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00:16A CIDADE NO BRASIL
00:58A CIDADE NO BRASIL
01:15A CIDADE NO BRASIL
01:17A CIDADE NO BRASIL
01:19A CIDADE NO BRASIL
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02:58A CIDADE NO BRASIL
02:58A CIDADE NO BRASIL
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03:00A CIDADE NO BRASIL
03:13A CIDADE NO BRASIL
03:15A CIDADE NO BRASIL
03:21A CIDADE NO BRASIL
03:25A CIDADE NO BRASIL
04:07A CIDADE NO BRASIL
04:54A CIDADE NO BRASIL
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05:44A CIDADE NO BRASIL
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06:20A CIDADE NO BRASIL
06:22A CIDADE NO BRASIL
06:51A CIDADE NO BRASIL
06:58A CIDADE NO BRASIL
07:03A CIDADE NO BRASIL
07:08A CIDADE NO BRASIL
07:14A CIDADE NO BRASIL
07:16A CIDADE NO BRASIL
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07:30A CIDADE NO BRASIL
07:43A CIDADE NO BRASIL
07:44A CIDADE NO BRASIL
07:48A CIDADE NO BRASIL
08:05A CIDADE NO BRASIL
08:11A CIDADE NO BRASIL
08:37A CIDADE NO BRASIL
08:39A CIDADE NO BRASIL
08:39A CIDADE NO BRASIL
08:42A CIDADE NO BRASIL
08:54Anessia
08:56O que ele quer dizer?
09:02Se é dinheiro?
09:04Por que ele não pediu?
09:05Ele vê a sua vítima...
09:08Decaídos.
09:09A mutilação diz que ele quer nos ver o garoto.
09:13Ele está tentando dizer algo.
09:15O que?
09:16Ele não vai parar de matar.
09:18Até nos entender o que ele está tentando comunicar.
09:28Mas o que ele deve estar tentando encontrar.
09:31Um pedágio.
09:37Tchau, tchau.
10:02Tchau, tchau.
10:32Tchau.
12:32Tchau, tchau.
12:34Tchau, tchau.
13:10Tchau, tchau.
13:13Tchau, tchau.
13:16Tchau, tchau.
13:24Tchau, tchau.
13:35Tchau, tchau.
13:39Tchau, tchau.
13:41Tchau, tchau.
13:46Tchau, tchau.
13:50Josh.
13:51Josh.
13:53Josh.
13:55Josh.
13:57Josh.
13:57Josh.
13:57Sim.
13:58Por favor.
14:10Eu sempre me pergunto,
14:13por mim?
14:15Minha família?
14:17Por que a banda de cor no dia?
14:19Por que a trímpos?
14:24Eu sei que você faz um pouco nervoso,
14:25mas...
14:27I just can't make any sense to that.
14:29The killer knows you, Mr. Comstock.
14:32He targeted your son for a reason.
14:35The number.
14:37331.
14:38You know what it means?
14:47I met a woman two months ago.
14:51She's a consultant for a friend that does design work for us.
14:55You know, I started seeing her a couple times a week.
15:02At the Hartman Hotel.
15:04Room 331.
15:06Have you told your wife?
15:11About three weeks ago, Josh saw me leaving the hotel with her.
15:16We had a huge fight.
15:18It was a wake-up call for me.
15:20I realized I'd been a fool.
15:23Does anyone else know about this?
15:26No, I...
15:28I swore I'd never tell anyone, let alone Linda.
15:32What would be the point?
15:33You have to tell her.
15:41I know.
15:46The last thing she needs to hear now.
15:51Do you have a hearing disorder?
15:53Excuse me?
15:54I'm just wondering.
15:56Didn't you hear me tell you to turn off the TV set 20 minutes ago?
15:58No, it's not that late.
16:00It's almost midnight.
16:01So make me come in here again.
16:04Put the wrestling back in the cage.
16:29You should hear me tell me.
16:31The game benzene.
16:34I섿 decorating.
16:35It's very often.
16:36You don't want to become a man with my family.
16:36It was so easy.
16:36A CIDADE NO BRASIL
17:09A CIDADE NO BRASIL
17:37A CIDADE NO BRASIL
17:38I SPOKE AT A COMMUNITY MEETING LAST NIGHT
17:40TRYING TO DRAW THE KILLER OUT WITH HALF-TRUTH
17:43SAYING HE WANTED NOTHING
17:45I WANTED TO PROVOKE HIM IN ACTING IN HASTE
17:48SENDING US ANOTHER MESSAGE THAT MIGHT HELP LEAD US TO HIM
17:50AND SAID HE JUST TOOK ANOTHER VICTIM
17:55THIS WAS PLANNED FRANK
17:57YOU DIDN'T PROMPT HIM TO ACT
17:58YOU JUST DIDN'T DISRUPT HIS PATTERN
18:00WHY DIDN'T HE SEND ANOTHER MESSAGE
18:06MAYBE HE DID
18:11HERE IT IS
18:12CHERYL
18:15I'LL HAVE THE WATER ANALYZED
18:18I DON'T GET IT
18:19THE TWO BOYS CHARLES BERKENBUHL
18:22AND JOSH CONSTARK
18:23DO THEY KNOW EACH OTHER?
18:25THEY WERE BOTH GINGERS AT THE HIGH SCHOOL
18:27THEY ENROLLED IN A COUPLE OF SAME CLASSES
18:30NOTHING MORE SPECIFIC CLOVES
18:31UH SOCIAL GROUPS THAT THEY WERE IN TOGETHER
18:35WELL THEY WERE BOTH ON THE SWIM TEAM
18:47COME ON MIKE YOU GOTTA KEEP YOUR CHIN TOUGH
18:53COACH BURKE
18:55THIS IS FRANK BLACK
18:57HAVE YOU HAD ANY LUCK FINDING THIS GUY?
18:58NOT YET SIR
19:00YOU WERE HOPING YOU MIGHT BE ABLE TO HELP US
19:02ANYTHING I CAN DO
19:04ANYTHING
19:05YOU CAN IMAGINE HOW MUCH THIS HAS UPSET ALL OF US
19:08CHARLIE AND JOSH WERE OUTSTANDING KIDS
19:11IT JUST HAPPENED TO TWO MEMBERS OF THE TEAM
19:15HAS THERE BEEN ANYONE WHO'S TAKEN AN UNUSUAL INTEREST?
19:18ANYONE WITHOUT A CHILD ON THE TEAM
19:20THAT'S REGULARLY ATTENDED THE MEETS
19:22I DON'T KNOW
19:23NOT THAT I CAN THINK OF
19:25WHAT ABOUT THE TWO BOYS?
19:27HAVE THEY BEEN ACTING STRANGELY?
19:28OH NO THEY WERE BOTH GOOD BOYS
19:31JOSH HAD BEEN HAVING SOME DIFFICULTIES AT HOME
19:33TROUBLE WITH HIS FATHER
19:34OTHER THAN THAT
19:36THANK YOU MISTER
19:38MR BLACK
19:40PLEASE
19:42CALL ME IF THERE'S ANYTHING ELSE I CAN DO
19:44I'M JUST... I'M JUST VERY ANXIOUS TO FIND THESE TWO BOYS SAFE AND SOUND
19:51HOW WELL DO YOU KNOW HIM?
19:53WELL ENOUGH
19:54HE'S LIVED HERE A COUPLE OF YEARS
19:55KIDS LIKE HIM
19:56HE'S LABILE
19:58HE'S ON SOME KIND OF PRESCRIPTION MEDICATION
20:00HE'S ANXIOITIC
20:02I'VE HAD A ROUGH GO OF IT LATELY
20:06WHAT DO YOU MEAN?
20:07WE GOT DIVORCED LAST YEAR
20:09THEN HIS SON DIED SIX MONTHS AGO
20:12WHAT HAPPENED?
20:13HIT AND RUN DRIVER JUST OUTSIDE THE GATE
20:15CARL WAS ONLY EIGHT
20:17YOU NEVER FOUND A MAN RESPONSIBLE?
20:19NO
20:21FUNERAL SERVICE IS FOR THE FIRST VICTIM OF BEING HELD THIS AFTERNOON
20:24I'D LIKE TO GO
20:25WHAT FOR?
20:27KIDNAPPER MIGHT BE THERE
20:29SEE THE EFFECT OF HIS WORK FIRSTHAND
20:30ARE YOU GOING TO KNOW THAT?
20:32I WON'T
20:33I JUST WANT TO LET HIM KNOW I'M PAYING ATTENTION
20:43WHEN A CHILD DIES WE SEEK MEANING FROM GOD
20:47WHY MUST THE INNOCENT SUFFER WE ASK
20:50AND WHEN THAT DEATH IS A VIOLENT DEATH
20:53THE PAIN IS COMPOUNDED BY IMAGES OF HORROR
20:57IMAGES THAT THREATEN TO BLOT OUT
21:00THE MEMORY OF THE INNOCENCE THAT ONCE WAS
21:02AND YET GOD OFFERS US NO MEANING
21:06NOT IN THE PERSONAL SENSE
21:08SO WE ARE TEMPTED TO STRUGGLE WITH DEATH
21:11ANGRILY BLAMING OURSELVES
21:13OR AN UNJUST UNIVERSE FOR THE TAKING OF A LIFE
21:15FOR WHICH THERE SEEMS NO POSSIBLE REASON
21:17WE CAN NEVER KNOW WHY
21:19KIRK WAS TAKEN FROM US
21:20WE CAN ONLY CHERISH
21:22THE INNOCENCE THAT ONCE WAS
21:25KEEPING IT ALIVE
21:26BY REMEMBERING IT
21:29AND PRAY
21:30FOR THE PREPARATION OF INNOCENCE
21:32IN THE FACE OF EVIL
21:36INNOCENCE
21:38INNOCENCE
21:42INNOCENCE
21:42INNOCENCE
21:42INNOCENCE
21:43INNOCENCE
21:45INNOCENCE
22:08FRANK
22:10I JUST GOT A STRANGE FEELING
22:13LIKE SOMEBODY HAD FOLLOWED ME HOME
22:15YOU THINK SOMEONE DID?
22:16NO
22:19YOU WANT TO COME TO BED?
22:20YEAH, I'M BAD
22:22SOMETHING ELSE IS BOTHERING YOU
22:24WHAT IS IT?
22:25I WAS THINKING ABOUT THIS CASE
22:26AN OLD ONE I HAD
22:29FELT A LOT LIKE THE ONE
22:30WE'RE WORKING ON NOW
22:35WHAT HAPPENED?
22:36THE KIDNAPER PICKED UP
22:37KIDS AT THE BUS STOPS
22:38TOOK THEM TO HIS CABIN IN THE WOODS
22:40TORTURED THEM FOR SEVEN OR EIGHT DAYS
22:43THEN HE'D RETURN THEM TO THE BUS STOPS
22:45AS IF NOTHING EVER HAPPENED
22:46HOW'D YOU CATCH HIM?
22:48ONE DAY HE JUST STOPPED
22:50WE NEVER DID
22:56OH, I HOPE I'M NOT DISTURBING
22:58THAT'S ALL RIGHT, JACK
22:59I SAW YOU'RE UP
23:00BUT I JUST DIDN'T WANT TO RUN THE RISK OF
23:01WAKING THE LITTLE ONE UP
23:02BY RINGING THE BELL
23:04DO YOU NEED SOMETHING?
23:05OH, I JUST WANTED TO DROP THIS OFF
23:08SOMEBODY KNOCKED ON MY DOOR
23:09A FEW MINUTES AGO
23:09AND PROBABLY GET THE WRONG HOUSE
23:11BY MISTAKE
23:12DID YOU SEE THE MAN WHO LEFT IT?
23:14NO, NO
23:14HE JUST TOOK OFF
23:16BUT I FIGURED IT MUST BE IMPORTANT THOUGH
23:19THANKS, JACK
23:21OH, GOOD NIGHT
23:23GOOD NIGHT
23:24GOOD NIGHT
23:37COACHES LIGHT STILL ON
23:39YOU KNOW SOME OF THE BOYS SAID
23:41THEY SAW THE POLICE QUESTIONING
23:44SO WHAT
23:47MAN WHO LOST HIS OWN SON FOR GOD'S SAKE
23:49YOU NEVER KNOW WHAT PEOPLE ARE CAPABLE OF
23:51YOU KNOW
23:52EVEN THE ONES YOU THINK YOU KNOW BEST
23:59YOU GUYS ALL RIGHT?
24:01YEAH, YOU SEEN ANYTHING?
24:02NO, NOTHING YET
24:05I'M HEADING ON OVER TO THE EAST WALL
24:07GOT MY CELL PHONE IF YOU NEED ANYTHING
24:08WE'RE FINE
24:15YOU KNOW IF WE DO CATCH THIS GUY
24:17I DON'T KNOW WHAT WILL HAPPEN
24:18WHAT DO YOU MEAN?
24:23I, UH
24:25I BROUGHT THIS
24:27JUST IN CASE
24:27YOU'RE GOING TO SHOOT THIS GUY, TOM?
24:32I DON'T KNOW
24:35I'VE HAD THAT THING IN MY BEDSIDE DRAW
24:36FOR SIX YEARS
24:38UNLOADED
24:38JUST IN CASE
24:41TONIGHT IT'S LOADED
24:44TOM, TAKE A LOOK
25:04SON OF A BITCH
25:29SON OF A BITCH
25:46TAKE A LOOK
25:53AROUND
25:54FENTAIN
25:55AROUND
25:58AROUND
26:05Meu Deus, é apenas um filho.
26:31Meu nome é Richard Draper.
26:34Ele teve um encontro com sua filha.
26:37Aparentemente, ele não queria violar a curfew.
26:39O que é o seu condition?
26:41Ele tem um concesso, um pouco de curfew.
26:44Os paramedics vão estar tudo bem.
26:47O que é o men?
26:50Eles estão na neighborhood patrol.
26:53Perkenbueu já foi embora.
26:55Comstock está lá. Ele está muito shagando.
26:59Eu disse que ia me daria para casa.
27:01Eu vou te daria.
27:12É como uma noite.
27:15Eu estou indo para casa, mas eu não sei porque.
27:18Eu não posso dormir.
27:20A casa está vazia.
27:24Você disse a sua filha sobre o affair.
27:27Ela me deixou.
27:29Ela me deixou.
27:33Ela me deixou.
27:34A kidnapper senti-me algo early this evening.
27:36A paint swatch.
27:39Isso significa algo para você?
27:42Não.
27:43Isso não.
27:43Não.
27:50Não.
27:51Não.
27:52Não.
27:54Não.
27:56Não.
27:59Não.
28:01Não.
28:01Não.
28:01Não.
28:03Não.
28:07Tchau, tchau.
28:39Oh, God, Josh.
28:51No signs of forced entry.
28:54The guy probably used Josh's keys to get in the house.
28:58How's Mr. Comstock?
28:59He's in the bedroom on the phone with his wife.
29:01He's going to meet him at the hospital.
29:03I'd say he's greatly relieved.
29:06What's his condition?
29:07He's in shock.
29:09Lowered body temperature, dilated pupils.
29:11He has burn marks on his chest similar to the cattle plots on the first victim.
29:17He was made to ingest blood like the other boy.
29:19That would appear to be the case.
29:21Paramedics are going to take him to the hospital now.
29:24Can we talk to him first?
29:25He won't be able to give us a description.
29:27Why not?
29:28The kidnapper wouldn't return him if he could.
29:30Look, making these kids drink blood doesn't make a lot of sense either.
29:34The kidnapper sees himself as a holy figure, a purifier.
29:39He makes the impure ingest his blood so that they can be cleansed.
29:43What about Charlie Birkenbuehl?
29:46It's going to purify him too.
29:49There's a reason the first boy was killed and Josh wasn't.
29:52Some connection we haven't seen yet.
30:21God did not make death.
30:24He doesn't rejoice in the destruction of the living.
30:37But his justice is undying.
30:44Oh God, please!
31:05Frank, am I interrupting dinner?
31:08No, I was just looking over your email.
31:10Does it mean anything to you?
31:11It might.
31:13We've got one dead boy, one returned alive, and one Charlie Birkenbuehl still missing.
31:17I think the unsolved death of the swim coach's son may be related.
31:22Well, I just got the results back from the lab.
31:23I thought you'd want to hear them right away.
31:25Go ahead.
31:26We isolated the foreign substance that killed the goldfish in Charlie Birkenbuehl's bedroom.
31:31It was scotch.
31:32Single malt, I'd say.
31:34You weren't able to pull any prints off the paint swatch.
31:38No, it's called Forrest Green, code number 528.
31:43It's three-step enamel used in late model ML 750 minivans.
31:51That was the car he was driving.
31:52Who?
31:53The drunk driver that killed Coach Birk's son.
31:56You think the accident somehow triggered the kidnapper's brake?
31:59I think the kidnapper was deeply affected by this.
32:02It changed the way he saw people around him.
32:05He became outraged, disillusioned.
32:07He wants to root out sin, expose hypocrisy.
32:11I'll call Sheriff Gerlick.
32:12We should meet at Birkenbuehl's house.
32:14What's that?
32:14Something we overlooked.
32:31I don't understand what you're looking for.
32:34Of the three fathers, Mr. Birkenbuehl,
32:36you're the only one that hasn't received a communication from the kidnapper.
32:39But what about the dead fish?
32:41I don't think that was directed at you.
32:42It was meant for me.
32:44I think we're overlooking something here.
32:46Something that might save your son's life.
32:49Then you know what he wants.
32:50The kidnapper.
32:52He wants you to confess, Mr. Birkenbuehl.
32:54Confess to what?
32:55I haven't done anything wrong.
32:57He believes you have that the sins of the father are visited on the son.
33:00After Mr. Comstock confessed his sin,
33:03his son was released alive.
33:06First boy was killed because his father didn't confess a sin.
33:09One involving money.
33:12He's warning you to confess what you've done in order to save your son.
33:18Frank.
33:33This is not your son's ball, Mr. Birkenbuehl.
33:36But it has his initials on it.
33:38This ball belongs to Coach Burke's son.
33:41Carl.
33:42The boy that was killed by a hitman driver.
33:46You have an evidence back, Cheryl.
33:49You'll hold it right under here.
34:11Sheriff, my client insists he's absolutely innocent of any charges relating to the death of Carl Burke.
34:17I don't care if your client insists he's the king of Prussia.
34:21Bring him in.
34:23Under these rather unique circumstances,
34:25he has agreed to be taken in publicly for questioning,
34:27but he expects that his cooperation will be taken into consideration.
34:31Is that absolutely necessary?
34:32We don't want to have any doubts about what's happening here.
34:41You think this is going to work, Frank?
34:43If it doesn't, I don't know it will.
34:53What's going on?
34:55It's Bob Birkenbuehl. He's being arrested.
34:57I dread.
34:58For what?
34:59Killing Coach Burke's son.
35:01We're taking him down to give a statement.
35:04Bob?
35:06No, I can't believe it.
35:08Go on ahead, then.
35:09A comfortable thing.
35:13Any's coming.
35:14You don't want to be able to drink.
35:16I don't want to drink.
35:23I don't want to drink.
35:27I don't want to drink.
35:39O que é isso?
36:00O que é isso?
36:30O que é isso?
37:01O que é isso?
37:02O que é isso?
37:04O que é isso?
37:06O que é isso?
37:10O que é isso?
37:11O que é isso?
37:11O que é isso?
37:13O que é isso?
37:14O que é isso?
37:16O que é isso?
37:19O que é isso?
37:25O que é isso?
37:34O que é isso?
37:35O que é isso?
37:38O que é isso?
37:42O que é isso?
37:48O que é isso?
37:50O que é isso?
37:53O que é isso?
38:20O que é isso?
38:25O que é isso?
38:27O que é?
38:29O que é isso?
38:29O que é isso?
38:33O que é isso?
38:34O que é isso?
38:35O que é isso?
38:35O que é isso?
38:42O que é isso?
38:44O que é isso?
38:49O que é isso?
38:52O que é isso?
38:53O que é isso?
38:55O que é isso?
38:57O que é isso?
39:23O que é isso?
39:43O que é isso?
39:48Eu acho que eu encontrei algo aqui.
39:51Follow the sound of my voice
39:58Cheryl?
39:59Brian! I'm starting!
40:03She's okay
40:04It's alright Charlie, you're gonna be just fine
40:15Cheryl!
40:18Hey
40:19It's over
40:24And their only hope
40:25The thought is that these boys were all liars
40:28They tried to hide their sins
40:30You're done here
40:31You've seen what these men look like
40:35You see what they'll do to their children
40:37They'll make them just the way they are
40:38Sick and corrupt
40:40Drop it in
40:44I tried to help them
40:46I cared about these boys
40:50Why am I the only one?
40:52Drop the weapon
41:06You're doing an ambulance here Paul
41:11I'm alright
41:12I'm alright Frank
41:19I saved him
41:21I made his father pay the price for what he did
41:31Where's Mark in the view of him?
41:32In his bedroom
41:37And maybe you could have a hug
41:39I'll ask her
41:40Come like this
41:50Here I'll ask her
42:03$35
42:05Amém.
42:46Eu fiz isso.
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