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00:00:00My mother, Don Pacuá, is not with us.
00:00:04He died.
00:00:04He abandoned us.
00:00:05Iñaki left us for heaven.
00:00:07Hey, but let's see, Antonio, I'm sure Frasquito didn't have a pulse.
00:00:10If he had it, he would have hidden it because I haven't found it.
00:00:13You're all trying to see who's Iñaki's best friend.
00:00:15And I would have forgotten that you are also friends.
00:00:18The same ones from a separate crew are nothing.
00:00:21He's not here.
00:00:21He's not here.
00:00:22What do you mean it's not there?
00:00:23What's not there?
00:00:23This.
00:00:24He's not here, uh, my...
00:00:25Isn't it there?
00:00:26It's not here!
00:00:27Will I know how to buy tobacco?
00:00:30What, Frasquito?
00:00:31Giii!
00:00:32But what makes you do that? Where did you come from?
00:00:34From hell!
00:00:35It's not that difficult, man.
00:00:38What Iñaki is most excited about is having a memento of you all.
00:00:42I think you need to think of something that will make him feel like his crew is close by.
00:00:47I think I've got it now.
00:00:48Are you corresponding with my mother?
00:00:49That's none of your business.
00:00:50Damn, it's not my doing.
00:00:53Frasquito, my mother knows about my life because of you.
00:00:56How long have you been corresponding with her?
00:00:59Look, I found a letter in Frasquito's pocket and apparently they had been corresponding for I don't know how long.
00:01:04Mom and Frasquito?
00:01:05Yeah.
00:01:06But does Dad know about this?
00:01:07No, and thank goodness, because otherwise all hell would break loose.
00:01:09One Direction, Basque.
00:01:12A bit big, isn't it?
00:01:13No, this is fine.
00:01:14Life-size.
00:01:15So that Iñaki can hug us when he misses us.
00:01:23Eva Morales.
00:01:24It was Frasquito.
00:01:26She says your daughter has found the letters she's been sending him.
00:01:29No, no, he doesn't know anything.
00:01:30And it seems he's going to let it be.
00:01:34Oh, Carmen, Carmen.
00:01:37That your mother is no longer the woman you remember.
00:02:03No, no, no, no.
00:02:22One, two.
00:02:23One, two.
00:02:24Stealing?
00:02:24Yeah.
00:02:25Stealing?
00:02:26One, two.
00:02:27Here, Quintóbal Benjumea, Torrecampo and Nojosa del Duque presenting the wedding preparations
00:02:33which will be held tomorrow between Iñaki and Carmen.
00:02:36Beside me, Don Benjumea, Illustrious Marquis and Grandee of Spain.
00:02:40Illustrious.
00:02:40Who's going to put up with you, my son?
00:02:42That's really big.
00:02:42Who's not going to stop recording already, man, please?
00:02:44And on top of that, with that stick.
00:02:45It's a selfie stick, and I wouldn't need it if my sister were here holding the camera for me.
00:02:48Okay, okay.
00:02:49They're going to let you castrate him in peace and quiet with your husband in the Galapagos, huh?
00:02:52Which Galapagos?
00:02:52So much commotion.
00:02:53The thing is, she always exaggerates the holidays.
00:02:55It's going to be still, it's going to come out moving, please.
00:02:57This is very nerve-wracking, Christopher!
00:02:59For a commoner's wedding?
00:03:00But what if the guest, as a renowned figure, is someone whose grandfather was the driver for a minister of Suárez?
00:03:06Are you stupid?
00:03:08Today is a very important day for me.
00:03:09I have to be impeccable.
00:03:11Don't you see that I'm going to be Marichu's host today?
00:03:13Well, and the bride and groom too, right?
00:03:14Of course, the boyfriends too.
00:03:16Christopher of the bride and groom too, of course.
00:03:18No!
00:03:21No!
00:03:22No!
00:03:24No!
00:03:25No!
00:03:26No!
00:03:27No!
00:03:28No!
00:03:31Welcome to the Viana Palace.
00:03:34Okay, okay, okay, okay.
00:03:35But what a waste Benito had!
00:03:40You didn't need to send a car to pick them up.
00:03:42Well, it's the least I could do for my girlfriend, right?
00:03:45I would have gone, but I had to finalize some details.
00:03:47And here we have the groom's mother, Maria del...
00:03:51Marichu.
00:03:52Marichu.
00:03:53Marichu is wearing a patterned dress, green, pistachio and pearl gray.
00:03:57This indicates that not everything that's fashionable in the north is necessarily fashionable.
00:04:02in the south.
00:04:03Okay, shut up for a bit, son.
00:04:04Be quiet for a bit.
00:04:05Gentlemen, welcome to this illustrious palace.
00:04:08How wonderful, Benito!
00:04:09There even has to be a changing of the guard here.
00:04:11Well, I was lucky enough to borrow it from a friend.
00:04:15Damn, I only lend the barbecue to my friends at most.
00:04:19Very well known!
00:04:21Oh, here it comes!
00:04:23Hold me, son, because these tacos won't fit me.
00:04:26Oh!
00:04:27Go away, you oak tree!
00:04:27You complain more about the banner.
00:04:29Oh, oak tree!
00:04:30You haven't spared a single patch!
00:04:32Sangove is more like this than a dragon, man!
00:04:33Damn, what have you brought here, Carmen?
00:04:37Two of them are smoking!
00:04:39Oops!
00:04:40Honey, a thousand, thousand thanks for everything you're doing for us.
00:04:43Ladies and gentlemen, let's make a quick video because we have a lot of things to do.
00:04:46For example, we have to go to the church which is exactly a three-minute walk away.
00:04:51Dress rehearsal for which we have exactly one hour and thirty-seven minutes.
00:04:55Lights test, sound test too.
00:04:57But let's do a rehearsal that looks like Carmina Muralas.
00:04:59Come on, let's go!
00:05:00Come on, come on, come on, come on!
00:05:01Let's go, we're leaving!
00:05:02Come on, come on!
00:05:03There, there!
00:05:04Come on, come on, come on!
00:05:06Come on, come on, come on!
00:05:08Okay, now I'll show you the palace.
00:05:09Oh, wait a minute, because the others are missing, don't you know?
00:05:12Where is the crew?
00:05:13My crew.
00:05:14Well.
00:05:14Anchón and Peyo have come to pick up Culdo and will arrive tomorrow morning.
00:05:19Joshua!
00:05:19A whole day in Seville.
00:05:21It's been a long time, so they don't mess things up.
00:05:23Bah!
00:05:28Cabezos.
00:05:29Here, with the humidity, wool shrinks by at least half a size, huh?
00:05:33Half a size, he says.
00:05:34But you look like you're wearing your first communion suit.
00:05:37You'll have to rent a bigger one in Seville.
00:05:40With that, you won't even be able to hug your boyfriend.
00:05:42Well, they've been open this year, that's good, huh?
00:05:45Oops!
00:05:46And that photo?
00:05:47Damn, Basques, what am I like, huh?
00:05:49So what?
00:05:50For the license?
00:05:52It's our wedding gift, so that they will always remember us.
00:05:55And speaking of appearances, Rubio, who are you two going to the wedding with?
00:06:00Because here are two bodies of flesh and blood that are eager for them to happen.
00:06:04In your case, more flesh than bone, aren't you?
00:06:06Very fizzy.
00:06:07Not me, not me.
00:06:09Man, have mercy.
00:06:11If you want, I...
00:06:13Man, I don't know, cord.
00:06:14I hadn't thought about that.
00:06:17Sorry!
00:06:18Come on, girl.
00:06:19If yesterday you bought the shawl to match his tie.
00:06:23No, wait, wait.
00:06:24Maria wouldn't come and grab someone's arm either, would she?
00:06:27Because in those palaces there are a lot of cobblestones and I could trip with my heels.
00:06:31Oh, God!
00:06:31Hey, hey, hey!
00:06:32Watch out, watch out, watch out!
00:06:33You're crazy!
00:06:35You won't think of going to the wedding with pity.
00:06:37Is Eisás cool?
00:06:38Are you going there?
00:06:39With one arm on each side, like a zarzuela?
00:06:40Okay, so how do I manage with both?
00:06:42Man, I'm a gentleman, you hooker.
00:06:43Well, Izascon is also in Singapore on a business trip.
00:06:46Come on, I mean, everything's squared off.
00:06:54Surprise!
00:06:55What have you done, my dear?
00:06:57Square.
00:06:58Yeah.
00:06:58Her eggs.
00:07:00Izascon.
00:07:02I thought I was in Singapore.
00:07:04Yes, but I've been thinking about us and...
00:07:07in this opportunity that we are giving ourselves
00:07:09and that I should also do my part.
00:07:11Yes, because...
00:07:12Coldo is already doing his part.
00:07:15That's why.
00:07:16I'm going with you to the wedding tomorrow.
00:07:17Hey?
00:07:17We don't marry off one of your group every day.
00:07:20There must be a reason.
00:07:21Hey?
00:07:30Rafi, here you go.
00:07:32Okay, so which way?
00:07:33Around there.
00:07:33Here?
00:07:34Damn, with these flimsy little nails.
00:07:36It's not tile, it's porcelain.
00:07:37And they cost me a fortune, Rafael.
00:07:39Come on, help me.
00:07:40Tell me the bread and assemble it.
00:07:41And what about you?
00:07:42Are you going to clap for me there?
00:07:43Can someone clap for me?
00:07:44Can one of my nails fall off?
00:07:45Oh, look, Isabel, I don't understand you.
00:07:47You don't understand me because you always act the same way.
00:07:50Look, darling, tomorrow is a special day.
00:07:52You are the bride's brother.
00:07:53And the most different thing you're going to do is go without overtaking.
00:07:56Why don't you do something about it?
00:07:57I don't know, it's just that when I look at you, you seem so downcast,
00:08:00so pale.
00:08:01They'll probably take your picture and you'll reflect the flash.
00:08:03Isabel, you shouldn't be a slave to your physical appearance.
00:08:06I, at least, think unnatural.
00:08:07Yes of course.
00:08:08At your age, I'd go natural too.
00:08:10But the thing is, I can't even be preserved in a vacuum anymore.
00:08:12Isabel, for your mother's sake,
00:08:13I made a ham sandwich, please bring a little mesh bag.
00:08:16Yes, man.
00:08:16You arrive at a bar and all you do is order.
00:08:18What do you want?
00:08:18Fill my nails with grease?
00:08:20Hey, José,
00:08:21I was thinking that you were going to the wedding alone.
00:08:25Yeah.
00:08:28Ah.
00:08:29Elena, wait.
00:08:30That?
00:08:31Will you make me your sandwich?
00:08:33Yes of course.
00:08:34Yes, I'm ready for a sandwich.
00:08:36What's going on in this bar?
00:08:38Is nobody working, or what's the deal?
00:08:39But you're stupid.
00:08:40Didn't you realize I was telling you
00:08:41without meaning to, with his texts, with his texts,
00:08:43Do you want me to be your date at the wedding?
00:08:46That?
00:08:48And why didn't you tell me by telling me?
00:08:50I don't really understand those little things.
00:08:51You men understand so little.
00:08:54José Lito,
00:08:55Do you know how I could give back a little bit?
00:08:57The color on my cheek?
00:09:00That won't be one of those topics in his writing.
00:09:02And he's asking me for a fling, isn't he?
00:09:03What's up?
00:09:04What a load of rubbish.
00:09:04I want to look cuter tomorrow.
00:09:08Give me a little touch-up, I don't know, a little bit of a makeover.
00:09:10That I...
00:09:10Pretty macho, huh?
00:09:11No waxing.
00:09:12Something you can get for me.
00:09:13I'll get it for you.
00:09:14I'm missing two months.
00:09:15How come he only asked me for cigars and wikis?
00:09:19Goldo, I've hung the dress in the window.
00:09:21Seriously, so few furchas.
00:09:22This looks like Tarzan's house.
00:09:24How right you are, my dear?
00:09:26That's what happens when you live alone.
00:09:28All alone.
00:09:29Let's go, without any company.
00:09:31What the hell do I do?
00:09:32Well, change the channel.
00:09:34We've been watching ads for ten minutes.
00:09:35I say, with Izaskun, with compassion.
00:09:37With the wedding, you big-headed fool.
00:09:39Well, tell Piedad that you can't go to the wedding with her.
00:09:41Yes, fantastic.
00:09:42Marvelous.
00:09:42So that she sees me at the wedding hanging on Izaskun's arm, right?
00:09:45And realize that I've been seeing both of them.
00:09:47Well, you tell Izaskun that you can't go with her either.
00:09:51She's my wife, man.
00:09:52How could I not go to the wedding with my wife?
00:09:54Wow, dude, you've got it all set up.
00:09:55Thank goodness I got off this train a long time ago.
00:09:57Yes, because two of his horses have already bolted.
00:10:01That's it, I've got it.
00:10:02I tell Izaskun that something has come up.
00:10:05and that I can't go to the wedding.
00:10:06So she's not going to the wedding either.
00:10:07And I can go with mercy without any problem.
00:10:09And Izaskun, are you going to pretend you're not going to the wedding of one of your friends?
00:10:12That's impossible.
00:10:13That's like not going to your own funeral.
00:10:15I'm going to have to hold my own funeral.
00:10:16if I can't think of something quickly.
00:10:18The ironing board...
00:10:19Hey!
00:10:20Although looking at you it seems you'll take her through the Ipurdi.
00:10:23Here it goes.
00:10:26Yeah.
00:10:27Elbow, when you come
00:10:28The palace seems enormous without you.
00:10:31As?
00:10:32Yes, yes, this is huge.
00:10:34There are even lobbies in the bathrooms.
00:10:36On duty today?
00:10:38Guard?
00:10:39No, no, I haven't seen any.
00:10:40Double top.
00:10:41But man, it's today of all days that my best friend is getting married.
00:10:43Koldo, are you okay?
00:10:45Well, look, no, I'm not okay, I don't think so.
00:10:47Of course, if it needs to be done, then it has to be done.
00:10:50because after all, I made an oath
00:10:51And above all, I am a doctor.
00:10:53Koldo, Koldo.
00:10:54Well, there you have it.
00:10:55that they've put me on call all weekend.
00:10:57Joma and Auntie, how could they do this to you?
00:10:59That's what I say.
00:11:01But you know what I'm saying?
00:11:01Look, you're not going to Singapore.
00:11:03Well, no, I won't swallow it, I won't swallow it.
00:11:04Because, look, that's it.
00:11:06I'm telling you, I'll call you right now
00:11:07And if they have to fire me, then fire me.
00:11:08Period.
00:11:09No, man, no, it's a very important collaboration.
00:11:12Yes, but it makes me so angry.
00:11:13Come on, don't worry.
00:11:15If you have to work,
00:11:16I'm going to Singapore, that's it.
00:11:18I'll come back with another passion.
00:11:20Joma and aunt, what reason do you have?
00:11:21As always, as always.
00:11:23Ah, the price to pay for saving lives.
00:11:26Especially yours.
00:11:30Look, there's a flight to Singapore in three hours with a layover in Madrid.
00:11:35In three hours?
00:11:36Man, woman, what are you going to do locked up in here for three hours?
00:11:39Hey?
00:11:40Much better if we go for a walk
00:11:42and then these two will accompany you to the airport
00:11:44and they make sure everything goes well.
00:11:46As?
00:11:46Us?
00:11:47You, yes, you.
00:11:49Can't you see I'm on double duty?
00:11:50Hey?
00:11:51Now, come on.
00:11:52Okay, but let me get my things.
00:11:53I don't pick them up, my dear.
00:11:55Look at you, let me show you how beautiful it is.
00:11:57There are some geriatric centers, an avenue with some geriatric centers...
00:12:00Wonder!
00:12:01That?
00:12:02Well.
00:12:02Did you see the turn?
00:12:03Did you see with...?
00:12:04Yeah.
00:12:04Well, some geraniums.
00:12:11This shelf contains very old editions of Don Quixote.
00:12:15Well, I'd say some are even dedicated.
00:12:17by Cervantes' own little migrant.
00:12:20Let's move on to the gallery.
00:12:22Well, it all seems vain to me, doesn't it?
00:12:25Your little friend has some interesting friends, huh, Marichu?
00:12:28What do you call a "bravetazo"?
00:12:30Well, you see, nothing to envy about my village.
00:12:32And now for the best part of the palace.
00:12:35It's distressing!
00:12:36Is this the best part of the palace?
00:12:38No, no, no.
00:12:39The best thing about the palace is the collection of household and secretary books.
00:12:42That anxiety, my key mom, is that I've brought the whole service with me.
00:12:45so that they can start organizing the palace these days.
00:12:48We always do it.
00:12:49When we came to visit, sir, it was the idea of the lady, may she rest in peace.
00:12:54Come on, come on, anguish.
00:12:55Don't be nostalgic, woman.
00:12:57We need to look to the future.
00:13:00Sorry.
00:13:03Yeah?
00:13:05Uh-huh.
00:13:05Just a moment, please.
00:13:07She is the councillor for the environment.
00:13:10My son wants to release some doves on his wedding day.
00:13:13Angustia, continue with the tour.
00:13:15Of course, sir.
00:13:16Yes, I'm here, tell me.
00:13:18Already.
00:13:19Are you Mrs. Marichu?
00:13:21No, no, no, no, no.
00:13:23Marichu...
00:13:25It's a pleasure to meet the gentleman's new company.
00:13:30Me?
00:13:32Please follow me.
00:13:34This woman could hunt rabbits with her eyes.
00:13:39Both sides will have lots of bouquets of flowers, lots of satin, lots of pomp, huh?
00:13:43Yes, but don't make it look like you're in the Amazon, Christopher.
00:13:45This has to go perfectly, Iñaki, it's my first report for the BBC.
00:13:49Weddings, baptisms and communions.
00:13:51If you want pomp and praise, I'll talk to Christopher.
00:13:54First, the groom enters with the guests.
00:13:56Then the bride enters.
00:13:57Not so soon that it seems like you're desperate to get married,
00:14:00not so late that it seems like you're still thinking about it.
00:14:02Okay, but hey, who's going to know me anyway?
00:14:04That's why I'm here, to tell you.
00:14:06Ah.
00:14:10The bride's mother and the groom's father will be in the church pews.
00:14:13No, the groom's mother and father.
00:14:15That.
00:14:16But what did I say?
00:14:17The groom's mother, the father, the son of the...
00:14:19The father's boyfriend, your mother, your mother.
00:14:21No, no, no.
00:14:23My mother doesn't go here.
00:14:27Will you excuse me, I need to make a call?
00:14:29Just a moment.
00:14:31Carmen, there are so many things she sees all the time...
00:14:35Carmen, if you call me to remind me not to wear white, don't worry, okay?
00:14:46No, daughter, you always have a struggle.
00:14:49Speaking of fighting, what?
00:14:50Have you won yet, Robben?
00:14:51Have you penetrated the power structure?
00:14:53Well, no, not yet.
00:14:54Now the Board says it's considering it.
00:14:56So, we can say that we are in a period of truce.
00:14:58But anyway, tell me, you tell me.
00:15:00So, has the patient arrived yet, mamadur?
00:15:02No, woman, not yet.
00:15:03But come on, it's normal that you don't come from Triana, you come from Senegal, you know?
00:15:06Yes, daughter, but it makes me so angry.
00:15:08I'm putting in a patient I've taken in through the cooperation program and now...
00:15:10Well, I'm getting married, thank goodness you're here.
00:15:13Ah, of course, because Trini will never stop doing anything to get married, right?
00:15:17No, and thank goodness, because that way you can take care of the child.
00:15:19What do you mean, "child," Carmen?
00:15:21He's 18 years old, right?
00:15:22Trini is 8.
00:15:24Haven't you read the file?
00:15:26Oh, Carmen, I can't take care of a child.
00:15:28Neither they like me, nor do I like them.
00:15:30Trini, darling, let her know that I've appointed you as her tutor.
00:15:33As?
00:15:34Damn!
00:15:36Trini, I'll let the coordinator lose.
00:15:38Bye, bye.
00:15:41Well, Maytia, I hope it's not too bad for you.
00:15:43If you want, we can Skype tomorrow, okay?
00:15:45Well, no rush, okay?
00:15:46I'm not going to Skype from the operating room.
00:15:49I mean, because it wouldn't be romantic.
00:15:51I still can't believe what they've done to you.
00:15:53No, neither are we.
00:15:55Have you told him yet, Iñaki?
00:15:56That?
00:15:56Ah, I haven't found the time yet.
00:15:59We will try to fill their place.
00:16:01Ecodolo, which is impossible, is like being in church and ringing the bells at the same time.
00:16:04Hey, you guys are going to be late for the airport, huh?
00:16:07And one favor, I ask you, make sure that I get on the plane, that there are no problems.
00:16:10Okay, Maytia.
00:16:13Eat up, or your glasses will be shaking.
00:16:15Otherwise, you'll be working all day.
00:16:16Get a little angry, okay?
00:16:18Okay.
00:16:20Still air, it's already leaving.
00:16:22Come on, get some air, you guys, okay?
00:16:24Come on.
00:16:26Still.
00:16:31Already?
00:16:33Well, me.
00:16:34And Iñaki?
00:16:35Start now, man, a little more rhythm and feeling.
00:16:38No, it had already started.
00:16:40Hey?
00:16:40I haven't even started yet, damn it.
00:16:42Oh, sorry.
00:16:43You can't hear anything from here, huh?
00:16:45We're going to have to add a little trumpet to the thing in the last row.
00:16:47Yes, Cristóbal, and some microphones.
00:16:49Microphone?
00:16:50What do you want, a wedding or karaoke?
00:16:51No, forget it.
00:16:52But I have a friend who can help us.
00:16:54No!
00:16:55Was it to lend a hand?
00:16:56Do you want to give tonic water?
00:16:57What did I tell you?
00:16:58Buqueca each yellow, buqueca each white.
00:17:00Buqueca each yellow, buqueca each white.
00:17:02Buqueca each yellow.
00:17:03That?
00:17:04If he says it again, he'll swallow it.
00:17:06Yes, yes.
00:17:07Hey?
00:17:08Carmen, are you okay?
00:17:09I?
00:17:10Yes, a little nervous, darling, but that's normal, isn't it?
00:17:13Yes, I wanted to talk to you.
00:17:17Yeah.
00:17:21Honey, if what you want to talk to me about is because you'd like to have a simpler wedding later on.
00:17:24No, no, no.
00:17:30This is your mother's address, isn't it?
00:17:33Yeah.
00:17:34Have you gone to look for her?
00:17:35Yes, yes.
00:17:36Is this a bug?
00:17:37But there was nobody there.
00:17:39Come on, I don't think anyone lives there.
00:17:41Carmen.
00:17:42Girl, what a heart, I'm sorry, I should have told you sooner.
00:17:45But you know what?
00:17:46I regretted it because I didn't know, I mean, now that after so many years, how he's going to react
00:17:51she.
00:17:51Well, what about my father?
00:17:52Well, your father probably isn't doing very well.
00:17:54This is a beja!
00:17:56I found a letter in Frasquito's pocket.
00:17:59Frasquito, did he correspond with your mother?
00:18:00Yeah.
00:18:01Damn, with Frasquito?
00:18:02Yeah.
00:18:02I was telling her all my life, well, my brother's and mine.
00:18:05What do I say?
00:18:06If that's the case, why did he never come to see us?
00:18:10Well, here's your answer.
00:18:13No, I've already decided no, Iñaki.
00:18:16Besides, do you know why?
00:18:17Because right now you and I are, I don't know, very good, very, very, very, very good.
00:18:21Forgive us, forgive us.
00:18:22Could your friend get a little autan?
00:18:25TRUE?
00:18:35Oh, where is she going?
00:18:36Pocahontas looks like she's from a heavy metal band.
00:18:38Japanese straightening.
00:18:40Country bumpkin, though we'll see how long it lasts, because my curl is like a boomerang.
00:18:44He always comes back.
00:18:44Hush, I haven't eaten for two days to fit into the suit and my flab is coming back too.
00:18:49Well, drink water, it does purify, that's for sure.
00:18:51Far from me, eh?
00:18:52That with the slightest contact with moisture my head can turn into a pot of snails again,
00:18:57Dolores.
00:18:58Has it arrived yet?
00:18:59Who is it?
00:19:00Well, who else could it be but the little monster?
00:19:02The insurer?
00:19:03No, Dolores, not the insurer, the child.
00:19:05Only Carmen would think of making me a child's tutor.
00:19:08Look, really, I don't even buy a Christmas lottery ticket because I don't want to listen to the kids from San
00:19:12Ildefonso.
00:19:12Little girl, relax, it's only until tomorrow.
00:19:15And just imagine, maybe it will come and the child will be adorable, because a child is all life, all
00:19:19innocence, that clean gaze, that purity.
00:19:22Well, Dolores, if you like children so much, congratulations.
00:19:26You've just officially become the new tutor of Mom... Mom...
00:19:31Mamadou.
00:19:34I am Diego Escudero, the doctor from the NGO who accompanies Mamadou.
00:19:38You?
00:19:39Trinidad Lozano.
00:19:40For you, Trini.
00:19:42Trini.
00:19:47Your tutor.
00:19:49Perfect.
00:19:51What is it, mamadou?
00:19:52Voilà, Trini.
00:19:54He's going to be a copycat of you and that's what the operation is about.
00:19:57Oh, please, but how well she speaks the language, better than Marie Le Pen.
00:20:01Hello, mamadou.
00:20:03You're so handsome, aren't you?
00:20:05Look, really, how wonderful.
00:20:07A child is all life, all purity, that innocence, that clean gaze.
00:20:12That boss is such a fraud, even with a 12 euro note.
00:20:14I'm sorry I'm so late, but I had to postpone my flight yesterday.
00:20:18Yes, well, I had to attend to an emergency appendectomy and, well, this caught me in the middle of it.
00:20:22Serengeti in a tent lit by a lantern.
00:20:25Typical, typical, but who was the appendix?
00:20:28Yes, well, don't worry, the important thing is that you're here now.
00:20:32And the child, of course.
00:20:35If you'd like, I can accompany you to see the doctor.
00:20:37Clear.
00:20:46They've forgotten my suit in the car, what do you think?
00:20:48Hey, if you need it ironed.
00:20:50No, no, don't worry.
00:20:51The vego makes the diplomatic line up to my underwear.
00:20:55Grateful.
00:20:56Bye bye.
00:20:56Sabine.
00:20:59Well, you see, I wanted to talk to you about something very personal.
00:21:05Staff?
00:21:06Whatever you want.
00:21:07Okay, how can I explain this to you?
00:21:10As you know, this is the first time Marichu and I have slept under the same roof.
00:21:14Since I was in a coma.
00:21:17Of course.
00:21:17Already.
00:21:18But now she's more alive than ever.
00:21:21He's going to tell me.
00:21:24Well, then, I wanted to know if you would know how she thinks, how she, Marichu, thinks about dealing with this situation.
00:21:31Flannel pajamas or a lace set?
00:21:35That?
00:21:35That?
00:21:36That?
00:21:36Well, I don't know, girl.
00:21:38But Sabino and I brought our pajamas.
00:21:40You know that these palaces are usually very cold.
00:21:41Yes, Begocho, but it's not the same.
00:21:43Aren't you starting a relationship?
00:21:44Yeah.
00:21:45Oh, aunt, well, what do I know?
00:21:48Look, the important thing is, Marichu, you want it.
00:21:53Of course.
00:21:55I may be older, but anyone would enjoy the warmth of a bonfire.
00:22:00Marichu being the bonfire.
00:22:02Of course, Marichu.
00:22:04It has awakened feelings in me that I thought were dormant.
00:22:09So, I'm wondering if you know whether she's expecting a visitor tonight.
00:22:18No?
00:22:19Yeah.
00:22:22A bit.
00:22:23Okay, but how little is that?
00:22:25Oh girl, I don't know.
00:22:26It's been so long that I think I'm going to need the instruction manual.
00:22:31Come on, come on, come on, be quiet, woman, that's something you never forget.
00:22:33That's like riding a bicycle.
00:22:34Oh, what if our chains are broken?
00:22:37Look, Sabino, this is very delicate, okay?
00:22:39I don't know how to get it right.
00:22:41As?
00:22:42Well, if I go to her room to look for her, she might get offended.
00:22:46But if I keep mine, she might think I'm scared to death.
00:22:49Look, I, I, I personally, tell me.
00:22:53Let's see, what initiative? I don't usually have much of one, do I?
00:22:57It's more Bego who...
00:23:00Yes, yes.
00:23:01Well, but they'll talk amongst themselves.
00:23:03Have you heard something?
00:23:04And what am I going to do?
00:23:06Clear!
00:23:07Zan Bárcar!
00:23:09They don't talk about these things.
00:23:12Oh, Begocho, what do I do?
00:23:13Oh, stay calm, woman.
00:23:15Just do what your body tells you to do.
00:23:17You'll see how he'll follow you later.
00:23:20Come in, Sabino!
00:23:23Oh, it's just that I get so hot at night.
00:23:27Well, this room is very cold at night.
00:23:31The lady liked to settle in the west wing when we came in winter.
00:23:39The lady placed them next to the fireplace so they would always be warm.
00:23:45I just don't like the smell of ceres.
00:23:47Anything else?
00:23:50Anything else I don't like?
00:23:52No.
00:23:53If you need anything else.
00:23:55No.
00:23:56Thank you.
00:23:58You can now...
00:24:01...to become alcidal.
00:24:12Hey Maricho!
00:24:14Now the fairy has truly taken over the room.
00:24:16Oh, the chills!
00:24:21But it just doesn't stop.
00:24:22Good, kid.
00:24:23Calm down, woman.
00:24:24Let's see, mamadú.
00:24:26That's clinical material.
00:24:28So you understand me.
00:24:30Clinical butter.
00:24:31Don't look good.
00:24:32Already!
00:24:33Leave it to the child.
00:24:34Trinito, you seem a little tense, don't you?
00:24:36Look, Ruth, I just can't handle them.
00:24:37I avoid the pediatric ward more than the infectious diseases ward.
00:24:40Take note of what I'm telling you.
00:24:41Well then, I don't know why you took charge, do you?
00:24:43I understand, really.
00:24:45Excuse me.
00:24:46You must be Roberto Almenar.
00:24:48I am Diego, the doctor from the NGO.
00:24:50Ah.
00:24:53Now I understand.
00:24:54Well, we've already seen Mamadú here and the procedure that needs to be done is very simple.
00:24:59Well, simple under these conditions.
00:25:01Imagine operating in the middle of a sandstorm with a tarantula bite on your arm.
00:25:05Did you treat a tarantula bite?
00:25:07No, I was the one who got the sting.
00:25:09I operated on a perforated lung.
00:25:10Oh really?
00:25:11But what are you saying?
00:25:12And which arm was it in?
00:25:14Well, the truth is I don't remember because I have so many war wounds.
00:25:16If you want, I'll take him to bed.
00:25:19To the child's room, I mean.
00:25:21It has the best views.
00:25:24The views, what interests you.
00:25:29Trini.
00:25:30Oh, the child left me.
00:25:32What a head, my head is so busy with the health of all my patients.
00:25:36With health, yes.
00:25:42Come on, Pio, finish up, we have to go.
00:25:44Hey, you don't need to come with me to the airport, I've traveled more than you're going to.
00:25:47travel throughout your life.
00:25:49No, yes, Pio loves watching airplanes.
00:25:53It's a miracle those things manage to fly, isn't it?
00:25:55Well, encourage me to go to Coldo, because missing the wedding was going to be tough.
00:25:59Yes, the truth is that at that clinic they are some of the Salmos.
00:26:02They may be pioneers in cardiology, but they're short on heart.
00:26:05And on top of that, with how excited she'll be about you.
00:26:08All night, on guard duty, looking at brains, anyway.
00:26:11And so far from San Sebastián, with no one waiting for him when he gets home.
00:26:14Nobody, nobody.
00:26:16All alone.
00:26:17That can't be.
00:26:17Yes, yes, alone, but alone, alone.
00:26:19No, Coldo isn't going to have dinner alone in a hospital tonight.
00:26:22There's a flight to Madrid in the early hours, so I'm going to have dinner with him.
00:26:25No, woman, don't change the bill.
00:26:28Did you realize it's going to be extremely expensive with all the current surcharges and fees?
00:26:33The company pays.
00:26:34No, but look, when I said "only," it's not just about being alone.
00:26:37I mean, he has a lot of colleagues, and they're all really nice.
00:26:40No, it's decided.
00:26:41I'm going to buy a nice little bottle of wine and we both have some.
00:26:44Okay, okay, okay, guys.
00:26:46You're good.
00:26:49Have you made plans?
00:26:51Yeah.
00:26:51Me, me, him.
00:26:54Sosera.
00:26:54And in the end, we didn't see any planes.
00:26:58Well, this was the lady.
00:27:00Since they came with the service, perhaps they brought the portraits with them.
00:27:03Look, I don't know, but I'm already fed up with the lady.
00:27:06Be quiet.
00:27:07Maybe the eyes of the paintings here move.
00:27:09What are you doing?
00:27:10Oh, son.
00:27:11How was the rehearsal?
00:27:13Complicated.
00:27:13Actually, I was looking for you to ask for advice.
00:27:16Oh.
00:27:16Well, if it's for the wedding night, wait until tomorrow.
00:27:19I'm sure your mother remembers it better.
00:27:21Be quiet, Begocho, please.
00:27:22What's happening?
00:27:23Nothing.
00:27:24Your aunt, who gets a headache from the smell of ceranium.
00:27:27So, what's going on?
00:27:28Yeah.
00:27:33I know that Carmen has been looking for her mother.
00:27:35But he hasn't dared to take the step.
00:27:38Sure, sure.
00:27:38It must be very hard to have an absent mother.
00:27:40And such a present father.
00:27:42Well, the fact is, I got the address.
00:27:46And I can't get it out of my head that deep down, she does want to see her.
00:27:50Do you think I should do something?
00:27:52Jesus, son.
00:27:53I would have preferred that you asked us for condoms for the wedding night.
00:27:56What a mess.
00:27:58Look, son.
00:27:58I am your mother.
00:28:00And I'm sure no mother would want to miss her son's wedding.
00:28:05It's because I'm so mad, love.
00:28:07Now I know what I have to do.
00:28:11Okay, go on, auntie.
00:28:13Let's see.
00:28:15Marichu, let's hope she doesn't mess things up.
00:28:26Piety.
00:28:28Man.
00:28:30My companion.
00:28:33You'll see the dress I bought.
00:28:35You'll even forget who's getting married.
00:28:37But you look good even in a tracksuit.
00:28:41What a fool.
00:28:43Well, we won't have anything to celebrate tonight, will we?
00:28:46No way.
00:28:47But the gathering is tomorrow, isn't it?
00:28:49Already.
00:28:50But we can start celebrating, you and I, before our wedding night.
00:28:54How about you come over to my house for some potatoes with cuttlefish for dinner?
00:28:59With cuttlefish.
00:29:00It sounds super sexy.
00:29:04Trin, trin.
00:29:05Not anymore?
00:29:06Yeah I know.
00:29:07Oh, damn, what a fool.
00:29:09Sorry.
00:29:12Yeah.
00:29:13As?
00:29:13It tells me there, code red, like holy shit, that's what it's called.
00:29:16So what happens now?
00:29:18This guy's really messed things up.
00:29:19I haven't messed up.
00:29:20Perhaps Kun, who is going there.
00:29:22That?
00:29:22She said she felt sorry for him being alone and was going to have dinner with him.
00:29:26But, man, what do you mean, a guard duty now?
00:29:28This piety there, isn't it?
00:29:30Look, you can't make me go there now, man.
00:29:33I have a life, you know?
00:29:34You're living a very bad life, Kondo.
00:29:37Very badly.
00:29:38Well, that's it.
00:29:39Well, they've already annoyed me by putting me on duty.
00:29:41and I have to rush to the clinic.
00:29:42Oh, what a mess.
00:29:44Well, anyway, it's the price you have to pay to save lives.
00:29:50But I promise you one thing.
00:29:52I'll arrive tomorrow with enough time to get to the wedding
00:29:55and for any cuttlefish that may be needed.
00:29:58Oh, my little doctor.
00:30:00How does this Grey's Anatomy thing turn me on?
00:30:14Sabino, what are you doing here?
00:30:18Extremely overwhelmed.
00:30:18I see her, she's very tight.
00:30:19Oh, you too.
00:30:21You've relaxed, you've let them gain ground, haven't you?
00:30:23And what have you become?
00:30:25In a rag doll.
00:30:26No, it's the tie, damn it.
00:30:27Ah, yes.
00:30:28I'll loosen it for you.
00:30:29Yeah.
00:30:30Hey Sabino, look, I have to ask you a favor.
00:30:33Whatever you want.
00:30:34Yeah.
00:30:35I have to go to Seville for a moment and I need your help.
00:30:37To Seville now?
00:30:38Yes, yes.
00:30:38Don Menjumé would lend us one of his cars.
00:30:40And we would return immediately.
00:30:41You and I...
00:30:41Dear.
00:30:42Hey, man!
00:30:43But I can't believe it, my love.
00:30:45What are you doing dressed like that?
00:30:46You are not a matter of protocol.
00:30:47We have to dress formally for dinner.
00:30:49Hello, Sabino.
00:30:50Yes, but you know what, Carmen?
00:30:51I can't go to the dinner.
00:30:53What do you mean you're not going to the dinner, Añaki?
00:30:55I have to go with...
00:30:57With me.
00:30:58Where does he have to go with you?
00:30:59That's it, man, explain it to him.
00:31:01Yes, yes.
00:31:02It's a northern custom.
00:31:04Going out the night before the wedding with the nephew.
00:31:07With your nephew?
00:31:09Well.
00:31:11Sure, with the nephew.
00:31:12In the absence of a father...
00:31:13We call it the Aitarekin offer.
00:31:15Aitarekin.
00:31:16First news.
00:31:18Okay, man, come on, Carmen, how many fashion shows have we had?
00:31:21A few, Añaki, but it's okay, darling, it's okay.
00:31:24It's Basque tradition, so let's go for it.
00:31:26Yes, yes, yes, there's no Basque boyfriend who doesn't do it.
00:31:28It brings very good luck.
00:31:29Let's see if it's true.
00:31:31Well, have a good time at the Ailekin festival, that one.
00:31:35Well.
00:31:36Come on, darling.
00:31:37I'm going to have myself.
00:31:38Yes, enjoy it.
00:31:40And excuse me.
00:31:41Already.
00:31:41Well, it's okay.
00:31:44Fuck.
00:31:45Thanks, man.
00:31:47That's just how I am.
00:31:48Always ready for adventure.
00:31:50Hey?
00:31:50You drive.
00:31:51At night, headlights dazzle me.
00:31:55Go on.
00:31:56Come on.
00:31:57And now comes dinner.
00:32:00Mamadou.
00:32:01You'll see how delicious it is.
00:32:03Mmm, meatballs.
00:32:07Meatballs.
00:32:07Meatballs.
00:32:09Minced meat.
00:32:11I think you're scaring him, huh?
00:32:13Ah.
00:32:13I'm telling you, Trini.
00:32:14Don't worry.
00:32:16Mamadou.
00:32:17And now, you go to the diner with the expressive children.
00:32:23Oh, how well she speaks.
00:32:24And, Trini, if you don't mind, I think I'll stay here for the night.
00:32:27Ah.
00:32:28Yes, so he won't be alone?
00:32:29What a great idea.
00:32:30Well, look, I was planning to stay too.
00:32:32Because I like to keep a thorough track.
00:32:36To the patients.
00:32:38What a great idea!
00:32:39Yes, what a great idea.
00:32:41We could take turns on the sofa, which will be free.
00:32:44Or, I don't know, the same as we both had.
00:32:46No, no, no.
00:32:48I meant that...
00:32:50If you stay here, I can go to the other hospital to keep another one of our patients company.
00:32:55Clear.
00:32:57Thank you very much, Trini.
00:32:59Nothing.
00:33:00Au revoir, mon ego.
00:33:02On is revoked, you more.
00:33:04See?
00:33:04Oui.
00:33:05Oui.
00:33:06Oui.
00:33:07Aviantot!
00:33:09Aviantot!
00:33:10What could that mean?
00:33:12Mamadú, be careful, he's a donacaran.
00:33:15Donacaran.
00:33:16No no.
00:33:17I, Trini, Trinity.
00:33:19This, they will donate.
00:33:21Very expensive, pencil, no.
00:33:22Donacaran.
00:33:24And really, what a night I have ahead of me, huh?
00:33:26Taran.
00:33:27So, apparently, this man was also in the Amazon treating children's illnesses.
00:33:33over there.
00:33:33Oh my, oh my, it has everything, huh? All it needs is to make a pot of menudo.
00:33:36Yes, no, and I would also perform open-heart surgery in shirtsleeves on Everest.
00:33:39Not on Everest, but on Kilimanjaro he helped make a tourniquet with two toothpicks.
00:33:43Oh, what a man, I'm so frustrated to be stuck inside in the middle of a Seville heatwave.
00:33:47A wave of heat it leaves behind.
00:33:49But you girls are listening to yourselves, damn it, you sound like two horny teenagers.
00:33:53Or you just need to cover your folder with his face on it.
00:33:55Robert, keep in mind that we grew up drooling over Cocotrilo Dandy.
00:33:59Okay, that's enough, right?
00:34:00He is a doctor, a colleague.
00:34:01The thing is, instead of a white coat, he's dressed in an Indian uniform, me.
00:34:03He'd better pull out his whip, because the girl was following him like a...
00:34:08she-wolf.
00:34:09What a charge!
00:34:14Man, Diego.
00:34:16Robert.
00:34:16What? Any arms that need splinting in Sierra Morena?
00:34:19No, man, no. We also do more routine things.
00:34:21No, I'm saying it because of that adventurous side you have.
00:34:23Yes, I suppose you imagined me more in a white robe and with a crucifix around my neck.
00:34:27That?
00:34:28Yes, that's somewhat the idea people have of missionaries.
00:34:31Oh, you're a missionary.
00:34:33That's how it is.
00:34:34Of the order of the chaste servants of Jesus.
00:34:37Chaste?
00:34:38Well, well, well.
00:34:39Well, what was I supposed to say to him?
00:34:40Father, is Trini aware of this?
00:34:42The truth is, I haven't told him because I didn't think it was important.
00:34:44But come on, if you tell me that's the case, I'll talk to him and tell him.
00:34:46No, no, no, no, don't worry at all, no, but she is very religious.
00:34:50Oh, really?
00:34:51Yes, yes, yes, she's very punctual, she works.
00:34:53More about work than time, but come on, it's very spiritual.
00:34:57Perfect.
00:34:57Because that means I've left Mamadou in good hands.
00:35:03And I haven't been lucky.
00:35:18Jobito!
00:35:21Forward!
00:35:24Hello.
00:35:26Oh, do you know what you're doing here?
00:35:28Well, give yourself a surprise, Colo, because I feel sorry for you staying here all alone.
00:35:31Excellent.
00:35:32Oh, but if you're working, I'll wait for you at the bar.
00:35:34No, I mean, yes, working.
00:35:36I was checking this cerebellar anomaly in a patient here.
00:35:43But isn't it upside down?
00:35:45That's where the anomaly comes from.
00:35:48Okay, so what?
00:35:49Do you have time to have dinner with your ex-wife?
00:35:52Do you know I can always make room for my ex-wife?
00:35:56Come on.
00:35:59Damn, Pia.
00:36:00It looks like he's working on the Lion King musical, holy shit.
00:36:04Hey, if you don't feel like cooking, I have some delicious potatoes with cuttlefish.
00:36:10Uh, uh, no, no.
00:36:12Thank you, Pia.
00:36:13We want to have a light dinner, because there's a get-together tomorrow.
00:36:16The one who's going to have dinner and sleep lightly is going to be a poor deer, eh, because he's on guard tonight.
00:36:20You have to see it to believe it.
00:36:20Yes, yes.
00:36:21Well, he'll have some snacks there, won't he?
00:36:24Yes, yes, but they're fed like a good stew when you have to work so many hours straight, you know.
00:36:28That's true too, you know.
00:36:30A Basque man without a spoon doesn't perform as well.
00:36:33Oh, how about that.
00:36:34Poor Cordoba, huh.
00:36:35With what is given to others.
00:36:37You have no idea how much.
00:36:40Well, you know what?
00:36:41That?
00:36:42I'm going to bring him the potatoes with cuttlefish.
00:36:44Just look at that.
00:36:44Uh, no, no, no, no, no, no, no, no, no.
00:36:46Pity, no, really, it's not necessary.
00:36:48Yes, there are also skewers that can be eaten with a spoon.
00:36:51No, no, no, no.
00:36:52And that way I can surprise him.
00:36:55Oh, thank you.
00:36:56What a great idea you had.
00:37:00Damn, damn.
00:37:01If we don't have to talk to women.
00:37:03We always end up causing a mess.
00:37:06Fuck.
00:37:07As?
00:37:09Hey, you won't believe what just happened.
00:37:12Piedad, who will bring you dinner.
00:37:23Oh, beautiful corner.
00:37:25And how many flowerpots?
00:37:26When the wind blows here, you can bet they're wearing helmets.
00:37:29Look, man, that's the door.
00:37:31Hey, Iñaki, are you sure about what you're going to do?
00:37:33If Carmen got this far and didn't know how to take the step, there must have been a reason.
00:37:37Okay, but it got this far, right?
00:37:39I know what the intention was.
00:37:40I'm just going to help him take that step.
00:37:41Besides, if it goes well, it will be the best wedding gift.
00:37:44Yes, yes.
00:37:44And if it goes wrong, huh?
00:37:46Look, Iñaki, you have to be very careful with family matters.
00:37:48I wanted to know how my father and mother met
00:37:51And I ended up finding out that they were first cousins.
00:37:54That explains a lot, man.
00:37:55Well, look, if you're so sure about it, go ahead, Iñaki.
00:37:59I saw a little tavern right next door.
00:38:01And if you don't mind, I'd like to have a nice Montilla Morales.
00:38:05Montilla Morales.
00:38:06Well, that's it.
00:38:07Yes, I'll take care of the Morales family.
00:38:10Luck.
00:38:27Yeah?
00:38:30Opa, I was looking for Eva Morales.
00:38:33What question about her?
00:38:35I am Iñaki Irazabalbeitia, your daughter's boyfriend.
00:38:39What did you say?
00:38:39Yes, Irazabalbeitia.
00:38:41GO...
00:38:42No, no, man, no.
00:38:43The other one.
00:38:43Ah, of course.
00:38:44I am Carmen's boyfriend, her daughter's boyfriend.
00:38:46Okay, let's go, hers.
00:38:49You see, I know that Carmen and her mother haven't seen each other for a long time.
00:38:51The thing is, we're getting married tomorrow and I'd like to invite her to the wedding.
00:38:56Really?
00:38:57Yes, yes.
00:38:57I know it's not very orthodox to invite people from the day before.
00:39:00No, don't worry, Eva.
00:39:01It's not exactly orthodox, is it?
00:39:04Do you think she will make your daughter happy?
00:39:07Yes, yes, I'm sure.
00:39:08He got this far, but didn't dare to take the step.
00:39:12Was he here?
00:39:12Yes, yes, just yesterday.
00:39:15Okay, then, tell Eva that...
00:39:18I think Carmen is eager to see her and that...
00:39:20I should be proud of her.
00:39:22Do you know?
00:39:23Yeah.
00:39:24And well, it doesn't matter how much time has passed, it's never too late to meet again.
00:39:33Anyway, I'll leave the invitation here and you can give it to her.
00:39:40Clear.
00:39:41And I won't keep you any longer.
00:39:44Bye.
00:39:53Who was he?
00:39:55My daughter's boyfriend.
00:39:56He's inviting me to the wedding.
00:39:57Are you going?
00:39:59Don't know.
00:40:01They are hoping to see the former Eva Morales.
00:40:04Come on, mamaduca.
00:40:05Now we're going to have a little puree of...
00:40:07Whatever it is, it's really good, huh?
00:40:10Come on.
00:40:11Don't you see, child?
00:40:12Don't you see, child, what anguish...
00:40:16Oh, look, José, thank goodness you've arrived because the boy really amazes me, you know?
00:40:19Look, Trini, you owe me one, a big one, you know?
00:40:22You have no idea what I had to go through to get the suit back.
00:40:25Is this necessary for a child to eat?
00:40:27No no.
00:40:27Hey?
00:40:28I hope he doesn't mistake me for an appetizer.
00:40:30Yes, yes.
00:40:31And let Antenita work her magic, eh?
00:40:33Yes, yes.
00:40:34Hello.
00:40:35Hello, mamadu.
00:40:38I'm Antenita.
00:40:39Look.
00:40:41And I have come from the marshes to help you eat this puree.
00:40:48Whatever.
00:40:50For God's sake, paint it for me.
00:40:51Come on, mamadú, champ.
00:40:53One for you.
00:40:55That is.
00:40:56Eye!
00:40:57And another one for me.
00:41:01No, no, well this is good.
00:41:02And another little pancake.
00:41:05Hey, I'm a really big shrimp.
00:41:07I need to take another one.
00:41:09And then I'm going to get my hands on the little almond.
00:41:10In other words, he's eating the child's food.
00:41:13Sorry, Trini.
00:41:14I've had a bout of purging this morning.
00:41:15And then.
00:41:17Pussy.
00:41:19Damn!
00:41:20Damn!
00:41:20I said "concho".
00:41:21He's my friend, he's calling me.
00:41:23I notice it.
00:41:24It's a shrimp that's very worried because it's been called to a cocktail party.
00:41:28And then I notice the call.
00:41:30I feel the call, Trini.
00:41:31What do you want?
00:41:31I added a hand.
00:41:33Uh-huh.
00:41:33You don't expect me to put my hand in there, do you?
00:41:35Well, let's see how I get my phone, girl.
00:41:37I take off my head and I have traumatized the child.
00:41:39Come on, little girl.
00:41:40I notice it.
00:41:41I notice the call.
00:41:42I'm noticing it.
00:41:43Here it comes.
00:41:44Here it comes.
00:41:45That is.
00:41:45A little further down.
00:41:46A bit.
00:41:48Here's the mobile.
00:41:49That is.
00:41:51What's happening?
00:41:52Hey, José.
00:41:53Opa.
00:41:54I am Iñaki.
00:41:54Yes, Iñaki is a boyfriend, right?
00:41:55You shouldn't be resting.
00:41:58I'd like to rest.
00:41:59Hey, Jose.
00:42:00I need to ask you a small favor.
00:42:01Tomorrow you could come a little earlier and bring me a good sound system.
00:42:05I'm getting married.
00:42:06Zotzi can fit.
00:42:06I want them to leave.
00:42:07If I want, even in the shell.
00:42:08Tomorrow.
00:42:09A sound system for tomorrow.
00:42:10Do you think I can get everything or what?
00:42:12Come on, José.
00:42:13I know you're a man with resources.
00:42:15Man, I didn't want to bring it up.
00:42:17But since you're bringing it up, Mamadou.
00:42:20What is that?
00:42:20According to the man from Malaga?
00:42:21Yes, yes.
00:42:22That is.
00:42:23That is.
00:42:23Mamadou, yes.
00:42:24Well, then, Mamadou.
00:42:26Come on, Mamadou.
00:42:27Mamadou.
00:42:27Well, Trini, I have to go.
00:42:28Something unexpected has come up, so I'm going to have dinner now.
00:42:31Well, goodbye, Mamadou.
00:42:34Antenita is leaving.
00:42:35You can keep the toast.
00:42:37No, José.
00:42:38José, one moment, please.
00:42:39She's leaving, my friend.
00:42:40José, please don't leave me alone.
00:42:41I can't hear you anymore.
00:42:41I'm not under the grape.
00:42:42José, I don't know how this works.
00:42:45Dona Karay.
00:42:47Dona Karay.
00:42:51Yes, yes, woman.
00:42:52Everything's normal here.
00:42:54Normal and ordinary.
00:42:55Normal.
00:42:56Normal and...
00:42:57Well, at least most people.
00:42:59But let's get to the point.
00:43:01How's your last night as a single woman going?
00:43:03Well, more single than ever.
00:43:05Because Iñaki has gone with Uncle Sabino to celebrate the Harlequin.
00:43:08What is it, Carmen?
00:43:10Vasco things.
00:43:11What is it, Carmen?
00:43:12Well, tell him he still has time, I'm still single.
00:43:14It's Robert.
00:43:15Wishing you lots of luck for tomorrow.
00:43:17It's Robert, put him on, I want to talk to him.
00:43:19Okay, I'll send it to you, I'll send it to you.
00:43:21What do I want to talk to you about, Carmen?
00:43:22With me?
00:43:23Yes of course.
00:43:25What's wrong, Carmencita?
00:43:26What's wrong, Robert?
00:43:27Hey, what are you going to do in the end?
00:43:29About what?
00:43:30What do you mean, what about?
00:43:31Robert isn't the one who lets you grow sideburns.
00:43:33Are you coming to the wedding?
00:43:34Does the priest still say that anyone who has something to object to should speak now and forever hold their peace?
00:43:39Robert.
00:43:40No way, what a joke.
00:43:42Sure, I'm definitely going.
00:43:43We're friends, right?
00:43:44But make sure you seat me at the table where your single cousins are, okay?
00:43:48Well, let me tell you something.
00:43:49My cousins are more dangerous than my father.
00:43:51You already know I like taking risks.
00:43:53Already.
00:43:55The bride exchanges confidences with her friends before saying "I do."
00:43:59She is nervous, restless.
00:44:01Her life, her life will never be the same again.
00:44:04Neither yours.
00:44:06Neither will yours if you don't stop recording.
00:44:08Don't tell me the video was too short, because...
00:44:10I'm not saying anything.
00:44:11I'm going to record some footage of the Rose Garden.
00:44:14That's it, that's it, record outside.
00:44:15Okay.
00:44:16Come on.
00:44:18Okay, Dolores, darling, you and I, let's get back to our business.
00:44:20How is Mamadou?
00:44:21How does he get along with Trini?
00:44:23Well, the truth is that Trini is more interested in the medical crow than in the child.
00:44:28That?
00:44:28No, nothing, nothing, absolutely nothing.
00:44:30Don't worry, she's got enough on her plate with having to entertain 60 guests tomorrow and look radiant on top of that, huh?
00:44:37Okay, okay, honey, don't remind me and don't pressure me anymore, okay?
00:44:40I was telling you about Mamadou because, as I know, Trini likes children less than a job.
00:44:44hippie...
00:44:45The baby is doing great, he's really enjoying himself with Trini, they've gotten along wonderfully.
00:44:49I can't take it anymore, I can't take it anymore.
00:44:51Remind me to get my tubes tied, okay?
00:44:56As I was saying, the woman is absolutely delighted with life.
00:45:07Okay, so if you like, we can start without them.
00:45:09We don't know how long it will take.
00:45:11Who?
00:45:11Goes.
00:45:14You're going to see the delicacies that Angustia has prepared.
00:45:17Okay, cooking.
00:45:18A bull's tail.
00:45:22A bull's tail.
00:45:23Have you heard?
00:45:24In other words, it couldn't be clearer.
00:45:25No, be quiet.
00:45:26He's giving me a hundred.
00:45:28Of the nerves, daughter of the nerves.
00:45:30Well, the consommé is here.
00:45:32Excellent.
00:45:33It must be fish, because it comes with a bone.
00:45:37Sister, he's here.
00:45:40And the boyfriend?
00:45:41As?
00:45:41And Sabino?
00:45:43I thought she'd gone to celebrate this wool party here, you know, the thing that newlyweds do with
00:45:48the parents.
00:45:49As?
00:45:50Ah, of course.
00:45:52A very ancient festival.
00:45:54Right, Bego?
00:45:57Ah, yes.
00:45:59Yes, yes, yes.
00:46:00The party is with the parents, with the bride and groom, yes.
00:46:05Together with San Loncho.
00:46:07Ugh, that's the most popular thing around there.
00:46:08San Loncho?
00:46:09Be careful with the glasses.
00:46:11I'll never understand my grandchildren like this.
00:46:18Calm down, Anselmo.
00:46:19I'll bring this consommé to the lady.
00:46:24Just me.
00:46:25She has to bring it to me herself.
00:46:29Well, in this very room, the Marquesses of Viana used to host wonderful dinners.
00:46:36They were very good friends of the painter Zorolla.
00:46:39In fact, that portrait of Queen Victoria is his.
00:46:42Ah, yes.
00:46:43How interesting.
00:46:56Here you are.
00:46:59Crouton?
00:47:01Did he call me?
00:47:01I ask him if he wants croutons.
00:47:06Oh, no, no, thank you.
00:47:08But I'm sure the lady loved them.
00:47:11Come on, Marichu, cheer up, try them, woman.
00:47:13But they are delicious.
00:47:14Marichu, you need to open yourself up to new sensations.
00:47:20I like it this way.
00:47:22Enjoy your meal.
00:47:23Marichu.
00:47:32Did you say that?
00:47:33Oh.
00:47:34What if he's put something in me?
00:47:36Yeah.
00:47:36Yes, bitch, I'm fucking you up.
00:47:37Come on, eat already.
00:47:38You might need some energy tonight.
00:47:56Good evening, Treni.
00:47:58That?
00:47:59Where did you leave your favorite boy?
00:48:00Well, he's probably eating flan, I guess.
00:48:03No, I mean the other one, the superman of medicine.
00:48:06That guy probably swore an oath of blood instead of the Hippocratic oath.
00:48:09Robert has gone to see another patient.
00:48:11Well, he must have gone with all the pain in his heart.
00:48:15What do you mean?
00:48:17Oh, you haven't noticed?
00:48:18About what?
00:48:18He's got his eye on you.
00:48:19He even asked me if you were free.
00:48:21Oh really?
00:48:22And what did you say to him? You must have said yes, right?
00:48:24Of course, I even told him, so that he would understand me better, that you were as free as a gazelle roaming the savanna.
00:48:29Wow, Robert, thanks a lot for the cable.
00:48:31I didn't expect that from you, to be honest.
00:48:33It seems like it came from heaven for you.
00:48:34Oh, yes, that's right.
00:48:35I love it.
00:48:36And who am I to interfere in something that divine providence has brought together?
00:48:40Hey Robert, look, I'm going to the room with the kid, just in case he gets there and
00:48:44Don't find me there.
00:48:45Sure, sure.
00:48:46Oh, how exciting, please.
00:48:49And don't let it get away, okay?
00:48:50I'm sure he's praying now that I'll throw you.
00:48:54No, no, no, no.
00:48:55He's talking.
00:48:56The type of sound Antoine makes, no, he's messed up.
00:48:59No, man.
00:49:00He has to give me the good one, the handsome one.
00:49:02That's a favor for the boyfriend, yes.
00:49:04No, not wireless, I'm going to get my girlfriend tangled up in the cable.
00:49:06That is.
00:49:07Come on, crazy, come on, we'll give you one.
00:49:08Thank you, thank you.
00:49:09And this package, José?
00:49:11A gift for me?
00:49:12Oh, open it, please.
00:49:14This is mine.
00:49:15Mine, that's for me, come on, that's for me.
00:49:17And what is it?
00:49:18Well, it's a little something I've managed to get to make myself look good.
00:49:21Well, open it, go ahead.
00:49:28But what are you going to do, you wretched people?
00:49:30Oh, Isabella, she has such a limited world.
00:49:32This is a tanning spray.
00:49:34Oh, you're going to make me look handsome, but you're already beautiful.
00:49:36I'll eat you whole.
00:49:38Hey?
00:49:39Okay, then you'll apply it to me tonight, right?
00:49:40In the bathroom.
00:49:41With that trigger?
00:49:42But, Rafael, have you seen my nails?
00:49:44Have the girl put it on you.
00:49:45Rosita?
00:49:45Come on now, the girl looks so bad, doesn't she?
00:49:47If the girl moves further out of the line I'm looking at.
00:49:50Well, if you want, we can call Don Diego Velázquez, shall I say?
00:49:52Someone has to put this on me.
00:49:53I can't apply this to myself.
00:49:55You, José Lito, you, you.
00:49:56Can you put it on for me?
00:49:57I?
00:49:59But what are we talking about?
00:50:00A full coat of paint?
00:50:02Integrate, integrate.
00:50:03I'm going to a wedding, not a nudist beach.
00:50:05Okay, fine, I'll put it on for you, kid.
00:50:06But you guys are really pushing me with this wedding thing.
00:50:09Are you asking me what's going to be next?
00:50:11A comfortable dragon?
00:50:13Not even a boot?
00:50:14No, no, maitía, thank you.
00:50:15No, I need to stay clear-headed.
00:50:18Besides, I'm already quite intoxicated by your beauty.
00:50:21Oh, my dear, really, this Seville air is doing you good.
00:50:25A lot, right?
00:50:27Why don't you go eat this skewer and I'll go upstairs for a moment to check the constants of a
00:50:32patient?
00:50:33Come on, it'll only take a second.
00:50:34Sure, sure, yes.
00:50:35Yes, we still have two hours before my flight leaves.
00:50:38Two, oh, two whole hours.
00:50:40Look, isn't that great?
00:50:41We'll have to make the most of it, huh?
00:50:44Come on, my dear.
00:50:56Toy!
00:50:58What a shock, kid!
00:51:01It looks like you've had a consultation on a treadmill.
00:51:06No, I saw the patient very quickly.
00:51:11All I could think about was coming up here to see you so we wouldn't miss the sunset.
00:51:17TRUE.
00:51:19I'm late, aren't I?
00:51:20Don't worry, my love.
00:51:21Yes, I have the whole night free and we can wait until I get out.
00:51:26Yeah.
00:51:27How wonderful.
00:51:43Wow, Iñaki, that's a great way to run.
00:51:44I think we've killed all the rabbits we've found in the ditch.
00:51:47I just wanted to get there as soon as possible, man.
00:51:48I don't want to get married tomorrow with concealer under my eyes.
00:51:53It seems there are no lights.
00:51:55They may have slept together there.
00:52:02Cabe, Soch.
00:52:03So how do we get in now?
00:52:04Well, we'll have to call, won't we?
00:52:10How can I get in here without anyone noticing?
00:52:25Good night.
00:52:28Excellent.
00:52:29This exquisitely delicate tableware is from the East India Company.
00:52:33Although for me, you already know, Marichu.
00:52:35The best company is your own.
00:52:38For God's sake, Benito.
00:52:40Look, now I understand where all your excess comes from.
00:52:46In the end.
00:52:48Well, I guess I'll have to start thinking about retiring.
00:52:52Marichu.
00:52:53Benedict.
00:52:58Did I tell you that these crystals were brought from Bohemia?
00:53:03Yeah?
00:53:06That seems so far away, doesn't it?
00:53:09Yeah.
00:53:11Well, then...
00:53:13I'm retiring too.
00:53:16But look, I'm even starting to feel like doing something else.
00:53:20From a small glass.
00:53:22I mean, to have a drink.
00:53:24Would you have a brandy with me, Marichu?
00:53:26Oh no, no, no.
00:53:27That seems like a lot of vice to me.
00:53:30Look, I'm not against vice, okay?
00:53:34Well done.
00:53:36And with respect.
00:53:38And time.
00:53:40Yes, yes, yes.
00:53:42Well, that's it, Benito.
00:53:43I'm going to sleep.
00:53:46Wait, Marichu.
00:53:51I wanted to tell you...
00:54:02See you.
00:54:04"See you later," he told me.
00:54:06But when?
00:54:07In the morning?
00:54:09At midnight?
00:54:10At the crowing of the rooster?
00:54:11And what do I know, daughter?
00:54:12Well, I asked myself that.
00:54:14Ah, yes, of course.
00:54:15And to make a fresh one.
00:54:16And now I'm going to have to sleep with my negligee and dressing gown over it.
00:54:20But have you noticed anything about him?
00:54:21Because I notice it.
00:54:23I can tell Sabino is doing it because his ears light up.
00:54:25Begoña, please.
00:54:26Sabino, like two tomatoes.
00:54:28Girl, well, I don't really know.
00:54:29I didn't notice the ears.
00:54:31You do want me to tell you...
00:54:32You don't have to say anything, Sabino.
00:54:34What you need to do is shut up and take a little nap.
00:54:36Then you enter a ren phase and spend all night moving around.
00:54:39Okay, what I want...
00:54:40Oh, Sabino, please.
00:54:41You're such a pain, son.
00:54:43You haven't been drinking when you're talking to me today, have you?
00:54:46Six little hills.
00:54:47But what if the father and son party was just an excuse?
00:54:50Can we get back to what I was doing, please?
00:54:51Yes, yes.
00:54:52But I just don't understand.
00:54:53I don't know if you want me to go or not.
00:54:55Oh girl, I don't know.
00:54:56Sometimes I think so.
00:54:58Sometimes I don't think so.
00:54:59And the thing is, I have a feeling of unease that...
00:55:02Look, that's what it's called now.
00:55:05Sabino, go to sleep now, son.
00:55:07Of course.
00:55:08Come on, you're not helping me at all.
00:55:09So I'm leaving.
00:55:11Ala, Gabon.
00:55:12Gabon, Marichu.
00:55:13But don't lock the door just in case.
00:55:15The ears.
00:55:23Yes, my husband is on duty.
00:55:26Coldo?
00:55:26Yeah.
00:55:26On call?
00:55:27Oh, it's me.
00:55:29Robert.
00:55:30And Cascun?
00:55:31Do you know Dr. Almenas?
00:55:33Well, it's an institution here.
00:55:35A marvel.
00:55:36Surgeon.
00:55:37And very professional.
00:55:38And very discreet, right?
00:55:40Your wife was just telling me that you were on duty today.
00:55:43And double.
00:55:44Yes, and yes.
00:55:44Look at how they've got us, huh, Robert?
00:55:46You know it since they expanded the neurosurgery program.
00:55:49Sometimes we get exploited, right?
00:55:50But you know you can count on me.
00:55:52Whatever problem you run into, I've got you covered, okay?
00:55:54What problem could that be?
00:55:56Oh, well, man, whatever might come up.
00:55:59It certainly could happen that way.
00:56:01An unexpected event, suddenly...
00:56:03Well, it's a pleasure, Dr. Almenar.
00:56:05And now, if you'll excuse me, I'm going to the bathroom for a moment.
00:56:07Look, you go over there to the left, to the back and...
00:56:11And that's how it is, listen.
00:56:14Damn, damn.
00:56:15Amanda, the fluorescent light is dazzling me.
00:56:18I owe you one, and a big one at that, you know?
00:56:27Princely.
00:56:52Ah, Maytía, is everything alright?
00:56:53Yes, everything's perfect.
00:56:55Ah, okay.
00:56:56Well then, let's have a toast, shall we?
00:57:02For us.
00:57:03That's for us.
00:57:09Wow, huh?
00:57:12We should repeat this more often, shouldn't we?
00:57:15Yes, it's turning out to be an unforgettable night.
00:57:18I believe it.
00:57:20Hey, by the way, your plane, the one from Madrid, means you're not going to miss your connection, right?
00:57:25Oh yes, you're right.
00:57:26It would be a huge shame to lose the connection.
00:57:29Sure, then, you go in, Maytia.
00:57:31Álava.
00:57:36Look, they're finally leaving, Elena.
00:57:37They've spent the whole night calling each other Matías.
00:57:39These people are crazy.
00:57:41Look, you close up and clean up, okay?
00:57:42I have very important things to do tonight, okay?
00:57:44No, of course not me.
00:57:45This is important too, you know?
00:57:47Well, did you know that by recycling three glass bottles we save enough energy?
00:57:51How long would it take to keep a light bulb lit for nine days?
00:57:55Well, well, with what you recycle, huh?
00:57:57Well, you could keep the city of vegans lit.
00:58:10Carmen.
00:58:16Carmen, little one.
00:58:27Oh, little one!
00:58:30My Rebujito!
00:58:34God, damn it, hello.
00:58:36Shh!
00:58:36Shh!
00:58:36Shh!
00:58:37But it has to be a good reason to wake me up in the middle of the night.
00:58:40And the prickly pear cactus?
00:58:40Where did she stick it?
00:58:41Shh!
00:58:42Antonio, Antonio, forgive me, forgive me, forgive me, I thought it was your daughter's room.
00:58:45Already.
00:58:46But what's going on?
00:58:47Oh!
00:58:47Why is he shouting?
00:58:49Here, Romeo, your son.
00:58:51I didn't know that the Basques, in addition to lifting stones, threw them at windows.
00:58:54No, my love, I just wanted to talk to Carmen.
00:58:56That?
00:58:57What's happening?
00:58:57Fuck.
00:58:58Calm down, Sabino, it's not a bat that has crashed into him, it's Antonio, who is shouting.
00:59:02What are you doing?
00:59:03Damn it, your nephew woke me up!
00:59:06Look, all I wanted was...
00:59:07I wanted to talk to Carmen.
00:59:09Well, son, call him on his cell phone.
00:59:10Then they say I'm the old one.
00:59:12Meal!
00:59:13Little girl!
00:59:14Shh!
00:59:15Please!
00:59:16But what's going on?
00:59:17What scandal is this?
00:59:20What's wrong, honey?
00:59:21Nothing, I just wanted to tell you that I've missed you and...
00:59:26Hey, do you mind?
00:59:28Now?
00:59:28Now that we're on this topic,
00:59:29Hey, now that you've woken us up, off to the skates!
00:59:31Hey, now that you've woken us up, off to the skates!
00:59:33What a load of crap!
00:59:35You're going to say you love her!
00:59:37Okay, what?
00:59:40I wanted to tell you that I love you.
00:59:42Me too, darling.
00:59:44But, I don't know, I'd like him to tell me somewhere else, not here, sticking his head out from the balcony.
00:59:49Yes, yes, I know.
00:59:50I didn't want to wake the others, but I see now that it's impossible.
00:59:52A bit.
00:59:54But I want you to know that tomorrow you're going to have an unforgettable day, you'll see.
00:59:58I hope so.
01:00:00Go on, go inside.
01:00:02That Don Bejumea releases the peacocks at night.
01:00:04That?
01:00:04And they're in heat.
01:00:05Pussy!
01:00:05Runs!
01:00:21Well, my dear, I have to leave you here because...
01:00:24Yes, you have to see the patient.
01:00:26Clear.
01:00:26How are you?
01:00:27Does it have the constants?
01:00:28Okay, okay, yes.
01:00:29Hey, have a good trip, okay?
01:00:30Love, okay.
01:00:32And call me as soon as you arrive.
01:00:33You know that...
01:00:40You'll hear from me much sooner than you expect.
01:00:44Well.
01:00:46Goodbye.
01:00:46Goodbye.
01:01:09Dude, have you heard that?
01:01:12No.
01:01:13And then you say there are no bats.
01:01:16Damn it, I'm coming!
01:01:19Fuck!
01:01:29I won't be able to sleep until I find him.
01:01:32Ah!
01:01:33Fuck!
01:01:34Ah!
01:01:35Ah!
01:02:02Ah!
01:02:11Benedict
01:02:16Benito, is that you?
01:02:42Are you there?
01:02:46It's me, Benito
01:03:07What was that?
01:03:38I haven't found the bat, darling.
01:03:40He got scared
01:03:44Although with these snores I don't think he'll get close.
01:04:23Yeah?
01:04:25Hello, Menuilla
01:04:26Hi, Dad
01:04:28He won't be around here, will he?
01:04:30Who?
01:04:31Who's it going to be?
01:04:32Who's it going to be?
01:04:32Who's it going to be?
01:04:32Who's it going to be?
01:04:33Who's it going to be?
01:04:34Yes, yes, yes, it's there under the sofa
01:04:36No, Dad, no
01:04:37We didn't sleep together, kid.
01:04:39This is great!
01:04:40That the almontes of Puerto Real
01:04:42We are more dutiful than mourners when it comes to traditions
01:04:44Yeah
01:04:45Look at yourself
01:04:47You were running around four days ago.
01:04:49Between the legs of the cinnamon tree
01:04:50And today I give you another man
01:04:52Even more cinnamon-colored, if that's possible.
01:04:53I'm in charge, balls
01:04:55Will it be like this until the very last day?
01:04:57No, daughter, no
01:04:58And you know it's the custom already.
01:05:01But that's how it is, deep down.
01:05:03Good kid
01:05:04Oh, oh, oh, oh
01:05:06How long did it take you to rehearse that line?
01:05:08Oh, all night
01:05:08I've slept less than an owl
01:05:12Well, what I wanted to tell you is that
01:05:15Despite having raised you all by myself
01:05:17And that it hasn't always been easy being both a father and a mother.
01:05:22I'm so happy to have gotten this far
01:05:25The father
01:05:27Me too
01:05:29I feel so happy to have made it this far
01:05:30And very proud of you
01:05:34Although I won't deny that sometimes
01:05:36I've been thinking about how things would have been otherwise.
01:05:41How else?
01:05:43Oh, he's been thinking a lot about Mom and Dad these days.
01:05:46Ah, I see, I see
01:05:48And I really don't understand it.
01:05:49I don't know why he has never come to see us
01:05:51What is stopping him?
01:05:56The shame
01:05:58And selfishness
01:06:01Do you think so, Dad?
01:06:03Look, today is the day to be happy.
01:06:05And I'm not going to ruin your day with stories from the past.
01:06:07So come on, cheer up!
01:06:09Today is a great day!
01:06:11And you're going to marry Iñaki
01:06:12But you know what's going to get better
01:06:14And he laughed at the Basques with you
01:06:16Come on, give me a hug
01:06:18Today is going to be a very happy day
01:06:19You'll see
01:06:20I love you
01:06:24Dad
01:06:24That?
01:06:25You're not here, kid, you're not here
01:06:26Yeah, yeah
01:06:27Yeah, yeah
01:06:30Thank you
01:06:33Marichu
01:06:33You look great today!
01:06:37Yeah
01:06:37I've used a flash ampoule
01:06:41Did you sleep well, darling?
01:06:43In one go
01:06:45And you?
01:06:47Good, good, good too
01:06:50Well, well, what luck!
01:06:51Because Sabino hasn't slept a wink all night
01:06:54It was like sleeping like a weasel
01:06:55If you'll excuse me
01:06:57I'm going to ask the anguish to bring more crosses
01:06:59I see that it has been difficult for you
01:07:01With permission
01:07:07Girl, that's so tense.
01:07:08Don't tell me that in the end, you and Don Benjumea...
01:07:10Don Benjumea and I, nothing.
01:07:13Daughter, don't look at me like that
01:07:14I'm handling it very well.
01:07:16Divinely
01:07:17Are you going to eat that?
01:07:18No, no, no
01:07:19Here, here, this is
01:07:21It's an honor, my girls.
01:07:22Man!
01:07:25Oh, my little one
01:07:26Oh, my little one
01:07:27She's getting married!
01:07:28Oh, Marichu
01:07:29It seems unbelievable.
01:07:29Just now
01:07:30I was making my First Communion
01:07:31And look at her now
01:07:32And I have made a man!
01:07:33Okay, okay
01:07:33I've been a man for a while now, you know?
01:07:35Aunt Diego
01:07:36Come on, Maytia
01:07:37Eat something
01:07:37You have a very long day ahead of you today.
01:07:39Yeah
01:07:39So, how was yesterday?
01:07:42Did you manage to see Carmen's mother?
01:07:43No
01:07:43But I gave the invitation to a man
01:07:45That she lived with her
01:07:45It would be her husband
01:07:46I don't know about her boyfriend.
01:07:47And?
01:07:48Do you think he'll come?
01:07:50Hopefully
01:07:50You'll see Carmen's face when she sees it.
01:08:14Good morning
01:08:16Hey, hello
01:08:18Hello
01:08:19Oh, how are you?
01:08:21That's great!
01:08:22How was your night?
01:08:23Well, the night went very well.
01:08:24Very quiet
01:08:25The child is a delight.
01:08:26Hello, Karal
01:08:27And how funny the child is!
01:08:30It's a little joke he and I have.
01:08:33There's a complicity.
01:08:35Hello
01:08:35Hello good morning
01:08:37Come on, champ
01:08:38This is going to be over in a flash.
01:08:41We're going to set the bed to 180 miles per hour.
01:08:44Hold on tight
01:08:46Treat him well, okay?
01:08:49Well, nothing much.
01:08:51Here we are, you and I
01:08:54Me and you
01:08:55Robert already told me that we had common interests
01:08:58Oh, really?
01:08:59Yes, the thing is, I never would have imagined it.
01:09:00Seeing you so sophisticated, so modern
01:09:03Well
01:09:03I didn't imagine it from you at first either.
01:09:05Yeah, it's not something I go around saying.
01:09:08If it happens, it happens.
01:09:10Well, look where it's turned out
01:09:12Yeah
01:09:15But what are you doing?
01:09:16Well, kiss you
01:09:17It's not what I wanted
01:09:18But how could I want anything to do with you?
01:09:20If I am a missionary
01:09:21That?
01:09:22Look, I'd better go with Mamadou.
01:09:24For someone who is so Christian
01:09:25You have very little physical and moral modesty.
01:09:28But let's see
01:09:29Who told you I'm a Christian?
01:09:31What's up, sister?
01:09:33Thank you very much, Robert
01:09:35You just made me make the biggest fool of myself of my life
01:09:37No, you did it yourself
01:09:39Now she thinks I'm heartless.
01:09:41And a heartless one
01:09:43And an exit
01:09:44Maybe I should have told him
01:09:46What you like
01:09:46The missionary position
01:09:51Strip
01:09:51She tells me you're making me angry, huh?
01:09:56Come on, Rafi
01:09:57I'm signing off now, Yorba
01:10:00Hurry up
01:10:00Isabel is waiting in the car
01:10:02And he says his carding is going down
01:10:03I'm coming, I'm coming, Elena
01:10:05I'm putting things in the cameras, you creature
01:10:09Eye
01:10:10Tell me that's because your camera got an electric shock
01:10:13No, it's because it gives me a certain tone.
01:10:14Ah, a little bit of color
01:10:15So I don't go to the wedding looking like a total dork, you know.
01:10:17Man, just a little bit, just a little bit
01:10:19It's going to sound like they've hired African rhythms for the wedding
01:10:21Oh no, it wasn't my fault
01:10:23That was José's doing
01:10:23He spent half an hour matching his tone.
01:10:26Come on, let's go
01:10:31Come on!
01:10:34This is it!
01:10:35Man!
01:10:35Hey crew, what's up?
01:10:36Well, I'm nervous
01:10:38Come here now
01:10:38Yes, Loñaki, we're about to leave.
01:10:40Well, you should see us here dressed in morning suits
01:10:43Bo, huh?
01:10:45Elegant and stylish
01:10:45Right now a noose sees us and devours us.
01:10:48Okay, okay, whatever you want
01:10:49But come here, please, I need you here
01:10:51Loñaki, have you really thought through what you're going to do?
01:10:53Hey?
01:10:54Maybe you're making your life more complicated.
01:10:56Otherwise, they'll get it.
01:10:58So what's going on?
01:11:00Nothing, I didn't even notice.
01:11:00You know how they are.
01:11:01Yesterday a small mess
01:11:02But anyway, I'll tell you later.
01:11:03That I came out more dangerous
01:11:05I have to leave them, okay?
01:11:06I just saw Don Pascual
01:11:07Come on
01:11:08Come on!
01:11:08Apagudari!
01:11:09This is it!
01:11:10Bye bye!
01:11:12It's like a plant
01:11:13Okay, let's go, come on
01:11:15Look, there's the stone.
01:11:20Good morning
01:11:22Did Don Benjumén send you a driver?
01:11:24Which driver?
01:11:25I am a labor inspector and I am asking for Mr. Coldo Inchaustegui
01:11:28Inchaustegui
01:11:28This is
01:11:31Mr. Inchaustegui
01:11:32Inchaustegui
01:11:33Good morning, yes, it's me.
01:11:34We have received information about certain irregularities in your employment contract
01:11:37That could compromise him with the tax authorities
01:11:39That can't be.
01:11:40I've always done things right
01:11:42Come on, in fact
01:11:42I am being advised by one of your colleagues.
01:11:44Who works in the ministry
01:11:45My wife's cousin
01:11:47He...
01:11:47He...
01:11:48He...
01:11:48What did he think?
01:11:50The Zascu
01:12:12I removed the Ford Fiesta because it spoils the view.
01:12:14Come on, Dai, come on
01:12:15Come on
01:12:16Good morning
01:12:17Man, the first guest
01:12:18You arrived a little early
01:12:19The welcome cocktail doesn't start for another three hours.
01:12:21I wanted to see the bride
01:12:23The girlfriend?
01:12:24What awaits you?
01:12:25For many years
01:12:27What about you?
01:12:27Close family?
01:12:29Very close
01:12:30Well, nothing much.
01:12:31Go see her, let's go
01:12:32I don't think there's any problem.
01:12:33As long as you're not dating
01:12:41My son
01:12:42What a place!
01:12:43It seems that this is where the Catholic Monarchs were married.
01:12:46Look
01:12:47This is the story of Tobias and the archangel Saint Raphael
01:12:49Holy guardian of Cordoba
01:12:51With the whale
01:12:52Okay, okay
01:12:52Don't be impressed either, Don Pascual
01:12:54As you know, we've always wanted a simple, traditional wedding without any fuss.
01:13:00Doesn't he know what the hell he's doing here?
01:13:02Well, with my father-in-law here, it's hard to avoid the noise.
01:13:05Antonio, don't worry, I invited her.
01:13:08Hello good
01:13:08Tell your wife she's very welcome here
01:13:11But what the hell is he saying about his wife?
01:13:13Look, Antonio, I understand that it hurts you that she has rebuilt her life
01:13:15But she has the same right as you to be here
01:13:17By the way, where is it?
01:13:21You have it in front of you.
01:13:23Where in front?
01:13:25That he and she
01:13:27Damn
01:13:28Hey?
01:13:30Where is my daughter?
01:13:31You're not going to see it
01:13:32Antonio, I've been hiding for years
01:13:34My daughter is getting married today and she has the right to be with her mother.
01:13:36But I don't want her to know that you are your mother
01:13:43Mother?
01:13:53Oh, you baby, after all the trouble you went through to earn my respect
01:13:55Now she's been exiled, but good
01:13:57I did it for Carmen
01:13:58Hey, Dad, Dad, by the way
01:14:00I'd appreciate it if someone could keep me updated on all the changes, okay?
01:14:02Because now there is a mother of the bride
01:14:03I have to make room for him at the head table
01:14:05On the pew in the chapel
01:14:06And add one more place setting.
01:14:07Oh, by the way
01:14:08I bet I'll give it to him
01:14:10The cigar or the fan
01:14:12Dolores, please
01:14:13He
01:14:14She is my mother
01:14:17Raúl
01:14:17Hello Raúl
01:14:18Before Eve
01:14:19My mother
01:14:21Machón, can you tell me where you are?
01:14:23Come now
01:14:24Here's a real mess of a 14
01:14:25Hey?
01:14:26Well, we're not here either.
01:14:28Not bad
01:14:30Look, uh
01:14:31Excuse me, uh
01:14:32But I really do have everything in order.
01:14:34Well, I'm good at that, you know?
01:14:36Really
01:14:36But I say
01:14:37We couldn't fix this another day.
01:14:38It's precisely today
01:14:39My best friend is getting married
01:14:40In four hours in Córdoba
01:14:42I think I owe you an apology
01:14:43For not being clear with you the other day
01:14:44When you came home
01:14:46A little hint wouldn't have hurt.
01:14:47But it doesn't matter.
01:14:48Furthermore, that between the two
01:14:49You've saved more than a mother-in-law
01:14:51Please wait a moment
01:14:52It's not even worth waiting for.
01:14:53I have to see it
01:14:54Because, after all, she's a mother.
01:14:55She is a mother
01:14:56Do you know what's going on, Raffi?
01:14:57In this specific case
01:14:59No
01:15:00We've arrived locked in
01:15:01What dog am I going to do?
01:15:03Uh, fuck
01:15:05But what is the combination?
01:15:07Hey, but why don't they put a latch on it like everyone else does?
01:15:10I want to, calmly
01:15:10Raffi
01:15:12Eva Morales
01:15:13And what's your name now?
01:15:14Evo Morales
01:15:15And the little vest
01:15:16I'm so pissed off!
01:15:17Rafael, please watch your language
01:15:25Fuck
01:15:27Yes
01:15:29That you are my mother
01:15:30What are you saying, Dad?
01:15:31If he stays, I'm leaving
01:15:33Antonio, you can't do that
01:15:35Daughter, I'm truly sorry
01:15:36But I can't be under the same roof as that
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