00:59Right. I need to examine the window at the back of the house through which the intruders entered.
01:05My sympathies, by the way, for having to work all night, Chief Inspector Whitlock.
01:09How could you possibly know that?
01:11Well, it hasn't rained since four o'clock this morning, and both your coats are still rather damp, especially along
01:15the trim.
01:16And though you've wiped most of the garden mud from off your shoes, the knees of your trousers still show
01:20evidence of wet grime encountered whilst climbing across a windowsill.
01:24Well, I'll interview the child and talk to the maid when she's fully recovered.
01:27The Italian ambassador.
01:28The ambassador can wait. I'll go and see the boy.
01:31The boy is very frightened.
01:32Well, he'll be even more frightened if on the next attempt the kidnappers succeed.
01:36Thank you, Inspector Bullivont.
01:41Hello. What's your name, boy?
01:43Roberto.
01:44Robert, when we're in England, where Mama is from.
01:47When you were woke, what did you see?
01:49Two men looking down at me.
01:51How were they dressed?
01:52In black, I think.
01:54It was dark.
01:56Did you see their faces?
01:57I can't remember.
01:58I was grabbed very quickly.
01:59Do you remember anything about these men?
02:02They spoke English with my accent.
02:06More like Mr. McGregor's.
02:08Mr. McGregor is our butler from Scotland.
02:14Where did you get this?
02:16I don't know.
02:21Ow!
02:22You're hurting him.
02:26I'm sorry.
02:28I'm very sorry.
02:30Holmes?
02:32I can't take this case.
02:33What?
02:34But you haven't seen the window?
02:36Or spoken to the maid?
02:39Nor do I need to.
02:40I assure you, Inspector Bullivont
02:42is fully capable of solving the mystery.
02:46But, Mr. Holmes,
02:47the Foreign Minister specifically requested that you...
02:49I must reserve my efforts for more successful crimes.
02:52You cannot walk off again.
02:54It's the Italian bloody ambassador.
02:56Mr. Holmes, the names you wanted.
02:58Everyone in and out said 6 p.m.
02:59Keep it, add me to the list.
03:03What not?
03:04I am not going up.
03:06I love you.
03:10I love you.
03:27I love you.
03:29I am NOT going to lie to the island.
03:30I know.
03:31I know.
03:32I know.
19:58S-sorry, first day.
26:19que vous étiez que vous étiez avec le grand Sherlock Holmes.
26:22Le premier principe de la deduction...
26:24...is que chaque possibilité doit être considéré et éliminé,
26:28la dernière à la remain, no matter quoi improbable, c'est la vérité.
26:31Vous avez readé Watson's sentimentale little stories.
26:34Alors, a parrot peut réciter, même Shakespeare.
26:37Ce n'est-ce qu'il y a trois éxits.
26:40A door et...
26:41...windows.
26:44Non, Claire n'est pas le type de fille
26:47pour aller jusqu'au bout de l'endroit.
26:50Je vois deux candles.
26:52Oui.
26:53Une est restée par la maine de l'année dernière,
26:55la deuxième est restée par...
26:57L'estée par quelqu'un qui venait pour Claire.
26:59Qu'est-ce qui ?
27:00Qu'est-ce qu'elle ?
27:02Tu peux identifier votre mystère intruder ?
27:04Oui, il y a des constables...
27:07...garde les terrains et...
27:09...il n'y a pas de force d'entrée.
27:13...et l'insider.
27:15Le cheap brass variety often employed by those below stairs.
27:18So your servant kidnapper came in with a candle but left in darkness ?
27:32Maybe he had his hands full.
27:36...
27:37...
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28:38C'est parti pour l'examination et je dois partir.
28:40Mais nous sommes juste venus.
28:41Il n'y a pas de « we ».
28:43Vous avez demandé de trouver leur fille.
28:45Je dis que je vais visiter la scène de crime, et je dois faire ça.
28:48Pour l'instant, nous devons partir.
28:49Comme vous l'avez dit, il n'y a pas de « we ».
28:51Ma mère n'a pas fait pour me arrêter ou pour aller sans dire goodbye.
28:54Donc je vous remercie à eux pour vous.
28:56Comme vous le voulez.
28:57Bonne journée.
29:02Ne me dire que je suis pas attendu.
29:04Où est Hermes ?
29:05Il est toujours upstairs.
29:07Il n'y a pas d'oeuvres.
29:10Il n'y a pas d'oeuvres.
29:11Qu'est-ce qui peut être plus important que ce qu'il n'y a pas d'oeuvres ?
29:16Il n'y a pas d'oeuvres, il n'y a pas d'oeuvres.
29:21Il n'y a pas d'oeuvres pour le service.
29:22En ce cas-ci, nous n'avons pas besoin d'obtenir des staffs,
29:26mais Cassie a été un cook avec l'Amérique de l'Ebassie pour des années.
29:30Impeccable.
29:31La petite fille a pas d'oeuvres, il n'y a pas d'oeuvres.
29:33Il n'y a pas d'oeuvres, il n'y a pas d'oeuvres, je suis pas d'oeuvres.
29:35No-one is blaming you, Cassie.
29:39Was anyone with you when you made the cocoa ?
29:42The coachman, he has a supper by the fire.
29:45The coach house is ever so drafty.
29:47And did you leave the room before taking the cocoa to Clara ?
29:50Only to attend, Mrs Anderson.
29:52You rang for a hot water jar, ma'am.
29:54Indeed, I did.
29:55The window in our room was carelessly left open.
29:58We were freezing.
29:59I was only gone for five minutes,
30:00and Charlie was there the whole time.
30:03Was he ?
30:03How long has Charlie worked at the ambassador's house ?
30:07Only recent.
30:08But he was our driver in America.
30:10We sent him over a month early to help get things ready for us.
30:13And he's a truly nice young man.
30:16But only one or two odd habits.
30:24Like chewing tobacco.
30:26Only in the coach house.
30:27I'll make him spit out the tobacco before coming inside.
30:31Could I speak to Charlie, please ?
30:46I'm sorry.
30:48I'm sorry.
30:52I can't answer that question.
30:53I see.
30:54Well then, as a fellow American, let me be blunt.
30:58Chief Inspector Whitlock advised me not to hire Sherlock Holmes.
31:01He said in recent weeks that even Dr. Watson,
31:04who has been his friend for years, has abandoned him.
31:07And that your employer's work had become erratic, unsound.
31:12And not to frighten you, but the police also said that recently his maid was murdered.
31:18And he will do nothing to aid in the inquiries.
31:22If anyone in London can find Clara,
31:26I promise you it's Mr. Holmes.
31:28He will find your daughter.
31:30And he will not give up until he has.
31:34Charlie's gone.
31:35So is your carriage and horses.
31:38What ?
31:59Here's your bag from upstairs.
32:02Is that all you have in the world?
32:04That's all I need.
32:06Your week's wages.
32:09At least take this.
32:11It's just bread and cheese.
32:13And a pickled onion.
32:15Thanks for your hospitality.
32:19Oh, and please let Mr. Holmes know that I solved his case.
32:23Perhaps you should tell Mr. Holmes yourself.
32:27Mr. and Mrs. Hallig and I will require nothing further this evening.
32:34So,
32:36off with no farewell.
32:38You made it clear you didn't want me here.
32:41And you don't care anything about finding Clara.
32:43Of course I want to find the girl.
32:46What did you learn?
32:48Clara was kidnapped by Charles Holroyd, the ambassador's coachman.
32:52I saw him at the ship when he collected the Andersons.
32:55I remembered that he spat tobacco right in front of my feet.
32:59The same awful smell as was on the candle holder.
33:02And he's gone off with the ambassador's coach and horses.
33:05And according to Cassie, the cook, Charlie was the only one other than her who could have put laudanum in
33:12the cocoa.
33:13Done when she took a hot water jar up to the Andersons' room because it was cold last night.
33:17And someone left the window open.
33:20Do you know where he is now, this Charlie, the coachman?
33:24Not yet.
33:25Hardly case closed then, is it?
33:28Besides, I still have questions.
33:30Such as?
33:33Such as?
33:35Who are you?
33:37You've studied my methods, you've infiltrated my home, you've ingratiated yourself with the ambassador's family.
33:43Who sent you?
33:43My mother.
33:44For what reason?
33:46Explain.
33:47That's what I came here to do.
33:49Then wait no longer.
33:52It was a few months ago.
33:56Mama was finishing drawing up a self-propelled float for an annual parade they have in Los Angeles.
34:04So she asked me to deliver her designs and collect her fee.
34:11Be careful in the city.
34:19Stop at the store and make sure they have plums on your way home.
34:23Did you perform these tasks?
34:25Yes.
34:26It took me three days.
34:28This trip already seems endless and I assume you returned.
34:38Mom, I'm home!
34:40I had to wait for your plums.
34:41The store wasn't open when I...
34:46When I first got there...
34:59Mom...
35:02My mother always told me that if anything should happen to her, that I should take this picture out of
35:08its frame and put it with her scrapbook.
35:11There was a note for me on the back.
35:15My darling Melia.
35:18If you are reading this, then I am gone without telling you the truth about your father.
35:25I always said he was an explorer who died before you were born.
35:29This is the only lie I ever told you and I am sorry for it.
35:32Your true father is Sherlock Holmes.
35:40Go to London.
35:42Find him.
35:44Sherlock will help you now.
35:50No mother could ever be more proud of her daughter.
35:53I love you always, Mom.
35:58Her name was Lucia Rojas.
36:11Well, it probably goes without saying the name Lucia Rojas means absolutely nothing to me.
36:20That's not true.
36:23You're...
36:25You're my father.
36:28Unfortunately, you are not the first, nor in all probability the last, to make such a claim.
36:35You've never even been to California.
36:38But I'm as well as...
36:50Wait.
36:52Please.
36:55You never went to California.
36:58But Mama came here.
36:59To London.
37:02She...
37:04I have no idea what you expect this drawing to prove, but you can strike paternity from the list.
37:11If your mother did regale you with these stories, I'm sure she meant well.
37:14Perhaps she read some of the lurid accounts of my cases in the American Penny Dreadfuls and imagined a liaison.
37:21My mother was no dreamer.
37:23She sent me here to find you.
37:26She said that you would know what to do.
37:28But it appears that you no longer care about anything.
37:31What am I supposed to care about?
37:32About why my mama was murdered and who would do such a terrible thing?
37:37Miss Rojas, my condolences.
37:40I'm sure your mother was, in her way, a remarkable woman.
37:44And I hope much less trouble than you seem to be.
37:53The great Sherlock Holmes.
37:55I'll solve Mama's murder myself.
37:58And while I'm at it, I'll find Claire Anderson too.
38:02With or without you.
38:26To be clear, I do not believe for a minute you are my offspring.
38:37By putting that aside for the moment, I do find myself in need of an assistant.
38:45And from what I have seen on your first day in my employ, you are a passable artist.
38:51An eager and intelligent pupil with a surprisingly good open-handed slap.
38:57Please, take a seat.
39:06Clara Anderson's kidnapping is a crime in which I may not visibly involve myself.
39:11But you, a girl, newly arrived in the city, and like most Americans, fond of asking far too many questions,
39:21could go where I cannot.
39:24Provided you are truly interested in learning my methods.
39:30If you have something to teach.
39:33I do.
39:37But under some non-negotiable conditions.
39:42Those would be?
39:44You will only undertake tasks I set for you.
39:50You will follow my instructions to the letter.
39:52You will tell no one what you are doing, and you will report only to me.
39:56And perhaps the skills you learn may later be employed to investigate the murder of your mother.
40:03In the meantime, to avoid suspicion, you will remain in your current position of scullery maid and cook at two
40:10pounds per month.
40:12Agreed?
40:15Okay, then.
40:19When do we start on finding Clara?
40:21Tomorrow morning.
40:25Do you have anything else to say?
40:28If my mother said so,
40:32then I am your daughter.
40:38Just help me crack the case.
41:00I'm sorry to leave you here.
41:03But others will be here very soon.
41:05And, uh, you won't be alone.
41:10Hear that?
41:12You're still alive.
41:13They've been here for weeks.
41:16Please don't be any trouble, Clara.
41:19The other men who watch this place, oh,
41:23you're not as nice as me.
41:30I have to close the lid now.
41:32No!
41:33No!
41:36If I were you, I'd just try to get some sleep.
41:42No!
41:43No!
41:45No!
41:48No!
41:50No!
41:51No!
41:55No!
