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00:28Who is Cachorrito?
00:31I don't know, kitty. Wait a moment.
00:36Hi, what are you doing?
00:41I...
00:43I...
00:44Hey, hey, wait a minute.
00:48And who was it?
00:49I don't know, a woman. She stared at me like I was a ghost.
00:55And what did he say?
00:56Nothing. As soon as he saw me, he ran away.
01:00Is she the concierge or one of your admirers?
01:05Oh, cat!
01:07If you are truly in love, you will have to start respecting your beloved Torment.
01:14Who would it be?
01:25Of course I remember your goddaughter, Paco. She's a very special young lady, isn't she?
01:30She lives devoted to her mother. She never complains, even though she's not very pretty and has never had much.
01:35boyfriend.
01:36It's truly admirable.
01:38It's wonderful that there are still people like that in this world.
01:41It's true.
01:42May he know how to thank his parents for what they once did for him.
01:45You know what, Tapia?
01:47A good son.
01:48A good son is a good person, a good friend, a good all-rounder.
01:53Uh-huh.
01:53But what about you? What about you? Are you going to spend your life dancing inside this academy?
01:57They'll have to get me out of here feet first.
02:03Because this emptiness that mercilessly cries, shakes my soul, I am left so alone.
02:18Because this emptiness that suffocates me, when it is far away, my soul cries, will there be some love, will there be some way,
02:41wherever my destiny may take me.
02:48Some illusion, that time will grant me, to make all my longings live, there will be some love, there will be some path, to
03:12wherever my destiny may take me.
03:22Oh! Luzmila! Luzmila, my child! Come!
03:26What's wrong, Mrs. Regina?
03:28Oh no!
03:30I just can't stand this itching.
03:33The threads they used to apply the ointments to me look like barbs.
03:36Oh, okay, that's enough! Try, try to calm down, I'm sure it'll pass in a bit, okay?
03:42Would you like me to apply a little cream or oil?
03:44No, no! I want us to go see Dr. Selkovich. I can't stand this itching anymore. This isn't for me.
03:52Luzmila, come with me!
03:53Doña Regina, but if we have an appointment tomorrow, we'd better wait.
03:56No, no! And no! He has to give me an explanation for what's happening.
04:01Oh! Also, I have to ask you a very important question.
04:06Luzmila, please come with me!
04:08Luzmila, now, now, now!
04:10Luzmila, now, now!
04:11Luzmila, now, now, now!
04:13Hello, Maritza!
04:16Maritza, what's wrong?
04:20Nothing, right? Nothing's wrong with me, Alberto.
04:23Come on, Maritza, come on. Don't try to deceive me.
04:28Don't try to fool me because it's obvious how sad you are.
04:33Look, how about we go to my office and you tell me what's wrong? Okay?
04:40Come on, let's go.
04:51Suck it up, you stubborn fools.
04:53I am doing a very important job.
04:56So what? You contacted us for help. What happened?
05:00How can you say no?
05:03I spoke to them to give them this money.
05:07There's the payment for the notebooks.
05:11Ready?
05:12Yes, Pedro.
05:14Pedro, this is not what we agreed on.
05:16I have a feeling you're ripping us off on this, aren't you?
05:19Hey, watch out.
05:21I've been careful with what you say.
05:22I don't like being called a thief, and even less so by another thief.
05:25Okay, okay, that's enough.
05:27Okay, calm down.
05:29Pedro, I know you're not capable of playing any dirty tricks on us.
05:34Put the ticket away and let's go.
05:37Remember, if you need anything, we're here ready.
05:45Mission accomplished, my lady.
05:47My men have already scared Mrs. Castañeda away.
05:50Yesterday they visited her and made it very clear that she cannot open her mouth.
06:04His men accomplished absolutely nothing.
06:08Why are you telling me that?
06:10Why did that woman go to the police station, furious, saying all sorts of things against Xiomara?
06:16And against me?
06:17But my men told her that they had frightened her.
06:20Well no.
06:23Oh, Romero.
06:24Romero, what are we going to do with you?
06:26If you continue like this, going from bad to worse, you're going to end up out on the street.
06:35Don't tell me that, ma'am.
06:38I couldn't bear it if you fired me.
06:42So start by doing something right.
06:45Keep working on the formula I gave you.
06:47Go away.
06:48And don't you dare come back, Romero.
06:50Until I have results.
06:52Yes, you.
07:05Cristina, I need you to locate Marixa for me. Urgent.
07:07She arrived a little while ago, with Mr. Alberto.
07:11Something's up, because they arrived in a big hurry and they're in his office.
07:21I'm very sorry to tell you this, Marixa.
07:25But you shouldn't trust Marcos.
07:29But I don't know what he's done to you.
07:31What's more, you know what? You don't need to tell me.
07:34Because he, he always wants to pass himself off as a gentleman.
07:38By the most charming man in the world.
07:41You know what he does.
07:44He tells all the women.
07:47To all of them, huh?
07:48That he loves them.
07:52And all he wants is to seduce them and then take them to bed.
07:57How pathetic, right?
07:59I hope you didn't believe in those networks, huh?
08:08I would have loved other people in a different way.
08:12But with you it's...
08:14I don't know, it's different.
08:16Is...
08:17It's like he's a child learning to live.
08:23What do you think I feel?
08:27When I'm without you...
08:30I don't know, I have a lot of doubts.
08:32I don't know how to explain it to you, but...
08:35When you're here...
08:38Next to me...
08:40I forget everything.
08:43And I don't care at all.
08:45Nothing.
08:46I long to love you always, I beg you.
08:51And even if your eyes are lost without seeing me, my heart continues to be born here, inside me.
09:12I long to love you without obstacles.
09:20He seemed so sincere.
09:23I...
09:24I believed that his words came from his heart.
09:28I really thought he loved me.
09:30Oh, girl, yes, they are all seductions.
09:33All.
09:34They know perfectly how to use words to charm.
09:39But they don't know...
09:41They know nothing of true feelings.
09:44Oh.
09:46Okay, okay, don't cry anymore, but...
09:48Already.
09:55And what does this mean?
09:58What does this mean?
10:01I'm comforting Maritza because...
10:03For all the terrible things you have done to him.
10:07All.
10:09Listen to me carefully, you idiot.
10:11With her meters away.
10:13And this is the last time I'm telling you.
10:15So stop telling Maritza stories because she's not going to believe you.
10:19Clear.
10:20You think that idiot Maritza Ferrer is always going to swallow everything, don't you?
10:24Well, how can you say no?
10:25No, you're a lying fake.
10:28What's going on, for God's sake?
10:29My love, don't be so cynical.
10:32Oh, God.
10:33I'm going to talk to you about this, okay?
10:35You can leave if you would be so kind, I need to speak to my wife.
10:40Withdraw?
10:42Hey, Marcos, did you forget?
10:44This is my office.
10:46And that my position is above yours.
10:48So don't come here snapping your fingers and giving orders.
10:51Get out of here, I'm telling you I need to talk to her.
10:53You don't understand!
10:54Get out of here!
10:55And it trains you in everything!
10:56What's going on here?
11:03Oh!
11:21This is incredible.
11:24Where do they think they are?
11:26What scandal is this?
11:27Forgive me, Dad, but...
11:30Alberto is taking liberties with Maritza.
11:33That's not true.
11:34Hey, Don Gabriel, will you forgive me?
11:36No, no, no, no.
11:38I don't want to hear any explanations.
11:39I'm not interested.
11:40I'm not interested.
11:41Maritza, please return to the laboratory.
11:47Alberto.
11:48Yes sir.
11:48This will not happen again.
11:52Yes sir.
11:53And you, Marcos?
11:55Are you coming with me?
12:16How odd!
12:18What could this be?
12:20Roasted aloe vera with a little salt.
12:24And what if it's salt?
12:28Okay, that must be equivalent to...
12:39Let's see...
12:42Frenyl dimethyl pyrazolone from Aloe.
12:46But with salt?
12:51No, I must have to put it through fire.
12:56Let's see...
13:07Look, Marquitos.
13:08I'm already quite tired of your entanglements with the women in this company.
13:12Dad, Maritza is not a mess.
13:14She is something more to me.
13:16I'm serious, believe me.
13:17Yes, of course, I'm serious.
13:19As were Xiomara, Giselle, Altamira, and Altagracia.
13:24How many women are in this company?
13:25And it's not enough for you to just bring your scandals and your romantic entanglements,
13:30but you're also manipulating Antonia against me.
13:33That?
13:34Are you saying, Dad, that I'm manipulating Antonia?
13:36Of course.
13:38You used her to pressure me into giving you back the vice presidency.
13:42Or not?
13:42How wrong you are!
13:43No, you're the one who's wrong.
13:45It's you!
13:47Know?
13:48Every day I become more convinced
13:49I did the right thing by taking that position from you.
13:52Because you're not mature enough.
13:55to assume that responsibility.
13:59Hey, my dear, dad.
14:01I am a grown man.
14:02And I have no need to manipulate anyone
14:05so that you refund a charge that I am not requesting.
14:08But keep him.
14:10Go on.
14:10Enjoy it, Alberto.
14:12that he...
14:13That he is mature enough to assume that position.
14:17If you'll excuse me, I'll go.
14:26Oh, doctor!
14:28These sutures are driving me crazy.
14:31They keep itching me.
14:33I already told you, Mrs. Regina.
14:34That's normal after this type of operation.
14:37Take it easy.
14:38If you see, if you see, that's exactly what I told him, doctor.
14:42But he didn't listen to me.
14:43Shut up, Luzmila!
14:44I'm going to prescribe a cream to relieve the itching.
14:46But yes,
14:47I'll only remove the sutures tomorrow.
14:49This can't be fixed with a cream.
14:52Look, doctor,
14:55I forgive him for what is happening to me
14:57only
14:58If you operate on my face immediately.
15:01I just can't stand these crow's feet.
15:04I can't stand it.
15:05Oh!
15:07Oh!
15:19Oh!
15:23No.
15:25But you tell me about it.
15:27And I can't believe it.
15:29The Engineer
15:32Marcos Muti
15:33with another woman in his apartment.
15:36Yes, Chela.
15:38He was with another woman.
15:41She was half-dressed
15:43and wearing one of his shirts.
15:45How awful!
15:46And after...
15:50The thing is...
15:52I swear my heart broke in two, Chela.
15:56How can I do that to myself?
15:58That miserable wretch!
15:59I believed,
16:00I believed his words.
16:02I believed he was being sincere with me.
16:05Me too.
16:06Because of what you had told me.
16:08And because of the way I saw it with you.
16:11I thought Marcos was someone else
16:13that she had finally fallen in love.
16:15Oh.
16:16Silly pugina.
16:18He did the same to all men.
16:21They whisper sweet nothings in women's ears,
16:23but only because they want a bed.
16:25And then they throw them aside,
16:27like a dirty rag.
16:30Oh, sorry, Maritza.
16:32I didn't mean that.
16:34Oh, but...
16:35Don't worry, Chela.
16:38I have to understand
16:39and accept
16:42that I was just a fling
16:44for Marcos Muti.
16:50Look, doctor.
16:53I'm not asking him
16:54that he perform the surgery for me for free.
16:56Of course not.
16:58As if I didn't have the means to pay him.
17:00That's not what it's about, ma'am.
17:04The thing is, you
17:05I wouldn't be able to withstand another intervention.
17:07at the moment.
17:08Apologies.
17:09They're apologies.
17:10These are not excuses, Mrs. Regina.
17:12You have just gone through
17:14a very complicated situation.
17:15He had a cardiac arrest.
17:16His body wouldn't be able to take it.
17:18another intervention at this time.
17:19Of course.
17:20I am as strong as an oak.
17:23No more Doña Regina.
17:24Yes, yes.
17:25Please,
17:26Listen to what the doctor says.
17:28Already.
17:29Shh.
17:30Look, doctor.
17:33If you insist
17:34in refusing to operate on me,
17:37I'm going to report it.
17:38I have my rights.
17:42In addition, this itching
17:44There's a reason why you
17:45He made a mistake during the surgery.
17:47Whatever you want.
17:49Do what you think is best.
17:51We'll see.
17:52When they are pronounced
17:54the authorities,
17:55We'll see.
17:58Luzmila?
18:00Luzmila!
18:11The temperature should be
18:13above 100 degrees.
18:15So we'll have to wait
18:16to bring to a boil.
18:18Are they doing things right?
18:22I don't like this at all.
18:25This chemical reaction
18:26I wasn't expecting it.
18:41Marixa,
18:42Marixa,
18:42Can we talk?
18:44Leave me alone.
18:45I don't understand your behavior.
18:46Why are you treating me like this?
18:48What did Alberto tell you?
18:49Why would you turn against me?
18:50Alberto,
18:51He has nothing to do with this.
18:52So,
18:53What did I do?
18:54The more I look at it,
18:56The more I am surprised.
18:57What a capacity of his
18:59of making innocent faces,
19:00No?
19:01You know what?
19:02I think he was wrong.
19:03professional.
19:04Yeah,
19:05He shouldn't have been a chemical engineer.
19:06but a swindler.
19:07Marixa,
19:08I don't understand
19:08what you're talking about.
19:09Look, Mr. Muti,
19:10I don't have anything
19:11I need to talk to you.
19:12And I have to work.
19:13Permission.
19:21My God!
19:22What is this?
19:23I think it's better
19:24Let's get out of here
19:25in a hurry.
19:35Marixa!
19:39Marixa,
19:41Where are you?
19:56Where are you?
20:02Marixa,
20:04Marixa,
20:05are you OK?
20:05What happened?
20:07Rosemary,
20:08Where is Romero?
20:09Rosemary,
20:11Romero, are you okay?
20:12Oh,
20:12I bumped my head,
20:13But I think I'm fine.
20:15Oh,
20:16Rosemary,
20:18Romero, what formula?
20:19What was I doing?
20:20Nothing,
20:21It was a mix
20:22which turned out badly for me.
20:23Well, we have to get out of here.
20:25I think it was
20:26to the laboratory.
20:27Marcos,
20:27where is?
20:28I don't know,
20:30The best thing will be
20:30that we leave
20:31of the building,
20:31let's go.
20:32Yeah,
20:32I agree,
20:33come.
20:33No,
20:33No,
20:33go out.
20:34I'm going to the lab.
20:36No,
20:36Gabriel,
20:36No.
20:37Marcos should have already left.
20:38Come with me,
20:39No.
20:41Rosemary,
20:42Rosemary,
20:42Be careful.
20:43Come on,
20:43Marisa,
20:43please.
20:44No,
20:45No,
20:45We can't.
20:46We need to look
20:47the formula title
20:48Romero,
20:49but not.
20:49Let's leave
20:50this football
20:50of security,
20:51Yeah?
20:51We need to call
20:52to the firefighters,
20:53come on.
20:54Come on.
21:09What happened?
21:11Really
21:12Are you feeling okay?
21:12Leave me alone,
21:13Marcos,
21:13Do not touch me.
21:15Marisa,
21:16what's the matter?
21:16Are you behaving?
21:17like a little girl?
21:18At least give me an explanation.
21:19I don't understand your behavior.
21:20what's happening?
21:21You deceived me,
21:22Marcos,
21:22what he did,
21:23It has no name.
21:25What are you talking about?
21:26Oh my God.
21:27That?
21:28I don't want to talk about that.
21:30because it hurts,
21:31It hurts me that he played
21:33with me,
21:33with my feelings,
21:35And I'm not going to...
21:36never to forgive.
21:38Everything is under control.
21:39The emergency has passed.
21:40You can now enter.
21:42Enter,
21:43come,
21:43come in,
21:43come in.
21:44Larixa!
21:54Oh no,
21:55What a horrible fright.
21:57Luckily I was
21:58in the parking lot
21:59with the car
22:00and I didn't feel the explosion.
22:03What could have happened?
22:04I'm going to call
22:05to the head of security.
22:06No, no, no,
22:07It won't be necessary.
22:08Don Gabriel.
22:09I just spoke with him
22:10and he told me
22:10which was an explosion
22:11in the laboratory.
22:13It seems that Romero
22:14I was doing
22:14an experiment
22:15and it came out
22:16out of control.
22:17And Romero?
22:17How are you doing?
22:18Good, good, good.
22:19A little scared,
22:20But it's okay.
22:21And Maritza
22:22Was he in the lab?
22:23Yes, yes,
22:25but fortunately
22:25Nothing happened to him.
22:27I even finished him off
22:27from seeing that he entered
22:28right now
22:29back to the building.
22:30Oh my God, Gabriel.
22:31You cannot allow
22:32this kind of clumsiness.
22:34You should start thinking about it
22:35in retiring Romero.
22:36Well, what I think
22:37It's that everyone
22:38we must return
22:38to our business.
22:40What do you think?
22:40Yes, I agree.
22:42Barbara, please,
22:43Tell Romero
22:44that I introduce myself
22:44a written report
22:45of what happened.
22:47Of course, Gabriel.
23:04Well,
23:05I liked it, actually.
23:07I want to stay a long time
23:08at your house.
23:09Hey,
23:11Why don't you invite me?
23:11to live with you?
23:13I don't know,
23:15You saw
23:15What is my dad like?
23:17So what?
23:18It's not so bad
23:19like the goalkeeper
23:20where I live.
23:22Well,
23:23I don't know, Nachito.
23:24We would have
23:25to ask mom
23:26Let's see if she accepts.
23:27Seem to you?
23:29Clear!
23:32Come on.
23:34Chela,
23:35Can I talk to you?
23:36one moment?
23:40What can we offer you?
23:42Well,
23:43I want you to tell me
23:44What's wrong with Maritza?
23:45with me.
23:48Oh,
23:48engineer,
23:49please.
23:50That's better
23:51Let's not talk about it.
23:52If I had known
23:54that you were leaving
23:55to make fun of Maritza,
23:56I swear I didn't
23:56would have helped him.
23:58Let's see,
23:58What's wrong with him?
23:59to all of you?
23:59Did they go crazy?
24:00Or what?
24:02You know
24:03What am I talking about?
24:04He doesn't realize
24:06that she is not
24:06like the others.
24:07That's precisely why,
24:08how do I know it isn't
24:09like the others,
24:10I need to know
24:11What's wrong with him?
24:11You know
24:12What's wrong with him/her?
24:15He knows better
24:16that I.
24:17She
24:18He went to look for him
24:19to your department
24:20and you
24:21was there
24:22with another,
24:23with a woman
24:24half-naked.
24:27Did she go to me?
24:28to look
24:28to the department?
24:38Oh,
24:38But why not?
24:39I like it
24:40I've been here a long time.
24:41I don't know,
24:42Nachito,
24:43you already know
24:43that we have to ask him
24:44I asked my mom for permission.
24:46It's good,
24:47It's good.
24:48But let's take out
24:49the carts
24:50and let's play
24:50awhile.
24:52Alright.
25:01Who's next?
25:11And this
25:12Where's your mom?
25:15No.
25:17So
25:17Whose are they?
25:18Did you steal them?
25:20What's wrong with him?
25:21moron?
25:22Rosemary,
25:23What were you trying to do?
25:24Burn it all
25:25the company
25:25Or what?
25:26No,
25:26of course not,
25:27lady.
25:28I only
25:29I was preparing
25:30the formula
25:30that you entrusted to me,
25:31But I don't know.
25:32What happened.
25:33What happened?
25:34Because of his recklessness
25:35he committed the crime again
25:36a mistake.
25:37That happened.
25:38Oh,
25:39Rosemary,
25:39Oh my God.
25:40What am I going to do?
25:41with you?
25:42Tell me.
25:44I try
25:45to explain it to him,
25:46but you
25:46really
25:46He doesn't understand me.
25:47And the truth?
25:49If I can't
25:50trust you
25:51so that it develops
25:51a formula
25:53I don't see him
25:54the case
25:54to remain
25:55in the company.
25:56Look,
25:57if because of its infinite
25:59clumsiness
25:59my husband
26:00decides to fire him
26:00from here,
26:02I won't be able to
26:03defend it.
26:04Don't say that,
26:05Doña Bárbara.
26:06You know that
26:07I always
26:08I have been loyal
26:09with you.
26:10Loyal and clumsy,
26:11by the way.
26:12Don't say that,
26:14lady.
26:15I have always been
26:18his unconditional supporter,
26:20his assistant,
26:21But if you
26:22He puts things on me
26:23in those terms,
26:24I will be forced
26:25to defend myself
26:26And that's true.
26:27that I wouldn't want
26:28do it.
26:30Careful,
26:31Rosemary.
26:32Be very careful.
26:34You know?
26:35I could
26:37to pass exactly
26:38the same
26:39than to Castañeda.
26:41me
26:42I can't
26:43to get through that,
26:44Because if it happens to me
26:45I wouldn't like it
26:46that the press
26:47would cause a scandal
26:48with you
26:49and not only
26:49because of my death.
26:51Petri dish.
26:53I'm not liking it anymore
26:54keep talking to me
26:55in that tone,
26:56because even though you
26:57Don't believe it,
26:57I'm not that clumsy
26:59as you see fit.
27:01Me too
27:02I have my weapons,
27:03lady.
27:04So
27:05it's better
27:06Let him think about it.
27:07so that it doesn't encourage
27:08to Don Gabriela
27:08kick me out of here.
27:12Permission.
27:21Yeah,
27:22definitely
27:23It was her.
27:24A brunette
27:24spectacular,
27:26just as you described it to me.
27:27Well yes,
27:28puppy,
27:29Marixa
27:29is the woman
27:30who came to visit me
27:31And how did he see you there?
27:32with my shirt
27:33And you know
27:33everything else,
27:34Well, you can imagine
27:35that we are lovers
27:36and he hasn't the slightest idea
27:38that you are my sister.
27:40That's a bad vibe.
27:42Look,
27:43little brother,
27:44Do nothing.
27:45Leave everything in my hands.
27:46I'm leaving immediately.
27:48there
27:48so that we can clarify
27:49things with your girlfriend.
27:51You'll see
27:51how to me
27:52Yes, he will hear me.
27:53Okay.
28:19Good afternoon.
28:20I'm looking for the office
28:22from the engineer
28:22Marcos Muti
28:23and I am his sister.
28:25Oh,
28:25With great pleasure.
28:26After the stairs
28:28to the right.
28:29Very kind.
28:30Thank you.
28:45But ma'am,
28:46What are you talking about?
28:47That complaint
28:48is inappropriate,
28:49It has nothing to do with it
28:50with a police investigation.
28:51It's crazy.
28:53No,
28:53It's not crazy.
28:55The doctors
28:56They are ready to operate.
28:58They are surgeons,
28:59No?
29:00The doctor
29:01Selkovich
29:02He failed in his duty
29:03as a doctor
29:04for not complying
29:05my wishes
29:06as a patient.
29:07And I repeat to you,
29:08lady,
29:09that his claim
29:10It does not warrant
29:11a complaint.
29:11So please,
29:13withdraw
29:13And let me work
29:14at peace.
29:15There is no respect anymore.
29:16no reason.
29:18Doña Regina,
29:19please,
29:19calm down
29:20And let's go,
29:20let's go.
29:21That happens to us.
29:22because they are poor
29:23because if we were
29:25rich,
29:25another rooster
29:26I would sing.
29:28my pasta
29:29of rooster.
29:30Lie,
29:31my pasta
29:31of rooster,
29:31I'm not going to take care of them.
29:33Look at him wasting his time.
29:38There will be some love,
29:42There will be a way
29:45wherever it can take me
29:48my destiny.
29:53Some hope.
29:55There you are.
29:58They say the wait
29:59It yields good dividends.
30:02That's how I'm going to find out
30:03Where do you live,
30:04little cousin of the mountain.
30:10I see it as difficult,
30:12engineer.
30:13Maritza Ferrer
30:13He's already gone home.
30:15He told me he was going
30:16to ask for permission
30:17to Don Alberto
30:17And as always,
30:18He does what she asks.
30:20I think it should already be
30:21be a few streets away
30:21from here.
30:23Permission.
30:25Don't worry,
30:26cat.
30:27If he left
30:28to stop the house,
30:28Well, let's go there.
30:30The thing is,
30:31poor thing,
30:32He must be thinking
30:33that I'm the worst
30:34And it makes me angry
30:36that I never spoke to him
30:37of you.
30:37I don't know why
30:37I didn't do it.
30:38Well,
30:39don't worry,
30:40don't worry,
30:40that still
30:41Nothing has happened.
30:42Come on,
30:43we spoke with her
30:43And you'll see
30:44that will be loaded.
30:45I hope so,
30:46puppy.
30:46Come on, cat.
30:59I long to love you
31:01against time.
31:05I long to love you
31:07I always beg you.
31:10and although your eyes
31:14get lost
31:15without seeing me,
31:17my heart
31:18It keeps beating
31:20here
31:21inside
31:23from me.
31:28No, no, no, Navarro.
31:29I'm just not convinced
31:31to move forward
31:31with the project
31:32from the shopping center
31:32that you propose to me.
31:36I was just
31:36in the neighborhood.
31:38Thank you, Ramón.
31:40And the truth
31:40I didn't see it.
31:41so bad
31:41as you describe it to me.
31:43The houses
31:44They are much better.
31:45that when I was a child
31:47and he was walking around.
31:49The facades
31:50They are painted,
31:51the streets
31:52They are clean,
31:52There is no trash.
31:54It seems that people
31:55He loves very much
31:55that place.
31:57No, no, no.
31:59I'm not sure
32:00to move forward
32:01with that project.
32:02Excuse me,
32:02Don Juan Tobias,
32:03But that project
32:04that I am proposing
32:05I would change everything
32:06that special place
32:07for you.
32:09Besides,
32:09I would have some profits
32:10immediate
32:11very considerable.
32:13It's that you
32:14He doesn't think about people.
32:16It is only
32:17thinking about the benefit
32:18economic.
32:20Have you thought about it?
32:21how are we going to relocate
32:22to all those families?
32:24In that place
32:25no longer lives than a bunch
32:26of thugs.
32:27With that project
32:28They would all leave.
32:30I would be doing it to him
32:30a favor to the community.
32:32No, I'm not convinced.
32:34Think about it for a moment,
32:35Don Juan Tobias.
32:36In that place
32:37there is nothing
32:38that is worthwhile.
32:40And the worst part of all
32:41It's that blessed academy.
32:43It's just that I just
32:44of being there
32:44and I didn't see any problem.
32:47Because he saw her during the day.
32:48At night it's a different story.
32:50It's a dive.
32:51of a seedy bunch.
33:03Oh,
33:04midwife.
33:05Midwife,
33:06Why are you crying?
33:07What happened?
33:09Oh, I don't need it,
33:10buddy.
33:11Come on,
33:12tell me,
33:12What happened to you?
33:14I found
33:15to Marcos
33:15with another woman
33:16in his apartment.
33:18Oh no.
33:19It just can't be,
33:20You're lying to me,
33:21midwife.
33:22Oh,
33:23Don't tell me
33:23which is about again
33:24from that Xiomara.
33:25No,
33:26No,
33:26She is a woman
33:28much prettier
33:29that she,
33:30but it shows
33:30who is at the same level.
33:32Oh,
33:33my son,
33:34my son.
33:35I'm an idiot
33:36for having believed him.
33:37the thing is,
33:38How can that be?
33:40so naive
33:41of surrendering myself to him.
33:42Already,
33:43peaceful,
33:43midwife,
33:44I told you so.
33:45that men
33:46They are despicable.
33:47They're womanizers
33:48that sting from here to there
33:49and,
33:50and that only
33:51I hope to have
33:52what I wanted with you
33:53to put in another old woman
33:54in his apartment.
33:55That's not fair.
33:55midwife.
33:56I swear to you by the Virgin Mary
33:57if I had it
33:58right here in front,
33:59I'll break some boards
34:01in the head.
34:02Oh,
34:03midwife.
34:16Mother,
34:16how are you doing?
34:20Don't come at me.
34:21to call it that,
34:22shameless.
34:23Look,
34:24wait,
34:24what's the matter?
34:26Don't be shameless,
34:27Marcos.
34:29What are you doing
34:30With this one?
34:33I'm not expecting anything.
34:34Marcos.
34:35I'm going to fly to him right now.
34:36the chewing pit
34:37to this cute little thing.
35:03Hey,
35:04Listen to me for a moment,
35:05This shameless woman,
35:06as you call it,
35:07She is my sister Antonia.
35:09Calm down.
35:10Oh,
35:10Yeah,
35:11Oh,
35:11Yeah,
35:11Let me go now,
35:12Let me go.
35:12And I am Jennifer Lopez,
35:14No,
35:14well,
35:15let's see,
35:15Invent one more for me
35:16of jeans,
35:16Huh?
35:17My sister is saying
35:18the truth.
35:19I just arrived
35:20from abroad.
35:21I am Antonia Muti.
35:25They're not going to fool me.
35:26They won't trick me,
35:28Don't make things up.
35:31It's not made up,
35:32nor identification.
35:36Of course I'm his sister.
35:44Oh,
35:46little virgin,
35:47I wish the earth would swallow me up.
35:49It doesn't matter,
35:50Light,
35:50look,
35:50I am looking for Maritza
35:52because she thinks
35:53that my sister,
35:54well,
35:55good,
35:56Do you think she
35:56Is he at home?
35:58Hey,
35:59No.
36:01Rather,
36:01I don't know,
36:01I have to go find her.
36:05Well,
36:05although I don't think so
36:06because it's already getting dark
36:07and anyway
36:09I'll see if I can find it.
36:10Wait here for me a moment.
36:12Huh?
36:21I'm a fool.
36:23Oh,
36:24a fool.
36:25If I had known
36:26this torment,
36:27I would never have gotten involved
36:28on this.
36:31Clear,
36:32But since I'm so new
36:34on this,
36:34well,
36:35I fell for it like an idiot.
36:38Oh,
36:40But he too
36:41knows nice words
36:43to deceive.
36:44Oh,
36:45My God,
36:46My God.
36:47Oh,
36:48less more
36:48It's going to get dark
36:49because I don't want to know
36:51nothing else
36:52Marisa's.
37:02Well,
37:02now as Juliana,
37:04If I may tell you
37:04his four truths
37:06to that
37:06Marcos Muti.
37:08The thing is,
37:08how are you?
37:09I can't believe it
37:09that he's so brazen
37:10of coming here
37:11with her little friend
37:12and stroll around so carefree,
37:13But he's going to hear me.
37:18Barbara,
37:21I will not allow it
37:22that you continue treating me like this.
37:25You understand me?
37:34Out,
37:36out with all of them.
37:38Only Barbara remains.
37:40She and I
37:41We have something
37:42that solve.
37:51Piety,
37:52piety,
37:52my lord,
37:53piety,
37:53my Caesar,
37:54Oh my God.
37:56I beg you,
37:56Sir,
37:57I hope he will forgive me.
37:57I never wanted to
37:58I wouldn't offend him, nor would I...
37:59Don't lie.
38:02I see it in your face
38:03the gaze of deceit.
38:06I want you to tell me
38:08Who is that man?
38:09the one you were talking about.
38:11What man,
38:12my lord?
38:12Which man are you talking about?
38:14There is no other man.
38:17There is nobody here
38:17that makes me feel
38:18what you.
38:20Mister,
38:21How can I
38:21Prove it to him?
38:24What do you propose?
38:31I like it.
38:33I like it.
38:34I like it.
38:35I like it.
38:36I like it.
38:55I cannot allow
38:57that Gabriel Muti
38:58He spied on me.
39:02I have to do something.
39:06What are you?
39:17What are you?
39:20Pedrito,
39:22heart,
39:23Have you seen Juliana?
39:24No, Mommy.
39:37Xiomara Carvajal,
39:40Where did you get it from?
39:42these cards
39:42credit,
39:43Credit, Pedrito?
39:50Where is?
39:53Juliana.
39:54Juliana,
39:55It's so good to see you.
39:56I need to talk to you.
39:57How can it have
39:57the audacity
39:58of coming here
39:59with this young lady?
40:00Hey,
40:01It's not what you think.
40:03Look, Marcos,
40:04You are worse.
40:05from what I imagined
40:06and I ask you a favor
40:07that he doesn't come back,
40:08Yeah?
40:08Because here nobody
40:08She never wants to see him again.
40:10Why are you talking to me?
40:11Do I need you to listen to me?
40:13No,
40:13Well, I don't want to.
40:14Well, you're not going anywhere.
40:15from here without first
40:16listen to me,
40:16please,
40:17Juliana,
40:17what's the matter?
40:18He didn't listen to the young lady.
40:24She doesn't want to anymore.
40:25talk to you more.
40:34Subscribe to the channel!
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