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01:30The lyrics say, go and tell your mother that if she wants to sell you, the money is in her hand.
01:35money and the merchant at the door.
01:37Take your own advice, Toñuelo!
01:38Oh, the merchant who offers the guide!
01:40What are you doing, dude?!
01:41Out!
01:42Out!
01:43And you don't need to know how to drink it!
01:45Let's not get carried away!
01:46Out!
01:47And I'll tell you, take it with you!
01:49Out!
01:50Take me away from here!
01:51Let me!
01:51Get this out of here!
01:52Let me go get him!
01:53Leave me alone!
01:55Leave me alone!
01:55Don't take it for the blood!
02:00You son of a bitch!
02:05One day that radio, and that Easter falls on a Friday, and some day that radio, and the moon in
02:23Your roof, and me in the street, and me in the street, and me in the street, and me in
02:31And me in the street, and me in the street, and me in the street, and me in the street,
02:32And me in the street, and me in the street, and me in the street, and me in the street,
02:35And I was out on the street.
02:35There will be a radio show someday!
02:45I'm coming!
02:47I'm coming!
02:48That's outrageous!
02:50I'm coming!
02:53You?
02:54What do you want here at this hour?
02:55I want to talk to Juanita.
02:57Talk about what?
02:58But what happened to your face? You look like a freak!
03:02Let me in, Aunt Juana, I don't want anything to do with you.
03:04Wait.
03:06You'd better talk to me, because the way Juanita sees you, she'll kick you out.
03:10You'll end up like the gold diggers.
03:14To receive a visit discreetly at this hour.
03:17That's what you'll end up in.
03:18And it's all your fault, Aunt Juana, because you put that old man in her face.
03:21What are you saying, you wretched, drunken fool?
03:24Let him explain himself, mother.
03:28Come on, let the bile flow from that Cuban mouth of yours.
03:32You have deceived me.
03:34You deceived me by pretending to be a saint, but you are a bad woman.
03:38Everyone knows that Don Paco supports you and clothes you.
03:41How dare you, you wretch?
03:43And you're so stupid that you believe those lies.
03:50I am not your brother.
03:53So instead of going after those who slander me, you're going after me.
04:01Of course you're not my brother anymore.
04:08Get out of here.
04:10Come here.
04:34Some day?
04:42Speaking of new developments.
04:45You all know that there has recently been a speech here with more firepower than those in parliament.
04:50Why does nobody want to talk about it?
04:52I believe that what Don Anselmo said in the sermon was very clear.
04:58If a woman from the village dresses like a lady, she is a prostitute.
05:02Gentlemen, Juanita is not only honest, but she has the right to enhance the beauty that God gave her.
05:08Well, look, Don Pascual, you have to be there for the good times and the bad.
05:12Many ladies have been skinned alive here.
05:14I feel sorry for the Juanas, because until Doña Inés unfrowns, they won't get any jobs.
05:21Look, Don Pascual, Don Paco saw what was in the Juanas' shop window.
05:26He went in, asked the price, and bought it.
05:29No, the purchase isn't that clear.
05:32The mother is a sly fox, and after the sermon she'll have raised the price.
05:37Gentlemen, what are two women?
05:39Hello, Mr. Secretary, good afternoon.
05:43Good afternoon, gentlemen.
05:44You arrive like a blessing.
05:45The dominoes want to quit the game.
05:48Won't you sit with us?
05:49No, I just wanted to tell you not to count on me today.
05:53But anyway, what's that about?
05:56Is there something serious?
05:57No, nothing, Mr. Mayor.
05:58I still have a while to go at the town hall.
06:02God be with you, gentlemen.
06:14I think he heard it.
06:15Domingo was the third of her children, and while she was pregnant with him, she dreamed that she gave birth to a little dog with an axe.
06:23lit in the mouth, which filled the whole earth with light and clarity.
06:29Overwhelmed by such an extraordinary vision, Doña Juana asked the Lord for an explanation, going on a pilgrimage to the tomb of
06:38Saint Dominic of Silos to implore the intercession of the holy abbot that he might be enlightened.
06:46What happens now?
06:47No problem.
06:48This creature cannot sit still or listen attentively.
06:52Neither she nor you.
06:53What am I saying, ma'am? That I should put the bouquets out to dry before the sun's strength subsides.
06:56The sun has plenty of strength left.
06:58No, ma'am, why?
06:59Silence.
07:04This morning I was unable to read the Christian year.
07:07And you would do very well to learn about the life and miracles of Saint Dominic.
07:14Very briefly he explained and justified the true meaning of this mysterious vision...
07:20Lady?
07:26Santo Domingo is finished.
07:27I know it was a less elegant gathering than yours, but for me it had its appeal.
07:32Good heavens.
07:34A man of his position, nor of his age.
07:37I chat every night with two ordinary women.
07:40And the blacksmith's son.
07:42The biggest scoundrel in the place.
07:45And what were the two couples talking about?
07:47Why don't you try keeping your temper in check?
07:49With me, he doesn't need to show it.
07:52If I remember correctly, I've known you since you were born.
07:56Furthermore, Antoñuelo no longer came to the gathering.
07:58Wow, so they were rivals.
08:01Because there were versions for all tastes.
08:03Whether you were there for the mother, or for the daughter.
08:05And why not both?
08:07The timing isn't right, Dad.
08:08Keep your jokes to yourself.
08:11That young lady is pretty.
08:14But it also has some traces.
08:17For God's sake, Father, your age is ridiculous.
08:19At my age, you say?
08:20At his age, father.
08:21Some men want to deceive themselves.
08:23And they give a young girl an apartment in Cordoba or Seville.
08:29You're not an old man yet, father.
08:32You with a decent woman, of your class...
08:35And after a good job at the dentist.
08:38But you're going to turn out just like Álvaro.
08:40Wherever he sees skirts, he thinks he has to build a nest.
08:43That's great.
08:44Let's give that shameless woman a house in Seville.
08:47But neither my father nor my husband.
08:49Here, in this town, before my very eyes,
08:52They court a woman like that.
08:54Nor scandals like the one about the frock coat.
08:55Or the dress for High Mass.
08:57Not even close.
08:59Keep just two steps from my house, any one of them.
09:02Old or young!
09:05I have nothing more to say to you.
09:06Stop right there!
09:08Now you're going to hear me.
09:10Because I have come to speak to you, and I am your father.
09:12You don't ask me for respect after having lost it.
09:15I ask you not to speak about those women like that in my presence.
09:17The whole town is talking because of you.
09:20You are being unfair to two honorable women.
09:24Honest?
09:26Two losses.
09:28A chip off the old block.
09:30Think before you speak.
09:31Because one of them could take your mother's place.
09:36But...
09:37But what does it say?
09:40If it weren't for the respect I have for him.
09:43Have you gone mad?
09:44I say I'm going to ask for her hand in marriage.
09:46So it's not enough for them to just squeeze his wallet
09:49two women with the soul of a courtesan.
09:51I'm speaking, and let me finish.
09:52If Juanita grants me her hand in marriage,
09:55You will have to respect it.
09:58Jesus, Mary and Joseph.
10:00I respect that...
10:05I would be mortified.
10:07if you were to commit such a foolish act.
10:09But not if I gave her a house in Cordoba.
10:11Scandal is a sin!
10:13Worst!
10:17May God enlighten him.
10:19And may God have mercy on us.
10:28Subscribe to the channel!
10:48Subscribe to the channel!
11:03My name was Don Paco. Good evening.
11:07The matter must be important for him to call me at this hour.
11:10At dawn, and before anything else, get this letter to its destination.
11:15So you made your decision.
11:17I already knew that. There were people saying you had nothing to do.
11:22Well, now you're going to sleep like a log.
11:24You won't say anything about whether or not I have something to do. And not tomorrow either.
11:28Don Paco, you'll have complaints about my discretion.
11:31You'd better do your part in this matter. Go on.
11:43Juana Gutiérrez. Yes, it's me.
11:46And you really don't know what he's talking about here? Because coming here in such a hurry, he must have told you something.
11:51Same as you. A letter to be delivered as soon as the sun rises.
11:55It can't be bad news, woman.
11:57Hey Juana, when could we make another advantageous deal?
12:01Go on, go run those streets, that's what you do best.
12:03But even if we were very well raised, we would make the journey together.
12:05You will be. Out. Out.
12:06But...
12:07What a man, they always have the same thing on their minds.
12:09But, woman...
12:10They say that animals, animals, only once a year.
12:18What? I know what he's saying?
12:20Are you sure we're moving to Cordoba or even Seville?
12:24Let's see, let's see.
12:28The fact that I can't read...
12:29Take it away, take it away.
12:31Dear Mrs. Juana Gutiérrez, whom I hold in highest regard, I am writing these lines to you...
12:40If you're going to look, it might be because of you. Ma'am, it's you too.
12:43Shut up, be quiet!
12:45...seriously planned to ask for his daughter's hand in marriage.
12:54But you hear this.
12:57Girl! Girl!
12:59Girl, wake up!
13:01But what's going on? Didn't I hear the fire being knocked on?
13:03Oh, my child!
13:04If you were born with a carnation up your ass, I'll know.
13:08What does marriage ask of you?
13:10Look, there it is...
13:11Come here, shut up already.
13:13Don Paco, what does marriage ask of you?
13:15Eat a lady!
13:35To the mother, grab a pen, ink, and paper, because you have better handwriting than I do, even though I read so badly.
13:42And what's more, it's addressed to you.
13:44Things are happening while they're still hot.
13:46What should it be like? When does the heart rule?
13:48That's it. And may those filthy bitches explode when they find out.
13:51I don't want anyone to explode, mother.
13:54So it's best if nobody knows.
13:56Where do you want to end up?
13:58I don't want that man, mother.
13:59And I'm not going to marry him for his money.
14:01But you got tired of saying he's a gentleman.
14:04Why do you want to take him as your husband?
14:05Because the idea of getting married for financial gain has never crossed my mind.
14:09And I'm not going to take advantage of their generosity.
14:11Also, a gentleman.
14:12Yes, a gentleman.
14:14But the first thing he told me was to get settled.
14:16Those are fussy little things, girl.
14:18Now he's asking you for a wife, and Don Paco has a lot of power in this town.
14:22I can already see it.
14:24Here, Juanita.
14:25My lady.
14:26Will you shut up or go to the kitchen?
14:28Go on, go find some writing material.
14:30You're going to answer him.
14:32Sir, my dear Don Paco, my daughter and I are very proud of the honor you bestow upon us.
14:39Girl, don't get so cocky, luck doesn't knock on your door whenever you want it to.
14:44You go to find writing material and put a wafer in your mouth like the one that came with the letter.
14:49To the mother, there is work waiting.
14:59What's eating you up inside, my girl?
15:30What's eating you up inside?
15:40And so?
15:42I thought I could leave the town hall for today and go shoot some shots.
15:46Because they elected you, mayor.
15:47What things do you have?
15:49I said it because I've seen you acting like this for several days now, well...
15:54And how is that?
15:55Well, I don't know, like that.
15:59Have I been lazy?
16:01No, man, no.
16:04So, how?
16:06Nothing.
16:07What's it going to be like?
16:08Jaunty.
16:09Very elegant.
16:22So you spend your whole day like that, huh?
16:25Looking out from the balcony or looking at the door that hit them in the nose.
16:30We're missing him in the back room.
16:34Good morning, Mr. Antonio.
16:35His case is not settled yet.
16:38But what's the matter, man?
16:40Something else worries me.
16:44Do you think others haven't had that door slammed in their faces at some point?
16:48If I told you.
16:50There was a little girl, a pants wearer, when I was studying in Cordoba.
16:55I had my hopes up.
16:57I even had the apartment agreed upon.
16:59Well, you can still see the bump on his forehead from that door slam.
17:04And look at your son-in-law.
17:05He's been given so many that he doesn't know whether to go in or out anymore.
17:10Allah, you're coming with me right now to the back room of the pharmacy, to the chat, to have some fun.
17:16The matter of that girl has ended there, forever.
17:20There is unanimity on that.
17:22But as for your neighbor, you should skin him alive as God commands.
17:26Well, is your mother out of her mind or what?
17:31I'm meeting up with Juanita next week.
17:34Do you think a sheet set is embroidered in a snap, or not?
17:36No, it's just that my mother says she doesn't want the embroidery anymore and that I should get the sheets.
17:40That's enough.
17:44Ten.
17:45And you tell your mother that she doesn't owe me anything?
17:49Yesterday I didn't go to make Doña Elvira's pasta.
17:53The day before yesterday, the cow of Jesus had already given birth.
17:57Today, embroidery.
17:59This is going to take a while, Mom.
18:02When life gives you lemons, make lemonade.
18:05You always said so, Mrs. Juana.
18:07We must be like Violeta, humble.
18:10Don't see it until you step on it.
18:13But you'll see, they won't keep taking the bread out of our mouths.
18:16No.
18:18No.
18:22No.
18:24No.
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28:35Twenty-five, Inés?
28:36Twenty-five
28:37What if men then hold it against you?
28:39Well, here are a few.
28:41Let's see if someone can do those calculations for you.
28:43What do you think, Don Antonio?
28:44Except for my husband
28:45Except for my father
28:46Well, I don't know what to tell you about my father.
28:49But really
28:50Do you have an income of twenty-five thousand reales?
28:53Well, at this time of year
28:55There are always fewer left.
28:56Anyway, put me on the list
28:59Alvaro!
29:00Wow, that's strange.
29:02You usually have to hypnotize him to get him to come.
29:04Ignore her, ma'am
29:05You definitely couldn't count on this husband of mine.
29:08For good advice
29:08I'm a lapdog
29:11How many olive trees are twenty-five thousand reales, Álvaro?
29:14Those who want beautiful women
29:17Hi, Dad
29:18Hi, Mom
29:19Hi, Mom
29:20Hi, Mom
29:21Hi, Mom
29:21Hi, Dad
29:22What a beautiful girl!
29:24Hello, grandpa
29:25And what elegance!
29:26Don't tell me you saw them in Madrid
29:28Get out of here, daughter
29:29She's a seamstress from here who comes to our house
29:32But she has exquisite hands.
29:34If you want, I'll introduce you to her.
29:35And you ask him to do whatever you want.
29:36Mom, Juanita has told us a beautiful story
29:38Of a sultan and a sultana
29:40More wonderful than the martyrdom of Saint Patrick
29:42The Moors are so exciting, my daughter.
29:46One of these days I'll ask him to play the guitar for us.
29:49The thing is, he doesn't want to be seen.
29:51He put his foot in it once
29:52And now the poor woman's fingers are becoming guests
29:55To bed
29:57Come on, everyone
29:58Good night
29:58See you tomorrow
29:59Goodbye, mother
30:00Bye
30:00Goodbye, Dad
30:02Today I already read my Christian year.
30:05Is a three-piece set going?
30:15Okay, stand up
30:22Come on, don't just stand there like a fool
30:31You lengthen the skirt
30:32You give it a little more shape.
30:36And like new
30:39With that body you can wear whatever you want
30:45Okay, it's yours.
30:46So you sort it out in a snap.
30:50Sagrario is still sick
30:52And how Agustina has started taking those walks with my father
30:55I'm not just going to do the catechism visits
30:58That wouldn't be right.
31:00So you fix it up and meet me tomorrow afternoon
31:05Okay, what do you say?
31:07What am I going to say?
31:08That you command
31:17You like coming with me, don't you?
31:20You like coming with me, don't you?
31:20Mm-hm
31:22Thank you
31:23Very good
31:38Good afternoon.
32:18Good afternoon.
32:41Good afternoon.
33:14Good afternoon.
33:26Wouldn't running an errand be faster?
33:29The requests for help must be on this special paper.
33:32Then another document goes from the town hall to Cordoba and another one will authorize the aid there.
33:37And in the meantime, their legs will get messed up.
33:42Why are you waiting for the paper from Córdoba to arrive?
33:44How kind you are, ma'am.
33:45Fifth woman, remove.
33:46Thank you very much, miss.
33:47May the Blessed Virgin Mary repay him.
33:48You are very good.
33:49If it were perfect, it wouldn't be possible anymore.
33:52Yeah.
34:21May the Blessed Virgin Mary repay him.
34:26May the Blessed Virgin Mary repay him.
34:28Good afternoon.
34:29Good afternoon.
34:30Good afternoon.
34:52Good afternoon.
34:58We seem a little tired. Should I take them?
35:00No, thank you. We're almost there.
35:02And it's good to tire the body, so it doesn't become lazy.
35:05Doing charity as usual?
35:07And with a new companion.
35:09Maybe I'll discover the Mediterranean.
35:11But Doña Inés improved the company.
35:13To improve charity, Andrés.
35:17Good afternoon.
35:18Thank you.
35:29Hello, Haka, the girl with the long hair.
35:33Hello good.
35:44Wait.
35:46No, no, not here. In that exhibition. In the first one.
35:50That mix of grapes can't possibly turn out well.
35:52No matter how you react.
35:54Well, it's the mix I've been making for three harvests.
35:57Well, it's up to you.
35:58Just like I was saying. Natural is more bland.
36:01You prefer wine to grapes.
36:02And you mix contrasting grapes to achieve a different taste.
36:06But a woman who is natural, right?
36:09Nothing. Women too.
36:11The artifice improves them.
36:13Don Andrés, the snack is ready.
36:15Whatever you want.
36:19And that's my topic.
36:21Your indecisiveness.
36:22With fierce women, because they are fierce.
36:24And with the artificial ones, because you have to break your back to find out what's underneath.
36:30Well, considering he has a city council at his service,
36:33Choose one that, no matter how much powder you wear on it,
36:36Someone will take care of the cleaning.
36:38Stop joking around.
36:40For example, what about the 25,000 reais from the little life?
36:44Those ladies of the court wear so much plaster on their faces that one doesn't know what to expect.
36:49They do have thin ankles.
36:53Don't be contrary.
36:55So much praise for the village, and nothing going either way.
36:58I don't understand you.
36:59I don't understand where you're going with this either.
37:01Don't tell me you don't know.
37:03The path that Juanita takes in the long run.
37:06Was he released?
37:07As far as I know, he is free.
37:09After what happened, I haven't spoken to her again.
37:11But that's a girl who prides herself on being as free as the wind.
37:15So it will be free for whoever reaches it.
37:18Sure?
37:19Let's see if you're going to be like the dog in the manger.
37:22Your love for nature is thought-provoking.
37:25Even a headache gives you food for thought.
37:28Yes, yes.
37:30But that thing about Juanita...
37:33...you have to decide quickly.
37:40For me, who am on my way to other things, let this suffice as the conclusion of my prologue,
37:45to say that when the Lord rose from the dead, he appeared first to women
37:49and made them apostles to the apostles,
37:52because if the men were to offend by not seeking the one whom the already weak lineage of women had failed to seek.
37:59I, madam, wanted to bring them here to answer with them
38:04to those who might consider my mistakes and childishness
38:08what those for whom the saint excuses himself.
38:12These are the words of the blessed doctor Saint Jerome.
38:19You really showed your enthusiasm, girl!
38:23I was feeling the arrows of the Saracens.
38:26They would be other arrows,
38:27Because in the time of Mary Magdalene there were no Saracens, as far as I know.
38:30Please, gentlemen.
38:31We have read Father Malón de Chaide to edify ourselves
38:34And you all take it as a joke.
38:37And above all, I brought Juanita to the gathering,
38:40but not so that you can harass her from day one.
38:43It is your fault that we are so warlike, Doña Inés.
38:47Three beautiful targets they shoot at.
38:51So that there may be peace, my friends,
38:54I think it would be best if each owl went back to its own olive tree.
38:56It's already very late.
38:57I say, you're not going to get lost,
38:59But you wouldn't mind a little company either.
39:02Come on, if you accept it.
39:04With great pleasure and good will.
39:12Good night.
39:23Good evening, Mr. Andrés.
39:24Hello.
39:26Okay, see you tomorrow.
39:29I still have work to do.
39:31And can't there be just one chat?
39:33No, I want you to know him.
39:34Bye bye.
39:35What if I ask you to let me in?
39:37Let's play a game of cards with my mother?
39:39Stop messing around.
39:40Those eyes of yours are lighting a bonfire.
39:43That's the third time now.
39:44And it is the language of the devil.
39:47According to Blessed John of Ávila.
40:02Good night.
40:44Go on, just leave it.
40:52With this heat, I don't feel like doing anything.
40:56What a day.
40:58I didn't even have the strength to read the Christian year when I woke up.
41:01Well, with this embarrassment, she'll tell me later in the discussion.
41:06Yeah.
41:07I'm afraid no one will want to hear about the sacrifices of the martyrs.
41:18Sit here next to me.
41:30I am like fire inside.
41:32Take it, and me.
41:34If they threw the tiles at me, I would writhe like a vine shoot.
41:44Now everything seems distant to me.
41:47Unattainable.
41:52Go ahead, open the canticle of Saint John of the Cross.
41:55I do want to hear that.
41:57On any page.
42:04She gave me her breast there.
42:06There he taught me some very tasty science.
42:08And I gave it to him, in fact, without leaving anything behind.
42:13There I promised to be his wife.
42:16In this song, the wife recounts the devotion of both parties in this spiritual marriage.
42:23It is good to know about her and about God.
42:25Saying that in that inner cellar of love they came together in communication, he and she,
42:31breastfeeding her freely, with his love, in which he taught her wisdom and secrets.
42:37And she to him, giving herself entirely to him, without reserving anything for herself or for another.
42:45Now claiming it as hers forever.
43:10You didn't love me when you came to this house.
43:12Nor you to me.
43:14But love pays for itself, says St. John.
43:18Love is repaid with love.
43:20We say at my house.
43:22If I ask you for something, you know it's because I care about you.
43:25Anything? Like what?
43:27You can't tell me no.
43:29Because it's your well-being that I want.
43:31And you know it.
43:33Anything? Like what?
43:36You can't get married, you creature.
43:39Why not?
43:40You cannot give yourself to a man whose hands are as rough as the earth he works.
43:45No.
43:46That is my condition.
43:50I've thought it through a lot, girl.
43:56I'm going to provide you.
44:00This hair can't be for a yokel.
44:06If I ever cut it off, I'll give it to you.
44:10Your beloved cannot be of this world.
44:14Would you provide me with the means to enter the convent?
44:17Don't you see any other solution for me?
44:19There is no other place for you.
44:22Anything else would be a sin.
44:26There is no other place.
44:30There is no other place.
44:35From your pitcher, I would like to drink a deal.
44:39That gave me such a fright.
44:41What are you doing here?
44:43I went out for a walk.
44:44I'm glad the same thing happened to you.
44:47Nothing's wrong with me.
44:49He just needed water.
44:52Four weeks and we haven't had a moment to talk.
44:56It's not necessary.
44:58Doña Agustina talks a lot.
45:00And she's very funny.
45:03And Mr. Andrés, do you find this funny?
45:06What is certain is that he's not coming for my 25,000 reais.
45:10Do you think I'm the one looking for them?
45:12I neither know nor care.
45:16Wait, woman.
45:19I had asked you for some water.
45:22They say that this water is drunk by defeated old people.
45:37Don't you drink?
45:39They also say it's good for girls who can't sleep.
45:43That is true.
45:44Thousand.
46:07So why all these questions?
46:09I already explained to you in detail why I was going to that house, right?
46:12Yes, you went in there like a goat to make a mess with Doña Inés and you came out like a lamb.
46:18And who told you that she won't remember me yet?
46:21Maybe I won't marry someone as tall as our Lord in heaven.
46:25But there are other very tall ones that are already fluttering around.
46:30So, maybe I'll kill two birds with one stone.
46:34Look, girl.
46:35I told you this situation was going to rot you.
46:38Do you remember?
46:39So, you're not a calculating woman, what are you going to be?
46:43Not as vengeful as you think, nor as long-lived as people say.
46:49You went to Don Paco's strangest house to make him jealous.
46:53And Don Paco, if you're not careful,
46:57You find him married to the little widow,
47:00which is very good in its genre.
47:08Do you know what I'm saying, Don Pascual?
47:09You men don't understand us women.
47:13But I'm not a man, little girl.
47:17I am a school teacher.
47:25Well, you're wrong.
47:27The secretary is very pleased to leave his work in the middle of the afternoon.
47:31And go out with Agustina so she can try the water from the Miraculous Fountain.
47:35So you're a refined and polite gentleman.
47:38Agustina.
47:40Agustina is sure of one thing, to put it simply and clearly.
47:43That you are in love.
47:46But whose?
47:49Well, that makes something else clear.
47:52That he is not from the widow of the 25,000 reales.
47:55Love at my age, Agustina.
47:58Come on, bring me that bouquet.
48:00It's not a man's love, nor is it forget-me-not.
48:02So you can give it to me as a gift.
48:17It's not a man's love, and I won't forget it.
48:31It's not a man's love, nor is it forget-me-not.
48:36It's not a man's love, nor is it forget-me-not.
48:51Woe to the person
48:58That taught me to love
49:05Woe to the person
49:06I think I know who she is.
49:11Make sure first, lest you see me knocking on the wrong door.
49:14And now I find myself without him.
49:23Woe to the person
49:43With a voice like the angels themselves
49:46Now you have to sing us a fandango, which I like more than eating with my fingers.
49:49The one who says...
49:50Sorry, there are no more songs
49:52You're leaving.
49:54What's wrong with this girl today?
49:56What's going to happen to him?
49:58Aren't all brides nervous?
50:00Well, she's Mr.'s girlfriend
50:01But a girlfriend
50:03How is that going to be?
50:05And don't you feel sorry that such a beautiful girl is going into a convent?
50:22Let me out, Don Andrés
50:24From you?
50:26As on other occasions
50:29Don't make me scream.
50:31Don't make me cause a scene.
50:32I can't live without you
50:33Let me
50:34Please
50:35Let me
50:36Please
50:39Let me
50:47No, no, no
51:34Thanks for watching the video
52:04Thanks for watching the video
52:18Thanks for watching the video