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09:11sortidade Squadron
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09:17Nin' came to the fas下 The focus ofел Donuros
09:33I don't know.
09:35In sumatochat, everyone shot each other.
09:40I don't see what I'm doing.
09:43I don't know.
09:45You don't want to be killed, right?
09:48Yes.
09:51My problems are not solved with police.
09:58Why did you go to the hospital?
10:00Where did you operate?
10:02At the time of the shooting, I shot two times.
10:08I didn't go to the hospital, so I didn't open it.
10:12Where did you operate?
10:14I fell off.
10:17I didn't know where I was.
10:20Who was the operation?
10:21I don't know.
10:26I don't know.
10:28Mr. Abdul Kadir.
10:31I don't know.
10:34I know.
10:36I didn't want to tell you.
10:43What's your name?
10:44I don't know.
10:45I don't know.
10:47I don't know anything.
10:48I don't know anything.
10:57I don't know anything.
11:07I don't know.
11:21.
11:21.
11:21.
11:21.
11:33.
11:33.
11:33.
11:34.
11:38Look, I know that you don't love the food, so I'm wearing a kebab from your favorite place.
11:46There's a potlajan with your house, and I've got some ice cream.
11:52Tell me, who can you open it?
11:54If you want, you can put it all out of everything.
11:58Do you want to put it on the plate?
12:17I know that I've got a lot, and I've got my brother's brother, but you've got to provoke me, my
12:26brother.
12:28Don't lie.
12:29Why do you tell me that I can't shoot?
12:33I don't know how much you are, brother. Why did you call me? Why did you call me to call
12:41me?
12:42Don't call me.
12:47I'm sorry. I'm sorry. If you want, I'm sorry.
12:56If you want to cut your head, I'll be more than you.
13:00I'll be like you said.
13:04I'm sorry.
13:05I'm sorry.
13:06I'll be fine.
13:08I'll be fine.
13:13I'll be fine.
13:20I'll be fine.
13:21I'll be fine.
13:21Then I'll be fine.
13:22I'll be fine.
13:26I'll be fine.
13:29I'll be fine.
13:32I'll be fine.
13:34I'll be fine.
13:35I'll be fine.
13:36I don't want to see you.
14:11I'll be fine.
14:13I'll be fine.
14:15I'll be fine.
14:16I told you, Mrs. Shermin.
14:18I told you.
14:21What did you say?
14:23Mr. Komisar,
14:25my daughter is gone.
14:27Mrs. Betioli?
14:28Yes, I can't find it.
14:30Did you see it yesterday?
14:33Did you see it yesterday?
14:35Yes.
14:37But then Betioli is not anywhere.
14:40Yes, they are normal.
14:42You understand me.
14:44I came to her.
14:46My daughter was there.
14:48I wanted to see it.
14:50He said, no, I got it.
14:52I got it.
14:53Why did you get it?
14:54I don't know.
14:55I explained it.
14:58They were killed.
15:00It's normal, Mrs. Shermin.
15:03Now, Mrs. Shermin,
15:06the police are not in the family.
15:09The best are you.
15:10And listen to me.
15:12What do you try?
15:20It's a bad thing.
15:22It's a bad thing.
15:24Let me know.
15:29What's wrong?
15:33But I'm not sure.
15:35It's a bad thing.
15:36It's a bad thing.
15:37It is a bad thing.
15:39I have a job, Mr. Comissar,
15:42and now you can get it. I want you to know where it is.
15:46We can't do it. We can't do it.
15:50We can't do it. We can't do it.
15:52We can't do it. We can't do it. We can't do it.
15:59What is it?
16:02How is it?
16:03What is it?
16:04It's a letter.
16:06I'm an expert.
16:09You are not going to do that in the moment?
16:11I am not going to do that, Mr. Shermin.
16:13I am not going to do that.
16:15Wait for a few days and if she doesn't appear, we will find her.
16:20Now, let's go.
17:01Betiu? Betiu, Betiu?
17:05Mr. Shermin.
17:07Betiu?
17:08I am going to interview Betiu.
17:11Betiu?
17:12Yes.
17:13We haven't done the interview.
17:15We are not going to interview her.
17:19If I am free, I want to talk to you.
17:24Let's go, Betiu.
17:25Let's go.
17:25Let's go.
17:31Let's go.
17:32Let's go.
17:40Let's go.
17:41Where are you, Betiu?
17:45Let's go.
17:54Let's go.
17:58Let's go.
18:00Let's go.
18:08Let's go.
18:12Let's go.
18:16Let's go.
18:17Let's go.
18:19Let's go.
18:20Let's go.
18:21Let's go.
18:22Let's go.
18:23Let's go.
18:24This one wants toSanman.
18:26He's fine.
18:28Let's go.
18:30If she is, she has to water her so well?
18:35I'm talking about the man.
18:39He killed him.
18:43And he was probably there somewhere.
19:11Lilo!
19:12Dear, I'm fine for you.
19:15Yeah, it's fine for you.
19:17It's fine for you.
19:17It's fine for you.
19:18No, no, I'm fine for you.
19:21Okay.
19:23I'm fine.
19:25I'm fine for you.
19:26Yes, fine for you.
19:30How are you, болies?
19:32Do you want to say anything?
19:34Do you want to say anything, doctor?
19:35Yes, I don't have to worry about it.
19:38It's a little bit, but it's a little bit.
19:39My son...
19:41Lelo, I'm fine.
19:44If I hurt you, I'm fine.
19:46I'm fine, I'm fine.
19:48I'm fine, I'm fine.
19:50I'm fine.
19:50Come on, I'm fine, I'm fine.
19:54You're fine.
19:55You're fine.
19:55You're fine.
19:58You're fine.
20:00You're fine.
20:01You're fine.
20:02My son.
20:07You're fine.
20:10How are you?
20:13You're fine.
20:15But I'm sure it's normal.
20:19It's okay.
20:20It's okay.
20:20I'm fine.
20:20I'm fine.
20:22That's not what you do up?
20:23I'm fine.
20:25It's okay, Genghis.
20:30It's a professor.
20:34It's not what you do, it's fine.
20:36It's fine, you're fine.
20:40You're fine.
20:42I wanted to ask. I was in intensively, i.e. I opened my eyes for a moment. I remember it
20:53as it was in my bed.
20:55Oh, what do I want to say? Ah, yes. I saw you, I saw you, I saw you.
21:03I saw you and I saw you. But do you remember correctly? Did you see Hakan?
21:10Did you regret it? Why did you not understand?
21:18Why did you understand?
21:22What did you do?
21:24My mother, my mother, my mother, my mother, my heart.
21:37I saw you in intensively.
21:40Yes.
21:42How did she do?
21:44I did not.
21:45I did not do it.
21:46I did not do it.
21:52Why do you look like this?
21:56Will you talk about it?
21:57What do you talk about?
22:03How do you say it?
22:07What do you say?
22:09What do you say about it?
22:13Yes, you want to tell the truth?
22:16Yes, I'm going to tell the truth.
22:21I had a lot of work in Livan.
22:24I had a lot of projects and invested in the whole country.
22:28I had a lot of connections and I met all kinds of people,
22:31as in business, as in the state and even in the mafia.
22:36I was close to all.
22:38I had a trust in it.
22:41So I decided to attract me.
22:45Mrs. Genguerli?
22:47I say that I work for her.
22:53What do you say?
22:55Then?
22:56Then, in Livan, the chaos.
22:58The pressure on Turkey was huge.
23:00Every time I got traffickers and spies.
23:03And I had to do it for my family.
23:06I didn't have a choice.
23:09So, I had a trust in Abdull.
23:11Yes.
23:12I knew him at a time.
23:14But we were close.
23:19And I had a trust in people.
23:25Actually, since we were close.
23:31Good luck.
23:33And I got lucky.
23:37And I came to look for the trip.
23:39Then we got friends and I got friends.
23:43You are asking why I'm going to continue to do this.
23:47But as I said, our relationship is not a common friendship.
23:54But the moment will be the end.
23:57I promise you.
24:14Why don't you eat, little boy?
24:16If you don't like that, take a bite from the bulgur.
24:23People will say that your child is holding the young girl.
24:28I'm sorry to tell you.
24:31I'm sorry to take a bite.
24:32I'm sorry to take a bite from the bulgur.
24:36You eat bulgur.
24:38You eat and eat.
24:39But it's only your heart.
24:42You're already a girl.
24:44Let's go.
24:46You're a girl.
24:46You're a girl.
24:47You want to take a bite from the bulgur.
24:48You're a girl, you're a rich girl.
24:54You've seen your daughter at home.
25:00You're a girl.
25:06You're a girl.
25:07You're a girl.
25:09You're a girl.
25:10What do you say?
25:12I'll do it.
25:14I'll do it again.
25:15What do you say?
25:17We are not married.
25:20You are my husband.
25:22Where are you going?
25:23Where are you going?
25:26Your husband is here,
25:27in this nice place.
25:29Let's get married.
25:32Let's say that we don't understand.
25:36We're going to get married?
25:37Yes.
25:38I'm not sure what I'm going to see.
25:40I don't have any plans.
25:42I'll take my mother and watch it.
25:44I'll do it again.
25:46I won't see you later.
25:47We won't see you later.
25:53We won't see you later.
25:55I won't see you later.
25:57I will see you later.
25:58I won't see you later.
26:00Please say that.
26:03It's absurd.
26:04I can't.
26:05You can't.
26:07You know that in Chukurova, many people are saying.
26:10They love the lukes.
26:12If we are going to get married, they say,
26:14that man doesn't lose marriage.
26:16That man, I don't understand your wife.
26:20They will tell me that they will be a joke.
26:22No, no, no, no, no, no, no, no, no, no, no, no.
26:23I pray for you, I pray for you.
26:26I'll take you, I'll take you.
26:28Not, boy, it's good.
26:31I'll take you.
26:34I'll take you.
26:37I'll take you.
26:38My wife, my wife, my wife.
26:41What the more she needs to be?
26:43Nothing.
26:47Let me get you, my dear wife.
26:51Don't you want to get me.
27:01I'll take you, my wife, my wife.
27:26I'll take you, my wife.
27:29I'll take you, my wife.
27:29It's cool.
27:30I'll talk to you.
27:31She said that she was afraid to kill him and kill him in a place.
27:39What does that mean?
27:42Are you thinking about it?
27:46According to me, yes.
27:48There are no news about it.
27:51No?
27:53No, no.
27:55She was looking for everything.
27:57But no one knew anything.
27:59In this day, she asked me if she was afraid to kill him.
28:04But why did she kill him?
28:08Why?
28:10She told me.
28:12The people of Abdu'l Kadir have been warned them.
28:16They have been warned them.
28:19Yes, yes, yes.
28:20Yes, yes, yes.
28:22Where is it?
28:31What are you thinking about, remember?
28:32OK, this is the one place.
28:36In a moment.
28:41But I what I know you are from here.
28:44Let's get here.
28:45Tell you, Abdu'l Kadir.
28:45What are the facts about here?
28:46Here, Abdu'l Kadir.
28:47Yes, they are.
28:47Here, Abdu'l Kadir.
28:54What is that?
28:55The story is now. Look at it.
29:00The Chronicles.
29:01Mom, now you're going to wear a mask?
29:04Yes, it's important.
29:14What is it?
29:15The guy is going to beat you.
29:17Jeremy Yaman does interview and says,
29:20that he killed a girl.
29:25What? What?
29:27The woman is going to lose her?
29:30You don't know how to look like a guy?
29:33I was able to kill a girl.
29:35Who will believe that there is only one person in Chukurova to come in?
29:42Tell me!
29:44Yes!
29:44What?
29:46People don't believe.
29:49If the police takes this signal and decides to do the work,
29:53we'll get out of the way.
30:07Come on!
30:09Come on!
30:10Come on!
30:11Come on!
30:12Come on!
30:13Come on!
30:15Come on!
30:17Come on!
30:17Who is she?
30:18She is a woman.
30:20In the newspaper, it says,
30:21that the man killed a daughter.
30:23What do you understand?
30:25The newspaper is before you, right?
30:28They just repeat the fact that he said to us.
30:31They have sensations.
30:33They have been killed by a daughter.
30:37Is it possible?
30:38You have the right.
30:40They have published it without checking.
30:44Now, what do we do?
30:46The people will soon forget.
30:48As always.
30:49Okay.
30:53The райon управления,
30:54Comisar Mohitin.
30:56Comisar Mohitin?
30:57Listen, Mr. Prokuror.
30:58Have you seen the newspaper?
31:00Have you seen it?
31:03How do you know?
31:05Mr.
31:05Mr.
31:06How do you know?
31:09How do you know?
31:09Why do you know?
31:11Why do you know?
31:11How do you know?
31:15Mr.
31:16Mr.
31:17Mr.
31:18Mr.
31:22Mr.
31:22Mr.
31:33Mr.
31:34Mr.
31:35Mr.
31:35Mr.
31:35Mr.
31:45Mr.
31:52ele集い
32:05It's full of
32:15Do you think he made something to the wife?
32:19Yes.
32:20What did he do?
32:21I know.
32:23He was crushed.
32:25He was cut.
32:26Everything is possible.
32:28Look at him.
32:29He doesn't have to do anything with his wife.
32:32Why?
32:33He doesn't have to do anything with his wife.
32:35He doesn't have to do anything with his wife.
32:38What number?
32:40Can you say something?
32:43Right?
32:45Yes.
32:46What the hell?
32:50Is the guy who doesn't have to do anything with your wife?
32:50As in fact, they said something?
32:52What did he do?
32:52Everything was just a church.
32:54His father was nothing to do with him.
32:56What did he do with his wife?
32:59Let's meet everybody with your wife.
32:59That's what the church did?
33:00How is everything?
33:04What did he do?
33:05That's how big of his wife is.
33:07In the community, no one knows anything.
33:09People don't know anything.
33:10documents, everything is false.
33:12Ramesan is prepared and even
33:14plays the role of a
33:15real artist.
33:18Really.
33:19So you didn't have a fight?
33:21No, I don't have a fight.
33:24God!
33:27My mother,
33:28they didn't say anything?
33:30How would they say anything?
33:32The children
33:34of joy
33:35were completely disappointed.
33:38How would you do it?
33:42How would you do it?
33:49How would you do it?
33:53Help me!
33:55God!
33:56Help me!
33:59I don't want to see you!
34:01I will let you go!
34:03Help me!
34:05Mom!
34:05Mom!
34:07Mom!
34:08I have two two!
34:10You know,
34:11that lady has cut the house
34:13and will pay for it.
34:16I will get it here and
34:17I'll talk with you!
34:18It's funny!
34:19You've got to go!
34:20You've got to go!
34:21You've got to go!
34:21You've got to go!
34:22You've got to go!
34:23You've got to go!
34:25You've got to go!
34:26You've got to go!
34:29You've got to go!
34:31You've got to be...
34:31I've got to go!
34:47I've got to go!
34:54It's a good one.
34:56I'll close two times.
34:59I'll close this one from the buffet.
35:13I'll close this one from the buffet.
35:17I'll close this one from the buffet.
35:24I'll close this one.
35:24Police, are you coming for the buffet?
35:27Let's see how they find.
35:30Let's open it.
35:37It's a good one, it's a good one.
35:39Yes, it's a good one.
35:46Good morning, it's a good one.
35:48Good, it's a good one.
35:50We've come to find it.
35:52We're going to find it.
35:52We're going to find it.
35:53Why?
35:55Because of those of you in the buffet, right?
35:59I'm sorry.
36:01I'm sorry.
36:01No, no.
36:03What the mayor has been called,
36:05it will be like it.
36:06As it says, people are nothing.
36:10We're going to tell you.
36:12We're going to go.
36:15We're gonna do it.
36:17Kinda.
36:26You have to kill yourself.
36:36Yes.
36:38We're doing that right.
36:39And we'll go after those of you.
36:42Even more people like them.
36:42In the final End,
36:49Now it's there.
36:50Look, look, tell us.
36:52Let's see.
36:58Let's see.
36:58Let's see.
37:09Let's see.
37:11Let's see, Comisar.
37:12Maybe I'll try to hide inside the door.
37:28There's also a stone.
37:31Can we see them?
37:32Okay, let's go.
37:44Did you discover anything?
37:45No, nothing.
37:46Let's go.
37:48Let's go.
37:50Let's go.
38:03Let's go.
38:06Let's go.
38:23Let's go.
38:26Let's go.
38:27I built inside...
38:51That's the gate.
39:15How do you have inside?
39:16I don't know, Commissioner, I don't want to open it.
39:19I don't want to open it.
39:20I told you, but we didn't do it.
39:32I don't want to open it.
39:32Okay, let's go.
39:34You can't do it.
39:36If you want.
39:37You don't want to worry about it.
39:40It was a false sign.
39:42I don't understand why it was this on Mrs. Shermin.
39:45I want to tell you, Commissioner.
39:47I wanted to get into it for her,
39:50but she turned out to be honest and changed her.
39:53So now, two of you wrought me with these lies.
39:57What do you do?
39:59How do you make some evil?
40:01Exactly.
40:02Come on guys, happy new day!
40:04Good job, Commissioner.
40:06Good job!
40:07Good job!
40:09Good job!
40:10Good job!
40:11Good job!
40:11Good job!
40:11Good job!
40:12Good job!
40:23Good job!
40:25Good job!
40:26Good job!
40:38You came.
40:39Good boy!
40:40Good boy!
40:43Good boy, I'm tired!
40:46Good boy!
40:49I'll do anything you do about it.
40:51You can hug my heart!
40:53I'm not old!
40:58Thank you very much, boys.
41:02Are the lights starting to be remonted?
41:07Come on, come on, come on!
41:26Look up!
41:38Ella!
41:43Ella, Ella!
41:54Right here, ông?
42:15Be careful, when you're here,
42:18you will see what you can understand,
42:21So I'm going to tell you what I want to do.
42:26Here I am.
42:28Here I am.
42:31What do you want.
42:34With everything I want to do.
42:36I'm agree with you.
42:38I've earned it.
42:41I put my hand in front of my brother.
42:43I've earned it.
42:45Whatever you want to do, I'll take it.
42:48I've earned it.
42:52I've earned it.
43:04I've earned it.
43:04Let me shoot.
43:07I'll kill you.
43:11I'll kill you.
43:12I'll kill you, brother.
43:40I'll kill you.
43:43BATCO.
43:49I hate you.
43:53I'm all my acknowledging everything.
43:58I don't think it's easy to be like that,
44:03but I only create good emotions and bad things.
44:15Do you think it likes me?
44:24I'm ready.
44:57I'm ready.
45:00What happened?
45:04Batko?
45:10What happened to you?
45:24How did you hurt me?
45:27You are my blood.
45:32My blood.
45:36My mother and my dad left me.
45:40You are my brother.
45:43That's the most important thing.
45:48Batko?
45:48You are my blood.
45:54You are my blood.
46:18You are my blood.
46:19You are my blood.
46:28You are my blood.
46:32You are my blood.
46:34You are my blood.
46:37You are my blood.
46:41You are my blood.
46:53You are my blood.
46:56You are my blood.
47:02I told you, my brother, that two bombs and three bombs can not be, I'll kill you.
47:14If I had to leave you, if I had to leave you, if I had to leave you in front
47:21of the bomb and the стрелbata.
47:32For me, it's like this.
47:38Prost me.
47:49I did not see you in the old years.
47:55Yes.
47:59If you could see him,
48:01I would like to see him
48:05as he would say
48:05what he would say
48:06and what he would say
48:07in the evening.
48:09Yes.
48:12Yes.
48:15Yes.
48:18Yes.
48:20Yes.
48:27I know...
48:38...
48:39Well,
48:39at the moment
48:42I have only a step,
48:43I'm going to turn you back to him.
48:48I'm going to turn you back to him.
48:52You'll be back to him.
48:54What are you talking about?
48:58He's...
48:59Exactly.
49:00The enemy.
49:03The enemy has to stay close to him,
49:06so that you know all of his head.
49:09You'll follow him every step.
49:12That's why I told you to turn you back to him.
49:16You'll do it,
49:17if we don't look at him.
49:19And you'll serve him.
49:23Okay.
49:43What do you do, Djevrie?
49:45What do you do, Djevrie?
49:46I told you to tell you to do it.
49:47What do you do, Djevrie?
49:49What do you do, Djevrie?
49:50What do you do, Djevrie?
49:52What do you do, Djevrie?
49:55What do you do, Djevrie?
49:58What do you do?
49:59Djevrie.
50:00Djevrie.
50:02Djevrie.
50:03Djevrie.
50:04Look, how much is it?
50:06Look, how much is it?
50:09How much is it?
50:12This isn't it, Shermin?
50:14Yes, it is.
50:16Mrs. Shermin?
50:17Mrs. Shermin?
50:19Did you find her?
50:21It's not like that.
50:24It's not like that, Mrs. Shermin.
50:25Yes, Mrs. Shermin.
50:28Yes, Mrs. Shermin?
50:29Yes?
50:30Give me your patience.
50:32As you started, you can find Mrs. Shermin.
50:37Mrs. Shermin.
50:38Mrs. Shermin?
50:42Mrs. Shermin?
50:55Is it good?
50:56Is it it?
50:57Jin Palmer!
50:59Forget it, Mrs. Shermin!
51:02Is it a woman, a woman, a woman?
51:04Is it good?
51:04What is she?
51:05Look, she works, sie me!
51:07She's dying.
51:09So km's turn down, she can overcome.
51:11Gema set up.
51:11DBut rapidly.
51:15Dult futuro.
51:16Clap.
51:22Let's go, Shermin!
51:24You're going to die again!
51:26You're going to die again!
51:28Shermin!
51:31Let's go!
51:34I don't have a job!
51:36I don't have a job!
51:38Let's go, Shermin!
51:44I didn't have a job!
51:48Even the enemy!
51:49Is that all?
51:51Yes!
51:55Then...
51:59Or you will die,
52:02or you will die!
52:22The role is written by artists,
52:25here is Hristenia Ibrishimov,
52:26Ani Vasileva,
52:27Asia Bratanova,
52:28Nikolai Nikolov,
52:29Christo Ozonov,
52:31Jörgi Giorgiiev go.
52:33Prevodac – Iliana Veljčeva,
52:35Tone-register Dmitry Kukusev. Register-register Dmitry Kustev.
53:07Register-register Dmitry Kustev.