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00:18Marisa, I...
00:24Will you marry me?
00:32What's wrong, my love? Why aren't you saying anything?
00:35Don't you think it's a marriage proposal?
00:38Yes, no, it just took me by surprise, but it makes me very happy.
00:46So what? Do you accept?
00:50Yes, Marcos, I accept.
00:53My love.
01:06Marisa, thank you for everything you have done for my son, because he has really changed a lot.
01:13And all those changes are due to the love you feel for him.
01:16So I wish them all the best.
01:20That?
01:22Well, I wish them the best too, but Marcos, don't you think this is a bit rushed?
01:30Álvaro, I am sure of what I am doing.
01:34Of course, the thing is, when people get married, when they've just met, suddenly the results aren't
01:41They are the best.
01:42Yes, as far as I know, you practically married my dad immediately, as soon as you met him.
01:50Then I don't see why you're surprised that they're getting married.
01:55Besides, they look so in love.
01:59The thing is, Antonia, marriage isn't a game.
02:03Well, Barbara, Barbara, Barbara, understand that Marisa and I are sure of the love we both feel.
02:10Right, my love?
02:11Right?
02:14Come on.
02:16With champagne.
02:18Come on, my love, for you.
02:19Come on, my love, for you!
02:24Oh, that's great.
02:25Well, while we finish serving, I propose a toast to Marcos' wife.
02:31And to welcome Marisa.
02:33And since we're on the subject, I imagine the mysteries will finally end, right?
02:38And finally we'll be able to know everything about you, right?
02:42Why do you say that, ma'am?
02:45Well, for starters, could you tell us where you actually live?
02:56Do you really want Juliana to work for you?
02:59Yes, you know I'm a believer in herbalism and everything related to it.
03:04natural medicine.
03:05And if she knows so much about natural formulas, then she's exactly the person I'm looking for.
03:11Oh, really?
03:11Of course.
03:12You know that I am a believer in everything that has to do with nature.
03:16In fact, a few months ago I was very, very sick.
03:18Already?
03:18Seriously, I'm about to kick the bucket.
03:20If it hadn't been for a natural treatment, I wouldn't be telling you this story.
03:24I didn't know you had been so sick.
03:26Yes, very much so.
03:28Well, the point is that I am a firm believer in everything related to...
03:32natural.
03:34In fact, I've been toying with the idea of launching a whole line of products for a while now.
03:38natural origin.
03:40And I think your goddaughter Juliana could come up with a couple of formulas for my company Marbella.
03:45Well, she has a job now and I understand she's very happy.
03:49But if you want to talk to her, come at night and see what she says.
03:52It's a fact.
03:53See you tonight.
03:56Did you know?
03:58I'm sure Juliana will want to work with me.
04:01Aha!
04:03I was already wondering why Barbara hadn't shot any of her arrows.
04:08Oh, what do you think, Antonia?
04:10The thing is, you don't understand, but she does.
04:14Okay, Maritza, are you going to tell us?
04:17I live with my mom in a neighborhood called La Concordia.
04:21Okay, Barbara.
04:22Barbara.
04:23Where are you going with so many interrogations?
04:27No, no, yes.
04:28I know very well where Maritza lives with her mother.
04:33By the way, my love, we have to talk to your mom and tell me as a matter of obligation.
04:38I don't think he'll object, or maybe he will.
04:42No, no, me neither.
04:44No, me neither.
04:45I don't think he's going to object.
04:46Why would I do that?
04:47I mean, if he didn't object when she didn't finish the race, why would he now?
04:52In other words, he never scolded you for your lack of willpower.
04:55Ma'am, it wasn't for lack of will, but because I had to work to take care of my mom.
05:00Maritza knows much more than others who have graduated from the technological institute.
05:04What's more, she has a...
05:06You have an innate gaze, seriously, my love, I swear.
05:11You'll see the wrinkle cream you just made, right?
05:14Excellent.
05:15Love, I'm telling you the truth.
05:16Well, then...
05:17Oh really.
05:18Why don't we go for a walk?
05:20We made the most of the day.
05:21The sun is shining beautifully.
05:23I think it's a very good idea.
05:24Very good idea.
05:26One, two, three.
05:27One, two, three.
05:28But not marching.
05:29One, two, three.
05:30Come on.
05:30I peck them.
05:31One, two, three.
05:31Where is Luz Mila?
05:32She's upstairs.
05:33I need you to accompany me to run an errand.
05:37A task, Regina?
05:39Don't tell me you're still going on about the copper wires.
05:42Silver threads.
05:44And yes, I'm going to wear them.
05:47Wrinkles don't believe in fairy tales or creams.
05:50Regina, you look great after the liposuction.
05:54Look at yourself.
05:54You don't need anything else.
05:57I want to see myself as I looked 20 years ago.
06:00I need to go back to the catwalks.
06:03Can you imagine if I met Gabriel Muti?
06:06No, Paco.
06:07I'm not going to go through that embarrassment of him not recognizing me again.
06:10No.
06:11Now that they've almost kicked us out of the neighborhood,
06:13I started thinking that you and Juliana don't have to go through so much hardship.
06:17If you wanted, you could simply tell Gabriel Muti that Juliana is his daughter.
06:22so that your economic situation would change favorably.
06:26How did you come up with that?
06:27Never?
06:30Meritza, what do you think about going horse riding?
06:33You have done it, right?
06:34Uh, no.
06:35I don't know how to ride a horse.
06:37I'm scared of it.
06:39But can we go swimming?
06:42No, I don't know how to swim either.
06:45Okay, how's that?
06:46You don't know how to swim, you don't know how to ride a horse.
06:49Can you tell what you know how to do?
06:51Very good chemical formulas, ma'am.
06:54Oh, really?
06:55Very good answer, sister-in-law.
06:58But the interrogations stopped.
07:01Barbara, if you want, you can go riding.
07:04My sister-in-law and I have a lot to talk about.
07:07Yes of course.
07:09Okay, I'll see you later, alright?
07:10So have fun.
07:17What's the matter?
07:21I don't know, it's just really weird that you call me sister-in-law.
07:25Well, you're going to have to keep getting used to it.
07:28Now that we're going to be neighbors, especially, you know?
07:32I rented an apartment near your house.
07:35Well, but I hope that we'll be more than just neighbors, we'll be friends.
07:38Marcos has told me a lot about you.
07:40That man adores you.
07:43And he has made me very happy.
07:45Can I give you some advice?
07:48Marcos doesn't like lies.
07:51And he doesn't forgive them either.
07:54So, no secrets, no doubts.
07:59You're going to make him very happy.
08:02I know it's true.
08:03Come on.
08:05When I met Gabriel,
08:07He deceived me.
08:09She told me she couldn't have children.
08:11And he already had two with his first wife.
08:13Midwife,
08:14You can't live immersed in so much resentment.
08:17This is for your daughter, Juliana.
08:20Look, buddy.
08:22No matter how much I manage to put aside the anger I have,
08:26I wouldn't be able to confess to her that we have such a... daughter
08:30so ugly.
08:32I would be ashamed.
08:33Mother, godmother.
08:36Cross me!
08:37Will you come with me?
08:50Hello.
08:51Yes, oh, my friend.
08:54What's the matter?
08:56Nothing.
08:57What do you want?
08:58What is that way of greeting a friend who calls?
09:00with giving you some juicy gossip.
09:03Okay, tell me right now before I fall asleep again.
09:07We heard Ferrer talking to Chela and hold on tight.
09:11He told her that she had something hidden.
09:14A big secret that I hadn't told Marcos.
09:17But what is it?
09:19I have no idea,
09:21But the woman says she was suffering because of that and couldn't tell him.
09:24Will they find out what he's hiding?
09:26Maybe you'll unmask Ferrer
09:29and you get your sea back.
09:31Don't tell me that.
09:33Why do we have to make an appointment?
09:35What if the waiting room is empty?
09:38I want to see the doctor right now.
09:41I want to get my silver threads put in today.
09:43Ma'am, I already told you that without an evaluation appointment, it's not possible.
09:46and you have to pay for the consultation in advance.
09:49I don't know where my checkbook is.
09:51My daughter Juliana probably has it.
09:53Leave me the appointment and I'll pay you tomorrow.
09:55I'm sorry, ma'am, but I can't do that.
09:57Doña Regina, Doña Regina, the young lady is right.
10:00Is that why I brought you here?
10:02Be quiet!
10:05Do you know who I am?
10:08I am Regina Soler,
10:10the most sought-after model in the country.
10:12And you should pay me for coming here.
10:14to put on the silver threads.
10:16Because when I have them,
10:17Everyone will want to do the same.
10:20I'm sorry, ma'am,
10:21But without money I can't do anything.
10:23What are you looking at my face for?
10:25A thief?
10:25Don't be unhappy!
10:26Mrs. Regina, calm down, calm down and let's go.
10:28And you'd better come.
10:29No, I don't have to put up with it.
10:31what this young lady is telling me.
10:32Come on!
10:32I want to talk to the owner.
10:34Luzmila!
10:35Come on, come on!
10:35Okay, calm down.
10:38Miss Xiomara,
10:39I thought she was asleep.
10:40I'm going out.
10:42But Doña Bárbara said
10:43that you couldn't leave your room.
10:45Furthermore,
10:45He asked me to lock the door when I left.
10:48The thing is, my little cousin
10:50He doesn't want me to cause a scene.
10:52during Marisa's visit.
10:54But I don't care anymore.
10:55whatever Marcos does with his girlfriend.
10:57Really, miss?
10:59Clear.
11:00Tell me,
11:01What happened at the meeting?
11:04I just want to check.
11:05that I can no longer expect anything from Marcos.
11:07Give it up.
11:09It's the best.
11:10You know?
11:11The young Marco
11:11He gave her a ring
11:12beautiful
11:13to Miss Marisa.
11:15They are both engaged
11:16in marriage.
11:18Oh,
11:18She's just so cute.
11:20Excuse me.
11:32Damn poor woman!
11:35I'm going to discover your secret.
11:37And from this moment
11:39I'm going to become someone else
11:41to turn you to dust.
11:44Are you feeling okay?
11:46Are you comfortable?
11:47You always make me feel good.
11:50That?
12:27But why those faces?
12:29I only came to say goodbye.
12:31Somona,
12:31What are you saying?
12:33I'm leaving.
12:34I want to be far away from you.
12:37I've already hurt them a lot
12:38and I prefer to keep my distance.
12:40Please, Xiomara.
12:42We can help you.
12:43Yeah,
12:44Help me,
12:44understanding.
12:46I don't want them to pity me.
12:48I need to be alone
12:49to organize my life.
12:51Xiomara,
12:52Let's go to your room.
12:53Barbara,
12:53Barbara,
12:54please.
12:55Xiomara is free.
12:56If you want to leave,
12:57Let him go.
12:58We cannot force her
12:59so that he stays.
13:01Xiomara.
13:03You know you can count on me
13:05for whatever you need,
13:06Yeah?
13:07Thank you very much, Gabriel.
13:09Maritza,
13:10I wanted to apologize to you
13:12for all the unpleasant things
13:15that I did to you.
13:16I was wrong.
13:18I didn't know how to win Marcos's heart
13:20And I wish you all the best.
13:23Thank you, Xiomara.
13:25I hope to have a chance
13:26to talk about all of this
13:28and so that you will forgive me.
13:29Clear,
13:31clear,
13:31whenever you want,
13:32talk later.
13:33Well.
13:55That!
13:59I won't ask you again
14:00that you accompany me.
14:01Not at all
14:02that I have to put up with it
14:03an insult
14:04Because you won't let me say
14:05what I think.
14:06Oh, Doña Regina,
14:07already,
14:07It's for their own good.
14:09But look at Luzmila.
14:11He's taken to fighting.
14:12with everyone.
14:15First?
14:16He decided to take out
14:17to his sweetheart of the house.
14:19She's always fighting
14:20with that little boy
14:21that it has.
14:22And now?
14:23He felt like fighting
14:24with the neighbors.
14:28Ginger,
14:29Don't look for me
14:30because you find me.
14:32That?
14:33Very feisty
14:34because Peter
14:35come with me.
14:38Not at all, my dear.
14:41On the contrary,
14:42It makes me very happy
14:44that finally
14:46Peter has found
14:47a woman
14:49just like him.
14:50queer.
14:52Peter knows
14:53what the class is.
14:55The style,
14:57my love.
14:58And he is sorry.
15:00of having noticed
15:02in a maid
15:03like you.
15:04With great pride.
15:06I have dignity
15:08And I respect myself.
15:09I'm not like you,
15:11that you are a
15:12slippery hussy.
15:14Oh.
15:16Nobody to me
15:17he tells me
15:18slippery hussy.
15:21The truth hurts,
15:23TRUE?
15:25Hurts.
15:26A lot.
15:28A lot, Lundi.
15:29Oh no, no.
15:31I'm getting liposuction.
15:33Oh no.
15:34Bit!
15:35Buddy!
15:36Don't do anything to yourselves!
15:37No!
15:40Many thanks for everything.
15:42I had a very nice day.
15:44You're welcome, Maritza.
15:46This is your home.
15:47Can come
15:47whenever you want.
15:48Oh, thank you so much,
15:50Don Gabriel.
15:51See you later,
15:52Doña Bárbara.
15:53Oh, I loved it!
15:54To meet you, Antonia.
15:56I'm wondering the same.
15:57And we're still talking, right?
15:59Don't start again.
16:00to conspire better.
16:01Let's go, my love, okay?
16:02No no.
16:03It's just that I have
16:04to fire someone.
16:07Rosita,
16:07thanks for everything.
16:09The food was
16:10delicious,
16:11good enough to lick your fingers
16:12the fingers.
16:12It was done with great affection,
16:14Miss.
16:15Thank you.
16:18Permission.
16:19Maritza,
16:20sorry,
16:21I know it's not the right time,
16:22But I wanted to ask you
16:23if you already had
16:24The cream is ready.
16:25Yes, ma'am.
16:27All that's left is
16:27the test on the models.
16:29Excellent.
16:30Well,
16:31I hope this time
16:32there are no errors
16:33nor annoying delays
16:34like the first time
16:35that you made your formula.
16:36And I hope not either.
16:37run away
16:38to register it.
16:39Yes, I believe I mentioned it.
16:41that in this company
16:42We have people
16:42in charge
16:43of that procedure.
16:44Don't worry,
16:45Doña Bárbara.
16:46I'm not going to get involved
16:47in that.
16:48Everything will be
16:48As you say.
16:50Goodbye, Barbara.
16:52See you later.
16:53Chacita.
16:54What are they going to do to them?
17:07She started it, teacher!
17:09Mecina!
17:10This crazy woman!
17:10He was insulting me!
17:12That's enough!
17:13Don't they realize
17:15because of fights
17:16how are you
17:16Did they almost demolish the neighborhood?
17:18They're not giving
17:20a good example.
17:21And that's not in our best interest.
17:23Ginger,
17:24go back to your class
17:25And you go to the room
17:27to take care of your child.
17:32That's outrageous!
17:34How vulgar they are!
17:35Leave!
17:37Oops!
17:39No!
17:56I noticed you were nervous.
17:58when I gave you
17:59the ring.
18:00I don't know if he was there
18:01I'm glad he accepted.
18:03What's wrong, my love?
18:05Are you sorry?
18:07About that?
18:07No.
18:08No not at all.
18:10But...
18:10But nothing,
18:11nothing, nothing.
18:12So, when...
18:13When do we put it on
18:14wedding date,
18:15my love?
18:16That?
18:17Oh, calm down, calm down.
18:19Yes, give me time.
18:20Something to think about.
18:21But why, my love?
18:23Why do you doubt it?
18:24Don't you love me enough?
18:26as if to pass
18:27the rest
18:27of our lives
18:28together?
18:29Of course.
18:31I love you,
18:32I love you,
18:32but...
18:33Didn't you see how many times
18:35Did I mess up today?
18:36I don't know how to swim.
18:38I don't know how to ride a horse.
18:39I don't know anything
18:40of rich people.
18:41And I don't want to let you down,
18:43Marcos.
18:44I want you to always
18:45be proud of me.
18:46My love,
18:47my love,
18:48my love,
18:48the only thing that matters to me
18:51that's what you're wearing
18:52in here
18:53from your heart.
18:56The rest, my love,
18:59Nothing matters.
19:00I swear.
19:05Alright,
19:06Alright,
19:07but...
19:07But promise me
19:08that we are going to take
19:09calmly
19:10about the date
19:10of marriage
19:11and that you're not going to...
19:13to press.
19:15word of honor.
19:17I promise you,
19:18my life,
19:18come here.
19:30Oh,
19:31Luzmi,
19:31What happened to you?
19:33Oh,
19:34midwife,
19:34peaceful,
19:35nothing.
19:36Simply that
19:37I had another fight
19:39with Ginger
19:39because the very daring
19:41He started showing off
19:42who is with Pedro.
19:43With Pedro?
19:45Luzmi,
19:46That's not worth it.
19:47They are a perfect match.
19:49Yeah,
19:50that's true.
19:52Well,
19:53And tell me,
19:55How did it go for you?
19:55at the meal
19:56with your handsome boyfriend?
19:58Well,
19:59So we had lunch
20:00with the whole family
20:01and Marco
20:02He behaved divinely
20:03with me.
20:04and also
20:07Oh,
20:08No,
20:09Oh,
20:10No,
20:10No,
20:10No.
20:12Swallow me up,
20:13I wish the earth would swallow me up.
20:14And spit on me
20:15to the moon.
20:17He suggested
20:19marriage.
20:22congratulations,
20:22midwife.
20:25You
20:25You deserve it
20:27the best
20:28of this world.
20:32Oh,
20:33No,
20:33again.
20:34Let's see,
20:36Your wish is coming true
20:37the dream
20:37of all
20:38women
20:39of this world
20:39What is getting married?
20:40with her prince charming,
20:41with the man
20:42of their dreams
20:43And you have that face.
20:45Luzmi,
20:45the thing is
20:46that
20:47It's the dream
20:47from Juliana
20:49because Maritza
20:50It does not exist.
20:52Let's see,
20:54let's see,
20:54midwife,
20:55one more time
20:56remember
20:57what he told you
20:57your aunt Mercedes.
20:59Enjoy
21:00of that love,
21:01surrender
21:02to that hottie.
21:03That is your destiny.
21:05Yeah,
21:05That was it
21:06what I thought
21:06when I said
21:07yes.
21:08But,
21:09Mommy,
21:10Think about it.
21:11What will I have
21:12to do
21:13so that Marcos
21:13Don't find out about me
21:14that at night
21:15Am I Juliana?
21:16No,
21:17will be a
21:17agony
21:18every 12 hours
21:19And that's it.
21:20impossible
21:21to maintain,
21:22Luzmi.
21:23Yes indeed,
21:24I hadn't
21:24thought,
21:25midwife.
21:25I have to find
21:26an exit,
21:27Luzmi.
21:28Oh,
21:29little virgin,
21:30I hope there is
21:30some way
21:31in which Marcos
21:32and I can
21:33marry
21:34without him finding out
21:35of my secret.
21:44Hello,
21:45Mommy,
21:45How was it?
21:46your day?
21:47Well,
21:48not so good.
21:49I was at a center
21:50aesthetic
21:51that has a technique
21:52new call
21:53silver threads
21:54and they didn't want me
21:56attend because not
21:57I gave them money
21:57for consultation.
21:59Are you still insisting?
22:01with those things?
22:02Also
22:03Are you going to criticize me?
22:03Oh,
22:04No, sir,
22:05Not at all.
22:07Oh,
22:07Mommy,
22:08the thing is,
22:08well,
22:09is not enough for you
22:09with the creams
22:10that I'll prepare for you.
22:11You look beautiful.
22:13Don't lie.
22:15I look at myself
22:15in the mirror
22:16every day.
22:18Oh,
22:19that mirror
22:19It is torture.
22:20bigger
22:21of us
22:22women
22:22beautiful.
22:25Juliana,
22:27better tell me
22:28where did you leave
22:29the checkbook,
22:29I can't find it
22:30nowhere.
22:31Mommy,
22:32but if the checkbook
22:33It's in this piece of furniture.
22:34Oh,
22:34No,
22:34I looked for her
22:35And it's not there.
22:36Could it be that...?
22:40Oh,
22:40My God,
22:41My God,
22:43I'm going to call
22:43to check the balance.
22:48I hope it's not
22:49what I'm thinking,
22:50my people.
22:54Your current balance
22:55It's zero pesos
22:56with zero cents.
23:00We were robbed,
23:01mother.
23:02We don't have
23:03not a penny
23:04in the account.
23:24What I don't understand
23:26is who could
23:27take out your checkbook
23:28of the house.
23:31Mommy,
23:32Did you let in?
23:33to a stranger?
23:38Pedrito,
23:38my hero,
23:39go on.
23:40Doña Regina,
23:41What a shame
23:42come to bother her
23:42until now.
23:44No,
23:44No,
23:44Don't worry.
23:47Mommy,
23:49Mommy,
23:50Do you suspect anyone?
23:52Oh,
23:52How did you come up with that?
23:53My God,
23:55I don't let
23:55strangers enter
23:56to my house
23:56and fewer thieves.
23:58Oh,
23:59Oh,
24:01Oh,
24:02Oh,
24:03Oh,
24:05Oh,
24:08Hello Maritza,
24:10excellent
24:10that I find you,
24:11Can we talk?
24:12one moment?
24:13Yeah,
24:13Mara,
24:14I...
24:14It will be brief,
24:15but I prefer
24:16Don't let them interrupt us.
24:17Seem to you
24:18if we go to the hotel
24:18Where am I staying?
24:20We can have breakfast there.
24:22I don't know,
24:23have breakfast?
24:23Yeah,
24:24Yeah,
24:25It is the Phoenix.
24:25It's around here
24:26just six blocks away.
24:28Please,
24:29Maritza,
24:29what I have to tell you
24:30It is very important.
24:33I don't know,
24:34Xiomara,
24:34It's because I have
24:35a lot of work.
24:36Well,
24:36but still
24:37It's not entry time.
24:38Before half an hour
24:39you're going to be here
24:40return.
24:41Please,
24:42Maritza,
24:43Do not despise me.
24:45Alright,
24:45come on.
24:46Well,
24:47I'm going to get my car.
24:53Well?
24:55Little hand,
24:55Little hand,
24:56Your mom already told me
24:57that their checkbook was stolen.
24:58Oh,
24:59very sorry,
25:00midwife.
25:01Well,
25:01The only thing that calms me down now
25:02is to know that poor old Pedro
25:04He wasn't the one who stole it.
25:05How is my mom?
25:07Well, there you have it.
25:08She's crazy
25:09suffering for money,
25:10Juli.
25:11Luzmi,
25:12Give him the tea I prepared for him.
25:13That will calm him down.
25:14And I'll call her later.
25:15Well?
25:16Uh-huh.
25:18I'm going to have breakfast now.
25:19with Xiomara
25:20to the hotel where he is staying.
25:22Are you crazy?
25:23midwife?
25:24If that witch hates you.
25:26No,
25:26Luzmi,
25:27She's different.
25:28He wants to make raisins with me
25:30And so I felt sorry for him
25:31reject it.
25:33Besides,
25:33We'll be around here.
25:34at the Hotel Fénix.
25:35Oh,
25:36No,
25:36midwife,
25:36I don't like that idea
25:37I don't like it at all.
25:38Well,
25:39I'll leave you now, Luzmi.
25:39because I have to leave.
25:40Bye.
25:56Turn this in.
25:59Don Juan Tobias?
26:00Yeah,
26:01forward.
26:02I took the liberty
26:03to quote the architects
26:04of the project
26:04by three in the afternoon.
26:06They're going to bring the model
26:06I cancelled that appointment.
26:08Mister.
26:09I changed my mind.
26:11The neighborhood
26:13It will not be demolished.
26:15In that project
26:15has been invested
26:16a lot of money.
26:17I know that perfectly well.
26:18It's my money, Navarro.
26:19You don't have to tell me.
26:20I don't know, sir.
26:21Excuse me,
26:21But it's my responsibility.
26:23Your responsibility
26:24It is doing what I order.
26:26I've already made a decision
26:27And I don't intend to back down.
26:30The project
26:31from the shopping center
26:33It is cancelled.
26:37Despite the pills
26:38that I gave him at the last minute,
26:39He showed up with suitcases
26:41and all by putting
26:41regretful face.
26:43Obviously
26:44I couldn't stop her.
26:45And I did try
26:46to locate her,
26:47But she turned off her cell phone.
26:48And I don't know where he spent the night.
26:50You would have given me
26:51a double dose of pills.
26:53Alberto,
26:53Alberto,
26:53I'm serious.
26:54Don't take it lightly.
26:56I'm telling you
26:57that I saw her...
26:58I don't know,
26:59I saw her,
26:59I saw her as strange.
27:01I could have sworn.
27:02that it was someone else.
27:03His performance
27:04He was very convincing.
27:06The worst part of all
27:07It's because Maritza,
27:08who doesn't know what to do
27:09with a knife
27:10and a fork,
27:11received from
27:12by Marcos
27:13the divine.
27:14A ring
27:15of commitment.
27:17That?
27:17A ring?
27:18I can't believe it.
27:20A ring
27:21oh really?
27:22Marcos Muti,
27:23he...
27:23the unconquered.
27:25Yeah.
27:26He had very bad taste.
27:27to ask him
27:28that she marry him
27:29in front of everyone.
27:30That little girl
27:31It doesn't really surprise me.
27:33in his skill.
27:34That's incredible.
27:34I mean,
27:34is about to
27:35of being a mutilated woman.
27:36Oh,
27:36Don't talk nonsense.
27:39You have to have
27:39great care
27:40with that woman.
27:41We've already got it in.
27:42here at the company
27:43and now also
27:43at home.
27:44No.
27:46No,
27:46I need to hurry
27:47with that trap
27:48I will attend to you.
27:49By the way,
27:51You're going to help me.
27:53Dear,
27:53I'll help you.
27:54Clear,
27:55You have to tell me
27:55What kind of trap is that?
27:56Now you're going to tell me.
28:00She
28:02She will be responsible.
28:03for everything you
28:04and I have done
28:05in this company.
28:07She's going to be the one to blame.
28:09perfect,
28:09Alberto.
28:10Rather,
28:11the traitor
28:12of the company.
28:13A traitor
28:14that you and I
28:15need.
28:18Barbara,
28:18are you,
28:19are you,
28:20You're great.
28:21You're great.
28:23Nothing more than
28:24truly
28:24I can't see
28:25clearly
28:25What's your move?
28:26Let's see,
28:27explain to me.
28:28For a start,
28:29I need you to delay
28:30to the maximum
28:31all the tests
28:32of the new cream
28:32and I need
28:33that you take care of it
28:34personally
28:35that the procedures
28:37registration
28:37of that formula
28:38It may take a few more days.
28:40Meanwhile,
28:41Navarro will be
28:42doing their thing.
28:44She wanted war
28:45and war
28:46That's what it's going to have
28:47the crutch.
29:04I thought we were going
29:05time for breakfast
29:06in the restaurant.
29:07Yeah,
29:08but it seemed to me
29:09better here.
29:10Sit down.
29:11I asked them to bring us
29:12breakfast.
29:15look,
29:16I prepared for you
29:16an aromatic one.
29:17Oh,
29:17thank you.
29:19Maritza,
29:20thank you so much
29:20to come.
29:21You don't know
29:22the alone
29:22that I feel.
29:24I asked you for fruit
29:25And this.
29:27Do you want anything else?
29:28No,
29:29No,
29:29That's fine.
29:30Thank you.
29:36Is this aromatic
29:37Does it contain valerian?
29:39No,
29:40It's made from natural herbs.
29:42This has
29:44valerian,
29:46bela,
29:48orange blossom,
29:48He is a chemist
29:49no.
29:52Oh,
29:54Did you notice?
29:55of the ingredients?
29:57Very late,
30:00girlfriend.
30:04Well,
30:04Alright?
30:05Alright
30:05Is this it or not?
30:06It already was,
30:07It was about time.
30:09Well,
30:10What did you order?
30:11Peter,
30:12Peter,
30:12I need to walk
30:13with you.
30:16Well,
30:17Well,
30:18Well,
30:18Well.
30:22Come to me,
30:23lady.
30:24You know
30:25that they robbed me
30:26the checkbook
30:26and they vacated me
30:28the check.
30:29I know
30:30that doubt
30:30offends,
30:32but you
30:33had something
30:34that has to do with it.
30:35Look,
30:35lady,
30:36Yeah,
30:37Yes, it offends me.
30:38I would be
30:39unable
30:39to do it
30:40something like that
30:41to a lady
30:41so dignified
30:42and so beautiful
30:43like you,
30:43yet
30:45what I
30:45I admire her.
30:47I will be
30:47everything
30:48little devil
30:48that you
30:48I want,
30:49but it would be
30:50unable
30:51to do
30:52a piece of crap
30:53like that
30:53and less
30:54to a person
30:55so famous
30:57like you.
30:59Thank you so much.
31:01What I
31:02I don't understand
31:02is who
31:03It could have been.
31:19Alberto,
31:20where
31:20are
31:21the models
31:22for the tests?
31:23Ya Marixa
31:24told me
31:24that is ready
31:25the cream
31:25that he prepared.
31:26Yeah,
31:27I know,
31:27but she
31:28It hasn't arrived yet.
31:30I'm waiting for her.
31:31Is it not arriving?
31:32It's strange,
31:33No?
31:34She is the first
31:35that always arrives.
31:50Oh,
31:52Poor thing.
31:53You won't be able to
31:54answer him
31:55to your girlfriend.
31:59He doesn't answer.
32:01Well,
32:02It must be
32:03that still
32:03It hasn't caught on
32:04your cell phone.
32:06Ring me
32:06and falls
32:07straight
32:07to the mailbox
32:07of message.
32:09Marixa,
32:11call me.
32:12Where are you?
32:16Wake up.
32:18Hey,
32:19wake up,
32:19You haven't died,
32:20No?
32:21Oh,
32:21I must have missed it.
32:22the dose.
32:23Hey!
32:27Hey!
32:45Wake up!
32:46Wake up!
32:53You're wasting your time.
32:55No,
32:55you won't be able to let go.
32:57You and I
32:58we're going to have
33:00a conversation
33:00very important.
33:03So it's best
33:04that you save
33:04your energies.
33:11Doesn't that seem strange to you?
33:13The time has passed.
33:14lunch
33:15and Marixa
33:15It does not appear.
33:17Strange?
33:18And why?
33:19Now she's the girlfriend
33:20of the owner
33:21and can enjoy
33:22of some privileges
33:23as,
33:24For example,
33:25missing work
33:25sometimes.
33:27Because
33:27Are you saying that?
33:29Marixa always
33:29She has been very reliable
33:30and responsible
33:31with their work.
33:33Chela,
33:34Have you seen Marixa?
33:36Did he call you?
33:37I don't know.
33:38Oh no,
33:38engineer.
33:40Me too
33:40It seems strange to me.
33:41that has not appeared
33:42throughout the day.
33:44What if she calls
33:45to your cell phone?
33:45I've already done it
33:46many times
33:47and he doesn't answer.
33:50Well,
33:51No thanks
33:52anyway.
33:53I know
33:54that you are hiding from him
33:55a secret
33:56very important
33:57to Marcos.
33:58So I want to know
33:59which is it.
33:59No,
34:00Don't deny it.
34:01I know.
34:03Look,
34:04Marixa,
34:05we're going to do
34:05a deal.
34:06You tell me
34:07What is it about?
34:08And I'll leave you
34:09free.
34:10Seem to you?
34:12Maybe you don't have
34:14another option
34:14because I have
34:15a lot,
34:16but a lot of patience
34:18and I can be here
34:19all night.
34:24Wait,
34:25wait.
34:28Do you stop?
34:28a second?
34:30Listen.
34:31The dance,
34:33the dance
34:33and any kind
34:34performing arts
34:36It is communication
34:38and communication
34:39It depends on the perspective.
34:41Therefore,
34:42if you
34:43They don't look at each other,
34:44we are not
34:45doing nothing.
34:46Permission.
34:47Sorry.
34:49Teacher,
34:51by chance
34:52has not seen
34:52Marixa.
34:53It wasn't
34:53to work
34:54and he didn't warn anyone.
34:55I can't
34:56give it none
34:57information about her.
34:58The one who knows
34:59It's Luzmila.
35:00And where is it?
35:00Luzmila?
35:01It's on the market,
35:03But as soon as I arrive,
35:04I tell him
35:04that you came
35:05to look for her.
35:06Permission.
35:11Let's do it again
35:12and boot
35:13the ginger chick.
35:27Hold on to the smile
35:29in a broad gesture.
35:31Now,
35:32move your mouth
35:33to the left.
35:34Now,
35:35to the right
35:36with force.
35:37Now,
35:38we are going to pronounce
35:39the O
35:40and then
35:41the X.
35:47Keep smiling.
35:49Now,
35:50EITHER
35:50and again
35:52X.
35:54Again
35:55EITHER.
35:59Don't put me
36:00that face.
36:02Alright.
36:03I'm going to expose you
36:05the mouth
36:05so you can tell me
36:06What is that secret?
36:07But if you commit
36:09something improper,
36:09I'll gag you tighter.
36:11Did you hear?
36:14Auterio!
36:15Aid!
36:16Aid!
36:18Aid!
36:19Aid!
36:19Aid!
36:34Aid!
36:35Aid!
36:38Aid!
36:39Aid!
36:39Aid!
36:40Aid!
36:40Aid!
36:40Aid!
36:40Aid!
36:41What do you think someone
36:42Will we do well?
36:43Huh?
36:43I ordered a room
36:44very far
36:45of all guests
36:47so they can't hear
36:47our noises.
36:49Why don't you want to cooperate?
36:50Huh?
36:50Can't you hear me?
36:51Do you like it?
36:52that they treat you harshly,
36:53No?
36:53By force.
36:54That's how it's going to be.
36:55So,
36:56one, two,
36:57more harmony in her arms.
36:59A,
36:59No,
37:00but not like swimming,
37:01That's more style here.
37:02A,
37:03two,
37:03three,
37:04a,
37:04about there.
37:05Stay there,
37:06Stay there.
37:07That,
37:08that.
37:09Oh,
37:09teacher,
37:10teacher,
37:10I'm sorry for the delay,
37:12But I had to go to the other market
37:13because,
37:14because the one around the corner
37:15It was closed.
37:16Peaceful,
37:17peaceful.
37:18Marcos came to find you.
37:20Me?
37:21Well,
37:21He actually asked for Maritza,
37:23It seems he didn't go to work
37:24And since he didn't warn her,
37:26I was very worried.
37:28Oh,
37:28my little one,
37:29love.
37:29What's happening?
37:31Oh,
37:31teacher,
37:31that it's not what I'm imagining,
37:33teacher,
37:33My God.
37:34Luzmila,
37:34Luzmila,
37:35What's going on?
37:36Just a moment.
37:37Luzmila,
37:38Luzmila,
37:39Luzmila,
37:40Luzmila,
37:41wait,
37:41Luzmila.
37:44Now,
37:45What kind of trouble have they gotten themselves into?
38:09Well,
38:10Charly,
38:11Have you forgotten any new developments?
38:12No,
38:13none.
38:13He hasn't called,
38:14He hasn't come.
38:15Maritza is not one to get lost,
38:17Yeah.
38:19Something bad must be happening,
38:20uncles,
38:21He introduced himself.
38:39Hello good,
38:40Hey,
38:41I am looking for Miss Xiomara Carvajal.
38:43She must have just arrived.
38:46Yeah,
38:46Too bad,
38:47lady,
38:47But we cannot give that information.
38:49Those are hotel rules.
38:52One exception,
38:53He copies me.
38:54Go on.
38:56Gilma,
38:56go upstairs for a moment,
38:57please.
38:58One moment.
39:07One moment.
39:21Maritza.
39:33Yeah,
39:34I've come looking for Maritza.
39:36Where is Maritza?
39:38Xiomara,
39:39please,
39:39Don't do it.
39:40I know perfectly well that Maritza is here with you.
39:45Well, they gave him the wrong information.
39:46He's not here.
39:48Aunidio!
39:54Yes,
39:55that authorizes that transfer.
39:57Don Juan Tobías,
39:57excuse me.
39:58Here are the results of the tests that were done on the anti-wrinkle cream.
40:02The product that engineer developed is magnificent.
40:07This sounds great to me.
40:08Anyway,
40:09I would like someone I know to review it.
40:13By the way,
40:13Who is that engineer?
40:15He is an engineer who is leaving the country in a few days.
40:17Are you going to work abroad?
40:18What a pity.
40:19Well,
40:19Don't lose contact with him.
40:21Deliver this to production and streamline industrial records.
40:24If what it says there is true,
40:27This cream is going to be a hit.
40:29Yeah,
40:30Sir.
40:30And if you'll excuse me,
40:31anticipating the results,
40:32I got ahead of myself a little.
40:34The patent is ready.
40:35Perfect,
40:36Navarrese.
40:37If Muti companies were successful with their body makeup,
40:41We will take the market by storm with this cream.
40:45It will be the beginning of a new era in Marbella.
40:50Damned!
40:50What are you looking at?
40:51This is all your fault for not wanting to tell me your secret!
41:13Did you quit because of your little friend?
41:21Now you're going to tell me the truth.
41:24What's that secret?
41:27What are you hiding from Marcos?
41:31Speaks!
41:34Speak, I tell you!
41:39No!
41:41No!
41:42No!
41:51No!
41:51No!
41:52No!
41:52No!
41:52No!
41:52No!
41:53Thank you.
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