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00:17A CIDADE NO BRASIL
00:30A CIDADE NO BRASIL
01:00A CIDADE NO BRASIL
01:02A CIDADE NO BRASIL
01:03TO THE EARTH
01:24A CIDADE NO BRASIL
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01:42A CIDADE NO BRASIL
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02:31A CIDADE NO BRASIL
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02:49A CIDADE NO BRASIL
02:50A CIDADE NO BRASIL
02:57A CIDADE NO BRASIL
03:01A CIDADE NO BRASIL
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03:45A CIDADE NO BRASIL
03:45A CIDADE NO BRASIL
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04:11A CIDADE NO BRASIL
04:30Abre!
04:33Abre!
04:34Não, eu tenho um antigo.
04:35Abre!
04:35Não, eu tenho um antigo.
04:37Um antigo?
04:38Você quer jogar?
04:39Sim, mas essa vez eu sou um antigo.
04:42Um antigo?
04:43Você pode não me ajudar a não me, ok?
04:45O que está acontecendo aqui?
04:47O que está acontecendo aqui?
04:48O que está acontecendo aqui?
04:48Não, eu tenho um antigo.
04:54Mãe?
04:55Você tem um antigo?
04:59Eu não sei.
05:01Eu quero um antigo.
05:02Eu quero um antigo.
05:03Você tem um antigo.
05:03Mãe?
05:04Mãe?
05:05Mãe?
05:06Mãe?
05:09Mãe?
05:11Mãe?
05:13Mãe?
05:14Mãe?
05:16Mãe?
05:16Mãe?
05:17Mãe?
05:20Mãe?
05:21Mãe?
05:33Mãe?
05:35Mãe?
05:36Mãe?
05:46Mãe?
05:49Mãe?
05:50Mãe?
05:51Mãe?
05:51Mãe?
06:05Mãe?
06:08Mãe?
06:09Mãe?
06:11Mãe?
06:22Mãe?
06:25Mãe?
06:35Mãe?
06:39Mãe?
06:41Mãe?
07:00Mãe?
07:01Mãe?
07:03Mãe?
07:04Mãe?
07:04Mãe?
07:05Mãe?
07:05Eu vou matar ele se ele não, então, só para o que você vai.
07:12Eu vou fazer tudo que eu posso para você.
07:18Você tem que apreciar que Jim Gilroy é disciplinado e os seus impulsos.
07:23Able para ficar quieto esses últimos cinco anos.
07:25Ele não é conhecido para o local P.D., mas ele nunca foi feita a lei.
07:30Ele estava faceindo várias charges de murder, capital punição.
07:35Ele conseguiu sucesso.
07:38Por isso, não é?
07:56Eu vou te ajudar, senhor?
07:58Você está esperando, senhor?
08:00Sim, senhor.
08:17I'm Captain Bigelow, Missouri State Police.
08:19Peter Watts, this is Frank Black.
08:22You know this guy, Jim Gilroy, who shot my trooper?
08:25We know him by another name, but yes, Frank pursued him while working at the FBI.
08:29How violent is this fugitive?
08:31He murdered three women in Virginia over Labor Day weekend.
08:35The funerals were closed casket.
08:37The morticians were unable to satisfactorily reconstruct the bodies.
08:40He wouldn't get away from us.
08:42You see this? Scratched on the TV.
08:47What the hell does that mean?
08:49I don't know.
09:04I don't know.
09:06I don't know.
09:14I don't know.
09:18I don't know.
09:30Amém.
09:49Amém.
09:51Não!
09:55Não!
09:56Não!
09:57Não!
10:02Não!
10:04Não!
10:15Não!
10:17Agora aqui, está redorado.инаห
10:24!断ta
10:25na baiые?
10:26They buried her yesterday.
10:28A suicidão.
10:29That's what the coroner concluded.
10:31You might want to reconsider that.
10:51Is this Colleen Haskell's husband?
10:54Must have been.
10:55She was divorced, as far as I know.
10:57Did she have any children?
10:59Yeah, a daughter.
11:00Madeline Haskell, 20 years old.
11:01She lived here, too.
11:03We haven't located her yet.
11:19Doctor, no!
11:21Has this blood been typed and cross-matched?
11:23We assumed it was the mother's.
11:24I'll get a tech to take his hand.
11:28I think it's important we find the daughter.
11:30Is she involved?
11:31An inordinate amount of violence and suffering has occurred in this house.
11:35She might know something that could help us.
11:39Dear Angel, I was just thinking today of Mama.
11:45how she had the softest, quietest voice you ever heard, like a willow in a breeze.
11:53In church, when she sang, people standing around her would hush just to get a better listen.
12:01I can't help thinking how sad all this would have made her, she never liked Bobby much, and for whatever
12:09reason, I fell in love with him.
12:12He paid attention to me, made me feel pretty, I saw him sitting on the hood of his firebird late
12:19one summer night in high school.
12:22He was one of those types of people who acted fearless.
12:26like he had a secret.
12:29I never had secrets.
12:32Mama had a hard laugh.
12:35Guess I'm kind of glad you weren't around to see her hurt like she did.
12:39I'm not saying this like it's an excuse for anything that happened, just that, well, I never wanted to be
12:47one of those people that gets too used to being sad.
12:51That must sound funny coming from me.
12:54Love, Maddie.
13:16Where is he?
13:19Where is he?
13:25Handsome, mate.
13:29Happy Birthday, sweetie.
13:30Happy Birthday, Maddie.
13:31Make a wish.
13:33Stop!
13:34Alright, alright, I'll tell you, I'll tell you.
13:39There is money by the computer, see what comes up.
13:56Trooper took the proper approach.
13:58Did everything accordingly.
14:00But he never saw the gun.
14:02Pin over it a hundred times.
14:04Stop it there.
14:06Panright.
14:10Do you have a report here?
14:12That's a complete forensic rundown from the scene,
14:14including ballistics.
14:18Stop there.
14:20A killer used armor-piercing her house.
14:22Penetrated the vest just enough to cause death
14:24by hydrostatic shock.
14:26His internal organs were destroyed by the shock waves
14:28from the impact.
14:29Note what's wrong with this ammo, Peter.
14:31Jim Gilroy never used a gun.
14:34How'd he kill those women?
14:37Carradine.
14:38Cut.
14:39I'm gonna enlarge it.
14:41What are you trying to say?
14:42Are you saying Jim Gilroy's not the killer?
14:44The man you know is Gilroy.
14:46This the man we know is Jake Waters.
14:48He's not an unintelligent man.
14:50He's neither rash nor careless.
14:52If he had no reason to believe his new identity
14:54was being threatened, he wouldn't act impulsively.
14:58Go back.
15:02Did you see that?
15:03Move, man.
15:04Something picked up the light.
15:05I'm not sure I see it.
15:07Someone's sitting in the passenger seat.
15:09Gilroy.
15:10Gilroy is 6'2".
15:11That person is much smaller.
15:15The crime scene report describes
15:17two different blood samples taken at the scene.
15:19One was the troopers.
15:20B negative.
15:21The other's A negative.
15:22The second sample, the A negative.
15:24That's Gilroy's blood type.
15:25There was no evidence that Gilroy was wounded at the shooting.
15:27We considered.
15:28He may have been injured early.
15:30I'm not sure that Gilroy's behind the wheel.
15:32Who's the passenger then?
15:34It could be the daughter of Maddie Haskell.
15:38If Jim Gilroy isn't driving the car and he's not the passenger,
15:41then where the hell is he?
16:11I feel like she goes.
16:18Man, wake up. Wake up.
16:24We're here.
16:32Hello?
16:33Hi, it's me.
16:35How are you, sweetheart?
16:37Good. Tired.
16:39Just called a second night. Jordan asleep?
16:41When she tried to stay awake for your call.
16:43I'm sorry.
16:45How's it going?
16:47Fine.
16:49You have to do better than that.
16:51Just frustrated.
16:53Local officer was killed. Situation's very tense.
16:57Do you have a suspect?
16:59Local PD think they do, but I disagree.
17:02Why?
17:02I came down here looking for a man I've chased before, but something else is going on.
17:07Another crime is being committed, maybe.
17:10You're in this guy's head pretty deep, then.
17:13No, somewhere else.
17:15There's a young woman involved.
17:17I believe she's with the killer, but an innocent.
17:21Why is she with him?
17:23That's what I need to know.
17:27Get some sleep, Frank.
17:30Hey, I love you.
17:32Me too.
17:34Talk to you tomorrow.
18:03What's that end of life?
18:04No, Lottie.
18:06No idea.
18:25Sam Hill you barking at, girl.
18:29Me.
18:32Quem é você? O que você quer?
18:34Onde está ele?
18:36Onde está ele?
18:37Como você está aqui?
18:38Não me move.
18:39Só me diga onde ele está e eu vou embora.
18:42Eu não sei o que você está falando.
18:43Você está de fora de aqui, agora!
19:16Onde está ele?
19:28Você não está de fora de aqui.
19:42O que é o que é?
19:45O que é o que é?
19:45E agora, isso deve ser o verdadeiro.
19:50Não seja bem, cara.
19:51Você é inteligente.
19:52Onde está ele?
19:54Você pode me ajudar.
19:55Either way, just tell us where he is.
19:57For God's sake!
19:59Tell us where he is!
20:01Get her off me!
20:02Please!
20:02Get her off me!
20:03Tell us where he is!
20:04Get her off me!
20:05Tell us where he is!
20:07Matty's getting hysterical.
20:09That ain't gonna help.
20:12Oh, wait.
20:13I don't tell you.
20:15I'll tell you.
20:19Dear Angel,
20:20I was at church Easter Sunday
20:22and the minister was talking about
20:24the mystery of faith.
20:25How easy it is to doubt
20:28what you can't prove
20:29and how even though
20:30none of us saw the miracle
20:31in the Lord's tomb that day,
20:33all we had to do
20:34was believe in it hard enough
20:36and it would be true.
20:37And that's what faith was.
20:40He said that we can't be weak,
20:42that we can't dismiss the miracle,
20:44that we have to be strong enough
20:46to make mysteries real.
20:48I wish you'd been sitting there
20:50with me that day.
20:51I can't see you.
20:52I can't touch you,
20:55but you are always in my heart.
20:57Love, Matty.
21:12Love, Matty.
21:14I can't see you.
21:19I can't see you.
21:21I can't see you.
21:22I can't thank you.
21:22Amém.
22:04Amém.
22:24Amém.
22:46Amém.
22:47Eu nunca te contei sobre a noite que você deixou.
22:49Eu fui para o serviço, e quando eu vim de casa, você foi embora.
22:54Eu estava terrível, eu estava perdido.
22:57Eu não consegui ter uma resposta direta de ninguém.
23:00Eu deveria ter ido por horas procurando por você, mas não havia sido um signo.
23:05Eu me cansado e eu meio que me desculpava.
23:09Eu me desculpava.
23:11Eu me desculpava que me desculpava naquela noite.
23:15Por favor, me desculpava.
23:16Dear Angel, it's Christmas Eve.
23:19I remember when I was ten years old and caught Mama putting presents under the tree.
23:24I broke my heart.
23:26Believing in Santa was the last bit of little kid mystery left in the world.
23:31I'm looking up at the dark winter sky right now, wishing that weren't true.
23:35Wishing that old guy in the red suit would bring you home.
23:40I miss you so much.
23:43I gotta go.
23:44He hates it when I write to you, and I can hear him coming up the stairs.
24:05Anything?
24:06Just some letters that were never sent.
24:09Who's the addressee?
24:10I think they're to her father.
24:13Records show the father's name is John Haskell.
24:17Split.
24:17Long gone.
24:19He left some deep wounds.
24:21Maybe that's where they're headed.
24:23Maybe.
24:35We located Jim Gilroy's car two hours south of here in Springdale, Arkansas.
24:56The call from the caretaker.
24:58He was coming by to drop off some fertilizer.
25:01How long ago?
25:02Three hours ago, maybe a little more.
25:06Get it out of there.
25:07Rush.
25:08Break it up, Roy.
25:09Come on.
25:10There you go.
25:11Get on back.
25:13Get on back.
25:17Get on back.
25:18Jim Gilroy.
25:23There's a stretcher over here.
25:27Where's the main house from here?
25:29The honey yard's over there, but there's nobody home.
25:36They're dead, aren't they?
25:38Yeah.
25:39We're right back where we started.
25:41No.
25:41Now we have someone to talk to.
25:50We're gonna find them.
25:52You happy?
25:54Yeah.
25:57Then prove it.
25:58Bobby, no.
25:59Bobby!
26:00Stop it.
26:01No.
26:02Bobby!
26:03Stop.
26:04Please.
26:05I've never been clear on why they call it making love.
26:09Every time I let Bobby have me, it felt more like...
26:15Like making peace.
26:17You know, killing time.
26:20A few precious minutes to myself.
26:27I found out my real dad had hit my mom a couple times.
26:32And she took up with Jim, and he just hit her more often.
26:37And I can't stop blaming myself for what happened to my mom.
26:47When she found out what Jim had done to me, she just...
26:53She couldn't live with it.
26:57I know I'm guilty for letting what happened happen.
27:03If I didn't stay in that car, I knew I'd never see Angel again.
27:24Who put you in the trunk?
27:26I don't remember.
27:27Do you know who killed the Nesmiths?
27:30You haven't heard of me.
27:31They were the people who lived on that farm.
27:34I don't know nothing.
27:35I was in the trunk, remember?
27:37Why'd they try to kill you?
27:38Hey, I get a soda or something.
27:42Who was Maddie riding with?
27:44What's that?
27:47You know who she is.
27:50No, I don't.
27:53I know you.
27:55Really?
27:56You used to live at 898 Gadsden Place.
27:59Newport News, Virginia.
28:01You worked in a mill by the docks.
28:03You drove a 73 Impala.
28:05Your name is Jake Waterston, and you killed three women there.
28:11So you have no reason to lie.
28:23I want to help you.
28:25Really, I do.
28:27They bait me, left me in a trunk.
28:29If it wasn't for that air pocket, I'd be dead.
28:31Do you think of that?
28:32Yeah.
28:33But not the way you do.
28:36Who's riding with Maddie?
28:39Little Ditchweed was with her boyfriend, Bobby Webber.
28:42Why did Webber assault you?
28:44Because I wasn't ready for him.
28:46What did you do to Maddie?
28:48Nothing.
28:51You killed her mother.
28:53Dwayne was a hothead.
28:54She committed suicide.
28:55You led her.
28:56You watched.
28:58You perpetrated the abuse on Maddie.
29:05Who's Angel?
29:21What do you have, Peter?
29:23I've located Maddie's father.
29:25Where?
29:25He was an inmate at the Fond du Lac Correctional Institute for Men in Waping, Missouri.
29:31He died there a year ago.
29:34Where's he buried?
29:35No one claimed the body.
29:36The Department of Corrections leases some plots in a potter's field area near the prison.
29:41The grave is unmarked.
29:44So, either she doesn't know that her father is dead, or she's...
29:48She's after something else.
30:16The Newport News, Virginia, D.A.
30:18sends his best.
30:20Starting extradition proceedings in the morning to get Watterson back for trial.
30:25He didn't get away this time, Frank.
30:29This isn't finished, Peter.
30:32You take away her father as a destination, that doesn't leave much.
30:35She knows he's dead.
30:37She wrote half a dozen very intimate, very personal letters to him.
30:41Yet she stayed in the car watching the violence that she's seen all her life.
30:45Were any of the letters written after his death?
30:47Yes.
30:48But the language was present tense.
30:51Almost a confession.
30:53Or an oral history to him.
30:56Or...
30:59What is it, Frank?
31:02I need Maddie Haskell's medical records.
31:05I think I know what she's after.
31:07I think I know who Angel is.
31:31Anything yet?
31:34No.
31:36No sign of that pickup on the wire.
31:39They're long gone.
31:44Peter.
31:46Oh, yeah.
31:49Maddie Haskell gave birth to a baby boy in St. Mary's Hospital in Joplin one year ago.
31:56A father unspecified.
31:57What happened to this baby?
32:02Can we access Gilroy's bank records from here?
32:05Yeah.
32:06Just need a phone line.
32:13Go faster.
32:16What are you going to say to him when you see him?
32:21I don't know.
32:25Gilroy maintained a fairly erratic bank balance over the last couple of years.
32:31Ten months ago, a wire transfer of $7,000 was made into an account in Gilroy's name.
32:36That's two months after Maddie's baby was born.
32:42Gilroy took Maddie's child and sold it and bought himself a TV.
32:49It's sick, but it's emotive.
32:51That explains why Angel was scratched into the television screen.
32:56He sold a baby so he could buy a TV.
32:58He wanted something, and we live in a world where children have become another form of currency.
33:04That explains why she was in that car.
33:07Who transferred the funds to Gilroy's account?
33:13It's from the account of a Rudolph Barnard, a lawyer who lives in Little Rock.
33:19So Gilroy takes Maddie's baby, and he has this lawyer, Barnard, broker a deal to sell it.
33:23They're still after the same goal, and anyone left that gets in their way is going to die.
33:28I'll call Little Rock PD and have them put Barnard into protective custody.
33:32I want to check on Barnard's bank records from the same time period.
33:35Hopefully they would have been a transfer made by the adopting family.
33:38We might be able to get to them before Bobby does.
33:44Oh, for the love of her child.
34:08Look at this place.
34:11It's beautiful.
34:13Angel must love living here.
34:16Matty, your boy's just one year old.
34:18You don't know.
34:19Let's just go in there, get him, and get out of here.
34:22Now don't forget flowers.
34:28He must love it here.
34:36I think Travis has been called.
34:38Lines dead.
34:39Little Rock PD is responding now.
34:48Yes?
34:50Flowers for Mrs. Adeline Travis.
34:57We don't have anything.
34:59I'm sorry, mister, but you do.
35:00You got Maddie's boy.
35:02Who was it, Wade?
35:03Lock the door.
35:04Stay up there.
35:05You better get your ass down here, Adeline.
35:15Who are you?
35:16You come down here now.
35:19Come on.
35:26Oh, my God.
35:27Come on.
35:29Come on now.
35:31Give her the kid.
35:33No.
35:34Why?
35:35Because he's hers.
35:36You stole him.
35:36No.
35:37We adopted him.
35:39Don't lie to me.
35:39Don't lie to me.
35:40It was legal.
35:41Give her the damn boy now.
36:08Come on, Maddie.
36:09Let's go.
36:10Have you been a good boy, baby?
36:12Come on, Maddie.
36:13Oh, look at how big he's been.
36:15And he's your granddaddy's bigger.
36:20Maddie.
36:26Now.
36:40What the hell are you doing?
36:43Angel belongs here, Bobby.
36:45Not after all this, he doesn't.
36:48Come on.
36:49Let's just go.
36:50Bobby, no.
37:11You see what you've done?
37:17They won't shoot if I walk out holding the baby.
37:22Give me the kid.
37:24Give me the kid.
37:25Give me it.
37:35Shots fired.
37:36Shots fired.
37:37Unit nine, you are code 10 until further.
37:40Check with this one.
37:43Ho!
37:45Ho!
37:46Ho!
37:49Go for it.
37:54Oh.
37:57Ah.
37:59Oh.
38:01Oh.
38:02Ah.
38:03Oh.
38:10It's over, Maddie.
38:19That's Angel.
38:23Yeah.
38:31Papa, my baby.
38:42I haven't seen my boy since that day.
38:50Travis has sent me a picture once in a while.
38:57I asked them not to tell Angel anything about his mother.
39:02I don't want him knowing anything about me.
39:08I mean, I doubt if anybody can love him like I do.
39:16But I had a feeling that day that a life with me wasn't a price my baby should pay.
39:24He'd have just grown up to be another Bobby or another Jim, another man like my father.
39:35I wanted a clean life for him.
39:39At least I had a hand in giving him that.
39:48He saved me that day.
39:53He's the only man in my life that ever did something nice for me.
40:01He's the only man in my life that I had to pay for for me.
40:02Do you need anything, Maddie?
40:04No.
40:06I appreciate your visiting me.
40:09If you get the time, come back if you can.
40:14Bring your daughter.
40:15I'd love to meet her.
40:16Eu vou.
40:19Você vai estar bem.
40:26Time's up.
40:31Eu vou pensar em Angele.
40:36Prém ele não está pensando em mim.
41:13Eu vou pensar em mim.
41:43Eu vou pensar em mim.
41:50Eu fiz isso.
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