- hace 18 horas
Categoría
📺
TVTranscripción
00:26Subscribe to the channel!
00:58Subscribe to the channel!
01:05Subscribe to the channel!
01:08Subscribe to the channel!
01:46Subscribe to the channel!
01:59Subscribe to the channel!
02:29Subscribe to the channel!
02:41Subscribe to the channel!
03:12Subscribe to the channel!
03:18Subscribe to the channel!
03:40Subscribe to the channel!
03:49Subscribe to the channel!
03:52Subscribe to the channel!
04:08Subscribe to the channel!
04:21Subscribe to the channel!
04:27Subscribe to the channel!
04:48Subscribe to the channel!
04:56Subscribe to the channel!
04:59Subscribe to the channel!
05:02Subscribe to the channel!
05:21Subscribe to the channel!
05:28Subscribe to the channel!
05:32Subscribe to the channel!
05:41Subscribe to the channel!
05:43Subscribe to the channel!
05:45Subscribe to the channel!
05:47Subscribe to the channel!
05:48Subscribe to the channel!
05:51Subscribe to the channel!
05:52Subscribe to the channel!
05:53Subscribe to the channel!
05:54Subscribe to the channel!
05:58Subscribe to the channel!
06:00Subscribe to the channel!
06:02Subscribe to the channel!
06:05Subscribe to the channel!
06:08Subscribe to the channel!
06:10A break to take care of more important matters.
06:22And what do you do now?
06:24I?
06:27I partnered with a friend.
06:30And we organize events,
06:36dance, music and all kinds.
06:39Of international caliber, for important individuals and companies.
06:43That's very good, that's very good.
06:46Look, we regularly hire those types of companies
06:49so that they can perform those shows at the company's events.
06:53So, let's do one thing.
06:56I'm going to give you my card.
06:58Yeah.
07:01Here it is.
07:05And well, you give me your details, right?
07:07Your address, your phone number.
07:10And we stay in touch.
07:22Miss Ferrer.
07:24Too bad?
07:26Excuse me, please forgive her.
07:28I mistook her for someone else.
07:46Hey, did you see a really pretty woman walk by here?
07:51A woman, yes, yes, with long hair, right?
07:56Yes, yes, he went that way, that way.
07:59Yes, yes.
08:03We lost her, engineer, we lost her.
08:06When I took her by the arm and looked at her,
08:09She was a completely different woman.
08:11Furthermore, we stood at the entrance of your company for too long.
08:16Excuse me, Lieutenant, but I don't understand.
08:19The thing is, Marisa can't be late getting home
08:21because her mother is sick and she is the only person who can take care of her.
08:24His behavior is completely abnormal.
08:27Furthermore, people are capable of inventing any excuse.
08:32in order to hide his shady dealings.
08:36But how come he didn't show up to testify before me?
08:38That can't be.
08:40And why don't they look for her in the house?
08:44Okay, thanks.
08:46Keep me informed.
08:50Problems at the company with a laboratory employee.
08:53Excuse me.
08:54You were telling me about your data.
08:56Oh!
09:03Oh, Gabriel, I feel so sorry for you.
09:05But I ran out of business cards.
09:09Look, I have your phone numbers.
09:12So I can call you and give you my details, is that okay?
09:16Whatever you want.
09:18How was the wine?
09:21Delicious.
09:22I haven't had such an exquisite wine in years.
09:26Ah, let's raise a glass to this reunion.
09:29Do you know that this moment reminds me of our first meeting?
09:37Understand what I'm telling you.
09:39Yes, yes, sir.
09:40He's been talking for about an hour.
09:43If that's what he came to tell me, why didn't he save himself the trip?
09:45It's not over yet.
09:47You've done a lot of stupid things, Pedro.
09:50Remember that you have a son.
09:52What kind of example are you setting for him?
09:54Huh?
09:54Spare me the sermons, it's not Sunday.
09:56Perfect.
09:57So, if you don't want to change, stay away from here.
10:00Do it for your child so they don't find out about your misdeeds.
10:03Please leave our neighborhood.
10:06From your neighborhood?
10:07This neighborhood is as much mine as it is yours.
10:10Nino is not going to make me leave my territory.
10:13I know he sent it because he doesn't have the guts to tell me to my face.
10:17Why don't you think about your child?
10:20Look, I know how to run my business.
10:22No one has been born yet who can tell me how to do it.
10:26Did you understand?
10:27Or I'll draw you a little map.
10:30Bye bye.
10:37Juliana.
10:38Oh, I liked it a lot.
10:41You have no idea how scared you made me.
10:43Sorry, no.
10:44That was not my intention.
10:45It's so good to see you.
10:46I want to know if you received what I left for you.
10:48If you have already read the job proposal.
10:51Yes, I did receive it.
10:53And he doesn't know the problems he caused me.
10:57Because?
10:57Isn't it clear?
10:59Yes, yes, of course it's clear.
11:01But I cannot accept that proposal.
11:04And so?
11:05What do you mean, no?
11:06Because?
11:08Well, because...
11:09Because I'm very happy where I work.
11:11AND...
11:12Julianita.
11:14I'm going to be out of town for a few days and...
11:17While I'm away, I'd like you to read it again carefully.
11:20Furthermore, if salary is the problem and you think it's too little money,
11:25Just tell me how much you want to earn and that's it.
11:27No, no, no, no.
11:28That's not what it's about.
11:30Think about it.
11:32Seriously, think about it.
11:34And when I get back we'll talk, okay?
11:36And I'm warning you.
11:38I am not willing to accept no.
11:41Understood?
11:45A photo to remember it by?
11:49Yes, yes, right?
11:51I feel sorry for you.
11:52I wasn't ready for a photo shoot.
11:54Please, you look divine.
11:56Yes, of course, of course.
11:57Here?
11:57There.
12:03Can we sit a little closer together?
12:05Closer together.
12:16Closer together.
12:19Yes, it's appearing now, it's appearing now.
12:21Yeah?
12:21Yeah.
12:22Let me pay and transfer this to me.
12:28This is it.
12:30One flower for another, more beautiful flower.
12:35Very, very good.
12:36What do we do with the photo?
12:38Should I keep it?
12:38No, me.
12:41I'd better keep it myself.
12:42All yours.
12:43Your love is a passion that comes from the soul.
12:49Shall we go?
12:51You tell me where I should take you.
12:53Where to?
12:55Well, you can drop me off there at my friend's house where we met.
13:01I'm sure she's already arrived and is probably looking for me like crazy.
13:04Okay, let's go there.
13:06You know, my daughter lives in that neighborhood.
13:09Your daughter?
13:11Yes, my daughter Antonia.
13:14Well, it doesn't make me very happy.
13:16I think it's a bit unsafe.
13:19No.
13:20Your daughter Antonia.
13:23Well, my friend told me that...
13:26Yes, it's a little difficult because there are one or two crooks.
13:47That's how I wanted to find you, you wretched dog.
13:51And that they're sending me some miserable messengers who like to hit women.
13:58So you can see who's in charge here.
14:26So you know, who's in charge here?
14:29I don't want to see you again.
14:36Take care, Nino.
14:37Because this war has only just begun.
14:48Oh, little virgin.
14:50Neither Nino, nor the teacher, nor Antonia appear.
14:53Could something have happened to them?
14:56God.
14:59Midwife?
15:01Oh no, godmother.
15:02What do you have?
15:04The police are on the run from him.
15:07In that way?
15:09What are you taking about?
15:14The formula was patented by the competition.
15:18And everyone, everyone believes that I sold it to him, even Marcos himself.
15:24But, but, wait a minute.
15:26First of all, how could Marcos possibly believe such a thing, my dear?
15:30And why did that formula work in the competition?
15:33I don't know, Luzmi, but what hurts me is that Marcos thinks I...
15:40Well, anyway, what happened was that the police arrived and wanted to question me.
15:46And how was it going to get dark?
15:47Well, I had to run away without saying anything, or explaining why.
15:50And, alas, I felt like a common criminal.
15:55Oh, godmother, godmother, what bad luck.
15:59Did you know?
16:00I'm going to go to Marcos right now and tell him a few home truths.
16:04No, no, why would I need that, Luzmi?
16:08If he doubts me so much, it's not worth continuing with him.
16:13Oh, God.
16:16Oh, God.
16:34Oh, God.
16:51Are you sure you want to stay here, or should you check if your friend is here?
16:55If not, I can take you home.
16:57No, no, she always waits for me.
17:00I'm going to buy her a little gift, a small present.
17:04You...
17:06You go away.
17:08It was a pleasure to return.
17:11I'm wondering the same.
17:14I.
17:18I'll call you.
17:20Bye bye.
17:23Bye bye.
17:28Bye bye.
17:44Bye bye.
17:46He remembered me.
17:49He remembered me after so long and he liked me, he still likes me.
17:55Well, that's even though I haven't put on the silver threads yet.
18:02Oh, Gabriel.
18:04Well, I don't know if you're doing that well.
18:07Oh no, Nino, Nino, what happened to you now?
18:10Did he meet this Pedro guy?
18:13That?
18:13And I gave him what he deserved.
18:16I wish I could have done the same to those who beat Antonia, but the wretches had their faces covered.
18:21But how could they dare to hit you?
18:25Oh no.
18:26Nino, you don't look good.
18:28Yeah.
18:29I'll check it.
18:33Luzmi, why didn't you tell me?
18:36Oh, my dear friend, I had forgotten to tell you.
18:38Well, on one hand, Nachito appeared.
18:42Oh.
18:42And if it hadn't been for him coming to warn us, Nino and Antonia would be lying dead right now.
18:47on the floor.
18:48Oh my God, at least Nachito showed up.
18:51Yes, thank God, but it was all my fault, my dear friend, because...
18:56The one who stole Pedrito's money was Pedro, with Nachito.
19:00Oh no.
19:01No, Luzmi, we have to go and report it.
19:03We can't go on like this, terrified, can we?
19:06Yes, godmother.
19:07Girls, I spoke with Pedro, but there's nothing to be done.
19:11He is a demon lost in his own hatred.
19:14Oh, Padín, it's not that I was telling Luzmila that we have to go and report it.
19:22I am the happiest woman in the world.
19:28The happiest and soon-to-be millionaire.
19:53What happened to you, Mom?
19:55Nothing.
19:56No, no, nothing happened.
19:58Is...
19:59It's just a feeling.
20:02I have a feeling...
20:05Around there.
20:05Uh, yes, yes.
20:07I'm so glad you're happy.
20:09We, uh, are going out for a little while and we won't be long.
20:14Come on.
20:18You can't fool me, Regina.
20:20You're going to tell me right now where you got that flower.
20:26That's awful.
20:28I'm leaving right now.
20:30Yes, see you there.
20:32So, are you going to the ranch, Don Juan Tobías?
20:34Yeah.
20:36They want to take away some farmland from my father.
20:38And I'm not going to allow it.
20:40That's all.
20:42My father worked very hard to pay for those lands.
20:44And besides, all the people in the area live off the crops grown there.
20:47Wow, it's incredible how people abuse things like that, isn't it?
20:50I'm leaving right now.
20:52Anyway, even if I'm at the ranch,
20:54I want to talk on the phone with the man who made that very successful product.
20:57I call him and you put me through to him.
20:59Good, sir.
21:01Understood, Navarro?
21:02Of course, sir.
21:03Don Juan Tobías.
21:15It seems like there's nobody here.
21:16Well, it's strange, actually.
21:18She leaves work and comes straight home to take care of her mother.
21:22No, he just doesn't realize it.
21:23The lights are off.
21:24There's nobody here.
21:26Well, Lieutenant, look, I guarantee you that tomorrow she will clear up all your doubts.
21:30Don't worry.
21:31I hope so, Engineer Marcos.
21:33I hope so.
21:34Let's see if the young lady finally deigns to declare it tomorrow.
21:37Don't worry.
21:38But based on my experience, it seems to me that we are wasting a lot of time.
21:42Can she use the night to escape?
21:44Lieutenant, what are you saying?
21:46She would be incapable of doing something like that.
21:49Marich is the first one interested in knowing who the traitor was who stole the formula she made.
21:54Do you understand me?
21:55Don't worry.
22:06He's a criminal, sir.
22:08And besides ordering my cousin Nino to be beaten up, he stole my son's savings.
22:14Where do they know him from?
22:15He and I were a couple for a while.
22:18And the child whose savings he stole is my son.
22:21The problem is that without evidence it's very difficult to proceed.
22:25What's it called?
22:26Pedro Baraja Plata.
22:28Pedro Baraja?
22:31They started there again.
22:33Of course we know Pedro Baraja.
22:36We're looking for him and we've got him on our radar.
22:42You must be very pleased, Mrs. Barbara.
22:44With Empresas Marbella's new product, its shares will rise like foam.
22:49And of course, it will motivate them to fall spectacularly to the ground.
22:53I already know that, Navarro.
22:55I hope you didn't summon me for that, did you?
22:58No, of course not.
23:01The thing is, Don Juan Tobías wants to speak personally with the engineer who created the new formula that we
23:07sold.
23:08That?
23:09But didn't he tell her he was out of the country?
23:11Yes of course.
23:12But he insists.
23:17Okay, Regina.
23:19Stop that ridiculous little dance and tell me why you have that face like you've seen the same...
23:24To Gabriel Muti!
23:26Gabriel Muti?
23:27Yes of course.
23:32Sit down so you don't faint.
23:34Ready?
23:35Uh-huh.
23:40We don't look divine, Don Tito.
23:44We're made for each other.
23:47I honestly don't understand how she got married after becoming a widow.
23:50And especially with that ugly old woman who is his wife.
23:53I can't believe it.
23:56If you hadn't taken this picture, I would have thought you were making it all up.
24:00Oh, he recognized me, Paco!
24:04He finally recognized me!
24:06And, right?
24:07He took me to such an elegant place.
24:09And then he picked a flower.
24:12And he told me...
24:15One flower for another, even prettier flower.
24:18Me too!
24:19I melted!
24:22No more.
24:24I think it's outrageous that you saw him and didn't tell him that you had a daughter with him.
24:29Oh, you think so!
24:30Oh no, no, no, no, no, no!
24:31That man will run away if he finds out his daughter is Julianita.
24:34No!
24:36Paco!
24:37Paco!
24:37And he still likes me, he likes me.
24:40And my heart was going to jump out of my chest.
24:42Me too...
24:44I had to become indifferent to it.
24:46You should have seen me.
24:48No!
24:48I can imagine it perfectly.
24:54Hey?
24:56What's wrong with you?
25:02Instead of being happy because I just reunited with the love of my life,
25:06You seem annoyed.
25:09Oh no!
25:11I'm going home.
25:13I'm not going to put up with your bored face.
25:15Goodbye!
25:17Na, ta, ta, ta!
25:35Na, ta, ta!
25:58Yeah?
25:59Hello, my love. Where are you?
26:02Uh, I'm stuck at home taking care of my mom.
26:07Hey Marcos, I wanted to apologize for running away.
26:12Hey, but don't worry, I'll go tomorrow and clear everything up.
26:17Hey, what's that noise?
26:18From the street, from the street.
26:21Well, I just heard an engine noise.
26:24Maritza, you're not lying to me, are you?
26:26No, no, no, no, it's just that I have the window open.
26:31Yes of course.
26:33Hey, no, you haven't spoken to Cuantos Víos, I haven't called you today.
26:38Marcos, what does this interrogation mean?
26:41I already told you that I haven't spoken to him.
26:44All they did was send me a job offer and nothing more.
26:48And you know what?
26:50I don't want to answer your questions anymore.
26:53Bye bye.
26:56Oh, Luzmi.
26:59I don't know what to do with so many lies.
27:02Are you lying?
27:25Oh, Marcos.
27:28There is no doubt about it.
27:30Maritza is lying to you.
27:33And they were all right.
27:37Maritza...
27:41Maritza is a liar, man.
27:46Okay, okay, Marcos.
28:07Well, thank you very much for accepting my invitation to breakfast.
28:11Daddy, there's no reason for us to be fighting.
28:15Simply because I insist on living in that neighborhood.
28:18Don't give me that look.
28:21Don't torment yourself, dad.
28:23Seriously, look, it was an accident.
28:25What's more, the problem wasn't even with me.
28:28It was with a dancer from the academy.
28:30OK that's fine.
28:31Alright.
28:32I trust that if things get tough,
28:35You'll know how to get out of there.
28:39Fiance.
28:40You know what?
28:42Yesterday, as I was leaving that dance academy,
28:44I ran into an old friend.
28:46Uh-huh.
28:47She told me that she has a friend who lives in that neighborhood
28:49and that he mentioned the neighborhood was a bit dangerous,
28:53a little difficult.
28:54No more.
28:55No more.
28:56Stop it already with that tango.
28:58I like it.
29:00Ready.
29:01Case closed.
29:02Okay?
29:04OK that's fine.
29:05And who is that friend?
29:10Well, a friend, a friend of many years.
29:13She worked as a model and...
29:17And you know what touched me a little yesterday?
29:20Because he did everything he could
29:23so that I wouldn't notice
29:24which is in pretty bad shape economically.
29:26And how do you know it's wrong?
29:29Did you ask him?
29:31No.
29:32It wasn't necessary.
29:34Just by looking at their appearance,
29:35I don't know, the bag she was carrying.
29:38I would like to help her,
29:41But I don't know how.
29:42Well...
29:43Could you give her a surprise gift?
29:47Furthermore,
29:47A handbag would be a very nice gift to start with.
29:52And as men usually do
29:55They don't know how to choose those kinds of gifts.
29:58Well, I'm going to advise you.
30:00If you want, we can go out this weekend.
30:02And while we're at it,
30:04Could you give me something too?
30:06Alright.
30:10Oh, Romero.
30:12Rosemary,
30:12If only he had done what I told him,
30:14The police weren't bothering him right now.
30:17But I didn't say anything to her, ma'am.
30:19And he'd better, Romero.
30:21He'd better keep it up.
30:24Well,
30:25Now I need you to do something else for me.
30:27Yes, ma'am.
30:28Just tell me more.
30:29He's going to talk to a very important man
30:31and he's going to explain exactly what I'm going to tell you.
30:36Is that clear?
30:37Yes, ma'am.
30:45What a shame, Miss Marilza,
30:47But I can't let it pass.
30:48until Don Gabriel authorizes it.
30:51Here's R4.
30:53Do you copy?
30:56Do you copy?
31:01Hello?
31:04Yes, yes.
31:05Please come in.
31:09I knew he would come back.
31:14Happens.
31:18Ah, go ahead.
31:20Go ahead, please.
31:22They wouldn't let me in.
31:23until your dad authorized me.
31:26And what did you expect?
31:27After what you did last night?
31:29That they would greet you with flowers
31:31and a red carpet.
31:34Marcos,
31:35Don't talk to me like that.
31:37Forgive me for not speaking last night
31:38with the researchers.
31:40But I had to leave quickly.
31:42for my house.
31:43My mom needed me
31:45And that's why I left.
31:47But I've come to talk to them.
31:49But no more.
31:50But no more.
31:52No more.
31:53It's over.
31:54I'm tired of all your lies.
31:57Because I already know,
31:59I know you're a fake.
32:07Marisa,
32:09No,
32:10You have no idea how stupid that is.
32:12that I feel
32:13upon learning that,
32:15that you lied to me
32:17all this time.
32:21I trusted you
32:23blindly.
32:26You let me down.
32:28Marcos,
32:29Marcos,
32:29I didn't fail you.
32:31Look,
32:31I swear,
32:32I love you very much.
32:32If you loved me,
32:34As you say,
32:34If you loved me,
32:35As you say,
32:36No,
32:37you wouldn't be
32:38with so many lies.
32:40so don't try anymore
32:41to justify yourself.
32:44Because last night
32:45I discovered everything.
33:04Do you know?
33:06All?
33:07All?
33:09Last night when I called you
33:10I was in front of your house
33:12And you weren't there.
33:14Marcos,
33:15It's just that my mom...
33:15It's just that my mom...
33:17It's because your mom,
33:18that?
33:19Your mom was walking
33:21with ink on the street.
33:23And you?
33:24Marcos,
33:25look,
33:25Calm down,
33:26If I can explain it to you,
33:27I swear.
33:27No no,
33:28What are you going to explain to me?
33:29What are you going to explain to me?
33:32Did you know?
33:32I have been very...
33:35You were very gentlemanly with me.
33:37I have accepted
33:37all your conditions
33:39and the same thing I ask for
33:41It's a little bit
33:43of honesty
33:43on your end
33:44towards me.
33:48You say nothing.
33:50Clear.
33:51What are you going to say?
33:54Surely,
33:55surely
33:56Juan Tobías
33:57he demanded
33:57that you wouldn't speak.
33:59Because I don't believe you.
34:00the story
34:01that you don't know him.
34:04Maybe,
34:06Maybe you and him
34:19It is important
34:19that it ends
34:20with the treatment
34:21and also
34:22take this drug.
34:25Thank you.
34:28If things continue like this,
34:29I think in a few days
34:30can return to work.
34:32Thank you, doctor.
34:33And don't worry,
34:34I'll take care of everything.
34:35Well,
34:36I hope you are doing well.
34:36I'll go with him.
34:37Thank you.
34:39Rosita,
34:40accompany the doctor.
34:44So
34:45You've already overcome it
34:46the most critical,
34:47No?
34:50Could it be?
34:50that you made up
34:51all of this?
34:52Could it be?
34:53that you were
34:53acting crazy
34:54And you're already tired of it?
34:56Huh?
34:58Answer me,
34:58Xiomara,
34:58Was this a story?
34:59Or what?
34:59No, Barbara,
35:01what happened
35:01at the hotel
35:02It was true.
35:02Yes of course,
35:03Why not?
35:04If you say first
35:05that you kidnap Marita,
35:07You tied her up
35:08And then you say
35:08that disappeared
35:09and instead
35:10An ugly old woman appears,
35:11Oh my God.
35:12Hey,
35:13if you wanted to assemble
35:13your number,
35:14at least
35:14you would have put me in
35:15a piece of advice.
35:17Barbara,
35:17already.
35:17No,
35:18already,
35:18already.
35:18No,
35:19You shut up,
35:20You shut up,
35:21Look, you don't have me.
35:21not happy at all.
35:24Well,
35:24The doctor already said
35:25that you can return
35:25to work
35:26And you're going to do it.
35:27But you're going to do it
35:28under my rules,
35:29you understand?
35:30Number one,
35:32I don't want a single one
35:33one more number.
35:35And number two,
35:37never,
35:38you understand me?
35:38Never go back to him
35:39to tell Gabriel
35:40not a single word
35:41about my own thing,
35:42Is that clear?
35:45I don't want that to happen to you.
35:47nothing bad.
35:48Imagine,
35:50you could get lost
35:51in a psychiatric hospital
35:52and nobody would find you.
35:54No,
35:55you understand me?
35:56Yes, cousin,
35:58But you have me.
35:59that help
35:59to recover Marcos.
36:01Clear,
36:03Don't be silly,
36:04come here.
36:06Look,
36:07Imagine that
36:08Maritza herself
36:09He is helping us,
36:10is paving the way for us
36:11the path.
36:12Look,
36:12that silly girl yesterday
36:13He ran away
36:14from the researchers,
36:15What do you think?
36:17All by herself
36:17he put on the noose
36:18around the neck.
36:20Oh really?
36:22Oh no,
36:23You'll see,
36:24All of this will pass
36:25And I'm sure
36:26that very soon
36:27Marcos and you
36:28They're going to be married.
36:30I think it's
36:31the last chance
36:32that I'm going to give you.
36:33So don't let me down.
36:38I can't resist
36:40that Marcos
36:40Don't believe me.
36:42Oh,
36:42Chela,
36:42It was so horrible
36:43everything he told me.
36:45How could he not believe it?
36:46in you?
36:47Marcos adores you,
36:48Maritza,
36:49but you have to
36:50show him
36:51that you haven't done
36:51nothing bad.
36:52That's it
36:53I tried to tell him.
36:55Because?
36:56So that he gets over it
36:57courage,
36:58You don't ask to speak
36:59with the researchers,
37:00talk to them.
37:01Oh,
37:02Chela,
37:02the thing is,
37:03I just can't
37:04clarify many things for him,
37:07such as,
37:09Why can't we
37:10going out together
37:11at night?
37:12There are things
37:13in this life
37:14of which one
37:14He cannot speak,
37:15never.
37:17Well,
37:18but about the
37:19researchers,
37:20clarify it.
37:21Just in case
37:21that Don Gabriel
37:22also start
37:22to suspect you.
37:24When I arrived,
37:26I spoke with Cristina
37:27and I asked him to
37:29I would tell him
37:30to Mr. Muti
37:30that he wanted to talk
37:31with the,
37:31But he told me
37:32that he was
37:33busy with his daughter.
37:35Oh,
37:35Chela,
37:36Could it be that I don't
37:36Want to see?
37:40So,
37:40He lied to you.
37:42I can't believe it.
37:44Marixa doesn't seem
37:45a bad woman.
37:46Antonia,
37:46I think she
37:47It has something to do with it
37:48with Juan Tobías.
37:49Last night,
37:49I couldn't sleep
37:51Thinking about that.
37:52One moment.
37:53One thing
37:54is that he lied to you
37:55about his sick mother.
37:57Other,
37:58very different,
37:59is that he has businesses
38:00with Juan Tobías.
38:01Herself
38:03he told you
38:03who was known
38:04from his godfather.
38:05Don't pretend
38:06more stories,
38:07cat.
38:07These are not stories.
38:09I saw the proposal
38:10work
38:11of companies
38:11Marbella
38:12at home.
38:13Are those stories?
38:14Antonia?
38:14And my dad
38:15Do you know?
38:15No,
38:15he doesn't know
38:16and I'm not going to
38:17to say
38:17until they finish
38:18the investigations.
38:20And even if I doubt it
38:20her,
38:21well,
38:21I'm not going to condemn her.
38:23But you know what,
38:24puppy?
38:26Marixa always
38:27He lied to me.
38:28And even if he denies it,
38:30I know that she
38:31It has something to do with it
38:32with Juan Tobías
38:33and the companies
38:33Marbella.
38:34I'm sure.
38:35Well,
38:36I came alone
38:37time for breakfast
38:37with my dad.
38:39Anything,
38:40please,
38:41You call me.
38:44I love you,
38:45cat.
38:45And I you.
38:46I hope you don't regret it.
38:48about what you're thinking.
38:50Bye.
38:52Bye.
38:54Excellent
38:54that he liked
38:55the cream
38:55that I invented,
38:56Sir.
38:57And the truth
38:57I would be interested
38:58lot
38:58continue working
38:59with you.
39:00Even though it is
39:00abroad,
39:02You prepare me
39:03some formulas
39:03for Marbella
39:04And of course,
39:05always with the same quality
39:07and with natural elements.
39:09Yes sir.
39:11Why not?
39:12You put
39:13the conditions
39:13to work
39:14in Marbella
39:14and when we see each other
39:16personally
39:16We agree.
39:18Yes sir.
39:19But while
39:20return to the country
39:21I'm getting something ready.
39:23and when I have it
39:24I'll let you know.
39:25Of course.
39:26Then I hope
39:27news from you,
39:27Mr. Vargas.
39:34From the police station
39:36I was notified
39:36that snitch
39:38from Luzmila
39:38she went to report me
39:39with her little friend
39:40the horrible
39:41And they'll regret it.
39:43They're going to see the shock
39:44I'm going to hit them.
39:45And what's going to happen?
39:46with this Nino guy?
39:47Child
39:48after payment?
39:49She's going to dance.
39:50But their dance
39:51funeral.
39:53Clear,
39:54Ladies first, okay?
39:58What are you talking about,
39:59Maricha?
40:00I bet I don't have
40:01nothing to hide,
40:02Don Gabriel.
40:03Yes, I left yesterday.
40:04without waiting
40:05to be interrogated
40:06It was because my mom
40:07He was waiting for me.
40:09But I'm here now.
40:10to talk
40:11with the researchers
40:12and resolve
40:13all your doubts.
40:15Alright.
40:16They don't take long
40:17to arrive.
40:29Now you'll see
40:30your luck,
40:30shorty.
40:32You're not coming back
40:33to see your son
40:34in your life.
40:35I'm going to take it.
40:36very far.
40:40Happens.
40:41Marcos,
40:42I've come to tell you
40:43that
40:44at the moment
40:45I'm going to meet
40:46with the researchers
40:47to declare.
40:48Oh, that's great.
40:49I hope that I
40:49Yes, tell them the truth.
40:51Marcos,
40:51Don't talk to me like that.
40:52No, I do talk to you like this.
40:54Look,
40:54It's going away
40:55how stupid.
40:57Then I'm leaving.
40:58Marixa,
40:59wait.
41:03Pedrito,
41:04my son,
41:04come.
41:05This time I'm not going to
41:06to pay attention.
41:07He has done it
41:08many bad things
41:09to my mom.
41:09Your mom sent me
41:10to find you,
41:11come,
41:11Get on and let's go
41:11a walk
41:12in my car,
41:12go ahead.
41:13Do you see?
41:14They're happy now,
41:15no problem.
41:16That's how husbands are.
41:18Come.
41:19Come on.
41:24Pedrito.
41:26Little Peter!
41:38Little Peter!
41:41Little Peter!
41:41Little Peter!
41:41My little Peter!
41:42Little Peter,
41:43my love!
41:43My love!
41:44My love,
41:45answer!
41:46Answer!
41:47No no!
41:48Please, sir!
41:49Call an ambulance!
41:51Please!
41:52My son is dying!
41:54Call an ambulance!
41:55Marcos,
41:56Don't talk to me like that.
41:57I love you very much
41:59And it hurts
42:00that you think
42:00the worst of me.
42:01I don't believe a word you say.
42:03I don't believe a word you say.
42:04Furthermore,
42:06I've lost count
42:07of the amount
42:08of lies
42:09What did you tell me?
42:11Marcos,
42:12look,
42:12about the formula...
42:13The formula thing.
42:14Your mom's thing.
42:16The thing about the nights.
42:18The story of Juan Tobías.
42:20About your love.
42:24I don't believe you, Marcos.
42:25Marcos,
42:26please,
42:27Let me speak.
42:28No, I don't want to.
42:28I'll listen to you more.
42:30I don't want to
42:31listen to you more
42:33because I already took
42:34a decision.
42:36I already took
42:36a decision.
42:39And I don't want to see you.
42:40never again
42:41in life, Marixa.
42:42So go away.
42:43Go away.
42:45Go away.
42:47No.
42:52Go away.
42:53Go away.
42:54Thanks for watching the video.
Comentarios