- 2 days ago
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00:01Oh, I just love all this and I love it, love it, love it, love it, love it, love it.
00:09I just want it, want it, want it, want it, want it all, darling.
00:12I'm going to have to have the kitchen re-done while Saffy's away.
00:14Ed, Eddie, who is this?
00:18Darling, I'm giving it to John's family as a wedding present.
00:21John, have you got a John?
00:23Darling, the tall black man that's marrying Saffy, you know.
00:25Oh, the tall one that's marrying a little hairy hobbit.
00:27Yeah, yeah, yeah.
00:28Darling, remember, I can't go to the wedding because I've got too much on.
00:31Well, take something off, then.
00:35Work-wise, work-wise.
00:37Mum, I'm ready, you'd better be off.
00:41Oh, look at her, little walking one-man band, aren't you, darling?
00:45Oh, darling, I can't believe my little girl all grown up and off to Africa to get married.
00:50I'm not exactly young anymore.
00:51No, darling, what I meant was I can't believe you're actually going to marry you.
00:54That's what I've never seen before.
00:56Mum, are you ready? You'd better be going.
01:00You're not coming, are you?
01:02Oh, darling, you didn't want me to come, did you?
01:05Yes.
01:05Oh, it's just, you know, I'm chocker with work, aren't I?
01:09Yeah!
01:12No, darling, I've got Emma Bunton and Queen Nora and Lulu up to here, I have.
01:17Lulu up to here?
01:18Yeah.
01:18Has she gone?
01:19Oh, stop.
01:21Anyway, I can't go because Pats is sick.
01:23Aren't she?
01:24Well, that's not news.
01:26Actually, I'm feeling rather unwell.
01:27Are you?
01:28Are you?
01:28She is?
01:28You are sick.
01:29I can't go because she actually is sick now, darling.
01:31Anyway, I've given my ticket to the goat, so I can't really see you.
01:35Never mind, darling.
01:36Off you go.
01:38You look after yourself, won't you, hmm?
01:41Yes, I will try.
01:46No, I was talking to Lola.
01:49Her name is Jane.
01:50Oh, hello, Jane.
01:54Anyway, have you had all your injections?
01:56Yes.
01:57I was talking to the goat that time, actually.
01:59Oh, yes, I have.
02:01Yes, she has, Eddie, she says that.
02:05You know, John's family are going to like the goat, aren't they, darling?
02:07Yes, Mum, it's a perfect present.
02:09And anyway, if they don't like it, they can just milk it dry and send it back his ugly boots.
02:12I'd quite like that, actually.
02:13I'd quite like that.
02:16All right, off you go.
02:17How long are you going to be gone?
02:18Um, only a couple of weeks.
02:20Good.
02:20I've given me time to redo the kitchen, haven't I?
02:22No, Mum, please don't change the house again while I'm gone.
02:25Yeah, but why?
02:27Well, I'd just like Jane to recognise things when she comes home.
02:31Oh, all right, I know.
02:34Promise?
02:35Yeah, darling, I promise.
02:36I promise, promise, promise, promise.
02:38Oh, you girl, go on up together.
02:40I'm a one-man fan.
02:42Oh, I'm all right, now.
02:43Boom, boom, boom.
02:44Boom, boom, boom.
02:46I'm a one-man fan.
02:51They're gone, sweetheart.
02:52Come on, we can party.
02:54Yeah, party, Eddie.
02:55Let's get some music.
02:58Hey!
03:02How long is this? Ed? Ed? Ed? Ed?
03:05Ed? Ed? Ed? Second, second, second.
03:06What's that? What's that? What's that?
03:08What's that? What's that? What's that?
03:10I don't think it should be there, darling.
03:11It's not that, darling, it's not that.
03:13We're gonna play, party, party.
03:15Finally, we'll get the house to ask you.
03:20Hacks!
03:22Hacks!
03:26Hacks!
03:33Hello, darling.
03:34Oh, hello, Eddie.
03:36Did you have the operation?
03:39Yeah, well, it's only half done, you see.
03:40I mean, you couldn't complete it until you've
03:42re-swiped your credit card.
03:44It's a little pay-as-you-go thing.
03:47Darling, can we go back next week and do that?
03:49Because we've got a lot of them, yeah.
03:50They can tidy me up then, you know.
03:51Oh!
03:56Eddie, where's the other water?
03:58Where?
03:58I got someone in to do it, darling.
04:00I made a bad mistake.
04:02Bettina and Max.
04:05How are we doing?
04:09There's still too much in here.
04:11There.
04:14There.
04:16Out of here.
04:18We can't get it out.
04:19Jesus.
04:20Steady.
04:22I have to start with white box.
04:28It is white box.
04:34Um.
04:36What do we think?
04:40Over, over here.
04:42Do we need anything more?
04:44Well, a little, I think.
04:46For the client.
04:47I want that out!
04:48He can't get it out.
04:49Why?
04:49Because you've taken out the stairs.
04:58Hello.
04:58Hello.
05:02I don't want her here.
05:04In here.
05:05With all that fatness
05:07revolving around, Max.
05:08I'm too fat.
05:10I'm fighting for
05:11ever!
05:13How are we doing?
05:14Psst!
05:15Is she alright?
05:16She's, um, feeling it.
05:19Genius.
05:21So what's the inspiration here?
05:22Holocaust.
05:27Don't you like it?
05:29No, I love it.
05:30I love it.
05:31I think it's, uh,
05:32it's lovely.
05:32I just, um...
05:36I was thinking...
05:37perhaps just a little,
05:38something a little warmer.
05:42Max, turn on the pebbles.
05:50Cozy enough for you!
05:55So you and Bettina, you're divorced now, aren't you?
05:57Oh, yes.
05:57Yeah, yeah.
05:58Well, you know,
05:59if you ever want to
06:00take up where we left off,
06:02you can go upstairs now if you want to.
06:04Um...
06:05I'm...
06:06gay now.
06:07You were the last woman he went with!
06:10Boy, you sure know how to turn him!
06:13Stop it!
06:16Do you have a little child?
06:17Or a little baby or something?
06:19What was it?
06:20Yes, um...
06:21Allegra.
06:22She, um...
06:23She, um...
06:23She put herself into a...
06:24Boy in school!
06:25Who has a boarding school?
06:27Care.
06:28She, uh, developed a totally reasonable hatred for us
06:31and is living with the foster family.
06:33Oh, lovely.
06:33I'm much happier now.
06:35You can always adopt another one later.
06:37You'll be divorced!
06:39On what grounds?
06:42Jesus Christ!
06:43Oh, yes, that's right!
06:44You brought something into the box, didn't you, Max?
06:49Don't do this!
06:50Something fat!
06:51Yes, we're just going to click your medication.
06:54Come on.
06:55We're just going to...
06:56Back! Back!
06:57Back!
06:57Back!
06:58Back!
06:59Back!
07:00Back!
07:03Back!
07:04Back!
07:08Back!
07:09Back!
07:11Back!
07:11Back!
07:12Back!
07:13Back!
07:13Back!
07:14Back!
07:14Back!
07:15Back!
07:21I don't think you're ready to do houses, Bettina.
07:24Back!
07:24Back!
07:25How are we...
07:26Going to...
07:27Get you out?
07:29Back!
07:30Back!
07:32Back!
07:33Back!
07:34Back!
07:34So, you had to take her back to Broadmoor.
07:35Yeah.
07:36I mean, she was only on day release anyway.
07:38So...
07:39What's she in for?
07:40Stabbing Kelly Hoppen with a glass shard at the Design Awards.
07:48Who usually decorates the house, have you?
07:50Huh?
07:51Kunz.
07:53Anyway, I didn't want Kunz to do it.
07:54I don't want something new.
07:55I've had a vision.
07:56You know, I want something different.
07:57Well, darling, just call somebody up and then we can go out and get a proper drink.
07:59I want a change, darling, before we go out swifting a bit now, that.
08:03And you might want to remove yourself from that tweedy old skin.
08:09I don't know.
08:09I don't know.
08:10This is vintage.
08:11I don't think so.
08:13Pats, tell her this is vintage.
08:15Right, Judy.
08:15I think you'll find it's just old.
08:17Oh.
08:18Oh, God.
08:19Oh, shit.
08:21Oh, shit, shit.
08:22What's she doing back early?
08:23She shouldn't be back.
08:24Oh, cross the kitchen!
08:25Finish it!
08:26Finish it!
08:26Come on!
08:27Pink!
08:28Pink!
08:29Just say it is finished!
08:30Finish it!
08:31Finish it!
08:32Finish it!
08:32Finish it!
08:34Finish it!
08:36Hello, darling.
08:37Hello, sweetheart.
08:39Well, what have you done?
08:41You promised you wouldn't do this.
08:42No, I didn't promise, actually, darling.
08:44I said promise and I had my fingers crossed off.
08:47Anyway, do you like it, sweetheart?
08:48It's not finished!
08:49It is.
08:50It is.
08:51Yeah, it is, darling.
08:52Yeah, no one's got a kitchen anymore.
08:54It's all clinic now, darling.
08:55Clinic, not kitchen.
08:56It's the perfect reduction in which you can reduce the juice.
09:00Reducidus.
09:01Reducidus.
09:01Reducidus.
09:02Reducidus.
09:04I don't want to reduce the juice.
09:05I just want to make a cup of tea.
09:06I've just got off the plane.
09:07I'm tired.
09:08Yeah, well, we're all tired, aren't we, darling?
09:09We're all bloody tired.
09:11Anyway, it's now I can't make an effort to...
09:12Oh, did the goat get there all right?
09:14Yes.
09:14Look, Mum, Jane will be awake in a minute.
09:16I need to feed her.
09:17Is she still titting her?
09:22Pat, darling, Pat says, are you still titting her?
09:26Are you?
09:26No.
09:27She says no.
09:28I'm not going to get dressed.
09:29No.
09:30Oh.
09:31Where's John?
09:32Uh, he's, um...
09:33What?
09:33You did get married, didn't you, darling?
09:35Hmm?
09:35You did get a little, you know, a bit of that and then a little bit of that, did you?
09:38Did you see that?
09:40Did you?
09:40He didn't marry the goat instead, did he?
09:42Quite hard to tell them apart.
09:44Yeah.
09:45At least you've got to milk the goat and just...
09:49Quite big tits, actually.
09:51Yeah, she gets those from me, don't you, darling?
09:53Get those from me.
09:54What's that, Mum?
10:01What's that, Mum?
10:02Hmm?
10:04John.
10:05Oh.
10:06Oh, Christ.
10:08Oh, I can whiff it from here, darling.
10:11He didn't want to marry you, did he, sweetheart?
10:13Oh, God.
10:13I always said you'd end up a little pram-faced, didn't I, you?
10:17Hmm?
10:18Yes, we are married.
10:22Sir...
10:24Sir...
10:24What?
10:25Tell me...
10:26What?
10:27Tell Mama, sweetheart.
10:28Tell me, tell Mama, tell Mama, tell Mama, sweetheart.
10:32What?
10:33What?
10:33What?
10:33Hi, hi!
10:34Shit!
10:36Hello!
10:41We're home.
10:43And everybody's here, it's so cosy.
10:45Praise Jesus!
10:46Folks!
10:47Keep your voice down!
10:49We're on the run!
10:50They can't hear us down here, Marshal.
10:52Thank you for this place of refuge.
10:54We couldn't afford the Lanesboro, but there's room at this end.
10:58What are you doing here?
10:59What's happened?
11:00Well...
11:00We're being pursued by the forces of darkness.
11:02The IRS.
11:03The children of the Elzebub.
11:04The FBI.
11:06Let me explain.
11:12Welcome back.
11:13Oh, gosh, Marshal.
11:15Hadn't the Holy Spirit been busy?
11:16He sure has, Bo.
11:18Praise Jesus!
11:19Praise him most high in Jesus's name.
11:22In his name, in Jesus's name.
11:25I cannot praise him any more than he can praise himself.
11:28Hallelujah!
11:28Amen to that.
11:30And you know, in this hour, we're gonna ask our friends out there in the faith community
11:33to ring in with those credit card pledges to sow a seed for Jubilee.
11:37Or authorize checks or bonds.
11:40Or jewelry.
11:40The call is free, but the miracle is priceless.
11:43Oh, amen, my darling.
11:45Now, I know you're looking over here.
11:47You're thinking, that doesn't look like a temple.
11:49But it is God's temple.
11:50God's temple of the airwaves.
11:52Amen!
11:53Amen!
11:54Amen!
11:54Amen!
11:55I don't know how it works.
11:56Do you know how it works, Marshal?
11:57No.
11:58I don't think God himself knows how it works.
12:00But what happens is, it's still silently in your home like a virus carrying the word
12:05of God.
12:06Carrying the word of God.
12:09That is right.
12:09Hallelujah!
12:10Praise Jesus!
12:11Amen!
12:11Carrying the word of God to you in your home.
12:14Exactly!
12:15And you know what the devil hates?
12:16He hates sitting down there on his big tail, down on his sofa in hell, switching on his
12:21Panasonic, and hearing the word of God!
12:24It makes him mad!
12:26Ooh, he is mad!
12:28It makes him some air!
12:30Call the number now.
12:32All the lines are open.
12:33The more you give, the more you will receive.
12:38Testimonials balls.
12:39Oh, we got testimonials.
12:40Who do we got?
12:41Who do we got?
12:42I believe we have Carmel Rodriguez down there in Boca Raton.
12:46Hey, Carmel.
12:47Jesus Racer Carmel.
12:50I'm so glad I thanked you all my money.
12:52Now I have nothing, but I am very, very happy.
12:57Carmel Rodriguez.
12:59Oh, and you know what?
13:00You can send in pesos.
13:01You can send in pounds.
13:03You can send in dollars.
13:04You can send in shekels.
13:05Because we take it all.
13:06Ain't that right?
13:07That's right.
13:08And Philomena Bill down there in Bunter, Ohio.
13:11Don't hold that card up to the screen.
13:13I can't see it, baby.
13:14You've got to call them.
13:15Call them in there.
13:16Call now and be saved.
13:18Call them in now, because we want to bring the miracle of Jesus into your home.
13:22And you don't even have to open the front door.
13:24Send everything now.
13:26All right.
13:30We were merely trying to release the poor from the shackles of what little they had to give.
13:34So?
13:35For now, we're laying low and starting over.
13:38Praise Jesus.
13:39Praise him.
13:39I've gone back to acting.
13:41Oh, don't be modest, Marshall.
13:43He's not acting.
13:44He's in a West End show.
13:46It's a small part in Chitty Chitty Bang Bang.
13:49It's the juvenile lead.
13:53It's good money and the theater's happy because he doesn't need a chaperone.
13:57Baby, why don't you give us a little truly scrumptious.
14:00Truly scrumptious.
14:01Jazz hands.
14:06All right.
14:07Come on, mister.
14:08We have got a mat night.
14:10Oh, you pretty Chitty Bang Bang.
14:13Chitty Chitty Bang Bang.
14:16Come on.
14:18Why did you change it?
14:20Oh, we're back on this, are we, darling?
14:22We're back on this.
14:23Why did I change it?
14:24Because everything's got to change, darling.
14:26I mean, I changed my clothes.
14:27Well, I changed my house, sweetheart.
14:29Well, we can't all just wrap ourselves in a little old chaperone.
14:32Cheese Rind like you, can we, darling?
14:33And mature like an old piece of gouda our whole lives.
14:36Come on, mister.
14:37That ain't gonna happen.
14:39And anyway, your house, darling, now is the latest fashion statement, isn't it?
14:42Hmm?
14:43I mean, it used to be you could just have a cool haircut or a great t-shirt and be
14:46fashionable.
14:46What are you talking about?
14:48What I'm talking about, darling, is the fact that now even your kitchen's gotta be cool,
14:52isn't it?
14:52I mean, you can't just wash your hands in a sink anymore, can you, darling?
14:55You've gotta have a bowl.
14:56I mean, you've gotta have a bowl.
14:58Well, not even a bowl, darling.
15:00Just a shiny, flat surface that water pours onto and into infinity.
15:05Mum!
15:06I mean, darling, your kitchen is now so cool, it's got bouncers, so you can't get in it.
15:10I mean, your dishwasher can get in, but you can't.
15:13Your fridge can be dancing the night away in Studio 54 without you.
15:17Shut up!
15:18I can't even have a bath anymore, darling.
15:20I've gotta have a bath in a small coconut husk.
15:24Mum, it's just stuff.
15:25Just go out and get some stuff.
15:27Oh, just stuff.
15:28I have a vision.
15:29I want someone to interpret my vision for me.
15:31Do it yourself.
15:32Do it yourself.
15:33DIY?
15:34Oh, I can do that.
15:35Hello, sappy dear.
15:36How are you?
15:37Yes, I've got the DIY channel.
15:39Well, you've got it for me, dear.
15:42That isn't the DIY channel, you stupid woman.
15:45It's the DYI channel.
15:47Do yourself in.
15:48It's the euthanasia network, isn't it?
15:54If you're on a short subscription, let me tell you.
15:58Is that one of my old suits?
16:10No, it's vintage.
16:11Oh, the times I've had in that suit.
16:14Oh!
16:15Let me smell it.
16:16Oh, get off!
16:17Get off!
16:18Get off!
16:19If you don't do it, I'll do it.
16:21Do what, darling?
16:22The kitchen!
16:26You'll do it, will you, darling?
16:28You'll do it, will you?
16:29How will you do it, will you?
16:30How will you do it, darling?
16:31How will you know where to go?
16:31Where will you go to your little reject...
16:33tit shop, will you, sweetheart?
16:35You'll get to some little reject-y-titty-titty-tit-tit-tit-bit-tit-tit-tit shop, will you?
16:43Is that where you'll go, is it?
16:44No, I'll do it.
16:45I'll do it, sweetheart.
16:46I'll do it.
16:47Here.
16:50What now?
16:54Yeah, I'll do it now, yeah.
16:56Gets that look off your face, sweetheart.
16:58Yeah, I'll do it now.
16:59Yeah, yeah.
16:59Come on, pats, we're going shopping!
17:02Not shopping, buying!
17:03Do you want a little potato peeler, darling?
17:05Shall I?
17:07Do you want all those little brushes on a stick that you have by the sink?
17:09Shall I get one of those, don't I, darling?
17:11All right.
17:11Brush on stick.
17:12And olives.
17:13Oh, we do need olives, actually.
17:14There's nothing else.
17:16Right, Gran, would you look after Jane for a short while?
17:18I need to go and get her some food.
17:20No, dear.
17:21I can't.
17:25I can't help feeling, Safi, that you're taking advantage of me just because I'm around doing
17:31nothing all the time.
17:37Oh, sorry, I'm already.
17:39Ellie, just see something and get it, right?
17:41Yeah, darling, darling, I will.
17:42But something lovely, lovely things.
17:43Yeah, we'll see something lovely and get it quickly.
17:44Darling, we'll be in and out of here so fast, we'll just be a blur.
17:47Let's do this.
17:48Let's think texture.
17:49Let's think colour.
17:50Do we love this?
17:50Do I love that, actually?
17:51Yeah, buy it.
17:52That's a bit, I don't know.
17:53Well, buy it.
17:54What do you think about that, then?
17:55It's lovely, great.
17:56Buy it.
17:56Well, I've got to buy it all.
17:57And you haven't bought anything yet.
17:59I know, that's because I'm trying to find what I want, darling.
18:01I'm trying to focus.
18:01Darling, I know what will help you focus.
18:03What?
18:03A nice little drink.
18:05A little drink.
18:06Come on, darling.
18:08Oh.
18:09Let's focus, darling.
18:10Yeah.
18:11I think the problem is, the room is the wrong shape.
18:13If the room was a circle instead of a square, that would help, wouldn't it now?
18:18Yeah.
18:19And everything wouldn't have to be sort of squished up against all...
18:21Yeah.
18:23Oh, it's you.
18:24It's you.
18:33I'll close off that little tap, then.
18:35Could you?
18:36Let's do it.
18:39Cheers, sweetie.
18:40Right.
18:41Right.
18:41Do we have a refill?
18:42Yeah, yeah.
18:42Because I've got some food to wash it down with.
18:45Oi!
18:48Oh, cheers.
18:49Can we have a refill?
18:55Darling, you know what that is?
18:57Hmm?
18:58It's tearing its cum around.
18:59Yeah.
19:00Yeah, I know.
19:00Yes, I know that too.
19:02Have one yourself.
19:04You've just been in your shop.
19:06Really?
19:06Yeah.
19:07Well, you see what I'm doing is, I'm doing it in my sort of kitchen area.
19:09You know, well, eventually I'll do the whole house to match.
19:11It's going to be a big job, Terry.
19:13Yeah.
19:13It's going to be showcased in some pretty exclusive publications.
19:16So, you know, maybe we can do a deal.
19:18Yes, in fact, actually, darling.
19:20Yeah?
19:20I want you to do my house.
19:22I want you to do it.
19:23I want you to put your shop in my house.
19:25But, you see, your house should reflect the person that lives in it.
19:29Crap.
19:31When I walk into your house, I want to see you.
19:35Well, I would still be there.
19:38Well, she'd be there too.
19:39But, you see, when I walk into my house, Terry, I want to see you.
19:43I really don't think I want to be in your house.
19:52Yeah?
19:55Oh, Ed, get us a blast on.
19:58A bit ashamed of wasting time.
20:02Now, tell me all about the wedding I've been dying to ask.
20:05Oh, are those the photographs?
20:07Yes.
20:08May I see them?
20:18I say.
20:20Is that you, dear?
20:22Yes.
20:23And who are all those other ladies?
20:26Those are his other wives.
20:29No, but it's all right.
20:31I'm fine about it.
20:32It just means he has to split his time, that's all.
20:35And, um...
20:35Well, I get to see him every three months, so that's good.
20:40Oh, Saffy.
20:41You've joined a ha-reen.
20:48Come on, darling.
20:49Lovely con run.
20:50Hello, hello, cab, cab.
20:52Cons!
20:54I've got much time.
20:56Oh, come on.
20:57It should be all right.
20:57Actually, the traffic's not too bad, is it?
20:59We should be okay.
21:00When we get in there, we're just going to point and load.
21:02Point and load.
21:03Point and load.
21:03Point and load.
21:05Ring the bell.
21:07Ring the bell.
21:07That's all working.
21:11Oh, push it.
21:11Push.
21:12Push.
21:13Once.
21:14Push it.
21:14Try again.
21:15No, ring that bell.
21:16Ring the bell.
21:21No, no, no.
21:23Let them wait.
21:25Let's see how much they really want it.
21:28Come on, sweetie.
21:30I just can't help since we'd sell more if we actually opened the door.
21:35Well, you know nothing.
21:41What is that smell?
21:42Oh, it's the athlete's foot.
21:44Oh, it's the athlete's foot.
21:46Oh.
21:46I've got to unload that foot.
21:55Yeah, ring it.
21:57Ring it.
22:00Wait a minute.
22:04What is that?
22:08Oh, my God.
22:09Go, go.
22:10Open.
22:10Open.
22:11Big client.
22:13Faster.
22:14Faster.
22:15Faster, you silly cow.
22:16Run.
22:17Run like the wind.
22:19Cons.
22:21Cons.
22:25Cons.
22:28I'll speak to you when I get there.
22:30Hang on.
22:31Come on.
22:31Come on.
22:37Come on.
22:38Come on.
22:39Come on.
22:40Come on.
22:41Oh, I didn't see it.
22:43That's you.
22:45Oh, my God.
22:46Look at you.
22:46You've lost so much weight.
22:49What happened to your head?
22:51Your head got to me.
22:53Five focals on upside down.
22:57There you are.
22:59Danke, Yoko.
23:00You're okay.
23:01I'm Japanese.
23:03Oh.
23:05Don't ask.
23:06So what can I show you?
23:09Oh, as you can see, proto-brutalism is with us.
23:12All right, all right, darling.
23:13Now listen, Kunz.
23:14I'm on a bit of a schedule here, all right, darling?
23:16Yeah.
23:16Because I need to get my kitchen.
23:17All right?
23:18What are we talking about here?
23:20Did you see the foot?
23:21I've had this foot.
23:23Oh.
23:23Not this foot.
23:24No, no, no.
23:26J-Lo adores it.
23:28Yeah.
23:28Yeah.
23:29Maybe she should have it after all.
23:30As I said, it's the only foot big enough to kill Santa's ass.
23:35I love it.
23:36I would have it to make sense.
23:38Kunz, Kunz work with me here, all right?
23:39What are we after this time?
23:40Well, darling, I just need something quick that reflects me, you know?
23:43No.
23:43A mirror.
23:46Come on, darling.
23:47All right.
23:47Well, look around.
23:48What is the mood, please?
23:50I don't know.
23:51It's just sort of, you know...
23:55Words would help.
23:56I don't know.
23:57I've seen something.
23:58I can see it.
23:59Well, what speaks to you?
24:01Nothing.
24:01Nothing's speaking to me.
24:03Oh, come on.
24:04That's just because you're not listening.
24:08Hey, there.
24:10This on me.
24:11This on me all night long.
24:13I love you.
24:15I love you.
24:17I love you.
24:17I love you more than the foot.
24:25That's just you speaking, really, isn't it?
24:28Just doing that with some cushions.
24:32No.
24:33I was channeling the furniture.
24:35Shut up.
24:37Oh, no.
24:38Big head again.
24:43All right.
24:44Look.
24:45Just...
24:46I can't work on nothing.
24:48Give me something.
24:49Give me something, baby.
24:51It's in you.
24:52I can see it, but I just can't see it, you know?
24:55I just don't know where it is.
24:56Where?
24:56Where can you see it?
24:57In a magazine?
24:58In a past life?
25:01In a past life?
25:02Do you think it's in a past life, darling?
25:04Do you think that's it, Pats?
25:05Yes.
25:05Maybe it's in a past life.
25:06That's why I'm being blocked.
25:08What I can see is in a past life, isn't it?
25:10Well, then you need to be regressed.
25:12Yeah.
25:13I was regressed.
25:14Were you, darling?
25:14Yes.
25:15Where were you?
25:15Oh, it seemed pretty fabulous.
25:18I was in an ancient world.
25:21It looked like Egypt.
25:22Yes.
25:23Yes.
25:23Pyramids, elephants, everybody half naked with incredible headdresses, serpents, men, women.
25:32Who...
25:34Larges, burnished gold.
25:36Early Cher tour.
25:38I was a principal dancer.
25:41And Cher loved me.
25:44You go.
25:45Be regressed.
25:46But you'll be back here so fast.
25:49Faster than Cher can turn back time.
25:53Thank you, Kunz.
25:54Thank you, darling.
25:56Come on, Pats.
25:57Come on.
26:07Yes.
26:08The regressor is here.
26:10Where are you?
26:12I'm just here.
26:14Where's Saf?
26:16She's gone to her dad's for food.
26:18Right.
26:18Good.
26:18Good.
26:19I want you to keep a watch out for her.
26:20I don't want to be disturbed.
26:21All right?
26:26Hi.
26:26Crystalline.
26:27Yes.
26:27How?
26:28How are you?
26:31This is my first time doing this, yeah.
26:33Who else have you done?
26:35Well, I do a lot of people, but it would be unethical for me to name names Madonna.
26:39Oh.
26:41She was a rabbi at the Shtetl.
26:43Yeah.
26:43And I took Elizabeth Taylor back through her childhood.
26:45That was the longest incarnation I've ever done.
26:48Shirley MacLaine.
26:49Yeah, yeah, yeah.
26:50Well, we need to get on.
26:51I think I'll just light a few more candles.
26:53No, I'm ready now, darlings.
26:54They're pretty.
26:56Yeah, well, they're mine.
26:56They're scented.
26:57Yeah, they're 50 pounds a wick.
26:58Can you not light any more of the candles?
27:01You just regressed me.
27:03I had a second cousin who was a little bit regressed.
27:06He was a right nautical.
27:08Oh, shh.
27:09Oh, get back to your test.
27:12Sorry about it.
27:13All right, then.
27:14Well, I've got my pad.
27:15I've got my pen.
27:16You can start breathing.
27:19Good.
27:19I'm sensing that we've never done this before.
27:23No, I just told you that.
27:24You just told me that.
27:25Yeah, yeah.
27:25Well, we know each other from somewhere.
27:27Oh.
27:28Weren't we shackled together on the slave ship Hacienda in the Indies, 1705?
27:32You were a bag of bones back then.
27:34No, that couldn't have been me.
27:36Well, you weren't Pablo, my hermaphrodite half-brother's sister in Peru,
27:40around the time of the great Inca bloodletting.
27:43No, we've only just met.
27:44We've only just met.
27:45Yeah, I just told you that.
27:46Did you just tell me that?
27:47Yes.
27:47When?
27:48Oh.
27:49It's like someone put time on shuffle in my mind.
27:53Okay, good.
27:54Breathe.
27:55Now.
27:58So, where would you like to go?
28:00Well, you know.
28:00Is there a reason for this?
28:03Is there something unresolved in your past?
28:04I mean, after all, how can we know where we are if we don't know where we've been?
28:08Exactly, yes.
28:09Where am I?
28:10Holland Park.
28:10This is home.
28:12Oh, no, you see.
28:15That's what it is.
28:21All right.
28:22What I'm actually after is, you see, I've seen this perfect vision of the perfect living space,
28:26and I just have to go back to where I saw it so I can remember it, you see.
28:29Well, are we talking centuries here?
28:31No, it should be in the last two weeks, I think.
28:34I know.
28:34It could be a magazine I've read, you know, it could be a place I've been, you know.
28:38Can we just get on with it?
28:39I haven't got time, you know, for this.
28:40Oh, no, no, no.
28:41We have all the time in the world.
28:42We have the future.
28:44And we have the past.
28:45Okay.
28:47Oh, Christ.
28:48Oh.
28:52Breathe.
28:53I'm breathing, I'm breathing.
28:54I've done the breathing.
28:55All right.
28:56You will notice a change in my voice as I take you back.
29:01Feel the rhythm of the beat as I take you back.
29:03Feel the rhythm of the beat.
29:04No, that's, that's...
29:05Mmm.
29:06That's not a good voice, because that one, that starts a certain way and then just goes,
29:10Canadian, so...
29:12Which one will we use today?
29:15Yes, that's the voice.
29:17That's the voice that will take us back.
29:18And as you go back, if you encounter Shirley MacLaine, send her home to me,
29:22because she owes me money.
29:23Okay.
29:23I'm still on with the things.
29:25As you breathe, I want you slowly to begin to feel...
29:30You not here!
29:32You heavy!
29:34Very, very heavy!
29:37Heavy limbs.
29:39Heavy arms.
29:40Great big, heavy arms.
29:41Yeah, heavy.
29:41I'm heavy, all right.
29:42I've got my fourth plan.
29:44You in lovely warm light.
29:47No.
29:47Yes.
29:48Yes.
29:48A light is flooding out, and now I've gone Canadian.
29:52Breathe!
29:53I'm breathing.
29:54You floating.
29:56Or you on a beach?
29:57No, I don't like a beach.
29:58I don't want a beach.
29:58Or you in a lovely wood.
30:00Yes.
30:00And now I take you back, back, back.
30:02And I'm going to ring the bell all five times.
30:06And then you in different life.
30:10Actually, I'll ring the bell several times.
30:12No, that's the wrong voice.
30:13Oh, God.
30:14All right.
30:15In my normal voice, I ask you to come back now, because we're going to have to start all
30:18over again now.
30:18So come back to me now.
30:20I'm here.
30:20I'm here.
30:21I'm out.
30:21I'm out.
30:23I was only just behind my eyelids anyway.
30:25And breathe!
30:33Have you done it yet, Eddie?
30:34No, I haven't done it yet, darling.
30:36I've got a chance.
30:37Do you know Crystalline?
30:39Oh, yes.
30:39We've met Pablo.
30:40Oh.
30:41Buenos dias.
30:46Oh, don't light any more candles.
30:48Let's just get on with it.
30:49They're the twinkles of the soul.
30:50Leave for the candles.
30:51All right.
30:52Now we're going to go back.
30:53Can I stay, Eddie?
30:54Yeah, as long as you're quiet, darling.
30:55I'll be quiet, darling.
30:57And breathe!
31:00And now I take you back, back, back, and I ring the bell one time.
31:06Four times.
31:08And you tell me what you see.
31:10Look around you.
31:10Look down.
31:11Look at your feet.
31:12You see your feet?
31:13She's never been able to see her feet.
31:16You're male or female?
31:17Female.
31:17Sorry.
31:18When I go back, can you not ask me about footwear?
31:21Just ask me about decor.
31:22That's what I want to do.
31:22You don't rush out of a regression like that.
31:24I have to bring you out.
31:25But I am out.
31:26No, you're out when I say you're out.
31:27Now you're out.
31:28Come forward.
31:30Good day, madam.
31:32And there's a farthing for your services.
31:35What's your day?
31:36What's happened?
31:36Oh, we've got a live one here.
31:38Pat!
31:39Pat!
31:39No, no, no.
31:40Don't wake her.
31:40This is very delicate.
31:41Pablo!
31:42I'm speaking to your other soul body now.
31:45To the person you are being then, now, if you understand what I'm saying.
31:49Ah!
31:50En garde!
31:51Ella!
31:52Etosé!
31:52Ah!
31:53Where is she?
31:5417th century.
31:55She's in freefall.
31:56Where the hay no need no one a platter on my steak and a...
31:59Where is she?
32:00What is she doing?
32:0115th century.
32:01It's going too fast.
32:05What is it?
32:06What is it?
32:06Neolithic.
32:07Peek!
32:08Peek!
32:10Peek!
32:11Peek!
32:14Pablo!
32:15Pablo, where are you?
32:16Pablo, what is it that you don't want to hear?
32:19The...
32:20Big...
32:20Bang!
32:22She's at the beginning of time!
32:24She's just protoplasm!
32:26Don't touch anything!
32:27Pablo, you must come forward!
32:29Pablo!
32:29Come forward!
32:31But is it alright if I smoke?
32:38Just be quiet.
32:41Alright, come on.
32:41Can we just get on with it?
32:42Come on.
32:43Just wait here.
32:44I'll be back in a minute, darling.
32:45She's here!
32:46She's here!
32:46Quick!
32:46Regress me!
32:47Regress me!
32:47Regress me!
32:49You're alright!
32:50Ding, ding!
32:51I can see my feet.
32:51I'm on a beach.
32:52I'm there, don't worry.
32:53Mum?
32:54No, no, no!
32:55Regression in progress.
32:56Where are you?
32:58I'm by a lake.
33:01It's a pre-Raphaelite.
33:02I'm a pre-Raphaelite poet.
33:04I'm a Lakeland poet.
33:05By Lake Grassymere.
33:10Singing all my friends.
33:12Hello.
33:13Who are you?
33:13Dorothy Wordsworth.
33:17Dante Gabriel Portia Rossi.
33:21Keats.
33:23Peeps.
33:26Sheep.
33:28What's she doing?
33:30Who can say it?
33:31I hardly know her.
33:35Yes, I'm walking.
33:37I'm walking.
33:38I'm walking.
33:39Oh, yes, I know.
33:39I'm at my desk.
33:40I'm at my desk.
33:41I'm composing a Lakeland poem.
33:47I'm walking down the road.
33:52Just looking at the scene.
33:55All the people going by.
33:57No, don't wake her.
33:59You have to bring her forward slowly.
34:00Pretty lady.
34:02I'll bring her forward.
34:04What do you do with me?
34:05What do you do with me?
34:06Oh, no.
34:08Shit, shit, shit.
34:10Who's in that fort?
34:11Where am I?
34:11Where am I?
34:12Who am I?
34:12Who am I?
34:12Who are you?
34:14Mum, what are you doing?
34:15Have you done anything about the kitchen?
34:18No, darling, that is what I'm doing.
34:20Isn't it?
34:21I have to go back, darling, so I can remember where I saw the things so I know what to
34:25get.
34:25You understand?
34:26That is so typical of you.
34:28What?
34:28When everything grinds to a halt, is half finished, at a standstill, you decide to go backwards.
34:36Yeah, because sometimes, darling, you've got to go backwards in order to go forwards.
34:40Isn't that...
34:42Isn't that right?
34:46Because, sweetheart...
34:47Round like a circle in a spiral...
34:50Like a wheel within a wheel...
34:52What?
34:53What?
34:53What is the matter with you?
34:55I can't take any more of this.
34:56I'm fed up with being set down all the time.
34:58What is the matter with you?
34:58All I've ever wanted to go back down somewhere so hard...
35:01What are you saying?
35:02I've never had that!
35:03I've never had that!
35:04I've never had that!
35:05This is your uncle!
35:06Get off!
35:07What did you do?
35:09What did you do?
35:10You hit her!
35:11Why is she holding her face?
35:13I don't know, because Eddie only hit her on the arm.
35:15No, reasonable force, darling, the government says you can use reasonable force.
35:19I don't want you in this house anymore.
35:21She can't do that, Eddie, it's not her house.
35:23It is.
35:24Yeah, it is actually, darling, but in name only.
35:27I want you out!
35:28Well, just you, Eddie, just you, she said.
35:31What is it?
35:32Why is it going to have your little family life, darling?
35:34Well, let me tell you something.
35:35This is family life!
35:37We're having a domestic!
35:38Call the police!
35:39This is what it's like, darling!
35:40It's messy!
35:42You're never going to be perfect like your little hidey house you want with your muffin
35:45the mule.
35:45It's not going to be like that, darling.
35:47Because we're not like the little people you had in your doll's house that you can push
35:50around on stick furniture and make eat big plastic cake.
35:55This is it, sweetheart.
35:56Do you know what?
35:58I'm bored of it.
36:00You know something?
36:01Don't throw us out, because we'll go.
36:03Yeah, we'll find somewhere else, sweetheart.
36:06You can have this.
36:06You can have this for your little family life.
36:10We'll move on.
36:11I've done everything I can do here.
36:13Come on, Pats.
36:15Pats!
36:20What have you done?
36:22What?
36:22We'll find somewhere else.
36:23Come on, sweetheart.
36:24Eddie, this is all I know.
36:26This is where I come.
36:27You don't seem to understand I can do without food, without organs, but this is my womb.
36:32This is my home.
36:37Now, darling, this isn't your home.
36:39Do you know why, sweetheart?
36:41Because a home isn't a place.
36:43I read that.
36:46A home, darling, isn't transitory objects.
36:48It isn't stuff.
36:51A home, darling, is people.
36:54People who love you.
37:02I'm your home, aren't I, Pats?
37:04I'm your home.
37:06Come on, sweetheart.
37:07Come on, darling.
37:08Let's go.
37:09Come on, darling.
37:11Well, Saf, you're going to have to help me, darling.
37:15I think Rigor has set in.
37:16Oh, for God's sake.
37:18Ah!
37:20Eddie, can you clean my cigarettes?
37:21No, it's not.
37:25No, it's not run.
37:38No.
37:43No!
37:44No!
37:44No!
37:46No!
37:48No.
37:49No!
37:49No!
37:50No!
37:51No!
38:00there we are dear they should stay up now but I don't think you'll be able to draw them
38:06the smell of glue will go off eventually thank you Brad it's lovely will you be all right dear
38:14yes you're better off without her you know I know I bet they haven't got anywhere half
38:21as nice as this oh this is for you dear oh thank you grand what is it it's my bill
38:29dear
38:45Eddie coming darling
38:49Eddie I unpack the glasses well done darling oh isn't this lovely I love it here cheers
38:55cheers darling cheers do you want to stay in here do you want to move through let's move
39:00through the other let's go through fix your nibbles
39:09this is lovely isn't it that's fabulous I bet it's sappy's little place eh oh god no I'm glad we
39:15got
39:15this I love these textures oh yeah we got all these it's lovely it's lovely are you thinking
39:22you're getting some curtains hello what do you think I don't mind it like this I like the space
39:28yeah yeah no I want to get more light
39:30you