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23:37C'est parti !
24:07You know what Sony had ?
24:09The Holy Trinity.
24:11Leo, Brad and Marco.
24:14Who do you have ?
24:16It's funny you should ask.
24:18I was just talking to Marty
24:21and he actually has really strong feelings
24:24that the lead role of, you know, Jim Jones
24:28should be portrayed by none other than...
24:32Steve Buscemi.
24:37Okay, Steven Buscemi is absolutely the worst case scenario.
24:43Either people know his name but they can't recognize his face
24:46or they know his face but they have no idea what his name is.
24:48He is not good for minutes.
24:49He is quite literally one of the greatest actors
24:52who's currently alive.
24:53Hey, if he walked in this room,
24:55I would splay him on this table and fuck him to death.
24:58He does not have the clout to carry a franchise like Kool-Aid.
25:02Wait, hold on, is it Buscemi or Buscemi?
25:03It's Steve Buscemi.
25:05Buscemi?
25:05No, it's Buscemi like Buscemi.
25:07We've been talking about this guy for an hour
25:09and no one here can pronounce his name correctly.
25:10What does that tell you, Matt?
25:11Okay, so here's the deal.
25:14Griffin is gonna ask me what marketing thinks of your take
25:17and I'm gonna have to be honest with him
25:19and tell him that your take is gonna bomb.
25:21That movie is going to bomb.
25:22Okay?
25:24But I also know you need to show him something.
25:26So I had marketing whip a little something up
25:28to bail your ass out.
25:33What the fuck is this?
25:40It's a teaser, asshole.
25:41A teaser for what, asshole?
25:43The fuck do I now?
25:43That's your fucking job.
25:45Can we please just do the Stoler ID, okay?
25:47It was not that bad.
25:48Hey kid, guess why?
25:49This fucking dumbass killed the deal yesterday.
25:51Hey, I know you love Martin Scorsese.
25:53His vision for this movie is going to bankrupt us.
25:55You need to show Griffin this teaser right now.
25:58I can't show Griffin this.
25:58This is nothing.
25:59This has a fucking story.
26:01It's nothing.
26:01Who gives a shit if it has a story?
26:03He's gonna be delighted by the Kool-Aid man
26:05doing the Zay Zay Shuffle.
26:06The fuck is the Zay Zay Shuffle?
26:07It is the number one dance trend on TikTok.
26:09Matt, as our boss, you should know more.
26:11Look, guys, we got Martin Scorsese
26:15to agree to write and direct a fucking Kool-Aid movie for us.
26:20So it's not the most commercial cast
26:22and it's not the most marketable take.
26:24It's one of the greatest directors of all time
26:26wanting to make a film for us.
26:28If this isn't the type of thing we're fucking saying yes to,
26:31what are we doing with our lives?
26:33We're going with Scorsese's version of Kool-Aid.
26:37End of story.
26:39Griffin Mills ready for you all?
26:44Oh, my God.
26:45Glass.
26:46It says here it was actually flavor aid
26:48that they drink at Joan's house.
26:49Shh, not helpful.
26:51Just let me do the talking.
26:52I'm fine.
26:54Hello.
26:55Whoa, looky here.
26:57Yeah.
26:57All marching in like good school children.
27:00Yeah.
27:01Good to see you, sir.
27:02All right.
27:03Yeah.
27:03So, Kool-Aid me.
27:08What's happening?
27:11I'll tell you what's happening.
27:37Seriously.
27:42That is fucking fantastic.
27:45Yes, it is.
27:46I mean, that's huge.
27:48Huge.
27:48Huge movie.
27:49So fun.
27:50Right?
27:50It's so amazing.
27:52And he's doing the Zay Zay, right?
27:54I love the show.
27:55Oh, yeah.
27:55Zay Zay.
27:57Yeah.
27:58The best.
27:58So, Matt, what's the story?
28:01The story?
28:02Yeah.
28:03What's the story?
28:04What's it about?
28:06Oh.
28:08The story's actually the best part.
28:10Good.
28:11So, yeah.
28:13Well, Kool-Aid Man exists in a world of corporate logos.
28:19He's friends with Velveeta.
28:20He goes and hangs out at the bar with Chef Boyardee.
28:23And he's got a whole family of Kool-Aid people.
28:25So, you get the other flavors in there.
28:27You know?
28:27You got yellow, green, red.
28:29Oh!
28:29I love all this.
28:30Thank you.
28:31Very, very impressive.
28:33Thank you.
28:33Very diverse.
28:34Yes.
28:35Right?
28:35You've got red, yellow, green.
28:37It ain't white.
28:38Am I right?
28:40Right?
28:41Very diverse.
28:42And we got you, brother.
28:44Uh-huh.
28:45You too, sister.
28:47So, who's gonna be directing?
28:49Nick Stoll.
28:50Our guy's a real pro.
28:51Oh, yeah.
28:51We got him locked down.
28:52Love him.
28:53Yes.
28:53Very funny.
28:54All right.
28:54Lock it up.
28:55I will.
28:55Thank you so much.
28:56Good work.
28:57Pleasure.
28:57Matt.
28:58Good to see you, Griffin.
29:00Oh, uh, one more question.
29:04This Martin Scorsese Jonestown movie, what's all that about?
29:11You spent $10 million on a Martin Scorsese Jonestown script, but we can't be making a movie about Kool-Aid
29:22and its lovable mascot, and also be making a movie about how Kool-Aid is associated with one of the
29:31most infamous mass murders of all fucking time.
29:38Of course not.
29:39Thank God.
29:40Yeah.
29:41I knew you'd have a good reason.
29:43So, tell me, why did you spend the $10 million on it?
29:51Well, you know, um, I got wind that Scorsese was making this Jonestown movie, and I had the exact same
29:58concern as you.
29:58You know, we can't let this art house bullshit get in the way of our billion dollar franchise.
30:03And so I bought the Jonestown script, uh, specifically to kill it.
30:14So, we'll own the project.
30:17Mm-hmm.
30:18But nobody will ever get to make it.
30:21Mm-mm.
30:23Oh, Matt.
30:25That is so fucked up.
30:27Yeah.
30:28I love it.
30:29Great.
30:30Boop.
30:31Thank you.
30:31Good work.
30:33Yes, obviously I know that we are the ones who blew up the deal, but we've had second thoughts and
30:38we would love to have Nick Stoller on Kool-Aid.
30:40I'll double his quote.
30:41Oh, you're gonna be dumping shekels on Stoller, but the problem now is that he came up under Patty and
30:45he talked to her.
30:46He did?
30:47Yeah, she's pissed off at Jew, the studio, and she convinced Nick not to work with you on this.
30:51I need that idea!
30:52I don't know what to tell you, you fuck yourself!
30:54Patty's the only issue?
30:56Yep.
30:57Well, then you will be absolutely thrilled to hear that we're actually bringing Patty onboard Kool-Aid as a producer.
31:02That's the first smart thing you've done.
31:04Great.
31:04Keep it under wraps for now, but we are gonna get this deal done.
31:07Good pace, Ash!
31:08Why do you keep lying?
31:09I don't know!
31:10You can't even get her on the phone!
31:12I knew that!
31:14I'm just gonna go to her house and confront her in person.
31:17Yo, you're coming with me to Charlize's tonight.
31:19If we pull this off, we're gonna celebrate.
31:21Oh, yeah!
31:33We'll do that!
31:33You've got a plan!
31:38I'm trying to prepare for you.
31:39I'll do it again...
31:56I've got enough shortini to release this fight.
31:58Oh, how dare you show your face at my door.
32:01You of all people.
32:02Hi, Patti.
32:06Oh, God, it's so humiliating.
32:09Well, don't you stand there like a fucking doordasher.
32:12Come in.
32:13Fuck.
32:15You know I quit swearing, and you're making me do it.
32:17I know, I'm sorry.
32:18Motherfucker.
32:18Fuck!
32:19I'm sorry.
32:20Shit.
32:20Look, I just wanted to come by, you know, see how you're doing,
32:24make sure everything was okay.
32:25How am I doing?
32:26Oh, oh, I, you know, I gave 40 years of my life to the studio,
32:31and then this Griffin Mill, some dime store,
32:34Bob Evans comes in and wants to put his stamp on the place.
32:37Like he's urinating on a hydrant.
32:40I know, he's so brutal.
32:42Yeah, he is.
32:43But guess what?
32:45You're even worse.
32:47Me?
32:48You broke my heart, Patti.
32:49What did I do?
32:50He stole my gun!
32:52I did not steal your job, okay?
32:56I had absolutely nothing to do with that.
32:58I barely even got hired, you know?
33:01I raised you like a son,
33:03and the moment my back is turned you'd stab it.
33:07I did not stab you in the back.
33:09If anything, I'm here trying to carry your torch, Patti.
33:13Well, you may not have thrust the knife,
33:15but you sure seem happy working with people who do.
33:19I'm not happy about any of this.
33:20You believe me on that one.
33:22And I love our working relationship,
33:24and that's why I'm here.
33:26I want to keep it going.
33:28I'm offering you a producerial role
33:30on our biggest and best new franchise.
33:35Kool-Aid?
33:36Yeah.
33:37Is that your offer?
33:38It is.
33:39Oh, shit.
33:40You're like a cat bringing in a mutilated pigeon.
33:44You're all funny.
33:45Oh, I know.
33:45I talked to Stoller.
33:46You just want me to pull your ass out of the fire
33:48to get him to sign off.
33:50Well, you need me to pull your ass out of the fire.
33:52Kool-Aid!
33:52Like I want my name on that monstrosity?
33:55Ew!
33:55Ew!
33:56That thing should have been smothered in the crib.
33:57No, if I wanted to make that trash,
33:59I'd still have my job!
34:05Okay, here's my counter.
34:06Okay.
34:07I will call Stoller and get him on board on your movie.
34:10Great.
34:11But I will need a three-year overall,
34:1310 million overhead,
34:15two-foot pictures a year.
34:17First look, non-exclusive.
34:20No!
34:21Patty!
34:23Oh, look, Patty, look!
34:25I'm sorry, I just can't do it!
34:27That's too good!
34:27Nobody in all of Hollywood has a deal that lucrative!
34:30I don't care!
34:31You owe me everything!
34:32I don't owe you a lot!
34:34I will give you that!
34:35I don't think I owe you everything!
34:36I just can't do it!
34:37Patty, that job was my life.
34:40Just like it is yours.
34:43And without it.
34:46Without it, I'm afraid.
34:49I don't...
34:49I don't like it.
34:53I'm afraid you.
34:55I'll give you $7 million a year.
34:57No-put pictures, fully exclusive.
34:59$8 million, one-put picture,
35:02and the budget's under $5 million.
35:06Fine, but you've got to be exclusive.
35:08No exclusivity!
35:09Those people railed me raw!
35:12They railed me raw, Patty!
35:15Please!
35:16Okay, I'll do it.
35:19Deal.
35:22Mattie, thank you.
35:25Thank you.
35:25Oh, thank you.
35:27Oh, thank you.
35:29Okay.
35:30Let's call Nick Stoller.
35:33Oh, you poor thing.
35:35You have to kill Martin Scorsese's movie.
35:38I killed one of Warren's movies in 88,
35:41and he never slept with me again.
35:42I have the same fear with Marty.
35:46So, how do you feel in all this?
35:49You know, I've worked, obviously, a long time to get here.
35:53My parents are very thrilled, very proud.
35:56I think Griffin is, you know, optimistic with the plan.
36:01Matty, not one of those words is about how you feel.
36:05Yeah, I, uh, feel miserable, honestly.
36:09I'm anxious, stressed out,
36:11panicking pretty much all the time.
36:13I was so much happier two weeks ago
36:14when I was just angry and resentful
36:16that I didn't have this job.
36:17I would give anything to be angry and resentful
36:20compared to how I feel right now.
36:22You know, I walk past the tour guide every morning,
36:24and they say that the office was built
36:27as a temple to cinema,
36:28but it feels much more like a tomb.
36:31Heavy as the head, Matty.
36:33Yeah, yeah, I'm honored, obviously,
36:36to be one of the people that gets to choose, you know,
36:38which movies get made and which ones don't.
36:39That's, that's huge.
36:41And I got into all this because, you know,
36:44I love movies, but now I have this fear
36:48that my job is to ruin them.
36:53The job is a meat grinder.
36:55It makes you stressed and panicked and miserable.
37:00One week, you're looking your idol in the eye
37:02and breaking his heart,
37:03and the next week, you're writing a blank check
37:05for some entitled nipple baby in a beanie.
37:09But when it all comes together
37:12and you make a good movie,
37:16it's good forever.
37:21You'll make a great studio hit.
37:23You know why?
37:25Because you had the best teacher.
37:31I still do.
37:43Oh, I'm so glad I'm not the guy
37:45who has to tell Marty his movie's dead.
37:47What do you even say to him?
37:48I'm not going to say shit to Marty.
37:49I talk to his agent on Monday,
37:50and then I avoid him for the rest of my life.
37:52Hopefully I just never see him again.
37:54Hey, Matt!
37:55Oh, fuck me.
37:55Hey!
37:56Marty!
37:57Matt!
37:58Yay!
37:59Hey!
37:59Great to see you!
38:01Oh, God, hi!
38:01This is Sal.
38:02Hi.
38:03Hi.
38:03Well, I'm Matt.
38:04Yes?
38:05Matt, I have been thinking nonstop about Kool-Aid.
38:07Oh, great.
38:08That's great.
38:09I mean, Kool-Aid.
38:09I mean, I've some...
38:10By the way, I've got some great ideas
38:11for actors to put around Buscemi.
38:13Perfect.
38:13Great, yeah.
38:14And honestly, I couldn't have come to the title
38:16Kool-Aid on my own.
38:17I mean, I can't believe that title.
38:18It's fantastic.
38:19I'm going to take credit for it.
38:20Yeah, it's all yours.
38:21I love how your brain doesn't stop working, Marty.
38:24But, you know, we don't have to talk shop at a party.
38:26Let's talk about something else.
38:27You into sports, cars?
38:32What's going on?
38:34Nothing.
38:34I mean, you're acting weird.
38:35There's something funny.
38:36There's something funny going on here.
38:38I'm pretty sure this is how I always act.
38:40I know this guy like the back of my own dick.
38:42Yeah.
38:42This is classic Matt Rebecca.
38:43Totally, yeah.
38:44No, no, no, no, no, no, no.
38:45This performance, it's inauthentic.
38:47I promise, it's nothing, yeah.
38:49I saw that look.
38:50What look?
38:51I saw that look.
38:51Nope.
38:52It's a furtive look.
38:53It was furtive.
38:54We are not being furtive.
38:55Never been furtive in my life.
38:56No.
38:56Oh, no, no.
38:57That's furtive.
38:58I know furtive.
38:58There's one thing I know.
38:59It's furtive, okay?
39:02Look, Marty, um, there's something you should know,
39:07and Sal is actually going to take the lead on this and tell you.
39:11Sal?
39:11Yeah.
39:12Now I don't.
39:13Now you talk.
39:17Marty, first of all, can I say,
39:19you're the reason I'm in this business.
39:22Who the fuck are you?
39:23And what are you trying to say?
39:26We're going in a different direction,
39:27and we're not doing the Jonestown version of Kool-Aid.
39:35You know what?
39:37I'm fine.
39:39Fine.
39:41All right?
39:41I mean, it's fucked up.
39:42But I got to tell you, Matt, honestly,
39:46it's not surprising,
39:47because you're just another run-of-the-mill,
39:50faceless, talentless, spineless suit.
39:56I have a face.
39:57Just give me back my movie,
39:59and let me go sell it to fucking Apple
40:00the way I should have done it in the first place.
40:03I can't do that.
40:06Let me get this straight.
40:08You bought my movie
40:12just to kill it?
40:15I did.
40:15He did.
40:25We'll leave you alone, Mr. Scorsese.
40:26I love the departed.
40:27Oh, God, oh, God.
40:29That was so much worse than I thought it was going to be.
40:32God, he's crying.
40:33He's sobbing.
40:34You made him fucking sobbing.
40:37Fuck, Charlize is talking to him.
40:38Shit, Christ.
40:39Damn it, I was telling her what happened.
40:41Little rat, keep your fucking mouth shut.
40:42What a dick.
40:43Fuck, she's talking at us, okay?
40:45Just be cool.
40:46She's going to kick us out.
40:47You're the head of the studio.
40:48She's not kicking you out.
40:49Fucking chill.
40:50Hi, Charlize.
40:51Get the fuck out of here.
40:53Okay, sorry.
40:54Thank you for having us.
40:54Sorry, Marty.
40:56Jesus Christ.
40:58Hey, Matt Remick, right?
41:01Steve Buscemi, hey.
41:03Buscemi, but, yeah.
41:04Oh, sorry, yeah.
41:04That's okay.
41:05I hear we're making the film together.
41:07Yeah, we are.
41:08Yeah, can't wait.
41:10How about Marty's script?
41:12Yeah.
41:12Did it just, like, blow your mind?
41:14Yeah, it was amazing.
41:15You should just give him the Oscar now.
41:16I know, it was really great stuff, yeah.
41:18You have to think, we're going to be making Martin Scorsese's last movie.
41:22His what?
41:24Oh, he didn't tell you?
41:25No.
41:25Oh, yeah, no.
41:27This is his swan song.
41:28He's done after this.
41:30Wow.
41:31I mean, what a true honor.
41:34Yeah.
41:34How lucky are we?
41:35So lucky.
41:36Amazing, right?
41:37Yeah.
41:37Hey, man, thank you for making it happen.
41:39Thank you.
41:39Seriously.
41:40I'll see you on set.
41:41Can't wait.
41:42All right.
41:42Yeah, bye.
41:42Okay.
41:44Hey, Marty.
41:46Are you crying?
41:48What happened?
41:55Well, he walked up to me and he asked me if I wanted to dance
42:10When he danced, he held me tight
42:13Sous-titrage Société Radio-Canada
42:45Sous-titrage Société Radio-Canada
43:37Sous-titrage Société Radio-Canada
43:58Sous-titrage Société Radio-Canada
44:01...
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