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Dream Sweet
  • 22 hours ago
Izvor 6. Epizoda
Transcript
00:28This video is brought to you by Satsang.
00:36What did you call it?
00:38It was called Mažare.
00:40But he's not very important.
00:42How did you call it?
00:44Is Lidia from rural areas?
00:49What do you have there?
00:50Okay. I'm a Christian.
00:52So I'm going to stay in peace.
00:55Really?
00:57I'm a Christian.
00:58And that's the rest of the room.
01:00What?
01:02It's not important.
01:03I think you were together at the same time.
01:05It's not important.
01:06I've been drinking so much of a drink,
01:08and you would be drinking so much of a drink.
01:10I'd be with someone.
01:12Love you, bye.
01:16People, I have to go back to Ramacu.
01:19What?
01:20The Gagini have fallen,
01:21and they need help.
01:22You're safe.
01:23Yes, well...
01:28Oh, my God.
01:46I have to go.
01:49Thank you very much.
01:57Thank you very much.
01:58We are thus following his eyes.
05:50Listen, I think we should go to that musician and talk to him, to tell us what he's doing.
11:17Hey.
11:20I'll have a surprise to you guys.
11:25Yes.
11:27I'll take you everything.
11:28You don't keep holding on, so there will be guests in the house.
11:32Oh my God, now hear me.
11:35I'm surprised because it's later.
11:37It's later, but it's later.
11:39Mama, leave us.
11:41Mila, you won't be nervous.
11:44Mama, I pray for you to leave us.
11:51What is it, Mila?
11:52When you already ask, the Queen is back.
11:54A Queen?
11:56You need to meet my mother to meet you for the term of revenge.
12:00Yes.
12:02What happened with that?
12:04Before, Lola didn't want to do it.
12:08She said that for you.
12:11I think it's like you're together to agree with what we've already done.
12:18What are you talking about, Una?
12:48What are you talking about?
12:49I'm going to eat all of you tomorrow.
12:52I'm going to eat all of you in the house.
12:53It won't be easy for you.
12:55I'm sure Dragan explained you.
12:57It looks easy, but...
13:00The sun is on the ground, on the ground, on the ground, on the ground.
13:03Not that it's not easy, but...
13:07I'm sure you're telling me that it was better than you didn't come.
13:11What are you talking about?
13:13What are you talking about?
13:14What are you talking about?
13:15What are you talking about?
13:15What are you talking about?
13:15I'm just telling you that we need to sleep.
13:17I'm waiting for you to prepare this couch for me.
13:21Tomorrow is a nice day.
13:23We have time for a conversation.
13:28Good night.
13:29Good night.
13:32Good night.
13:33Good night, honey.
13:37Good night.
13:38Good night.
13:38Can I ask you where are you from now?
13:41No.
13:42Don't ask me all day.
13:43I'm looking for a worker.
13:46I'm looking for a worker.
13:46From Dragobrace to Desimirovca.
13:48I couldn't find one worker.
13:50Do you believe me?
13:51I'm looking for a woman.
13:52I'm not a woman.
13:54I'm not a woman.
13:54You're lying to me.
13:56What are you lying to me?
13:59I'm lying to you.
14:00I'm sitting here and waiting for your child,
14:02while you're in the village with someone else.
14:06Who's the child?
14:08Who's the child?
14:08The daughter of Mir Bašić.
14:11Okay.
14:12Well, she's not the child.
14:13It's not the child.
14:14It's not the child.
14:14It's not the child.
14:15What?
14:17She knows the whole village.
14:18You know?
14:20And all you are lying to me.
14:23The mother of my husband.
14:26With a hard woman.
14:27She's running there for a girl.
14:29Hey!
14:29Is that a flower that has hit the head?
14:31And she's lying to me.
14:33I'm lying to her.
14:34And she's lying to me.
14:37Because I know who you are.
14:38Oh my God.
14:39But they're lying to me.
14:40And I'm sitting here in four walls.
14:43Oh my God.
14:44And she's lying to me.
14:45I'm not going to die anymore.
14:46No, I'm not going to die anymore.
14:48Stop.
14:48Let's do it.
15:09You're not a kid.
15:11You're not a kid.
15:12How are you?
15:14How are you?
15:19I don't want to sleep, son. I don't want to sleep.
15:22I don't want to sleep.
15:23I don't want to sleep.
15:24I'm going to sleep.
15:59Good morning everyone.
16:01Good morning, son.
16:03Sorry about that.
16:05I'm sorry about that.
16:06It's not so late.
16:08No, I'm not.
16:09I'm not.
16:09I'm not.
16:10I'm not.
16:10I'm not.
16:10I'm not.
16:10You all are bad things you got on the faculty.
16:13I'm not.
16:14You're not.
16:15I'm not.
16:17I'm not.
16:17I'm not.
16:18Good morning.
16:18Good morning.
16:19Good morning.
16:20There are some people and these gays.
16:24Where are you?
16:25They look like they're asleep.
16:27And I brought two people.
16:29Good morning.
16:30Good morning.
16:31Can she come to Lydia?
16:34She wanted, but she doesn't get up.
16:37Good.
16:38It's time.
16:40Good.
17:00Hey, Protege.
17:01Come take this proposal.
17:03A request stop by again.
17:05No.
17:07Come take it from me, I'll give it.
17:10Listen to me, it's about Lolo and the musician and the stars.
17:14What are we going to do with you?
17:16I'm thinking about it, Zorka.
17:18I have to stay in the peace of mind.
17:20There's a whole life of someone who is a spy.
17:22What would you do with me?
17:25I don't know when I'm going to stay.
17:26I don't know if I'm waiting for you.
17:28When you come, you think I won't feel you on the couch.
18:06How do you do it?
18:11Thank God, I'm sick of you.
18:13We're all together.
18:15There's no gun.
18:17Yes, yes, yes.
18:19Here's Veljko.
18:20Forgive me, people.
18:23I had chaos tonight,
18:25and I'm going to take a break with Maša Bašić.
18:28Only when I see him in Davička.
18:30Let's see that flower.
18:34Let's go to Zorka,
18:36and then I'll take a break.
18:37Let's go to Zorka.
18:38I'll stretch a rat, I'll go.
18:41He's well in.
18:42Set the only.
18:44I don't know him too much.
25:58Who are those?
26:00They worked last year with us.
26:02He didn't get to talk to them.
26:05But I left a little, and they left a little.
26:09We're still friends.
26:33Let's take a look.
26:35I'm happy.
26:35You could be able to drive now.
26:40Good, good.
26:43How did we go up here?
26:45Up until the stars.
26:48Until then, we'll talk like a few friends.
26:50Please, sit down.
26:57We worked well.
27:01I was there when you needed money for the campaign.
27:04I was there when you looked at the camera.
27:07I wanted to show you how someone pays for the money and the benefits.
27:12For all, we got all the asphalt and new containers for milk.
27:17It was promised much more.
27:19I promised.
27:21But I didn't expect anyone in the community to privatize the water facility.
27:25No.
27:25I didn't privatize it.
27:27That facility is always on the land that belongs to the locals.
27:31The land is yours, but the water belongs to everyone.
27:35Which is the water, that is the water.
27:39The land is yours, but the land is the water.
27:39It's true to your son.
27:41It is true.
27:43I'm grateful.
27:45I hear you are the future young girl, Gorana Stankovic.
27:48That's true.
27:49Well, they say that Stanković will have a lot of money to put in the Amidži Nizvori water facility.
27:55That's what the people say.
27:56Right?
27:57Well, a little bit.
27:59Yesterday, Milojevic said that the municipality renews those plans in Rudnik.
28:05Well, that's good.
28:06That's your idea.
28:08Well, the plans have been decades.
28:10Do you think that it will happen?
28:13Excuse me.
28:44The plans have been changed.
28:45I really think that's what we have in here.
28:46Yes.
28:47That's what we do.
28:48The Amidži Nizvor is a prison for you.
28:49and the waterfront. They are not yours.
28:52And we want to have a place in this city
28:56and resources for everything.
28:57We want you to buy a boat,
29:00and you want to look for the land
29:01and look for the land.
29:02We want you to buy money for the land.
29:06Please, let's go.
29:07Please continue to cooperate with Stanković
29:09and cooperate with the city.
29:12The man is nothing.
29:14He has enough capital
29:16on other places and other jobs.
29:18You risk everything.
29:22Okay, Svečala.
29:23What is it all?
29:24I really would have to do it.
29:33Think before everything is far away.
29:35In the name of our cooperation,
29:37in the name of the old times.
29:41The waterfront, the lakes,
29:43the waterfront.
29:48The waterfront.
29:54Hello, Nedo.
29:56Hello, Nedo.
29:56Hello, Nedo.
29:56Is Goran there?
29:57No, he came out.
29:58Why did he come home?
30:00At the Camber.
30:01Again?
30:03Again?
30:04Yes, yes.
30:05Help me.
30:08What is Goran doing?
30:10You know I wouldn't like it.
30:14Nedo, please.
30:16You know how much I am the best in the game.
30:18Excuse me for you to say that.
30:19Excuse me, but I am the best in the game.
30:22Whatever you can tell me,
30:24it would mean to me.
30:26Maqueta.
30:30Let's go, girls.
30:33Let's go.
30:34Let's go.
30:36Let's go.
30:38Let's go.
30:46Let's go ahead.
30:53Let's go.
30:55Let's go ahead.
30:56Let's go ahead and get out.
30:58Let's go ahead.
30:59Can't please take a look, Angel?
31:01Let's go ahead, my little boy.
31:03Let's go ahead.
31:11Just hold on.
31:25You can't keep me doing this.
31:28You don't need to know.
31:30Sindikalist.
31:32We're all together.
31:33My son, we're all together.
31:36Let's go.
31:38Let's go.
31:52Stop.
31:53Stop.
31:54Stop.
31:54You're green.
31:55You're green.
31:56What do you think?
31:58As an blades are down to me,
32:01if you're in the eye of an ambulance,
32:04you may have a seizure.
32:07It's serious.
32:08I've never seen you in a few days.
32:11You're the same as an ambulance.
32:14That's good.
32:18You're amazing how he came.
32:19He's to a knife, to his throat.
32:21and the same way to take it?
32:22If we take our heads, our heads, then we will take it like that.
32:26Do you know how to do it?
32:29Yes.
32:29Do you know how to do it?
32:42Yes.
32:45Okay, so you are familiar with the new circumstances
32:49regarding Mr. Stanković and my client?
32:53I am familiar with you.
32:54Yes.
32:57Then, we propose that, in this agreement,
33:01the annex will be specified
33:04that the future of the new investments
33:07will be done only with the agreement.
33:12Wait, what do we say, colleague?
33:16Do you want the annex to prevent my client
33:19to buy land around Amidženog Izvora
33:22where he wants to make a great benefit from the company?
33:25No, no, no, no.
33:26We don't want nothing to prevent anyone,
33:29but we insist on the agreement.
33:33Mr. Stanković,
33:35let's go out and leave me and my friend
33:38so we will talk to him in four eyes.
33:45Yes, of course.
33:47Listen to me, dear colleague.
33:49Here we go.
34:00Now, let's open the card.
34:03Do you know what I mean?
34:05Do you have any money?
34:06Do you trust me to take the parcel?
34:10Take my...
34:11I've already been sorry for that.
34:13Sorry.
34:14And you know what?
34:16I will help you to find the best parcel.
34:19I will also help you to take the parcel.
34:22But?
34:24I will not be the first guest.
34:28I will not be my friend
34:30and my business partner
34:32every day
34:33will look at my role
34:34and my job.
34:36I would look at my role
34:38and my job.
34:46Is there anything else?
34:49I will call you if it is needed.
34:54It's nice to see you,
34:57this lady.
34:58The lady.
34:59The senior education.
35:01The senior education.
35:01The family.
35:02The family.
35:03With personal problems
35:04as well as
35:06for every year.
35:07And you will find yourself
35:09in everything.
35:10As well as she is.
35:12And you know
35:14that I have been talking
35:16about you in the 4th
35:17community.
35:18Wait a minute, colleague.
35:19Did you ask me about it?
35:21I did not know
35:21that I will have the opportunity
35:22to collaborate
35:23with the true
35:24lawyer.
35:26I have been asked
35:27to ask you.
35:29I have to have
35:30a large company
35:31and a Lexus
35:34in parking.
35:35I really wanted to change him.
35:37three marriages
35:40with a colleague
35:41from the branch
35:42who has two
35:43positions.
35:45It is known
35:45that it is
35:46most dangerous
35:47to be with a colleague
35:48from the branch
35:49who has two positions.
35:50I would say
35:51that your story
35:53is not finished.
35:55If I am
35:56at least
35:56I have a real
35:58expert
35:59who can
36:00need help.
36:01Maybe you will
36:02really be
36:03where I am
36:04now.
36:06I am
36:07exhausted,
36:07disappointed,
36:09without
36:09illusions,
36:11without
36:11work.
36:13I do not
36:13today's job.
36:15I do not
36:16know
36:17what you are
36:20talking about.
36:22I don't
36:22know
36:22what you are
36:23talking about.
36:24As a man,
36:26I understand you.
36:28I am a
36:29biologist.
36:30We
36:30came from
36:31Bihor
36:32in the
36:32Black
36:32Mountains,
36:33somewhere
36:34in the 18th century.
36:36We live here
36:37and die.
36:39And
36:39I
36:40went to Bihor
36:42and asked
36:44what
36:45will
36:45you
36:45here.
36:46Where
36:47are you?
36:49We
36:50talked about
36:51what
36:51you
36:52are.
36:52You
36:53are
36:53a man
36:54man.
36:55a man.
36:55are
36:55a man.
36:57You
36:57a man.
37:10You
37:10are
37:11there.
37:12You
37:12have
37:13a man.
37:13You
37:14have
37:14a man.
37:15There
37:16is
37:17a man.
37:17a man.
37:21don't
37:22think
37:23about it.
37:24I
37:25don't
37:25a man.
37:27I
37:28don't
37:28know
37:37how
37:37a man.
37:38a man.
37:38I
37:39don't
37:39anything.
37:40I
37:40don't
37:40you.
37:46I
37:47think
37:47that
37:47you
37:48came here
37:48somewhere.
37:51Let's
37:52talk
37:52about
37:53poetry.
37:56After
37:56a half
37:57century,
38:00the
38:00settlers
38:00came here
38:01to Kosovo.
38:02they
38:03went
38:03the
38:03house.
38:04I
38:05have
38:08nothing
38:08against it.
38:09But
38:10when they
38:11came,
38:11we
38:13had a house.
38:17What
38:17do you think?
38:18I
38:19have
38:19come to
38:19the
38:19house.
38:20would
38:21never
38:22have
38:22written
38:22the
38:24house.
38:27But
38:30it's different.
38:31It's always
38:32one who
38:33leads
38:33a job.
38:34One
38:35is always
38:35a little
38:35right.
38:37It's
38:38a
38:38house.
38:39It's
38:40a
38:41house.
38:42It's
38:43a
38:43house.
38:46I
38:47know
38:48what
38:50you
38:51know.
38:51If
38:53I
38:54put
38:54capital
38:55into
38:56the
38:56house.
38:58I
38:59want
38:59to
38:59land.
39:00If
39:01you
39:01do
39:01nothing
39:04about
39:05what
39:05have
39:06done.
39:07It's
39:09time
39:09to
39:10talk.
39:11Here
39:11is
39:11another
39:12thing.
39:14Who
39:14is the
39:15main
39:15one?
39:15I
39:18buy
39:20this
39:21land.
39:22We
39:23don't
39:23to
39:23find
39:25the
39:25courts.
39:27You
39:28want
39:29to
39:29make
39:29a
39:30lease.
39:31You
39:32have
39:32pay
39:32money.
39:35You
39:37have
39:38money.
39:44You
39:46have
39:46money.
39:47have
39:48You
39:48have
39:48money.
39:53You
39:53have
39:53new
39:54young
39:54people.
39:55you
39:55have
39:56been
39:59You
39:59have
39:59to
40:00out of
40:00You
40:00have
40:01been
40:01out of
40:02the
40:03car.
40:03you
40:03have
40:04a
40:04lot of
40:04Yes, you see that he's got hurt.
40:07He came out of the house when we were in the house.
40:08Okay, let him go.
40:10What?
40:11Get out of me.
40:12You're a normal woman.
40:13If you leave the head, you'll be able to get a disease.
40:15Okay, you said that you leave the head out of yourself.
40:17I'm sorry.
40:18Why am I?
40:19Because I'm from here.
40:21I'm from here.
40:22I'm from here.
40:23I'm from here.
40:25For you.
40:27I won't be able to get out of you.
40:29Okay, I'll get out of here.
40:31Wait.
40:32Here is the head, here is the hole.
40:33Let's go.
40:33Let's go.
40:34Let's go.
40:39Let's go.
40:40Let's go.
40:45Let's go.
40:52Gago, I'm not a little girl or a little girl.
40:55I won't let go like a wind blows up.
40:58You don't need to take responsibility for me.
41:01You need to take responsibility for us.
41:04Your part of responsibility.
41:06You are a great son.
41:08You do something smart.
41:09You're just like a teenager.
41:11You're like a teenager.
41:11You're like a child.
41:12You believe in your mother.
41:13You're like everything you say.
41:14What do you believe?
41:17You believe in me that I'm not for you.
41:23You have to believe in.
41:24You don't believe in me.
41:24I'm not going to lie in the world.
41:25We have a show today.
41:27What show?
41:27You're saying what you say and be a man.
41:30Trust me.
41:31I don't know where you're going.
41:33You're going to find me.
41:33Excuse me, Veljko.
41:34You're from me.
41:36You're from Velja, you're from me again.
41:38You're from Mila.
41:38I don't think we'll be like them.
41:40Yes.
41:41Just look at what Paul doesn't know.
41:43He's flying in the head.
41:44I want to see a technology in the house today.
41:46I'll get back to you so much easier than I'm getting back to you.
41:50It's not so stupid.
41:51You don't see how they move on to his side.
41:54Why did you call me?
41:56I can't give you this anymore.
41:58I hope.
41:59And she will be good.