Assista a Terra de Gigantes (1968), clássico seriado de ficção científica dos anos 60, em episódio completo e dublado. A série acompanha a tripulação da nave Spindrift, que após um acidente acaba presa em um planeta onde tudo é gigantesco. Em um mundo hostil e desconhecido, cada episódio traz ação, suspense e desafios constantes na luta pela sobrevivência e pela tentativa de retornar à Terra.
Episódio completo, dublado em português, com qualidade preservada para fãs de séries clássicas e ficção científica.
Acompanhe o canal Clássicos das Telas no Dailymotion para mais filmes, desenhos e seriados antigos completos e dublados.
#TerraDeGigantes #LandOfTheGiants #TerraDeGigantes1968 #LandOfTheGiants1968 #SeriadoClassico #SerieClassica #FiccaoCientificaClassica #SciFiClassico #SeriesAnos60 #TVAnos60 #SeriadoAntigo #SerieAntiga #EpisodioCompleto #CompletoEDublado #DubladoEmPortugues #ClassicosDaTelevisao #SeriesDeAventura #SeriesDeFiccaoCientifica #IrwinAllen #ClassicosDasTelas
Episódio completo, dublado em português, com qualidade preservada para fãs de séries clássicas e ficção científica.
Acompanhe o canal Clássicos das Telas no Dailymotion para mais filmes, desenhos e seriados antigos completos e dublados.
#TerraDeGigantes #LandOfTheGiants #TerraDeGigantes1968 #LandOfTheGiants1968 #SeriadoClassico #SerieClassica #FiccaoCientificaClassica #SciFiClassico #SeriesAnos60 #TVAnos60 #SeriadoAntigo #SerieAntiga #EpisodioCompleto #CompletoEDublado #DubladoEmPortugues #ClassicosDaTelevisao #SeriesDeAventura #SeriesDeFiccaoCientifica #IrwinAllen #ClassicosDasTelas
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TVTranscrição
00:00THE CITY IN BRAZIL
00:47THE CITY IN BRAZIL
01:03THE CITY IN BRAZIL
01:06THE CITY IN BRAZIL
01:10THE CITY IN BRAZIL
01:17THE CITY IN BRAZIL
01:35THE CITY IN BRAZIL
01:49THE CITY IN BRAZIL
02:05THE CITY IN BRAZIL
02:14THE CITY IN BRAZIL
02:15THE CITY IN BRAZIL
02:15THE CITY IN BRAZIL
02:15THE CITY IN BRAZIL
02:15THE CITY IN BRAZIL
02:35Stephen Arnwick, Don Martel, Dina Lange, Peter Young and Kurt Kahn.
02:54Brazilian version, AIC, São Paulo.
03:03The Return
03:06Guest actors: John Carradine, Jess White, and Fritzfeld.
03:30Hey, but watch out!
03:40They're fine. I hope I haven't treated them rudely.
03:44We're doing great. We always travel like this.
03:47Are they hungry?
03:48I don't have much money, but maybe I can scrape together some for coffee and pastries.
03:52Why don't you just let us leave? We'll get sandwiches somewhere else.
03:55It's very kind of you to go to all this trouble, sir. Whatever your name may be.
04:01Does that mean they don't know me?
04:04No. We don't know.
04:16And now they recognize my face.
04:19I don't think so, my friend.
04:23So the name Égoro Cruz means nothing to you.
04:25Please don't be offended, Mr. Cruz. We don't live in that country, you know?
04:30We're just passing through.
04:33And why should you know who I am?
04:36Even my fans have forgotten me.
04:38Égoro, it was a pleasure meeting you, but if you don't mind, we'll be leaving now.
04:43Going?
04:43You can't go anywhere.
04:46I have plans for you.
04:48They will be movie stars.
04:50Oh, did you hear that?
04:53From the movies?
04:55That's exactly right.
04:56Movie stars.
04:57What am I like?
04:59So, how did it go?
05:00The greatest scenic threat in the history of monstrosities.
05:05They should have seen me in the crime of Doctor Death.
05:07It was absolutely terrifying.
05:11But the public's memory is short.
05:14And the producer's memory is even shorter.
05:19But with you, with you sharing in the excitement of the next film,
05:24Égoro Cruz's star will shine once again.
05:28I know, I can feel it there.
05:31A glorious new career.
05:34An unnecessary detour awaits me.
05:36Closer than the next studio.
05:38Egor, we don't want to disappoint you.
05:41But we don't have time to become movie stars.
05:44It's not that we don't appreciate your offer, you understand?
05:47But we have to find a way to get back to Earth.
05:50Hey, we can negotiate!
05:58This is Dan, is that you, Steve?
06:00Yes, but I won't be able to say much.
06:03Are you in trouble?
06:05Yes, the giant caught us and put us in a box.
06:08And did he catch the four of you?
06:10Exactly.
06:11Listen, he's going to take us now.
06:12I'll leave the radio on so you can follow my signal.
06:35Here he goes, trying to get into another film studio.
06:39Perhaps if he's kicked out of that one too, he'll give up and release everyone.
06:45Perhaps.
06:46My dear young man, perhaps you don't understand who is speaking.
06:50Well, I know who you are, Grandpa.
06:52Egoro, crusader, dead for years.
06:55Did you think I was dead?
06:56Yes, at the box office.
06:58Now, time to hit the road.
06:59I'm sorry, but I insist on speaking with you.
07:01Yeah, wait a minute.
07:04Now, add it up.
07:08You idiot.
07:25And they won't let me in to talk to anyone.
07:28Listen, Gregor, this is the seventh studio you've been in.
07:30Why don't you give up?
07:31But I'm not finished yet.
07:33There is still one more place.
07:34Of course, when I was a star, I wouldn't have made a film of that caliber.
07:40But when you start going down the stairs,
07:43Eventually, you reach the last keyboard.
07:59Let's go.
08:03This property, condemned along with all its equipment and installations,
08:08It will be re-listed in a public auction.
08:47What are you doing here?
08:49Excuse me, I'm busy.
08:50Mr. Manfred,
08:52I have a great idea for a great movie.
08:54Yes, like every hungry actor in this city.
08:57Mr. Manfred, when you hear the idea I have.
08:59Do you only have bills to pay off in the next ten years?
09:03This doesn't mean that...
09:05And what I have are creditors.
09:07mortgage holders,
09:08loan sharks,
09:09Tax collector and bloodsuckers.
09:11What I don't need is a loser.
09:13A failure who never was and never will be an actor.
09:15Now get out of here.
09:17If I had a guard,
09:19I would call to have him kicked out.
09:20Now I disappear.
09:24He is well.
09:25If you don't want me to save your studio for you.
09:30Wait.
09:31Come back here.
09:37What do you mean by "saving the studio for me"?
09:40I thought you weren't interested.
09:42Let's just pretend I'm interested, okay?
09:44The film I have in mind could be made with little money.
09:47It will cost almost nothing.
09:49And it will give away a fortune more than enough to pay off its creditors.
09:54Okay, I'm listening.
09:55I call it the mystery of the dolls.
09:59And, well, I'll be the star, of course.
10:02Ah, sure.
10:04Well then, continue the story.
10:05Well, there's an eccentric scientist, you know?
10:08And they create little figurines.
10:10But these aren't ordinary dolls.
10:12They are truly tiny.
10:14They walk, talk, eat, and dance.
10:18Ah, you, you innocent gargoyle.
10:20Do you think all you have to do is sit here and listen to his crazy stories?
10:24I can't even afford a match to burn this crap.
10:27Where am I going to get the money I need to make the dancing puppets?
10:30Mr. Matoschela.
10:31That's why it's not a great job in the city.
10:33Now get out of here before I break both your legs.
10:36As if I had nothing better to do than...
10:47Now, my friend, you're right.
10:49They're great.
10:50But, it's...
10:50Do they represent?
10:51This matters.
10:52Of course not.
10:54We will make beautiful films with them.
10:55We'll make tons of money.
10:57We will both be famous.
10:58We will be the envy of the industry.
11:03Quiggy, recalcitrate, presta.
11:04Sir?
11:06Yes sir.
11:08Quiggy, I want you to get me a team, man, right now.
11:10No more than four, understand?
11:11Keep in mind that one of them is a brilliant cameraman.
11:13Yes sir.
11:15And Quiggy, I don't want to spend more than 15 bucks a day.
11:17Or he already has the right men, great and hungry.
11:21They're hungry enough not to keep their mouths shut about what they're about to see here.
11:24Or the guys I'm talking about won't see anything at all.
11:26Great, great.
11:28Now, Quiggy, go to our warehouse and bring back all seven miniatures you find.
11:32Models, maquettes, houses, dollhouse models and everything else, right?
11:36Okay. And how many dolls, Mr. Manfred?
11:39Quiggy, you already have the ones I want.
11:42Oh.
11:47Living dolls.
11:48Tiny ones.
11:50Oh, but, but, but it's against the law to arrest little children.
11:54Yes, it is also against the law to kill an assistant.
11:56And that's exactly what I'm going to do if you don't move now.
12:00And what about customs?
12:01You're an idiot, where am I supposed to find manners that size?
12:04They are fine just as they are.
12:05Oh, just one more thing.
12:07How do you know that all these people will work for you?
12:10Why shouldn't they?
12:12They will have everything that is best.
12:13Luxury, food, good shelter.
12:15I will create great things in the cinema of my own, of my little actors.
12:18Oh, that doesn't sound so bad, does it, Steve?
12:21And listen, Quiggy.
12:22After installing the miniatures, I think you should go prepare Baby.
12:26It fits right into the timeline of our history.
12:29Ah, I believe it.
12:30I believe so, Manfred, I believe so.
12:33Go on, let's go, go.
12:37Baby, I remember her.
12:40We made several films together.
12:41But where did she get it?
12:45So, where did I get it?
12:46I bought it.
12:47Ah.
12:48I don't think it would have been dangerous for Baby to work with the little children.
12:51Ah, well, we'll discuss that later.
12:53Now, look, I have a lot to do.
12:55I'm going to start shooting a film.
13:08Manfred Studios.
13:10Do you think we'll get to see them making a movie?
13:13This is well covered, Barry.
13:14There's nobody here.
13:15So why did Egos take him there?
13:18I don't know.
13:19Let's look for Egos and ask if we can be movie actors too.
13:24You wouldn't want to be an actor on this planet.
13:27I could only get small roles.
13:29What do you think about getting Steve and the others out of there?
13:31It is good.
13:33Let's go.
13:49It must be there, where that man went in.
13:52And when he goes out again, maybe we can see...
14:21Come here, Baby.
14:23The boss wants to see her.
14:24Come here.
14:25Stop, Cage.
14:26You have a job.
14:27You want to make another movie, don't you?
14:32Come on, everyone.
14:35Take Baby inside.
14:39When they go in, we go in.
14:41Okay.
14:53Let's go.
14:58Everything is ready.
15:00Whenever you want, Mr. Mofred.
15:01Very good.
15:07Where did the little ones go?
15:09I prepared a small room for them to have where they can wait for the set to open.
15:13The baby is ready.
15:13She's right over there.
15:15We don't want to alarm our stakeholders sooner than necessary.
15:18Let's take a look.
15:19Yes, ma'am.
15:21Not bad, my friend Pitfari.
15:23It should look amazing in class-ups.
15:28Why would I prefer that?
15:30Well, Fitzhug, this is to stay in touch with Dan, so we can escape.
15:35Why?
15:37What are you talking about?
15:38This is a once-in-a-lifetime opportunity, and I'm not leaving here.
15:42You know he's not entirely wrong, for a change.
15:44If we make the movie about Mordred, he might give us a chance.
15:46What if he decides to make a series, a TV show?
15:50That would be enough work for a lifetime.
15:52Well, I'm tired of eating old, giant carrots that we drag through the streets.
15:57Theatre is my life.
16:00And I want to continue my career in Tespiana.
16:03Your what?
16:03I've performed once before in...
16:06Where?
16:07College.
16:10You should have seen my interpretation of Hamlet.
16:12I was magnificent.
16:15But of course, the girl who played Ophelia left something to be desired.
16:22Fitzhug, you're dreaming.
16:25And let me go if you want.
16:27But I won't get crushed trying to escape.
16:31Fitzhug may be right.
16:33And then we would help old Egor.
16:36I think we're the only help they have.
16:39And he said he wouldn't let go after a movie.
16:44Very good.
16:46Let's see what happens.
16:55What's wrong, darling?
16:57You smelled the old stage, didn't you?
17:00He's like any other actor.
17:02Without work for a few months, people go a little crazy.
17:08Tell me, Quiggy, which one do you think is the best one there?
17:16Alright, get down, Claudio.
17:17I don't want the little ones to see it until it's absolutely necessary.
17:23Calm down, okay?
17:24Calm down.
17:38Seven mounted, camera and crew ready.
17:40We can begin.
17:41Very good, very good, Quiggy.
17:45Oh, God.
17:47That's why he can't work.
17:49Look at yourself.
17:50It's as scary as a lizard.
17:53I thought this guy...
17:54Because I'm not interested in what he thought.
17:56Now you're going to fix this makeup, okay?
17:58Yes sir.
17:59How do you find yourself, sir?
18:04It seemed frightening to me, the smell.
18:06Sure, but we don't want it here, do we?
18:07When we shoot the first scene.
18:09Okay, but what about...?
18:10What if something happens to these little ones?
18:14There, you will witness the most fantastic.
18:17The most exciting scene he's ever put in a movie.
18:20And if we lose one of the little ones during this filming, it doesn't matter.
18:24They are our enemies, right?
18:26Okay.
18:27Let's begin.
18:28Alright, take your places.
18:29All.
18:30Let's begin.
18:31They are ours.
18:35The cameras are waiting, darling.
18:38Yes.
18:55Alright, let's get started right now, shall we?
19:01And Ego is redoing his makeup, but he wasn't actually in this sequence, so I'll explain the timeline.
19:06A story for you.
19:08Well, the four of them are living dolls created by an eccentric scientist, Sir Jonathan, and they live in this large, strange house.
19:15what he did for you.
19:17Unfortunately, poor Jonathan died.
19:20Now, here's the theme of the entire film.
19:24In his will, Sir Jonathan leaves his fortune to be divided among you all, including the sinister butler, represented by my old friend.
19:31friend Egor Krul.
19:33But each of you wants all the money for yourself, and you will do anything to take it from others.
19:38of the way.
19:39It's not exactly a comedy about the three patents, is it?
19:42What did you say?
19:44Forget.
19:46Well, in this scene, they've just arrived at the funeral and are starting to talk about the will.
19:51But what are we going to say?
19:53Didn't we receive a written response?
19:54What difference will that make?
19:55Action, action is what matters.
19:57They start thinking of something to say, anything that fits the scene.
20:01Mom, you've learned, I need to put on the ear muffs.
20:03The camera is very noisy.
20:04Very good.
20:09He is well.
20:10They can rotate.
20:12It's moving, keep going.
20:14He is well.
20:15Ah, then.
20:17This was a beautiful funeral, wasn't it?
20:20Yes, it was certainly a beautiful funeral.
20:25Poor old man.
20:27A funeral like this would make old Jonathan rise and cry with rage if he...
20:31I mean, if he weren't there...
20:34Dead.
20:35It is clear.
20:36It was indeed a beautiful funeral.
20:38Beautiful, brave, wonderful.
20:41Now, the four of them stop and look around, because a shadow has emerged from the balcony.
20:46Who could it be at this hour?
20:48Valeria, you walk up to the doors and open them, understand?
21:08Leave the camera rolling.
21:15Let it run.
21:17David, put it down, let's go.
21:19Put it on the ground.
21:21David, are you listening to me?
21:22Let's go.
21:30It went very well, very well.
21:33Now, come with me.
21:35Keep it running, keep it running.
21:36Come to your cage, come on.
21:38Very good, very good, pretty girl.
21:40Let's go.
21:41Cut it out, keep this one.
21:43Beautiful, fantastic.
21:46What kind of stupid thing was that?
21:49Oh, Mark, what are you trying to say?
21:50Did you understand what I said?
21:51That gorilla in my family could tear the whole family apart if Egor hadn't called him.
21:54Baby, hurt them.
21:57Well, it's a gentle, toothless, domesticated, and harmless little creature.
22:01She wouldn't squeeze part of her teeth out of a tube.
22:03And then what?
22:04Do you think I would expose my stars?
22:06It's some kind of danger.
22:08Wait.
22:10Pay them no attention, Mr. Manfred.
22:12These two heroes would yell at anything bigger than a little beetle.
22:15They suffer from a terrible case of stage fright.
22:18Ah, but I know I can count on you to bring them the Fitzhagen spirit.
22:21Listen here, why don't you guys take a break in the locker room?
22:25While Quig goes to get the sandwiches for you.
22:27Quig will get the sandwiches, yes sir.
22:28Oh, you guys are great.
22:31Thanks.
22:38Fitzhagen is asking for a lot of courage, isn't he?
22:41Yes, it really is.
22:43Now the gorilla has returned to the jewel.
22:53Are you sure Baby won't attack?
22:56She doesn't seem as tame as she used to be.
22:58I would deceive an old friend like you, Edgar.
23:01Of course she's tame.
23:01Look.
23:03Why are you torturing her like this?
23:05Why don't you leave her alone?
23:06Because you have the right, you understand?
23:07She was the star of my last film, which was a tremendous flop.
23:10I lost a fortune.
23:16I thought I said she left.
23:18Listen, you're about to have a big scene, and I want to discuss it with you.
23:22What a lovely horror scene, Barry.
23:24The sequence of screams was truly convincing.
23:29Fitzhagen, I wasn't pretending.
23:31Was I really scared?
23:32From Baby?
23:34Oh, but she's so tame.
23:36How about you take some close-ups of that little monkey?
23:39I don't think Mr. Manfred is putting us in unnecessary danger.
23:42No, it's good to see that one of us has complete confidence in Mr. Manfred.
23:46Loyalty to your producer is a quality you should cultivate, Captain Burton.
23:49Don't you agree, Mark?
23:51His food is good, but I'd rather leave and disappear from here.
23:54And the sooner, the better.
23:57May I interrupt your Lange, Fitzhagen?
24:00I want you to go there and talk to Manfred.
24:02About what?
24:03Regarding her career.
24:04It doesn't matter what it's about.
24:05I just want to make sure he doesn't come here in the next two minutes.
24:08But why?
24:09I haven't even eaten yet.
24:10Because you're a good actor and you speak his language.
24:13Go ahead.
24:24Dan.
24:25Dan.
24:26Were you able to follow us?
24:27Yes, Steve.
24:29We're in the sound studio right now.
24:30Excellent.
24:31Good job.
24:33Pay attention.
24:34You only have a few minutes.
24:35Excellent, Wig.
24:37Excellent.
24:37It matches the miniature set perfectly.
24:40Now put the sixth gear in place and let's continue the movie.
24:42Christian.
24:52Mr. Manfredi, may I speak with you for a minute?
24:55Oh no, not now, Fitzhagen, I'm too busy.
24:58I thought you'd like to know that I'm not entirely without experience in theatrical staging out there on Earth.
25:02Oh, don't tell me.
25:05I never told anyone, but I even have two nominations for Academy Awards.
25:10Two what?
25:11You know, I...
25:12Perhaps I can help you with this tenuous problem of yours...
25:17I'm sorry, but I can't help you right now.
25:18I have to gather the others and start the next scene.
25:21Let me tell you about a film I wrote called...
25:23And the breeze carried it away.
25:24You're going to love it.
25:25And I'm sure you can use some scene...
25:27Not now, Fitzhagen, not now.
25:30Are the actors ready?
25:31Don't worry.
25:33I'll call them for you, please wait.
25:42Come what may.
25:44I'll try to give you a signal before we act.
25:46I understand, Steve.
25:48Everything is ready, Mr. Manfred.
25:50Great, great.
25:51Coim, get your staff ready.
25:52Alright, everyone.
25:53Let's get back to work.
25:56To your places.
25:57Everyone.
26:06There you are.
26:10Well, now, this is a very dramatic scene of intense conflict.
26:14That's why they're getting used to it, right?
26:16Alright, here's the scene.
26:18The evil butler wants you puppets to eliminate each other...
26:22So that he can keep the entire inheritance for himself.
26:24Where is the sinister butler?
26:26I'm here, Mr. Mofred.
26:27Excellent.
26:28Well, Egor, this is the scene where you put the two little swords in the small house.
26:33So that the little ones can kill one or the other according to their cruel plan.
26:36Did you understand?
26:38Very good.
26:39Now, are you ready?
26:41They can rotate.
26:42Rolling.
26:43Already.
26:44Action.
26:48Now, Steve Mark, you grab your swords and begin to duel.
26:52That's the idea.
26:53That's right.
26:55Valery, darling, you must be frightened.
26:57Come on, be scared.
26:58Let's go.
27:16Beautiful, beautiful.
27:27Very good.
27:28That's the idea.
27:32And what about this coup?
27:58That's right.
27:59Now, walk slowly towards the terrace.
28:13Mark, you're winning.
28:15And it is at this point that you lean it against the parapet.
28:29Now, help him.
28:31You can't, you can't do that.
28:33He could die.
28:47It's slipping.
28:47Someone has to help him.
29:01Wait, so we can turn around.
29:02Paulo Dândio.
29:04Palmo Dândio.
29:06Calm.
29:07Paulo Dândio, continue.
29:18You can look, Barry. They did it.
29:21Cut! Cut!
29:22Beautiful, beautiful! Bravo, bravo, bravo!
29:25Let's get out of here.
29:29And what about you...?
29:32Where are they taking Ego?
29:34I don't know.
29:36But we'll find out.
29:38Come.
29:44Who do you think you're laying your hands on?
29:47It turns out I'm the star of the movie.
29:49But if he interferes with filming again, he'll be the former star of the movie.
29:53If I go, the little ones will go with me.
29:56They're mine, don't forget that.
29:58How about I lock myself in the closet until I finish filming this movie?
30:02There are 150 hungry actors who would love to play the butler.
30:05And to be frank, even I think I'm capable.
30:07But the thing is, then you wouldn't have Egor Krull's name on the marquee.
30:11The name Egor Krull wouldn't sell popcorn at the circus these days.
30:15You may not know this, but I still have many loyal fans.
30:18Yes, I heard there was a meeting of your fan club last month.
30:23In a crate.
30:26Quiggy, that's not how you talk to a professional actor.
30:30I think that...
30:30It doesn't matter what you thought.
30:32My idol and I may have our differences, but we respect each other.
30:37Sorry.
30:38Thank you, Mr. Marflet.
30:40Not for that reason.
30:41I am convinced that when we release this film,
30:44You will once again become an important man in business.
30:47Do you really think so?
30:48Undoubtedly.
30:49But you understand for now.
30:53No one, not even the star, should interfere when I'm driving.
30:56But the parapet, the fire, the little ones could get hurt or die.
31:01You know that old buildings are rotten, falling apart.
31:05Unless you're suggesting I weaken that parapet.
31:10I never said that.
31:11Or maybe you think I wouldn't catch the little one if he fell.
31:15Or I'm sure I would catch it, Mr. Marflet.
31:17Why don't you go fix your makeup, Igor?
31:19You enter the next scene.
31:24Look, this bum is only going to cause trouble, Mr. Marflet.
31:27Why do you keep treating him this way?
31:31I will never let these little ones go.
31:34Never.
31:35As for our friend Igor, we'll get rid of him very soon.
31:42Permanently.
31:47It seems Steve mentioned that Mr. Marflet's office opens directly onto the stage.
31:52Yes, that's right.
31:53So let's go there and call S.I.D.
31:55S.I.? But what about Steve and the others?
31:57Listen to my idea.
31:58When the men from the S.I.D. arrive.
32:00I hope they cause enough chaos for us all to escape.
32:04Dan.
32:05That's it, that's it, that's it. That's very good.
32:07Here it is.
32:08Dan, he brought a revolver.
32:10Let's go to the office.
32:12Come.
32:14Very good.
32:15Ah, I'm not afraid of that revolver.
32:17It's just to give it more life.
32:18It's all just parties.
32:19We'll use it in the next scene.
32:22Forget about it, Manfred.
32:23There will be no next scene.
32:25No?
32:26No!
32:27We gave up.
32:28Do they give up?
32:29Why?
32:30What do they want?
32:31Best food?
32:31Do you want to become partners?
32:32What?
32:33We don't want anything, Manfred.
32:34We just want to get out of here.
32:36Ah, I think I understand.
32:38They're angry because of the parapet, aren't they?
32:41That would be a part.
32:43But we managed to get some spectacular scenes.
32:45I'm sure of it.
32:46Wait until you see it in the projection room.
32:48They'll agree it was worth it.
32:50It wasn't worth it for Steve to almost lose his life.
32:53I really thought I would have...
32:54I am devastated.
32:57Do they really think I would be capable of letting Steve fall?
32:59I would take it, I swear to you.
33:01That's very reassuring, Manfred.
33:03But we want to get out of here.
33:05All of you?
33:06Isn't there one among you who wants to be famous, rich, and idolized?
33:11I want.
33:12There you go, you see?
33:13Mr. Fitzhag was touched by the true spirit of the theatre.
33:18Mr. Fitzhag, you will be a great star.
33:21Now I hope the rest of you will follow his example.
33:24So wait, they'll go.
33:25Very good.
33:26You leave me no choice.
33:29Now listen to what I'm saying, and listen very carefully.
33:31This film means a lot to me.
33:33It means my studio, my entire future.
33:35Either you get to work, or I'm prepared to take some very unpleasant measures.
33:40Am I making myself clear enough?
33:45Very good.
33:46In this scene, Fitzhag shoots the sinister butler.
33:49Where is Egor?
33:50Someone needs to go get Egor.
33:52Quig, tie the string to the trigger of the revolver.
33:58Do you see what they're doing?
33:59Yes, cocking the revolver for the next scene.
34:02I don't think there's any danger of them coming here for now.
34:04Excellent.
34:05Are you sure you'll reach the top?
34:07Yes, Dani.
34:07Okay, let's go.
34:10Okay, Mr. Manfred.
34:12Great, very good.
34:13Everyone's quiet on set.
34:14Valerie, we won't need you anymore.
34:16You can go to the dressing room and wait for me to call you.
34:18You'd better obey.
34:20In the meantime, try to fix your hair.
34:23It's getting awful.
34:25How it is?
34:26I'm the star of this scene.
34:27And I don't want it to be ruined by a careless extra.
34:31Oh, Fitzhag, you must be joking.
34:34You, you clown.
34:36Come on, go to the dressing room.
34:39Listen, you big star.
34:42Keep your mouth shut.
34:45Did you understand?
34:46Well, if they're calmer now, maybe we can continue the scene.
34:51Well, when the camera rolls, Fitzhag, you'll go up to a sword.
34:54Grab it and go back to the string that keeps the revolver's hammer cocked.
34:58At this point, let's bite sinisterly towards the one directly in front of the gun.
35:02Is Egor ready?
35:02Where is Egor?
35:03Here.
35:06I'm ready, Mr. Monfred.
35:08Excellent.
35:10Quigui, get your people ready and let's go...
35:11So, everyone, let's get to work.
35:28Hello, operator.
35:30This is an emergency...
35:32Nothing.
35:33Not even a line signal.
35:40Telephone operator.
35:41Telephone operator.
35:48Come.
35:50Come.
36:05Manfred didn't pay the bill.
36:07That's why it's cut off.
36:10Ben, Fitzhagen, the gun is pointed at the butler, and you go for the sword.
36:15Wait until he's right on target, then he can't miss.
36:18Steve and Mark, stay out of camera range.
36:21After the gunshot, they rush in here and grab Fitzhagen.
36:25Did you understand?
36:26Now, Ergo.
36:29Fitzhagen, raise the sword above the string.
36:34Dan, check this out.
36:37Could we use it?
36:38Uh-uh.
36:39It must be a feast for the weapon.
36:41There's no feast there.
36:42They are real.
36:48Steve.
36:49Please reply urgently.
36:52What's wrong, Dan?
36:53The bullets are real.
36:57Cut the string.
37:02Your dirty self wants to turn the little killers into murderers.
37:06What was that, Ergo?
37:06Help.
37:07Take it off here.
37:09Sad in the closet.
37:14Dan.
37:15Dan, answer me.
37:16You can speak, Steve.
37:18Ergo is fine.
37:20We managed to deflect the revolver, and the bullet only grazed his arm.
37:23Steve, we're in the room with the dead phone.
37:26Do you think you could get Ergo to leave the studio?
37:28And what if he called S.I.D.?
37:29Oh, there's no chance.
37:31He was just locked in the closet.
37:33He is well.
37:34I'll do what I can from this side.
37:36Do you think we could get Ergo out of the closet?
37:39It's necessary, Barry.
37:53Is everything ready, sir?
37:54Great, great.
37:55Let's move on to the next scene, gentlemen.
37:57Yes, Mr. Manfred, I don't want to be an actor here anymore.
38:00Manfred spoke for all of us.
38:03Oh, so it's a mass exodus, isn't it?
38:05Before they get so brave with those pins they hold,
38:08I suggest you take a look at what the next scene will be, huh?
38:12Right there, past the arch.
38:15Go there and see.
38:19What kind of scene is this?
38:20Oh, let's just say it's the classic Valen death scene.
38:35Ah!
38:36Ah!
38:37Ah!
38:52Steve, the old woman is burning the rope.
38:55She's going to fall.
39:01What's the rush, Steve?
39:03It's being filmed, I don't want to miss even a little bit of it.
39:05It is.
39:30Ah!
39:32Ah!
39:33Ah!
39:35Ah!
39:37Ah!
39:48Speak, then take my hand.
39:50Let's go.
39:51Let's go.
39:59Mark, you have to shake it.
40:05Hold on to this.
40:06Come on, hold on.
40:25Hold on tight and get out of the way.
40:35Bravo, bravo.
40:37Beauty.
40:38Beauty.
40:39You can rest easy, my lovely actors.
40:41You deserved it.
40:45It achieved.
40:56What are you going to do?
40:57Any bombshells?
40:58Something like.
40:59Listen, Barry.
41:00Climb down the rope and stay out of sight.
41:03And see if I can find some giant needles.
41:05Okay.
41:07Okay.
41:28I think that's all for today, guys.
41:30I don't want to exhaust my actors.
41:32Pack everything up and let's go home.
41:33Me too, Mr. Manfred.
41:35You too, Quig.
41:36But come very early tomorrow.
41:37The first scene we'll film will be of the little ones passing by...
41:40that the other side will die.
41:41Ah, very good, everyone.
41:42Let's go home.
41:43Yes, sir.
41:54They're full, Sergio.
41:56Perfect.
41:56Let's go.
42:10Barry, stay here and wait for me.
42:12Yes.
42:13Let's go.
42:28You have no idea how sorry I am for calling her incapable.
42:32You are not.
42:34She was a wonderful artist.
42:37Thank you, Fitzhag.
42:38And I regret calling him a ham actor.
42:41Even if you are one.
42:43I'm sorry, my friends, but it's time to lock you up until tomorrow.
42:47But don't worry.
42:48It's a warm, good prison, full of good things to eat.
42:57They shouldn't have done that at the time.
43:01Now, Dan.
43:06The thread.
43:09Lights.
43:11Lights.
43:14Let's go.
43:27Where is Fitzhag?
43:29Fitzhag?
43:29Where?
43:31He...
43:48Well, well, Mr. Fitzhag.
43:50Imagine meeting you, sir.
43:52It will bring the others back to me, won't it?
43:56Help!
43:58Big.
43:59That way, let's go.
44:14Listen here, you little ones.
44:16I have Fitzhag.
44:17It's stuck to the floor of the miniature theater.
44:21I'm giving you exactly two minutes to get back to me.
44:25Did you hear that?
44:26Two minutes.
44:27Otherwise, it will be goodbye to your friend, Mr. Fitzhag.
44:31I think he's bluffing.
44:32Steve, help me.
44:35He's not bluffing, no.
44:37Steve.
44:38Captain.
44:39So what are we going to do now?
44:40He said two minutes.
44:42And we haven't heard from her yet.
44:44Let's wait and see.
44:46Danny, he said, two minutes.
44:47Yeah, I just hope he doesn't look this way.
44:50Don't go anywhere.
44:54And time is ticking away.
44:56Help me.
44:59Help!
45:05Igor, are you listening to me?
45:07Who is it?
45:08It doesn't matter.
45:09Do you have any matches?
45:11Yes, but...
45:12Look, I'm going to slip something under the door for you.
45:16Stick it in the keyhole.
45:17Light the tip with a match.
45:19Then fall to the ground.
45:20Did you understand?
45:21Yes.
45:27Get down.
45:30What was that?
45:34Now let's go.
45:58Let's run away from here.
45:59So, what do I want to do?
46:01Let's go to Fittsheim.
46:02You guys go ahead, I'll bring Fittsheim.
46:31I think she has something else in mind.
46:34But one can decide to return.
46:39Let's move to the other side.
46:40Hurry, I'll bring Fittsheim.
46:42Go on.
46:42And then, I'll bring Fittsheim.
46:45And then, I'll bring Fittsheim.
47:07And then, I'll bring Fittsheim.
47:08Bye, bye.
47:45Bye, bye.
48:22Bye, bye.
48:31Bye, bye.
48:32Bye, bye.
49:28Bye, bye.
49:38Bye, bye.
50:09Bye, bye.
50:39Goodbye.