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00:18A CIDADE NO BRASIL
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05:08Oi, Bob.
05:11Você está na news?
05:13Sim, eu fui para ver o que eu não tinha visto.
05:16A young couple, bludgeoned,
05:19drague-se, morta-se com um antigo hatchet.
05:23Não signo de forçado a entrada.
05:25Nada broken.
05:26Nada de ferro,
05:27ou stolen,
05:30except...
05:34Their little girl is missing
05:36What?
05:37Yeah, that wasn't on the news either
05:39$5,000 alarm system
05:42Should have saved themselves a dough
05:43and gotten a Rottweiler
05:47What was the response time?
05:49Well, the alarm company said they were here in a little over five minutes
05:52We're checking that out
05:59The house was for sale
06:00Yeah, they had an open house yesterday
06:04We've got the real estate lady coming down
06:09The killing was premeditated
06:12The killer most probably came to the open house
06:15and hid someplace until the family returned
06:17He would have set the alarm off when he left
06:19What about the little girl?
06:26Oh, my God
06:53I need a screwdriver right now
06:55Yeah, here
07:10Holy God
07:11Get the ERT
07:12Get him in here now
07:13No, no, no
07:14Nobody's gonna hurt you, sweetheart
07:17Come here
07:18Let me help you
07:21Everything is gonna be all right
07:27Everything's gonna be all right
07:29Nobody's gonna hurt you
07:30We're here to help you
07:43How is she?
07:44All indications is she's gonna be fine
07:46All indications is she's gonna be fine
07:47Our fluids are very low
07:49But there's no evidence of any physical harm
07:51Other than extreme shock
07:55It just
07:57Yeah, I know
08:05It's okay
08:08Everything's okay
08:09Everything's okay, sweetheart
08:10You're in a safe place
08:12No one's gonna hurt you here
08:19Can one of you get the nurse?
08:21Yeah, sure
08:33I can't expect too much, Bob
08:35What do you mean?
08:37I know you're gonna want to talk to her
08:38I know you're gonna want to know what she saw
08:41We have no other witnesses
08:42What she's been through
08:43No one
08:45Child or adult
08:46Should have to experience
08:47If he's asked to talk about it
08:49It's like asking her to relive it
08:51I don't have to tell you
08:52That this guy is out there somewhere
08:54He murdered these people in cold blood, Catherine
08:57You can't push her, Bob
08:59She's gotta do this in her own time
09:02If at all
09:05We've already got a department shrink on call
09:06To work this
09:07I'm asking you
09:08Please don't let the department make a mistake
09:11Trying to leapfrog this
09:12It's already something
09:14That this little girl's gonna have to live with
09:15For the rest of her life
09:25Abraham Lincoln
09:25Elvis
09:26And Muhammad Ali
09:28All signed a guest book at the open house
09:31In my professional opinion
09:32None are viable suspects
09:35We'll put an APB out on Elvis
09:36Just in case
09:37Do you find anything useful?
09:39One name
09:40It's interesting that it appeared
09:42Two weeks earlier
09:42At the first open house
09:43They held there
09:44He was Casey
09:47John
09:48Allworth
09:49His signature
09:50Centrifugal
09:52Vertical lines
09:53Forward expansion
09:54Strokes
09:56Forceful
09:57Measured
09:58Alternating cursive
10:00And print
10:01And this man's
10:01This man's signature
10:02Has probably been the same
10:03Since he was old enough
10:03To sign it
10:04What does that tell you?
10:05That the signer is deliberate
10:07He has focus
10:09But that this is to contain
10:10His rage
10:11Or his anger
10:13That he can be explosive
10:15Prone to outburst
10:16Of violence
10:17No kidding
10:19Even if this is the guy
10:20It's obviously an alias
10:22The address he left
10:23Has gotta be a phony
10:24High probability
10:25But not a certainty
10:26If he's not John Allworth
10:27Maybe it's somebody he knows
10:28Or somebody that knows him
10:30The man we're looking for
10:31Is a risk taker
10:32But a deliberate man
10:34As James said
10:36He left the child alive
10:37For a reason
10:38He signed his name
10:39John Allworth
10:39For a reason
10:41We'll catch him
10:41If we can find out
10:42What that reason is
10:51Mr. Allworth
10:56Let's see if the manager
10:57Lives in the building
10:59Fat chance of that
11:13Yes
11:13What?
11:14I'm Detective Gibblehouse
11:16With the Seattle Police Department
11:17Sir
11:17Are you the resident here?
11:19Yes
11:19Do you know your next door neighbor
11:21Mr. John Allworth?
11:22Who?
11:23John Allworth
11:24He lives next door
11:25He does
11:26Do you know the guy
11:27That lives right over here?
11:30No
11:31So what's the big deal?
11:33We're trying to locate
11:34Mr. John Allworth
11:35The man who lives next door
11:36It's part of an investigation
11:38I don't know anything about that
11:39Oh, thanks
12:04The man who lives next door
12:10There were 4,900 open houses
12:12In King County
12:12Over the last six months
12:14Graphological analysis
12:15Matches the perpetrator's signature
12:17To at least 37 sign-in registers
12:20Using the name
12:21John Allworth
12:22Travis Bickle
12:23And Rudyard Holmbast
12:25Rudyard Holmbast?
12:26That's correct
12:27So what?
12:29You want us to go out
12:30And knock on his door too?
12:31There are over 30 houses
12:32He didn't choose
12:33For one reason or another
12:34Find those reasons
12:36Find a pattern
12:38And you move closer to the killer
12:39To what is going on in his head
12:41Come on, Frank
12:43I mean, what if it was just random?
12:45What if, uh
12:45What if this guy just chose his victims
12:47Because they were the most convenient?
12:48Then that will tell us something
12:50About him too
12:51I think we're wasting our time
12:52With this approach, Frank
12:54You don't have much else
12:55To go on at this point
12:56We've got the little girl
13:01Dr. Levinson
13:02Metabolic unit
13:03Dr. Levinson
13:05Metabolic unit
13:06That's very good, Patricia
13:09Is that a face in there?
13:15Kind of hid it in there
13:16Didn't you?
13:18That's very clever of you
13:23You want to see what I brought you?
13:26It's for your hair
13:29It's from a girl
13:30Who's almost the same age as you
13:33Her name's Jordan
13:36And when I told her about you
13:37She asked me
13:39If your hair was pretty
13:41And I told her it was long
13:43And straight
13:43And beautiful
13:45And she was so jealous
13:47Because she has curly hair
13:49And she wants it to be straight
13:52I bet you want curly hair
13:53Don't you?
13:57Can I put this in your hair, Patricia?
14:11Oh, that's very pretty
14:13I want to go home
14:17I know you do
14:19I'm sorry
14:21Mitch, you have to stay here
14:24It's just because everybody
14:26Wants you to be safe, okay?
14:31I think we should do
14:32Some more crayons
14:34I'm gonna draw a picture
14:36Of a pretty little girl
14:38With a pink bow
14:39What about you?
14:51What are we gonna find
14:52That an army of tech's missed?
14:54Maybe nothing
15:00Come out of Right
15:01Of a young boy
15:23I'll name you
15:23Oh, my God
15:24They're there
15:25That you
15:25A CIDADE NO BRASIL
15:58A CIDADE NO BRASIL
16:29A CIDADE NO BRASIL
16:39Não, não, não.
17:09Oi, como você está hoje?
17:11Oi, como você está?
17:12Eu acho que estou bem bem.
17:13Estou melhorando?
17:14Você pode ter que ver com isso, hein?
17:15Obrigado.
17:16Você tem um bom dia.
17:17Tchau.
17:17Tchau, tchau.
17:43Tchau, tchau.
17:45Tchau, tchau.
17:45Tchau, tchau.
17:46Tchau, tchau.
18:16Sim.
18:21A word vai chegar lá.
18:23Pode ser o que ele quer, Budge.
18:26E o que você pode fazer não dar o que ele quer,
18:28é a melhor chance que você tem de dar o que ele quer.
18:34Você e eu...
18:36...vamos beijando na árvore...
18:38... sobre essa pequena garra.
18:41Não pode fazer isso, Bob.
18:47Não pode fazer isso, Bob.
19:07Oi, como você está?
19:12Oi, como você está?
19:14Oi, como você está?
19:15Como você está?
19:16Oi, como você está?
19:20Fim.
19:22Como você está?
19:23Boa, boa.
19:25Vamos lá.
19:26Vamos lá e o cheio, se você quiser.
19:29Por favor, olhe por aí.
19:32Eu esperava que você possa, você...
19:34...não...
19:35...não...
19:36Oh, claro.
19:37Por todas as coisas.
19:39Vamos começar com a árvore.
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24:12I turned up in a pawn shop in Bellingham.
24:14We've got the owner downtown right now working with our identikit artist.
24:17I may be able to help you out there, Blitz.
24:18What do you mean?
24:19I just pulled something off the videotape.
24:22The Millennium Group has someone that can probably clean it up for us.
24:25We may have a portrait.
24:27A face?
24:27Yeah.
24:31You still adamant about not showing anything to the little girl, Frank?
24:36Frank.
24:38I'm considering it, Pop.
24:52Hi, there.
24:55Daddy's out!
24:56Hi, how are you?
24:57Good.
24:58How was your day?
24:59Good.
24:59Yeah? You want to tell me about it?
25:00Sure.
25:01First, we're going to go upstairs and take a bath and get those little piggies of hers all cleaned up.
25:06Little piggies? How'd those little piggies get so dirty?
25:08At school.
25:10I'll be up in a little bit.
25:12Okay.
25:14Hi.
25:15Hi.
25:16I've got something to show you.
25:20Jordan's?
25:21No, they're Patricia's.
25:22I dropped Jordan at daycare and spent most of the morning with her.
25:25Did you talk to her about these?
25:27As much as I could.
25:28She started asking about her parents.
25:31I think they're significant, though, Frank.
25:33They are.
25:34We found that the man we're looking for left a red X, just like these, at the second crime scene.
25:41How would Patricia know?
25:43I don't know.
25:44Maybe it was something he was wearing.
25:50We've made some progress, too.
25:53It's a picture to work with.
25:54An image to work from.
25:57You want my permission.
25:59I do.
26:02I don't think they're going to be as courteous.
26:05I can't stop them, Frank, but my feelings are the same.
26:09What if you showed it to her?
26:10What is she going to say?
26:13Maybe she knows him.
26:14Maybe it's a neighbor.
26:21Someone the family comes into contact with.
26:26I'll do it, Frank, if you think it's the only way.
26:32No.
26:37That's what he wants.
26:38What are you talking about?
26:39That's what he's wanted all along, for us to use the child.
26:47It's so clear from the clues.
26:50The video, the audio tape.
26:52Bringing those to her would be an obvious tack.
26:54He wants her to relive it.
26:56Probably something he's relived all his life.
26:59Fletcher.
27:00Yeah, Bob, it's me.
27:01I want to talk to you.
27:02I want to talk to your men.
27:03I don't want anybody going down to see that little girl.
27:05Can I have your promise on that?
27:07Why, Frank, she's the key.
27:08Yeah, I know she's the key.
27:10Just not the way we thought.
27:26What do you got?
27:27Shotgun dumped in the garbage.
27:2912-gauge.
27:30Specs of blood on the stock and barrel.
27:33I'm fine.
27:34Look at the school kids over there.
27:36He's called in by that crossing guard.
27:42Excuse me, sir.
27:43Can I speak with you?
27:47Yes, of course.
27:49Right after I help the kids to safety.
28:00No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
28:03no, no, no, no, no, no, no, no, no, no, no.
28:03Vamos lá! Vamos lá!
28:33Vamos lá!
29:04Vamos lá!
29:06Vamos lá!
29:06Vamos lá!
29:08Vamos lá!
29:08Vamos lá!
29:11Vamos lá!
29:13Vamos lá!
29:13Vamos lá!
29:17Vamos lá!
29:17Vamos lá!
29:17Vamos lá!
29:18Vamos lá!
29:20Vamos lá!
29:22Vamos lá!
29:26Vamos lá!
29:28Vamos lá!
29:43Vamos lá!
29:46Vamos lá!
29:47Vamos lá!
29:47Vamos lá!
29:49Vamos lá!
29:51Vamos lá!
29:54Vamos lá!
29:54Vamos lá!
29:58Vamos lá!
30:00Vamos lá!
30:02Vamos lá!
30:11Vamos lá!
30:15Vamos lá!
30:20Vamos lá!
30:22Vamos lá!
30:23Vamos lá!
30:25Vamos lá!
30:36Vamos lá!
30:38Where are we headed from here?
31:20I'm not so bad.
31:21I'm coming up to you.
31:24No, you're not.
31:26Listen to your father.
31:27Yeah.
31:41Hi.
31:42Welcome to Anthony Meadows.
31:44I'll give you one of our brochures.
31:46And should we start in the kitchen?
31:49Right this way.
31:50We have, um, state-of-the-art equipment in here and, um...
31:54Nothing, boss.
31:56Just looky-loose.
31:57Yeah, make yourself at home, pal.
31:58Could be a long day.
32:00Be real easy, let me tell you.
32:04Have any of the other houses checked in?
32:06No.
32:07Either he got a whiff of us or he beat it out of town.
32:11I really don't think this is gonna happen, Frank.
32:20Entryway.
32:21White mail.
32:22Tall.
32:23Glasses.
32:24Our guy?
32:26I can't tell for sure.
32:29Give him lots of space.
32:31Yeah, don't crowd him.
32:32Yep.
32:32Hello, sir.
32:33Welcome to Ivy Meadows.
32:35May I ask you a few questions?
32:37Certainly.
32:38Is this the model unit?
32:39Yes, it is.
32:40But the contractor and his family are living here currently.
32:43Oh.
32:43It hardly seems lived in at all.
32:46If it is him, he's heading right to you.
32:52This is how you get to the garage?
32:54Yes, uh, straight ahead.
32:55Just adjacent to the washroom there.
33:08The owners locked their cat in. I don't have a key. I'm sorry.
33:11Did you see that in that little room?
33:16That's okay.
33:17I'd like to see the upstairs.
33:19Right this way.
33:22We're gonna love the upstairs.
33:24The master bedroom is just to die for.
33:25We've got twin sinks and a whirlpool bath.
33:28Large walk-in closets in all the rooms.
33:31And a gorgeous street from the master bedroom.
33:32Clay Ali Oxen. He's going upstairs. Let's go.
33:45Where's the guy that was with you?
33:47He's using the bathroom.
33:58Check the bedrooms, all the closets.
34:00He's gone.
34:03We're about finished up here.
34:04Were you able to find the vehicle?
34:06No, no. We didn't find the vehicle.
34:08He may have arrived on foot. Same way he left.
34:11Roger that. Are we gonna be able to reach you?
34:13Yeah. I'll be on the radio if you need me.
34:15Good. Over.
34:16Out.
34:20This guy booked it, Frank.
34:22I don't think so.
34:24We've been looking for five and a half hours, Frank.
34:26I'm telling you, he's gone with the wind.
34:28He's here. I just know it.
34:30Get the blue and whites out of here. Clear everybody out.
34:33Then you and I go for a walk.
34:37Gable House.
34:38Yeah?
34:39Let everybody go home.
34:40Okay.
34:42Okay, let's go.
34:43Come on. Back to your cars. We're out of here.
34:45We're wrapping up.
34:46We're wrapping up, guys.
35:14Let's go.
35:27Bletch.
35:33O que é isso?
35:35A dog.
35:44É um gandinho, não é?
35:46É um gandinho?
35:49É um gandinho, é um gandinho, é um gandinho.
35:52É um gandinho, é um gandinho.
35:58É um gandinho.
36:50É um gandinho.
37:12É um gandinho.
37:15A CIDADE NO BRASIL
37:51A CIDADE NO BRASIL
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41:18A CIDADE NO BRASIL
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41:20A CIDADE NO BRASIL
41:46Eu fiz isso.
41:51Eu fiz isso.
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