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00:17No, Chela.
00:18You know I'm not going to tell him.
00:21I was sad because...
00:24Oh, better forget it.
00:26What is this?
00:27Your Aunt Mercedes' notebooks.
00:30Those who robbed you.
00:39What is this?
00:42Antonia, do you know this rich guy?
00:46Yes, he's my brother.
00:48What about you?
00:50Can you explain what's happening?
00:53This guy was abusing you.
00:55Who do you think I am, you idiot?
00:57You won't shut up!
00:59Marcos, nothing happened here.
01:02Oh no, then I interrupted something that was about to happen.
01:05Did you know?
01:05No, I didn't explain anything.
01:08Antonia, you...
01:09You have every right to do whatever you want with your life.
01:12But what I never imagined...
01:15...it was never like you were going to mess with...
01:17...with this criminal.
01:18Look, be careful what you say, rich kid.
01:21Or do you want me to give you another beating like the one I gave you in the hospital?
01:25Hey?
01:26Be quiet!
01:27Marcos!
01:29My apartment flooded and he didn't help me bail out the water all night.
01:33I am sick and I have a fever.
01:35Did you know?
01:37Antonia, if I had known who you were, not a chance...
01:43Forget it.
01:44I'd rather you weren't at Maestro Tapia's presentation, okay?
01:47Bye bye.
01:54My Aunt Mercedes' notebooks.
01:56Oh my God, this is a miracle.
01:59Chela, where did you find them?
02:01In a box in the middle of the hall.
02:04In a box in the middle of the hall?
02:06And what were my notebooks doing there?
02:09I don't know.
02:10Well, the bad thing is that Omara almost caught me...
02:14...and he was left suspecting that I was hiding something.
02:16And now, if something goes missing in the company...
02:19...they're going to blame me and fire me.
02:21Oh, don't worry, Chela.
02:24But who could have stolen my notebooks?
02:28Who would want to keep all my formulas?
02:34Hey, wait, we need to talk.
02:37Hey, haven't you seen Maritza?
02:38They told me he was here at his house.
02:40No, no, no, no, no, no...
02:43I think he's already left for work.
02:46Thank you.
02:49Chela found them and went to give them to Maritza.
02:52Do you understand?
02:53Once again, that stupid woman has them in her power.
02:55Barbara, what are you worried about?
02:57In any case, you were never able to put those formulas into practice.
03:00Were...
03:00...were too complicated to decipher.
03:02But how can you ask me what I should be worried about?
03:05Maritza is not stupid.
03:07You'll undoubtedly wonder what those notebooks were doing there.
03:10Well, then we have to come up with something else.
03:13No, no, hey, wait.
03:14Because it's not the worst thing.
03:16When I tell you what I just found out...
03:18...you're going to faint, seriously.
03:19Let's see.
03:22The girl is pregnant.
03:24Who, Maritza?
03:25Yeah.
03:26She is pregnant.
03:28By Marcos Muti.
03:32Pregnant.
03:33Wow, that woman is fast.
03:36I'm saying that the climber knows how to do it.
03:38And he does it very well.
03:40But I'm also warning you that I'm not going to allow it, do you understand?
03:42I will not allow it.
03:44I'm not going to let this stupid paratrooper and Marcos take away my power, my fortune, the Muti fortune.
03:50to allow.
03:51Okay, tell me one thing.
03:52Marcos, do you already know, yes or no?
03:54Not yet.
03:55Barbara, can you imagine if Marcos and Gabriel find out about this situation?
03:58Can you imagine?
04:00Of course I can imagine.
04:01That idiot Marcos would run off to get married.
04:05And Gabriel would be happy because he would see his family's dream of a happy life fully realized.
04:10Wow!
04:11Hey, what I don't understand is why...
04:13Why hasn't Maritza said anything to Marcos?
04:15That's why.
04:17No, I imagine he's waiting for the right moment.
04:20He's looking for something to tell her.
04:22Once she's got him trapped, the stupid bitch.
04:24Barbara, calm down.
04:25Look, maybe Maritza is giving us a way to improve things, to straighten them out, okay?
04:33Alberto, I don't understand you.
04:34What are you talking about?
04:35Barbara, listen to me.
04:35We need to deepen our plans.
04:38That woman, that woman has to fall into my arms.
04:43And here you go.
04:45And make people believe that child is mine.
04:49I will not allow it, my dear.
04:50I'm not going to let that stupid woman get away with anything with you.
04:53I will not allow it.
04:54I don't want to.
04:55No.
04:57Do you have any other ideas?
04:58Can you think of anything better?
05:02Well, now I understand.
05:03I understand now.
05:05So, that little guy came to help you get water out of your apartment.
05:09His name is Nino Marcos.
05:10Antonia, I don't care and I don't want to see you near him again.
05:14He's a common gang member.
05:16If you see how he dresses, he's a criminal, a...
05:19Well, I don't think so.
05:21On the contrary, he is a very attentive boy.
05:23Antonia, please tell me if you're interested in anything more with him.
05:27Because if that's the case, I'm warning you.
05:29Oh, you're not my dad.
05:31Antonia.
05:32No.
05:33Did you know?
05:34For the moment, he means nothing.
05:36But I'll think about it.
05:38The guy dances like a god.
05:42He's handsome.
05:43And I love it.
05:46Antonia.
05:48Antonia, please.
05:52Excellent.
05:55Fine, thanks.
05:57Thank you.
05:58Everyone was very kind.
05:59Paco.
06:00Yes, yes.
06:01Paco.
06:02Paco, what a joy to see you, my friend.
06:04I'm wondering the same.
06:05How friendly.
06:09Well, Pedrito, how are you feeling?
06:12Super.
06:12No, it's just that I ate a lot of things in the hospital.
06:16No, it's just that I've gained weight.
06:18Yeah.
06:18Come on!
06:22Thank you, thank you.
06:23Hello, Pedrito.
06:25Why don't you come in? We have a very special welcome for you.
06:34Teacher, we know you want to rest, but we have prepared a short welcome for you and Pedrito.
06:44And since I don't have a partner, I'm going to do a new dance routine on my own.
07:00I thought you weren't going to accept.
07:03I'm doing this only for Maestro Tapia, not for you.
07:07Then let it be the best presentation ever.
07:20Thank you.
07:21Thank you.
07:24Thank you.
07:34Thank you.
07:58I don't understand.
07:59Who could have stolen my notebooks?
08:03Oh, but if I say something I'm going to hurt Chele and Juanco.
08:07And no, I can't.
08:11Alixa, Alixa, I've been looking for you like crazy.
08:13I went to your house.
08:15Because I don't understand.
08:17I didn't understand last night why you told me to forget.
08:21That I would forget about you.
08:27Because I'm not sure I want to continue with you, Marcos.
08:30It's because of Juliana, right?
08:32He already told you that he pretended to be you and got into my bed.
08:36When she is far away, my soul cries, there will be some love.
08:56Marcos, I don't want you to speak badly of Juliana.
08:59At least not in front of me.
09:02I need you to hear my side of the story, okay?
09:04Yes, I know what you're going to say.
09:06Look, I don't know what she told you, but I need you to listen to me.
09:12Juliana came into my apartment when you left.
09:15and took advantage of the darkness to impersonate you.
09:19Me too...
09:20I thought it was you.
09:23Oh, what?
09:27AND...
09:28That she and I were together.
09:31You understand me?
09:35We made love, Marisa.
09:40I told him I was going to tell you all this, and you don't know how much it hurts.
09:45having to go through this situation and tell you.
09:49I kicked him out of the house, I told him it was disrespectful to you, since you're his friend.
09:55I know that...
09:56I know that...
09:57How are you feeling right now? I wouldn't want to be in your shoes.
10:02I...
10:02I couldn't sleep last night thinking about all of this...
10:05It had already happened and I don't know how I let myself be deceived.
10:08I was a...
10:09An idiot.
10:10But, my love...
10:12I'm being honest with you and I need...
10:15Please forgive me.
10:17Please.
10:18Please.
10:22Marcos.
10:25What did you feel when you were with her?
10:30Why are you so nosy?
10:32Always sticking your nose into my things.
10:35I've already told you.
10:36What's yours is yours, and what's mine is mine.
10:45I need you to tell me, Juanco.
10:47Look, in that box there were some things that belong to Maritza.
10:50And she asked me to find out where they came from.
10:54Chela, can't you see I have to go comb those girls' hair?
10:57And you have to do their makeup.
11:00So...
11:03Hurry up.
11:03And then you make time for your gossip.
11:10Okay, teacher.
11:11I'll leave it all neatly arranged here.
11:13And I ask for permission because I'm going to see my little boy.
11:15I left him alone with Nachito.
11:17Go ahead, I'll stay here with Regina.
11:22Oh, master.
11:23Thank you again for this great act of charity you did for my little boy.
11:28Listen to me, teacher.
11:30I won't live long enough to pay him back.
11:33For me, the best gift in the world is seeing Pedrito happy next to his mom.
11:48Paco, imagine that Gabriel Núñez called me and told me that he was going to send me a gift.
11:55And you believed him?
11:58Regina, for God's sake.
12:00He's a very busy man who just wants to play with you.
12:05He's jealous, he's jealous.
12:08Jealous me.
12:10Regina, how did you come up with that?
12:13I'm telling you this to save you from another disappointment because of Gabriel Muti.
12:19Remember, remember that he is a married man.
12:22That much I'm very clear about, Paco.
12:25But that doesn't stop me from accepting a gift from Gabriel.
12:31Oh, Paco, I'm dying of curiosity to know what you're going to send me.
12:39How can you ask me what it means to be with another woman? Please.
12:45Answer me, Marcos.
12:47Was it pleasant?
12:50It was intense.
12:52Intense.
12:54More than with me?
12:56Yeah.
12:57Well, no, of course not.
13:00Don't take it the wrong way.
13:02But I thought this stick was with you and...
13:06And Juliana deceived me.
13:08He told me not to turn on the light.
13:10Everything was dark and...
13:11And her perfume smelled like you.
13:15And her voice was just like yours.
13:18And her skin.
13:21My love, my love, I...
13:23I felt it was intense because I thought I was with you, not with her.
13:28Look, you know?
13:32Juliana needs professional help.
13:34She...
13:35She's mentally unstable, just like Xiomara.
13:38No.
13:39No, Marcos.
13:39Don't compare her to Xiomara.
13:41Juliana is not crazy.
13:43She's just a woman in love.
13:45Yes, I checked that, but she's in love with a man who's already in a relationship.
13:50Marixa, for God's sake, it's absurd.
13:52What I want is for her not to suffer.
13:57Or that you don't...
13:58Or that it doesn't hurt you, you understand?
14:01I assure you it won't hurt us.
14:04What's more, he'll never bother us again.
14:08How can you be so sure of that?
14:12I know what I'm talking about, believe me.
14:15And you know I don't want to talk about her again.
14:17Nor do I want you to make me jealous again with Alberto.
14:22He only...
14:22Yes, yes, yes, yes.
14:25Already.
14:26My love.
14:28My love.
14:29The only thing I want...
14:32that no one separates us.
14:54Just this curve now, Alberto.
14:57Our shares continue to fall.
14:59Meanwhile, those in Barbeña are rising like foam.
15:03If Romero hadn't stolen that formula,
15:05Our situation would have been different, Don Gabriel.
15:09How's Marixa getting on with the new line?
15:13Very advanced.
15:14I think he's releasing two more creams today, huh?
15:16Very good.
15:17Yeah.
15:17Then I will call the investors so they don't get discouraged.
15:20Alberto, please coordinate this meeting very well.
15:22I need the best models to do a demonstration.
15:26Let it be a grand affair.
15:27It is very important.
15:33Hey, if there's a little bit left over, could you give me some?
15:35Oh, my Nachito, my love, there is so much for you.
15:39Wait, let me finish giving it to Pedrito.
15:40Well?
15:43Sorry, uh, I came back because...
15:45Oh no.
15:45Let's see, let's see, it's you again.
15:47What do you want?
15:48Peaceful.
15:49Why are you getting so upset?
15:51I just came to see if I hadn't left my cell phone around here.
15:53because I can't find it.
15:55And where did these kids come from, huh?
15:58Do you babysit?
15:59You are a nanny.
16:00No.
16:01I'm not a nanny.
16:02I am a mother.
16:04And you didn't leave any cell phones behind.
16:06And you'd better leave because I'm already tired.
16:08Let's see.
16:09Hey.
16:09Hey, hey.
16:10Did you know?
16:11Well, it's a good thing we're not even friends.
16:14Uh-huh.
16:15Because children disgust me.
16:17Oh, what a coincidence.
16:19Because you annoy me too.
16:21Bye.
16:22Bye.
16:31Dance academy, the meme.
16:34Hello good.
16:34Could I get in touch with Nino, please?
16:37Bye.
16:45Well.
16:46Hello.
16:47Hey, Nino, this is Antonia speaking.
16:49What do you want, Antonia?
16:51I wanted to apologize for how badly my brother behaved.
16:54That's the least of it.
16:56You should have told me who you were.
16:59Who was he?
16:59Yeah.
17:01That rich man's sister
17:03and the spoiled daughter of some tycoon.
17:05And so?
17:06Nino, neither.
17:08Yes, my dad is a businessman.
17:11But he didn't want the people in the neighborhood
17:14He saw me as a strange animal.
17:16Simply for being his daughter.
17:18And believe me, I wasn't playing with you.
17:22Alright.
17:24I believe you.
17:26How are you feeling after your stone?
17:28Better.
17:29Thank you.
17:30Hey, I'm going to stay here for a few days.
17:33If you want, call me on my cell phone.
17:36Write down my details.
17:40Three days, six nine six, zero nine thirty three.
17:44Ready.
17:45Hey, I kept your keys.
17:50I'll take care of fixing up your apartment
17:53so you can return soon.
17:55Did you see?
17:56Oh, thank you so much, Nino.
17:58You're sweet.
18:00Bye.
18:02We'll add violins to the little call
18:05and it looks super romantic.
18:08Child.
18:10You look pathetic
18:12kneeling before that Pakistani girl.
18:15Look,
18:16If you want to bother,
18:17Why don't you go find your Pedro?
18:20I remind you that recently
18:22we were on a platform
18:24welcoming
18:26for teacher Tapia
18:27and a farewell
18:29for us.
18:31Bye bye.
18:36Well,
18:38Maritza,
18:39I am coordinating a meeting
18:40with the investors
18:41And I want you to...
18:42Yeah.
18:43Yes, come in, my love.
18:44Happens.
18:45Sorry.
18:46I want you to explain it to them.
18:47the details
18:48of the products
18:49that you are working on.
18:49Gabriel,
18:50I don't think that's a good idea.
18:53Barbara,
18:54It is important
18:55that Maritza
18:56convince
18:57to investors
18:58of the benefits
18:59that have their products.
19:01I agree, you know?
19:03Wait.
19:05The thing is
19:05I am very shy.
19:07If they want,
19:07I'll write them a letter
19:08with the details.
19:09No, no, no, Maritza.
19:10You are the only one
19:11that can solve
19:12all doubts
19:13in case of any questions.
19:15Maritza, look,
19:15I'm going to confess something to you.
19:18Our actions
19:18They have dropped a lot.
19:19and
19:20this meeting
19:22It is very important
19:23so that we can stay afloat.
19:25I don't want to be
19:27alarmist,
19:28I don't want to pressure you,
19:29but
19:29in a way
19:31the future of this company
19:33It's in your hands.
19:58What more could I want?
19:59You want to help him, Mr. Muti?
20:00But the thing is
20:01I get very nervous.
20:03Did you notice?
20:04What happened
20:04at the first meeting?
20:06I messed up
20:07because
20:07because I can't speak
20:09in public,
20:09really.
20:11I propose an idea.
20:14What if
20:16if we succeed
20:16a teleprompter?
20:18A what?
20:19Oh no,
20:19this girl
20:20he doesn't even know
20:20What is a teleprompter?
20:21Barbara,
20:22please.
20:22Maritza,
20:23It's a device
20:24that allows
20:24that you read
20:26without the need
20:27of having a role.
20:28I commit
20:29to help you with that,
20:30Yeah?
20:30That sounds like a good idea.
20:31Marcos,
20:32Alright,
20:32Alright.
20:33Maritza,
20:34José,
20:35It's within you
20:35decide
20:36if you're going to help us
20:37or not.
20:38Hey,
20:39Well,
20:39well,
20:40Yeah,
20:41Yeah,
20:41Don Gabriel,
20:42I will put
20:42everything on my end.
20:43Thanks a lot,
20:44Maritza,
20:45thanks a lot.
20:46Please,
20:46all,
20:47We're on time.
20:48Yeah,
20:49come on,
20:50let's see,
20:50dad.
20:59I wanted to talk to you
21:01about Antonia.
21:02What's wrong with her?
21:04We have to take it out
21:05where he is living
21:05because it is relating
21:07with people
21:08which is not convenient for him.
21:09That's all.
21:13Well,
21:14Pedrito,
21:14Let's get started
21:15up to date in the studio
21:16Because otherwise they'll cut you.
21:17in the next exam.
21:20Let's begin
21:20through the coves
21:21of multiplying.
21:22Let's see.
21:25What happened?
21:29Wasn't this it?
21:30what I was looking for
21:31the Lord
21:31What came?
21:34Yeah,
21:36What a drag.
21:38No,
21:38me,
21:38You have to give it back to him
21:41for,
21:41so that he doesn't say
21:42that we are thieves.
21:44Of course,
21:45my life,
21:45of course
21:46I'm going to do it.
21:48Because he is so beautiful,
21:49Yeah?
21:58Ready.
21:59In a few minutes
22:00The sample will be ready.
22:02Oh,
22:02Marcos,
22:03I'm very nervous
22:04about the device
22:05that you told me
22:06that I had to use
22:07for the presentation.
22:08No,
22:08my love,
22:08Don't worry,
22:09Everything will be alright.
22:12I have to tell you
22:13something very strange.
22:15Chela
22:15He found the notebooks
22:17from my aunt Mercedes
22:18here,
22:19in the company,
22:20those who robbed me.
22:21In what part?
22:23Hello.
22:25Since I saw you weren't going out,
22:26I ordered our lunch
22:28so that we can eat here.
22:29Thank you,
22:30Alberto.
22:31But I think
22:31that I'm superfluous.
22:33Marcos,
22:34No,
22:35No,
22:36You can stay,
22:38my food is enough
22:39for both of us.
22:44And?
22:45And you're not going to talk to me?
22:49Until you tell me
22:50where did it come from
22:51what was
22:51in that box.
22:52Why does it have
22:53That important?
22:54Maritza needs to know.
22:56Alright.
22:58Those things
22:59They were in the office,
23:00on the desk
23:01from Doña Bárbara.
23:02That?
23:04What am I telling you?
23:07Oh,
23:08I swear,
23:09I swear
23:09Maritza Ferrer
23:11It's going to be ridiculous
23:12of his life
23:12at the meeting
23:13with the investors.
23:15And I swear to that,
23:16like what my name is
23:17Barbara Montesinos.
23:23Does anyone want more?
23:25No.
23:28Well,
23:30Now that we're finished,
23:31why not,
23:31Why don't we leave?
23:32to the video room?
23:34So that I can teach you
23:34the teleprompter
23:35And so you practice
23:35for tomorrow.
23:37You're very kind,
23:38Alberto,
23:38But I'll explain it here,
23:40Yeah?
23:40Thank you so much,
23:41What a thoughtful gesture.
23:42Marcos,
23:42Marcos,
23:43what happens
23:43It's the teleprompter
23:45He's in the video room.
23:48Maritza,
23:48I know who.
23:51Are you offering anything?
23:52Chelo?
23:53No,
23:54Don Alberto,
23:55It's nothing important.
23:56Okay.
23:57Excuse me.
24:04Oh,
24:06thank you,
24:07thank you.
24:08Oh,
24:09I always knew
24:09that afterwards
24:10liposuction
24:11and the magic
24:13of the silver threads,
24:15Gabriel Muti
24:16I wasn't going to have
24:16no other option
24:17that return to me.
24:18Stop dreaming
24:20foolishness.
24:21So,
24:22How do you explain that?
24:23that Gabriel Muti
24:24he looked for me
24:25me?
24:26Let's see,
24:27Was he the one who contacted you?
24:31They brought him
24:32This package,
24:34Doña Regina.
24:35I have to go
24:36to take care of Pedrito.
24:38Do you have to take care of
24:38Pedrito?
24:39Because?
24:40Where is Luzmila?
24:41I don't know,
24:42said he was going
24:42to settle a matter.
24:44See you.
24:48Did you see, Paco?
24:50I'm coming back
24:51to my golden years.
24:53The gifts
24:55that they gave me
24:55when I was
24:5620 years old.
24:59Oh.
25:01Oh.
25:06Look, Paco,
25:07It's a handbag.
25:10Exquisite.
25:11No.
25:14Oh, Paco,
25:16I'm going to faint.
25:17What happened?
25:19It's by Gabriel Muti.
25:21Well,
25:21to have
25:22so much money,
25:23It seems to me
25:24a gift
25:25very poor.
25:27Poor guy
25:28to your shirt.
25:32girls,
25:33girls,
25:33girls,
25:36Until finally
25:37I find you,
25:38Charly.
25:38Hello.
25:39Here's your cell phone.
25:41Thank you.
25:42Bye.
25:42Hey,
25:43You wanted to see me again,
25:44TRUE?
25:44That's why you hadn't told me.
25:45delivered to your home.
25:46That?
25:47Very bright
25:48with your friends.
25:49But brilliant,
25:49Why, beautiful?
25:50Don't get like that.
25:52That?
25:54Could that be it?
25:55Are you waking up?
25:56Let's see,
25:57if you get rid of it
25:57the heavy stuff,
25:58Charly.
25:58But who left
25:59inform this woman sole
26:00so disgusting?
26:01Women's sole.
26:02Ordinary and commonplace.
26:03Get out of here.
26:05Long.
26:05Sole,
26:06ordinary and commonplace.
26:07That she was your grandmother.
26:08Maria.
26:08Peanut?
26:09Peanut!
26:10Peanut!
26:11Bite me, please!
26:13Bite me, please!
26:14Bite me, please!
26:14Bite me, please!
26:15Bite me, please!
26:21Bite me, please!
26:22Olé?
26:23Gabriel,
26:25It's Regina.
26:26I know you must be very busy,
26:29But I wanted to tell you
26:30I loved the gift.
26:32Thank you.
26:33I'm glad you liked it.
26:34Well,
26:35I don't know now.
26:36when I can premiere it,
26:37because I don't have
26:38no important appointment
26:40scheduled for these days.
26:42Well,
26:42so,
26:43Why don't you schedule it?
26:44A lunch date today?
26:46For today?
26:48Yeah,
26:49today.
27:07Where can I find you?
27:13What a coincidence that you're going to be in that same neighborhood!
27:16What a coincidence that you're going to be in that same neighborhood!
27:16Yes, of course, of course, of course.
27:18Your friend.
27:21And what time should I pick you up?
27:24Well,
27:26Bye.
27:29My love.
27:31Hey,
27:32did you know?
27:33I think you've been so busy here at the office
27:36and with your children's affairs
27:38I think we should spend more time together.
27:41What do you think?
27:42Because?
27:43Why don't we go to lunch today?
27:46Lunch today?
27:47Yes my love.
27:48My love, forgive me, but...
27:49Well, I can't.
27:50Can't.
27:50I have a date with someone.
27:52Clear.
27:53I imagine that's with an investor, right?
27:56A businessman.
27:57Who is it?
27:57Tell me.
27:58Well, no, no,
27:59He is not a businessman.
28:01Is...
28:02She's an old friend.
28:05An old friend.
28:06Don't even think about it.
28:09No love.
28:10What do you think?
28:12Why should I have to think more?
28:16What else should I think about?
28:16Besides,
28:17I know you would be incapable of deceiving me, right?
28:22Clear.
28:25Oh, what do you want now, Charlie?
28:27You can't come to this company and cause trouble like that, okay?
28:29So please, control yourself.
28:31Hey, hey, wait a minute.
28:32I didn't cause any trouble.
28:33Those women treated me very badly.
28:35And besides, you're not going to come here and give me self-control injuries, Charlie.
28:38Or did you forget how drunk you were last night?
28:40Luzmi, what happened?
28:42What's all the fuss about?
28:43The scandal?
28:43Has he gone all the way to the offices?
28:45Godmother, it's not my fault.
28:47The one to blame here is this gentleman who hasn't stopped bothering him.
28:50Just a moment, please.
28:51Yeah?
28:52What's it to me if your friend is a savage?
28:56You should have seen how he messed up the models' hair, huh?
28:58And if you're going to come and scold me,
29:00First, ask him to tell you the whole story.
29:05Luzmila, what did you do?
29:07Oh no, godmother, no.
29:08That's not what's important right now.
29:10Tell me how it went with Marcos.
29:14Well, I had to eat fast food because of this stupid thing, huh?
29:18And on top of everything, accompanied by your stepson, Marquitos.
29:22Oh, no more.
29:24But why didn't you stand up for yourself, huh?
29:26Are you their boss or not?
29:27Yes, my love, but he's her boyfriend.
29:29What do you want me to do?
29:31Now, darling, we need to reinforce some points in our strategy.
29:37I'm finding it really difficult to get Maritza to bed, huh?
29:40Well, although that doesn't make me very happy,
29:43Yes, you have to do it.
29:45Look, when Marcos finds out she's pregnant,
29:47He has to swear on his life that this child is yours.
29:51That way she'll send her to hell once and for all.
29:54I have an idea.
29:55That?
29:55I have an idea.
29:58You know what blackmail is, right?
30:02I'm not one of those...
30:03Well, I have my own issues too, Barbara.
30:06And you'll see with the news I'm going to give you later.
30:10I hope they're good, okay?
30:11By the way, we have to stop Maritza from showing off tomorrow.
30:15in front of investors.
30:17We must make sure everything goes wrong for him in tomorrow's presentation.
30:20Why do you think I supported the idea of the teleprompter?
30:23I'll take care of that.
30:26You're great!
30:27Of course, the teleprompter!
30:30Look, I'm really enjoying these little surprises.
30:32with the ones that have been coming up lately.
30:35And if you manage to make Maritza make a mistake
30:38Investors withdraw their support for Multi Companies...
30:42Oh, Alberto, you're going to make me very happy.
30:45And when you see what I have planned for Maritza,
30:49Oh, you're going to love me even more.
30:52Check the sales statistics.
30:56Look.
30:57What is this?
30:57After all, we're doing very well.
30:59We're making a fortune
31:00with the cream that Maritza Ferrer brought out.
31:03And of course, we sold them to the competition.
31:06Look at the numbers.
31:07Look at the figures for the Marbella company.
31:14What a great team you and I make, huh?
31:19Well, my dear friend, I'm so glad to hear that you and Marcos are doing well now.
31:22But what's driving me crazy is the notebooks.
31:25How did those notebooks end up here?
31:27That's what I don't understand.
31:29Someone from the company stole it.
31:31But I can't say anything without harming Chela.
31:34Hey, but who, my dear friend?
31:36Who in this company might be interested in your Aunt Mercedes' notebooks?
31:39I don't know.
31:40I don't know.
31:41I have no idea, Luzmi.
31:43I want you to look for Altagracia and Altamira.
31:46I need those two of them to do a...
31:48a small favor that I will know how to repay.
31:51And while you're at it, tell Chela to come over.
31:54Hey, I ran into Chela in the bathroom and she was hiding something.
31:59And no matter how much I threatened her, she wouldn't tell me what she was carrying.
32:03But I suspect she stole something from here.
32:07And do you know what's better?
32:08Don't say anything to him.
32:10Give him this letter.
32:12And this?
32:19So, yes, it's true.
32:21Yes, something was stolen.
32:22Let's say...
32:24who stuck his nose where it didn't belong.
32:27And now he has to pay for it.
32:32Wow!
32:34What a strong-willed woman, huh!
32:37Besides being crazy, she's very wild.
32:40You probably did something.
32:42Because my godmother is...
32:43It's quite difficult to upset him.
32:45And you know what?
32:48Does that woman look so beautiful when she's angry?
32:52Hey, be careful.
32:53Put on the brakes, brother.
32:54Don't even think about messing with her, Charlie.
32:57I don't know what I'm telling you.
32:58The look needs to be educated by someone attractive and experienced.
33:02Like me.
33:03Be careful.
33:04Don't mess with her.
33:04You'll regret it.
33:06Don't imagine things, don't make up stories in your head.
33:08Because I don't want a girlfriend.
33:10But I do like it...
33:12I like it.
33:17Softening mauve swatches...
33:20With extract from...
33:22Oh, what happened to you, girl?
33:26Little sister, look what they did to me.
33:29It's not fair.
33:30I work very hard at this company.
33:33You were fired from the company.
33:56Yes, they threw me out on the street.
33:59But why?
34:01I imagine it was because of the notebooks.
34:06Do you remember when you were with Marcos and Alberto?
34:09I came to tell you that Juanco told me that the notebooks were in Doña Bárbara's office.
34:19So not a word of this to anyone.
34:22Nobody.
34:23Don't worry, cousin.
34:25Altamira and Altagracia are already aware.
34:27And you're in charge.
34:29Yeah?
34:30Doña Bárbara, may I speak with you for a moment?
34:33Yes, Maritza.
34:34Forward.
34:35Doña Bárbara, you can't fire Chela like that.
34:39She is a very good makeup artist and what Altamira and Altagracia say here is not true.
34:43She never neglects her duties.
34:46Many complaints have been received here regarding his work performance.
34:49But ma'am, I've always done my job well.
34:54I have often found that you are not in your place.
34:58I admit that I sometimes go to the lab to see Maritza, but only when I have no one else.
35:06pending makeup application.
35:08Although it may sound harsh to say it, she is paid to work, not to do social visits.
35:13Doña Bárbara, please reconsider.
35:17She never neglects her duties.
35:20Believe me.
35:29Well.
35:32Look.
35:33Do you see what I'm doing?
35:37Ready.
35:39But let it be known, Maritza, that I'm doing this for you.
35:43Because you are a very important part of this company.
35:46And I want you to feel supported.
35:49It's going to be a secret between us.
35:52And Chela, get it through your head that...
35:55There are a lot of people in the street.
35:57People who are eager for a job.
36:00People who may be better than you.
36:04Thank you, Maritza.
36:05Thank you.
36:09Excuse me, Celia, did you suffer anything else?
36:11Yes, yes, Mrs. Barbara.
36:13I wanted to talk to you, but in private.
36:17Will you leave us alone, please?
36:19Clear.
36:27Please sit down.
36:28Thank you.
36:30So, you tell me, what do you want to ask me?
36:33Doña Bárbara, it's because some notebooks that are mine
36:37They appeared here, in his office.
36:39And I wanted to know why.
36:46For the last time, Romero,
36:49What is your role in selling the formula?
36:51of anti-wrinkle cream from Muti companies
36:53to the competition?
36:55I went.
36:56I was the one who sold that formula to Juan Tobías.
37:00I sold it to him for a lot of money
37:02because I hate the Muti family.
37:06Look, those notebooks
37:08They found them among Romero's things
37:10when they arrested him.
37:11Then they gave them to me and I, of course,
37:13I saved them...
37:13And was it Romero?
37:15Yes, they were among Romero's things.
37:17But why are they important to you?
37:20Yes, yes, they are important to me.
37:23Uh-huh.
37:25Maritza, look.
37:26The truth,
37:29Neither you nor I could know what Romero was.
37:32So, who was he really?
37:34We didn't know.
37:36Imagine a man like him
37:37has betrayed us.
37:39A man who was my right-hand man.
37:40A man I trusted blindly.
37:43It's incredible.
37:45He did the same thing to us as Castañeda did.
37:47First Castañeda,
37:49then Romero,
37:52then...
37:53I hope you don't do the same to us.
37:56No, no, ma'am.
37:58I think I've proven that to him, haven't I?
38:01Yeah.
38:02Of course, of course, how silly.
38:04Well, Maritza,
38:05All that remains is to ask that you have a little discretion.
38:08With all this stuff about Chela, right?
38:11Alright.
38:12Well,
38:13I'm so glad you were able to get your things back.
38:16And you know what?
38:17I think that would be a good idea
38:17that you put your name and address on those notebooks.
38:20I mean, because...
38:22in case they get stolen again.
38:24Sure.
38:25Excuse me.
38:30Excuse me.
38:38What's happening?
38:39Do you have a problem?
38:40No, no, of course not.
38:42Did you know that Luzmila was here?
38:44No.
38:44Poor Charlie seems to have had quite a fight with her.
38:48Oh no.
38:48Charlie is ungrateful.
38:50Last night Luzmila put him in her room
38:51to prevent Nino and his friends from beating him up.
38:55He put him in his bed.
38:56Oh, Marcos.
38:58You're not thinking anything bad, are you?
39:00The best thing to do is look in Pedrito's bed.
39:03Oh, outside.
39:04Miss, what happened to you?
39:05Does the scorpion sting hurt?
39:07I thought you were okay.
39:08Let me see.
39:09And that's because I always dreamed
39:15and imagined
39:17both
39:21that my heart
39:32Now then, get ready, Gabriel Muti.
39:36Get ready.
39:56We are convinced
39:57that these two new products
39:59will mark the beginning of a new stage
40:02in the cosmetics industry.
40:04What do you think?
40:06I like it.
40:08Hopefully investors will like it too.
40:10Oh, Marcos, I'm so nervous.
40:13No, my love, everything will be alright.
40:16Firstly, because
40:18You know very well what you are going to say.
40:20And secondly
40:22Because you're lovely.
40:25Hey, let's go to the living room...
40:28videos so you can learn
40:30the famous telephone.
40:39Yeah?
40:40Juliana?
40:42I'm going out today
40:43And I don't know if I'm too late.
40:45So don't despair.
40:47Don't even think about calling the police.
40:48so that he will look for me.
40:49Where are you going, Mom?
40:51Well, with a friend,
40:53an old friend.
40:54The actor?
40:55Oh, you already know that.
40:58Bye.
41:03Is something wrong?
41:04No, nothing.
41:06Come on?
41:06Come on.
41:10Regina.
41:12Wow!
41:13You look beautiful.
41:15Thank you.
41:17You look very handsome too.
41:20Thank you.
41:22It seems you come quite often.
41:24to visit your friend who lives here.
41:26Yeah.
41:27I really appreciate her.
41:29and it's gone so badly for him
41:30economically to the poor.
41:31Our kisses
41:33They're crazy
41:35They are passion
41:40unbridled
41:41Our love
41:43Our love
41:44It's passion
41:46that comes from the soul
41:54Welcome,
41:55This is the old friend
41:56Gabriel's
41:57and lives here
41:59in the same neighborhood
42:00by Maritza Ferrer.
42:02Is it a coincidence?
42:04Or these two women
42:05Do they have anything to do with each other?
42:11Look Maritza,
42:12It's very easy.
42:13The text you wrote
42:14It's going to come out
42:15through the screen
42:16at the same pace
42:17read it.
42:19Uh-huh.
42:20It's easy.
42:20That's where you'll finish it.
42:22It's like magic, isn't it?
42:25Excuse me, engineer.
42:26You have an urgent call.
42:28by Dr. Cervantes
42:29to finalize a few details
42:31for the meeting
42:31in the morning.
42:33Thank you, Cristina.
42:44Well, I think that's it.
42:45I understood everything,
42:46So I'm leaving
42:47for the laboratory.
42:47Maritza, Maritza,
42:48Maritza, Maritza,
42:49Wait, wait, wait.
42:50Wanna,
42:51I want to tell you something.
42:54Maritza,
42:55I found out
42:55of your situation.
42:58Oh,
42:58I don't understand you,
42:59Alberto.
43:00Maritza,
43:00look,
43:01don't try
43:01to pretend with me.
43:03I want to help you.
43:05selflessly.
43:07Now,
43:07If you accept,
43:09I can even
43:10be responsible.
43:11No,
43:12I don't know
43:12What are you telling me?
43:13talking.
43:14I'm talking about...
43:16from your state,
43:17Maritza.
43:19I know you're
43:20pregnant.
43:21Maritza.
43:22Maritza.
43:23Maritza.
43:24Maritza.
43:29Maritza.
43:31Maritza.
43:33Maritza.
43:34Maritza.
43:35Maritza.
43:36Maritza.
43:36Maritza.
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