Assista a Terra de Gigantes (1968), clássico seriado de ficção científica dos anos 60, em episódio completo e dublado. A série acompanha a tripulação da nave Spindrift, que após um acidente acaba presa em um planeta onde tudo é gigantesco. Em um mundo hostil e desconhecido, cada episódio traz ação, suspense e desafios constantes na luta pela sobrevivência e pela tentativa de retornar à Terra.
Episódio completo, dublado em português, com qualidade preservada para fãs de séries clássicas e ficção científica.
Acompanhe o canal Clássicos das Telas no Dailymotion para mais filmes, desenhos e seriados antigos completos e dublados.
#TerraDeGigantes #LandOfTheGiants #TerraDeGigantes1968 #LandOfTheGiants1968 #SeriadoClassico #SerieClassica #FiccaoCientificaClassica #SciFiClassico #SeriesAnos60 #TVAnos60 #SeriadoAntigo #SerieAntiga #EpisodioCompleto #CompletoEDublado #DubladoEmPortugues #ClassicosDaTelevisao #SeriesDeAventura #SeriesDeFiccaoCientifica #IrwinAllen #ClassicosDasTelas
Episódio completo, dublado em português, com qualidade preservada para fãs de séries clássicas e ficção científica.
Acompanhe o canal Clássicos das Telas no Dailymotion para mais filmes, desenhos e seriados antigos completos e dublados.
#TerraDeGigantes #LandOfTheGiants #TerraDeGigantes1968 #LandOfTheGiants1968 #SeriadoClassico #SerieClassica #FiccaoCientificaClassica #SciFiClassico #SeriesAnos60 #TVAnos60 #SeriadoAntigo #SerieAntiga #EpisodioCompleto #CompletoEDublado #DubladoEmPortugues #ClassicosDaTelevisao #SeriesDeAventura #SeriesDeFiccaoCientifica #IrwinAllen #ClassicosDasTelas
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TVTranscrição
00:16How much more of this are we going to take?
00:18Everything we can.
00:19Hurry up.
00:20I'm going to get very tired of eating rye.
00:22I assure you.
00:23You don't have to eat it.
00:25Just carry it.
00:36You don't have to eat it.
01:05You don't have to eat it.
01:16You don't have to eat it.
01:19Starring Garry Conway.
01:22Dome Matheson.
01:27Stephen Agree.
01:30Dome Marshall.
01:33Tim Malone.
01:37Peter Young.
01:41And Kurt Kassler.
01:44Brazilian version IC São Paulo.
01:53Six hours to live.
01:57Guest actors.
01:59Guest actors.
01:59Richard Anderson.
02:01Anne Seymour and George Mitchell.
02:16Stealing my cereal, aren't you?
02:18As if I didn't have problems.
02:21Harry.
02:22What are you doing there?
02:23What's wrong with you, Marta?
02:25I'm scaring a man like this.
02:27You don't know that I've been very nervous lately.
02:28He's more than nervous.
02:29He's acting like a madman.
02:31What are you doing with that knife?
02:33They're stealing my cereal.
02:35Who?
02:36Who is stealing?
02:37The little ones.
02:38Little ones?
02:39Yes, the little ones.
02:41I saw one myself.
02:42It was very small.
02:44I was here in the cereal.
02:45It couldn't be in the rear, could it?
02:47Oh, Harry.
02:48Listen here.
02:49We need to find a way to deal with you.
02:51It will all be over in a few hours.
02:53Six more hours.
02:54Everything will be finished by ten o'clock at night.
02:57Martin Reed will be dead and we can forget about him.
02:59Yeah, I don't know.
03:00They haven't found any money yet.
03:01They can continue searching.
03:03We've already discussed this.
03:05All we have to do is be careful with our spending and they won't suspect us.
03:08Even if they do, they will never reopen the case.
03:12But they can.
03:13Admitting that they led an innocent man to his death is never an option.
03:18Yes, you're right.
03:19Of course I have.
03:20Now fill that hole.
03:21Nail a piece of wood onto it.
03:22Also.
03:53Rat hole, armadillo hole, and worm hole.
03:58To flee at a gallop, to hide, is absurd.
04:07Excellent.
04:09Betty, you'll have to stay by the radio if we believe it.
04:13Yes.
04:16Ready?
04:17You must all be crazy.
04:19Even if this Reed guy is innocent.
04:22Our first stop will be at the pharmacy near the edge of town.
04:26They must have some kind of tranquilizer there.
04:28AND.
04:29And a telephone.
04:30Well done, great heroes.
04:33But could someone give me a reason for us to get involved with this stranger?
04:37Yes, I will.
04:39I'll pretend that this big stranger is you.
04:46Are you ready?
04:47Whenever you want.
04:49Let's go.
04:51Let's go.
04:51Let's go.
04:53Let's go.
04:53Let's go.
04:53Let's go.
04:53Let's go.
05:05They'll need this to get into the pharmacy.
05:29Any news, director? Not yet. Why is it taking so long? He's been very busy, but he must be reading the transcript.
05:38"The trial is over now. Sit down, Martin. I was sitting. Don't you want something to eat? I don't think so, sir, no."
05:53I have form.
05:54I don't want steak? I don't really care for that. I prefer eggs with prosciutto. How do I want my eggs? Scrambled. Director.
06:13Yes, Martin. Does he always wait until the last minute to grant forgiveness? You've been here so long and...
06:22Sometimes it takes a long time to make decisions. I'll let you know if I find out anything.
06:29I am innocent, director. I didn't kill anyone. Do you believe me?
06:38If it really is the governor, he'll call, I'm sure of it. It's true. I swear it's true.
07:07I am innocent.
07:35Operator, could you give me that number again? I didn't understand.
07:37Yes, sir. It's 5515.
07:41That smell is familiar. Steak with onions. Now that's food!
07:49Thank you, operator.
07:52The marginal bulletin.
08:06Scopulamine.
08:08That's reassuring, isn't it?
08:09It can be used like that, but it's not fast-acting.
08:12In fact, scopulamine is the truth serum.
08:16And you don't mess with her.
08:20That's the one.
08:21So what?
08:22Wait in.
08:23What we need.
08:29Hold on tight.
08:50Simons speaking from the Bulletin.
08:51Ah, Mr. Simons, I wanted to speak to whoever will be covering Martin Reed's execution tonight.
08:58Talk to him. Who is he?
08:59I am a subscriber.
09:02Can you tell me where the execution will take place?
09:05In the state penitentiary.
09:06And as a subscriber, I would have already read this.
09:08What's its name?
09:08Ah, how far is the prison from where you're living?
09:13Why?
09:16Because the man they are going to execute tonight is innocent, and I can prove it.
09:26Reed will die within three and a half hours.
09:29I would be pleased to direct you to the right person.
09:32Well, I don't have it yet.
09:34But I can do it.
09:36With your help.
09:39And I would like to make a deal with you.
09:43I don't make deals. And who am I talking to?
09:46My name is Steve Burton.
09:48Well then, Mr. Burton.
09:49I'm listening.
10:02Mr. Simons, I can't talk on the phone anymore.
10:05There is a gas station on the corner of Monólito and Sédima streets.
10:10I'll wait there in ten minutes.
10:21Hello?
10:23Hello?
10:25Hello?
10:34Hello?
10:35Hello?
10:35Hello?
10:35Hello?
10:35Hello?
10:36Hello?
10:41Hello?
10:45Hello?
10:46Hello?
10:49Hello?
10:52Hello?
10:53Hello?
10:55Hello?
10:57Hello?
10:59Hello?
11:01Hello?
11:01I'll go and distract him.
11:04Well, if I can't manage it, you know what to do.
11:08Fast.
11:21What is that?
11:37What is that?
11:41Um, what is all that?
12:00Three dazzles me
12:00For more rigid things
12:28THE NEW CITY
12:32Mr. Simons?
12:35Mr. Simons?
12:38Where are you?
12:39I'm down here, on the ground.
12:49I'm Steve Burton.
12:51So, Mr. Burton, why didn't you tell me you were one of the little ones?
12:55I thought you wouldn't believe it.
12:59I suppose not.
13:00Alright, what's the deal?
13:02Here's the thing.
13:04You're going to send two of us to prison.
13:07And I'll give you an exclusive story.
13:09About what?
13:10To begin with, let's consider Martin Reed's innocence.
13:13I provided full coverage of the trial.
13:15His descendants condemned him, and so did I.
13:16Why do you think differently?
13:18Because we know who is to blame.
13:20Who?
13:21A farmer named Cass.
13:23Harry Cass.
13:25Harry Cass and his wife welcomed Reed as if he were their own son.
13:28They treated him like a son.
13:30I met him several times.
13:32They seem like decent and honest people to me.
13:34Look, that doesn't interest me.
13:36We heard them this afternoon, and I say that the farmer is a murderer.
13:40The stolen money is there too.
13:43They didn't find it, did they?
13:52One moment.
13:53Don't call the Cass family, or they'll run away.
13:57You take care of your business and I'll take care of mine.
14:02Just a moment, hold on.
14:03The only way to get into prison is with him.
14:20The only way to get into prison is with him.
14:46Is that exactly what you heard Cass and the woman say?
14:49Enough to convince me that Reed is innocent.
14:53And how will you prove it?
14:55Oh, that doesn't matter.
14:56We told you about Cass and you almost snapped at us.
15:00Simons, are you going to help us or not?
15:02With a story that everyone will turn against me if I write it?
15:09Don't beg, that's the conscience he has.
15:12My conscience is very clear, thank you very much.
15:15And how will he feel if they execute Reed and then find out he's not guilty?
15:24You know I could get myself into big trouble trying to get them into prison, and then the next day, how am I going to do it?
15:29Him?
15:32Do you have a camera?
15:34Yes, I have one in my car.
15:36We will travel inside.
15:39Inside the camera?
15:40That's right.
15:46Combined.
15:48Good luck.
15:50You three, go back to Cass's house.
15:52If they decide to run away, try to stop them.
15:55If they can't, they'll go along.
15:58Do you think you can trust him?
16:02We have no other choice.
16:06Do you think you can trust him?
16:10Amen.
16:40I didn't like it.
16:43They are virtually prisoners.
17:17I can't see anything.
17:20Don't make a sound. I'm still going to fall here.
17:29They covered it with a can.
17:31Try to drill a hole.
17:55I think he fainted.
18:03I ask that they not listen.
18:05I think they took me away.
18:14Olival, when we came, we passed a large bucket next to the bridge.
18:19Go get some of that water.
18:21I'll try to puncture this can.
18:48Good evening, ladies and gentlemen.
18:49We are now beginning your seven-hour program of national and international news.
18:55I'm going to need help in a little while.
18:58Try to revive him. Quickly.
19:03Fittag, be quiet.
19:06Please don't make any noise.
19:08There are giants nearby.
19:17What is Mark?
19:18Try to calm him down. He's making too much noise. He'll attract attention.
19:39All good.
19:44Our listeners' biggest concern today is the drama unfolding at the State Penitentiary.
19:49where Martin Reed, a 24-year-old boy, is scheduled to die in exactly three hours for the death of
19:53hermit Julian Andrews.
19:59It's better.
20:11Stay calm.
20:20There is, of course, the possibility that the governor could sign a pardon within those three hours.
20:27However, a spokesperson for the Palace of Justice expressed doubts that this would happen.
20:32The governor himself refrained from making any statement.
20:36His assistants report that, once again, he is studying the process.
20:40As our listeners will remember,
20:42The shocking and brutal crime occurred on a quiet afternoon.
20:48Why did he move the radio station?
20:50Why?
20:51Why?
20:56Because I'm already tired of you and this nonsense about brutal crime, talked about and repeated all the time, the
21:01every hour.
21:02They said he won't get a pardon, and he won't.
21:06There's always a chance.
21:08I just wanted to be sure.
21:09And that's fine.
21:10I already have it.
21:16Let's stop that too.
21:18I'm going to make dinner.
21:20No, I'm not hungry.
21:21We need to shut down this radio station.
21:24What Steve and Dan are going to do in prison might become public knowledge as soon as they find out.
21:28And I will decide when this becomes too much.
21:33Let's hide back there.
21:35Fast.
21:44I think I'll go for a walk.
21:46By car.
21:56Mark.
21:58Where is the key?
22:00To hide.
22:01Why do I know you, Harry Cat?
22:03You're braver than a hyena.
22:06And where do you think you're going to get the money?
22:08Ah.
22:10So he chose money as well.
22:13That's right.
22:14Arthur Tom.
22:28Yes.
22:30Yes.
22:30Yes, but from the bulletin.
22:39Yes, but from the bulletin.
22:52Turn right, go straight to the wall and take the first empty space.
22:55Thanks.
22:57One moment.
22:58I want to see that camera.
23:06You should already know, Simons.
23:08No cameras can get past the gate.
23:10But I don't intend to use it here.
23:13I want to be sure of that.
23:14Please leave her with me.
23:15It's the only decent camera I own.
23:17Nothing will happen to her.
23:18Now, before.
23:18No, only after I get my camera back.
23:21Come on, use it, use it.
23:24Tomorrow morning there will be two stories in the newspapers.
23:26The execution of a man who claims to be innocent.
23:28The execution of a reporter who was covering the event.
23:30What do you think the director will say about this?
23:39I want a director.
23:44Is he the director?
23:46Arnold at the gate.
23:48Director, we have a reporter here named Simons.
23:51This is giving me trouble, sir.
23:52He doesn't want to hand over the camera.
23:54Let it go, Arnold.
24:03You can go.
24:04Go straight to the principal's office.
24:07Thanks.
24:09I didn't intend to cause any trouble.
24:20How are you, director?
24:22This camera should...
24:25The textalia will stay with me.
24:38How are you, director?
24:40So it is.
24:46So it is.
24:47I think it's hard for him to execute a man.
24:51So it is.
24:53Do you think there's any chance of forgiveness?
24:55There's always a chance.
25:02Rolente still cries out, innocent sir, in the air.
25:05Exactly.
25:07Can you believe it?
25:08It makes no difference, sir, I believe.
25:10I have work to do, and I do it.
25:12That's right, director.
25:14Can I use your phone?
25:17Not this one.
25:17It's the direct line to the governor.
25:19Use this one.
25:20Thanks.
25:44Hello.
25:44Is this Mr. Cass?
25:46Yes.
25:47Who's speaking?
25:48It's Joe Simmons, Mr. Cass.
25:49Do you remember me?
25:50The reporter for the bulletin.
25:51Why are you calling me?
25:54It's that reporter.
25:55Simmons, remember?
25:57Let me speak.
26:01Hello.
26:02This is Ms. Cass.
26:04Ah, yes, Ms. Cass.
26:05I thought that you and your husband might like to make a statement at this time.
26:09We've already said everything there was to say.
26:11What else is there?
26:13Well, I'm in prison now.
26:16In the principal's office.
26:17I'm waiting for a phone call from the governor.
26:20And he didn't call.
26:22At least until now.
26:24Oh, I understand.
26:26Do you think there's a chance, Mr. Simmons?
26:30Yes, ma'am.
26:30There's always a chance.
26:31Ah, Mrs. Cass.
26:33Oh yes?
26:34The money hasn't appeared yet, has it?
26:39What?
26:40Well, Reed was his employee there at the house.
26:42And perhaps he buried it on his farm.
26:45Mr. Simmons.
26:46How can you talk about such things at a time like this?
26:49Please leave us alone, okay?
26:51This boy was like a son to us.
26:53He came when he was still a child.
26:55I mended her clothes and...
26:57How can you talk about money now?
27:00My Harry and I...
27:01We would give all the money we have in the world to...
27:04At least I can't talk anymore.
27:07Please leave us alone.
27:10We'll leave as soon as everything is finished, at ten o'clock.
27:14I'll fix it.
27:15Yes, I'll fix it.
27:16None of that.
27:17You are not in a position to help anyone.
27:18Stay here.
27:19Stay here.
27:27How are we going to stop them from paying?
27:29This human beast has the car keys.
27:44F.
27:57This is not what I would call a meal.
28:00That's what he asked for.
28:02Will you take it yourself, director?
28:06Yes.
28:11He's the director.
28:14Yes, Governor.
28:28Goodnight.
28:32Is there any problem if we go there together?
28:36I don't think so.
28:38But no interviews.
28:40Not even a question.
28:42Did you understand?
28:46Go ahead.
28:50Don't go to the door?
29:03There you go, Martin.
29:06What did I ask you, man?
29:09What did I ask for?
29:09This injury has healed!
29:11He was a young man of a certain age!
29:12When will the governor call, director?
29:15He already called.
29:18There will be no postponement, Martin.
29:21I am really sorry.
29:24I can't believe it.
29:27I am innocent.
29:31Martin.
29:43I am innocent.
30:14I am innocent.
30:16I am innocent.
30:22Read.
30:23Read.
30:50Here.
30:51Down here.
30:52Look at the tray.
30:56Look here.
31:01Mr. Read.
31:02Who are you?
31:04We have little time.
31:07We know you are innocent.
31:09And that Harry Cass is to blame.
31:12We'll try to help you prove it, if we can.
31:15But first, we have to get you out of here.
31:18You're going to try to lure the guard here into opening the door and letting you in.
31:21We're still here.
31:24No, he...
31:25He doesn't have the key to open this cell.
31:28She's with the director.
31:36Very good.
31:37Let's try another plan.
31:39Put us down.
31:41And then ask the guard to give you a coffee.
31:57Guard.
32:02Yes.
32:04I'm thirsty.
32:05Could you give me a coffee, please?
32:07Yes, of course.
32:09Yes, of course.
32:40Thanks.
32:41Thanks.
32:53One already done.
32:55AND.
32:56Now there's only one more left.
32:59AND.
33:01I'll figure out how to deal with that phone if it's strong.
33:06Now help me up so I can open this door.
33:37You can open the door now.
33:39Put me down.
33:58Put Dorman and his cap on him in case he runs into someone.
34:10Take the keys out of your pocket.
34:12There are many doors from here to the courtyard.
34:23Now pick me up and put me in your pocket.
34:25My partner too.
34:38Your friend is here. He told me to put it with him.
34:40So hurry up. Time is running out.
34:54Your beloved for the iron.
34:58Six beloved.
35:01It's closing.
35:02If you're here, I'm here.
35:02If not the iron.
35:10It's closing.
35:11It's closing.
35:12It's closing.
35:12It's closing.
35:12A lot of crazy stuff is happening here. Let's go.
35:15Okay, we'll go as soon as I pack my things.
35:17I'm not leaving my porcelain behind.
35:19Put this in the trunk of the car along with a bag of potatoes and a bag of cereal.
35:23Take it.
35:41We have to get that key.
35:43I wish I had the tranquilizer here.
35:46That's where we'd catch her.
35:48If we had it, we wouldn't need the key.
35:56Alright, now lift his collar.
36:01And look, don't get nervous.
36:04Let's move on.
36:31Director speaking.
36:34Yes, captain.
36:37He called.
36:40There will be no postponement.
36:42You may be right about that.
36:45Yes, I'll talk about it in a moment.
36:47I'll call immediately.
36:50Reed didn't want to see the chaplain earlier today, but...
36:52This is because we are certain of the postponement.
36:56Maybe I'll change my mind now.
37:01I want the 293, please.
37:11Simons, a reporter, right?
37:13Okay.
37:14Please open the gate.
37:36I like seeing you tough guys.
37:38The time is drawing near and you don't have the courage, huh?
37:40Yes, you're right.
37:42They are molloids.
37:42He can't be in trouble.
37:46It can leave.
37:56Guard.
37:59Everything is fine?
38:00Oh, yes it is.
38:04Hey, just a moment.
38:05You're not the same guy who came in before.
38:07Well, I...
38:19Just a moment, let me take a close look at you.
38:22Ah!
38:23Ah!
38:26Ah!
38:52Come on, Marta.
38:55Why do we need all of this?
38:57You're not thinking I'm going to leave my porcelain here for others to steal, are you?
39:04Look, Marta, we've never had a honeymoon before, and now we will.
39:09It's dangerous for us to go get the keys now.
39:12It's now or never.
39:15Paulo needs your help down here.
39:17Ready. Let's go.
39:27Is there anything better to spend money on?
39:29Yeah, that's just talk. What about me, for example?
39:32Like a dress for me and going to the hairdresser in new shoes that don't trip my feet in the middle.
39:49Shoes, glitter, new clothes.
39:53Reopen what's inside you!
39:56No, no, I didn't understand.
40:00No, no, I didn't understand.
40:18They were leaving, I didn't understand.
40:48THE CITY IN BRAZIL
41:17THE CITY IN BRAZIL
41:27THE CITY IN BRAZIL
41:28Very good.
41:30That's all we needed.
41:42So, what's the deal? Are you going to take it to the car or not?
41:47Oh, you can leave it to me.
41:48I'm not going to trust my dishes, you don't know what's in them.
41:51Let me take it myself.
41:53Give me the car keys.
41:58Funny how it is here.
42:00You must have left it in the car.
42:02Ah
42:15Yes, they're not here in the car.
42:17I think I dropped it somewhere.
42:23They're going to turn this upside down, let's find another place to hide it.
42:27How about this place where we come in?
42:29Mark
42:31It's Steve
42:33Reply
42:36Go ahead, Steve.
42:37We are at the entrance to the farm.
42:39What were the Kies doing in the garage?
42:42They are currently looking for the car keys.
42:44We hid
42:46Great, how do we get in?
42:48In the rat hole way back there, we made a passage in the tin can.
42:51Where are they?
42:53In the living room, on the sofa.
42:55Okay, we're going now.
42:57Hmm, I don't know how someone can live so long with so little brainpower.
43:00Where is the other car key?
43:03I think it's in Lila's drawer.
43:05I'm not going to see it.
43:06You can leave it to me to look for it.
43:07Search here
43:15We don't have much time.
43:17And the phone?
43:18It's on the table.
43:30No, you have no idea what that hometown is, no.
43:34I suggest you call the public prosecutor's office.
43:37Meanwhile, he could put more expensive patrol cars on patrol.
43:43They think he went to his hometown.
43:45Perhaps he went back to the Kies.
43:49Director Sloan speaking
43:50One moment
43:56For you
44:01Simons speaking
44:02It's Burton
44:03Is there a tape recorder there?
44:06Yes, but...
44:07Oh yes
44:07Excellent
44:08We are at the Kies' farm.
44:10Record everything you hear, from now on.
44:13And be careful
44:14This is the exclusive story.
44:16What we promised
44:17You
44:33Marta, Marta, I found the key, look!
44:35I was here
44:36But you only talk
44:37And how did she end up there?
44:39I don't know.
44:40Let it be answered.
44:46Ten o'clock
44:48It ended just as I said it would.
44:50He's dead and we won't have to worry about him again.
44:56Martin Reed is dead, just like I said would happen.
45:04This is the director.
45:05Call the police.
45:06Fast
45:07Very well then, Marta
45:08Come on, Indor
45:32It's a ghost.
45:38I knew it, I knew it wasn't going to work.
45:43Come out unscathed from what, Mr. Cass?
45:45Don't come near me, you hear?
45:48I won't hurt your feelings, Mr. Cass.
45:50Neither you, Mr. Cass.
45:52I could never hurt anyone.
45:55You all know this, don't you?
45:58Martin?
46:00Martin, what?
46:01What will we do now?
46:03What do you want done?
46:04Nothing can be done now.
46:07Nothing.
46:09They know that when I execute an innocent person,
46:12She will not rest until she finds the culprit.
46:16No, Luiz, wait, let's find that person here.
46:19I was sent here.
46:20Mrs.
46:22And to Mr. Cass.
46:25And they ordered me to stay here until I found out.
46:31End.
46:34Yes, I understand.
46:38And I will do it.
46:42Do not come closer.
46:44What are you doing?
46:46I'm looking at you, Mr. Cass.
46:48And I'll keep watching.
46:51All day and all night, if necessary.
46:54Until you tell me who killed old Mrs. Andrews.
46:57It was me.
46:58I killed her.
46:59And he stole his money, didn't he?
47:02Wait, you said you wouldn't rest until you found the culprit.
47:06Well, he found it.
47:07Now go away.
47:08Only after solving the crime.
47:11You stole the money.
47:13Yes, I stole it.
47:14Twenty-three thousand dollars.
47:17And where did you put it?
47:18She's with Marta.
47:19She hid it.
47:21Ma'am, would you like some?
47:24Martin.
47:25I've always liked you.
47:27I've always treated him well, haven't I?
47:30If you give him the money, he promises to leave us alone.
47:35I promise.
47:40Thank you, Martin.
47:42I'll get it for you.
47:48Marta.
47:49You're just as much of a ghost as I am.
47:51It's flesh and blood, I touched it.
47:53You must have run away, that's what happened, isn't it?
47:55Marta, don't do that.
47:56Why not?
47:58Killing an escaped prisoner is the duty of every good citizen.
48:12The lady is warming up, no.
48:14Open up, it's the police.
48:16Hurry up, open it.
48:17And keep your mouth shut.
48:19Open it up, put it down.
48:20Come on, open it.
48:21It's coming.
48:26He, your guard.
48:27We got it for you, sir.
48:29Thank you, ma'am.
48:31I don't think you'll need that anymore, will you?
48:34It seems to me that there is a reward for catching an escaped prisoner.
48:37Right, Sergeant?
48:40You can ask your boss about that when you see it.
48:43When what?
48:44When you see it.
48:46The woman and her husband are in jail.
48:48Why?
48:49Suspected of murder, madam.
48:52Turn around.
48:56Are you two going to tell us where the money is?
49:00Or are we going to find out?
49:05Well then.
49:07We'll find out.
49:10It should be in the car.
49:12Take us to the police station.
49:13Hello.
49:15Let's go.
49:18You are a material witness, my young friend.
49:21That's very good.
49:22I don't know how he did it, but I'm glad he did.
49:25Grateful.
49:29Thank you all.
49:32Thank you very much.
49:37He is well.
49:49Sergeant Miller, stay on the line, director.
49:54Keep going, sergeant.
49:55Good job.
49:57Thank you, sir.
49:58Thanks.
50:11What a woman.
50:13Phew.
50:15This would convince any man to remain single.
50:19Ha, ha, ha.
50:29What is it? What is it? What is it? What is it?
50:58What is it?
50:59So, what is it?
50:59What is it?
50:59What is it?
51:01What is it?
51:01Goodbye, wait, always.
51:02Thanks.