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00:00:00Now that Iñaki is going to buy the Caya, it's normal that you'll live here.
00:00:03What? I'm sorry, Iñaki, but I'm not going to give this up.
00:00:06Well, I'm sorry, Carmen, but I can't either.
00:00:08So Carmen is the new director of the clinic.
00:00:12You have to wake up tomorrow. It gets you going.
00:00:15Oh, how cursed I am!
00:00:18What are you up to do?
00:00:19He gave me a paycheck.
00:00:20I think I'm going to make myself a proper Benjumé.
00:00:22So what? What are you going to do?
00:00:24Sell the clinic's bar?
00:00:27Sabino. What?
00:00:28I bet not everything turns out right at home!
00:00:30Pirenchu!
00:00:30Surprise!
00:00:32We're going back to Seville to take care of my granddaughter.
00:00:34Why don't you let us have it?
00:00:35Yeah!
00:00:38Why are you doing this, bank?
00:00:40Is it possible you've heard something about a mediator?
00:00:49I cannot allow you to stay here.
00:00:51Will you come live with me and the baby?
00:00:53Yes, Carmen, but so what...?
00:00:55What did he say?
00:00:56You are the best father to Laya.
00:01:01But...
00:01:01But if you stayed in Seville it wouldn't be the best.
00:01:04The best of the best.
00:01:05Let's see, Carmen.
00:01:07I haven't left yet.
00:01:08Look, it's in your house.
00:01:10Seducing Yolen so that she doesn't come to the regatta.
00:01:12Whose is "Solar"?
00:01:13What's going on?
00:01:14Who is that man?
00:01:15Release her!
00:01:15Release her!
00:01:17Help her!
00:01:18Help her!
00:01:19Help her!
00:01:20Help her!
00:01:21Can you hear what they're singing?
00:01:22We want a tar.
00:01:23We want a tar.
00:01:25I'm going to buy the calla lily!
00:01:26What's wrong, Marichu?
00:01:27Nothing, they're just buying the bar.
00:01:29So Iñaki can buy the calla lily.
00:01:43Help her!
00:01:57Help her!
00:02:16Help her!
00:02:17Kill me, truck!
00:02:20Look, Carmen, I don't understand much about these things, I swear.
00:02:23But I think something's wrong with this girl.
00:02:25What's going to happen to him?
00:02:25What's going to happen to him?
00:02:26I mean, it's a baby.
00:02:26Babies cry because they feel like strangers, because...
00:02:32Oh, Virgin of Carmen!
00:02:34What the hell is wrong with that kid?
00:02:36It does breed, but sperm whales.
00:02:38Watch out for the screams your daughter makes, she's huge.
00:02:41I wanted Korea to attack us.
00:02:42Look, I don't know about Korea, but the north is going to attack you if you don't shut up.
00:02:45How do you expect the child to sleep with all the shouting you're doing?
00:02:48Please!
00:02:49Come on, repeat!
00:02:51Oh, Elaya, forgive me.
00:02:53Now it's your turn to Itaz.
00:02:54Yes, yes, yes.
00:02:54Now it turns out that we're the ones keeping everyone awake.
00:02:57Help me, José, to bring the crib into the living room.
00:02:59It's hotter in here than outside.
00:03:00Yes, because of the heat.
00:03:01I'll do the move myself, it's disgusting.
00:03:03If necessary.
00:03:03Come on.
00:03:03My God, what a problem.
00:03:06Oh, fuck!
00:03:07Oh, please!
00:03:08What's wrong with my little girl?
00:03:09Is she sick?
00:03:10José, the thermometer.
00:03:11Tie some towels, Carmen.
00:03:12Oh, calm down, calm down.
00:03:14Nothing is wrong with the girl.
00:03:15The girl is crying because she's upset, because her teeth are bothering her, because...
00:03:17Oh, aunt!
00:03:18It has gas.
00:03:18Come on, don't look for yourself!
00:03:20Come on, don't look for yourself!
00:03:21Hey, find you!
00:03:23Pra, pra, pra, pra, pra, pusscarte!
00:03:25Come on, cry, come on!
00:03:26Bull!
00:03:35Aah!
00:03:38Aah!
00:03:39Aah!
00:03:39Ah, yes, maic ja!
00:03:40Tower, tower, tower, tower, tower, tower!
00:03:43Oh, cry, cry!
00:03:44Ah, yes, maic ya!
00:03:47I'm!
00:03:59It's already dawn
00:04:03Oh my God, oh my God, at 7 in the morning, I'm not going to make the plane
00:04:05Tower, Machia!
00:04:09Inaki!
00:04:10That?
00:04:10The girl, give it to her
00:04:11Ah, yes, yes, yes, sorry, sorry, sorry, I just really want to take her with me.
00:04:15Yeah
00:04:16Okay, I'll call you when I get there, alright? Alright
00:04:19Have a good trip
00:04:20Goodbye, there's no aunt
00:04:20Goodbye, Dad
00:04:22Goodbye, Dad
00:04:33Goodbye, Dad
00:04:34But girl, are you bringing the child to work again?
00:04:36Yes, and I hope today is the last day.
00:04:39I also hope to get a babysitter today.
00:04:42A nanny? What nonsense is that?
00:04:45Mama Marichu is here to take care of her treasure
00:04:48Oh, what's my little angel doing?
00:04:51Oh, I'm fast asleep
00:04:52Yeah?
00:04:52Well
00:04:54Hey, the taxi from the airport cost me 30 euros.
00:04:56Yeah
00:04:57Come on, if I had gotten it in San Sebastián, it would have cost me about the same.
00:05:01And what a surprise, right? Marichu
00:05:02Where is Don Benjumea?
00:05:04Well, Benjumea has an urgent matter come up in the north
00:05:09Dad, dad, dad, dad
00:05:11Like any singer starting a solo career, I need a manager.
00:05:17A representative
00:05:18Come on, finodoroito
00:05:24I left the poor guy there.
00:05:26Trying to reason with his son
00:05:27If the fair is something sacred to Don Benjumea
00:05:30If one year he escaped from here and went to the real thing with an IV drip, do you remember?
00:05:32Yes, they called it the parola
00:05:35I was missing the bottle of fine wine and a sample
00:05:37There are things a person wouldn't do for their child.
00:05:39Of course
00:05:40That's why I'm here.
00:05:41Hey?
00:05:42To take care of my little angel
00:05:44Oh, she's fast asleep
00:05:46Marichu, I thank you from the bottom of my heart, but it's not necessary
00:05:49No, no, but nothing, really, I don't care at all, so I'll keep her.
00:05:53Well, the night too
00:05:54Hey, didn't you just say you need a cable?
00:05:57Well, everyone's happy now, I'll keep it.
00:05:59Here, yes, to the parna
00:06:00This requires a B1 level, right?
00:06:02Let's go
00:06:03See you later
00:06:03I hope it's just for today.
00:06:07Yeah, girl, but I'd rather sleep through the night than...
00:06:09Are you capable of making me look even at the nightstand?
00:06:15It's not like I keep anything on my nightstand.
00:06:18I mean, to relax a little, one
00:06:21I once...
00:06:23Oh, look, leave me alone, I'm so overwhelmed
00:06:24This looks like Teira's day
00:06:29It has an empire-style neckline.
00:06:31But a little shorter so the gym workout is noticeable
00:06:33And then the sleeves, very tight, with wide ruffles
00:06:37Come on, my brother says that if Cleopatra were a flamenco dancer she would wear this dress
00:06:41It's just gorgeous, Dolores, I love it, she's going to look stunning
00:06:43I think I'm dressed in rags.
00:06:45No, man
00:06:45Did you like Goldman?
00:06:46Goldman
00:06:47That
00:06:47He's not a doctor, he's an institution
00:06:50And if she tells me she's here on vacation, it's perfect for me to make her an indecent proposal.
00:06:57Carmen, it's not nonsense.
00:06:59Such an addition would be perfect for us.
00:07:01I also think he's head over heels in love with Seville
00:07:03Because it's wonderful
00:07:05And we're going to show it to her in a big way.
00:07:08In the best way you can see it
00:07:10At the fair
00:07:11And in the best booth
00:07:11At the booth of the Hispalis clinic
00:07:15But do we have a booth?
00:07:16Not even for a dog
00:07:18But Mr. Veumea did
00:07:20Carmen, never cease to amaze me
00:07:22It's brilliant.
00:07:33Yes, give me updates.
00:07:35Well, buy yourself Lola
00:07:36Because what is here
00:07:37Nasty de plastí
00:07:38No, Lola, you buy it yourself.
00:07:40Or better yet, subscribe
00:07:41Because you're going to have a lot of free time
00:07:43When you're queuing at the unemployment office
00:07:45But Tri, really
00:07:46The thing is, there's nothing.
00:07:47I don't know
00:07:47And if you don't tell me
00:07:48That my brother has done to Carmen and me
00:07:50And a dress for the fair
00:07:52Oh, really?
00:07:53That's great, isn't it?
00:07:54The only shame is that
00:07:55Having to use it for the first time
00:07:56In a district booth
00:07:57Yes, yes, yes
00:07:59I know, Mr. Veumea
00:08:00Don't worry
00:08:01Because José
00:08:02He's going to record the fair.
00:08:03From top to bottom
00:08:04Since you won't be able to go down
00:08:06Well, we want to ask you
00:08:07If you would let us use your booth
00:08:09Well, that's done.
00:08:10You know it.
00:08:11That all I have
00:08:12It's for Hispalis
00:08:13Well, not everything.
00:08:14Except for the Zoto Grande chalet
00:08:16I won't let him.
00:08:17Not even my children
00:08:18We this year
00:08:19Let's go out in style
00:08:20This year
00:08:22Us
00:08:23Yes, yes, yes
00:08:24Let's go
00:08:24To this booth
00:08:27From all over the world
00:08:28But as for the important thing
00:08:29The company
00:08:29Ah, well, that's not it.
00:08:31What has reached me
00:08:32Who told you
00:08:33That the Hispalis
00:08:34Does it have Don Veumea's booth?
00:08:36You
00:08:36Right now
00:08:37Me too
00:08:38I have some news for you
00:08:40We want to try to invite
00:08:41To sign him
00:08:42To Dr. Goldman
00:08:44Girl, but if you become an eminent
00:08:46In cardiology
00:08:47Well, look, let me tell you something
00:08:48However you manage to take it
00:08:50To Hispalis
00:08:51To our operating desks
00:08:53They won't have time
00:08:54To cool down
00:08:55Come on
00:08:55Dolores
00:08:56We know each other
00:08:57Who's going?
00:08:58And don't you dare lie to me.
00:09:02Doctor
00:09:04Eminence
00:09:05I don't know what, Gorman
00:09:07From the March clinic
00:09:08Or something like that
00:09:08May
00:09:09Yes, a little month of heat
00:09:11That through the booth
00:09:12Don't worry
00:09:12I had everything prepared for me
00:09:14I'm telling you
00:09:15Come on
00:09:15The best hospitality team
00:09:17The decoration
00:09:17All
00:09:18And I'll tell you more
00:09:18I think I'll use my address book.
00:09:20So that he goes there
00:09:21The cream of Seville
00:09:23Come on
00:09:24A kiss
00:09:25Thanks a lot
00:09:26Don Veumea
00:09:27Look, I won't keep you.
00:09:28I'm busy
00:09:29Health
00:09:33Let's see
00:09:47But look
00:09:48If the potato salad is running out
00:09:50That means you've nailed it again.
00:09:51My life
00:09:52Hey, have you done something to your hair?
00:09:53You've given yourself a certain tone
00:09:54You look prettier
00:09:55You look gorgeous
00:09:58Let's see, Isabelita
00:09:59How much longer are you going to keep this up?
00:10:01Until I feel like it
00:10:02Rafael
00:10:03I have no doubt that this bar
00:10:04It's very important to you
00:10:05Well, family is more important
00:10:07And lead us to ruin
00:10:08It's not a good path
00:10:09But what a disaster
00:10:10That's precisely why I did it.
00:10:12For our family
00:10:12To have a future
00:10:14To be a little more comfortable
00:10:15Furthermore, this bar will be Rosita's legacy.
00:10:17And for me
00:10:18For you?
00:10:19About what?
00:10:21That's what I say.
00:10:22What for?
00:10:27What if this goes wrong?
00:10:28We ended up under a bridge
00:10:29Let's see, Isabelita
00:10:30Don't expect the worst.
00:10:31The bar from Cabrío is open
00:10:33Furthermore, I am willing to come here
00:10:34The triple, huh?
00:10:35Three times the hour
00:10:35For this to work
00:10:36Three times as good
00:10:37Hey?
00:10:37Why would it go wrong?
00:10:39I don't know
00:10:41Oh, come on, Isabel
00:10:42Let's give ourselves a chance
00:10:43To prosper, man
00:10:43We've been broke our whole lives
00:10:44To have a slightly more comfortable future
00:10:46Besides
00:10:47I would never put it at risk
00:10:48The future of my family
00:10:50If I weren't so sure
00:10:55Trust me
00:11:09Come on
00:11:10Come on, you're going to back down.
00:11:11There it is
00:11:12Give me
00:11:17That?
00:11:17Hurry!
00:11:18Hurry!
00:11:18Let Iñaki arrive!
00:11:19Fuck!
00:11:19Gang!
00:11:20Fuck!
00:11:20Coming!
00:11:21Fast!
00:11:22Iñaki is here!
00:11:23Listen!
00:11:23Ready!
00:11:24Hey, Iñaki!
00:11:25You don't look at yourself!
00:11:27You don't look at yourself!
00:11:29I really wanted to see that, man!
00:11:31How handsome you are, my son!
00:11:33Cousin, cousin, cousin!
00:11:35How handsome!
00:11:36Big guy!
00:11:37But, but, but, but!
00:11:38She looks gorgeous!
00:11:38Oh, that's fine!
00:11:39Hey, what have I been told?
00:11:40You have a beautiful little girl.
00:11:42Beautiful is an understatement.
00:11:43But why don't you judge for yourself?
00:11:46And you see I'm not exaggerating, huh?
00:11:48Oh, please!
00:11:49No, what a mess!
00:11:50But, but Iñaki, you have daddies!
00:11:51And it looks delicious!
00:11:53I already miss her!
00:11:54Okay, okay, okay
00:11:55Relax, you just got on, okay?
00:11:56You still smell like nuco
00:11:57Yes, yes, but this one changes a lot.
00:11:59Hey, what about you two?
00:12:00Where are you going without suitcases?
00:12:02Oh, back feet
00:12:03Just a coincidence
00:12:04You're coming up from Seville
00:12:05and we went down
00:12:06To Seville
00:12:07To the fair
00:12:07Huh?
00:12:08First news?
00:12:09Oh, yeah, huh?
00:12:10The only thing we wanted
00:12:11It was to surprise you
00:12:13Well, to you and Koldo
00:12:14Well, anyway
00:12:14We can't exchange the tickets.
00:12:15and we have to...
00:12:16I've heard they're going to fall
00:12:17pointed chufos
00:12:19What's happening?
00:12:22Son, if your uncle
00:12:23every time he goes south
00:12:24It gives him some voltage drops
00:12:25who is left half-dazed
00:12:26In short, not to enjoy it.
00:12:27stay home
00:12:28Sure, okay, okay
00:12:28Don't worry
00:12:29We'll keep you informed
00:12:30In hashtag
00:12:31The gang is going to the fair
00:12:32Hashtag
00:12:33Another round of rebujitos
00:12:34And hashtag
00:12:35Cabanzocho
00:12:36Okay, let's go
00:12:38For the crew
00:12:39Okay, let's go
00:12:40You're not here at all
00:12:42Come on
00:12:44Well
00:12:44Let's get to work
00:12:46Pig
00:12:47Can I talk to you for a moment, please?
00:12:58Well
00:13:02It was just a matter of time
00:13:03You were going to kick me out, weren't you?
00:13:05So...
00:13:06The sooner the better?
00:13:07Well yes
00:13:09I'm not going to lie to you, Cochone
00:13:10That's the idea I came with.
00:13:13But...
00:13:15I have corrected it
00:13:16And on my part
00:13:17what happened
00:13:18The past is
00:13:20I'm going to do everything I can
00:13:21by...
00:13:23give us another chance
00:13:24and that our thing works out.
00:13:27Ours?
00:13:28Yeah
00:13:29Our thing in the kitchen
00:13:31as boss
00:13:32and as an assistant
00:13:34Why did you think that?
00:13:35No, that
00:13:35That's what I thought, exactly.
00:13:36Yeah
00:13:38And here
00:13:39I'm going to put
00:13:40everything within my power
00:13:41for this to work
00:13:43Perfect
00:13:43For my part
00:13:44I will put
00:13:45everything within my power
00:13:46to be a good boss
00:13:47of those who take advantage
00:13:48the team's talent
00:13:48And you have
00:13:49and a lot
00:13:51Okay?
00:13:52Great
00:13:53And here
00:13:53great
00:13:54because I have a proposal
00:13:55to renew the letter
00:13:57But he's going to have to wait.
00:13:59I just landed
00:14:00Gozone
00:14:00I want to take the reins
00:14:01from Calla
00:14:01and we'll see.
00:14:03Okay
00:14:04Come on
00:14:11Love
00:14:11How are you?
00:14:13How did you get here?
00:14:16As?
00:14:18A nanny
00:14:20A nanny
00:14:20for the beech
00:14:22Yeah
00:14:22Yeah
00:14:23Yeah
00:14:23I don't know
00:14:23We had talked about it a little.
00:14:24but also
00:14:24we had arranged
00:14:25in deciding it
00:14:25between the two
00:14:27No
00:14:27Let's see
00:14:28Love
00:14:28Don't shout
00:14:29in the sky
00:14:29Okay?
00:14:29I talk to her
00:14:30Come on
00:14:33Goodbye
00:14:38You know, darling?
00:14:39Put a little bit in
00:14:40of tripe
00:14:40You look like Buddha
00:14:41Take care
00:14:42Take the suit
00:14:43And you can pay me later.
00:14:44That?
00:14:45I have this
00:14:45Right now
00:14:46Maka brings you
00:14:46the size 44 shoe
00:14:48Maka the 44
00:14:49unless we put it
00:14:50the box
00:14:51Gorgeous
00:14:52Today, Mrs. Terenica
00:14:53For the love of God
00:14:54how long
00:14:55That?
00:14:56Here
00:14:56to find a little suit
00:14:57for the fair?
00:14:58From here?
00:14:59No
00:14:59No way?
00:15:00Mine is by Vittorio Luchino
00:15:01Today by Vitorio Luchino
00:15:02clear
00:15:02Why not?
00:15:03Well, look
00:15:03I'm telling you.
00:15:04that we are suppliers
00:15:05from the very House of Alba
00:15:06Oh yeah?
00:15:07Yeah
00:15:07And what did you sell him?
00:15:08To the duchess here?
00:15:09Well, look
00:15:09I gave him a little change
00:15:10that it didn't have a parking meter
00:15:11What is it that he wants?
00:15:12A hair comb
00:15:13A hair comb?
00:15:14You with the Vitorio Luchino thing
00:15:15I almost did it to you
00:15:16But look
00:15:17because I'm not resentful
00:15:18I have these wonders here
00:15:19empire models
00:15:20which are spectacular
00:15:21And you wouldn't have it?
00:15:23mother-of-pearl?
00:15:24Which is the best
00:15:24It goes with the dress
00:15:25Well, look
00:15:26I don't have mother of pearl
00:15:27but I have a lot of it
00:15:27What the heck
00:15:28They are so beautiful
00:15:30Go on
00:15:31This is Carmen's dress
00:15:32What do you think?
00:15:33Isn't it absolutely gorgeous?
00:15:34Well, he still has
00:15:35perfect
00:15:36How does she have that face?
00:15:37that little body
00:15:38Everything looks beautiful on her.
00:15:39I have to bring it closer to him.
00:15:40to the hospital
00:15:40But since I have
00:15:41event full of people
00:15:42It doesn't give me room
00:15:42Well, if you want
00:15:43I'll bring it to him
00:15:44As?
00:15:45You don't know
00:15:46that the new dresses
00:15:47and the bride and groom
00:15:47They are not lent out
00:15:49Okay, fine.
00:15:49I've been left
00:15:50to have lunch with her
00:15:51and the truth
00:15:51which costs me nothing
00:15:52But it doesn't matter.
00:15:54But what about you?
00:15:54Are you going to eat with Carmen?
00:15:55Of course
00:15:56when we worked together
00:15:58We had our run-ins
00:15:59normal
00:16:00But you have to know how to separate.
00:16:01You're absolutely right.
00:16:02Well, look at me
00:16:03You would be doing me an enormous favor.
00:16:05Hey?
00:16:05Because I have
00:16:06I'm saying this from people
00:16:07And take Dolores's too.
00:16:08also
00:16:08I have it right there behind me.
00:16:09I just can't anymore
00:16:10with so much weight
00:16:11Bye
00:16:12Bye
00:16:13Listen to the comb
00:16:17You're letting her go
00:16:18dirtier
00:16:18of what was
00:16:19Use a clean cloth.
00:16:20son
00:16:22Son of a bitch
00:16:27Rafi
00:16:28I already know
00:16:29that to the boy
00:16:29It needs a little more time.
00:16:30but neither
00:16:30we have to fatten up
00:16:31Let's see if he's going to sue us.
00:16:33for psychological abuse
00:16:34No no no
00:16:35If I do
00:16:36with love
00:16:36I mean
00:16:37We communicate like this
00:16:38to cope
00:16:38monotony
00:16:39the routine
00:16:39boredom
00:16:40Hey?
00:16:40Right, halter?
00:16:41Of course
00:16:42cocoon
00:16:45Rafi
00:16:45You can't continue like this.
00:16:47mess
00:16:47that insult
00:16:48Yes, he's serious.
00:16:49What are you going to wait for?
00:16:50May the water catch you.
00:16:51Up to the neck?
00:16:51The thing is
00:16:52I have a plan
00:16:53I have a strategy
00:16:54I am waiting
00:16:54Let Rosita arrive
00:16:55to talk about this
00:16:56all together as a family
00:16:57Do you understand me?
00:16:57Yeah
00:16:57I understood that
00:16:58for base
00:17:02What are you talking about?
00:17:04Me with the leper
00:17:05you are welcome
00:17:05We need to talk to you
00:17:06of important things
00:17:07all the time
00:17:07as if we were
00:17:08here at the cafe
00:17:09from Gijón
00:17:09no no no
00:17:09It's more
00:17:10We'll be here for a while
00:17:11silently
00:17:11to demonstrate
00:17:12that the Andalusians
00:17:13we can stay for a little while
00:17:13silent
00:17:26Hey girls
00:17:27Do you know?
00:17:28What if Rafi is hiding something from me?
00:17:30It's just that since I came back
00:17:31I notice some whispers
00:17:33and some very strange glances
00:17:37I have an operation.
00:17:38of top
00:17:38Yeah!
00:17:39Oops!
00:17:39Oh!
00:17:50ETA?
00:17:52I'm home now
00:17:53that?
00:17:54What do you think?
00:17:56Well
00:17:59if actually
00:17:59I have never given you
00:18:00a kiss
00:18:00No?
00:18:02Ah, father!
00:18:08right now
00:18:08they must be
00:18:09flying over
00:18:09dogs from Spain
00:18:10Aita
00:18:11me for fifty little euros
00:18:13I'll give you some lessons
00:18:14meditation
00:18:14that leave you
00:18:15without anxieties
00:18:16Well
00:18:17in the law firm in Canada
00:18:18We did it a lot
00:18:19Yes, that's what he needed.
00:18:20to your father
00:18:20meditate
00:18:21as it is no longer
00:18:21pretty much in the clouds
00:18:22Take it away, take it away, take it away
00:18:23fried cod skewer
00:18:25This gives you life
00:18:26uncle
00:18:26I'm not going to get them
00:18:27Hey?
00:18:28I have a knot in my stomach
00:18:29It's just that it doesn't happen to me.
00:18:29nor the chapele
00:18:30yes, yes, yes
00:18:31Oh my God
00:18:33Give me patience
00:18:33Because if you give me strength
00:18:34I'll give him a deafening.
00:18:36Iñaki?
00:18:37that?
00:18:38Iñaki?
00:18:39Yes, new uniforms
00:18:40You have yours in there.
00:18:41that?
00:18:42It looks good on you
00:18:43I've just come from the supermarket
00:18:44And here you don't know
00:18:45what I have seen
00:18:47I've seen half a dozen
00:18:48of office workers
00:18:49buying Russian salad
00:18:51Oh, daughter
00:18:51It's that salaries
00:18:52They are not what they used to be
00:18:54let's see
00:18:55No, I'm not saying this for myself.
00:18:56I'm not complaining
00:18:57no
00:18:57that's what I'm saying
00:18:58It's because if they buy Russian salad
00:19:00It's because they have no other option.
00:19:02if we offer them prepared food
00:19:04quality in the office
00:19:05You'd make a fortune
00:19:06here, here, here, here
00:19:07I have enough to deal with here.
00:19:09and we're not about to lose money
00:19:10Okay, okay
00:19:12But let me tell you one thing, okay?
00:19:14if you don't take advantage of it
00:19:15Someone else will do it.
00:19:16Someone else will do it.
00:19:24Ach!
00:19:25coat!
00:19:26Ssh!
00:19:27We're just going to go in
00:19:28in a house
00:19:28no to robbing the central bank
00:19:29worse
00:19:30I prefer life imprisonment
00:19:32that we cross paths
00:19:32with those tangles
00:19:33remember
00:19:34the last time we went down
00:19:35to the fair
00:19:35the marriage of Codo
00:19:36he went to the galley
00:19:37and with it all his real estate
00:19:38But what is it that you do?
00:19:40son!
00:19:51What are you doing there?
00:19:53These ears are coming from the bank floor
00:19:56I'm telling you.
00:19:56I have good peripheral hearing
00:19:58Yeah?
00:19:59how odd!
00:20:00if the fat guy has left
00:20:01this morning to a displaced person
00:20:02Wow, don't be fooled!
00:20:03Wow, don't be fooled!
00:20:04Wow, don't be fooled!
00:20:07Oh!
00:20:08But if there's a cockroach
00:20:10here in this house
00:20:12mice, I'd say.
00:20:13culverin better
00:20:15Oops!
00:20:17Ole!
00:20:18Oh, yes!
00:20:19What a surprise!
00:20:20How are you all doing?
00:20:21thank you
00:20:21And those little cows!
00:20:23And you, beautiful one, come to greet me
00:20:24Of course
00:20:25You have so little sympathy
00:20:26what's happening?
00:20:28This time it has been
00:20:29a lightning trip
00:20:29fill, play and return
00:20:31Play what?
00:20:33uh, no
00:20:33we're going to take advantage
00:20:35to go to the fair
00:20:35just two days
00:20:36Which little house are we going to?
00:20:37No, none.
00:20:38No, not home.
00:20:40is the one they'll let us into
00:20:41To Don Benjumiano's?
00:20:42no no
00:20:42Oh!
00:20:43Ah!
00:20:46I'd eat you up, Jeromo!
00:20:50Let's go right now
00:20:51to the boutique
00:20:52to buy him a suit
00:20:53new flamenco dress
00:20:54that this year
00:20:54She's going to grind it up
00:20:55That's it, that's it!
00:20:56the pea girls
00:20:58little girl face
00:20:59old lady's cunt
00:21:00Oh, you old hag!
00:21:06Oh, my love!
00:21:08if you just logged in
00:21:09Marichalán
00:21:10That's strange.
00:21:10without the layer
00:21:11Marichalán
00:21:12He says it's sorghum.
00:21:13Yes, it does have a certain look.
00:21:15It's Cristóbal, Marichu's son.
00:21:17Dad, hurry up, we're going shopping.
00:21:20More clothes? My dear son.
00:21:22But with what you've already bought, you're covered until the spring-summer season of 2020.
00:21:27This afternoon's purchase was a smart one, resulting from a simple arithmetic operation.
00:21:32Golf. More important people equals representative.
00:21:36What are you saying, Christopher?
00:21:38I'm going to get ready to go to a golf club.
00:21:39Well, let's see, it's just that among the upper echelons it will always be easier to find someone who knows...
00:21:44a music representative.
00:21:46Okay, I'm going to the bathroom for a moment, son.
00:21:53If he's going to ask me for lemon, I'm out of luck, in my favor.
00:21:57José Mari, Riojan, coldo's brother-in-law.
00:22:00I heard he's looking for an agent.
00:22:02I can get you one.
00:22:05What about you? What's your relationship with the music world?
00:22:07Apart from singing under the candy.
00:22:09Well, here I am, when I was young, I made my career in the world of singing.
00:22:13Then my voice changed and goodbye.
00:22:15But hey, I'm keeping in touch.
00:22:18And can you introduce me to a representative?
00:22:21Dad, dad, change of plans.
00:22:23We're going shopping, but to celebrate that this Basque guy has found me an agent.
00:22:26Yes, yes, yes, from La Rioja.
00:22:28José Mari, Coldo's brother-in-law.
00:22:30At your service.
00:22:31Delighted. There was no need to bother.
00:22:33Nothing, if it's not too much trouble, man.
00:22:35Look, I'll write down my phone number.
00:22:37Are they using it?
00:22:38Thank you.
00:22:39And they can call me whenever they want.
00:22:42I could call, but I'm working a bit longer this month.
00:22:47Bye bye.
00:22:47Bye bye.
00:22:49Bye bye.
00:22:56Hey, do you remember I owed you a favor?
00:22:59Yes, well, yes, yes, and that money, yes, yes.
00:23:02Well, listen, we're even.
00:23:04I just found you a client...
00:23:09I'm here, Marichu.
00:23:11Hello.
00:23:12Hello.
00:23:14Hi, you can leave now.
00:23:15But where am I going to go?
00:23:17Don't you remember we have the interviews with the nannies?
00:23:20You'll say I have the interviews with the nannies.
00:23:24Don't worry, Carmen.
00:23:26Me, but go and keep quiet.
00:23:27Like Pilar now.
00:23:34Hello.
00:23:35Look!
00:23:37Look!
00:24:06Thanks for watching the video.
00:24:11I think he's inflated his resume.
00:24:13It's impeccable, your resume is impeccable.
00:24:16Immediate availability, all references have already been confirmed, great.
00:24:20But you haven't heard his thick Andalusian accent.
00:24:23What do you want? For the creature to end up speaking cifafafu?
00:24:27You're hired! I want to see you here tomorrow.
00:24:29Oh, yes, yes, thank you very much.
00:24:30You are welcome.
00:24:31Well, I'll be here.
00:24:33Bye bye.
00:24:38Look, we don't know her at all, so who's to say she's not a psychopath?
00:24:42I assure you, Marichu, that if there is a psychopath in this room, it is not her.
00:24:57Hey, sister, how's my gun?
00:25:00What? She saw the outfit Carmen was wearing and came to plant two kisses on my face
00:25:04What do I have?
00:25:05How am I going to plant two kisses on this face of yours if you haven't even worn the suits?
00:25:08Neither Carmen's nor mine?
00:25:09Is that why I'm here?
00:25:10Well, yes, yours is here, but Trini took Carmen's this morning, she told me
00:25:14said he was going to see her.
00:25:16Huh? Trini?
00:25:17Trini, yes. She tells me, look, I don't care.
00:25:22But how could you even think of that, you old fool? At this point, not even the tassels of the shawl remain of the suit.
00:25:27That's enough.
00:25:28Please.
00:25:29My goodness, with my good eye for the world of fashion, and how awful!
00:25:34I have it for the people.
00:25:38You're giving me back Carmen's dress now, and I'm not leaving here without it.
00:25:44I'll bring a sandwich and I can stay all afternoon.
00:25:48There it is, on the coat rack.
00:25:51Don't come at me with...
00:25:53That?
00:25:54It's right there on the coat rack, take it.
00:25:56Where did you break it? What did you do to it?
00:25:58I haven't done anything to her, Dolores, nothing.
00:26:00You haven't done anything to her, so why did you take her? To pick the lint off her?
00:26:03Let's see. My intention was to bring it closer to Carmen and, while I was at it, get some information out of her, to be honest.
00:26:09But I got a call on the way and couldn't make it. What a shame.
00:26:12Well, I don't believe you at all, darling.
00:26:14I'm sure you've done something to her, I'm sure you've stained her with ink, you've made a mess of it.
00:26:18Dolores, I haven't done anything to him and take him away now, I don't have all afternoon.
00:26:21Don't you have all afternoon?
00:26:25What you lack is limits.
00:26:28Dolores, all I want is to make it better for my clinic.
00:26:31And if Carmen is bothered by it, and it bothers her, well, let her deal with it, honey.
00:26:45Yeah?
00:26:46He asks the bricklayers if he needs more fiberglass.
00:26:48No, I just needed a little to erase an imperfection.
00:27:03Iñaki, did you forget to add cilantro?
00:27:05No, I haven't forgotten because it doesn't have any gozones.
00:27:08If you don't put it on, it's like the real thing, but not Arzabal's.
00:27:11Evil.
00:27:12Worse.
00:27:14Okay, okay, we'll do it your way.
00:27:16Thank you.
00:27:17In other words, bad.
00:27:18Sabino, what are you doing here? Weren't you going home?
00:27:21Well, I left my phone there.
00:27:22And if he calls me to the crew and I don't choose him, they might just block me on WhatsApp.
00:27:25And two, and more importantly, you've given me the keys to the calla.
00:27:28And not the ones from home.
00:27:29I?
00:27:30Yes, you.
00:27:30You've probably already picked them up wrong.
00:27:32Of course, any day now, Sabino, you'll lose your head.
00:27:34Oh my god, where's your phone?
00:27:36Behind the bag.
00:27:38This one, right?
00:27:39Yes, yes, yes, yes.
00:27:41My little head. Here, go on.
00:27:44At peace.
00:27:47Can you see your Aita now?
00:27:48Well, that's how it's been for the ten years you've been away.
00:27:50Then I won't get crow's feet.
00:27:52See you later.
00:28:32The gastro-tart is now open.
00:28:48Don't put anything on that shelf, Iñaki, it's wrong.
00:28:51Oh, what a habit. You've got it in you because of the little shelf, huh? Can't you see?
00:28:53Alright.
00:28:57This is really bad.
00:28:59Okay, Gozzone, where are the dishes you were supposed to prepare?
00:29:01Well, in your place, Iñaki.
00:29:03We have to explain everything to you.
00:29:04Let's see, that's the place for you.
00:29:06And they're not there.
00:29:10Aren't Iñaki here?
00:29:11But I left everything here prepared yesterday.
00:29:14Look, Gozzone, it's not that I don't believe you.
00:29:15But if you left them there and they're gone, you tell me who took them.
00:29:19The same dog that eats homework.
00:29:25He was causing trouble all night.
00:29:27And look how quiet she's been so far.
00:29:30Are you sure mirrors reflect?
00:29:33The nonsense you're talking about.
00:29:34Go on, open it.
00:29:35The nanny has gotten married.
00:29:37Let's see if I've been able to get down from here in this suit.
00:29:41Rocío is so beautiful, isn't she?
00:29:43Navi.
00:29:44Phew!
00:29:47Ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:29:50-ti-ti-ti-ti-ti-ti-ti.
00:29:50Ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:29:53-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:29:54-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:30:02-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:30:07-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:30:10-ti-ti-ti-ti-ti-ti-ti-ti-ti
00:30:20Hello, Carmen.
00:30:21Hi Maria, how are you?
00:30:22Hey, look, I've already prepared your breakfast bottle.
00:30:25If he didn't take it...
00:30:26If you don't drink it, it's because it's either too cold or too hot.
00:30:29But I make sure it's at the right temperature.
00:30:31Perfect.
00:30:32Next...
00:30:33Then I take the air out of him.
00:30:35Exactly.
00:30:35And then...
00:30:36Then off to sleep.
00:30:37And what does she like? To have a lullaby sung to her?
00:30:39It was made perfectly clear to me in the three-page WhatsApp message he sent me there.
00:30:42Already.
00:30:42Go on, go away in peace.
00:30:44Of course.
00:30:45Why doesn't he see me calm?
00:30:47Well then, my love.
00:30:49Goodbye, my love.
00:30:51Well, thank you very much, Maria.
00:30:53In case there was a problem...
00:30:56If there's a problem, I'll call your personal number.
00:30:58That.
00:30:59If you don't take it, the job will be in trouble.
00:31:00And if not, Grandma's in trouble.
00:31:02Good.
00:31:03But you go on, don't worry, nothing's going to happen, Carmen.
00:31:05Already.
00:31:06Thank you very much, Maria.
00:31:08Now.
00:31:25Nothing, I had an appointment with the pipe maker next door and I thought, I'll just pop in and say hello.
00:31:31Was the nursery going to give more right now?
00:31:32Don't worry, I'll do it.
00:31:34Oh, my little angel, how he sleeps.
00:31:36If not, it can be saved outside.
00:32:01I'm going to take her out dancing tonight at the fair.
00:32:05I'm going to take you out dancing on this fair night.
00:32:09I'm going to ask you to dance.
00:32:12I'm going to ask you to dance.
00:32:14The first one is already playing.
00:32:17Look at yourself and look at her.
00:32:18On this fair night.
00:32:20I'm going to ask you to dance.
00:32:24I'm going to ask you to dance.
00:32:26The first one is already playing.
00:32:26But with Calabar, I stitched the suit.
00:32:28Please, it stings terribly.
00:32:30Oh, what do you know?
00:32:30Well, normal.
00:32:31But this is just the nervous nagging you have.
00:32:34Yes, it must be nerves.
00:32:36And the service hasn't arrived yet.
00:32:38I'm going to call and see what happened.
00:32:47Is it from Chaostelero?
00:32:49Yes, hello, I'm Carmen.
00:32:51Carmen Almonte, the director of the In Paris clinic.
00:32:54Yeah.
00:32:54Well, I was calling to find out what's happened with the service.
00:32:58As?
00:32:59Well, unless you've had a detached retina,
00:33:02As for what I see here, I don't see anyone.
00:33:08As?
00:33:09Booth 27?
00:33:13Yes, yes, yes, yes, booth 27.
00:33:17The booth of the Las Flores clinic.
00:33:19Yes, yes.
00:33:20Yeah I know.
00:33:20I call her a lady, don't I?
00:33:22Uh-huh.
00:33:23I wouldn't describe it that way.
00:33:25La, la...
00:33:27Thanks a lot.
00:33:30What happened?
00:33:31Trinidad, command in the services.
00:33:33Of course.
00:33:34There are hemorrhoids less annoying than this girl.
00:33:37It must be around here somewhere.
00:33:37Oh, look, Carmen.
00:33:39Taste?
00:33:43Dr. Goldman, allow me to introduce you.
00:33:45She is Carmen Almonte, the director of the In Paris clinic.
00:33:48One of the best clinics in this country.
00:33:50Well, without a doubt, since she's been in charge, it's been the best.
00:33:54Delighted.
00:33:55The pleasure is mine.
00:33:57And from the entire In Paris clinic.
00:34:01What a pleasure to meet you.
00:34:03Thank you so much for accepting our invitation, your reputation precedes you.
00:34:06Thank you so much.
00:34:08It was a pleasure meeting you all.
00:34:10It's a pleasure to be here at the fair.
00:34:13Seville, it's wonderful.
00:34:15Well, and that's without even knowing the Basque Country, huh?
00:34:16It must be said.
00:34:17Yes, it's very hot.
00:34:19Can we have another drink?
00:34:21No, of course.
00:34:21You have an open bar here.
00:34:24Here is typical rebujito, you know?
00:34:27No, little guy.
00:34:29Cape, cape in your debauchery, Dolores.
00:34:30Oh, with me, with me, with me.
00:34:32Did you know we don't have service?
00:34:33What? There are no waiters?
00:34:34No, Trini, it's been cancelled.
00:34:36The mother who gave birth to her.
00:34:39Hey, Mr. Goldman.
00:34:41Excuse me.
00:34:43It turns out it's a tradition here.
00:34:45The first rebujito should be served to you by someone with love, right?
00:34:47Yes, and it would be an honor on my part to serve you the first rebujito.
00:34:52You're too kind.
00:34:54Come with me.
00:34:55We're going to cut ham as if we wanted to wipe out the Iberian pig.
00:34:58Well, Dolores, not even a "hello" or "how handsome you look," because you don't see someone wearing shorts every day, you know?
00:35:02Well, yes, it's phenomenal, magnificent, extraordinary.
00:35:04Come with me, with me.
00:35:05Let's see.
00:35:11Come with me.
00:35:17Well.
00:35:17That's how it is.
00:35:26Come with me.
00:35:30No, it's not me, I'm here because...
00:35:32If Anchon, no, he's not coming...
00:35:34It has to be just around the corner, but...
00:35:39I love Seville.
00:35:42And ole.
00:35:45Opa, Domejomea, don't worry, because we're going to enjoy the fair for you and for us.
00:35:50Hey, hey, hey, look, I don't know how to dance, but in your land my feet start moving.
00:35:54And I'm drawn to the sight of such beautiful girls there in their homeland.
00:35:57Bigheads!
00:35:59Handsome big-headed guys!
00:36:02Commercial break, Domejomea, for the same reason in seven minutes.
00:36:07You guys are handsome.
00:36:09But you're incomplete, huh.
00:36:16Now, a good one, just like us.
00:36:19Ole!
00:36:20Molío, coño, ahorito!
00:36:22Let's sweep you all away!
00:36:24Come on everyone, let's go to the fairs!
00:36:26Ole!
00:36:27Let's go!
00:36:28Let's go!
00:36:29Let's go!
00:36:30Let's go!
00:36:33Let's go!
00:36:35By "everything" I didn't mean serving rebujitos every day, Carmen.
00:36:38Yes, I know, girl, but I need to.
00:36:40Trini has tricked me, and I need a waiter and a great chef.
00:36:45Handsome big-headed guys!
00:36:46Handsome big-headed guys!
00:36:58Handsome big-headed guys!
00:37:02Also, don't worry, I'll taste everything you take out and tell you if it's good or not.
00:37:05Come on, choc!
00:37:06Let it not be said.
00:37:06We are Basques, and Basques are naturally supportive.
00:37:10Ole!
00:37:10Choc!
00:37:10And we Andalusian women are practical out of sheer necessity.
00:37:14Let's go!
00:37:15Let's see, Carmen!
00:37:15What are we going to get out of all this?
00:37:17That?
00:37:18To help a very good neighbor?
00:37:21Ah!
00:37:22Ah!
00:37:22Ah!
00:37:24Ah!
00:37:24Ah!
00:37:25Ah!
00:37:25Ah!
00:37:25Ah!
00:37:25Ah!
00:37:25Ah!
00:37:26Ah!
00:37:26Ah!
00:37:27Ah!
00:37:28Ah!
00:37:31Ah!
00:37:50Ah!
00:37:51Hey, son? Look, look. Look who I'm with.
00:37:54A fan of this amazing artist. How are you, Cristóbal?
00:37:58Let me introduce you, okay?
00:38:00Andoni González! Your springboard to stardom!
00:38:03Worn out.
00:38:04Okay, let's get down to business, shall we? We've brought the contract.
00:38:07If you would be so kind. ID and a couple of signatures, okay?
00:38:10Well, and then we'll have to toast to future successes, right?
00:38:14Okay. Well, I'll get the pen.
00:38:16Dad, give him my ID number, even if I don't remember it.
00:38:18But like that, without knowing what you're signing.
00:38:20But I mean, now you're reading it. I just can't stand closures, you know?
00:38:24No, no, I was talking to your representative.
00:38:26I think you should listen to me, son, I really should. Take my advice.
00:38:29She needs to know what's in style. Besides, she won't be indifferent.
00:38:33No, no, no, no, really. I prefer to save my voice for performances with larger audiences, okay?
00:38:39Okay, fine, go ahead, go ahead, go ahead. I'm going to perform a little bit of Nesundorma.
00:38:43Come on.
00:38:51Nesundorma, Nesundorma, your pure prince, ne la tua freda estanza.
00:39:02My bad, mysterious one, what...?
00:39:04I know the perfect place.
00:39:06I already warned him. If only...
00:39:08Excuse me, what did you say?
00:39:09Yes, I have a television program in mind that is perfect for introducing you to the public.
00:39:15Tenerico.
00:39:19The table is ready.
00:39:25Here, take this plate. The Gypsy Prince. Here, come on, come on, over there.
00:39:30Well, it does look good, doesn't it? That lemon looks like it's from here.
00:39:33He's a phenomenon, I tell you. He's already had seven rebujitos and three plates of ham.
00:39:36Like something to loosen up with at a cider house.
00:39:39A rebujito for Spain.
00:39:41Excuse me, Carmen, okay?
00:39:42I wanted to introduce you to these gentlemen who are friends of Don Benjume.
00:39:44I'll be right back, okay?
00:39:46Don Benito has already told us that you are a phenomenal director.
00:39:50Don Benito, whom I love very much.
00:39:52A pleasure.
00:39:53Well, look, I'd like to take this opportunity to introduce you to a fantastic cardiologist we have here.
00:39:57We might hire him for the clinic.
00:39:59Dr. Gordon.
00:40:02Oh, Don Benito, Don Benito!
00:40:04Man!
00:40:05I always surround myself with the best.
00:40:08And my booth?
00:40:09In your booth.
00:40:11Thank you so much.
00:40:12Excuse me.
00:40:16Seville, Seville, Seville.
00:40:17Yeah?
00:40:18Carmen.
00:40:19Iñaki, is it urgent?
00:40:20Man, it's urgent, it's urgent.
00:40:22Wait, you hired a nanny and didn't let me participate in the casting?
00:40:25You haven't sent me a single photo.
00:40:26I see your mother has gone and spread the gossip.
00:40:28And I see that no, it's not urgent.
00:40:29Hey Carmen, listen to me.
00:40:30I'm sorry, Iñaki, I can't talk.
00:40:32Carmen, please listen to me.
00:40:34Okay, we agreed to consult each other on all decisions we make regarding AI.
00:40:37You do this at the first opportunity, I don't know.
00:40:39Iñaki, I can't talk.
00:40:41But what is that important thing you have to do?
00:40:42Have a rebujito, dance a sevillana, Carmen.
00:40:45Look, Iñaki, all the guests have arrived.
00:40:47I don't have a waiter.
00:40:48I have a cardiologist in mind that I want to hire.
00:40:51And I would need a man with a rake to scratch my skirt.
00:40:55As?
00:40:56Hey, Carmen, look, if you need help, I...
00:40:58Then they talk.
00:41:00See you later.
00:41:10Hey, Aunt Bego, something here doesn't add up.
00:41:12Look, I've taken out three trays of cod and only two have been paid for here.
00:41:17Well, son, with the average age of customers at Callao, it's not exactly a place to run away from.
00:41:21and skip out on work.
00:41:22Excuse me, I didn't know you were the ones from gastro-tartera?
00:41:27Gastro what?
00:41:28Well, the tapa you just gave me is identical to the one I got on the menu today.
00:41:32By the way, I don't know whose idea it was, but it's been a huge success.
00:41:35Oh, well I think so.
00:41:37I'll take this opportunity to return the lunchboxes to you.
00:41:43What is this?
00:41:45Gastro-lunchbox?
00:41:46Gochone.
00:41:47But how can it be Gochone, son?
00:41:48If it is tolid in the street.
00:41:49Yes, seeing how well he's doing, he probably even has a delivery driver.
00:41:53Gochone!
00:41:54Oh my God, how true.
00:41:55That?
00:41:57And what do you have to tell me quickly? I've got the kokotxas on the fire!
00:42:00No, don't worry, I'm not going to beat around the bush like you.
00:42:02Gochone, you've been selling food behind my back.
00:42:05And what's worse, it's all at the expense of silence.
00:42:08I?
00:42:09That?
00:42:10There's a customer of yours here, calmly eating a cod fritter, Gochone, please.
00:42:14Oh, Gochone, my child, how could you have done something like that?
00:42:20How could you think I'm capable of doing something like that?
00:42:23Because I know you, Gochone, because I know you and I know you don't take no for an answer.
00:42:31Well, after working together for so long, I thought you knew me quite well.
00:42:37Gochone!
00:42:43Come on, Rafi, until you see bones or you stop.
00:42:45What's up? What's up with all that greenery and all the arsenic here that everyone here was collecting?
00:42:48But it's just a bed of arugula to decorate the dish.
00:42:50A bed to say?
00:42:52Look, it's not easy here.
00:42:54No, no, it's clear that you're very spartan when it comes to decoration.
00:42:57That?
00:42:58Okay, yeah, whatever, alright?
00:43:00Just pay attention to the little margay.
00:43:01On a plate, shrimp, anything that isn't shrimp is worthless, man.
00:43:04All of this...
00:43:10If we don't go over three seconds, nothing happens.
00:43:11Three seconds?
00:43:12And now this, Merche, Merche.
00:43:13Keep your hands still.
00:43:14Well, keep your hands to yourself.
00:43:15It was a little bit of Nami, dude.
00:43:17To find out if he was up to par with the American.
00:43:19Buchito, they commit crimes with the fish, Peyo.
00:43:22I have three fryers.
00:43:23I don't know if I'm cooking or defending a medieval castle with boiling water.
00:43:27Okay, Peyo, go ahead and cook the onion, it's got the eggs on the verge of salmonella.
00:43:30I'm sorry, but I just can't concentrate.
00:43:32Oh, no, well if you want I'll tell them to turn the music down.
00:43:34That's not it, the blonde, I haven't taken it off.
00:43:36What? Who?
00:43:37Where is?
00:43:45Do you see her?
00:43:45Yeah.
00:43:46Can I look, or are you looking?
00:43:47Wait, he's looking, he's looking.
00:43:49Wait, wait, wait, wait, wait, wait.
00:43:51Wait, wait, wait.
00:43:58He's caught them.
00:44:00Never force me, and it has to be today when I need you most, okay?
00:44:03What do you want me to do?
00:44:04I don't know, maybe it's the lanterns, the reflection of the ham, the onions that enhance my gaze.
00:44:11Come on, let's get a drink, we're not here to miss any opportunities.
00:44:19How handsome.
00:44:20Look at that, you really make the most of what you have.
00:44:23Luck.
00:44:23This isn't about frills and hair combs, where does time stand still?
00:44:28It is the workshop of a flower with all its feeling.
00:44:31He left, he left, Mr. Beumea.
00:44:32Greetings, Mr. Beumea.
00:44:40And joy is also typical.
00:44:46And the sun and the cachotero.
00:44:48And the rebuguito.
00:44:50Come on, and the typical bugo.
00:44:52How delicious the abugo is.
00:44:55Another little rebuguito.
00:44:56And a pen, what the hell.
00:44:57To sign my contract with the impoli.
00:45:01Oh, come on, he's signing the contract, but right here, like this?
00:45:04Yeah, man, don't ask so many questions.
00:45:06Calmentira, because of the contract he has with the sleeve he wears.
00:45:09Tomorrow he doesn't know if he's blond or brunette.
00:45:11Wait for me, it's a little awkward.
00:45:12It's not abuse.
00:45:13What abuse, girl?
00:45:15Yeah, drunks and children always tell the truth, right?
00:45:21Chante, and Puri?
00:45:22The legal one?
00:45:23Yeah.
00:45:23She went to Rocío's booth a while ago and it was already a bit tiled.
00:45:26Let's go, walking like Georgina.
00:45:28Shit, she has the contract.
00:45:30Garment, Garment, sit down.
00:45:32Yes, yes, immediately.
00:45:35We can't waste any time, Dolores.
00:45:37We need the contract, now.
00:45:39I'm going to look for him like lightning.
00:45:41Thank you.
00:45:43Ole.
00:45:49Dolores, why are you leaving in such a hurry?
00:45:52Look, I'm busy, I can't be distracted.
00:45:54But wait, woman, let me accompany you.
00:45:55Do we greet Dr. Goldberg?
00:45:57No, no, no, no.
00:45:58You can't come in, you're not on the list, darling.
00:46:00Yes, but you can help me with that.
00:46:02Yes, man, of course.
00:46:03Of course, that goes without saying.
00:46:04But it's such a shame about that beautiful dress.
00:46:06Because as soon as Carmen sees you and you walk through the door, she's going to kick you out.
00:46:09Well, you're right about that.
00:46:12Tell him to come out, I'll be waiting here and don't be long.
00:46:14No, no, no, no, no.
00:46:15If you think I'm going to offer you the little doctor on a silver platter, you're very wrong.
00:46:20Oh, come on, Dolores, yes.
00:46:21Now you refuse, I pressure you and in the end, as always, I get what I want.
00:46:31Very good.
00:46:31Thank you.
00:47:01Oh!
00:47:07Oh!
00:47:41Okay, let's go to the park.
00:47:43I've seen a cloud and I want to take advantage of it.
00:47:45No, no, yes I am going.
00:47:46No, no, no, don't worry.
00:47:48You just keep going and keep hitting me with this WhatsApp thing.
00:47:51I'll manage.
00:47:52Right, sweetie?
00:47:54Right?
00:48:00Tere?
00:48:02Hey, I'm leaving right now for the fair.
00:48:05What's wrong with him?
00:48:06Have I been given permission?
00:48:08This is a great deal.
00:48:10This is better than the ministry.
00:48:12Give me something.
00:48:13Order a bottle of chamomile tea, I'll be there in 15 minutes.
00:48:17Rapier?
00:48:18I don't understand much, but that's how Sevillanas are.
00:48:21No, for God's sake, I'm so pissed.
00:48:23And with the high, with the doctor's visit even more.
00:48:26High?
00:48:26What did the doctor tell you?
00:48:27No, no, and most importantly, go a little over.
00:48:30When will it end, please!
00:48:31No, he's going to sign the contract, right here, amidst flamenco dancing.
00:48:33Shut the hell up!
00:48:34Oh really?
00:48:35Speak the truth!
00:48:37Oh, please, since you're at it, scratch me.
00:48:39Hey?
00:48:40To scratch, to scrape.
00:48:41Oh, oh, oh, oh, oh, oh, oh.
00:48:42Oh, Dolores.
00:48:43Let's see.
00:48:44And the contract?
00:48:45Yeah.
00:48:46Or maybe I don't know if I still have a heart, but...
00:48:48Thank you, thank you.
00:48:49Ah, let's see.
00:48:51Dr. Bolval?
00:48:51And is the foreigner going to sign?
00:48:53I can't believe it.
00:48:55Is the drunk going to sign?
00:48:56Well, that will be the case if his pulse stops shaking.
00:48:59Sitting in the booth, she notices me and invites me over.
00:49:04And to seal the deal, some fresh shrimp.
00:49:08It's wonderful!
00:49:09Huh, no?
00:49:09But first a firm hand and then a little swipe.
00:49:13Let's go.
00:49:14Come here.
00:49:19Wonderful, they're from Triana, fantastic, huh?
00:49:21Okay, just a second, just a second, gentlemen, just a second.
00:49:24Now the next verse, another Sevillana, is in honor of Mr. Goldman.
00:49:33Me?
00:49:34Oh, no, no.
00:49:35Well, let's see, what do I know, ma'am, just to contribute, I'm dying to hear, even if it's just a little bit of
00:49:39knob.
00:49:40That.
00:49:41I already know this, we all know it.
00:49:43Come here.
00:49:44J, E.
00:49:46At the prison gate, or, h, branch, or.
00:49:57Hey!
00:49:59Bravo!
00:50:00Hey!
00:50:02Bravo!
00:50:03It didn't cost me an arm and a leg!
00:50:06Bravo!
00:50:07Bravo!
00:50:08Bravo!
00:50:09Damn, fifths!
00:50:10A fellow gynecologist, a phenomenal one.
00:50:13What's up, Aguitas?
00:50:16Hey, first of all, sorry, because we had arranged to meet, even though I was the one calling you, but I couldn't make it.
00:50:19I've been super busy.
00:50:21Can you hear me okay?
00:50:22Or fatal.
00:50:23We're here at the fair.
00:50:25No, no, mess.
00:50:25Yes, we are at the booth of the Hispalis clinic, where I work.
00:50:29Well, we're celebrating that we've just made a signing.
00:50:32Here you go.
00:50:34The copy.
00:50:34Now then, Anchón, add a little shrimp.
00:50:37As soon as he tries them, he's going to the embassy to ask for double rationality.
00:50:39Opa, eh! Robera!
00:50:43Pasties! Are you serious?
00:50:45Okay, fine, I'll call you.
00:50:48We just screwed up big time.
00:50:49As?
00:50:50This guy who's not on vacation.
00:50:51She was fired from the clinic where she worked due to alcoholism problems.
00:50:55They call him Doctor Chloroform, because he drinks more than the fish in the Christmas carol.
00:50:59So what do we do now?
00:51:01He just signed a two-year contract.
00:51:03What is it to me?
00:51:04You can look for a clause.
00:51:06Let's see, let's see if...
00:51:07Looking for?
00:51:17Give me a little kiss.
00:51:19We'll talk later.
00:51:24Trini?
00:51:25Oh, look, excuse me, but Carmen has bumped into something.
00:51:29The little doctor acted like he was a piece of junk.
00:51:32I'll get it for you in two minutes.
00:51:43Sorry, sorry.
00:51:44Excuse me, excuse me.
00:51:46And my Gorma, how is he?
00:51:47Did you like it?
00:51:48Are you OK?
00:51:49Well, it's going to be superior.
00:51:50Do you like hobbyhorses?
00:51:52Do you like booths?
00:51:53And the calestas?
00:51:54And what about horse-drawn carriages?
00:51:56And all?
00:51:56The Andalusian horses dance in a very particular way.
00:52:00Hey?
00:52:00Do I want to know?
00:52:02The little Andalusian horse, the little Andalusian horse, the little Andalusian horse is very happy.
00:52:07Sorry, sorry, sorry, sorry.
00:52:09Come on, let's go with the little horse.
00:52:14What's happening?
00:52:15Have you been burned?
00:52:16No, no, no.
00:52:17I added sugar instead of salting the hake.
00:52:19Oh, what a son.
00:52:20In the kitchen, you can't have your head anywhere else.
00:52:22Yes, I know, Auntie, but...
00:52:24Yeah, you can't stop thinking about the pig thing, huh?
00:52:27Well no.
00:52:28Look, sometimes I think I might have been wrong.
00:52:30But you saw it, it was his idea.
00:52:32I don't know, I think I have enough evidence to believe it was her, or what?
00:52:36Well, look, here's another clue.
00:52:39I was on the ground.
00:52:40But is it possible?
00:52:41If she's done this advertising, the damn...
00:52:44Look, I'd better call her.
00:52:46Wait, call from here, but with a blocked number, because if it sees it's you, it won't answer.
00:52:50Okay, let's see...
00:53:01Gastro-Tartera, tell me.
00:53:03Yes, yes, look, we wanted to order some skewers.
00:53:05Skewers in general.
00:53:07Very well. Which way?
00:53:09Well, to the port of San Sebastian.
00:53:11Specifically to Calla, cousin.
00:53:17Cousin.
00:53:19How could you do something like this to me?
00:53:21Look, I really can't believe it.
00:53:23How did you come up with that?
00:53:24And on top of that, with such a tacky name, gastro-Tartera.
00:53:27My daughter, why am I paying for so many marketing courses for you?
00:53:30Love, the simpler it is, the more it sells.
00:53:31Look, I don't give a damn about the name.
00:53:34Okay, calm down, this isn't what it seems.
00:53:37No, you've fooled us, you've robbed us, and I've lost the best chef in San Sebastián.
00:53:41Isn't it what it seems?
00:53:43No, because I did it for you.
00:53:45Look, if you don't have a business vision, someone in the family will have to have one.
00:53:48Come on, I say, love.
00:53:49Yes of course.
00:53:51So all the money you made selling the food is for your cousin, right?
00:53:55That?
00:53:55Look, if all this was because of me, why didn't you tell me before?
00:53:59Of course, daughter.
00:54:00Well, if you said no to Gochona, imagine what you'd say to me.
00:54:02Well, now it's your fault Gochona is out on the street, because she thought she was the one who started it.
00:54:06the beach bar.
00:54:08Well, it always happens to me.
00:54:10I try to do something good and then everything goes wrong.
00:54:12It's because I'm the old black woman in the family.
00:54:14Look, look, don't come at me with your "good girl" act because it won't fly.
00:54:17Well, Iñaki, don't get like that, it's the thought that counts, son.
00:54:20Oh, love.
00:54:21Hey, we'll talk later, okay?
00:54:23No, it's not you, love.
00:54:24What's happening?
00:54:26Is Don Benjumea not answering your phone?
00:54:29No, no, he's not here right now, what?
00:54:32Okay, okay, calm down, I'll try it now, okay?
00:54:35Then I'll tell you, come on, much better.
00:54:39As!
00:54:42Benjumea.
00:54:46Don Benjumea?
00:54:47Yes, no, forgive me.
00:54:48So, what worries her most is that you're not answering her phone?
00:54:52Well, if you have it on vibration you're not going to hear it, is that clear?
00:54:55This is a recording studio.
00:54:57That this...
00:55:00Is this a me to laugh at the cat?
00:55:02Yes, yes.
00:55:03They bring them here under the pretext of demonstrating their talent,
00:55:06But in the end they're just a bunch of freaks making fools of themselves.
00:55:09How did you come up with that, Don Benjumea?
00:55:11How could I have thought that Cole's brother-in-law...
00:55:13That?
00:55:15José Mari.
00:55:16Yeah.
00:55:16Oh, if there's anyone in all of us you can't trust, it's José Mari.
00:55:20Oh.
00:55:21How was I to know this, my dear son?
00:55:23Because I have the freaks in Seville under control, but not the ones here.
00:55:26And since he's also related to Coldo, this recording has to stop.
00:55:31Yeah.
00:55:32I'm sorry, but we're going to record, you can't come in.
00:55:36Look, let me introduce myself, my name is Iñaki and this is my father.
00:55:41How are you?
00:55:42And the one who's going to sing is my...
00:55:44Brother.
00:55:45Do you know what's happening?
00:55:46Dad is already very old.
00:55:49He suffers a lot from his knee and it would make him very happy.
00:55:53So, if they had a little chair in a corner so Dad and I could watch my brother sing, that would be great.
00:56:01favor.
00:56:07Okay, fine, but please keep quiet.
00:56:09Okay, thank you very much.
00:56:11Step by step.
00:56:12Hey, Dad?
00:56:12Tell me, this gentleman is so rich.
00:56:14It's so rich.
00:56:21Iñaki, Don Benito, my favorite count.
00:56:23You're at home, right?
00:56:24Come on, come on.
00:56:27Relatives of the artist.
00:56:31Uh, excuse me, excuse me, let's get started now, okay?
00:56:33Yes, I'm here, I'm here, I'm here, baby.
00:56:34No, no, no, I'm not here, I'm not here, just a moment.
00:56:36One second.
00:56:37Are you here with the goat herder?
00:56:39Yes, I'm glad to see you too, Christopher.
00:56:41To begin with, the goat herder is your brother.
00:56:43And we've come here, why?
00:56:44Okay, okay, okay, okay, okay, okay.
00:56:46But quietly, okay?
00:56:47Mobile phones turned off.
00:56:48Any distraction is death for the artist.
00:56:50Please, we need to record now.
00:56:51Come on, to the stage, please.
00:56:53Okay.
00:56:54From.
00:56:56Five.
00:56:58And action.
00:57:13This one, this one gives us the golden minute, you'll see.
00:57:16So what do we do now, huh?
00:57:23Follow me.
00:57:31Today it's happening.
00:57:32Cut, please.
00:57:33As I told you, Dad, this older one isn't doing well and...
00:57:36Come on, come on, back up a little bit, please.
00:57:38What happened?
00:57:38Okay, are we ready?
00:57:40From.
00:57:40Come on.
00:57:42Five.
00:57:43And action.
00:57:45It's a three-handed dormantelé, love.
00:57:57Cut, cut.
00:57:58Look, look.
00:57:59They either stay put or they leave the plate.
00:58:01Have I done something?
00:58:02Because I...
00:58:03Man, stealing my blueprint, you think that's nothing?
00:58:05He's in front of the camera.
00:58:07Iñaki, donkey meat isn't transparent.
00:58:10Please excuse him, he's just very absent-minded.
00:58:12He probably did it without realizing it.
00:58:14Well, and besides, he probably gave off a bad image.
00:58:17A good improvisation, Don Meju.
00:58:18Hold on a little longer, we're almost there.
00:58:20I think I know where you're going with this.
00:58:22And I like it.
00:58:24Gentlemen, are we ready?
00:58:25Yeah.
00:58:26Five.
00:58:26Come on.
00:58:27And action.
00:58:29Spring and Seville
00:58:31Brotherhoods are being gathered
00:58:33They are leaving behind mantillas
00:58:35And they go on embroidering polka dots
00:58:36Spring and Seville
00:58:40Spring and Seville
00:58:42Named after his bullfighter
00:58:44With a guitar, any of his
00:58:46There is no marriage more humane
00:58:48Achul!
00:58:48You won't believe it, will you, Achu?
00:58:49I thought these things only happened in movies.
00:58:52Let's see, Joscuri
00:58:53She only refilled the cup.
00:58:54No, no
00:58:55She asked me to meet her there in five minutes
00:58:57In the bathroom
00:58:58What are you saying?
00:59:00Up, champ!
00:59:01This will go down in the annals of the crew's history.
00:59:03Come on
00:59:04Put your jacket on now
00:59:05Come on, let's get her
00:59:06Let's see, let's see
00:59:06Canchón, I don't plan to go.
00:59:08As?
00:59:09You're too much woman for me
00:59:10AND...
00:59:10You looked very...
00:59:13Launched
00:59:17Aren't you stupid?
00:59:18Go to the bathroom right now.
00:59:19To sin
00:59:21Come on
00:59:22Come on
00:59:23Come on, come on, come on
00:59:23Come on, come on, come on
00:59:27Come on
00:59:37I've called Raffi 5 times, 5 times 5 and he doesn't answer.
00:59:40You'll be busy
00:59:40With who?
00:59:42Or with the ham, cutting ham, I don't know.
00:59:54Juan, take care of it.
00:59:56No, wait a minute.
00:59:58I couldn't do it that way.
00:59:59I'm getting changed and going to the fair.
01:00:08Maria?
01:00:09Maria!
01:00:10Come here.
01:00:12Oh, yes, yes, let it go.
01:00:15What are you doing here?
01:00:17And where is the girl?
01:00:18Is the girl with her grandmother?
01:00:21With Grandma, with Marichu?
01:00:23Yeah.
01:00:24He showed up as soon as you left and told me he'd take care of it.
01:00:29Mother, mother, what...
01:00:32Girl, goodbye.
01:00:33But if you want to get paid for half a day, you have to do me a favor, okay?
01:00:37Scratch my shoulder blade.
01:00:38Move me a little further to the right, finally.
01:00:40Oh, oh, oh, oh.
01:00:42If this happens to us because of a very mistaken idea, of thinking that everything that comes from outside
01:00:48It is better than the autoxon.
01:00:50You're absolutely right, aren't you?
01:00:52You're absolutely right.
01:00:52Because tell me, aren't the Three Wise Men much better than Santa Claus?
01:00:57Anchor, hey girls, have you seen Dr. Wallman?
01:01:01The sarameando at three liters of apples per minute.
01:01:03No, maybe he's gone to take a walk in a garden, get some fresh air.
01:01:07Don't be ridiculous, man, since he reads the air and loses his temper, we have to put up with him for four years
01:01:12giving him coffee with salt.
01:01:14Oh, forgive me.
01:01:16Dolores, I'm going like crazy.
01:01:18Calm down, little girl, but don't scratch yourself like that or he'll skin you alive.
01:01:21Look, Dolores, if I get an itch, I scratch it.
01:01:33Look, I'm going to scratch myself in peace because it feels like a sick dog has run over me.
01:01:41Not a mangy dog, but a scruffy bitch like that.
01:01:45Forgive me, forgive me.
01:01:47Have you seen a woman dressed as a gypsy here?
01:01:51Tall, blonde, with blue eyes, that's her...
01:01:54Ah, a slightly fresh one.
01:01:56No, no, not fresh, she's my wife, okay?
01:01:58Ah, that's going to be the problem.
01:02:01But let's just go in there, suddenly, I don't know, without knowing each other a little bit, we could take a walk.
01:02:11I already have the dog for walks.
01:02:14Rafi, keep an eye on me during these times.
01:02:15What has he done to you?
01:02:17Little girl, let's go, the lifeguard has already left.
01:02:20Ah, by the guabudo.
01:02:22Cello, cello, cello, cello, wait!
01:02:23What is...?
01:02:24Dew?
01:02:26Cayetano, my love.
01:02:28Ma'am, there it is.
01:02:29My partner found it.
01:02:31Honey, I'm sorry, you know I go into the bathroom to touch up my makeup and it's going to jump out of my skin.
01:02:35Yes, but, Rocío, my dear, wherever we go, you have to have sex every 15 minutes.
01:02:42Come on!
01:02:47I'm sorry, Pello, look how many trinkets they're carrying, but they conveniently leave their wedding ring at home.
01:02:52Come on.
01:02:52Pigeon, could you take over?
01:02:56I need to calm down from being scared.
01:03:01What a fright!
01:03:09What a fright!
01:03:14What a fright!
01:03:15What a fright!
01:03:17What a fright!
01:03:17What a fright!
01:03:18What a fright!
01:03:18What a fright!
01:03:19What a fright!
01:03:19Cut, cut, cut!
01:03:19Look, look!
01:03:20It's over!
01:03:20Everyone out, security!
01:03:22It's about time!
01:03:23Come on!
01:03:24Yes, we are going to leave, but with my son!
01:03:27Come on!
01:03:27Okay, whatever you say, you can leave!
01:03:29Come on, let him go, come on!
01:03:30Get out now, get out!
01:03:30No, we all cancelled their participation.
01:03:33We have enough candidates without having to put up with nonsense.
01:03:35Come on, please!
01:03:35But wait!
01:03:36Thanks so much for sabotaging my whole dream, Dad!
01:03:38Thank you so much!
01:03:39But Christopher, listen to me!
01:03:40Leave me alone, leave me alone!
01:03:41Listen to me, Christopher!
01:03:44José Mari, he'll give you such a powerful performance that no musician will be able to play what you dance to.
01:03:50You're kidding, right?
01:03:51No sign of Dr. Gorman!
01:03:53You've lost it in the end!
01:03:55That?
01:03:56Who's lost?
01:03:58Gorman, who is American, but has gone to France.
01:04:01But how?
01:04:01That can't be it, we have to find it, eh.
01:04:04Well, him and the flea, right?
01:04:05What's the matter?
01:04:06I don't know, but this is horrifying.
01:04:08I know.
01:04:09And has he been kidnapped?
01:04:12Okay, guys, we have to find it.
01:04:15You have to sign the resignation letter.
01:04:16Don't worry, I'll set up a search operation for you within a mile.
01:04:19Are you going?
01:04:20Clear!
01:04:21Clear!
01:04:25But I'm relieved that your brother didn't make me spend money on the dress, which was made of polyurethane instead of cotton.
01:04:30be plastic.
01:04:31No, no, no, no.
01:04:31He would never do that.
01:04:32No, really, Carmen.
01:04:34The thing is, it's not his fault, you know.
01:04:36Well, a little bit, yes, but that's not why.
01:04:38What are you trying to tell me, Dolores?
01:04:40That my brother, unintentionally, let him take Trini to be dressed.
01:04:48That?
01:04:49Okay, it's a very complicated plan and I'm only going to explain it once, okay?
01:04:52Come on.
01:04:53You go, when you take it out, to the left.
01:04:55And when we leave, we'll go to the right to see if we can find it.
01:04:59Okay.
01:04:59What the hell is that man's plan?
01:05:01What does he want, what does he want to paint a flying chicken?
01:05:03Dolores!
01:05:04Account.
01:05:05Carmen, I'm so sorry, but you know how Trini de la Garta is.
01:05:09And since my brother was so naive, he tricked him, tricked him, took advantage of him, who was completely out of his mind.
01:05:14job
01:05:14and he convinced him to give it to him there and told him that he was going to bring you a suit.
01:05:18And in the end I had to pick it up myself at his office.
01:05:20And why haven't you told me anything?
01:05:23Because I didn't see anything of the dimension.
01:05:25I checked it from top to bottom, it had the zipper, it had everything, the ruffles, the fabric.
01:05:30It was like...
01:05:31Dolores, it's unbelievable that you don't know who Trinidad and the Zanos are.
01:05:36Code red, code red, code red!
01:05:38That?
01:05:40Are you outside?
01:05:44Hey, but don't all go, don't leave me here with these three.
01:05:49Yeah?
01:05:49Where better to go than with us?
01:05:52That?
01:05:52Pichurri!
01:05:54Pichurri?
01:05:55I knew it!
01:05:56He's going to find out!
01:06:00Hello Carmen!
01:06:01How are you?
01:06:02Nice dress.
01:06:04Yeah.
01:06:04And comfortable.
01:06:05It's visible.
01:06:07Thank you so much for taking my guest for a walk.
01:06:09Yeah.
01:06:10And from now on, the new signing of the Las Flores Clinic.
01:06:13I admit you've been quick, but you'll soon realize that this business of managing isn't a race.
01:06:18not speed, but depth.
01:06:19And I have many more years of training than you.
01:06:22Dr. Goldman has accepted my counteroffer and terminated the contract he had with you.
01:06:28As?
01:06:29I'm sorry.
01:06:30I'm sorry.
01:06:31She has a calesi.
01:06:32There's brandy.
01:06:33Lots of brandy.
01:06:35Alright.
01:06:36You might think twice when I tell you that you have to pay the decision clause.
01:06:40Peaceful.
01:06:40I'll make a transfer to you tomorrow.
01:06:42But Goldman is staying with me.
01:06:44Well, for you.
01:06:45Very good.
01:06:46I certainly don't know why you all fight so much over a foreigner when there are so many good guys around.
01:06:50We have it here.
01:06:51You, handsome.
01:06:52You are so handsome, you are very handsome.
01:06:53Yes, he's very handsome.
01:06:54Handsome.
01:06:54You fucking bitch!
01:06:56I'm going to get you.
01:06:58I'm going to get you.
01:06:58I'm going to grab you by those four hairs you have to see twitching.
01:07:01But it's obvious, are you crazy?
01:07:03Crazy?
01:07:04How could you cheat on me like that?
01:07:06That!
01:07:07That has a name!
01:07:09No, that's just your imagination.
01:07:11Oh, really?
01:07:12And the little one.
01:07:13And that kiss.
01:07:13And the whispers.
01:07:15And the glances they exchanged in the clinic every time they passed by.
01:07:17No, that's my business, parallel relationships, my private life.
01:07:21These are things I can't tell you.
01:07:22Rafael, I am your wife.
01:07:24I want an explanation now.
01:07:25Juan is my son!
01:07:41If you called me to tell me you were right, it wasn't necessary.
01:07:45No, no, no, Gozón, I didn't call you just for that reason.
01:07:53To give you this.
01:07:57Thanks, but I already have something else at home.
01:08:01I know it wasn't you who brought the Tupperware, it was my cousin Miren.
01:08:04And if it's any consolation, the idea, which was yours, worked out quite well.
01:08:11That's great.
01:08:14Gozón is my way of asking for your forgiveness.
01:08:20And what do you want, Iñaki?
01:08:22I don't know.
01:08:24You called me a liar and a thief.
01:08:26So, you're going to tell me three sweet things, and what?
01:08:28Am I supposed to come back losing my ass?
01:08:31Gozón.
01:08:35I need you here.
01:08:37So that?
01:08:39To argue with someone?
01:08:41There you have something.
01:08:42I need you here because...
01:08:45You are a great cook, because you are part of the Calla.
01:08:48AND...
01:08:49Without you, this has a high chance of not working.
01:08:55Gozón, truly.
01:08:58I was an idiot, I'm sorry.
01:09:02And I understand that you want to leave.
01:09:06But I want you to know that...
01:09:09There will always be a place for you in this kitchen.
01:09:14And...
01:09:15You were right.
01:09:16To this letter...
01:09:18It could use a bit of a refresh.
01:09:33Christopher, Christopher, please.
01:09:35Christopher, please forgive me, son.
01:09:37No.
01:09:37I swear that the last thing I intended was to humiliate you.
01:09:40But, Christopher, Christ...
01:09:42My dear son, right now you are entirely a man of the west.
01:09:46Why did you do it, Dad?
01:09:47For your own good.
01:09:48Believe me, that program wasn't right for you.
01:09:50Even if you told me you were giving me a treat, I'm not going to forget what you did today.
01:09:54Well, maybe so.
01:09:56But since you didn't give it to me, well, you didn't give it to me, right?
01:09:59No.
01:09:59Well, save yourself the lecture too.
01:10:01Christopher, please.
01:10:02What I want you to understand is that you can't leave your career in the hands of the first person.
01:10:06that gets in your way.
01:10:07I've seen plenty of talent wasted due to poor management, haven't I?
01:10:10In that, although it's difficult for me, I have to agree with you.
01:10:12A diamond in the rough like me can't be left in just anyone's hands, Dad.
01:10:15Of course not, you'll have plenty of time to find someone you trust.
01:10:19What you need to try to do now is forget this little disappointment.
01:10:23And what better way than for the two of us to go to Seville to enjoy its fair.
01:10:28You're right.
01:10:29Of course, and right now we're both going to pack our bags.
01:10:32Well, time to pack my bags, as always.
01:10:34No, I'm telling you that you're right about trust.
01:10:37Already.
01:10:37Dad, dad, dad, dad.
01:10:39Bustamante!
01:10:40Who is your representative?
01:10:41To his father?
01:10:42Of course.
01:10:43Tamara!
01:10:43To his mother?
01:10:44That is.
01:10:45Nadal!
01:10:45To his uncle!
01:10:47That is!
01:10:47Everyone trusts your blood, son.
01:10:50And will everyone fill the stadium?
01:10:51No.
01:10:52Dad.
01:10:52That?
01:10:54I want him to be my manager!
01:10:56Clear!
01:10:59As?
01:11:08Hey, seriously, are you guys sure he's sending this to Don Beumea?
01:11:12This...
01:11:12This cannot be taught.
01:11:14And we also tell him that there was a failure of re there with so many lanterns and here it hasn't
01:11:18Nothing was recorded.
01:11:20Oh, little boy!
01:11:21Clever.
01:11:23Sorry, sorry, sorry.
01:11:24I haven't spent all night on every sheet, you know?
01:11:26I mean, well, you understand me, right?
01:11:28What has happened with the Basques, because they didn't listen to the girl, has been worse than the cure.
01:11:31disease.
01:11:32God!
01:11:33Wow, what a way to snore, huh?
01:11:34What joy!
01:11:35Damn it!
01:11:36Calariche is like an earthquake!
01:11:38God!
01:11:38Speaking of Basques!
01:11:40Iñaki!
01:11:43Hey Carmen, look, before you hang up on me or tell me she's very busy.
01:11:47How is my little one?
01:11:49Girl, please.
01:11:51We're separated.
01:11:52No, Carmen.
01:11:54I'm saying this because of Elaya.
01:11:55Ah, yes, yes, good, good.
01:11:58Although you can ask your mother.
01:12:00As?
01:12:01Yes, he was giving up the nanny.
01:12:04Imagine, you and I were looking for a mediator and it turns out that the best mediator is my mother.
01:12:09Look, after all, who better than his grandmother, right? And that's what it's all about.
01:12:13Yes, yes, I understand.
01:12:15But the thing is, Elaya and you are so far away, and it's these little things that make me feel close to you.
01:12:24closer
01:12:25I know, and I'm sorry, but look, at least the sacrifice is worth it, right?
01:12:32Yes, yes, yes, yes, yes, everything's fine this way, everything's fine this way
01:12:39Okay, that's all, I'll be there in a bit.
01:12:42Okay, let me know, and I'll give you the best one. You're going to see Elaya.
01:12:48Bye
01:12:48Goodbye
01:12:52Wow! I woke up feeling awful, but this self-medicating thing...
01:12:55Oh, by the way, Goldman's resignation letter has arrived, it's official now.
01:12:59Trini gets a chocolate, but it's filled with liqueur.
01:13:05For the new signing of the flowers
01:13:11Oh, brother-in-law, thank goodness I found you.
01:13:13Look, darling, I've already apologized to your neighbor
01:13:16He says he doesn't remember anything, but I felt much better after apologizing to him, okay?
01:13:20Yes, I'm really sorry.
01:13:21Don't worry, woman, how are you?
01:13:24I'm still processing it.
01:13:26Well, he's just a boy, isn't he? A little dog.
01:13:29From the discount
01:13:29Well, I know I should have said that before, to be honest.
01:13:33Well, I forgive you because it happened before we met.
01:13:36But let me tell you something, okay, Rafael?
01:13:38If you have more children, speak now or forever hold your peace.
01:13:41No, no, I swear to that, there's no more
01:13:43As far as I know, let's go
01:13:44As?
01:13:44Come on
01:13:47Hey, it's funny.
01:13:51Hugs, Mom
01:13:53Ana what?
01:13:54Why did they tell you it's theirs?
01:13:55Otherwise...
01:14:04If you start putting the course together now
01:14:07What are you going to leave for later?
01:14:10The Sydney Opera House
01:14:11What's wrong, my little girl?
01:14:12Nothing, we're looking for a girlfriend for him.
01:14:15I think I have the perfect candidate
01:14:17You told me earlier that I could ask for whatever I wanted, right?
01:14:19But he doesn't take advantage, because the genie of the magic lamp is here.
01:14:24A paternity test
01:14:27Aren't you nervous about finding out the results?
01:14:29Celia told me she already has the results of the insurance tests.
01:14:32Oh, I know
01:14:32The tests came back terrible.
01:14:34Come on, he only has a month or two left to live
01:14:37We're going to miss him a lot
01:14:39A lot, a lot
01:14:39And that face he makes when people talk to him.
01:14:42It seems like he understands you.
01:14:44We took it shopping.
01:14:45That!
01:14:46Like Betty and Guama
01:14:47The day I want my granddaughter
01:14:49She is raised by three gossipy and responsible women
01:14:51We hope to see you all soon.
01:14:54Music
01:14:56You, you, you, just like in the movies
01:14:58A tutiplini, a de todo
01:14:59A de rucha, a vivir los días
01:15:01As if there were no tomorrow
01:15:02It's because the best ones always leave.
01:15:04I'm going to do everything I've always wanted to do
01:15:06And that I haven't been able to do
01:15:10I'll be right back and we'll go
01:15:11Fancy a movie?
01:15:12Have a drink
01:15:14Did you see that?
01:15:15When I saw a boy with a girl
01:15:17And you all get all jealous.
01:15:19That's because
01:15:20You like the guy, don't you?
01:15:22What do I need to do to get a paternity test?
01:15:25You?
01:15:26Give me some Juan
01:15:27I don't know, a little bit
01:15:28Something you've sucked on
01:15:30I'll be right back
01:15:31Hey, don't come at me!
01:15:32You!
01:15:36No!
01:15:37Thank you!
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