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16:37Be careful little girl, like the lion in the jungle, we didn't turn the world into an empire without very
16:45sharp claws.
16:48You may want to remember that when next you cry for help.
17:10You can see the first set of prints belonged to a man with a slight limp, the second set belonged
17:16to a woman who stumbled once or twice in her journey.
17:19These two sets of prints valished next to the tracks of a large carriage which rolled out of the driveway
17:25headed to London.
17:26I think this button is lost by the gentleman en route, but there's nowhere to tell.
17:31No, but there is. The button is not weathered, so freshly lost, but not by accident.
17:38Note how the thread broke. This has been yanked deliberately from a man's waistcoat and left behind as a talisman
17:44for us to follow.
17:45Ha! Well done, dear old friend. Well done.
17:49That's kind of you to say. I'm happy the button tells us more of what happened.
17:53Not one, but whom. You see how the button is mother of pearl and the fabric to which it was
18:00sewn was broadcloth.
18:02So this comes from the wardrobe of a professional fellow.
18:04And you see how there is a dent across the front where it is regularly bumped against metal such as
18:09one might find on a stethoscope.
18:11This button, Bertie, is proof of life.
18:14And I shall regard the moment you gave it to me as the first truly hopeful sign in many weeks.
18:19So this investigation is big enough for the both of us. Shall we proceed together?
18:24If whilst continuing your search for the missing jewels you could quickly verify the recent murder of Lucia Rojas outside
18:33the city of Los Angeles
18:34and confirm that Amelia is indeed her daughter, I'll share more with you on this case tomorrow.
18:40Until then, I suggest you carry a revolver with you at all times.
18:45And on that note, I bid you farewell.
18:49Good day to you, Mr. Holmes.
18:52And good luck.
18:54Friends with Sherlock Holmes, eh?
18:57Imagine that.
19:08I can't get the sight of Emma out of my head.
19:11Dead.
19:12Just like that.
19:13And Lady Violet seems so indifferent.
19:15Did she dislike Emma?
19:17No, not at all.
19:19Emma was better at her lessons than the rest of us.
19:21And at dancing, too.
19:24I've saved my invitations for every ball of the season so I can one day show my own daughter.
19:30Emma's was quite beautiful.
19:31She was so looking forward to the 18th.
19:33No.
19:47I did not ask you to grease the top step of your line red ladder so the girl would slip
19:51and fall.
19:52Clara could wait another year to debut, except for your intrigues which I have advised against.
19:57No.
19:58You listen to me.
19:59My daughter will not have her ball on the 18th unless I have received the full settlement for the jewels
20:04two days prior.
20:05I am focused on my part of this enterprise.
20:08Use your authority so that the insurance company pays me immediately for my losses, or else suffer the consequences.
20:15I bid you goodnight.
21:04Hello, operator.
21:06Can you ring...
21:08Mar...
21:08Mar-Marlebone 15?
21:09You mean Marlebone?
21:11Yes.
21:12Yes.
21:13One moment.
21:15Je m'en suis désolé, le téléphone que vous avez essayé n'est pas un numéro de travail.
21:28Mr Pound, je dois demander une explication.
21:30Vous m'avez dit que ce téléphone s'est travaillé à l'hier.
21:34Si vous voulez que je termine, appelez le autre téléphone.
21:37Oh wait, il n'y a pas d'autre téléphone.
21:46Votre ami semble qu'il y a de très grande prudé en ridiculant ses clients.
21:50Oh, je ne pense pas qu'il est plus pire que les autres installers, sir.
21:54En ce moment, nous comparons ces deux billes de téléphone.
21:58Un qui déclenche les calls de et de l'heure de Wethersy,
22:00et l'autre qui déclenche les calls dans le Président de Whitlock.
22:04Nous allons faire des chiffres de l'hier pour voir qui se trouve sur les deux.
22:08Et peut-être que nous pouvons commencer à identifier certains de nos conspirateurs.
22:12Mais, sir, nous n'avons pas une warrantie pour étudier les billes privés privés ?
22:17Je ne suis pas un officier de la Courteur.
22:19Je ne reconnais pas d'autorité d'ailleurs de mon curiosité.
22:23Et cette bille a été handed à moi par le Président de Whitlock.
22:26Nous sommes sur le terrain.
22:31On est de l'àudit de l'Université d'Observatoire.
22:36Le Président d'Observatoire.
22:47Désolée, il s'est déclenche les écoles pour les déboucher.
22:56Un film, un film, un film, un film.
22:57Non, bien, bien.
22:57J'ai invité des jeunes jeunes avec qui vous pouvez pratiquer ce que nous allons charitement refer à l'heure
23:05de la danse.
23:06Les jeunes ne sont pas mariageable dans aucun sens.
23:11On le tableau de la balle, et à la musique de la musique, ils connaissent les steps.
23:17Come.
23:24Comme ici, c'est pas l'œil.
23:35Eleanor, s'il vous plaît, s'il vous plaît, que votre tête ne se passe pas sur votre coucheur.
23:41Debra, vous devriez être levée, pas dried.
23:49Je suis là, c'est parti.
24:11Je ne vous demande pas à vous de la main sur votre coucheur de la ladder de la chambre.
24:16Je ne vous demande pas à vous de la main sur votre coucheur.
24:17Vous pouvez maintenant utiliser votre téléphone à votre leisure.
24:20Merci.
24:21Oh, M. Pound, vous avez été très, um, aidé.
24:25Je suis.
24:26Oui, et il me semble que avec ce genre de connaissance,
24:29vous devez savoir comment identifier un client de leur téléphone numéro seul.
24:34As ça se passe, je peux faire ça.
24:36Ah, merci. Expliquez-moi.
24:38Juste le nom et le nom et le nom.
24:43Will there be anything else, sir?
24:45Apparently pas.
24:47C'est parti.
24:50C'est parti.
24:51Some inconvenience, but think, sir,
24:53vous vous êtes le premier à utiliser un téléphone comme ça.
24:56Hello.
24:57Operator, vous pouvez me connecter à Belgravia 483.
25:02Je ne peux pas croire que j'ai payé une compagnie
25:04pour me faire de l'incivillité.
25:05Ce décliné d'écorium sera le fin de la commune.
25:08Oh, hello, c'est le département de l'histoire à Paddington Station.
25:12Je me suis appelé à ce trois-volume novel,
25:15ce que vous avez apporté de l'incivillité.
25:17Je me suis appelé à l'incivillité.
25:25Mr. Holmes, sir, you've just complained
25:28about the decline of common decency
25:29and here you are lying to a complete stranger.
25:32It wasn't a lie.
25:33It was a simple misdirection and note.
25:36It yielded the information we seek,
25:38a name attached to one of the many telephones
25:40used to call both Wetherssee
25:41and the chief inspector's office.
25:43Let's try again.
25:46No.
25:48Yes, operator,
25:49could you please connect me to East 31?
25:53Those of a delicate sensibility
25:55might want to leave the room.
25:57Oh, yes, yes.
25:59Hello.
26:00Oh, am I speaking to the head of the household?
26:02Well, you see,
26:03I did speak to Sir Thomas last year
26:05about cleaning his carpets
26:07with my new patented hello.
26:12They both called the same stockbroker.
26:15The game's afoot.
26:16Justice is no game, Mr. Holmes.
26:18You've taken an invention designed
26:20to more closely connect the world
26:21and you've abused its purpose
26:23with more lies and deceit.
26:25Criminals have already corrupted
26:26your precious telephone.
26:28With lives at stake,
26:29I have little choice
26:29but to follow their example.
26:33Yes, hello, operator.
26:35Could you please connect me
26:37to Kensington 19?
26:39Go and prepare yourself
26:41for greater shocks.
26:42There is worse to come.
26:43Go on.
27:21Dr. Collier, wait, there's more.
27:24If you did subscribe to Horse and Hound,
27:27we would have the Strand.
27:28We'd have quite the eclectic waiting room.
27:31What?
27:32Oh.
27:34Green and Crest Asylum
27:36for the criminally insane.
27:38Sorry, doctor.
27:40Well, perhaps for visitors.
27:48Amelia, there you are.
27:51I want to introduce...
27:53Michael Wiley.
27:54I've already had the pleasure.
27:57Nice to see you again, Miss Rojas.
27:59I bet there's a story here.
28:02Excuse me.
28:03I want to go see if Eleanor
28:04has her ostrich feathers yet.
28:12I'm surprised you can get away
28:13from your busy job
28:14on the exchange
28:15for this weird dancing.
28:18My employer is friends
28:20with that witch, Lady Violet.
28:22She offered two shillings
28:24for young men
28:25to dance with these...
28:26these snobby girls.
28:29Along with a free dinner
28:30if we come for the ball tomorrow.
28:32I only accepted
28:33for a chance of seeing you.
28:35And then you left.
28:40You upset with me?
28:42Upset?
28:44Because Mr. Holmes
28:45has lost his trust in me?
28:47Upset because I've lost a job
28:48that I love
28:49in order to play nursery me
28:50to a boy-crazy girl.
28:51I only asked for what I thought
28:52was a small favour
28:53without considering it
28:54could do you harm.
28:56I offer my sincerest apologies.
29:00Are you at least better paid
29:01than when you were with Mr. Holmes?
29:03Not everybody chooses their job
29:04based on their salary.
29:07Besides,
29:08I work too much to spend it.
29:11Hello?
29:14I said hello.
29:16Oh, hello, ma'am.
29:18I represent the Fund
29:20for Police, Widows and Orphans
29:22and I was wondering
29:23if you might offer...
29:25Why, Sherlock Holmes,
29:26you rascal.
29:27I was about to hang up
29:28until I realised it was you.
29:30Oh, how annoying.
29:33I was hoping my vocal disguise
29:35would hold up long enough
29:36to receive one of your legendary reprimands.
29:39I should tell you Orph
29:40but I'm more interested
29:41in why you really called.
29:44Ah, well, to say
29:45how wonderful it was
29:46to see you in person last week.
29:48Oh, how very kind.
29:50And also to ask
29:51if Miss Rojas
29:52has been a suitable chaperone
29:53to the ambassador's daughter.
29:55I would hardly describe
29:57the girl as sophisticated
29:58but she does take
29:59her responsibility seriously.
30:01Would you care to see
30:02your former maid in action?
30:03I'm throwing an afternoon ball
30:05for the daughter
30:05of the Italian ambassador's debut.
30:07I will send you
30:08an invitation at once.
30:09An afternoon ball.
30:12Come, please.
30:13Very well.
30:14I'll come.
30:15But do you not find
30:16these debutante balls
30:17to be a series
30:18of pretentious balls?
30:20How else to prepare
30:21young girls
30:21to be the wives
30:22of aristocrats
30:23except by surrounding them
30:25with pretentious balls?
30:26Now, I must go.
30:27I look forward
30:27to seeing you, Sherlock.
30:284pm, please.
30:29Au revoir.
30:30Au revoir.
30:594pm, please.
31:04It might seem strange
31:05being dressed up
31:06in broad daylight
31:07but it'll do you good
31:08to be amongst the quality
31:09for an afternoon,
31:11Mr Holmes.
31:12Dancing.
31:14Music.
31:15Yes.
31:16A lot of stimulating
31:18conversation, perhaps,
31:19because the afternoon
31:20will be spent without it.
31:22Mr Halligan,
31:23I will want you
31:23to drop me at the gate
31:24and come back
31:25one hour later
31:26if you don't mind.
31:27I don't believe
31:27it would be proper
31:28for me to mind,
31:29Mr Holmes.
31:31Ah, that will be
31:33Mr Batwistle.
31:34Please show him up.
31:54Good afternoon, Sherlock.
31:57Ah, Bertie.
31:58Ah, you seem a little
32:00overdressed
32:01to receive my report.
32:03Yes, yes.
32:03Sadly, I have been
32:05asked out for the afternoon.
32:06Yes.
32:07Perhaps you have been
32:09up to something
32:09of more interest.
32:10Indeed I have.
32:11First, there was a notice
32:13for Lucia Rojas' murder,
32:16though no official
32:16investigation followed.
32:18And the poor woman
32:19did have a girl
32:19farther unknown.
32:21Possibly an Englishman,
32:22I suppose,
32:22since the girl
32:23was born six months
32:24after the Wild West
32:25show completed
32:26its London run.
32:27Six months?
32:28Are you certain?
32:29Quite certain.
32:31I was able
32:31to determine the date
32:32through an exchange
32:33with no lesser
32:34personage than
32:35Buffalo Bill himself,
32:36though he did not
32:37refer to the mother
32:38as Lucia Rojas,
32:39but as?
32:40Yes, yes.
32:41Little dove.
32:42It was her
32:43Wild West show
32:44Nom de Guerre.
32:46Excuse me.
32:49Whether Amelia
32:50is, in fact,
32:52Lucia Rojas' daughter,
32:54I cannot say.
32:55We must at least
32:56consider her
32:56to be an imposter.
32:58For a near penniless girl,
32:59she, er,
33:01she did quite well
33:02out of all
33:02these arrangements.
33:03Yes.
33:04Nevertheless,
33:05I'm grateful to you
33:06for establishing
33:06as many of these facts
33:08as possible.
33:08Very grateful.
33:10Oh, it's my pleasure.
33:11And there was also
33:13a series of telegrams
33:14sent overseas.
33:15Yes.
33:19Oh, yes.
33:21There we go.
33:22Thank you.
33:26Have you learned
33:26anything else?
33:28No.
33:29Just that there
33:29is some connection
33:31between the theft
33:31of the jewels
33:32and someone of rank
33:33at Scotland Yard.
33:34Well, I'm not surprised.
33:36With £50,000
33:36to distribute,
33:38I mean,
33:38one could bribe
33:38the entire police force,
33:40couldn't one?
33:41Yes.
33:41You're holding out
33:42on me, Sherlock.
33:43I am.
33:46Though others
33:47might consider you
33:48a pompous windback,
33:49I know you
33:50to be an extremely
33:51serious,
33:52would-be investigator.
33:53Well,
33:54thank you.
33:55I think.
33:55Yes.
33:56Come along.
33:57The jewels will only be found
33:59by bringing down
34:00the criminal syndicate
34:01that has stolen them,
34:02so I say to you
34:03advisedly, Bertie,
34:04watch your step,
34:06dear fellow.
34:06Watch your step.
34:21Oh, my goodness, Amelia.
34:23Isn't it beautiful?
34:24It's like a fairy tale.
34:28Only you,
34:29Miss Anderson,
34:30not your servant.
34:31She's not my servant.
34:32She's the chaperone.
34:34A foreign girl
34:35must stay outdoors
34:36during the war.
34:37I'd like her to come
34:38inside with me.
34:39Miss Anderson,
34:40if you would be so kind,
34:42Miss Anderson,
34:42please.
34:43Please.
34:44I need her.
34:46Just don't draw attention
34:47to yourself, Clint.
34:48It's just a party.
34:49Just don't dance
34:50with the same boy twice
34:51or get pulled away
34:52from the crowd.
34:54Okay?
34:54Okay.
34:55Go inside.
34:55It's fine.
34:59There's a bench over there.
35:01Go.
35:01Go.
35:09The daughter of the American ambassador
35:12to the court of St. James,
35:14Miss Tara Anderson.
35:16Thank you.
35:40Why are you out here
35:42instead of looking
35:42after your charge?
35:44That's the least of it.
35:45Wait until you hear
35:46what I found out
35:47about Lady Violet.
35:49She's deeply...
35:49Deeply involved
35:50with the red thread,
35:51yes, I know.
35:52No, it's much more than that.
35:56Come.
36:15Miss Anderson.
36:16We meet again?
36:18We do indeed.
36:20Mr. Wiley, was it?
36:22How kind of you to remember.
36:24May I be allowed to write my name
36:25on your dance card?
36:26Of course.
36:28But only one dance.
36:29I've been ordered to mingle.
36:31And you're certain
36:32about the weaponry
36:33in Lady Violet's parlour,
36:35the same design
36:36as the knife
36:36left behind
36:37in your mother's body?
36:38As certain as you are
36:39that the button found
36:40by Mr. Birtwhistle
36:41belongs to Dr. Watson.
36:44We're closing in on them, Amelia.
36:48Perhaps separating you
36:49from Clara
36:50was more than just snobbery.
36:52You always said
36:53they would try
36:53to approach her again.
36:55Clara is...
36:59so impressionable.
37:00Do I detect
37:00a growing fondness
37:01for your young child?
37:04Now that I'm seeing
37:05how she was brought up,
37:07I know it's not Clara's fault
37:08she is the way she is.
37:10She was really kind
37:11to me when we met.
37:12Maybe I'm just jealous
37:14that she still has a mother
37:15to talk to.
37:17I'd give anything
37:18to speak to mine again.
37:21Even if it was just for a minute.
37:23Even if it was just to tell her
37:25I'm doing what she wanted.
37:28Anyway.
37:34Amelia, I wanted to tell you
37:38that if I seemed distant
37:41when I sent you
37:42to the ambassador's house
37:43I am sorry.
37:46Extremely sorry.
37:49It's all right, Mr. Holmes.
37:52I'm still getting to know you
37:54so I didn't take it personally.
37:58Also,
37:59you told me someone
38:00needs to keep watch over Clara
38:01and I can't now.
38:03Your mind
38:04never strays far
38:05from the case.
38:06Commendable.
38:07You will save the subject
38:08of Lady Violet for later.
38:09Meanwhile,
38:10I will look after
38:11the young lady
38:11in your absence.
38:12These people don't spend time
38:13talking to servants,
38:14Mr. Holmes.
38:15And I'm sure
38:16someone's watching us.
38:19There's more I want
38:20to tell you,
38:20but later.
38:21Quite right.
38:22It won't be long.
38:28Mr. Sherlock Holmes
38:31of Baker Street, London.
38:33I am Mike Holmes.
38:54You arrived on time.
38:57I had hoped
38:58to surprise you.
38:59Well done.
39:00Now, excuse me briefly.
39:01I must check the ballroom
39:03and chide my students
39:04on their wretched dancing.
39:06Chase me down later.
39:07On that,
39:08you have my word.
39:19I'm dying.
39:20Help me.
39:21Help.
39:22In the name of God,
39:23someone.
39:23Are you okay?
39:24Shall we visit the ballroom
39:26and take your first walks?
39:27Thank you,
39:28Mr. Wiley.
39:29I will always remember
39:30you were the first
39:31to ask me to dance,
39:31but I'm afraid
39:33my principals
39:33do not allow me to stay.
39:35Miss Anderson,
39:35you cannot be leaving
39:36so quickly.
39:38Mr. Holmes,
39:39how lovely it is
39:40to see you,
39:41but I'm afraid
39:42I must say farewell.
39:43My chaperone
39:44was forced to remain
39:45with the carriages
39:45and I cannot enjoy
39:47myself inside
39:47while my friend
39:48is outside in the cold.
39:49Are you okay?
40:07What do you mean
40:07Amelia was
40:08denied entry?
40:10Unacceptable.
40:12Unacceptable.
40:12Excuse me.
40:12I just spoke to
40:13wait,
40:14Mr. Wax.
40:15I beg your pardon,
40:16Miss Anderson.
40:18Help!
40:20Help me!
40:22Help!
40:26Help!
40:29Hey!
40:30Anyone, please!
40:32Help!
40:33Come on!
40:35Help!
40:41Help!
40:53Let's serve you!
41:24...