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00:18I don't believe a word you say.
00:20Marcos, please let me speak.
00:22No, I don't want to hear from you anymore.
00:25Because she made a decision.
00:27She made a decision.
00:30And I never want to see you again in my life, Marixa.
00:34So go away.
00:36You heard me.
00:39You don't have to repeat it.
01:04Please leave me in an ambulance.
01:07Please, my son is dying.
01:09Call an ambulance.
01:11You cannot die.
01:32Did you fight with Marcos?
01:37He's still mad at me, Chela.
01:39But you explained things to him.
01:42He didn't even let me speak.
01:45He treated me so badly.
01:48I had never seen it like that before.
01:52There was so much anger in his eyes.
01:56He hates me, Chela.
01:59Marcos hates me.
02:03Marixa, did you call in some detectives?
02:09They are waiting for her in the laboratory.
02:161, 2, 3, 4, forward.
02:20Backward attitude.
02:21Sensual, sensual.
02:24Oh, Paco.
02:25Tell me.
02:26Someday I want to dance like that with my Gabriela.
02:29Oh, Regina.
02:32Little Peter!
02:33Little Peter!
02:34What happened to Pedrito?
02:36I was hit by a car as I was leaving school.
02:39It just can't be.
02:40Nino, come with me.
02:42Will you keep me informed like this?
02:43And you take care of everything, please.
02:45Oh, that's going to hit my daughter really hard.
02:51It's a shame I didn't see them yesterday.
02:54But I had to rush out to take care of my mom.
02:57I would say more than running, miss.
03:00That was practically a leak.
03:03But it's great that he changed his mind
03:05And he came to talk to us today.
03:08I'm going to try to be as direct as possible with you.
03:12Have you had or do you have any dealings with Mr. Juan Tobías Fonseca?
03:16Uh, no.
03:17No, not at all.
03:20Juan Tobías Fonseca has never come face to face with Maritza Ferrer.
03:26So how do you explain that the formula you developed for Muti companies
03:30Did it end up in the hands of companies in Marbella?
03:32I have no idea, sir.
03:34I created that formula,
03:36But the data never left Muti.
03:38And who had access to that formula?
03:41What was he working on?
03:43Well, uh, my boss, engineer Romero
03:46and Mr. Alberto Gutiérrez, who is the area manager.
03:50And as far as I understand,
03:52The formula was patented the day before
03:55that I would officially hand it over to Mr. Gutiérrez.
03:58And do you think either of them...
04:00Did he steal it and then sell it to companies in Marbella?
04:03Uh, no.
04:05No, no, I don't think so.
04:07So how did he end up there?
04:10I have no idea, sir.
04:12Alright.
04:14Except, there's something else that catches my attention.
04:17Your identity document number is too recent.
04:21Can't you explain why?
04:26Adrian, right?
04:29What's happening?
04:29Godfather, my love, big one.
04:32What happened?
04:33No.
04:34No no.
04:36Master, what could be happening to me, master?
04:39It was horrible.
04:41I couldn't do anything to prevent it.
04:46What happened?
04:47What happened?
04:48to go with you.
04:51Thank you.
04:53I have to go!
04:55Go ahead, go ahead.
04:58I'll let Juliana know, see you at the hospital
05:01And calm down, calm down.
05:13Miss, I asked you a question
05:15very simple.
05:16Your identity document number
05:18It's very recent.
05:20Because?
05:25I don't know what they did.
05:27But what I do know
05:29My documents got lost.
05:31and since they couldn't find
05:33in the registry the originals,
05:35Then I was assigned this new number,
05:37But I didn't know.
05:39that was going to cause me problems.
05:42Efe.
05:46Uh, yes, Juliana,
05:49I have bad news for you,
05:52But don't get upset.
05:54What happened, Mom?
05:55Oh, there it goes.
05:58Pedrito was hit by a car.
06:00That?
06:01Oh my God.
06:04Perfect, okay.
06:06Marita, Marita, what's wrong?
06:08Oh, Alberto, it's just that
06:09to the son of a friend,
06:11rather,
06:11Something very serious happened to my daughter.
06:13And I can't stay at the company.
06:15Okay, okay, calm down.
06:16I'm going with you.
06:17No, no, it's necessary.
06:18Oh, Marita, I insist, I insist, woman.
06:20Look, if you want...
06:22Okay, I'll go with you at least.
06:23to take the taxi.
06:25Did you already tell Marcos?
06:26Do you want me to warn her?
06:27No, no, I don't think he'd be interested.
06:29Hey!
06:34My brother,
06:36It's noticeable that the name Maritza
06:38floats around you.
06:40Every time Maritza
06:41He said he is taking care of his mother,
06:44What was he really doing?
06:47Oh, Marcos, look,
06:48It's obvious you're thinking about Maritza.
06:50But please, now.
06:51Don't overthink it.
06:53Maybe I was just
06:55with her friends at that academy.
06:57Okay, let's have lunch.
06:59No, no, no, we have to let it go.
07:01Charly.
07:02If it's as you say,
07:03He should have told me the truth.
07:04But he's lying to me
07:06and I feel like he's hiding it from me
07:08something quite serious.
07:09Something?
07:10Like what?
07:11I don't know, Charly, it...
07:13It's getting into my head
07:15a pretty crazy idea.
07:18Let's see,
07:19Tell me.
07:22Could it be that Juan Tobías Fonseca
07:24and Maritza Ferrer
07:26Do they have anything?
07:30Maritza, Maritza,
07:31Wait, wait, wait.
07:32Maritza, wait, no, no,
07:33I want you to go to the hospital alone.
07:36Alberto, thank you very much,
07:37But seriously, it's not necessary.
07:39Look,
07:41Maritza,
07:42I know
07:42the connection you have with your people
07:44and so,
07:46That's what I love about you.
07:47And besides,
07:48I know what you're going through
07:49through a bad moment
07:50within the company
07:51and with Marcos.
07:54But Maritza,
07:54All I want is
07:55is to give you
07:57my support
07:58and my friendship.
07:59That's all.
08:01Let me go with you
08:02to the hospital, yes?
08:03It's not very dangerous.
08:04Send it to him.
08:13Do you see?
08:16I just had
08:17a discussion
08:18with her
08:19and he already got
08:20someone who would give him
08:20comfort.
08:21If you realize
08:22From what I'm telling you,
08:24I'm right,
08:25Charlie,
08:25who falls in love,
08:26loses.
08:27Me too,
08:29unfortunately,
08:29I fell in love
08:30of a person
08:31which is not what I thought.
08:56Maritza,
08:56Well,
08:57since I made sure
08:57I'm glad you arrived safely.
08:58now I have
08:59that return
09:00to the office,
09:00Okay?
09:01I barely reorganized
09:02my agenda
09:02and return.
09:04Or I'll call you
09:04to see how the child is doing,
09:05Okay?
09:06Thank you, Alberto.
09:09Luzmi,
09:10Luzmi,
09:10What happened to the child?
09:12No,
09:13My mother never finishes
09:13to return to a gel
09:15who was very ill yesterday.
09:16He was kind of asleep
09:18and very pale.
09:19I'm afraid.
09:21I don't want to
09:22that my son dies,
09:23my mother.
09:24No no.
09:31Maritza,
09:31It was a mistake.
09:33a slip-up
09:34in my life,
09:35Do you understand me?
09:37But from
09:38from this moment
09:39I'm coming back
09:40to be the same
09:41from before.
09:41And that's it, Saint.
09:42without complications,
09:43I don't want any trouble.
09:45That's a good decision.
09:46brother.
09:46Cheers to that!
09:47brother.
09:51Stay in my love,
09:52stay in my love.
09:57That's stupid.
09:58a failure,
09:59brother.
10:00There's nothing tastier
10:01in this life
10:02to be free.
10:03That's what I say.
10:04Free free
10:05without ties
10:06of a woman
10:08fake
10:08who intends to play
10:09with you
10:10with lies,
10:11I don't know.
10:12Well, I'm coming back
10:13Let's drink to that.
10:15Health.
10:15Cheers, brother.
10:16Health.
10:19And to celebrate
10:21that my friend,
10:22almost brother,
10:23Marcos Muti
10:24He's back
10:25to life
10:26of a free man,
10:28I took the liberty
10:29to talk to him
10:30to some friends
10:30so that we would be happy
10:31the afternoon.
10:32In that way?
10:33Really.
10:33Girls,
10:34It's great that you're arriving
10:35so that they can pass us.
10:38Hello my love.
10:40Hello my love.
10:41Hello my love.
10:43Please,
10:44sit down
10:45and that they bring
10:45more drinks.
10:46More potatoes.
10:55More potatoes.
10:56Doctor,
10:58How is my child?
11:00It's still there
11:01semi-conscious.
11:02But that's what
11:03I'm less worried about it.
11:04Because?
11:05What happened?
11:06Ultrasound scans
11:07that we took
11:07reveal that there are
11:08some hemorrhages
11:09internal
11:09that we must have.
11:11He needs surgery
11:12immediately.
11:13Doctor, doctor,
11:14But he's going to be okay.
11:15TRUE?
11:16It will get better.
11:18Miss,
11:18I'm going to be very honest
11:19with you.
11:20I can't
11:21to give false hope.
11:22Like I said,
11:23His condition is critical.
11:24and it could get worse.
11:25It can happen
11:25in anything.
11:27Excuse me.
11:38Hi, cousin.
11:40How are you?
11:42Good.
11:43Look,
11:44so you can see
11:45I come in peace,
11:47I brought you this delicious lunch.
11:49Thank you.
11:51Did you only come here for that?
11:53Well,
11:53Don't underestimate me.
11:54He's here for that.
11:56and to know
11:58What's your game?
12:00This is no game.
12:02I was very ill.
12:03with everything that happened to me.
12:05Okay, okay,
12:05You were very wrong.
12:06Yeah.
12:07Let's say you lost
12:08temporarily sanity
12:09because it appeared
12:10that hideous woman
12:12instead of Maritza
12:14when you held her
12:15at the hotel.
12:15No?
12:16Okay.
12:17I'm not going to argue about that.
12:18What I want to know
12:19That's why you did it.
12:21Altamira and Altagracia
12:22They listened to Maritza
12:24talking to Cheyna.
12:25That stupid girl.
12:27She felt very bad.
12:28because I didn't want to
12:28that Marco
12:29he will find out
12:30of a secret
12:30very delicate
12:31that she has.
12:33And well,
12:34That's why I kept her.
12:34I wanted to know
12:35What was the secret?
12:37And if you figured it out,
12:38No?
12:39That's when
12:40I lost control.
12:42I just don't know
12:43What happened to me?
12:44I imagined
12:45that horrible woman.
12:46I panicked
12:47and I ran away.
12:48And Maritza
12:49He managed to escape.
12:51Anyway,
12:52cousin,
12:53We need to find out
12:54What secret?
12:55It's about.
13:12A secret?
13:14Are you serious, Marquis?
13:16Us
13:17We listened to Maritza
13:18talking to Cheyna
13:20about a secret,
13:21something he hasn't told you
13:22and that it is very serious.
13:23Yeah,
13:25It's probably something terrible.
13:26because Maritza
13:28trembled, saying
13:29that you
13:29You couldn't have known.
13:31I don't want to
13:32to be suspicious,
13:33But I can bet
13:35Maritza
13:36She's a spy
13:37of the competition.
13:38And because of how I
13:39I'm watching
13:40that the winds blow,
13:41I think everyone
13:43he deceived us
13:43with her little face.
13:44Yeah,
13:45I wasn't there.
13:48Forgive me,
13:48my Marquis,
13:49But you have to accept it.
13:51You messed up
13:52when you notice
13:52on that climbing plant.
13:53How could you
13:55to change a woman
13:56with so much class
13:57like Siomi
13:58who loves you,
14:00who is dying for you
14:01Why?
14:03Of course
14:04It's never too late
14:05to correct a mistake.
14:07Why don't you do it?
14:08another chance
14:08Siomi?
14:10But you know what?
14:11You know what?
14:13Already.
14:14Already.
14:15Already.
14:16No more.
14:17No more.
14:17I don't want to go
14:18from Maritza,
14:19nor from Xiomara,
14:21nor anyone else's,
14:22nor anyone else's.
14:23Simply
14:23I want to relax
14:25and be for a moment
14:25at peace.
14:26So cheers.
14:27That.
14:28So let's toast
14:29because again
14:31Marcos,
14:32the flirt,
14:33the funny one,
14:34the charmer,
14:36It's ours.
14:38Health.
14:39Health.
14:39Health.
14:41But Doña Regina,
14:43How do you want
14:44that I put on music
14:45of that one
14:46Chakosky?
14:47This is a class
14:48from Salta.
14:49But this music
14:51It is much more exquisite.
14:52that you
14:53wants to put.
14:54Oh,
14:54but the work
14:55It has to be done
14:56with what is required,
14:57not with niceties.
15:00So,
15:00With your permission.
15:06the face,
15:08the attitude.
15:09Again.
15:12And a,
15:13and two,
15:14forward,
15:16attitude,
15:17sensual,
15:18sensual,
15:19Ah,
15:19one more time.
15:21Oh,
15:22Peter,
15:23my hero.
15:25Pedrito's situation is terrible.
15:27Did you find out about your son?
15:28Yeah,
15:29but,
15:29Ah,
15:30Yirva Mala does not die.
15:33No,
15:33No,
15:33He is recovering from this.
15:34peaceful.
15:35Yeah,
15:36He's absolutely right.
15:38The children are recovering
15:39very fast
15:40of their ills.
15:41Peter,
15:42What are you doing here?
15:45Are you coming to assemble
15:46Another story?
15:47No.
15:49I've come to find you.
15:51Let's go for a walk.
15:54You're not going
15:55to see your son
15:55to the hospital.
15:56I'm going to make you
15:57of gossip.
15:57No,
15:58That was a few
15:59little scratches
16:00and scrapes,
16:01nothing else.
16:02Come on,
16:02the one on the way back
16:02that you decide
16:03or not,
16:03resolves,
16:03solves.
16:04Wait.
16:06Doña Regina.
16:07Ah.
16:09I have to go out.
16:10I'm going
16:11to the hospital
16:12with Pedro.
16:13So
16:14You take care of me
16:14from the academy,
16:15Yeah?
16:16And the class,
16:17Ginger?
16:18Hey,
16:19I don't know.
16:21From you.
16:22Ah,
16:23guys,
16:23I'll leave you now.
16:24with Mrs. Regina.
16:25Forgive me,
16:26but I have
16:27something to do
16:27very urgent.
16:29Bye.
16:38Lady,
16:39First you have to sign
16:40This document.
16:41And what is that?
16:42It is for authorization
16:43to the hospital
16:43perform the interventions
16:45that the patient requires
16:46if there are any complications.
16:49Any complications?
16:50Yeah,
16:51in case it gets serious
16:52the condition
16:53of his son.
16:54No,
16:54No,
16:55I'm not going to sign it
16:56nothing,
16:56Miss,
16:57because my son
16:57It's not going to get complicated.
16:58because my son
16:59It's not going to get serious.
17:00Luis,
17:00Calm down.
17:01It's a piece of paper
17:02that needs to be signed
17:03just so that
17:03the doctors
17:04can operate.
17:05And it also has
17:06to leave a deposit
17:07with medical expenses
17:08since the child
17:09He doesn't have insurance.
17:10Oh,
17:11No.
17:12Oh,
17:12No,
17:13midwife.
17:13It's that you
17:14he doesn't realize
17:15that we
17:15We are humble people,
17:16Miss.
17:17Where am I going to get it from?
17:18I have money
17:18to leave a deposit?
17:20Peaceful.
17:21Look,
17:21Miss,
17:21I,
17:22I can back it up
17:24that deposit.
17:25I work
17:25in Boti companies.
17:26Look.
17:28Well,
17:29Well, in that case
17:29He has to sign
17:30a promissory note.
17:30Yeah,
17:30Yeah,
17:31Yeah,
17:31I'll sign it
17:31whatever,
17:32But please,
17:34Save Pecito.
17:37Peaceful.
17:41Luckily,
17:42Xiomara is already better.
17:43Know?
17:44He went to see her,
17:45He went to bring her food.
17:45And I saw her quite well.
17:48The doctor says
17:48which is stable
17:49and she,
17:49in fact,
17:50wants to return to work.
17:52Excellent,
17:53excellent.
17:54But,
17:55You know?
17:55I'm worried.
17:56Marisa Ferrer's case.
17:58I don't know what to do
17:59with her.
18:00Do you know that woman
18:01I always felt suspicious of him/her?
18:03I don't even think so
18:04you should have accepted him
18:05to the company
18:05And now it turns out
18:06who is a spy
18:07of the competition.
18:08No,
18:08No,
18:09No,
18:09Don't say that either.
18:10We have no proof.
18:10Oh,
18:11love.
18:11Besides,
18:12She denied it.
18:12every relationship
18:13with Juan Tobías.
18:14And what did you expect?
18:15Of course he was going to deny it.
18:17She knows
18:17that can go
18:18to jail
18:18for industrial espionage.
18:20Well, the truth is
18:20I didn't want to talk
18:21with Juan Tobías
18:22about this
18:23because he doesn't want to
18:24a scale.
18:26But I don't think I have a choice.
18:28No,
18:29I'm going to call him
18:30to clarify for me
18:31several things.
18:31No,
18:32love,
18:32so that?
18:33No,
18:33look,
18:33I prefer
18:34concentrate
18:35in Maritza.
18:36Clear,
18:37She is our
18:38true enemy.
18:39Love,
18:40that hidden woman
18:40too many things
18:41about his life.
18:42Even your son,
18:44Marcos,
18:45has many doubts
18:46about her.
18:49Obviously,
18:49Maritza is no saint
18:50that we thought
18:51if she needs to be unmasked
18:52soon,
18:54before it makes us
18:55more damage.
18:59We've got it under control
19:00the hemorrhage,
19:01But I don't have them.
19:01good news.
19:04Oh,
19:04No,
19:04doctor.
19:06What does he want to tell us?
19:07Please,
19:08speak.
19:09Speak once.
19:10It happened to my child.
19:31The boy lost a kidney.
19:34At the moment,
19:35His condition is critical.
19:36but stable.
19:37He is in care
19:38intensive care.
19:39My God.
19:41Lady,
19:42I feel very sorry for you.
19:43having to tell him this,
19:44but the costs
19:44of the operation
19:46and maintenance
19:47of the child
19:47in intensive care
19:48They are very tall.
19:50It's going to be your turn
19:51to his son.
19:51He gave me those expenses.
19:53Excuse me.
19:59Oh,
20:01my dear,
20:02I,
20:02Where am I going to get it from?
20:04money
20:06to save my son,
20:07lame?
20:08Luzmi,
20:10I have a little pig.
20:11full of pesos.
20:12Could that work?
20:14Of course,
20:15my love,
20:16That works.
20:16And don't you worry,
20:18Luzmi,
20:19I'm going to help you
20:20with my salary.
20:21No,
20:21midwife,
20:22You already heard
20:22That's a lot of money.
20:24midwife.
20:24Luzmila,
20:25You are not alone.
20:26We'll come up with something.
20:28together
20:28to pay that bill,
20:30But don't worry.
20:32Yeah,
20:32Luzmi,
20:33the teacher
20:34He's right.
20:35First comes Pedrito.
20:41You are my family
20:44And I don't know.
20:45How am I going to do it?
20:46to thank them
20:47everything that is
20:48doing for me.
20:55and now,
20:56But where are we going, Marcos?
20:58I guess so
20:58that our meeting
20:59It's not over yet.
21:00Oh,
21:02Yeah,
21:02it did cycles
21:02that we didn't go out.
21:04And we had already forgotten
21:06what it was really like.
21:08Well,
21:08Well,
21:09Well,
21:09Well,
21:09Well,
21:09Well,
21:10Well,
21:10Well,
21:11Well,
21:11already,
21:11already,
21:12already,
21:12never,
21:14It's never too late
21:14to correct
21:15or what,
21:16Charly.
21:17It is wise.
21:17change your mind.
21:20Well,
21:21What if,
21:22If we go,
21:24What if we go to my apartment?
21:26That,
21:27My brother!
21:28Health,
21:29that's why!
21:29Oh well,
21:30before,
21:30before,
21:31Before I go on, I want to confess to you,
21:34confess to them,
21:35which was a,
21:36a stupid,
21:38a fool.
21:39Yeah,
21:39I admit it,
21:40I admit it.
21:41He was blind,
21:42He was blind,
21:43But now,
21:45I have regained my sight.
21:46Well,
21:46So let's go.
21:50Let's go!
21:51Oh,
21:52godfather,
21:54Luis Milán refused to eat anything.
21:55Why don't you convince her?
21:58Poor thing,
21:59She is very distressed,
22:00I don't think he wants to eat.
22:02We have to do something.
22:04to get that money.
22:06But I can't think of anything.
22:07And I can't take out another loan.
22:10I've already thought of something
22:11which I think can work,
22:13But for that I need
22:14that you go to the academy.
22:17What, Juliana?
22:19Well,
22:20It's getting dark.
22:20And I also have to go
22:22to put Nachito to bed.
22:23This is what I want you to do.
22:26Go to the academy
22:27and brings together all the students.
22:30We marked.
22:31Five,
22:31six,
22:32seven,
22:32eight,
22:33and one,
22:33two,
22:34three,
22:35four,
22:35five,
22:36six,
22:36seven,
22:37eight,
22:37and turn.
22:39Oh, how delicious!
22:40Again,
22:41come on,
22:41come on,
22:42five,
22:42six,
22:43seven,
22:43eight,
22:44little tail,
22:44little tail,
22:45shoulder,
22:45shoulder,
22:46above,
22:46above,
22:47above,
22:48turn.
22:49Tell me,
22:49please,
22:50Don't look at the floor,
22:51full of coins,
22:52and a,
22:53two,
22:53three,
22:54four,
22:55five,
22:55six,
22:56seven,
22:56eight,
22:57turn,
22:57and sauce.
22:58Grab your partners.
23:07Who does Paco send?
23:09I'm leaving now.
23:12Thanks my love,
23:13I don't feel like it.
23:15All I want is
23:17It's so that my son is saved.
23:20Peaceful,
23:21He's going to be okay.
23:23The little opening will save him.
23:24You're like a brother to me.
23:29Did you know?
23:32Why don't you pray to your angel?
23:34of the guard
23:36And you ask him to save my little Pedro
23:39and restore his health?
23:42Yes, ma'am.
23:44Arriving,
23:45I'm going to pray a complete rosary
23:48to the little Virgin.
23:49I learned it for a reason.
23:50At the first communion, right?
23:58Luzmi,
23:59I'm going to take Nachito with me
24:01And later Juliana comes.
24:04to accompany you.
24:06Uh-huh.
24:08Come on.
24:18Hello?
24:19Hello, Xiaomi.
24:21Can you guess where we are?
24:23Altamira?
24:24Yes, friend, it's me.
24:26Don't you recognize my voice?
24:28My sister and I
24:29We are in the department
24:31by Marcos.
24:32It's there and you recognize yourself well.
24:33It's a joke?
24:35No, Xiaomi,
24:36Of course it isn't.
24:37I think that technique
24:39His reign is over.
24:42For Marcos,
24:43She already died for peace.
24:45What great news!
24:46that you're giving me, friend.
24:48Thank you very much
24:49that you called me.
24:51That way I have time
24:52to prepare my moves.
24:54Bye.
25:10Well, Nachito,
25:10Now you're running away from me.
25:12For academia, yes?
25:13And I already spoke with Juliana
25:14And she's going to prepare your dinner.
25:16and it will accompany you to sleep.
25:17No, I want to stay
25:18a little while longer with you.
25:21No, no, Nachito, please.
25:23Be an obedient child, no.
25:24Run, I'm outside the academy.
25:26Let me stay here.
25:29Tell me, Pedrito
25:30He's not going to die, please.
25:32My love,
25:32Pedrito is not going to die.
25:34He will get better.
25:35But come on, it's getting dark.
25:37Please, my love.
25:38Come here.
25:38Alright,
25:39But give me a hug.
25:40No no.
26:03Well, yes,
26:03Okay, yes.
26:04But close your eyes.
26:06I'm going to give you a hug,
26:07but on one condition.
26:08As soon as I give it to you,
26:10You turn around
26:10and you run away
26:11for the academy
26:12And you don't even look at me,
26:13Yeah?
26:14Yeah.
26:24Don't open your eyes.
26:28Now,
26:28now yes,
26:29open them
26:30and runs to the academy.
26:32Runs,
26:32But don't look at me.
26:34Oh,
26:34That Marita is half crazy.
26:47Let me out, you nosy person.
26:49Give me those keys.
26:50The doctor said
26:51that it was already fine
26:52and Mrs. Barbara
26:53told me
26:53that he wouldn't let her out.
26:54Oh, really?
26:55And what is it supposed to be?
26:57what is this?
26:57A prison?
26:59Now she'll find out.
27:05Oh!
27:17Alberto!
27:20Well,
27:22premium,
27:23Can you tell him
27:24to this maid
27:25Will you let me out?
27:27I have an appointment
27:27very important with Marcos
27:29and because of him
27:30I'm going to be late.
27:36Rosita?
27:37Rosita,
27:38Let her out
27:38and put it back on
27:40on the phone.
27:41Well,
27:41Yes, ma'am.
27:46Long.
27:49Haven't you noticed?
27:50equaled it
27:51that has become
27:52This chick?
27:53No no,
27:54wait, wait.
27:54How is that?
27:55What are you going to get out of?
27:56with Marcos?
27:56That's true, cousin.
27:59It seems that at last
28:00Marcos
28:01and that stupid woman
28:02They finished.
28:04How interesting!
28:07But don't do
28:08Another one of your little scenes,
28:09please.
28:11Don't worry.
28:12I know very well
28:13what I do.
28:18What did he want?
28:20Nothing,
28:21tell me that it's going to come out
28:22with Marcos.
28:24It seems that the sweet
28:25The couple already had a fight.
28:28No.
28:29Yeah?
28:30No.
28:31That's why,
28:33Now with the story
28:34of the run-over child
28:35you'll be able to
28:36approach her.
28:38But not so much.
28:39Just like me, huh?
28:41Is that clear?
28:42Yeah.
28:45Yeah.
28:51I'm here.
28:53I brought you something
28:55to eat
28:55before going to bed.
28:57I don't want to.
28:58Oh,
28:59And why?
29:00Are you such a glutton?
29:04Oh, Nachito.
29:06I know this
29:07Pedrito's
29:07It has been very hard,
29:09but we can't
29:10lose faith.
29:12You'll see
29:12that Pedrito
29:13He's going to be saved.
29:16But the thing is
29:17I was next to it
29:18his
29:18and I couldn't do anything
29:20so that they don't
29:20He was run over.
29:22My love,
29:23That's it
29:24It was an accident.
29:26That was an accident.
29:27You couldn't
29:28do nothing.
29:29Besides,
29:29You are a child.
29:31I don't understand
29:32Why the car
29:33It didn't grab me
29:34that I have no family.
29:38If I die
29:39Nobody cares.
29:41Instead,
29:41if Pedrito dies
29:43everyone would suffer.
29:44No,
29:45No,
29:45No,
29:46No.
29:47Don't say
29:48those things.
29:49Nachito,
29:51everyone here
29:52We love you
29:52a lot
29:54and although not
29:55have parents,
29:57We love you
29:58like a son.
30:00So
30:01don't get upset
30:01So.
30:03Oh,
30:04Well,
30:05already.
30:06Now better
30:06Drink your milk,
30:08Yeah?
30:08No,
30:09I promised him
30:10to Luzmila
30:11that he was going to pray for her
30:12to the little Virgin
30:13so that Pedrito
30:13be saved
30:14And I'm going to do it.
30:15Oh,
30:16of course.
30:16Let's pray
30:17together.
30:24In the name
30:25from the Father,
30:26of the Son,
30:27of the Holy Spirit,
30:28amen.
30:49Am I interrupting something?
30:52I was a bit bored at home and decided to stop by.
30:59Can?
31:00Clear,
31:01all yours.
31:02That?
31:07I'm glad you recovered
31:09and I wanted
31:11I hope you will excuse me.
31:13I know you got sick
31:14because of me.
31:16It's better we don't go through that.
31:17who?
31:18We danced.
31:31In the name of the Father,
31:33of the Son,
31:34of the Holy Spirit,
31:36amen.
31:39Juliana,
31:40You are very good.
31:42I understand now
31:42Why, Pedrito?
31:43says you are
31:44the best
31:45of the world
31:46and you have a voice
31:47very similar
31:48to Maritza's,
31:49which is also very good
31:50with me.
31:52Oh.
32:19Do you still think I'm selfish?
32:22Aren't you?
32:23Well no.
32:25And to prove it to you
32:26what I have
32:27a little surprise.
32:29Are you serious?
32:32Earth eyes.
32:36Are you going to close me down or not?
32:38Please.
32:41Am I closed off?
32:56Now open them.
33:02What is this, a fart?
33:26She looks beautiful.
33:30Won't it be stolen?
33:32No, what do you think, man?
33:33I bought it with my own money.
33:35Of course,
33:36If you don't like it...
33:39Don't even think about it.
33:41If you tell me
33:42that you bought it,
33:45I believe you.
33:46Ah,
33:48Not good...
34:00Ah,
34:01Ah,
34:08Ah,
34:26Your attention, please
34:29Tonight
34:31Master Tapia is not with us
34:33But he sends word
34:35Tomorrow
34:36And the day after tomorrow
34:38There will be a bazaar in front of the academy
34:44This bazaar is being organized
34:46To raise funds
34:48To help Luzmila
34:50Pedrito's mom
34:53Because
34:55Our beloved Pedrito
34:57He was run over
34:58And I was in the hospital
35:03Sorry
35:04Sorry, it's just that
35:05All of this makes me feel really bad.
35:10That is why I beg everyone
35:12Join us
35:14Look, I know
35:15I know that all of us who are here
35:18We are poor
35:19But I also know
35:21Together we can
35:23And we're going to help Pedrito
35:25Yes or no?
35:28I also ask that
35:30Please help us with a prayer.
35:32And that in their homes
35:34Light a small candle
35:36From Pedrito to the little Virgin
35:38Yeah?
35:43Thank you
35:44Thank you
35:45Thank you
35:46Thank you
35:56So now you know
35:58What to do, Altagracia
36:01I propose a toast
36:03Very special for Marcos
36:05For me?
36:07Yeah
36:08For you?
36:10Because until today you were walking
36:11I'm not on good terms with everyone.
36:13But now
36:14You're back to being the same as before.
36:18Well, I support this toast.
36:21But wait until we pour ourselves a drink
36:23Well, they're all served.
36:28So, why don't we begin?
36:30With a few words from the honoree?
36:32Yeah
36:33What should I talk about?
36:34What should I talk about?
36:36What should I talk about?
36:37What should I talk about?
36:38I always give to my children
36:40Well
36:41I owe you an apology, girls.
36:45Well
36:45The truth and
36:48And I promise that
36:49That it will not happen again
36:52Oh
36:53But that
36:54Who knows?
36:55Because I'm sure that
36:56As soon as Maritza tells you
36:58Half word
36:59You are capable of becoming their doormat
37:02Marcos
37:02Well
37:04I don't believe that.
37:05Because today almost my work
37:07Safe to go out with Alberto
37:09Your boss
37:11Yes, I saw them
37:12And I saw them
37:13I saw them
37:14It's more
37:15Starting today
37:18Maritza Ferrer
37:19He died in my lifetime
37:22That's for sure.
37:24Not even if he tells you his secret
37:26What secret?
37:27A secret we all know
37:29Maritza Ferrer
37:30It's hiding something
37:37Well, Chola
37:38Stick these flyers
37:40Yes, Juli
37:40Clear
37:42And who is supposed to
37:43What's all that food going to do with?
37:46Us
37:46Well
37:47My godfather
37:49And those from the academy
37:50What if it's going to be ready?
37:52For tomorrow?
37:54Why complicate life?
37:55When one can buy
37:56Things done?
37:58Mommy
37:59Because the idea
37:59It is collecting
38:01Well
38:02Julianita
38:03I
38:03I'll take care of it tomorrow.
38:05From early morning to the market
38:06And buy the meat
38:07And all that
38:08So
38:08I'll give you the money now.
38:13And with this
38:14And is this enough for you?
38:17Yeah
38:17Yes, yes
38:18No no
38:18Yeah
38:19And if not
38:20Don't worry
38:21I'll cover the rest.
38:21That?
38:22Hey, what
38:22That?
38:23That?
38:24No, I miss it.
38:24That?
38:30No no
38:32No no
38:43No no
38:54Pedrito, my love
38:57Don't leave me alone
39:01It's the only thing I have in my life, my heart
39:18What's wrong? What's the matter, Pedrito?
39:26What's wrong, Pedrito?
39:32I, Marcos Muti, no longer believe in his lies
39:38Marisa Ferrer is dead, it's over, she's gone, and I mean it.
39:42No, words are carried away by the wind, Marcos
39:45And what remains are the facts, so, if that's true
39:50I dare you to call her
39:54Let's see if, when you hear his voice, you don't run into his arms.
40:02Shall we call her?
40:02Well?
40:03Is the phone ringing?
40:04Now you don't believe me?
40:06I believed you
40:16Marcos
40:17Oh, how nice of you to call
40:20Hello, Marixa
40:21How are you?
40:23Are you taking care of your mommy?
40:27No
40:27No, no, no, I'm at the academy
40:30Oh, Marcos, but imagine if your godson
40:32No, no, no, no, no, no, no, no
40:34Don't give me that other story, girl
40:36Don't you ever get tired of lying to me?
40:39Do you think I didn't see you?
40:41I saw you leaving with Alberto, because...
40:46Marcos, I...
40:47No
40:48Don't give me explanations, I'm not asking for them.
40:51It's more
40:53I wish you a wonderful night
40:58Because I'm having a great time
41:01Right, girls?
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