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00:05A CIDADE NO BRASIL
00:42Hello.
00:43Joe?
00:44Bill.
00:45Joe went home with his wife.
00:47Oh.
00:48What am I gonna do?
00:50It's 25 minutes til Curtin and the cast isn't even here yet.
00:54Well.
00:56Neither is the audience.
00:57You don't understand.
00:59Friday is 시 Arbeit over their venue for a few years.
00:59É uma noite quando todos eles vêm, se eles vêm.
01:02Friado?
01:03Sim.
01:06O que acontece na sexta?
01:08Na sexta, sem performance.
01:11A sexta-feira de uma partida para vir aqui e virar a luz.
01:22Hoje é a sexta, não é?
01:25Desde o fim da noite.
01:26Hum, hum.
01:28Oh, o que a guess.
01:31I am sorry.
01:33Forgive me.
01:34I really thought it was Friday.
01:38Well, let's stick around until it is.
02:04O que você faz aqui?
02:06Oh, props.
02:08Just for fun.
02:11I'm for that.
02:13O que?
02:16Fun.
02:19Oh, wait a minute.
02:21I can't catch my breath.
02:24No offense, huh?
02:27What's the matter?
02:28I don't know.
02:30Is it your heart?
02:31I don't know.
02:34Do you want a doctor?
02:35I don't have one.
02:38Oh, yes, I do.
02:39My brother does.
02:41It's in my wallet.
02:43Dr. Gillis or something.
02:45It's written on the back of his business card.
02:48Arthur Penmore.
02:50I thought you said your name was Lawler.
02:51It is.
02:52He's my half-brother.
02:56Dr. Gillespie.
02:58Blair General Hospital?
02:59There's a phone backstage.
03:04No, no, no, no, no.
03:30There's no, no.
03:31Yes, I do.
03:52I don't know, no, no, no, no, no.
03:59But by the way, I got the title on Earth by possessing the duty I believe and give me a
04:00screen of Burden.
04:29A CIDADE NO BRASIL
04:45I'm sorry, sir. I'm afraid you can't park your car here.
04:48Doctor, I've been trying to find a parking space for 15 minutes, so I've had time to consider this.
04:52Now, the key is in the ignition.
04:55If the police come along and move the car, I'll be glad to pay the fine.
04:58If somebody else comes along and steals the car, then I'll just take a cab to the office and let
05:03the insurance company do the worrying.
05:06I believe that exhausts all the possibilities.
05:12How much weight would you say you've lost in the past two weeks?
05:15Oh, about four or five pounds, all in the wrong places.
05:18How's your appetite?
05:20Is that an invitation to lunch?
05:21No, seriously.
05:23About the same. I never had a big one.
05:39Do you tire easily?
05:41Lately.
05:42But then I'm a sort of lily of the field.
05:44Just swaying in the breeze wears me out.
05:50Do you bruise easily?
05:52How'd you know that?
05:58It doesn't hurt, but it's bad on the morale.
06:01How long ago did it happen?
06:03A week, ten days.
06:04You should see the other guy.
06:07No, how did it happen?
06:09That's better.
06:10I thought maybe you didn't have any teeth.
06:12The bruise.
06:14I walked into a coffee table.
06:17Good morning.
06:18That's an opinion.
06:20Most likely.
06:21I'm Dr. Liebman, Dr. Glesby's resident.
06:24Hi, I'm Julie Lawler.
06:26How's everything going?
06:27Just fine, doctor.
06:30Well, if you wanted, if you...
06:32Can I see you for a minute?
06:34Don't tell me school's out.
06:36Not quite.
06:45I think we ought to do a bone marrow on her.
06:47Oh?
06:49Where are the petechia?
06:51Left forearm.
06:52The bruise on her knee is a week or ten days old.
06:56Go ahead and set it up.
07:02Come on.
07:03Welcome.
07:04Dr. Kildare, my brother, Arthur Penmore.
07:07Mr. Penmore, glad to meet you.
07:08How do you do?
07:09Oh, I understood that Dr. Gillespie was going to handle his case personally.
07:12Oh, he is, sir.
07:13I'm an intern on this ward.
07:14Oh, I see, I see.
07:16Hi, Julie.
07:17What seems to be the trouble?
07:19Well, you see, I was drinking this martine.
07:22It was my 15th or 20th, I forget.
07:25When all of a sudden I realized I'd swallowed the olive without removing the toothpick.
07:29Well, usually that doesn't bother me, but I guess it went down the wrong way because I started to hiccup.
07:34You see, my sister makes the jokes in the family.
07:38If I knew it was wrong with me, I would have cured myself last night and gone home.
07:41You would have saved a fortune.
07:42Now, who said anything about that?
07:44The first thing you asked is, where's your high-priced healer?
07:46I bet he's goofing off in some operating room.
07:49Julie.
07:50I'm sorry.
07:51I'm a skunk.
07:52Sometimes.
07:54I couldn't catch my breath, that's all.
07:56I got scared.
07:57It went away in 15 minutes.
07:59What could have caused that?
08:02Well, overexertion, any number of things.
08:04We'll know better when we finish your tests.
08:06All right, now.
08:07You stay in bed.
08:09And hang the expense.
08:10I thought you said you were sorry.
08:12I was.
08:12I got over it.
08:14Give my love to Muriel and the boys.
08:17Okay.
08:24You think I'm an in-grade?
08:27I wouldn't know.
08:28I am.
08:30Artie needs one.
08:31The rest of the family breadline's always scratching his back and calling him mister.
08:35He's loaded.
08:37You like him?
08:38He's all right, I guess.
08:39He is.
08:41But I love to make him sweat about money.
08:42It's the only exercise he gets.
08:50What was the differential, doctor?
08:53A 79 blasts.
08:54Two promylosides, six metamylosides, four lymphs, and four neutrophils.
09:00Dr. Liebman.
09:03Mr. and Mrs. Penmore are here.
09:05I have them wait in my office.
09:07Would you show them to Dr. Gillespie's office, please?
09:09Can't make a stand.
09:10Thank you.
09:14Did you get a plate that come?
09:16I picked it up just before the lab closed.
09:2028,000.
09:24No question.
09:25She's got it.
09:27Look, Harry, why don't you just go right ahead and talk to him?
09:30He knows exactly where I stand.
09:33Harry, I think Ed is a fine fellow.
09:35I'm happy to eat his oysters, Rockefeller, and play golf with him anytime he wants.
09:40Leonard, how are you?
09:41Just fine, Muriel.
09:42And you?
09:43Late for dinner, now that you ask.
09:44Well, I'm sorry to inconvenience you, but this won't take long.
09:47I know, I know.
09:48He's got a very large mutual fund.
09:50Arthur.
09:51Oh, I'll be right with you, Leonard.
09:53Look, Harry, we'll get there as soon as we can.
09:55You just hold the fort, huh?
09:56Right.
09:57I'm sorry, Leonard.
09:59Well, what seems to be the problem?
10:01Are either of Julie's parents still alive?
10:04No.
10:05You and she have the same mother, isn't it?
10:07Yes.
10:09Is she engaged or any special friend?
10:12Well, no, no, not that I know of.
10:14Leonard, what is it?
10:16Please sit down.
10:17What's the matter with her?
10:19She's seriously ill.
10:22I wish you'd sit down, Muriel.
10:24I'm with Robert Tyne.
10:32Julie has a disorder of the blood.
10:35We don't understand this disease too well.
10:38We know how it starts, and we can work back and figure out more or less when it started, but
10:43not why.
10:45She is suffering from what we call acute stem cell leukemia, a cause of the disease is unknown, as yet
10:52there is no cure.
10:54Customary treatment includes blood transfusions, steroids, chemotherapies, sometimes a combination of all three.
11:02In the terminal phase of the disease, the patient shows complete resistance to all treatment.
11:07The cause of death may be hemorrhage or an overwhelming infection, very often one of the forms of pneumonia.
11:16The majority of these cases will come within a few weeks.
11:26Oh, it happened in Vienna not so very long ago
11:30When not enough folks were getting sick
11:34That a starving young physician tried to better his position
11:38By discovering what made his patients tick
11:41Oh, Dr. Freud, oh, Dr. Freud
11:44How I wish that you'd been otherwise employed
11:46For this set of circumstances sure enhances the finances of the followers of Dr. Sigmund Freud
11:53He forgot about sclerosis
11:56And invented the psychosis
11:59Vince, Vince, don't you think we've had enough of that one?
12:03This car's 14.
12:05Well, what else would you like to hear?
12:07A pin drop.
12:09Good evening, Dr. Kelly.
12:11Hi, Jim.
12:11Freud again?
12:12Yeah, we're playing a little something here. How are you?
12:14How are things at the barbershop?
12:16Ah, booming.
12:17Are you still on Gillespie service?
12:19Yeah.
12:20I'm coming up for that in a couple of weeks.
12:22You will find that very stimulating.
12:24Like being shot out of a cannon every hour on the hour.
12:29I just learned one of his patients has leukemia.
12:32An acute stem cell.
12:34Young girl in her 20s, you look at her and you can't believe it.
12:37She thinks she's anemic.
12:38What are you doing?
12:40Well, I started a unit of fresh back cells.
12:44She'll probably need four or five.
12:45What are you going to treat her with?
12:47Amethopterin.
12:47And steroids?
12:50You think you'll be able to send her home?
12:52As soon as she's up to it.
12:54One place is as good as another.
12:57You had a leukemia case about two months ago, didn't you?
13:00Little boy.
13:02Did chemotherapy do any good?
13:04Up to a point.
13:06At this stage of the game, all we can hope to do is help him beat the calendar about a
13:09few laps.
13:17I know where it is.
13:20Got you.
13:29Hey, Mac, a young lady called me for me.
13:32She's helping my chef.
13:34Do-do-do-do-do-do-do-do-do-do.
13:38Hi.
13:39What's the matter?
13:41I don't feel so hot.
13:46I thought you were going home.
13:48I started to, then I decided I wanted a sandwich.
13:55What's Artie making such a big thing about this for?
13:58Well, how do you mean?
14:00Well, I went to check out.
14:02There was his chauffeur and his limousine.
14:04Wants me to come to his house for a week so I can rest till I get my strength back.
14:07Well, what's wrong with that?
14:08You could use a rest.
14:09You don't know Artie.
14:10That treatment is reserved for the Secretary of Defense.
14:15Look, Miss Lawler.
14:16Will you please call me, Julie, so I know who you're talking to?
14:19You just said you don't feel good.
14:22Oh.
14:23I've got to take my pill.
14:24Is it time?
14:26Yeah, you can take it.
14:27Here.
14:42Now, what's all this got to do with Artie?
14:45The reason you don't feel good is because you're run down.
14:48Now, Dr. Gillespie wants you to get on a regular program.
14:51Three meals a day, eight hours sleep.
14:52And 16 more of crashing boredom.
14:55Artie's house is like an upholsted tomb.
14:57Julie.
15:00You want to get better, don't you?
15:02Yeah.
15:03But it's a three-act play.
15:05I have to go home and pack.
15:07Half my things are at the cleaners.
15:08All right.
15:08I'll help you.
15:11He took the bait.
15:16Was that the idea?
15:18I dig doctors.
15:19They're antiseptic.
15:22Club sandwich?
15:24No, thanks.
15:25Listen, how do you feel?
15:27Better.
15:28There must have been some medicine on that pill.
15:31I don't get off for another two hours.
15:34Well, I'll take your cab home and pack.
15:35You can pick me up there.
15:37Hospitalize my address.
15:38Okay.
15:39Ok.
16:02Entra.
16:03Oi.
16:04You know, I hate everything I own.
16:08If this place caught fire, it would be a blessing.
16:10Need any help?
16:12You don't happen to have some ketocine?
16:14No.
16:15Seat yourself. I'm almost through.
16:19What kind of talk is that, anyway?
16:21It's what?
16:22Seat yourself.
16:23It's a translation.
16:25Last summer, I took some courses at one of those quickie language schools.
16:28You know, instant French.
16:30All I learned was how everything would sound if you put it straight into English.
16:33Seat yourself.
16:36So you're writing a play.
16:38What you see is that I started a play.
16:42What's the second page?
16:43I'm a great starter.
16:46Witness.
16:46Pandit Nehru.
16:53Uh-oh.
16:55Looks more like a horse.
16:58That part is supposed to be a bull.
17:02A Brahma bull.
17:03Pandit Nehru sitting on a Brahma bull is a sort of political idea.
17:06Why didn't you finish it?
17:08I don't know.
17:11I guess I didn't need to.
17:13Same with the play?
17:15And the pictures.
17:19I still like some of them, though.
17:35Oh.
17:38Where's Pete?
17:45Isn't that nice?
17:48I still love him a little.
17:51Who's Pete?
17:52Oh, he was the boy.
17:54We were engaged for a while, then we got disengaged.
17:57You married somebody else about two years ago.
17:59Two and a half.
18:00I still see them now and then.
18:01In restaurants, mostly.
18:03Always around Easter.
18:04Twice now it's been around Easter.
18:07What happened?
18:08Oh, don't you know?
18:10Oh, I know.
18:12Everyone knows.
18:13Don't let them kid you.
18:14Pete was an actor.
18:16He's in surplus now, doing very well.
18:18Well, we always used to argue about two things.
18:22First, he wanted me to want something.
18:25I suppose what he wanted was for me to want him, and I did.
18:29But not in the way he wanted to be wanted.
18:32Second, he wanted me to be a rebel, like he thought he was.
18:35You know, turtleneck sweaters, tight capris.
18:37Well, I don't look good in that stuff.
18:39I like hats.
18:41If it wasn't enough, I wouldn't do it.
18:43I had to tell him why, and that really ripped it.
18:45Well, just because you didn't like turtleneck sweaters?
18:48Oh, I didn't stop there.
18:50I told him as far as I could see,
18:52everybody went around with wore turtleneck sweaters.
18:55Now, what kind of rebellion is that?
18:56I mean, a maverick's a maverick,
18:57but there's no such thing as a herd of mavericks.
19:00That's like a flock of shepherds.
19:03What did he say to that?
19:06He didn't even slam the door on his way out.
19:09Oh, Pete's sweet, but he was always after me to do things, finish things.
19:14Can give you a pretty good feeling.
19:17I don't feel so bad.
19:20Have you ever finished anything?
19:22Once, when I was about nine.
19:24What?
19:25A bowl of cornflakes. Does that count?
19:28Well, it's a beginning.
19:30You like me, don't you?
19:36You know you're ugly.
19:39Well, thank you.
19:41That was the right answer, Doc.
19:46Well, how long do I have to stay at Artie's?
19:49Oh, till you get your strength back.
19:51I'll give it a week anyhow.
19:53A week?
19:54I'll be ready for the squirrel cage.
19:59All right, let's dust this joint.
20:03Big Brother is waiting.
20:13Good tea.
20:23Oh really?
20:34Let's get ready for the squirrel cage.
20:34Let's get ready for the squirrel².
20:34We're innewho�� Chris then,
20:34Wuit.
20:34Here's the squirrel.
20:35Ah, join the party.
20:37Oh, we just left one.
20:39All right, fellas, it's almost midnight. Let's wrap it up.
20:42Aw, Pa.
20:43Ah, right now. You were supposed to be in bed at 11 o'clock.
20:47But, man, it's Saturday night.
20:48And by Sunday morning, man, everybody's gonna be in the kiff.
20:51That gives you exactly 10 minutes.
20:53Oh, boy, I'm telling you.
20:55And I'm telling you to hit the sack.
20:57Your Aunt Julie's supposed to rest.
20:59Well, you act like she ought to be in a wheelchair.
21:02Go to bed.
21:13See if they want a sandwich or something, honey.
21:18I tell you, that boy is going to put me right into a sanitarium.
21:23Artie, what's wrong?
21:27Artie?
21:30What's wrong?
21:31Oh, he's just lazy, that's all.
21:33I got a call from his headmaster this afternoon.
21:36They're not gonna take him back.
21:37His idea of cracking a book is to tear it in half.
21:42I'm not talking about Ev.
21:45I'm talking about me.
21:49Well, what's the matter?
21:51That's what I'm asking you.
21:53I've done nothing but rest for four days,
21:55and I'm still tired all the time.
21:57What?
21:58There you are, there you are.
21:58That just shows you how much rest you need.
22:00You're supposed to be in bed at 10 o'clock.
22:03Honey, you're anemic.
22:04You're a liar.
22:07Julie, I've had a very hard day.
22:08Will you please go to bed?
22:10And what's more, you're a lousy liar.
22:16Julie?
22:18Julie?
22:28Julie, it's me.
22:46Your brother called the hospital.
22:48He's pretty worried about you.
22:50Listen, what's wrong with me?
22:52I told you before, it's a blood disorder.
22:55And if you don't take care of yourself, it can be serious.
22:57Oh, you bet your little white suitor can be serious.
23:00So you give me this.
23:02Sugar candy.
23:03It doesn't do any good.
23:04You ought to be sued or something.
23:07Take it easy.
23:09Come on, sit down.
23:17Jimmy, you know how I feel sometimes?
23:23Like I'm gonna die.
23:34Isn't that stinking?
23:45I wish you'd been here, Leonard.
23:48So do I.
23:48But if I had, things wouldn't have gone much differently.
23:51When a patient becomes hysterical,
23:53you either hold them down or you calm them down.
23:55I infinitely prefer the latter method,
23:57which is the one Dr. Kildare chose.
23:59But you never came right out
24:01and told her what it is that she has.
24:03Oh, of course not.
24:04She didn't really want me to.
24:06Well, then what does she want?
24:09When I said that she was just anemic,
24:10she called me a lousy liar and ran out of the house.
24:14Because, Arthur, in terms of competence,
24:16you were being a very lousy liar, and she knew it.
24:20Dr. Kildare simply confirmed something
24:21it would have been ridiculous to deny,
24:23that she's ill.
24:26This is the threshold at which the doctor stops,
24:28unless the patient absolutely insists on his crossing it.
24:31After all, they know you've been candid,
24:33that you're not lying,
24:34but you haven't made it impossible
24:35for them to do a little lying to themselves.
24:37You haven't killed hope,
24:39and not just for sentimental reasons.
24:42Killing things doesn't happen to be part of our job.
24:45I still think it was a mistake.
24:49And it's a mistake I would have made.
24:51I don't quarrel with the theory, Leonard.
24:54It's just that in this case,
24:56in Julie's case,
24:57I think it's going to backfire on us.
24:59She's never faced reality in her life.
25:01She's never had to.
25:02Now, I'm not criticizing her.
25:03I'm just trying to make you see something.
25:06When I was 19, my mother remarried.
25:09I was working my way through college.
25:10I was completely on my own.
25:12And from the moment that Julie was born,
25:14she was protected.
25:16I might say pampered,
25:17except they weren't that rich,
25:19but they were well-off comfortable.
25:21Whatever Julie wanted, she got.
25:25And then, when the folks died, I took over.
25:28Oh, no, I'm not trying to pin any medals on myself.
25:31$500 a month, I don't even feel it.
25:34And I love her.
25:35Everybody loves her.
25:38But Julie's never had to take a hard knock on her life.
25:41And if you think she's going to be able to take this one,
25:43you're just kidding yourselves.
25:45I don't think you should have told her anything.
25:47Arthur,
25:49I hope you won't think this is harsh of me.
25:52But I say it because you are a realistic man.
25:56And after you stop being annoyed,
25:58the information may prove helpful to you.
26:06It's been my experience
26:08that most relatives of a dying patient
26:10who insist on that patient being kept completely in the dark
26:13concerning the gravity of the illness
26:15are protecting their own feelings
26:18rather than the feelings of the sick person.
26:21It's quite natural.
26:22None of us wants to face someone
26:24who senses that he is facing death.
26:27There's always a chance
26:28that he may see the look of relief in our eyes
26:31that he was chosen before we were.
26:37I don't deny it.
26:41Then stop feeling guilty about it.
26:43Everybody wants to be last.
26:50Should Julie be in the hospital?
26:52There's no need for it yet unless she wants to be.
26:54If she doesn't,
26:55then she can go on as she has,
26:57just office calls.
26:59Business as usual, eh?
27:19A private party is here.
27:22Oh, come on in.
27:24Well, you're right.
27:25Let's go, come on.
27:28Let's go, come on, come on.
27:30All right, give us a drink.
27:32Take my that double.
27:33All right, please.
27:42Dr. Gildare.
27:44Hippocrates?
27:45Florence Nightingale.
27:46Who?
27:47So, a rose by any other name.
27:49It's me, Julie.
27:51What's the trouble?
27:52We're having a party.
27:53We're at Max.
27:54Well, you told the desk it's an emergency.
27:56It is.
27:57I'm lonesome.
27:58For Pete's sake, Julie, I'm on duty.
28:01All right, Louie.
28:02Drop the past door.
28:04I happen to know that in exactly 12 minutes,
28:07you're off duty.
28:09Add five more to get out of that sailor suit
28:10and into something presentable.
28:14Well, I really shouldn't.
28:15Oh, Doc, don't be such a stick.
28:17To show close tonight,
28:18it's just some members of the cast
28:19and a few assorted schnurrs.
28:21What do you think we're giving it at Max for?
28:23Hey, that was forward, wasn't it?
28:26Okay, I'll be over as soon as I can.
28:28Sooner.
28:33Nice party.
28:47Well, I was hoping I'd bump into you.
28:50Well, hello.
28:51Bill.
28:52I was going to say, Bill.
28:54Can I buy you a drink?
28:55Well, you can order me one.
28:56Everything's free tonight.
28:57In that case, you can have double.
28:59Bartender?
29:00What will it be?
29:01Scotch, single.
29:02Uh, an old-fashioned without the fruit
29:05and scotch for the lady.
29:07Are you 21?
29:09Oh, you dear boy.
29:11I have a message for you
29:12from the Department of Motor Vehicles.
29:14I'm 24.
29:15We have to be careful, you know.
29:17Oh, don't apologize.
29:18You made my day.
29:20How you feeling?
29:21Well, how do I look?
29:23Great.
29:25Did they ever find out
29:26what caused that attack?
29:28Asthma.
29:30I had an older brother with that asthma.
29:32I kept him out of the army.
29:34What are you doing for it?
29:35I decided to give up breathing.
29:38Excuse me.
29:38I see some friends.
29:42What a little sister.
29:43Oh, my God.
29:47Oh, my God.
29:58Hi, man.
29:59Hi, Doc.
30:00Uh, you're too late.
30:01The caviar is all gone.
30:02That's all right.
30:03I have some for breakfast and a half.
30:09Hi.
30:10Drink, eat, and be merry, etc.
30:12Don't tell me all these people are actors.
30:14All right.
30:14I won't tell you all these people are actors.
30:16That's it.
30:21Well, why don't you ask me
30:23how I'm getting along, so...
30:24How are you getting along?
30:25You're lousy.
30:27You know what occurred to me tonight
30:28when I was taking a shower?
30:30What?
30:31That I might not be around
30:32to find out who won the World Series.
30:34Don't be silly.
30:36I won't.
30:39I didn't know you were interested in baseball.
30:41I'm not.
30:42But I could start to be.
30:43I'm a great starter.
30:45So you said.
30:47I'm an even better stopper.
30:49You know, when I was, what,
30:5116 years old,
30:52you know what I stopped?
30:54Biting my nails.
30:56It was a full-time job.
30:57For weeks, I wasn't a high school student
30:59or a cheerleader
31:00or a member of the glee club.
31:01I was a non-nail-biter.
31:03Whatever made you stop?
31:04Money.
31:06My father offered me $10
31:07if I'd stop for a month.
31:08And my mother offered me $10
31:10if I'd stop for another.
31:11I almost put him in the poorhouse.
31:13You like your parents?
31:16Two of the greatest patsies ever born.
31:18I had decided to quit
31:20when they made their offer anyhow.
31:22If you've bitten one,
31:23you've bitten them all.
31:26I love my parents.
31:29They spoiled me rotten.
31:33I'm ready.
31:37Do you ever think of quitting this?
31:38Sure.
31:40What's the, uh, attitude?
31:43Liberal.
31:44I think it's perfectly all right
31:45if a girl doesn't want to take a drink
31:47once in a while.
32:01Just right away.
32:04All right.
32:11Can I pee?
32:11Mm-hmm.
32:20Hey, Julie!
32:22Oh, that's all I need.
32:23Take it easy.
32:24How are you, Julie?
32:26Oh, great. Just great.
32:27Well, you remember Arlene.
32:28Yes.
32:29I see you're expecting.
32:31That's right.
32:33This is Dr. Kildare.
32:35What are you doing?
32:36But you're out of luck, honey.
32:37He's not an obstetrician.
32:50No.
32:51Turn it off.
32:55Like the poet said,
32:56the dark is light enough.
32:58Besides, my makeup's all over the place.
33:04It's not her fault she's having a baby.
33:08Well, who would you blame?
33:11Still making your jokes.
33:12I used to be so in love with that fathead
33:14and it made my stomach.
33:15What?
33:17I said I used to be so in love with that fathead
33:20it made my stomach ache.
33:23I'm getting out just in time.
33:24Hey, what are you talking about?
33:25You know exactly what I'm talking about.
33:30Stop taking my temperature.
33:40Oh, please.
33:41Listen to me.
33:42No.
33:43This isn't going to do any good.
33:44I'm not Pete.
33:45You shut up!
33:46Julie.
33:49Nobody knows when anybody's going to die.
33:53I could walk out of here tonight
33:54and get hit by a truck.
33:55Promise?
33:56Will you listen to this?
33:58But no matter what happens
33:59I've got to make some sense out of my life.
34:02So I work in a hospital.
34:05Now you've got to make some sense out of your life.
34:08I don't care what it is
34:09but believe me
34:10you've got to find something
34:11or do something
34:12or finish something.
34:14A painting
34:15or that sculpture
34:16or maybe your play.
34:17But something.
34:19because I give you my word
34:21the only real pleasure in life
34:23is to do
34:24to function
34:25or at least to try.
34:30All right, dear.
34:33I'll try.
34:47I'll try.
35:09Hello.
35:10Julie's junkyard.
35:12What?
35:13James, are you between sutures or something?
35:15Sort of.
35:16I thought I'd check in
35:18and see how the work was coming.
35:20That Brahma bull beginning to look like one?
35:23Oh, he's on the verge.
35:25The play's going well, too.
35:26What did I tell you?
35:27A little application?
35:29You were right.
35:30Sweet of you to bother.
35:32Well, I've got to run.
35:33Keep in touch, huh?
35:34I will.
35:35Thanks for calling, Jimmy.
35:38Jimmy.
36:09Three dresses and a cashmere sweater.
36:11Anything to go?
36:12Not today.
36:14See you next week.
36:15You're feeling pretty chipper, aren't you?
36:17Yeah, I guess I am.
36:18That's peachy.
36:20I'll be right back.
36:35Get, come on.
36:36What if?
36:46Não, não, não, não.
37:13Não, não, não, não.
37:17Não, não, não, não.
37:41Não, não, não.
37:55Não, não, não.
38:11Não, não, não, não.
38:12Não, não, não.
38:28Não, não, não.
38:30Não, não.
38:37Não, não, não.
38:59Não, não, não.
39:03Não, não, não.
39:08Não, não, não.
39:14Não, não, não.
39:30Não, não, não.
39:40Não, não, não.
39:42Não, não, não, não.
39:45Não, não, não.
39:47Não, não, não, não.
39:49Não, não, não.
39:50Não, não, não.
39:57Não, não, não.
40:10Não, não, não.
40:15Não, não, não.
40:27Não, não.
40:30Não, não.
40:31Não, não.
40:35Não, não.
40:36Não, não.
40:48Não, não.
40:53Não, não.
41:01Não, não.
41:05Não, não.
41:06Não, não.
41:08Não, não.
41:09Não, não.
41:10Não, não.
41:10Não, não.
41:10Não, não.
41:13Não, não.
41:20Não, não.
41:24Não, não.
41:29Não, não.
41:46Humilidade.
41:49Se você não corta o mústard,
41:53não pegue com a knife.
42:14Ok?
42:16Ok.
42:30Hello, Sibyl?
42:33What's the name of that bill who keeps showing up
42:35every time there's free food?
42:38Olsen?
42:39What's his number?
42:42Oh, he's been asking me for a date
42:44I thought I'd accept.
42:46Oh, nothing.
42:47I just decided to drop my halo.
42:59So I called him up and I told him,
43:00Listen, Doc, who do you think I am?
43:02E.B.B.
43:03E.B.B.?
43:04Elizabeth Barrett Browning.
43:05Who's Elizabeth Barrett Browning?
43:07Oh, come on.
43:09Oh, Mrs. Pablo Picasso or something like that.
43:11Oh, yeah.
43:11Yeah, I've heard of her.
43:12You've heard of him.
43:13I just couldn't think of a good lady painter.
43:17So then I...
43:18Julie, what's the matter?
43:21What is it?
43:22It's not asthma.
43:23Hold a cab.
43:39I put her under sedation.
43:41She's still conscious and she wants to see you.
43:44She seems to think she has something to apologize for.
43:47I told her she had nothing to apologize for.
43:50Now I'm telling you.
43:54From the first time you learned that Julie's illness was fatal,
43:59the doctor in you was frustrated.
44:03You couldn't cure her and it made you feel helpless.
44:06So to offset that feeling, you kept right on diagnosing her
44:09until you could find something that looked as if it could be cured.
44:14She was unhappy.
44:16And you drew the conclusion that the reason she was unhappy
44:19might have something to do with how she was living.
44:22She was living her way, not yours.
44:25Somehow it escaped you entirely that she might be unhappy
44:29because she was afraid she was going to die.
44:31That'll do it, doctor.
44:32It's surefire.
44:34The minute a patient suspects he's dying, it makes him unhappy.
44:38But, doctor, she...
44:39I'm not finished.
44:41My concern is not so much with your misguided good intentions.
44:46It's that, as a doctor,
44:47you fail to recognize Julie for what she is,
44:49a well-adjusted person.
44:51Oh, I admit, there are precious few like her around.
44:54But it's our job to be on the lookout for them.
44:57The medical profession can learn a great deal
44:59from the study of normality.
45:03But she never seemed to accomplish anything.
45:05She...
45:06Well, her whole life was one big giggle.
45:09You mean she was happy.
45:11Right.
45:13Very few of us are really happy,
45:15at least with ourselves.
45:18So we go on doing things to make us feel better.
45:20If we happen to be doctors,
45:22we may save a few lives in the process.
45:25But what we're really looking for is self-respect.
45:28What's wrong with that?
45:30Nothing.
45:31But supposing,
45:33from an early age,
45:35we had self-respect,
45:36just like Julie.
45:38Her parents loved her,
45:39and she knew it.
45:41When you're a child,
45:43your parents are the whole world.
45:46So if you grow up
45:47liking yourself and the world,
45:49who's there to prove it to?
45:51You go on living your own way,
45:52and you feel fine about it.
45:57Don't you understand
46:00that the very things you love about Julie
46:02are the things you try to change?
46:06That's not our work.
46:08It's to keep people alive.
46:12We can't tell them how to live
46:14any more than how to die.
46:18Remember this girl.
46:20She's a special case.
46:23And I think if she'd lived,
46:25her children
46:27might have been very special too.
46:31The human race needs ornaments, Doctor.
46:35It needs them badly.
46:37It needs them badly.
47:06To be continued...
47:22I'm sleepy.
47:29How are you?
47:35I'm fine.
47:39I told you I wouldn't be around for the World Series.
47:44Do you want to bet?
47:49I'm sorry about the statue.
47:53It didn't seem important.
47:58It wasn't.
48:01Are you still like me?
48:15I just would have grown up to be an old kook.
48:22Gee, I'm sleepy.
48:23I'm sleepy.
48:34Sleep tight, Julie.
48:51Amém.
49:21Amém.
49:49Amém.
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