- 2 days ago
Category
📺
TVTranscript
00:03Orson Hodge was smiling again, and it was starting to worry his wife.
00:11You see, since his accident, Brie Hodge had grown accustomed to her husband's severe mood swings.
00:21She had grown used to his unexpected rage,
00:25his sudden anguish, his deep depression.
00:33But lately, an odd tranquility had settled over Orson,
00:37and his wife had the feeling something was terribly wrong.
00:41Sadly, she was right.
00:47What's going on here?
00:51Hello, Brie. Just thought I'd give away some things I don't need anymore.
00:56Hey, Orson, you got these in eight and a half?
00:58Sorry, Roy. We just carry men sizes.
01:02Look, I can understand why you might want to give away your sporting equipment,
01:06but why would you give away your books and your CDs?
01:09And for God's sakes, you can still use your headphones?
01:12These are amazing!
01:14Give me those.
01:15Ow!
01:16What is wrong with you people?
01:18Don't you realize you're taking advantage of a man who is emotionally distraught?
01:22He seemed to be in a great mood.
01:24Until Lady Sunshine walked in.
01:26We're sorry, Brie. We assumed you guys had talked about it.
01:28Well, we didn't.
01:29And that doesn't excuse the fact that you're all acting like a bunch of vultures.
01:32It's a good thing I came home, or you'd be picking through his closet.
01:37You know what, guys? We should go.
01:39And please leave your plunder behind.
01:42Hey, come on. At my age, it's just a short-term loan.
01:52What has gotten into you?
01:54I'm sorry, darling. I had no intention of upsetting you.
01:57Keep my things. Give them away.
02:00Ultimately, it doesn't matter.
02:01Yes, Orson Hodge was smiling again.
02:06And Brie would soon learn the reason why.
02:10You see, her husband had decided to kill himself.
02:22In this never-ending drama we call life, everyone has a part to play.
02:29Some are cast as romantic leads.
02:33Others end up playing the victim.
02:38And a few provide comic relief.
02:43But if the drama is to be really compelling, there must be a hero.
02:48And a villain.
02:53Hey, Mrs. Kinski.
02:55Look who's here.
02:57The garbage police.
02:58I hate to bug you, but you're still not separating your glass and your plastics.
03:04The city passed that ordinance. Remember?
03:06Oh, I envy you.
03:08Young, pretty, able to crouch for hours behind a bush waiting for a neighbor to dump a trash.
03:14Look, maybe you don't get how easy it is to recycle.
03:17Oh, I get it. I just don't want to do it.
03:20I've been throwing styrofoam into the trash since before you were born.
03:23And the sky is still blue and the grass is still green.
03:26Maybe now.
03:27What will it be like for our grandchildren?
03:29My son is shooting blanks and my daughter likes the ladies.
03:32Grandkids are the least of my concerns.
03:33So you don't care about our planet at all.
03:36By the time it's a problem, I'll be long gone.
03:38Let the cockroaches and the robots fight over it.
03:48What was that all about?
03:50Oh, what do you think?
03:52One old crank doesn't want to recycle.
03:56You don't care about that stuff anymore, remember?
03:58Of course I still care.
04:00Yeah, fine. Yeah, you can care. Just...
04:02Don't be blowing our cover.
04:04So what am I supposed to do? Stand back and watch her defile our planet?
04:09That's exactly what you're supposed to do.
04:14Sometimes you chain yourself to the tree and sometimes you go after the guy with the saw.
04:20That's what Patrick used to say.
04:22We don't talk about Patrick anymore.
04:25I'm just saying.
04:26So am I.
04:35So the lawyer says you sign right here and you are officially bought out of the strip club business.
04:41Let's hope I don't get my share in singles.
04:44And here's a little something to remember us by.
04:47Lap dancing.
04:48It's a grime.
04:51Well, I will be sure to wear this on the next field trip I take with my students.
04:54Thanks, Jimbo.
04:55Good luck.
04:56You too.
04:58Bye, Mrs. D. Take care, Rob.
05:03Moby Dick?
05:04It's not what you think. It's about a whale.
05:07Yes, I know. It's a classic.
05:10Well, I saw an article about a hundred books you should read before dying and I thought, you know, with
05:15all the high cholesterol in my family, I better get cracking.
05:18Oh, good for you.
05:21So what are you going to do now?
05:23Oh, um, well this was never really my job. I'm actually a teacher.
05:28Really?
05:29That is so cool. I thought about being a teacher. I actually went a couple semesters, but then my family
05:34had some money problems and about nine years later I'm still wearing tassels.
05:39Robin, you're being requested in the VIP lounge.
05:50Well, um, good luck with those hundred books. Thank you.
05:54Oh, not this guy again.
05:57I keep telling him to keep the tips and buy himself a toothbrush.
06:02Robin, wait. Um, you don't have to keep doing this if it makes you unhappy.
06:09Well, I've got bills to pay Mrs. Delfina.
06:12No, I know, but you don't have to work here. You can do anything you want.
06:16That's easy to say.
06:17Well, I mean it. It is never too late to change your life.
06:24Robin, now.
06:35You're taking that with you?
06:37When customers get grabby, I'd have something to whack them with.
06:40I almost killed a guy with war and peace.
06:48So, I'm driving. This guy pulls out in front of me.
06:52Cuts him off.
06:52Yes.
06:53I was a little pissed.
06:55You were furious, but at the stoplight, when I start to tell the guy off, Tom leans over and says,
06:59Sorry, uh, no big deal. She's just having a bad day.
07:02You didn't have to take the guy's head off.
07:03He was a maniac.
07:04She flipped him the bird.
07:05I was sticking up for you.
07:07Yes, but Tom was driving, Lynette.
07:09Whether he chose to ignore it or tried to run the man off the road, it's his decision.
07:13Let him be in the driver's seat sometimes.
07:16Literally and figuratively.
07:21Bringing the score to Tom four and controlling bitch zero.
07:26There's no scoreboard in this room. You know that.
07:30I think you both did some great work today.
07:32Next Tuesday, same time.
07:34Thanks, Doctor.
07:34It felt really great.
07:37Dad.
07:42I always feel so much better when we get out of there.
07:45Yeah, I bet you do.
07:46Well, don't you?
07:47I mean, I really think she got this working.
07:50Yeah, I think she's got this working and this is getting beat up.
07:55Come on, Lynette. Don't feel like that.
07:56It's true. She always sides with you. I want a second opinion.
07:59Lynette.
07:59Maybe we should think about seeing another therapist.
08:02When we started, you loved her.
08:04Yeah, and when we started, I loved you too. Things change. Now let's go.
08:09Hold on. I think I left my keys.
08:15No, I can't. I have dress rehearsal tonight.
08:18Okay. Talk to you later.
08:20I'm sorry. I forgot my keys.
08:22That's okay.
08:25Um, I didn't mean to eavesdrop. Did you say you had dress rehearsal?
08:29Oh, that. Yes, I'm sort of in a little play that runs this weekend.
08:34Really? You're an actor too.
08:36Well, I dabbled in college. I have a bit of a gift, so I try to keep it alive.
08:40Well, what's the play? I mean, we'd love to come see it.
08:42Anthony and Cleopatra. But it's just a community production.
08:45I would never force you to sit through it.
08:47Oh, okay. Well, if you don't want us to come...
08:49Here's a flyer. Matinees are half off.
08:56Hey.
08:57Hey!
08:57I need Ana to watch the girls while I run to the store.
08:59In big shock, she's not entering her cell.
09:01Oh, no problem. Come on in.
09:04They're just up in Danny's room.
09:06Ana!
09:09Gabby's here!
09:11So they're in Danny's room?
09:13Oh, yeah. They were listening to music.
09:14It was so loud, I made them shut the door.
09:17So they're by themselves.
09:20With the door shut.
09:21Just a couple of teenagers, alone with their genitals.
09:26Ana!
09:27Get your ass down here!
09:29Gabby, what's the big deal? They're just hanging out in Danny's room.
09:32With a mattress?
09:33Why don't you just crack a bottle of champagne on Ana's pelvis and wish Danny a bon voyage?
09:38Ana! Now!
09:40Hold on, I'm coming.
09:43I'm sure she meant she's on her way.
09:46What's going on?
09:47I have to run to the store. I need you to watch the girls.
09:49That's it?
09:50Geez, I thought the house was on fire.
09:52Let me grab my stuff.
09:56So?
09:57You worried they might be doing it?
09:59Yeah.
10:00What I don't get is why you're not worried.
10:01They are healthy, red-blooded kids. They're gonna do what they're gonna do.
10:04So we say nothing and just fluff their pillows?
10:06No. We make sure they don't do anything stupid.
10:09Have you gotten Ana on birth control?
10:11I made her spend time with Juanita and Celia. I was hoping that would do it.
10:15Come on, Gabby.
10:16You have to talk to her about safe sex, condoms.
10:19She's only 17! She's too young!
10:22How old were you when you first did it?
10:28Ana, hurry up! Gotta hit the pharmacy too!
10:45Oh.
10:48I didn't hear you come in.
10:50Dear Esprit, I will always love you but the will to fight on has left me so I've chosen to
10:55exit life on my own terms?
10:58Is this a suicide note?
11:00Well, it's really more of a suicide rough draft.
11:03Oh my God!
11:05I didn't mean for you to find out this way.
11:08But now that you know, at least we can discuss it like adults.
11:11There's nothing to discuss.
11:15Orson, this is obviously the depression talking.
11:18We will get you some medication.
11:20Bree, Bree.
11:21There's no need for you to feel badly about this.
11:25I've had a good life.
11:27Let me go.
11:28I will do no such thing.
11:31I forbid this.
11:32Do you hear me? You will not be killing yourself.
11:34I will remove every knife, rope and pill from this house.
11:37And if I have to, I will be with you 24 hours a day.
11:41Well, being born to death wasn't how I was planning to go.
11:44But we can try it your way.
11:50Orson.
11:53I'll give you some time to adjust to this.
11:55But understand me.
11:58It's going to happen.
12:18What's with the condoms?
12:19Calm down. They're not for you.
12:22Ah, just what every man wants to hear from his wife.
12:25So?
12:27Okay, hear me out.
12:27You know how Anna is dating Danny Bolan?
12:31I'm going to kill him.
12:32And we have to be realistic.
12:33With my bare hands.
12:34Because we're not going to listen to reason.
12:35And bury him under the porch.
12:37Carlos, what choice do we have?
12:39There are two teenagers who are getting seriously involved.
12:42Isn't it better to be safe than sorry?
12:43But giving them these is like giving them our blessing.
12:45And that's how I felt at first.
12:47But like Angie said, nature's going to take its course.
12:49Yeah, easy for her to say. She's got the boy.
12:52What if the condom breaks?
12:53What if he forgets to put it on?
12:55If he knocks Anna up, who do you think is going to end up raising the kid?
12:58God, that would be awful.
13:00Getting up for those 3am feedings?
13:02After you've worked all day?
13:04Not me. You.
13:06You'll end up taking care of the baby.
13:08So you better convince her to keep her legs crossed until she's out of this house.
13:11Wait, how is this my problem? She's your trampy niece.
13:13Because if she gets pregnant, I'll be in prison for killing what's buried underneath the porch.
13:23Mrs. D!
13:24Robin!
13:25I hope you don't mind me just showing up, but I thought about what you said and you were right.
13:29It's never too late to change your life, so I quit double D's.
13:33You did?
13:34I was pretty scared at first, but now I think it's the best thing I ever did.
13:38Well, that's great!
13:39I never would have had the guts without talking to you. You're like my role model.
13:44Really?
13:45That's sweet.
13:46My old role model was Candy down at the club, but she OD'd.
13:50Well, I will try to do Candy proud.
13:54Good for you, Robin.
13:56I know change takes a lot of courage.
13:58Oh, it sure does.
14:01So what do I do now?
14:03Huh?
14:04You know, what's my next move?
14:07Where do I work now?
14:09I'm sorry, you quit without having anything else lined up?
14:13I know it was a little hasty, but you said I could do whatever I wanted.
14:16You sounded so sure, you're still sure, right?
14:19Yes, yes, I'm very sure. The world is your oyster!
14:23You have saved up, right?
14:28She stripped for nine years and didn't put anything away?
14:31Apparently there was a boob job and a bad relationship and the rising cost of glitter.
14:35I have to find a way to help her.
14:37And why is this your responsibility?
14:38Because I'm the one that told her to quit.
14:41I didn't think she'd listen. No one listens to me.
14:45I keep telling you how much I hate that shirt and there it is.
14:48Okay, we'll help her. What do you have in mind?
14:51We need to find her a job.
14:52Well, what can she do? Does she have any skills?
14:55That don't involve picking up a dollar without using her hands?
15:02Why are you so sad?
15:06Well, MJ, I need a job and I don't have any skills.
15:10You're so pretty. You could be a princess.
15:14Oh, look. MJ is so smitten with her.
15:21He's a guy.
15:23And she's good with kids.
15:28That's it?
15:30They've been looking for an assistant art teacher down at the school.
15:33She said she always wanted to do something like that.
15:36Well, you think she can handle it?
15:37We glue macaroni to shoe boxes. It's not the hardest job in the world.
15:41Now, see, how come when I say that, you give me that look?
15:46And there it is again.
15:48Thanks for cheering me up, MJ. You're so sweet.
15:51You can give me a bath if you want to.
16:04Roy!
16:06Geez, you scared the crap out of me.
16:08Where's Orson? You're supposed to be watching him.
16:10Don't worry. I stuck him in the laundry room and put a broom through his spokes.
16:18Hello, Bree. Can we please cross Roy off the suicide watch list?
16:25Hey, you're alive. My job's done here.
16:28Where have you been? You were supposed to be back an hour ago.
16:31I'm sorry, but I had to stop and pick up our guests.
16:35For what guests?
16:40Orson, Meat, Chris, Ron.
16:42Now, I know you won't listen to me, but you might listen to them, since you have something in common.
16:47Really? Are you Gilbert and Sullivan fans too?
16:50Yeah, sense of humor. That's very important.
16:53I know you think there's no reason to go on living because you're paralyzed.
16:56So you thought, hey, you know what might cheer him up? Two more paralyzed guys.
17:00Please, just hear them out. Now, if you'll excuse me, I'm going to make some tea.
17:07So your wife tells us you're in a pretty negative place.
17:10Well, that's to be expected, but eventually...
17:11Look, I know you mean well, but I don't need a handicapped pep talk.
17:14Hey, we're not handicapped. We're handicapable.
17:18Oh, Lord.
17:19We play basketball, dance, we make love.
17:22And I hope you're very happy together.
17:24I, unfortunately, don't have someone to join me on this journey.
17:27You have a wife who clearly loves you.
17:29Wow. Paralyzed and blind.
17:32You must always be the first one to board the plane.
17:35Look, we know what you're going through.
17:37A lot of us feel unloved after something like this happens.
17:40No, you don't understand.
17:41My wife stays with me solely out of obligation.
17:46Orson, how could you say such a thing?
17:48It's true, isn't it?
17:50You feel guilty because you know I never would have been hit by that plane if I hadn't gotten in
17:53a fist fight with your lover.
17:56This is the thanks I get. I have bent over backwards to make your life easier.
18:00Why should I just let you hang yourself?
18:02Hey, don't we have a basketball game at two?
18:04Can you be honest for one moment?
18:07You don't love me.
18:09Yeah, we should go.
18:10Please stay. I've made tea.
18:11See? You can't deny it.
18:14Go ahead, Bree. Correct me. Say you love me.
18:18I...
18:26I care very deeply for you.
18:30That's what I thought.
18:36I'm feeling a little upset right now. Would you mind rolling yourselves out?
18:51Anna, let me ask you something. Are you happy?
18:54Why?
18:55Well, Carlos and I want you to be happy.
18:58Over the last few months, we've come to think of you as our own daughter.
19:01Really?
19:02In fact, your uncle thinks it's about time you and I had that little talk about the birds and the
19:08bees.
19:09Oh, God.
19:10That's how I feel, so we're not going to be doing that.
19:13Okay.
19:14Instead, I'm going to write you a check.
19:16A check?
19:17A check big enough to cover one whole year of modeling school.
19:21And to rent a decent-sized apartment in New York.
19:24Okay, what's the catch?
19:26That's so cute that you think there's a catch.
19:29This isn't signed.
19:30That's the catch.
19:31I will sign it once you graduate high school without having had sex.
19:35Or more sex, as the case may be.
19:37Are you serious?
19:39Anna, I could talk to you about morality, or saving yourself from marriage, or statistics about STDs.
19:46But I think you're the kind of girl who responds to cold, hard cash.
19:51You know me well.
19:53So do we have a deal?
19:55Are you going to be a successful model with a nice apartment?
19:58Or a teenage mom with no future?
20:02Well, when you put it like that...
20:04Good girl.
20:07Oh, and to answer your earlier question, I'm now very happy.
20:16I can't believe I let you talk me into this.
20:18Three hours of Shakespeare.
20:21A woman who has to pee every 20 minutes.
20:23Come on.
20:23Dr. Kramp's been so supportive of us.
20:25Can't we be supportive of her?
20:26This isn't about support.
20:28This is about little Tommy, teacher's pet, wanting a gold star for butt kissing.
20:35That's not true.
20:39Please.
20:43You brought her a $40 box of chocolates.
20:47Last Mother's Day you threw me a bagel and called it breakfast in bed.
20:51Admit it.
20:52You just have a problem with her because you hate it when someone points out your flaws.
20:56That's not true.
20:57Oh, I can take constructive criticism, which is fine.
21:00You're being alone now.
21:02Sorry.
21:04See, I can take constructive criticism.
21:06You're still talking.
21:07You're still annoying.
21:09Relax.
21:09Shh.
21:10She's making her entrance.
21:16Nay!
21:17Kill them, Anthony!
21:23Fluvia perchance is angry!
21:24Or, who knows?
21:28If the beard...
21:32If the scarce bearded Caesar hath not sent you his powerful mandate,
21:38do this or this.
21:41Take in that kingdom and enfranchise that.
21:44Perform it, or else we damn thee.
21:55There you are.
21:56Hey.
21:57How was the play?
21:58Lincoln!
21:59Had a better time at the theater.
22:02Really?
22:02So, how bad was it?
22:04You remember how horrible your second grade Arbor Day play was?
22:07But at least we were drunk for that.
22:09Honestly, how did Dr. Graham get that part?
22:12Is she sleeping with the director?
22:15Sleeping with bathing, donating a kidney, it's still not enough.
22:18I just hope that I can erase this from my memory before our next session.
22:23Are you kidding?
22:24We're not seeing her again.
22:26Why not?
22:27We're not going to continue to take life lessons from a woman who burped during her death scene.
22:33That has nothing to do with her skills as a therapist.
22:36Really?
22:37Did she not tell you she has a gift for acting?
22:40Yeah.
22:41Well, I can't trust the judgment of someone with absolutely no self-awareness.
22:45We're not going back.
22:46This is an excuse.
22:47You have been looking for a reason to dump her ever since our last session.
22:50Tom, I learned two things tonight.
22:52Dr. Graham has no insight into real human behavior.
22:55And there are 428 tiles on the ceiling of that theater.
22:59Say what you want.
23:00We are going to our next session.
23:04And, by the way, it was 429.
23:20Good morning.
23:23Robin Gallagher.
23:24Teaching assistant.
23:25Reporting for duty.
23:26Hey, look at you.
23:27I wanted to look professional.
23:29Do you like the glasses?
23:30I don't even need them.
23:31You look great.
23:32It's a beautiful suit.
23:34Thanks.
23:35It is so nice to wear work clothes that don't rip away to reveal crotchless panties.
23:39Yeah, you're preaching to the choir.
23:42So, I'm just going to get the kids started painting.
23:44And why don't you hang those globes that we made last week?
23:47Okay.
23:52Can I say something?
23:56You really took a chance on me.
23:58No one's ever done that for me before.
24:02You're welcome.
24:03I'm really glad you're here.
24:07Oh, hey, careful.
24:08Never let the kids see you cry.
24:10They sense weakness.
24:11You're done.
24:13Sorry we're late.
24:14Forgot his backpack.
24:15It's okay, Mr. Linwood.
24:17Come on, Kyle.
24:17Let's get you painting.
24:21Who's that?
24:22Oh, that's my new teaching assistant, Ms. Gallagher.
24:25No, Bobby, that's not how we use pipe cleaners.
24:30I'm sorry.
24:31Do we know each other?
24:34Oh, I don't think so.
24:36Are you sure?
24:37You look so familiar.
24:38I guess I just have one of those faces.
24:47What did you want to see me about, Principal Hobson?
24:50You are aware, aren't you, that as a private school we depend on the financial support of our more affluent
24:56parent donors.
24:58I am aware of that.
25:00Good.
25:01Because I just got a call from Kyle Linwood's father, a major donor.
25:08Is it true that your assistant can break a five by shaking out her underwear?
25:21I don't want to take a bath.
25:23That's too bad.
25:24It's time to give the earth back some of its dirt.
25:26Go!
25:28Hey, I'm going to be upstairs for a bit.
25:30What are you guys up to tonight?
25:31We're just going to stay home and study.
25:34Good girl.
25:44Why are you getting me all worked up? I thought you made your aunt a promise.
25:47I promised her I wouldn't have sex.
25:50I didn't promise you wouldn't.
26:07Fine! I'll sort it myself!
26:36Mr. Solis!
26:38Okay, don't freak out, okay?
26:40What the hell are you doing?
26:42Hey, I'm sorry. This won't happen again.
26:43Uncle Carlos, it's no big deal!
26:45Do you think I'm coming to my house and do this?
26:47Answer me!
26:51Answer me! Answer me! Answer me!
26:55I'm catching you. You're her again. I will kick your ass.
26:58Let go of him!
27:00You know what I caught your son doing in my house?
27:02I don't care!
27:02Carlos, what is going on?
27:03I said let go!
27:06Oh, yes! Angie, what the hell?
27:09Wait for me outside.
27:11Ma, please don't.
27:12Outside!
27:21Look, I came in and found him on top of her.
27:24I don't care. He's my kid.
27:26If you ever touch him again, you're dead.
27:36Hey, Bolin! I see you tried to separate my glass and plastic.
27:45Suck it, Earth!
27:47Come on!
27:55Come on!
27:56Come on, Tom! Let's go!
28:03Come on! Come on, Tom! Let's go!
28:13but about how you say it, so Tom can hear you.
28:21That's a theory.
28:24Is something bothering you, Lynette?
28:26It's the pregnancy.
28:28This morning, she got mad at me over the way I drank my orange juice.
28:32Is that all?
28:34You know you're in a safe place here. We can tell each other anything.
28:41Okay.
28:43Since this is a safe place,
28:47Tom and I saw your play the other night.
28:49You did?
28:50Well, why didn't you come backstage and say hello?
28:53Well, the truth is I didn't know what to say because...
28:57I didn't really like it.
29:00I know.
29:03Our Anthony was dreadful.
29:05He weren't the only one who thought so.
29:07No, actually I was talking about you.
29:09I knew you were really not very good and now I've sort of lost confidence in you as a therapist.
29:18Oh.
29:20Okay.
29:22Do you want to elaborate?
29:23No, I think I said what I needed to say.
29:28Uh-huh.
29:29See, this is the same thing in your marriage.
29:31You criticize Tom but you won't be specific.
29:34It's sort of the coward's way out.
29:38Coward?
29:41Okay.
29:43You sucked.
29:44You were really, really bad.
29:47Three words.
29:48Stink.
29:48Stank.
29:49Stunk.
29:51Specific enough?
29:55Good for you, Lynette.
29:57I commend you for your honesty.
30:02Although the Fairview Herald had a different take.
30:05They found my Cleopatra incandescent.
30:08Oh, my God.
30:10You actually believe that?
30:11See, this is why we can't see her anymore.
30:14Tom, you haven't weighed in yet.
30:16What did you think?
30:24I thought you were great.
30:27What?
30:28Liar.
30:28You said you've seen seals playing horns that put on a better show.
30:31There's no need to bully him into agreeing with you.
30:33I wouldn't have to bully him if he would man up for once.
30:37Lynette, you're attacking.
30:38Of course, because I'm always the bad cop.
30:40He's always the good cop.
30:41Could you just once not be such a wuss?
30:43Damn right I'm the good cop.
30:44Someone has to be.
30:45Because bad cop, bad cop doesn't work.
30:48I grew up in that house and it doesn't work.
30:51That is not it.
30:52You like me being the bad guy.
30:54That way you can always be the good guy.
30:57But guess what?
30:57I'd love to be the good guy once in a while, but I can't.
31:00Because when things get hard or a difficult decision has to get made,
31:03you run from confrontation.
31:05And if I don't step into the void, things grind to a halt.
31:09Because I got news for you.
31:10Good cop, good cop doesn't work either.
31:19You're right.
31:22Really?
31:24I like to be liked.
31:26And because of that, a lot of the ugly stuff I defer to you.
31:31And I'm sorry.
31:37Your performance was aggressively bad.
31:40At one point during the second act, I started to choke on a mitt and thought about not fighting it.
31:49Well, this was quite a breakthrough.
31:53And you're right.
31:57You're a wonderful therapist.
32:00Thank you, Lynette.
32:02Now, both of you get the hell out of my office.
32:07So we catch her son on top of our niece and we have to apologize?
32:11No, we have to apologize because you almost put her son's head through a wall.
32:15When are you going to learn violence is not the answer?
32:21I shouldn't have to believe this.
32:23You know better.
32:24We've been talking for 19 years.
32:25You're smarter than this.
32:27This is not the first time we've had this conversation.
32:28I feel like I'm talking to a wall.
32:31What is going on with you?
32:33You know what?
32:33I can't let go of you.
32:35Oh, God.
32:36He's ripping Danny a new one.
32:38Danny, Danny, she's okay here.
32:40Just leave me alone.
32:40No, no, no, no.
32:42Hey, you are getting sloppy.
32:44We should go.
32:45Yeah, we should.
32:46First she gave her a crazy thing about we're recycling, which I told you not to do.
32:51Then guess what?
32:51She was over the morning and she's thinking about suing us.
32:53Okay, I won't be cool.
32:55Well, get it back.
32:56Because this rock we are hiding under is not that big.
32:59And if people start poking around, we're done.
33:11And then bam, he fires her for something she used to do.
33:14It's so hypocritical.
33:15I mean, why not get mad at the kid's father?
33:18He obviously goes to Double D's.
33:22I just hope I didn't get you into any trouble, Mrs. D. I feel awful.
33:25No, no, no. This is not your fault.
33:27When I'm sad, my mom gives me a big hug.
33:30Down, tiger.
33:32What am I gonna do?
33:33I have no money for rent. I'm just gonna end up homeless.
33:36Maybe I should go and beg for my old job back.
33:39No, no, no. You can't do that.
33:40Quitting that place took a lot of guts.
33:47How do you feel about letting her move in here?
33:49Julie's gone.
33:50We have her empty room. It's just until she gets on her feet.
33:53You're asking if I'm okay with letting a stripper live with us.
33:56I'm gonna go with no.
33:57Why not?
33:58I have no idea. I'm just really sure this is a trick question.
34:00She's a nice girl and she's in trouble.
34:02You know, I think of myself as a good person who cares about others.
34:06And how often do I actually get to walk the walk?
34:09This is an opportunity to really help someone.
34:11I want to do it.
34:16Okay.
34:18Okay, let's go make an ex-stripper and a little boy very happy.
34:26What's this for?
34:28The Lackey's 50th anniversary party, don't you remember?
34:31I'm sorry. I thought I'd be dead by now, so I wasn't paying much attention to our social calendar.
34:36Well, regardless, you're going.
34:38And if you're still around next Saturday, we've got brunch with my family.
34:43Well, now you're just daring me.
34:50Orson, Walter is about to make a toast.
34:54Don't you want to hear it?
34:56A speech about the joys of wedded bliss?
34:59Pass.
35:07Walter and Shirley are about to dance to a song that was played at their wedding.
35:11But before they do, Walter would like to say a few words.
35:15I want to thank you all for coming.
35:18Fifty years hardly seems possible.
35:21Now, I'm not going to lie to you and say it's always been easy.
35:25I mean, we've had our share of tragedy, and we've said a few things we wish we could take back.
35:30But for the most part, we've been lucky.
35:33Because no matter how old we get, we've always been able to remember what made us fall in love in
35:38the first place.
35:39Right on.
35:44I love you for sentimental reasons.
36:13Orson.
36:19Orson!
36:20Orson!
36:20Orson!
36:22Orson!
36:25I want to die. Why can't you let me?
36:28Because I want things, too.
36:29I want a party like this someday to celebrate our life together.
36:32What is there about our life to celebrate?
36:35I'll get Walter and Shirley in there.
36:37I was watching them dance with such passion in their eyes.
36:40But I know they haven't always been like that.
36:41They've had their rough times, too.
36:43But they stuck it out.
36:44Because they're in love.
36:46I asked you if you loved me, and you couldn't answer.
36:51Fine.
36:52Fine. I'll answer you now.
36:55I loved you once.
36:57Can I love you again?
37:00I don't know.
37:03But I would like to recapture what we once had.
37:11And how can we do that if you're not here?
37:15So, I'm asking you.
37:20Please stay.
37:41In this never-ending drama we call life, everyone has a part to play.
37:50Some are cast as romantic leads.
37:54Others end up being the victim.
37:59And a few always provide comic relief.
38:04And then, there are those who end up playing the hero.
38:10Especially if they feel there's a villain.
38:15Who lives just across the street.
38:19Who lives just across the street.
38:28who lives by Minh Tua.
38:28Who lives just across theess.
38:28Who lives by the it who lives with.
38:28One of them around him.
38:29Nice joke.
38:29You're not on the road.