Saltar al reproductorSaltar al contenido principal
  • hace 15 horas

Categoría

📺
TV
Transcripción
00:00Thanks for watching the video.
00:39Hey, no, no, don't get up yet.
00:42Keep sleeping, my love. Keep sleeping.
00:46Can you tell me what's wrong with him now?
00:49My husband already told me that when he offered her a vacation,
00:54You started behaving very strangely.
00:57And he also said he couldn't, because I needed him, Romero.
01:02I just wanted to tell him that I couldn't stop working.
01:06It was a way of showing my dedication and commitment.
01:10To make it clear that you and I have many things that unite us, Mrs. Barbara.
01:15Especially Castañeda's case.
01:17That's why I said you needed me.
01:24Kill him!
01:37Do I need it?
01:40Romero, isn't it the other way around?
01:42Are you the one who needs me?
01:44I can send him to jail.
01:47But I know you wouldn't do that.
01:50He knows that I am his most faithful servant.
01:54I feel such a special devotion to you that I would not be able to leave your side.
02:00Oh, Romero, stop talking nonsense.
02:02And what he should do is be careful with every word he says.
02:06Especially when I'm in front of my husband.
02:09Yes, ma'am.
02:10Romero, don't even think about doing anything that could harm me.
02:15Because I'll sink it, Romero.
02:18I swear I'll sink whatever it is.
02:21Romero, Romero, what is that?
02:25Rosemary.
02:33My love, are you feeling okay?
02:36Yes, yes, my love, I'm fine.
02:39Because?
02:40So, why did you rush into the bathroom?
02:44Yes, it's just that, my love, I have to take a bath quickly.
02:47Because, because it's already night, you know I have to go take care of my mom.
02:52Ah, well I'll take you home.
02:54No, no, uh, uh, I mean, it's not necessary.
03:00What do you mean it's not necessary, my love?
03:02The least I can do for you is drop you off at your front door.
03:09What's that?
03:12What does that mean, Romero?
03:14Leave me alone, please, no, ma'am.
03:16Do not touch!
03:17Excuse me, ma'am, but I don't want you looking at my more personal things.
03:21Unless you are interested in some of my more intimate matters.
03:26I couldn't care less about their private matters.
03:30And, Romero, if your devotion to me is so great,
03:36Do what even a fool can do.
03:39Starting tomorrow, I will give you a series of documents that I want you to have Maritza Ferrer sign.
03:44I'll do as you say, ma'am.
03:46Well, that's better.
03:48We're going to set a trap for that girl to get her out of our lives for good.
03:59My love, why are you taking so long?
04:02Weren't you eager to go home?
04:04Yes, yes, I'm coming, I'm coming.
04:08Hey, I want to take a bath too.
04:11Why don't you open the door and we can take a bath together?
04:15No, no, no, no, my love.
04:18Why not?
04:20Why don't you do me a favor?
04:22Whatever you want.
04:24Hey, can you buy me an ice cream?
04:27Ice cream?
04:28At this hour and in this cold?
04:30Oh, yes, my love.
04:32I have a terrible craving for ice cream.
04:35Hey, weren't you in a hurry to go home?
04:38Oh yes, yes, my love, but, but you won't be long, right?
04:43Oh please, please, buy me an ice cream, my love.
04:46Oh.
04:55Hello, son.
04:57Daddy, daddy, it's so good that you're back.
05:00What are they doing?
05:01Here, playing with my friend Nachito.
05:04And your mom?
05:05Inside, do you want me to call her?
05:07No, no, it's not necessary, you big-headed fool.
05:09Hey, do you want to go to the movies?
05:11To the movies?
05:12Of course, daddy.
05:15Hey, but can I bring my friend Nachito?
05:17Ah.
05:19Okay, but let it be now.
05:21Yes, wait a moment, I'm going to ask my mom for permission.
05:25No, no, no, no, come, come.
05:27Don't go.
05:31Okay, my love, I'll go get your ice cream.
05:38Thanks my love.
05:39When I arrive I'll already be ready.
06:03But why don't you want me to ask my mom for permission?
06:05Because you don't go with just anyone, you go with your dad.
06:08Yes, but I don't want her to worry.
06:10Ah, well, well, that's fine.
06:12So, forget about cinema.
06:14See you later.
06:15No, no, no, but it's your dad and it's the movies.
06:19Come on, come on.
06:20Alright.
06:24Moment.
06:27Where do you think you're going with the children, Pedro?
06:38Where do you think you're going with the children?
06:53My wallet?
06:56Where do you think you're going with the children?
06:57No, no, no, no, no.
07:07What's happening?
07:09What's happening?
07:27Kids, you're not going anywhere
07:30Pedro, you hadn't said
07:31That you didn't want to see us again
07:33No, you made that up.
07:35Besides, it was you who kicked me out of the house
07:38And yes, he took the child to the movies.
07:39And wherever I please
07:41Well, guess what? No
07:43You're not going to tell me that now you're a good dad.
07:46The only thing you wanted to do
07:47Taking them away was going to worry me, Pedro
07:49Please, don't fight again.
07:53My love
07:54It's simply that your dad has no right.
07:56To take you anywhere without my permission
07:58Yes, he can because I love him very much.
08:00And I want to be with him.
08:02Pedrito, go inside, okay?
08:04Let's talk later
08:05Ugh, I hate you, I hate you
08:10See?
08:11Do you see what you're causing?
08:12Look, shut up
08:13Don't be stingy, Pedro
08:15Listen to me very carefully
08:16Do you remember what we told you?
08:19What if you ever set foot in this house again to bother us?
08:22We'll send you straight to jail
08:25And this time there won't be anyone to defend you, Pedro.
08:27Look, I'm not even afraid of the monster.
08:29Neither the rich man, nor you
08:30And let them try, because things are going to go very badly for them.
08:47Stop, stop, stop, stop!
08:48High!
08:49Who are you?
08:50Huh?
08:51I didn't see her come in
08:52How did he manage to get into the building?
08:54Huh?
09:19Hey, wait, wait, wait
09:21Come on, wait
09:29What's wrong, Carlita?
09:31Nothing, sir
09:32A very strange woman entered the building and they are looking for her.
09:36A strange woman?
09:37I mean, she's a really ugly woman.
09:39But don't worry, I'll find her and hand her over to the police.
09:42I will inform you when you hear about it.
09:44Okay
09:48Pedrito, my hero, keep going
09:49Doña Regina, how embarrassing to come and bother you at this hour
09:53No, no, no, don't worry
09:55Since you saved my life, you can come to this house whenever you want.
10:01Besides, it's not too late
10:03I still have a while before I go to bed
10:05Sit down
10:06I've come to visit you because you're the only person who loves me in this neighborhood now.
10:13Oh yes, Pedro
10:15I heard that Luzmila had kicked you out of the house
10:19How could he do something like that?
10:21How, how is it possible that she doesn't realize what a quality man she has by her side?
10:26Yes, yes, it was very unfair and the worst
10:28The worst part is that she doesn't want me to see my son again.
10:31What do you think?
10:32No
10:33I'm going to talk to Juliana
10:35Juliana is Luzmila's best friend
10:37And I'm sure she can make Luzmila change her mind
10:41Oh no, no, no, no
10:43Look, I don't think it's a good idea because she's on Luzmila's side.
10:48If you could see how, how she treated me last night, Doña Regina
10:52He brainwashed her
10:55Juliana has no personality.
10:58But I understand her
10:59The poor thing turned out so ugly.
11:05I recommend that you don't say anything, I mean, so as not to make things bigger, you understand?
11:12Relax, Pedro, there's no problem.
11:16Could you treat me to a coffee?
11:20Of course
11:22That's a shame, but Juliana always makes it for me.
11:25But for you I'm capable of making a little coffee
11:30I'm so glad you came to visit me
11:33I'll be right back
11:34No, no, no, no
11:38No, no, no
11:52No no
12:16Come on!
12:37Where do you think you're going, huh?
12:39He thought that if I escaped, huh?
12:45My love
12:46I already brought the ice cream.
12:48I didn't know which one was your favorite.
12:50But I brought the one I like
12:53Marixa
12:56Marixa
13:00Marixa
13:05Yes, Carlos
13:07Yes, Mr. Marixa
13:08To the intruding woman who entered the building
13:11Do you want me to call the police?
13:13No, I'm coming down there now.
13:14Please don't let him leave
13:16Listen, haven't you seen Marixa?
13:19My girlfriend?
13:21No, sir
13:22The lady you entered hasn't seen you leave.
13:24You're sure?
13:26Of course, sir
13:27A woman that beautiful stands out for miles around.
13:29Okay, I'm on my way there now.
13:31Hey, if you see Marixa, don't let her go?
13:34Yes sir
13:34As you wish
13:36I'm not doing anything, Mom.
13:38I swear to it
13:39Oh, let me go
13:42Stop!
13:43At least, his accomplice, a thief
13:44No no
13:45I am not a thief.
13:47I swear
13:58He'll be down in a moment, Mr. Marco.
13:59None other than the president of the owners' council
14:02And she will have to tell him that she was being manipulated from the beginning.
14:05Did you hear?
14:08Did you like the coffee, Pedro?
14:13Yes, yes, very tasty
14:15Listen, Mrs. Regina, as I was saying
14:17What do you know about Marixa, the Mila family's cousin?
14:20Oh!
14:21And what are you doing asking about that girl?
14:23No, no, no
14:24The thing is, I want you to help me with a little job at the company where you work.
14:28Well, I think she can help you.
14:32Of course, that cousin, Luz Mila's cousin, arrived from the countryside very recently.
14:36And suddenly he appeared here, in my house.
14:38But he did get a job at that company quickly.
14:43Of course, because she's pretty.
14:45Yes, she is pretty, isn't she?
14:47And do you know where he lives?
14:49No, I haven't the slightest idea.
14:51But I imagine it must be in an upscale neighborhood
14:54Because it seems she's very important in that company
14:59Yes, but Juliana will know where this old woman is.
15:03No no
15:04She hasn't told me anything.
15:07Of course, that girl was very attentive to me when I was in the clinic
15:12I thanked him very much
15:13But it seemed strange to me.
15:15I hardly know her.
15:18No, she's weird.
15:19No, what's strange is that my daughter hasn't arrived by this time.
15:25Yes, yes, I'm leaving, Mrs. Regina, thank you
15:30Pedrito, are you leaving already?
15:31Yes, yes
15:33Thank you for visiting
15:36Oh, you naughty Pedro
15:41Asking for Maritza
15:43Well, that girl is really pretty.
15:48But my daughter
15:50Not even the debt collectors ask her.
16:06Mr. Marcos is coming
16:08Sir, please let me go, I'm not a thief.
16:11We'll see about that.
16:14What's going on?
16:18Wait, stop
16:18Permission
16:19Withdraw the permit
16:21Stop
16:22Excuse me, Mrs. Amanda
16:23She's a strange girl.
16:25Where is that girl?
16:26Sir, with the strings, excuse me, okay?
16:28What a shame, sir.
16:29It slipped my mind like two seconds ago
16:31Because he was keeping an eye on that girl
16:33Didn't you notice if my boyfriend came out this way?
16:36No, sir
16:36Look, I swear I haven't seen her
16:39How is that possible?
16:40Did it just vanish?
16:41This is the only way out
16:42No, I felt
16:46Here are the figures, Don Juan Tobías
16:49Let's see
16:51Yes, frankly they are impressive.
16:53But I still haven't decided.
16:56Sir, I don't want to pressure you.
16:58But I did bring him the figures.
17:00It's for you to see.
17:01The amount of money we are losing
17:03Because this project is on hold
17:04I am aware of that
17:05But first of all
17:07I want to consult a little with the people in the neighborhood
17:09Let's see what it has
17:10Sir, excuse me
17:11But if you make our plans public
17:13It will give wings to the competition
17:16It's in a shopping mall.
17:18Specializing in women's beauty
17:19It's an innovation
17:20Navarrese!
17:21Don't take me for a fool
17:23I know perfectly well what I'm doing
17:25But first I need to talk to my friend Paco Tapia
17:29I want to know
17:29What do you think of all this?
17:32Tapia is a leader to be reckoned with
17:35Besides
17:36I don't want to keep this quiet anymore.
17:37I feel really bad about him
17:40It's more
17:42I'm going to visit him tonight.
17:45And I'm going to tell you everything.
18:08Where are you, my love?
18:09I've looked for you everywhere
18:14Forgive me
18:15Forgive me, my love
18:16But the thing is
18:17My mom called me urgently
18:19And I had to run away
18:21You should have waited for me
18:23I didn't delay
18:24It's more
18:24I would have gotten you there faster.
18:54Yeah
18:55Well
18:56Alright
18:57Alright
18:57Alright
18:57Don't give me explanations.
19:00Well then, I'll take it to Juliana.
19:01Seem to you?
19:02Yeah
19:03Yes, of course I think so
19:05She's going to like it a lot
19:10My love
19:13Forgive me
19:15Forgive me
19:15Forgive me for
19:16For having run away like that.
19:18After everything that happened
19:22It was so beautiful
19:24I swear I will never forget it
19:27Me neither
19:28And thank you.
19:30Thank you for your kisses
19:32Your hugs
19:34For all the love you give me
19:36I love you
19:39I love you too
19:43Bye
19:49Sit down, Ramiro
19:53I hope I haven't told anyone
19:55That we were going to interview each other here
19:56No, sir
19:57Nobody
19:58Very good
20:00Ramiro, you have been very efficient.
20:01Managing all properties
20:03From this neighborhood
20:04But now I want you to do
20:05Something else for us
20:07You will say
20:09I want Don Juan Tobias
20:11I carried out a great project
20:13It's about building
20:15A large shopping center
20:16In this neighborhood
20:17But for that
20:19I need to get rid of those people
20:20And demolish everything
20:23Demolish the Concordia neighborhood?
20:25Me too?
20:27You're coming with us
20:28For the new project
20:29But we have a small problem.
20:32Don Juan Tobias
20:34He loves that place very much.
20:35Clear
20:36He lived here
20:37When I was a child
20:38Precisely
20:39But I have to convince him
20:41That the times
20:42They have changed
20:43And that that neighborhood
20:45It no longer pays dividends
20:49Okay, so...?
20:51Where do I fit into all this?
20:54Don Juan Tobias
20:56You must believe
20:57That this place
20:58It has become
20:59In a den of thugs
21:00And that's where you come in.
21:01Come in to help us
21:03Because he's going to set up
21:04A very good theater
21:05To convince him
21:08Well, I know
21:10Someone who can help us
21:11And a lot.
21:13But what happens
21:14He just won't move
21:15If there is no money
21:16In between
21:23With this
21:24I think that's enough.
21:28Don Juan Tobias
21:29He's coming to the academy
21:30Tonight
21:31And I need
21:33That place
21:34It becomes
21:35In total chaos
21:36When he's there
21:37With me
21:38Do you get me?
21:40I want it to be
21:41Like the very
21:42Hell
21:53Your
21:54Your
21:54Your
21:59Your
22:00Oh
22:00C
22:03With me
22:10So
22:12So
22:12So
22:13So
22:13So
22:13So
22:32Oh my God!
22:35What are they going to do to my elderly parents?
22:37My God, this must be the work of the Muti
22:40My husband did tell me that someone at that company
22:43He was capable of anything
22:48Who will it be?
22:52Everything is possible
22:55Maritza Ferrer is capable of anything, Alberto
22:57Look, she's already become Marcos's girlfriend
22:59And who knows how far he wants to go?
23:01No, I agree with you.
23:04In other words, getting involved in the company got tiring.
23:05And in Marcos's life, so
23:09That's why I need you to be very close to her
23:12I need you to keep an eye on her
23:13Find out who that woman is
23:16And how do you want it, Barbara?
23:18Hey?
23:19Ever since she told me she's dating your stepson
23:21For me, things have become a little more complicated.
23:25Besides, Maritza isn't one of those women who plays both sides.
23:28Oh, Alberto, please!
23:32Look, all women can play doubles.
23:34Clear
23:35If you hit the exact spot
23:37And as an example
23:39This button
23:48That's why I need you to be close to her
23:50Now more than ever I need to be aware of all his movements
23:56I'm going to set a trap for you.
23:57One that will definitively remove her from our lives
24:01Oh, really?
24:02Yeah
24:02And what kind of trap is that?
24:04No, I'll tell you that when the time is right.
24:08Not now
24:09Why don't you go look for her?
24:11Why don't you show up at that awful dance academy?
24:14You bring it up with any excuse.
24:16In short, it won't cost you much.
24:17You just have to use one of your many charms
24:22And you're going to achieve it
24:26Take
24:27Take it, look, take it
24:28I need to know who Maritza Ferrer is.
24:30Who is that woman really?
24:33What are you going to do?
24:35Rosa, I love you
24:36You fascinate me
24:38Because there is no other woman more wicked than you.
24:50So you want me to give you a hard time at Professor Papi's academy
24:57And what for? If I may ask.
24:59Of course he can't know, yes
25:01And tell me if you're interested in earning that money
25:03And if not, I'll find someone else.
25:04Hey, calm down, calm down
25:06Let's not make it so mysterious.
25:10Like how much you plan to pay
25:21Does this seem sufficient to you?
25:27The rest you'll see when the work is finished
25:30And remember well that the trouble starts when you see me come in with some people
25:35And look at me closely.
25:36Lest he decides to lay a hand on me
25:38Don't worry
25:39I'll take care of that job
25:42I'll turn that crappy academy upside down, just like you want.
25:57Midwife
25:58Godmother, it's not bad that you arrived
25:59This place is bursting at the seams.
26:01And Ginger is in a bad mood because the teacher put her in charge of collecting the tickets.
26:07Hey
26:09Hey, that beautiful thing
26:14Marcos gave it to me.
26:16Because we're officially dating now
26:18As he says
26:19As he says
26:20How lovely, my dear friend
26:22But that thing must be really expensive.
26:26Today we were at his apartment
26:28AND...
26:30We were together
26:31Oh, it was so beautiful.
26:33Oh, how lovely, godmother
26:36You're so lucky to have that handsome guy.
26:40Why are you going to cry?
26:43What happened, godmother?
26:45You should be jumping for joy
26:46The thing is...
26:48Oh my God
26:49And I also got a terrible fright
26:51We fell asleep
26:53And when I woke up
26:54It was already night
26:56Oh, you're scary!
26:58Hold us to it
26:59Marcos discovered you
27:01No no
27:02But you can't imagine
27:03The acrobatics were so dreadful
27:04What I had to do
27:05Oh no
27:06They even confused me
27:07With a thief
27:09And then
27:10I left Marcos there
27:12Without understanding
27:13Not even
27:14Why did I leave?
27:14Without saying goodbye
27:16Oh
27:16And then he put
27:18You're a bit of a bad boy with me.
27:19Well, no
27:20It's understandable, isn't it?
27:22Oh, my gaze
27:23I don't want to
27:24May this never end for us.
27:26But I feel really bad
27:28I can't go on.
27:29With these lies
27:30I cannot reciprocate his feelings
27:33As he deserves
27:34I can't tell you
27:36That during the day
27:37I am a beautiful woman
27:38And at night
27:40I'm this ugly girl
27:41She's dying for him
27:42Oh no, no
27:43My godmother, no
27:45Don't worry
27:46Oh, but
27:47But, Luzmi
27:48How could it not distress me?
27:49If every day that passes
27:51I see it
27:52More and more in love with Maritza
27:54From a woman
27:56That it does not exist
27:57And that's not fair to him.
27:59Well yes
28:00Yes, that's true.
28:01But
28:02Know?
28:04This little chest tells me
28:05What are we going to find?
28:06The way to handle all of this
28:08So we'll come up with something.
28:10No, Luzmi
28:12That's impossible
28:15Impossible
28:22Your change
28:24I gave you a super discount
28:26Because handsome men
28:28They get the best offers
28:30Thank you so much, beautiful.
28:32Hey, I have a question.
28:34My car's out there.
28:37Are you sure?
28:40Well, then
28:41In this life
28:42Nothing is certain
28:43But if you left it at the entrance
28:45I don't think anything will happen to him
28:46Yes, yes
28:47There's the little entrance
28:49Let me see
29:00What a car!
29:02Don't worry
29:04I'll take care of it for you.
29:08Thank you
29:13Hi, Juliana
29:22Marcos
29:24I had forgotten
29:26That you were going to come
29:32Hey
29:32What are you doing with the necklace?
29:34What did I give Manisa?
30:02It's because Marisa
30:04A few minutes ago
30:06He was here
30:07And she was very happy
30:08And he told me that
30:10I had given this to him as a gift.
30:11Because there are no official news reports anymore.
30:13TRUE?
30:13And he also told me
30:14That you were going to bring an ice cream
30:15And well, then
30:17I liked it so much
30:20Well
30:20Did you lend it to me?
30:22No no
30:23Tell me the truth
30:25She gave it to you
30:26Because he didn't like the gift.
30:28It's true?
30:29No, no, no
30:30She loved it
30:31Really
30:32But the thing is
30:34Marisa
30:35We all lend ourselves to her
30:36AND
30:38Oh
30:39It bothered you
30:40That he would lend it to me
30:41TRUE?
30:43Yes, Juliana
30:44Yeah
30:44At most, it's annoying.
30:46It baffles me
30:47I don't understand their attitude
30:48Sometimes
30:49Sometimes it seems like he doesn't care about me.
30:51And I need your help
30:53To understand her
30:54Because I don't know what's going on.
31:03I already ordered your car
31:05To a friend
31:05Oh, thank you so much!
31:07You are welcome
31:09Are you looking for someone in particular?
31:11Uh, yeah
31:12Yeah
31:12But I still don't see her.
31:14Well
31:15If you tell me who it is
31:16Maybe I can help you
31:17To find her
31:18Well
31:19Is called
31:21Maritza Ferrer
31:22Ah
31:24Maritza
31:24My friend
31:26Oh really?
31:29We're super close friends
31:31It's something like
31:33Of blood
31:34Oh well
31:36Unfortunately
31:37She is not there at that moment
31:38And I don't think it will happen.
31:40But it doesn't matter.
31:41It's me
31:42The people in the neighborhood
31:44She says we're exactly alike.
31:46Clear
31:46I dance better
31:48Do you want to dance with me?
31:51Clear
31:52Why not?
31:54When I see her pass by
31:55That brunette
31:57That brunette
31:58He loves me
31:59He wants to kill me.
32:02He loves me
32:03He wants to kill me.
32:21Don Juan Tobias
32:23Good evening
32:24Ramiro
32:25How are you doing?
32:26Very good
32:26Yes sir
32:27All good
32:28Surprised to see him here
32:29Because?
32:30Because this neighborhood
32:31It's no longer for people
32:32Like you
32:33It has become very dangerous
32:36Especially at night
32:36We have to be very careful.
32:38It became filled with thugs
32:39Well, the truth is
32:40I have already come at night
32:41And not
32:41I don't see it the way you say.
32:43On the contrary
32:44Just look at that!
32:45Very painted
32:47Very clean
32:48I see everything much better than before.
32:51That's because I found out
32:52That you were going to return to the country
32:53And then I ordered the streets to be cleaned
32:55And paint the houses
32:56Listen
32:56But
32:57People are around here
32:58He values ​​absolutely nothing.
33:00On the contrary
33:01It destroys everything.
33:02Don Juan Tobias sees it.
33:03That's what I told him
33:04Well
33:05We'll see, Navarro
33:07We'll see.
33:19Well, I've vented now.
33:21And also
33:22The ice cream is melting
33:27Juliana
33:29Thank you for listening.
33:33Marcos
33:34I wish I could do something
33:36So that
33:37Everything between Marito
33:39And may you be perfect.
33:42No, you can't do anything.
33:44And thank you for caring.
33:46Really
33:47Thank you very much
33:49Your interest
33:58Godfather
34:18Godfather
34:20Be quiet
34:22It's not fair
34:23Godfather
34:24I don't want to separate
34:26From my dad
34:28The other day
34:29He wanted to take me to the movies
34:30And my mom wouldn't let me.
34:32Godfather
34:33As?
34:33How can I explain it to you?
34:36Your dad is passing by
34:37Through a very difficult time
34:39AND...
34:40And one as a man
34:41He needs to be alone
34:42Yeah?
34:43But
34:44I promise you something
34:45What if I invite them to you?
34:47And your friend going to the movies?
34:48One day this
34:49Seem to you?
34:50Yeah!
34:50Yeah!
34:51Really?
34:53Fiance
34:53What do you mean, no?
34:54Hey?
34:54Word of honor
34:56Come on
34:57That is
34:58Hello
34:58Buddy
34:59How are you?
35:00Hey godmother, how are you?
35:01Well, I wanted
35:02Talk to you
35:04Right now
35:06My sweet little darlings
35:08Get in
35:08It's time to go to sleep.
35:09Well?
35:11Ready
35:13What do you want to talk about?
35:32Linen
35:33We're going to keep letting each other go
35:34Of these two rich kids
35:36It was smooth, wasn't it?
35:38Why don't you bother?
35:40Somewhere else?
35:41I'm not here to bother you.
35:41On the contrary
35:43I'm here to help.
35:44I know I'm not a saint.
35:46Of your devotion
35:46But the currency
35:47It has two sides
35:48What do you want, Pedro?
35:50Let's see
35:51Spill the beans
35:52I want to open your eyes
35:54Brother
35:54Can't you see?
35:55These two types
35:56They're all sucking up to him.
35:57To our old ones
35:59And if we don't unite on this
36:01They're going to take them away
36:01Right under our noses
36:02And we're going to stay like this.
36:03As if nothing had happened
36:07You're right
36:09They must be stopped in their tracks.
36:13Juan Tobías
36:14What a shame
36:15Having made you wait
36:16Man
36:17But I was registering
36:18To some new students
36:19No, brother.
36:20Don't worry
36:20No problem
36:20No problem
36:21That's all I want to talk about
36:22Something about you
36:23A rather delicate matter
36:24Tell me
36:25I need to know your opinion.
36:26Look
36:28That?
36:29Look here
36:30That's what I mean
36:32When I tell him that here
36:33A lot of thugs come in.
36:34No, no, no
36:35That's precisely it.
36:37He is one of those who has
36:38His little group
36:39And every time he wants
36:41The weapon is coming
36:43And if he's drunk
36:45She follows him in the street
36:46That's not entirely true
36:47They're exaggerating
36:48Sirs
36:49For now
36:49There have been no problems
36:51But look at what it is
36:52Look, look
36:52Look
36:55Oh, you
36:57What's wrong with you?
37:00Who do you think you are?
37:01That you are also
37:01From an idiot
37:02Rich kid?
37:24Linen
37:25You and I are nothing anymore.
37:28So don't get involved
37:30You shut up, Ginger
37:32And you
37:35Sweetie
37:39You're leaving right now.
37:40From this place
37:41Please, gentlemen
37:43Please
37:44Enough with all the fighting
37:46And lawsuits
37:47We're here to have fun
37:48No to fighting
37:49What candle do you have?
37:50At this funeral?
37:51If we feel like it
37:52To start a big fight
37:53Neither you
37:54Not even this idiot
37:56They're going to tell us when
37:58Oh yes
38:04Calm down, please
38:05Don't fight
38:06Don't fight
38:07Please
38:15Don't fight
38:19Yes
38:21No, no, no!
38:52I assume he already received our messages
38:54My lady
38:56She liked the photos we sent her of her parents.
38:59What lovely old people
39:02And how did they pose for the photos?
39:06Please, don't kiss my parents.
39:09I beg you, please
39:10Well, that depends solely on you.
39:13If it disappears off the map
39:15And she's going to take care of her elderly relatives.
39:17Instead of announcing the exits
39:19We will all be
39:20How can I say it, Negrito?
39:23Much happier
39:29Also?
39:45I know this is absurd
39:48But you have to understand that this doesn't happen all day long.
39:55Yeah, yeah, yeah, yeah
39:56Your people don't fight, your people
39:58No more, calm down
40:00Please don't fight anymore, Nino.
40:02Enough
40:03Stop fighting, no more
40:05No more
40:06No more, don't fight anymore, Nino
40:09Ginger
40:14The police have arrived!
40:18Police!
40:20Police!
40:25Marcos!
40:27Marcos!
40:28Oh my God!
40:28What did they do to you, Marcos?
40:30I'm going to get him help.
40:31Well
40:32Marcos, wake up!
40:36Good heavens, Paco!
40:38How are you?
40:40I'm ashamed of you, man.
40:42What bad luck that you had to witness all this!
40:46Yeah
40:47Well, I had already been told that the neighborhood had become full of thugs.
40:50And I didn't want to believe it.
40:51Don't make hasty judgments
40:52This was just a coincidence.
40:54Paco, don't try to cover things up.
40:57I understand that you're attached to the place, but
41:01Frankly, don't you think it's time to put sentimentality aside?
41:05What do you mean by that?
41:07You should move your academy to another location.
41:09To another neighborhood
41:12Are you going to ask me for the house?
41:15Yeah
41:17And not just you
41:19After what I saw tonight, I think the best thing I can do with all the buildings I have is...
41:23here is to take them down
41:23Throw them away
41:24And build something new
41:30It's not fair
41:33It's not fair.
41:36You have treated me very well.
41:39And all I've done is
41:42It's filling your heart with doubts.
41:47It's not fair
41:50All I want is for you to be happy
41:52I don't want to make you suffer, my love
41:56I don't want to
41:58There will be some love
42:01There must be a way
42:03Wherever my destiny may take me
42:12Some illusion
42:15Grant me the time
42:19Marija
42:21I know how to live out all my dreams
42:24And may my destiny take me.
42:30How is it that you have to take my destiny?
42:30With lower
42:30And may my destiny take me.
42:36And me
42:36Thank you.
Comentarios

Recomendada