits...
00:25:45Yes, and for the expenses.
00:25:45I know about management.
00:25:47And this other one here...
00:25:48And this one, this one here
00:25:49It's the one that corresponds to me
00:25:50for being the driving force
00:25:51of the idea
00:25:52and the contact manager
00:25:53without which
00:25:54All of this would be impossible.
00:25:56But be careful,
00:25:57which is coming now
00:25:57what interests you.
00:25:58After the meeting
00:25:59tomorrow
00:25:59We can sell your land
00:26:01for much more money
00:26:01And that's when
00:26:02enter your benefit.
00:26:04Discounting my share, of course.
00:26:05Already.
00:26:06And that pile?
00:26:11You're kidding, right?
00:26:14To a businessman
00:26:15like you
00:26:16I'm going to have to explain it to him.
00:26:17What is this for?
00:26:19Tell me I don't have it.
00:26:20that explain.
00:26:21You don't have to explain anything.
00:26:23please.
00:26:24Who do you think you are?
00:26:25I was born yesterday
00:26:25He has to explain.
00:26:26What a fright!
00:26:28So, do we agree?
00:26:29No?
00:26:29Yeah.
00:26:29Okay, I'm coming now.
00:26:30for a spare.
00:26:31Okay, I've got you.
00:26:32Ana, drink your coffee.
00:26:42Ah, look, this one.
00:26:43It will work.
00:26:46Where will the meeting be held?
00:26:47As?
00:26:48No, no, you're not coming.
00:26:50What do you mean, no, man?
00:26:51I have to go.
00:26:52I have to go.
00:26:53The councilman
00:26:54He needs to know well
00:26:54to the businessman
00:26:55with whom he deals.
00:26:56Maybe he'll invite me
00:26:57to the golf club.
00:26:57No way, Christopher,
00:26:58which is better than this
00:26:58I took it.
00:26:59And then...
00:27:00Let's see, let's see.
00:27:02I'll put up the money.
00:27:04I'll take the fall.
00:27:08Okay, but...
00:27:08Okay, but put it in the envelope.
00:27:10No, no, no, no.
00:27:18Hey, and why?
00:27:19Aren't we staying at the buffet today?
00:27:20And if we don't like it,
00:27:21Well, maybe another day.
00:27:22Let's go to the grill.
00:27:23Come on, there are no days.
00:27:24Oh, look, daughter,
00:27:25I assure you that at the buffet
00:27:26They're not going to put you
00:27:27the great wine
00:27:28that they're going to put you there.
00:27:29You'll see,
00:27:30They're going to jump out at you
00:27:31the tears.
00:27:34It's jumping up on me
00:27:35Just thinking about the bill.
00:27:36He said a great wine.
00:27:37That looks like it.
00:27:38of being extremely expensive.
00:27:39They're so delicious
00:27:39the harvesters, Diego.
00:27:40Okay, don't worry.
00:27:41And pretend, huh?
00:27:42Oh, oh, oh.
00:27:43Fuck.
00:27:44But what a custom.
00:27:45Oh, what a coincidence!
00:27:46Are you going there to eat?
00:27:47Well, I don't know anymore.
00:27:48Because I might eat it too.
00:27:49this little thing.
00:27:50What wine?
00:27:50As?
00:27:51Come on, yes,
00:27:52Let's all go together,
00:27:52Let's all go together,
00:27:53who is a felibre,
00:27:53we can take
00:27:54all the dishes we want,
00:27:55You can have seconds of dessert.
00:27:56Well, thank you very much, son.
00:27:57But we've made a reservation.
00:27:58in the hotel's brazier
00:27:59for the four of them.
00:28:00Wow, they seem to have
00:28:01a chef who takes your breath away.
00:28:02Yes, just like the prices.
00:28:05Oh, well I would love that
00:28:06that we go out to eat
00:28:07all together.
00:28:08Will there be time?
00:28:08of going to the farm?
00:28:09No, no, but you kiss.
00:28:10You can, right?
00:28:10Look, I live coming
00:28:12here a ton of years
00:28:13And I haven't even smelled it, come on.
00:28:14Well, I smelled it,
00:28:14but from outside.
00:28:16So that he doesn't see,
00:28:16Just walk by and don't look.
00:28:17Well, the time has come.
00:28:19Oh, sorry,
00:28:20that the sections
00:28:20entertaining.
00:28:21No, no, no,
00:28:22come with us.
00:28:27Oh no,
00:28:28No, also
00:28:29and they screw you over.
00:28:30that they see you
00:28:30with the leg hanging off.
00:28:32But if you're invited,
00:28:33No, man.
00:28:34Well, I mean,
00:28:35yes to those present
00:28:36They don't care.
00:28:38No, no, no,
00:28:39no problem.
00:28:40Man, paying for cleavage
00:28:41What difference does 20 euros make?
00:28:42or 30 or 40 more.
00:28:44If that's not enough
00:28:45not even for a manicure,
00:28:47Huh, Sabi, right?
00:28:48Okay, then,
00:28:49That's all there is to it.
00:28:50Yes indeed,
00:28:50those farms
00:28:51of the written
00:28:51They won't let you in, huh?
00:28:52Well, for eating there
00:28:53I'm even capable of going barefoot.
00:28:55You don't mind, do you, Carmen?
00:28:56And why?
00:28:57Do you have beautiful feet?
00:28:59Come with us.
00:29:00No no,
00:29:01thank you so much,
00:29:02but not.
00:29:03I'm going to eat
00:29:03with Iñaki and Gozones
00:29:04So nice, huh?
00:29:06We're going too.
00:29:07Let's go.
00:29:09Come on,
00:29:10Take advantage.
00:29:11Oh, aunt,
00:29:12precious love.
00:29:16If I tell Carmen
00:29:18Celia's thing,
00:29:18I am betraying
00:29:20to the person
00:29:20that I love the most.
00:29:21But the thing is
00:29:21if I don't tell him
00:29:22I am betraying
00:29:23to my best friend
00:29:24And I don't know what to do anymore.
00:29:25Well, I do.
00:29:26be still
00:29:26that I can't fix your dress.
00:29:28Definitely with you
00:29:28There's nothing more to say
00:29:29of Couplet
00:29:30and Pataki's husband.
00:29:31It's because Pataki's husband
00:29:32My dear, it's ready to take
00:29:33bread and dip.
00:29:34My God,
00:29:35What a pair we are, huh?
00:29:36Oh, if only Grandma could!
00:29:37raise your head
00:29:38he was dying again
00:29:39but from the fright.
00:29:40Well, it would be because of yours.
00:29:41because he gave me gifts
00:29:42a Nancy doll
00:29:42every Christmas.
00:29:43It's true.
00:29:44Let's see,
00:29:45what you have to do
00:29:46It's telling Celia
00:29:48that Trini
00:29:49He forced you to act as a mole
00:29:50to Sibela
00:29:51to the bad mood she has
00:29:52and does not accept the offer.
00:29:53Can't
00:29:54Because if Celia finds out
00:29:55that I betrayed
00:29:56so to Carmen
00:29:57He gets angry with me.
00:29:58Well,
00:29:58and for not trusting her
00:29:59to tell him.
00:30:00That is also true
00:30:00because she's the worst
00:30:01that it carries in people
00:30:02which cannot be trusted.
00:30:03Little girl,
00:30:04Well, don't tell Carmen.
00:30:05Can't!
00:30:06Can't!
00:30:07Because if Carmen
00:30:08She doesn't send her to the convention
00:30:09Celia will go to the flowers.
00:30:11Carmen will find out everything
00:30:12And I'm going to stay.
00:30:13single.
00:30:14And headless
00:30:15You're going to stay.
00:30:15Let's see.
00:30:16If Carmen catches Celia
00:30:18Celia is staying, right?
00:30:19Yeah.
00:30:20Well, help Carmen
00:30:21to catch her.
00:30:23Surprisingly
00:30:23You haven't said anything stupid.
00:30:25I'll take your idea.
00:30:26Come on,
00:30:26I'll take the bass guitar for you.
00:30:27No, no, no, no.
00:30:27This was an excuse.
00:30:28to see you a little bit
00:30:29and open a...
00:30:30Oh!
00:30:31Goodbye, I'm leaving.
00:30:32Bye bye.
00:30:35Oh!
00:30:36That's great, my love!
00:30:38Excellent!
00:30:39Well, then...
00:30:41It looks really good.
00:30:42Cod, right?
00:30:43Ah, it's...
00:30:44It's tuna.
00:30:46Ah!
00:30:49Hey, well, it's turned out
00:30:51Very good afternoon, isn't it?
00:30:52I mean, I'm saying
00:30:53It seems unbelievable.
00:30:53that it happens so many days in a row
00:30:56Well...
00:30:56Iñaki, please.
00:30:58This is Andalusia, darling.
00:31:00There is light here.
00:31:03Charlemagne!
00:31:04Charlemagne,
00:31:05Come here right now!
00:31:08Did he really say...?
00:31:09Charlemagne!
00:31:11He said it, didn't he?
00:31:12Yes, yes, yes.
00:31:13Carlos said.
00:31:13Do you remember Charlemagne?
00:31:14No, no, man, no.
00:31:15To name a child...
00:31:17No.
00:31:17That's why they put it there...
00:31:18No, no, no, no, no.
00:31:19I don't know that, I don't know that.
00:31:20You remember Charlemagne, right?
00:31:21Please remind me.
00:31:23That was a circus.
00:31:24It was a disguise.
00:31:25No, no, almost.
00:31:27Almost, almost.
00:31:27Okay, I had
00:31:28to declare to Carmen.
00:31:29And for following the advice
00:31:31from your brother...
00:31:36Let's see,
00:31:36What did the boy do?
00:31:37Dress from head to toe
00:31:39of Andalusian
00:31:39with pajín
00:31:40with the leftover bastard.
00:31:44What a barbecue!
00:31:45Oh my God, oh my God!
00:31:47Oh, what a rascal!
00:31:47And what was the horse's name?
00:31:49Charlemagne!
00:31:50My ass, my ass still hurts.
00:31:52My heart ached
00:31:54To put it mildly,
00:31:55from laughing.
00:31:56But it worked, didn't it?
00:31:57That's what love is all about, isn't it?
00:32:01Love that existed
00:32:02And then he left, right?
00:32:08Anyway, one...
00:32:10an anecdote.
00:32:13It was tuna, wasn't it?
00:32:14With tomato.
00:32:18And let the party begin!
00:32:19that we go to that restaurant
00:32:20And all of it, what for?
00:32:21What for?
00:32:22What a rip-off!
00:32:23"A rip-off," he says.
00:32:25Hack!
00:32:25You know, there have been
00:32:26what they charged us
00:32:27Just for the bread?
00:32:28More than five euros.
00:32:30That's all I need.
00:32:30to buy bread in donuts
00:32:31and all week.
00:32:32I think it was a bad idea.
00:32:33That thing about wearing low-cut tops, really.
00:32:35Damn, they really don't hold back.
00:32:36you are welcome.
00:32:37And the other one?
00:32:38First, some prawns
00:32:39And then you bring us some barnacles
00:32:40And some wafers, man,
00:32:41please.
00:32:42How could I not pay it?
00:32:43He didn't even leave a tip.
00:32:44fuck.
00:32:45I just don't know
00:32:46where to keep the money
00:32:46and be that he has taken
00:32:47from the sale of the land.
00:32:49That's what I say,
00:32:49It does look like they've shrunk.
00:32:50the arms
00:32:51and they don't even reach his pocket.
00:32:52Well, like every day
00:32:53be so,
00:32:54I'm telling you,
00:32:54We pay for our pension plan.
00:32:56Well, Abino,
00:32:56We can't afford that, can we?
00:32:58Well, tell that to your little sister.
00:32:59And what am I going to say to him?
00:33:01What do you want,
00:33:01that we remain as
00:33:02The poor people in the family?
00:33:03Not at all.
00:33:04What we do tomorrow
00:33:05It's you and me booking before
00:33:06in a cheap place
00:33:07And that's it.
00:33:07Okay, then.
00:33:08because my card is shaking.
00:33:10By the way,
00:33:11How does it repeat itself to me?
00:33:11Canary pâté?
00:33:13Well, look,
00:33:13considering what it cost,
00:33:14That way you can savor it twice.
00:33:17Okay.
00:33:20Okay, they're wanted.
00:33:21I have, I carry.
00:33:22Me too.
00:33:23Yeah.
00:33:25Who will he hit?
00:33:26Passed.
00:33:27On video?
00:33:28Not me.
00:33:29Well, I'll pass.
00:33:31He went away,
00:33:31I don't have anything.
00:33:32Come with four,
00:33:33five to go.
00:33:33We're already inside.
00:33:34Pass by.
00:33:35And do I have a game?
00:33:36I don't have the game.
00:33:37He took?
00:33:37Have.
00:33:38Does the coworker hit?
00:33:40Envidín.
00:33:43What I do?
00:33:44Will you know?
00:33:45Tomas winks.
00:33:46No,
00:33:47It was time, my face was itching.
00:33:48Oh well,
00:33:49I'm doing well.
00:33:50Four identical cards.
00:33:52That's for pairs.
00:33:53They are doubles.
00:33:53Arantxa,
00:33:54Now then...
00:33:55She tells me she's gone
00:33:55three dates,
00:33:56Sanchona.
00:33:56This is a game,
00:33:57It's for enjoyment.
00:33:58No?
00:33:59Didn't you say
00:33:59Did you know how to play?
00:34:00Yeah,
00:34:01but as a child,
00:34:02when there was no class.
00:34:02Well,
00:34:03Well, that's what I'm asking you for.
00:34:04your heart.
00:34:05Go, go, go,
00:34:05I'm getting heated.
00:34:06Five more.
00:34:07In what?
00:34:08It's coming out,
00:34:09with five.
00:34:10What do you have?
00:34:10No, no, no.
00:34:11Let's see, let's see, let's see.
00:34:11Rascal,
00:34:12what do you have?
00:34:13Tell me.
00:34:13Thirty-two.
00:34:14But what do you want?
00:34:15I said that he has four of them,
00:34:16It's already done.
00:34:16Come on.
00:34:17We want it!
00:34:18Sign.
00:34:18There it is.
00:34:20I see it.
00:34:22There it is.
00:34:22And I'll show them to you.
00:34:23Hey?
00:34:24Thirty-one!
00:34:28Did he say four of a kind?
00:34:29It's a game,
00:34:30It's for having a good time.
00:34:31And for the wines
00:34:32They're not running for that victory,
00:34:33I'm going to dedicate this to you
00:34:34the jack of euros.
00:34:35So that you remember
00:34:35the night we had five
00:34:37and we rocked it.
00:34:39One minute.
00:34:39Okay, Jackie!
00:34:45Hey,
00:34:46You and I make a good couple,
00:34:48Hey?
00:34:48What a woman!
00:35:12Hello,
00:35:13good morning.
00:35:14Hello.
00:35:14Jesus,
00:35:15girl,
00:35:15How long did it take you?
00:35:16What's happening?
00:35:17Are you constipated?
00:35:17Fixed,
00:35:18you already know,
00:35:18the changes
00:35:19They look terrible on her.
00:35:20Besides,
00:35:21We've also been through reception.
00:35:22to ask
00:35:23which is the best place
00:35:24for lunch today.
00:35:25We have been told
00:35:25the beach bar
00:35:26the pigeon.
00:35:27I'll cook it myself
00:35:28And I'll eat it.
00:35:30If also
00:35:30We had arranged to meet today.
00:35:31to go to Brasilia.
00:35:33Yes, yes.
00:35:33Already,
00:35:33But I say
00:35:33that once arrived
00:35:34to Malaga,
00:35:35well,
00:35:35I don't know,
00:35:35the interesting thing
00:35:36It's about mingling with people,
00:35:37try the typical dishes,
00:35:39I don't know.
00:35:39Clear,
00:35:40They also told us
00:35:41that this beach bar
00:35:42It's like the arzan
00:35:43of the sardine skewers.
00:35:44Sardines?
00:35:45Yes, man.
00:35:45We're going to leave the house
00:35:46to eat sardines,
00:35:47having them with sweet salt.
00:35:49Already,
00:35:49But these are different.
00:35:50because they demand them of you.
00:35:50on a stick
00:35:51or they demand them from you...
00:35:51Hey, hey!
00:35:53Here you are
00:35:53They were already looking
00:35:58My cousin fixes a mile for him.
00:36:00Oh,
00:36:00And why don't you ask him?
00:36:01your cousin
00:36:01If this is the place,
00:36:02What was his name?
00:36:02The Dove.
00:36:03The Dove.
00:36:03It's the best place
00:36:04to try the espetos.
00:36:06Yes, man.
00:36:06The Dove has all the fame
00:36:08to see this one about the sardine
00:36:09it has,
00:36:09I'm telling you,
00:36:10This is for the foreigners.
00:36:10I'm going to take you to a place
00:36:11I'm going to blow your minds,
00:36:12I'm getting married.
00:36:13But,
00:36:13What's the need?
00:36:15Hey,
00:36:16that already,
00:36:16Don't leave my land
00:36:17without paying you for some skewers,
00:36:19No?
00:36:19Clear.
00:36:20You're right about that.
00:36:21It's as if
00:36:22He comes from San Sebastián
00:36:23without having eaten
00:36:23a good ribeye steak.
00:36:25Hey,
00:36:26This is what will happen
00:36:26very cheap
00:36:27to invite me,
00:36:27You'll see.
00:36:28Ah,
00:36:28but,
00:36:29We need to invite you.
00:36:30Let's see,
00:36:31I'm not going to put
00:36:31when it comes to money
00:36:32of more unpleasant things.
00:36:34Let's go there,
00:36:34spend a good while with me
00:36:35and then we'll see.
00:36:36Hey?
00:36:37Come on.
00:36:37Dear,
00:36:38Sardines are oily fish.
00:36:39And?
00:36:40Well, it's cheaper.
00:36:45Well,
00:36:45Well, nothing.
00:36:46We'll have to go eat
00:36:47Those sardines from...
00:36:50Respect, affection,
00:36:51with all due respect.
00:36:52Yes, yes.
00:37:00Opa.
00:37:01Opa,
00:37:01opa,
00:37:02John,
00:37:02what's happening?
00:37:03Where are you going?
00:37:04Uh, no,
00:37:04I'm here
00:37:05cooking pretty.
00:37:06Beautiful,
00:37:07more for cooking nicely,
00:37:09No?
00:37:09And that's what I'll say.
00:37:10I've done something to you too,
00:37:11No?
00:37:11Because you seem
00:37:11a banker
00:37:12that he is going to declare.
00:37:13Let's see,
00:37:13I need to take care of my appearance,
00:37:14I am the new face of Calla.
00:37:16Ah,
00:37:16sorry,
00:37:16clear,
00:37:17that you do this
00:37:18by Iñaki.
00:37:18We thought
00:37:19that you might have done it
00:37:20by Arancha,
00:37:20What nonsense.
00:37:23Especially afterwards
00:37:23about what happened in Seville.
00:37:24Coldo,
00:37:25What happened in Seville...
00:37:25He's staying in Seville.
00:37:26Yeah,
00:37:27But it was difficult for me
00:37:27a divorce.
00:37:28What do you want?
00:37:28Will yours be next?
00:37:29You're telling me that.
00:37:30that you've been fumigated
00:37:31with cologne.
00:37:32Sorry?
00:37:32Let's see,
00:37:33Coldo,
00:37:33I'll light my lighter now
00:37:34and we all flew.
00:37:35Okay, okay,
00:37:36Okay, okay,
00:37:37that's it.
00:37:37Peace be with you.
00:37:38Hey?
00:37:39Hey,
00:37:40Pius,
00:37:40What are you doing with the jacket?
00:37:41of weddings?
00:37:41Are two seals getting married?
00:37:42in the aquarium?
00:37:45Sorry, huh?
00:37:46Sapa, damn it.
00:37:47I had to go to the workshop
00:37:48to leave the car.
00:37:49Oh,
00:37:50But how elegant!
00:37:52Let's see if it stops you
00:37:52the sows
00:37:53for provoking.
00:37:55Oh,
00:37:55Aunt Anchón
00:37:56You're missing your tie.
00:37:57to be a poster
00:37:58of half a tuchi.
00:37:59Well, the first thing I grabbed
00:38:00to get out of the shower.
00:38:03Oh,
00:38:03I love it.
00:38:04I love how it smells.
00:38:06No,
00:38:06That's me.
00:38:07It is a Belgian colony
00:38:09strange,
00:38:10very expensive.
00:38:10Ah,
00:38:11So tell me,
00:38:11what's it called?
00:38:12I'll give it to her now.
00:38:12Whom?
00:38:13Who should I give it to?
00:38:13No,
00:38:13I mean,
00:38:14whom?
00:38:14To my brother,
00:38:15which is a birthday.
00:38:16Hey,
00:38:16I'm going inside
00:38:17that I have to prepare.
00:38:19What a woman.
00:38:21Let's see,
00:38:21I'm really excited about it.
00:38:22that he has siblings,
00:38:23Coat.
00:38:23The Life of an Only Child
00:38:24It's very complicated.
00:38:37My God,
00:38:38how many people
00:38:39and so many tourists.
00:38:40It looks like San Fermín
00:38:41This is it.
00:38:42Hey,
00:38:43Well, let's take advantage of it.
00:38:44No?
00:38:44Because that way we will have
00:38:44the swimming pool
00:38:45for our own.
00:38:46Okay.
00:38:48Oh,
00:38:48hang on a minute,
00:38:49look,
00:38:49Carmen and José are there.
00:38:50with the child.
00:38:50Let's meet.
00:38:51Look,
00:38:52I hadn't seen it.
00:38:55Little drawer!
00:38:56What's happening?
00:38:57Little drawer!
00:38:58Little drawer!
00:38:58Little drawer!
00:38:58Little drawer!
00:38:59Little drawer!
00:39:00Little drawer!
00:39:00Little drawer!
00:39:01A chicken with one leg!
00:39:03Chicken with the other leg!
00:39:05Chicken with a wing!
00:39:07Chicken with the tail on!
00:39:09Look,
00:39:09that I've had, handsome
00:39:10with the father
00:39:11that with the girl.
00:39:11Such a nice couple
00:39:12He's coming too
00:39:13to play with us.
00:39:14Baby,
00:39:14no no,
00:39:15We are not a couple.
00:39:16Oh,
00:39:17sorry,
00:39:17as I had seen
00:39:18with the girl
00:39:18well I was thinking
00:39:19who was his father.
00:39:20Your father,
00:39:21Yeah.
00:39:21But haven't you
00:39:22Did you come as a couple?
00:39:22I do,
00:39:23Not her.
00:39:25Oh,
00:39:25My God,
00:39:25What a mess with polyamory,
00:39:26really.
00:39:27Well,
00:39:27that this is a game
00:39:28and we are family
00:39:28And you're a dad,
00:39:29mother and daughter.
00:39:30So come and play.
00:39:32But with the girl
00:39:32I can't play,
00:39:33No?
00:39:33Don't worry about that,
00:39:35that I right now
00:39:35I called my colleague
00:39:36and takes care of the girl.
00:39:37Wait.
00:39:38Tamara!
00:39:39Oh,
00:39:40Tamara,
00:39:40He likes Tamara,
00:39:41Hey?
00:39:41Are you with someone?
00:39:42Tamara,
00:39:43Take care of her,
00:39:43please.
00:39:43Yeah,
00:39:43that we have already lost
00:39:44the ticket,
00:39:44Hey?
00:39:45Come on,
00:39:46let's Play.
00:39:47Come on,
00:39:48Let's play.
00:39:48Let's play.
00:39:50Okay.
00:39:51I hope you
00:39:52You deliver us,
00:39:53Hey?
00:39:53The more of us there are,
00:39:55more fun.
00:39:55Sorry,
00:39:56lovely,
00:39:57Do you mind if I...?
00:39:58No, no, no,
00:39:59all yours,
00:39:59Go ahead, go ahead.
00:40:00No,
00:40:00me neither.
00:40:01Me, me...
00:40:03Yeah,
00:40:04Yeah,
00:40:04Yeah.
00:40:05Yeah,
00:40:05come on,
00:40:06come on.
00:40:06Come on,
00:40:07come on.
00:40:07Come on,
00:40:08Let's play orange.
00:40:09Come on,
00:40:09a bit,
00:40:09load.
00:40:10Oh,
00:40:10the oranges,
00:40:11I like citrus fruits
00:40:11They keep repeating themselves,
00:40:12Hey?
00:40:12But that won't happen to you with me.
00:40:13kid,
00:40:14that I am very sweet.
00:40:16Well,
00:40:17This game is very simple,
00:40:18It's about dancing
00:40:19without spoiling the orange,
00:40:20Hey?
00:40:20How do we do it?
00:40:21Shut up,
00:40:21kid,
00:40:22that I will teach you.
00:40:23Come here.
00:40:23Look how handsome I am,
00:40:26Mommy,
00:40:26if you look like
00:40:27to a Calian chodo.
00:40:29Look how much more expensive it is, beautiful.
00:40:30Take this way,
00:40:31lovely.
00:40:32Please,
00:40:33This is the first time
00:40:34I'm playing this game,
00:40:34Okay?
00:40:35This is hilarious!
00:40:36What are we going to do?
00:40:37wonderfully.
00:40:38Come on,
00:40:38come on.
00:40:39This is like...
00:40:40Don't know.
00:40:40What's that?
00:40:41And those little bodies
00:40:42how they move,
00:40:43That I'm not going to move them?
00:40:44Come on!
00:40:45The little breasts!
00:40:46Those little butts!
00:40:47Come on, come on!
00:40:48That's how I like to arrive
00:40:49Let's see the threads.
00:40:50Come on, come on!
00:40:52Hey,
00:40:52if up close
00:40:53They have little eyes
00:40:54even more beautiful.
00:40:55The mobo,
00:40:56who will see me now
00:40:56one the hand
00:40:57that's going to get inside me
00:40:57an orange on the bull.
00:40:59Forgive the caperina,
00:41:00But I'm not interested.
00:41:00but let it fall.
00:41:01Don't make me laugh!
00:41:02that the dust would soak through!
00:41:03Come on, come on, come on!
00:41:05Come on!
00:41:05So?
00:41:07So?
00:41:07Kid!
00:41:08Wow!
00:41:08A little body!
00:41:09It's not worth it!
00:41:10tell me
00:41:10who are on vacation
00:41:11to this little chest,
00:41:12Look at this little butt!
00:41:13Come on, come on!
00:41:14I'm holding on tight!
00:41:15Yes, yes, I like it!
00:41:16I'm holding on tight!
00:41:16I'm holding on tight!
00:41:22Let's see,
00:41:23It's not like there's any need to get so worked up.
00:41:25No, I'm not yelling at you.
00:41:26And if I yell at you
00:41:27It's because you're yelling at me.
00:41:28you to me.
00:41:29That hasn't happened
00:41:31nothing.
00:41:32Look,
00:41:32Do you know what I'm going to do?
00:41:33I'm going to call him right now.
00:41:34to Pedro Almodóvar
00:41:35so that the movie can be filmed for you
00:41:37What are you getting yourself into, girl?
00:41:38I mean, it's just that...
00:41:38Come on!
00:41:45And so?
00:41:46Well, that's it.
00:41:47but...
00:41:47Shots are allowed!
00:41:49What's happening?
00:41:52Not there.
00:41:53For once she does the washing machine
00:41:54has found it in my pants
00:41:56the letter.
00:41:57Which letter?
00:41:58Oh, he signed it...
00:42:02Which?
00:42:02The one from...
00:42:03So you remember
00:42:03from when we played five
00:42:04And we rocked it?
00:42:08That?
00:42:08Uh...
00:42:09Well, watch out!
00:42:10Hey?
00:42:11Come on, stop talking nonsense.
00:42:12I?
00:42:12Well, if I do less
00:42:13that the defense of the real.
00:42:14Come on, wide,
00:42:15Don't be serious,
00:42:16that you have a smile
00:42:16very pretty.
00:42:19What a woman!
00:42:26Look, shark,
00:42:28concentrate.
00:42:28if we win
00:42:29if we win
00:42:30I'm going to invite you
00:42:31to a small drink.
00:42:32Oh!
00:42:32And if not, that's fine too.
00:42:34Oh!
00:42:34Then you'll definitely get a drink, right?
00:42:36Hey?
00:42:37Oops!
00:42:38It's falling down!
00:42:38It's falling down!
00:42:38It's falling down!
00:42:39Irene is coming here!
00:42:40who always says
00:42:41Don't play with your food!
00:42:43Irene again?
00:42:45Look, kid,
00:42:46I've got you!
00:42:48Well, now we have
00:42:49winning couple,
00:42:50The happy family!
00:42:51A big round of applause for her!
00:42:58The girl was pretty,
00:42:59but never
00:43:00So you lose badly, huh?
00:43:01Hey,
00:43:02And pigs?
00:43:02Have you seen it?
00:43:04I wanted to tell you,
00:43:05Tonight we're going to the port,
00:43:07Are you in?
00:43:07Well, I'd love to.
00:43:09Yeah?
00:43:09Of course,
00:43:09Let's celebrate the victory, shall we?
00:43:11That's great, yes!
00:43:11Well, nothing.
00:43:12I'll look for you later.
00:43:13Okay.
00:43:13Goodbye.
00:43:14Goodbye.
00:43:15Come on.
00:43:17Are you in?
00:43:19What do you want?
00:43:20What are you spitting on?
00:43:21I don't know,
00:43:22an invitation,
00:43:24No?
00:43:24Any.
00:43:25Come on,
00:43:25let's fight
00:43:25that we stink.
00:43:27Clear.
00:43:27Hi!
00:43:28Hello.
00:43:28Hello.
00:43:29Hey,
00:43:30Well,
00:43:32sorry.
00:43:33Excuse me, why?
00:43:34If it's a lucky encounter.
00:43:35Well,
00:43:36Sorry for today.
00:43:37and therefore,
00:43:38Well,
00:43:39yesterday I was very rude.
00:43:40Don't worry, it's the least bad thing.
00:43:41Perhaps I was a bit inappropriate too,
00:43:44No?
00:43:44Invasive.
00:43:45No,
00:43:45No.
00:43:46No,
00:43:46besides,
00:43:46from the emergency room,
00:43:47George Clooney did a lot of damage,
00:43:48Now pediatricians have a very bad reputation.
00:43:51Ah.
00:43:52You didn't see the emergency room,
00:43:53TRUE?
00:43:53No,
00:43:54That's not true.
00:43:54Hey,
00:43:55How are you feeling tonight?
00:43:55For a drink or for dinner?
00:43:57Today?
00:43:58Yeah.
00:43:58I've arranged to meet,
00:43:59I'm sorry.
00:44:01Ah,
00:44:01You see,
00:44:01again,
00:44:02How inappropriate to be here with your boyfriend, so calm.
00:44:04No,
00:44:04No,
00:44:04No,
00:44:05No,
00:44:05Not us,
00:44:06we are nothing more than friends,
00:44:07Hey?
00:44:07Yeah.
00:44:08A very good friend and a very good friend.
00:44:09But I have plans today.
00:44:10Well,
00:44:11well,
00:44:11well,
00:44:12well,
00:44:12So we'll postpone it.
00:44:14It would be bad if we didn't see each other again.
00:44:15No?
00:44:15Yeah.
00:44:16How's the recolinha?
00:44:18Very good.
00:44:19Thank you.
00:44:19Glad to hear it.
00:44:22Come on.
00:44:25How's the little corner?
00:44:38My God,
00:44:38González, I've gone crazy looking for you in the hotel.
00:44:42What are you doing here?
00:44:43Wouldn't you rather be in the pool?
00:44:46You see,
00:44:47counting the waves.
00:44:53Already,
00:44:54Okay,
00:44:54You're angry,
00:44:55No?
00:44:56Come on,
00:44:56Gochone,
00:44:57please,
00:44:57that it was just a silly game,
00:44:58Go on.
00:45:00Will you forgive me if I tell you that we have won?
00:45:03And to celebrate, we'll all go out for dinner together at the port?
00:45:06That?
00:45:07Shall we all go out for dinner at the port together?
00:45:08I can't believe it.
00:45:10I mean,
00:45:10which is the last night
00:45:12And I was thinking we were going to have dinner together, you and I.
00:45:16Man,
00:45:17together,
00:45:17We'll be together.
00:45:18Alone,
00:45:19Iñaki,
00:45:20I mean alone.
00:45:22Look,
00:45:25I don't think it was a good idea.
00:45:27Añaki.
00:45:28I don't know what I'm doing.
00:45:44But what are you doing?
00:45:46Chicken soup,
00:45:46I'm not telling you.
00:45:47Let's see,
00:45:48Gochone,
00:45:48Listen to me.
00:45:51Gochone,
00:45:51please,
00:45:52Listen to me.
00:45:58Don't wrinkle it,
00:45:59which is for return.
00:46:01Look,
00:46:02I'm just asking you to listen to me for a moment,
00:46:04Okay,
00:46:04Gochone?
00:46:05And if after this you still want to leave,
00:46:07I will personally accompany you to the airport.
00:46:09we are?
00:46:12Okay,
00:46:12But hurry,
00:46:13that a plane leaves in two hours.
00:46:15Gochone,
00:46:16I'm sorry,
00:46:17Okay?
00:46:17I'm sorry for everything that's happened.
00:46:19He was right,
00:46:21We should have gone somewhere else.
00:46:23you and I.
00:46:24Añaki,
00:46:25That's not what I meant.
00:46:28You don't realize it,
00:46:30But between Carmen and you,
00:46:33Is there still anything?
00:46:36Well yes,
00:46:37Of course there's something.
00:46:38Gochone,
00:46:39We have been husband and wife.
00:46:40We're separated,
00:46:41We're getting along well.
00:46:43We are friends.
00:46:46But right now,
00:46:48the only thing between Carmen and me
00:46:51It is the beech tree.
00:46:55Yeah.
00:46:57We have a daughter
00:46:58and a lot of memories.
00:47:02Instead,
00:47:02you and I
00:47:04We have a whole life ahead of us.
00:47:07A life that I
00:47:10I want to live with you
00:47:11and with no one else.
00:47:13If you make it clear to me.
00:47:20How nerdy are you?
00:47:24That's a yes.
00:47:32Let's see,
00:47:33let me see,
00:47:34that I haven't seen properly before.
00:47:37Don't even dream about it.
00:47:38That
00:47:39He's going back.
00:47:41Well,
00:47:41Let's see if you think the same.
00:47:43after we get back from dinner.
00:47:45You and I.
00:47:46Alone.
00:47:56Dolores,
00:47:57I knew something would happen.
00:47:58Tell me.
00:47:58No, little girl,
00:47:59that nothing has happened.
00:48:00Peaceful.
00:48:00So why are they calling me?
00:48:02We'll have to start giving notice now.
00:48:03to the doctor
00:48:04that you choose
00:48:05that he goes there
00:48:05to the medical convention
00:48:06or medical,
00:48:07Hey?
00:48:07Mostly because
00:48:09the agenda
00:48:09and for organizing it.
00:48:11Know?
00:48:11I don't have time here.
00:48:12you are welcome,
00:48:13Dolores.
00:48:13This is all the time
00:48:14doing activities.
00:48:15It is one,
00:48:15a yencana.
00:48:16Already,
00:48:17Well,
00:48:17Well, when I find a little opening
00:48:19and if he accepts me
00:48:20a piece of advice
00:48:21from woman to woman,
00:48:23Remember parity.
00:48:24Yes, yes,
00:48:24I'll keep that in mind.
00:48:26And speaking of girls,
00:48:27a very strong kiss
00:48:28From Celia.
00:48:29You have to see it
00:48:30how Celia works,
00:48:31Hey?
00:48:31All,
00:48:32We work very hard.
00:48:33No,
00:48:33but she even more,
00:48:34her more.
00:48:35Forgive me,
00:48:35Dolores,
00:48:36But are you trying
00:48:37favor Celia?
00:48:38No.
00:48:39Yeah,
00:48:39No, please.
00:48:40You are the director,
00:48:41but if for a case
00:48:42it occurred to you
00:48:43choose Celia,
00:48:45well maybe
00:48:45she would feel
00:48:47most valued.
00:48:48Did she tell you?
00:48:49Does she not feel valued?
00:48:51No, no, no,
00:48:52No,
00:48:52This is my own doing,
00:48:53I'm doing this myself,
00:48:55that I am speaking for her.
00:48:56But come on,
00:48:57I've already said it,
00:48:58that you are the director.
00:48:59Yeah,
00:49:00precisely because I
00:49:00I am the director,
00:49:01favoritism,
00:49:02in my clinic,
00:49:02I don't want to.
00:49:04Understood?
00:49:05Super-understanding.
00:49:07Short and sweet.
00:49:14Calamarito,
00:49:15Malaga prawn.
00:49:17They're snatched right out of my hands.
00:49:18No, no, no,
00:49:19Don't let them take them away from you.
00:49:19here,
00:49:19Set it here,
00:49:20monster,
00:49:20machine.
00:49:21The prawn,
00:49:21the little squid
00:49:22They want me to take it.
00:49:23No, man,
00:49:23No.
00:49:24But what a fixation!
00:49:25You have to, man.
00:49:25with the prawns,
00:49:26You've already had six plates.
00:49:27Well,
00:49:27you think
00:49:28with what we're going to pay
00:49:29For all these reasons
00:49:29the Abrasserian
00:49:30would not have been achieved
00:49:30not even for bread.
00:49:31Well,
00:49:32that?
00:49:32Are you liking the place or not?
00:49:34It's authentic,
00:49:34authentic,
00:49:35Hey?
00:49:35That?
00:49:36Brilliant,
00:49:37It's great!
00:49:37And everything was delicious.
00:49:39Man,
00:49:39if it were a place
00:49:40less noisy
00:49:41and the people
00:49:41a little bad.
00:49:42Listen,
00:49:42please,
00:49:43that almost got me wet
00:49:45you with the skewer,
00:49:46Listen.
00:49:48makes a regular side,
00:49:49TRUE?
00:49:49Listen,
00:49:50Listen.
00:49:51Leave it,
00:49:52Mr. Beumea,
00:49:53That's more German
00:49:53than a sarsaparilla,
00:49:54No?
00:49:54He's enjoying himself for nothing.
00:49:55José,
00:49:56And you wouldn't know
00:49:56somewhere
00:49:57a little calmer,
00:49:58Even if it's further away?
00:49:59But,
00:50:00Marichu,
00:50:00That's the beauty of it.
00:50:01from the beach bar,
00:50:01the teasing,
00:50:02the people,
00:50:03the tumult.
00:50:05Jesus Mary,
00:50:06That's all we needed.
00:50:07Take,
00:50:08There you go.
00:50:09Good heavens.
00:50:10Look,
00:50:10You can only come here
00:50:11in January
00:50:12and at twelve o'clock,
00:50:13which is surely empty.
00:50:14Tonight
00:50:15We return to the brasserie,
00:50:16Hey?
00:50:17I don't think it's a good idea.
00:50:18because I was left wanting more
00:50:19of the Bezu,
00:50:20Bajalón and the Lobster.
00:50:21Will you be able to ask?
00:50:22A shrimp-like spray?
00:50:23Yeah,
00:50:23come on,
00:50:24If this is the brasserie,
00:50:24We have to sell the car when we get back.
00:50:26I'm telling you,
00:50:26dear.
00:50:32Oh,
00:50:33What a face he's making,
00:50:34No?
00:50:35Carmen, are you talking to her yet?
00:50:36About the convention?
00:50:37No,
00:50:38He hasn't told me anything
00:50:38regarding the convention,
00:50:39But do you know what he asked me?
00:50:41Whether I feel valued
00:50:42at the clinic.
00:50:44Oh, really?
00:50:45Yeah.
00:50:45What a coincidence!
00:50:46you were walking me the other day about that
00:50:48And now Carmen,
00:50:49Go away and see for yourself.
00:50:50Let's see,
00:50:51Dolores,
00:50:51I'm not naive,
00:50:52dear,
00:50:52Let's see if we understand it.
00:50:54I'll tell you things
00:50:55because you are my partner,
00:50:56in private.
00:50:56Let's see if we learn.
00:50:57to separate the personal
00:50:58from a professional standpoint.
00:50:59I?
00:50:59I?
00:51:00Yeah.
00:51:01Well,
00:51:02Maybe I missed it.
00:51:03the other day
00:51:04When I told him about you,
00:51:05I told her what a good doctor she was,
00:51:07No?
00:51:07The abilities you have.
00:51:09Look at me,
00:51:10Please tell me
00:51:10that you haven't seen anything
00:51:11Carmen about the convention.
00:51:13Let's see,
00:51:15the other day
00:51:16I told him
00:51:17but as an aside
00:51:18and from a psychological perspective,
00:51:20so that she would believe
00:51:21that she had come up with.
00:51:22But you don't realize it
00:51:23that's what people are going to think
00:51:24is it yes or me
00:51:25the one I told you about
00:51:25Tell her.
00:51:26so that he can take me to the convention.
00:51:27That's why he was so rude.
00:51:30Oh, really?
00:51:31Well, maybe.
00:51:32Hey?
00:51:33because to me
00:51:34the psychology thing
00:51:35never
00:51:37I've done perfectly.
00:51:38Look, Dolores,
00:51:39if you want to help
00:51:40You're messing things up for me
00:51:40but good
00:51:41Because do you know what you're going to get?
00:51:43Not even the Hispali
00:51:43nor the flowers
00:51:44They won't like me
00:51:45no side.
00:51:47Don't say that, darling.
00:51:48No, neither affection nor anything.
00:51:49You're finally leaving me alone.
00:51:51But,
00:51:51that?
00:51:57Who are we going to have dinner with?
00:51:59My life,
00:51:59with who?
00:52:00Don't get the rise dirty,
00:52:02I'm asking you, please.
00:52:03He's very handsome.
00:52:04Look, your father is already there.
00:52:09Hey?
00:52:10But...
00:52:10Hey.
00:52:11Oh, darling,
00:52:12I won't be able to go out to dinner.
00:52:13I've hit myself
00:52:14until noon
00:52:14a prawn breast
00:52:15I think about it.
00:52:17I'm completely stuffed.
00:52:18I haven't even had a snack yet.
00:52:18that is sacred to me.
00:52:20But you're an idiot,
00:52:21You know?
00:52:22I see food on the plate.
00:52:23and I have to bang her
00:52:24And he did it for free.
00:52:25Hey, look at you,
00:52:26I'm going to look for something in the bathroom
00:52:27Let's see if...
00:52:28I don't know,
00:52:29I'm sure I have something for that.
00:52:33Can?
00:52:34Yeah.
00:52:36Inaki,
00:52:36Wait for me, please.
00:52:37Nothing, just a second.
00:52:39That...
00:52:39No, you know what, Carmen?
00:52:40That I in the end
00:52:41I won't be able to go.
00:52:42Because?
00:52:44Nothing,
00:52:45that Gozzone
00:52:46wants to go out to dinner
00:52:47and well.
00:52:47Well,
00:52:48Tell him to show up.
00:52:49Already,
00:52:50That's not it.
00:52:51She wants to go out to dinner
00:52:53She and I,
00:52:54alone.
00:52:56Huh?
00:52:58Clear.
00:53:01That's actually useful for me.
00:53:03because it gave me a little bit
00:53:04laziness
00:53:04and now to the port,
00:53:07I don't know.
00:53:09So, in short,
00:53:10I'm leaving now.
00:53:11Okay?
00:53:11He's waiting.
00:53:12And you know,
00:53:12the bad temper he has.
00:53:14Sure, run.
00:53:15Runs.
00:53:15Come on, auntie!
00:53:17Oops!
00:53:18I haven't done anything to you there.
00:53:21Clear!
00:53:22Come!
00:53:25Come on!
00:53:28Come on!
00:53:31Maybe I could go
00:53:32with the sore.
00:53:33Don't start,
00:53:34José.
00:53:34I'll keep the girl.
00:53:35No.
00:53:36With that boy
00:53:37There was no good meeting
00:53:38And I'm sure
00:53:39which would be very boring.
00:53:44You know what?
00:53:45Hey?
00:53:45That?
00:53:46We're leaving.
00:53:46the three of them go
00:53:47of pingoneo.
00:53:48Come on, let's go.
00:53:48But if you,
00:53:49You weren't sick
00:53:50And I am,
00:53:50I'm still on one cheek.
00:53:52But do you know what's happening?
00:53:53It's just that I think
00:53:55if I go for a walk
00:53:55along the seafront promenade
00:53:56of my bad
00:53:57with these two guavas
00:53:58And where had I been, pee?
00:54:00Have I told you that I love you?
00:54:01Okay, beautiful.
00:54:02Come on, come on.
00:54:03Let's go, my love,
00:54:04You look very beautiful.
00:54:05And he was going to go
00:54:05to Malaga
00:54:06slowly with the short one.
00:54:07So...
00:54:08Come on, come on!
00:54:09Come on, come on.
00:54:10I'll teach you...
00:54:11Just me...
00:54:12I'll teach you
00:54:13the things of one of the papuera.
00:54:15I'm going to teach you
00:54:16the palm for you.
00:54:18I'm going to teach you.
00:54:25Sabine.
00:54:26Yeah.
00:54:26Come on.
00:54:29But why are you still doing that?
00:54:31If they are about to arrive.
00:54:32The tension is that which doesn't work.
00:54:34That must have burned me
00:54:35both the face
00:54:35which has left me without pH.
00:54:37This, this doesn't suck, damn it.
00:54:38It doesn't suck.
00:54:39Yeah, take it away, take it away.
00:54:40What have you given yourself?
00:54:41What is this?
00:54:42Sabino, what have you put on?
00:54:43Toothpaste, son?
00:54:44What she did seemed like that to me.
00:54:45Go on, bring it.
00:54:46They're already there.
00:54:47Yeah.
00:54:47We're going to film for a while.
00:54:48Come on, run.
00:54:49Remember what we talked about, okay?
00:54:50Yes, I've rehearsed it super well.
00:54:51Don't worry.
00:54:52Dear.
00:54:53Yeah.
00:54:58But what are you still doing, huh?
00:54:59I'm coming, dude.
00:55:00Wake up, we have a reservation
00:55:01in the brasserie.
00:55:03Don't talk to me about food,
00:55:04I have a jumble
00:55:05in the stomach.
00:55:06And Sabino is worse.
00:55:11Look, this was bound to happen.
00:55:12But if you pawned
00:55:13going to that beach bar
00:55:14seedy,
00:55:15Well, that's normal.
00:55:16Hush, hush, hush.
00:55:16Don't talk to me,
00:55:17I have a bloated stomach
00:55:19like the Michelin Man.
00:55:23Oh, it makes me sleepy.
00:55:24that you leave here.
00:55:25Do you want us to call emergency services?
00:55:27No, no, no, no.
00:55:28No, man,
00:55:29If this passes them by right away, huh?
00:55:31You can go in peace,
00:55:32Enjoy yourselves, what can you do?
00:55:33Well, that's it.
00:55:34Okay.
00:55:37A cup of tea and off to bed, eh?
00:55:38That's exactly what I was going to be.
00:55:40Hey, enjoy yourselves, okay?
00:55:41We already talked.
00:55:43How are you?
00:55:44How are you, darling?
00:55:45I saw the truth in you.
00:55:45Sabino, fatal.
00:55:46Very outdated.
00:55:47I don't know how they tell us, son.
00:55:48What a bad actor you are, aren't you?
00:55:50Come on, hurry up,
00:55:51that they're going to close us down
00:55:51the supermarket in half an hour.
00:55:52Then we'll be able to buy
00:55:53a little bit of cheese
00:55:54that makes me want to spread it.
00:55:55Sabino, we are not
00:55:55For little treats, huh?
00:55:57Unless it's just a little bit
00:55:58olive mortadella
00:55:59For me, a little bit.
00:56:00Well.
00:56:11It's still there.
00:56:12Only.
00:56:13Well, it doesn't arrive.
00:56:14I.
00:56:15Hey, we won't have
00:56:16wrong day.
00:56:17Help, calm down, kid.
00:56:19Look, here's the trick
00:56:21to fish for sausages
00:56:22It's the same
00:56:22that to fish for mussels.
00:56:24Patience.
00:56:27Psst.
00:56:27Hey!
00:56:28Hey!
00:56:28There's movement.
00:56:31We are?
00:56:32Yeah.
00:56:32Come on.
00:56:34Start it up!
00:56:49Ah, Panchón!
00:56:50That?
00:56:50How's the kayaking going?
00:56:51It has started
00:56:52A good call, Yagi.
00:56:53Besides being wonderful,
00:56:54She is an exceptional waitress.
00:56:56You have to see
00:56:56how to serve wine.
00:56:57Poof!
00:56:58She looks like a mermaid
00:56:59from a source.
00:57:00Already.
00:57:00And what does that refer to?
00:57:02strictly to kayaking?
00:57:03Ah, the kayak.
00:57:04No, good.
00:57:05The kayak is fine, yes.
00:57:06You're doing well in Malaga, right?
00:57:07With the mess you've made of things
00:57:09there in the trio of...
00:57:11With both,
00:57:12I mean, they're there in...
00:57:14You're doing well in Malaga, right?
00:57:16Yes, Peyo, yes.
00:57:17I'm doing very well.
00:57:18I'm getting ready right now.
00:57:19to go out for dinner
00:57:19romantic
00:57:20with Gozone.
00:57:21Sorry,
00:57:22I have heard
00:57:22Enjoyable and romantic
00:57:23in the same sentence.
00:57:25We're talking
00:57:26from the same woman
00:57:26that a week ago
00:57:28has slit throats
00:57:28a suckling pig there
00:57:29without batting an eye.
00:57:30He was already dead.
00:57:31Hey,
00:57:32I'll leave you to Gozone
00:57:32gets out of the shower
00:57:33And I'm late.
00:57:34Hey, listen here!
00:57:35Now!
00:57:36Now!
00:57:39How are you, Arantxa?
00:57:42Okay, okay.
00:57:42Just like five minutes ago
00:57:43when I've served you the wines.
00:57:45The truth is, I'm really looking forward to it.
00:57:46Get home, huh?
00:57:47But with the car in the shop
00:57:48and how far away I live
00:57:49Maybe it's worth sleeping in.
00:57:51in the warehouse.
00:57:52No, no, no.
00:57:52I can take you.
00:57:54No no.
00:57:54If Peyo takes you
00:57:55It will take you longer
00:57:56that walking.
00:57:57Ever since he put you
00:57:57the videometer
00:57:58your mother on the GPS
00:57:59they get ahead of you
00:57:59even the ladies
00:58:00with foosball.
00:58:02Arantxa,
00:58:02I'll take you
00:58:03which I happen to be passing by.
00:58:04Come on.
00:58:05Come on.
00:58:07If you happen to be passing by
00:58:08You're going to get two slaps.
00:58:09of your wife
00:58:10that's already suspicious.
00:58:11But why
00:58:11Will my wife be angry?
00:58:13I'm simply going to take
00:58:13a friend's house
00:58:14work.
00:58:15I'm going to tell him.
00:58:16right now
00:58:17if nothing happens.
00:58:20My aunt,
00:58:22that I'm going to arrive
00:58:22a little later
00:58:24tonight
00:58:24because
00:58:27have come
00:58:28some partners
00:58:28of Real Sociedad
00:58:29And you know that
00:58:31Real Madrid for me
00:58:32It is very important.
00:58:33So
00:58:33see you
00:58:34but a little later.
00:58:36Come on.
00:58:37Busu.
00:58:40If you don't mind
00:58:41You close it
00:58:43I don't want to keep you waiting.
00:58:44to Arantxa.
00:58:44What, Anson?
00:58:45Did it take us a while?
00:58:46We're taking a long time.
00:58:48Goodbye.
00:58:49Goodbye, Arantxa.
00:58:56This guy's going to cause trouble.
00:58:57But he's going to mess things up.
00:58:58He's coming.
00:58:59What are you doing?
00:59:01Are you stealing?
00:59:04What's happening?
00:59:04What's happening?
00:59:05Hey?
00:59:06He steals from me
00:59:06the opportunity
00:59:07to be able to be
00:59:08with Arantxa
00:59:08And I'm not going to steal from him.
00:59:09a bottle of
00:59:12lollipop liqueur.
00:59:14Where did you get it, man?
00:59:15You're so annoying!
00:59:15but that he keeps silent
00:59:17Iñaki's, the oyster.
00:59:17That's also true,
00:59:18But it's unfair.
00:59:19When it's unfair
00:59:20for a girl
00:59:21that I like
00:59:21after Yasmin
00:59:22And me on top of that
00:59:23that I'm single.
00:59:24And I'm divorced.
00:59:25Let's see if this idiot
00:59:26He doesn't provide the backing vocals.
00:59:27to his wife.
00:59:28You feel
00:59:29identified
00:59:29with that idiot,
00:59:30No?
00:59:37Ainua!
00:59:38I'm Peyo, what's up?
00:59:40Anchón!
00:59:41No?
00:59:42He just left
00:59:42with Arantxa.
00:59:43He's forgotten.
00:59:44Here's the mobile.
00:59:45Hey?
00:59:48As?
00:59:50No, no, no, no, no, no, no.
00:59:51No, we're at full capacity, okay?
00:59:53The bar, yes, yes, that's right,
00:59:54He hasn't lied to you,
00:59:54It's at full capacity.
00:59:56There's a mess,
00:59:57You should come and see it.
00:59:58Well, it's not like that either.
00:59:59We need you to come.
01:00:00No, but that,
01:00:01I wanted to tell you
01:00:01He's not lying to you, Arantxa.
01:00:03Eh, to Inua, to Inua, yes.
01:00:05And what happens is that...
01:00:07Inua?
01:00:12In...
01:00:13Do you think he believed me?
01:00:14Yes, me too.
01:00:15It couldn't be better, Pilla.
01:00:20Oh, what did you say?
01:00:21Nothing makes sense.
01:00:23It's just that with these resources...
01:00:25Let's go.
01:00:26Let's go, let's go to the living room.
01:00:27Come on.
01:00:28What are you doing?
01:00:29Do you put the gun in?
01:00:31Oh, um, excuse me, Majo.
01:00:32How are you doing?
01:00:33serve tables?
01:00:34Without a gun?
01:00:37Take this.
01:00:37March.
01:00:59No, no, no, no, no.
01:01:12How are you?
01:01:13Fancy an after-work drink?
01:01:14No, I'm a cook.
01:01:15traditional, as always.
01:01:17No, I mean taking
01:01:18a drink after work.
01:01:20They call it that.
01:01:21Ah, I mean,
01:01:21the drunk's bar
01:01:22as always,
01:01:23but with a glamorous name.
01:01:24That?
01:01:24Are you in?
01:01:25The fact is that it had been left
01:01:26with no one.
01:01:27Let's have a
01:01:28and home.
01:01:29Come on.
01:01:29Come on.
01:01:37Ah, so you're a rider.
01:01:39Man,
01:01:40The best of Seville.
01:01:42The world of horses
01:01:43and I are so close
01:01:43that they call me
01:01:44the centaur.
01:01:45That voice.
01:01:47That accent.
01:01:49Galician.
01:01:50Galician.
01:01:52Does it matter to you?
01:01:53Uh, sorry.
01:01:54Ah, yes.
01:01:55Does it matter to you?
01:01:55Yes, excuse me.
01:01:58No, no, no.
01:01:58I was telling him
01:01:59because it's there
01:01:59by our side
01:02:00without moving.
01:02:01Ah, of course.
01:02:02No, excuse me
01:02:03that's distracting.
01:02:04Yeah.
01:02:11Well,
01:02:12back to our own business,
01:02:15I've always wanted to know
01:02:16What is the difference?
01:02:17between the Andalusian horse
01:02:19and the thoroughbred.
01:02:20Go,
01:02:21the difference
01:02:22It's because the Andalusian horse
01:02:22dances for you.
01:02:24What are they talking about?
01:02:26They're talking about horses.
01:02:27No,
01:02:27to the Andalusian horse
01:02:28It makes him...
01:02:29Clear,
01:02:29They might be talking
01:02:30in code.
01:02:31Yeah.
01:02:31Ponio code.
01:02:32Calculate.
01:02:35And he's a good friend to you.
01:02:36Boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom.
01:02:40Do you understand?
01:02:41Hey?
01:02:42Ah.
01:02:44Yule,
01:02:44I'm coming back here.
01:02:49Rosamari,
01:02:50The other one is Andalusian.
01:02:53You don't say.
01:02:54I take out a salad
01:02:55to table five.
01:02:56Uh, just a moment,
01:02:57Just a moment,
01:02:58Sorry, uh.
01:02:58But this salad
01:03:00It's for table number five.
01:03:01or that of the councilor.
01:03:02Yeah.
01:03:03Well, wait a little while
01:03:04because it's missing a seasoning.
01:03:07Let's see the microphone.
01:03:16Now it's complete.
01:03:18Strip.
01:03:24Sirs,
01:03:25salad,
01:03:26salad.
01:03:31It seems our friend is running late.
01:03:33No,
01:03:33Let's get started, it's getting cold.
01:03:51Let's get started, it's getting cold.
01:04:04What's going on here?
01:04:07What's going on here?
01:04:15And this?
01:04:23Fuck,
01:04:23the chain of the noses.
01:04:25Ainhoa,
01:04:26Ainhoa,
01:04:26Can we know?
01:04:27What's the suitcase doing out there?
01:04:28Ask him.
01:04:29to your little friend Aranchita.
01:04:30Ah,
01:04:31Aranchita.
01:04:33What have come out?
01:04:33The news.
01:04:34Let's see,
01:04:36Ainhoa,
01:04:36that Arancha,
01:04:37but,
01:04:38Arancha,
01:04:38I mean,
01:04:39It is a work company.
01:04:40Take a look,
01:04:41take a look,
01:04:41Ainhoa,
01:04:42Come on out, we're putting on a show.
01:04:45Ainhoa,
01:04:46What's up, hostel owner?
01:04:46where you sleep tonight.
01:04:52Still!
01:04:52Where are you going?
01:04:53Did you eat three?
01:04:54Are you going to leave me for last?
01:04:56But,
01:04:57Begoña,
01:04:57for the love of the divine child,
01:04:58I put a package in the microwave.
01:04:59How can you doubt me?
01:05:00You're not there!
01:05:02Sister!
01:05:03Runs!
01:05:04Hide everything!
01:05:13Begochu!
01:05:14Maitia,
01:05:14How are you?
01:05:15Oh, you see, daughter!
01:05:16Terrible, terrible!
01:05:17And Sabino,
01:05:17the poor man,
01:05:18The whole afternoon leads to bed.
01:05:22Hey,
01:05:23It smells like cheese, doesn't it?
01:05:24Hey?
01:05:26Oh,
01:05:27Sabine!
01:05:28Look what I told you this morning
01:05:29that you wash those feet well.
01:05:31Oh,
01:05:32Oh my God.
01:05:33Well,
01:05:34Well, I hope it doesn't let them sleep.
01:05:39Oh!
01:05:41Look, I have water.
01:05:42to make an infusion for Sabino.
01:05:44Well, I'll prepare it myself.
01:05:45No, no, no, no.
01:05:46Go away, go away, go away.
01:05:46Yes, yes, yes.
01:05:46I'm your older sister
01:05:47and I order you to rest.
01:05:48Come on,
01:05:49stay still there.
01:05:50What should I do?
01:05:51Maricho, no, no.
01:05:53Let's see,
01:05:55I knew that the water
01:05:56it could be turned into wine,
01:05:59but in chicken flamenquines
01:06:01Can you explain this to me?
01:06:03It must have been from an old inclino
01:06:05that he left them inside the microphone...
01:06:06Sabine,
01:06:07Leave it,
01:06:08It doesn't matter.
01:06:09If the explanations
01:06:09They are more pathetic than reality.
01:06:12Maricho,
01:06:13look,
01:06:13I'm so sorry,
01:06:15but the two of us
01:06:15We can't hear your rhythm.
01:06:17Oh,
01:06:17but, but,
01:06:18But how foolish you are!
01:06:19Begochu.
01:06:20It doesn't matter to us.
01:06:21All we want is
01:06:23enjoy your company.
01:06:25Are you saying that?
01:06:26You,
01:06:26please.
01:06:27But if pride
01:06:28of the Galarza sisters
01:06:30He is known even abroad.
01:06:32Well,
01:06:32Well, since part of the blame...
01:06:33of what has happened
01:06:34We have it
01:06:36letting us invite you tomorrow
01:06:37a good breakfast
01:06:39in the brazier.
01:06:41In the brazier.
01:06:43You'll see what it is
01:06:44a nice breakfast with diamonds.
01:06:46Diamonds!
01:06:50The food is good.
01:06:51Hey?
01:06:52Man,
01:06:53I'll take anything you download.
01:06:53five-fork
01:06:54I'm going to get fried food.
01:06:57Well,
01:06:57Alío,
01:06:58Have you brought the money?
01:07:00Let the show begin.
01:07:02But you're going to pay, right?
01:07:04Let's see,
01:07:05I'm referring to money...
01:07:07You already know?
01:07:09Ah!
01:07:12Look, look, look.
01:07:14Look, look, look.
01:07:14How can you not know?
01:07:18This is the business of the century.
01:07:20Regarding those lands
01:07:21are reclassified,
01:07:22You're going to make a fortune.
01:07:25Well,
01:07:26I'd like a little more, wouldn't you?
01:07:28Well,
01:07:28It'll be a back injury, won't it?
01:07:31No, no, no, no, no.
01:07:32My commission.
01:07:33My commission.
01:07:35They're ours now!
01:07:36Come on!
01:07:40You know that, don't you?
01:07:41Commission.
01:07:42What commission?
01:07:44Oops, oops, oops, oops, oops, oops, oops, oops
01:07:46Someone is making a fool of me.
01:07:48Certainty!
01:07:49Hey, Rosaura!
01:07:50What's happening?
01:07:50There you go, man.
01:07:51How are you all doing?
01:07:52Very good.
01:07:53But without shame.
01:07:54No, no, you don't know.
01:07:55Stay.
01:07:56Already.
01:07:57What I do?
01:07:58That little villain with the accent.
01:08:00Okay, there, father.
01:08:00Okay, there, father.
01:08:01Okay, there, father.
01:08:02Right now.
01:08:03But, Rosaura.
01:08:04Rosa Mari!
01:08:05I?
01:08:06Not you.
01:08:06What more could you want?
01:08:07Rosa Mari, me you,
01:08:08shameless.
01:08:09Walk.
01:08:10Pull, pull, pull.
01:08:14Strip.
01:08:14Strip.
01:08:21Man, fighter.
01:08:23It was already closing.
01:08:24When he's just left and...
01:08:28Are you going on a trip?
01:08:30A trip to nowhere, buddy.
01:08:32To Ainhoa, who kicked me out.
01:08:36Ainhoa?
01:08:37What are you saying?
01:08:39That's not possible.
01:08:40But what happened to you?
01:08:43Does he think I cheated on him with Arancha?
01:08:47No.
01:08:50AND?
01:08:51Have you put them on them?
01:08:54Don't mess with me.
01:08:55You too, baldy.
01:08:55Don't mess with me.
01:08:57All I've done is go to one of those Copa Wars events.
01:09:02And then I went home.
01:09:04What I don't know is how Ainhoa found out that Arancha had compressed her.
01:09:08Well, I don't know.
01:09:09Someone must have seen us at the bar and told the story.
01:09:12You know, Sancho, that Donostro is very big, but at the same time it's very small.
01:09:15And they say that Basques are very quiet, but then look how we talk.
01:09:20And also that...
01:09:21How much do you talk, buddy?
01:09:22How much do you talk?
01:09:23Already.
01:09:24Hey, if you don't mind, you can leave and I'll stay here for the night.
01:09:28No, no, no, no.
01:09:31You're coming with me to my house.
01:09:34The teacher on duty.
01:09:39Well, I'm going to tell you yes.
01:09:41Hey, buddy, thank goodness I still have friends like you.
01:09:46Thank goodness.
01:09:56The early bird catches the worm.
01:09:58Hey, good morning.
01:10:00Good morning.
01:10:00Why are you getting up so early, daughter?
01:10:02I just couldn't keep my butt still in bed.
01:10:05Sleep is driving me crazy.
01:10:06Well, now there are two of us.
01:10:08What's wrong, is the girl keeping you awake?
01:10:10No.
01:10:10Well, in that case I wouldn't let José.
01:10:12And if she hasn't called crying, it's because my little girl is doing well.
01:10:16Okay, so?
01:10:19I can tell you, my dear sir.
01:10:21I don't know, I thought it would be easier to see Iñaki with piglets.
01:10:25And I don't think it was a good idea to come here, you know.
01:10:28I don't know, I find it really hard to accept.
01:10:31I find it very difficult to accept that Iñaki is rebuilding his life with pigs.
01:10:34With the girl he cheated on me with.
01:10:36It's all very strange.
01:10:37The heart has reasons that reason does not understand.
01:10:42You need to turn the page and forget, Carmen.
01:10:45Holding grudges gets you nowhere.
01:10:47Nowhere good.
01:10:49Yes I know.
01:10:50But when I see them both together, I pinch myself to tell them not to...
01:10:54I know it's hard.
01:10:55But to move forward you have to forgive.
01:10:58In this case, forgive Iñaki.
01:11:00I thought I had forgiven him.
01:11:02But no, this has not been assimilated.
01:11:05It's just that assimilating things is difficult.
01:11:07It was very difficult for me to accept that my poor Jacinta was no longer with me.
01:11:12Do you want Iñaki to be happy?
01:11:14No, of course.
01:11:15I love Don Bejumea very much.
01:11:16He is the father of my daughter.
01:11:18Well, you have to accept that Iñaki is with pigs.
01:11:21Just as he will have to accept that you are already looking for new horizons.
01:11:25Yes, yes, yes, you're right.
01:11:27Clear.
01:11:27And besides, I was on the right track.
01:11:29A little bird told me that he saw you the other day talking to a very handsome boy.
01:11:35Hush, hush, that guy invited me to dinner and I said no because I was going with Iñaki.
01:11:38See?
01:11:39Well, you definitely missed out on a great night.
01:11:41By Rincoraza.
01:11:44Oh, Don Bejumea, you certainly sometimes seem like a sorcerer.
01:11:48Thank you.
01:11:52Dolores, darling, I'm very worried because you didn't sleep at home last night and, well,
01:11:57I wanted to apologize for the argument we had yesterday.
01:12:00Please call me when you hear the message, okay?
01:12:03Oh no, no, no, I'd rather wait for you in half an hour at the bar and I'll buy you a coffee.
01:12:07I love you so much, darling.
01:12:09Bye bye.
01:12:24This is very hard for me.
01:12:25I don't want to continue hurting the two people I love most.
01:12:29So it's best if he disappears from your lives.
01:12:32Forgive me, Pain.
01:12:40How was breakfast?
01:12:42Did you like it?
01:12:43Well, the premium chamomile was excellent.
01:12:46Okay, let's take a picture, if you like, to see how tanned we've gotten today.
01:12:50OK?
01:12:51Look, if we've only been here three days and you've been in the toilet for a day and a half, at most you'll
01:12:55They will open right yellow.
01:12:56Okay, we're leaving now.
01:12:58Yeah.
01:12:58I was looking for the key and I couldn't find it...
01:13:01It was a joke.
01:13:02Magali.
01:13:03Uh, yes.
01:13:04We look good, eh, Magali.
01:13:05Thank you.
01:13:06Look, since we're on familiar terms, could you give me the room number of a guest named Yagos?
01:13:09What do I have to do with the business from when I went to...
01:13:12Can you give it to me?
01:13:13Last name, please?
01:13:14He's a pediatrician and he's handsome.
01:13:16Aren't you writing it down?
01:13:16No, of course not.
01:13:17Already.
01:13:17He is Galician.
01:13:19Ah, okay.
01:13:20Well, the only Galician Yagos staying here left an hour ago.
01:13:25And you can't give me the phone number?
01:13:27Hey, look, he's been flirting with a friend of mine, and they're kind of starting to hook up, you know?
01:13:31Didn't I tell you?
01:13:32I cannot give out customer information.
01:13:34Because of data protection law, right?
01:13:35Exactly, yes.
01:13:36Here on the page...
01:13:37Sorry.
01:13:38Listen, what if I told you I'm the cousin of the anchovy in Public Relations here?
01:13:42Hey, I'll say the same to you.
01:13:45Eh, eh.
01:13:46Oh, by the way, have you consumed anything from the minibar?
01:13:49Hey?
01:13:50Yeah.
01:13:51No minibar, my room didn't have one.
01:13:52Ah, well, here's a bill for 150.
01:13:59Listen.
01:14:02Cousin of the anchovy.
01:14:05It's there, it's there.
01:14:05Don't do it yourself.
01:14:06Why do you cut off our heads?
01:14:07Make it for us.
01:14:08Let's see.
01:14:09Oh, look at that button.
01:14:10Where is?
01:14:10Oh.
01:14:11Can you take a picture of us, please?
01:14:12Clear.
01:14:13With love, it's new.
01:14:14Yes, park.
01:14:15Hey, wait a minute.
01:14:16Let's see if...
01:14:17Yes, darling, yes.
01:14:18Are you here and not?
01:14:19Come on.
01:14:23I wonder if he's going to be making a video.
01:14:25Wait, huh?
01:14:31Selly!
01:14:32Christopher?
01:14:34How are you?
01:14:35Hey, sorry I couldn't call you last night, son.
01:14:38As?
01:14:40That?
01:14:48Benedict.
01:14:49What's happening?
01:14:51Dolores.
01:14:52He has disappeared.
01:14:53That?
01:14:54Christopher has been arrested.
01:14:56Hey, the girl pooped.
01:15:10This is a misunderstanding.
01:15:11I'm sure this was orchestrated by someone clever, cunning, and smooth-talking.
01:15:16And Christopher has none of these things.
01:15:18I have an appointment tomorrow.
01:15:20Tomorrow.
01:15:20The thing is, with how handsome I am, they're going to raffle me off like a memory in prison.
01:15:24The thing is...
01:15:24So, do you like it or not?
01:15:26I am, I am Yago Castro.
01:15:28Yeah.
01:15:29No, todo molto bene.
01:15:31Molto bene.
01:15:33Uh, nothing, nothing.
01:15:34It's from the Chirimiri program.
01:15:36He entrusts me with an interview to talk about the cuisine of Calla.
01:15:38I've gotten tangled up with the headphone cables.
01:15:40Can someone please help me?
01:15:42What I don't understand is how Ainhoa found out that I was accompanying Arantxa home.
01:15:47Well, look.
01:15:49I don't know either.
01:15:50Ainhoa.
01:15:51God.
01:15:52Don't run!
01:15:54Ainhoa.
01:15:55Ainhoa.
01:15:55No, no, uh.
01:15:56I don't know where it is, you don't need to do that to me.
01:16:01You can't tell that to the judge.
01:16:02And why not?
01:16:03He can call me my alleged corrupt official, but I can't call him my alleged judge.
01:16:06By the way, do you know what "presunto" means in Portuguese?
01:16:08Ham.
01:16:08Was he hungry?
01:16:09Yago?
01:16:11What are you doing here?
01:16:13I'm here for an interview for a position in pediatrics.
01:16:17That?
01:16:17Coming?
01:16:18Oh, but...
01:16:19What's up?
01:16:20Wow, what's coming?
01:16:21Pello, you're holding up my marriage, come on!
01:16:23Yeah, yeah, well, I don't know what's wrong with him!
01:16:25What's wrong with him?
01:16:26No!
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