- 2 days ago
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03:35It's great that they offered you that part.
03:37I had to wait about four years
03:40Four years of waiting in the studio
03:44Well, well, if it isn't America's adoration personified
03:47How are you, Veronica?
03:49Good, and not thanks to you
03:52How is the Boston Strangler of journalism doing?
03:55I gather you read my column today
03:57I did it, and so did my lawyers.
03:59I'm going to sue you for what you wrote.
04:01It's a shame you're not more dramatic when you act.
04:04And you think you can destroy us?
04:06Are you threatening me?
04:07With a single call, I could send you to the other world.
04:09And don't think I wouldn't dare
04:12Editorial
04:12Former Hollywood darling, Veronica Evelin
04:15He cannot stop expressing his aggression.
04:17If I hurry, I can still write it for tomorrow's column.
04:20Here you go, kid.
04:22Bye
04:23You're a dead man, Kid
04:24Did you hear me?
04:26Goodbye, Veronica
04:27You're dead!
04:51Good night
04:55And goodbye
05:06Go ahead, Jack
05:07Lieutenant Cortis, I'd like to introduce you to Sheila Dunham.
05:11Nice to meet you
05:12Miss Dunham was Keith Gillette's assistant
05:16Hello, Lieutenant
05:17Delighted
05:18I learned that you are in charge of the case
05:22Yes, but I'm afraid that at the moment we don't have any leads.
05:26Well, I'll give you more than just a hint.
05:28I will tell you who is responsible for her death
05:32Oh really?
05:35Veronica
05:36Everly
05:38Are you referring to Verónica the actress?
05:40Many people disagree with that opinion.
05:43Well, we can investigate that woman.
05:45But what we need is evidence, not theories.
05:48Look at this
05:49I brought him everything Keith wrote.
05:51All his notes
05:52Here are some names I've never heard of before.
05:56We have a computer for this.
05:57I'll give it to Wally
05:58We'll see what he finds out in Eviker
06:01Thanks, Jack
06:02Well, thank you very much for your help.
06:05We'll call her
06:07He's going to pay for what he did
06:09One way or another
06:12He's going to pay for it.
06:24Hi, Wally
06:25Hello
06:26Lieutenant Cortis wants to know what you've found out about the notes.
06:29Well, I'm about to find out the answer.
06:46It's coming
06:51Hello, Walter
06:53Hello, Roxana
06:54Wally, I don't think this is what Lieutenant Cortis wants.
06:57I wanted a full analysis of the notes
06:59Nobody does it faster than Automan
07:01Go ahead, car
07:02Tell him what you found out
07:03OK
07:05Tania Wally
07:06Practice your biorhythm before accepting a film role
07:09Guess who isn't actually a natural blonde
07:13Good
07:14As soon as Lieutenant Cortis finishes questioning Veronica Everly
07:18I will give you this interesting news
07:23Roxana has said that Veronica Everly is here
07:26Please
07:28You've made me look like a complete fool.
07:30She is one of my favorite stars
07:33I must have seen the Queen of the Nile about a hundred times
07:38Do you think I could be introduced to her?
07:41Car
07:42You were supposed to help me
07:44No to the accused
07:45Oh
07:46If you had let me finish
07:47I would have told you that I've found out many things
07:49Are you referring to who is blonde and who isn't?
07:51Car
07:52No, someone who had a good reason for Kid Gillette to die
07:56Who?
07:57Michael Haggerton
07:58Gillette was involved in a financial investigation of the Silver Dawn film
08:03He apparently discovered that Haggerton was financing the film with ill-gotten gains.
08:08And the notes show that a business deal involving alkaloids is about to take place.
08:11That's great, Auto! That's much better.
08:14Do you have that man's address?
08:24Here it is
08:26Now, could you introduce me to Miss Everly?
08:30Forget it, Auto
08:31I wouldn't know how to explain who you are.
08:32I wouldn't know
08:34Hey, where are you going?
08:36I would like to have something to corroborate this information before speaking with Lieutenant Cortis.
08:40Do you want me to accompany you?
08:42No, not this time, Auto
08:43I think I can figure it out on my own.
08:44Do you want me to do anything while you're gone?
08:46Yeah
08:48Nothing
08:58Well, I don't think Walter will mind if you ask him for an autograph.
09:01Cursor
09:17Miss Everly, I would like to thank you for coming here
09:20If there's anything new, I'll call her.
09:23Good afternoon, Lieutenant
09:24Oh, Agent Mann, how are you?
09:27What brings Washington's top agent to this humble abode?
09:31Officer Nebiker helps me with some information
09:33When I found out that the young lady was here, I wanted to come and say hello.
09:38Veronica Everly, Agent Mann, delighted
09:47I feel like we're friends
09:48I've seen his movies three or four times.
09:51She's more captivating in person than on screen
09:55Well, you're not bad at all.
10:00Well, if you'll excuse me, I have to investigate a murder.
10:03Roxana, will you please end this?
10:06Clear
10:06Thank you
10:09Excuse me
10:13I have a call at the studio tonight
10:15If you have nothing else to do this afternoon, I'd like to see you there.
10:19Otto, I think Officer Nebiker needs you here
10:23He won't care
10:24Besides, I've always been fascinated by movies
10:27Some of the tricks look so real
10:31Once you know it, you can easily figure it out.
10:33Oh really?
10:36That's how it is
10:38And I can teach you more.
10:40Are you referring to a private visit?
10:44Anything for the navy lads
10:51Tell me
10:52Does that neck need to recharge its batteries?
10:55No
10:56But I do
11:01Cursor
11:02The car, please, I decided to accept Miss Everly's invitation
11:07Walter won't mind
11:09You know he's very understanding.
11:12Very good
11:13We won't tell him
11:21Thanks, Cursor
11:34Listen to me
11:38Hello, officer
11:39Hello good
11:41Listen
11:44You will participate in the science fiction film
11:47No, I'm Veronica Everly's guest.
11:49Study 18
11:50Ah, yes, you only get as far as the Green Line
11:52And when I get out
11:53Yes, I think it's very easy
11:55Thank you
12:00And maybe I should work the day shift
12:05How strange.
12:07Cursor
12:09I feel at home
12:13Is everyone ready?
12:14Yes sir
12:15Camera
12:17Action
12:18I'm sorry, Keith
12:20Kitty, do you think you'll be able to overcome your fear?
12:25Have another one, please.
12:28Camera
12:32Ready?
12:35Action
12:38I'd heard that before, Big.
12:40You tell a woman what she wants to hear
12:43What I want to hear is that you'll come with me tomorrow.
12:45Never
12:49You love me as much as I love you
12:52Oh, don't do this to me
12:56Watch out, stupid.
13:00Cut, cut
13:04Kitty
13:10You don't give me what I need
13:12You understand.
13:14Nobody's going to believe you
13:15That's all
13:16How do you expect me to do a love scene with this toad-faced man?
13:20Listen
13:20If your father wasn't the producer of this movie
13:23You wouldn't even be in it
13:25Get out of here!
13:28Long!
13:29Who do you think you are?
13:31Jason!
13:34Ah, what am I going to do now?
13:37Your part is small
13:39Get another actor
13:41Other?
13:43When?
13:44I have three days to finish the whole movie.
13:46Tell me, where am I going to find someone who does Big?
13:50What do you think of him?
13:52Who?
13:53That handsome man over there
13:56With him, it could be a love scene
14:03You're joking
14:04TRUE?
14:05I don't even know who he is.
14:06Let's find out.
14:19Excuse me
14:21The Lord
14:24Man
14:25Otto J. Man
14:26Kitty Hopkins
14:28Mr. Man
14:29Mr. Man
14:30Miss Hopkins
14:32It's a pleasure
14:32Has Mr. Man ever acted?
14:35All the time
14:36I think they scheduled something by Robert Redford for me.
14:39Would you like to do a love scene with me?
14:43Here
14:44At the moment
14:46Love?
14:47Like Rodolfo Valentino's in The Shade?
14:50Something like that
14:51Clear
14:52Where is my horse?
14:54Hey
14:54Without a horse
14:56Cynthia
14:57Lend me your script
15:00Thank you
15:03Read the Big part
15:12I already know the dialogue.
15:15I am a good student
15:45Ah
15:57Hi Phil. How are you?
15:58Hi, Mike.
15:59Do you need anything else, Mr. Haggerton?
16:01No, that's all, Oscar. Thank you.
16:03Good.
16:04Are you coming from the studio?
16:05Yeah.
16:07AND?
16:09It's very slow.
16:10They're falling behind, and that's going to cost you a fortune.
16:13Did you come here to tell me that?
16:14What about Kitty? How does she do it?
16:16Good, he does it well.
16:19Come on, come on, tell me the truth.
16:21You've already seen it. What do you think?
16:23Did you know?
16:24I think he's going to be a big star someday. That's my opinion.
16:27As your lawyer, I must remind you that if they don't finish this movie by the 14th of this month,
16:31The other bears can withdraw and you'll have to pay those 20 million dollars yourself.
16:35If we have problems, I'll remove the last scenes.
16:39Unfortunately, the contract is very specific.
16:41If you don't make the film exactly as it's in the script,
16:44Each scene can withdraw from the business and leave you penniless.
16:48You pressured me to invest in that movie.
16:51The best way to recover my alkaloid business.
16:54You said it.
16:55And what happened?
16:56I had to kill a talkative columnist so he wouldn't uncover the whole operation.
17:00I consulted with the district attorney.
17:02The police have no leads.
17:04My problem is bigger.
17:05If I have to pay for the movie, I won't have anything to pay Casey and the alkaloids with.
17:09And he'll kill me before accepting a signed voucher.
17:19Mr. Haggard.
17:21There's a man watching out there.
17:23He's been there for about an hour.
17:25Do you want me to see who it is?
17:27Yes, right away, Oscar.
17:28If there are problems, you know what to do.
17:30Yes sir.
17:33Yes sir.
17:57Do you have any business in this neighborhood?
17:59Or does he just enjoy watching the grass grow?
18:04I am a police officer.
18:08Sorry, officers, we've had a lot of robberies around here lately.
18:12I know, that's why I'm here.
18:14Yes of course.
18:15Yes of course.
18:28Yes of course.
18:31Yes of course.
18:35Very good.
18:37Yes of course.
18:47Yes of course.
18:48Yes of course.
18:49Yes of course.
18:58Thank you!
19:25Automan is not here, he went on a mission
19:27Mission?
19:30But what mission?
19:38If you're looking for Automan, he's probably at Jack Tech Studios.
19:42That?
19:43She was introduced with Veronica Everly
19:45And she invited him to watch the filming of the movie she's making.
19:48What car did he take to the studio alone?
19:50Uh-huh
19:52Well, he's probably watching them.
19:55You're sure?
19:57To be honest no
19:59When I look at you, the whole world turns to smoke
20:05I've heard that before, Bill.
20:06You tell a woman what she wants to hear
20:09What I want to hear you say is that you'll come with me tomorrow.
20:14Never
20:20Do you love me?
20:22Because I love you
20:28Don't do this to me, Bill
20:45AND...
20:46Court!
20:47Very good, great!
20:49I told you, let's set the stage for the next scene
20:51And we will take a closer look
20:53It wasn't bad, it wasn't bad at all
20:55I liked it
20:56Print it
20:58Okay, I said cut.
21:00I said cut
21:10How was I?
21:11Fantastic
21:12Kitty, very good
21:13Go get some rest.
21:18Tell me, Mr. Mann
21:20Do you have an agent?
21:22What is an agent?
21:24He's a vampire with a phone.
21:26I definitely don't have it
21:28Listen, you'll be playing the part of Big
21:31Does that mean I'm at the movies?
21:33Is it that simple?
21:34Now you know why they call it the dream factory
21:39Oh
21:41I will be the next Clint Eastwood
21:44Dirty car
21:46I like how it sounds
21:51What are you doing?
21:56Hello, Walter
22:00Linda
22:01That was one of the best performances I've ever seen you give.
22:04I wasn't acting
22:09I can't believe this
22:10I'll leave you alone for an hour, and this is where I'll find you.
22:13I thought you'd be pleased, Walter
22:14They gave me the part
22:16What the what?
22:17The part I just performed
22:19They want me to act in their movie
22:23He is actually a man with many skills.
22:26Those bad people
22:30Don't worry, your secret is safe with me.
22:33But never forget who invited you.
22:40Well?
22:42What do you have to say in your defense?
22:44What do you think is my best angle, Walter?
22:47Right or left?
23:01Walter
23:03What is happening?
23:04The captain told me you almost lost your mind following a lead in the Gillette case.
23:07It was worth it
23:08I'm fine, Jack.
23:09Come here
23:12That first name, Michael Haggerton
23:14He is a figure in the underworld
23:16He's a drug dealer
23:17Gillette died for investigating the film that Haggerton is financing.
23:20And did you discover anything more than just gossip?
23:24That's what it seems like, yes
23:25Here's another name
23:26Phillip Ames
23:27I discovered it because of the license plate of the car that was parked at Haggerton's house.
23:31He is Haggerton's lawyer
23:32As you can see, he spends all his time making large deposits in brokerage firms.
23:37May 10, 787 thousand
23:39May 29, 644 thousand
23:41June 11, 989 thousand dollars
23:44It's very suspicious.
23:45It seems Ames makes a living washing other people's clothes
23:48He earns a lot to do that.
23:50I highly doubt she washes her clothes
23:53I mean that he works for others
23:55I agree with you
23:57The money in Cayman Islands bank accounts
23:59It is one of the most noticeable points
24:01They are ideal for illicit businesses worldwide.
24:06Do you think it will interfere with your investigation if I go and talk to these men?
24:10Haggerton lives in seclusion
24:11One of the few places where he can be seen is in the studio
24:13If you go through the front door
24:16I can attack him from the flank
24:17OK?
24:20Yes, that sounds good to me.
24:22Continue investigating
24:29Lieutenant Cortes is pleased that he is in the movie
24:33Alright
24:34Alright
24:35As long as research comes first
24:37You can accept the part
24:39Just promise me you won't let yourself be influenced.
24:41Let myself be influenced
24:43I
24:53I only knew Kit Gillette
24:55Because of its reputation
24:56Never in person
24:58And you didn't know he was involved?
25:02Involved in a detailed study
25:04From the financing of his film
25:07I knew he was attacking one of our actresses
25:10To Veronica Everly
25:11Veronica Everly has nothing to do with the financing of the film
25:14TRUE?
25:15Of course not
25:18What can you tell me about Philip Ames?
25:20Except he's my lawyer
25:22And sometimes it pressures me
25:24That's all
25:25He opened his bank accounts in the Cayman Islands
25:29You'll have to ask him that question
25:31I have to finish a $20 million movie
25:34Oh! 20 million dollars!
25:38That's a lot of money.
25:41Where did he get 20 million dollars?
25:43Well
25:45Born rich?
25:46Being smart?
25:47Or if we get lucky?
25:49I have all three.
25:52Thank you for your time, Mr. Jaggedon
25:53You're welcome, lieutenant.
25:56I know the way
26:04Yeah
26:06Yes, I already have that.
26:08Why don't you tell me?
26:14Who was he?
26:15He didn't tell me
26:15Someone who had a lead on the Gillette case
26:17Do you think that's true?
26:18There's only one way to find out.
26:20If the mountain doesn't come to me
26:22He didn't tell me
26:24He didn't tell me
27:06Come on, get out of the car
27:09Yeah
27:10I haven't been able to make him confess
27:14Why don't we rid him of his bad luck?
27:16I don't care how long it takes
27:18He has to tell you everything he knows
27:20I'll do what I can, sir.
27:21Yes, do it.
27:28Okay, let's start again.
27:30Nice and slow
27:33You saw all the reporter's notes
27:36You already know that's true.
27:37He's going to tell me exactly what he wrote down.
27:41That's something I can't do.
27:44He thinks he's very clever.
27:46I have all the time in the world
27:47But you
27:49You are running out
27:54Hi, Phil
27:55Michael speaking
27:56Hi, Michael
27:57Phil, Lieutenant Cortis just came to see me
27:59Arm yourself, Michael
28:01It's a routine
28:02Phil, listen
28:03He knew everything about bank accounts
28:05I assure you
28:06Phil, they know everything
28:07If we don't print the photographs before 6 pm tomorrow
28:10We'll have a lot of problems
28:12How's the movie going?
28:14Will we finish it?
28:14If there are no catastrophes, we will do it.
28:16But if not
28:17You're going to have to explain it to Casey.
28:19Why don't you have the money to pay him?
28:21Nothing will stop me from finishing the movie
28:23Nothing!
28:37Thanks for your help, Cursor
28:49So
28:50Jack, didn't he tell you where he was going?
28:53No, he would just see someone who would give him a clue about the Gillette case.
28:56If this is any consolation, I know that Agent Mann is looking for him.
28:59All my men do it too.
29:00But that doesn't mean we'll find it
29:03No, the phones are fine here.
29:05He went to the wrong office
29:07It's me, Lieutenant Boyd
29:10Agent Mann
29:13Find out where Jack is
29:14No, but I do know he's alive.
29:16I was also able to discover other things
29:18For a start
29:19Haggerton and his lawyer are going to receive 20 kilos of merchandise very soon
29:23The only problem is what if the movie doesn't finish tomorrow?
29:27He will not be able to close the deal
29:28What does merchandise have to do with a movie?
29:31If the movie doesn't end
29:33Haggerton would find themselves in trouble
29:34It would have to absorb the entire cost of the film.
29:36And that way he won't be able to buy the merchandise.
29:39How crazy!
29:41Agent Mann
29:41Do you still need to film several scenes for the movie?
29:44Yeah
29:45Because?
29:46What you must do is prevent them from finishing.
29:50Stop them
29:50It creates problems
29:52Do whatever
29:53But don't let them complete the scenes
29:55And how is that going to help us?
29:57That will give us time.
29:58To discover the alkaloids
30:00And how to find Jack?
30:01I tried to trace the call from where Lieutenant Cortis has it
30:04But they didn't talk enough
30:06This is all I accomplished
30:09Just four numbers
30:10At least it's something
30:13What are you waiting for?
30:15Stop!
30:15Yeah
30:24If I didn't arrive in five minutes
30:25I'll take it out of the movie for you
30:26I need the lights here
30:27If that's the case, I'm leaving.
30:28I won't do that scene without him.
30:31Incredible
30:32One, two, three, four
30:34One, two, three, four
30:36Very good
30:37One, two, three, four
30:39Good morning
30:39Good morning
30:40One, two, three, four
30:43A
30:44Man
30:44Where have you been?
30:46Your call was ninety minutes ago
30:48I think I fell asleep
30:50Well, that's different.
30:51Did he fall asleep?
30:52Would you mind going to change?
30:53But in a hurry?
30:54Yes, as soon as I've had lunch
30:56What did you say?
30:59There's just no time for lunch
31:02But I just can't work on an empty stomach
31:04Who do you think you are?
31:06Jack, you'll spend more time fighting him than giving in.
31:10Ah, okay.
31:13Good
31:14Eat
31:15Eat
31:1615 minutes?
31:18I need 45 minutes
31:19I'll start with caviar and toast.
31:21Then with a good lobster
31:23And perhaps a salad with Belgian lettuce and Japanese mushrooms
31:26And perhaps you'd like a particular wine?
31:29Yes, any Lafitte Froschile will be fine.
31:31And please send everything to my dressing room.
31:33Dude, you don't have a dressing room
31:35Make sure you have it as soon as lunch arrives
31:38And do something about these walls
31:41They don't fit my neck well.
31:43Oh, ha, ha, ha
31:45Oh, ha, ha
31:47Oh, ha, ha, ha, ha
32:21Very well, listen up, Veronica
32:22You bless your two lines and then you walk
32:26Or what?
32:28Why?
32:29The rest of the scene will be filmed here.
32:32But why?
32:35And why do I have to walk there?
32:37Why don't I walk this way?
32:40I think it's very arbitrary
32:41No, no, no, no
32:42This is not arbitrary
32:44You see, we've spent 90 minutes lighting the entire stage
32:48So you can film your scene on that side
32:52I would feel much better doing it here.
32:54Well, I couldn't care less, Mr. Bans.
32:57And that would make him feel better.
32:58We're going to do this scene the way I want to do it
33:01Or I warn you that we're not going to do anything
33:03How temperamental!
33:06Let me know when they've moved the lights
33:08I'll be in my dressing room
33:14Move the lights this way
33:16We're going to do the scene in this place
33:20Come on!
33:20Attack!
33:23I like your style
33:24But I get the impression that what you're doing
33:26It has more to do with your job as a police officer.
33:28What else?
33:29Don't tell anyone
33:31And I will make you a star
33:33But I'm already a star.
33:35I'll make you dinner
33:36OK
33:40I've missed you so much
33:41It will end soon
33:43The movie ends
33:45Michael will give me 18 million to buy alkaloids.
33:47But what I'm going to buy are two tickets to Rio.
33:51I think it's wonderful.
33:53But I think you're forgetting something
33:55Get rid of Michael?
33:57That's how it is
33:58That, my love, is something I'll take care of.
34:22Selby
34:24Tell me
34:26Yes, I already have it.
34:27We do not collect the merchandise until we are notified that payment has been made.
34:31Good
34:50What are we?
34:52We still don't know anything about Cortis
34:56What's up with that important federal friend of yours?
34:59And were you able to discover anything yet?
35:01Are people bad?
35:02No, he's doing everything he can to prevent Javier from finishing the film.
35:05And what have you done?
35:08There are a thousand phone numbers that begin with these four digits
35:11I will investigate the phone company's files
35:13To see if any of these places might be hiding something from us
35:15Lieutenant Cortis left 26 hours ago
35:18I hope he's still alive
35:28Hi team
35:30Perfect, Veronica
35:31Norman, that's the shot
35:32Do it this way, don't change anything
35:33Ladies and gentlemen
35:35I want to talk to you for a moment
35:36As everyone already knows
35:38We only have three hours
35:39To end this scene
35:42It is also to tell them that I need their full cooperation.
35:48Worldwide cooperation
35:51Any questions?
35:53Yes, just one
35:54I was thinking
35:56That this scene would look more dramatic
35:59In the middle of a snowstorm
36:04I'll pretend I didn't hear it
36:06Okay, everyone to your positions
36:08Let's do a quick rehearsal.
36:13We'll leave in three hours
36:15But they will be the longest three hours of your life
36:18Silence
36:18It will be taken
36:19Camera
36:22Action
36:31Hi team
36:32It's been a long time
36:38Not so long ago
36:40Oh I'm sorry
36:42Would it be possible for them to give us a teleprompter?
36:49Brilliant
36:52Captain
36:53What's happening?
36:54I think I already have something
36:54What is it?
36:56This number
36:56New installation in an abandoned building
36:59Why would anyone want to
37:02Install a new phone
37:05In an abandoned building?
37:07I think I already have the answer to my question.
37:09Who is the building's address?
37:11Of course
37:12Well, let's go.
37:20The referee called offside.
37:24Did you hear that?
37:25I didn't hear anything anymore.
37:27Turn it up
37:27Turn it up
37:28The first half is about to end
37:49How are you?
37:50Three minutes
37:51Very good, boys
37:52Draw your weapons
37:53Silence
37:57Everyone stay still
37:58Captain, are you alright?
37:59Yes, don't worry
38:00Don't move still
38:02I don't see him very happy.
38:04I wouldn't be surprised if you're the man who killed Gillette.
38:06He's crazy.
38:07Who knows?
38:08Who knows?
38:09His gun fired the bullet that killed him.
38:10It wasn't my idea
38:11Haggerton ordered me to do it, I swear.
38:13I never thought I would be so happy to see it
38:15Thank your friend Nebiker
38:17He discovered it
38:19If it's not too late, I know where we can find several million worth of alkaloids.
38:24Take charge
38:26Nebiker, where to?
38:27See you later
38:27Where are you going?
38:29I will prevent Hagedorn and his lawyer from leaving the city
38:31Walter, thank you
38:33You are welcome
38:35He needs to be taken care of
38:36I'm not well
38:37Let's go, guys
38:40Let's see what happens
38:41Yes sir
38:43We have less than an hour
38:44I don't care what happens
38:45Keep the camera rolling
38:46Don't worry!
38:47Do you know who I am?
38:48The Weaver of Miracles
38:51Action
38:59Hi, Gib
39:01It's been a long time
39:02Time
39:04It is a relative concept
39:06Einstein proved it
39:07That's not dialogue.
39:08Sign it
39:09Because everyone values their own life.
39:11They don't want you anymore, Jim
39:13Don't you understand?
39:15Those clouds look threatening.
39:17Let's go inside the house
39:19What clouds?
39:22Cursor?
39:25Cursor?
39:30What's going on here?
39:32Drop it!
39:36Watch out for the camera!
39:51Watch out for the camera!
39:54Don't hurt anyone!
39:55We don't stop the camera!
39:57What's happening!
39:58What's happening!
39:59What's happening!
40:01What's happening!
40:05Don't hurt anyone.
40:43Enough is enough! Enough is enough! Enough is enough! Enough is enough!
40:54Did I beat you?
40:58Freeze! Hands up!
41:01Where is the merchandise?
41:04I said, where's the merchandise?
41:14Let's get out of here.
41:49Captain Boyd, here I am, Cortis.
41:53Alright?
41:55Yeah.
42:01And now, tell me what you're doing here.
42:04Very funny.
42:05Not really.
42:07I'll look for the merchandise.
42:18Very good.
42:26Look at this.
42:29I'm going to break it.
42:37We found it.
42:40My God!
42:42This is awful!
42:43Don't know.
42:45What would this cause?
42:51I don't believe it.
42:52How could this have happened?
42:53I lost 20 million!
42:54It's the least of your problems.
42:57My God.
42:59What's happening?
43:00Very simple.
43:02Give me the combination to your safe and I will become a very rich man.
43:06You won't keep my money.
43:08Never!
43:09Don't come any closer, Kitty.
43:12He's gone mad.
43:16I don't think it will hurt me, Michael.
43:28Throw it away!
43:30Already!
43:34Back up!
43:36Back up!
43:39Very good.
43:40Who wants to speak first?
43:49Stop!
43:55Are you going somewhere, Mr. Ains?
44:16Avá!
44:20Ava!
44:23Crazy cur.
44:24Back off, you whore!
44:28Avá!
44:29Avá!
44:30Avá!
44:32Avá!
44:36Avá!
44:38Avá!
44:40Well done, Walter
44:41You did very well
44:58How was your scene, car?
45:00Did I miss it?
45:01Well, I think it's fair to say I finished the painting
45:11Yes, that's the report, auto
45:14Another case closed
45:15I must say that being an actor was fun
45:18But I prefer the role of fighting crime
45:20Ah, I'm glad to hear that.
45:21I was afraid you'd caught the bug.
45:28Tell me, have you seen this yet?
45:30That?
45:31It's Sheila Dunham's column
45:33Page 3
45:36The production of Silver Dawn
45:37It was suddenly and abruptly suspended
45:40Federal and local investigators
45:41Michael Cagethorne was arrested
45:43To his lawyer Philip Ames
45:44And other people accused of trafficking
45:46What do you think?
45:47Please continue
45:50But the biggest mystery is the ending of the movie
45:53This is the whereabouts of Hollywood's newest actor
45:55Otto J. Mann
45:57According to those who have seen the film
45:58He finished with the painting
46:01We hope to see the handsome one again
46:02Mr. Mann
46:04I can't believe it
46:06Have you ever heard anything more ridiculous?
46:10Yes, I agree with you.
46:12By the way, I'd like to hear your opinion on something.
46:15Okay, fine.
46:17When I reply to my admirers
46:20Should I sign automán or just auto?
46:23Please?
46:26I can't believe it
46:43Please don't
47:09Thank you!