Assista a Terra de Gigantes (1968), clássico seriado de ficção científica dos anos 60, em episódio completo e dublado. A série acompanha a tripulação da nave Spindrift, que após um acidente acaba presa em um planeta onde tudo é gigantesco. Em um mundo hostil e desconhecido, cada episódio traz ação, suspense e desafios constantes na luta pela sobrevivência e pela tentativa de retornar à Terra.
Episódio completo, dublado em português, com qualidade preservada para fãs de séries clássicas e ficção científica.
Acompanhe o canal Clássicos das Telas no Dailymotion para mais filmes, desenhos e seriados antigos completos e dublados.
#TerraDeGigantes #LandOfTheGiants #TerraDeGigantes1968 #LandOfTheGiants1968 #SeriadoClassico #SerieClassica #FiccaoCientificaClassica #SciFiClassico #SeriesAnos60 #TVAnos60 #SeriadoAntigo #SerieAntiga #EpisodioCompleto #CompletoEDublado #DubladoEmPortugues #ClassicosDaTelevisao #SeriesDeAventura #SeriesDeFiccaoCientifica #IrwinAllen #ClassicosDasTelas
Episódio completo, dublado em português, com qualidade preservada para fãs de séries clássicas e ficção científica.
Acompanhe o canal Clássicos das Telas no Dailymotion para mais filmes, desenhos e seriados antigos completos e dublados.
#TerraDeGigantes #LandOfTheGiants #TerraDeGigantes1968 #LandOfTheGiants1968 #SeriadoClassico #SerieClassica #FiccaoCientificaClassica #SciFiClassico #SeriesAnos60 #TVAnos60 #SeriadoAntigo #SerieAntiga #EpisodioCompleto #CompletoEDublado #DubladoEmPortugues #ClassicosDaTelevisao #SeriesDeAventura #SeriesDeFiccaoCientifica #IrwinAllen #ClassicosDasTelas
Categoria
📺
TVTranscrição
00:07What's wrong with you, Terry?
00:09Do you want to attract the attention of the entire giant population?
00:12Excuse me, sir, if I took it off, I was whispering in it and didn't think anyone would hear it.
00:16Biffy Balls' nightclub.
00:18According to the announcement in that giant newspaper, we have arrived at our destination.
00:21Basin Street.
00:24Or at least a giant version of it.
00:27Let's go.
00:38Sorry, sorry.
01:05If that's a giant prayer, I'd rather rub my fingers on a blackboard.
01:10Even Belly plays better than that.
01:13And I only wanted predictions.
01:18Let's get out of here.
01:19Hey!
01:30Very good, Biffy. Really. I'm surprised.
01:35I'm sorry, Mr. Halley. I don't have any money yet, but I will soon. Don't worry.
01:40But I'm worried, Big.
01:42And you've been saying that for a month.
01:44And all I got from you was a silly promise and a horrible piston sound.
01:49Well, I already said I'd pay.
01:52As?
01:53I don't know, but I'll pay.
01:55There's only one way for you to get the money, and you know it.
01:58I'm not going to box again.
02:00I'm not going to step into the ring for you or anyone else.
02:03This is what I do now.
02:07Then you'll have to do it somewhere else.
02:11Because I'm going to foreclose on the mortgage at your club.
02:14I'll take care of this drug.
02:16Listen, Mr. Halley. I took a lot of punches to buy this bar.
02:19And I won't let him take it from me like this.
02:21No, I won't allow it.
02:23Take it.
02:43Take it.
03:15Fox Film of Brazil presents...
03:23Visigant Land
03:28Gary Conway's crackling
03:32Don Matheson
03:36Stephen Arbery
03:40Don Marshall
03:44Dean Malone
03:47Heather Young
03:51Kurt Kassner
03:55Brazilian version A and C, São Paulo
04:07Let's get out of here.
04:08Fast.
04:11Listen, Mr. Halley.
04:12I think that's what fits that mouth.
04:15But I wanted to say...
04:18Now pay close attention, Mr. Piston Operator.
04:25Barry!
04:34You don't want to fight.
04:36He is well.
04:37You don't want to be a middleweight champion.
04:40Well then.
04:41But this rat hole they call a club doesn't make any profits.
04:44And you still owe me two thousand.
04:47Do you understand?
04:53Do you understand?
04:55Yes.
04:56Ah, great.
04:58There is nothing that PG Hebelin appreciates more than a spirit of cooperation.
05:02I'll give you just three hours to get my money.
05:07On the contrary.
05:08I'll explain it properly.
05:11What kind of piston driver do you think you'll be without teeth?
05:17Very good.
05:18Throw it out of here.
05:19Throw it out of here.
05:50Tiny ones.
05:51So I didn't go crazy.
05:54I saw you inside.
05:56You talk a fortune.
05:58That's more than enough to pay for Halley's.
06:08Giants, time, ball.
06:15Guest actors.
06:16Sugar Ray Robinson.
06:21Mark Masurky and William Bramley.
06:38Jack, look what I found!
06:44It's a toy.
06:46Some boy lost it.
06:48And what would a boy be doing in a place like that?
06:52No, Lott.
06:53It's not a toy.
06:54All the records are working.
06:58What's that up front?
07:01Whatnot.
07:03I've never seen anything like it in a regular piston.
07:08Say one thing, Lott.
07:10Who would touch a piston that's only a centimeter and a half wide?
07:16A man who is two centimeters tall.
07:22Don't laugh, Lott.
07:24Don't laugh.
07:27Hey there, Lott.
07:55What's that in your pocket?
08:00Nothing, that's nothing.
08:02I know, you brought a fat rat for Charlie's lunch.
08:06No, I didn't bring one, but if you want, lend me the cage and I'll catch a rat for it.
08:12Certainly, you can wait here.
08:15Charlie and I can't stay away from the phone, because I know today is the day my agent...
08:20He's going to call me, you know?
08:23Oh, that's great.
08:28Here it is.
08:30Thanks.
08:33Come on, Charlie. We have to rehearse our new act so we're ready when he calls us.
08:41I wouldn't try to run away from that table.
08:44She is quite far from the ground.
08:54And now, you can make yourselves at home.
08:56Meanwhile, I call the S.I.D.
08:58I coordinate how to deliver them and how to receive the reward.
09:13Hey, don't look at me like that.
09:17You are the enemies, aren't you?
09:19It is my duty to denounce them.
09:23Yes, but that's ridiculous.
09:25Of course I'm going to report them.
09:32Steve, Mark, he caught them.
09:35Hurry, Steve, Mark, hurry.
09:38He caught them.
09:39Come quickly.
09:41Steve, Mark, come quickly.
09:43Yes, one moment, Fritz-Hard.
09:44Who caught whom?
09:45The giant piston player.
09:47Valerie Barry.
09:49And it's all your fault.
09:50What are you talking about, Steve?
09:52You're the one who gave Barry the piston so he could go around playing.
09:55And he began to give him lessons.
09:57And he cut that ad for the Biffin Bowers nightclub.
10:00And I just...
10:01You just took it from that part of town without telling anyone.
10:04And me...
10:05Where is Anderson from Rádio?
10:06In an apartment.
10:08And not on the thermal floor.
10:09I couldn't climb the stairs.
10:11Grab the ropes, axes, and radios.
10:15Steve, can I come too?
10:16Ah, Beth...
10:17Of course not.
10:18It's not very dangerous.
10:19Well, shut your mouth, you hard worker.
10:20He's right.
10:21I think it's best if you stay here.
10:23Very good, Steve.
10:24Go ahead.
10:25Look, I...
10:26I'm still breathless.
10:28Listen.
10:29If that piston player reported his USB,
10:31You won't be able to breathe anymore.
10:33Now walk.
10:34Oh, but...
10:41It will take us about half an hour to figure out a way to get into this house.
10:45I'll step on it if no one shows up to step on us.
10:47If, when we get there, we find out that they've already been handed over to SID.
10:51AND.
10:52We can't waste so much time.
10:54Let's go.
10:56And then?
10:57There is a door that leads to a basement at street level.
10:59I think the radios can work there with the extensions.
11:02Let's try.
11:04Please, Mr. Ballard, leave me alone with this.
11:07I'm sorry, kid.
11:08I can't.
11:09I'll have to hand them over to SID.
11:11So what are you waiting for?
11:12Why don't you call?
11:15Oh, you think I don't care, huh?
11:17I'm just trying to remember the number I should call.
11:31It should be part of the ventilation duct system.
11:37You have to listen to something with that kind of extension.
11:45Look, it's very dark there, but I think it starts with the central heating and ends in the apartment.
11:59What am I going to do with you, Charlie?
12:02He didn't even touch his snack.
12:03How do you expect to remain big and strong?
12:09It seems I got on the wrong station.
12:11I also think.
12:12I wouldn't want to be married to her.
12:14Don't worry, Charlie.
12:15Try the other room.
12:19Hello, information?
12:20I want to give you the SID phone number, please.
12:24I think so, Paulinha.
12:25It's for now.
12:27Thanks.
12:30Want to know what I think?
12:32I don't want to know what you think.
12:35I don't think you'll be able to make that phone call.
12:37I don't think he has the courage.
12:39Well, I...
12:41I would even be doing them a favor.
12:43If you continue walking down the streets,
12:45You could get hit by a car or eaten by a cat.
12:49At least the SID will provide three meals a day and a good place to sleep.
12:54Yes, in a cage.
12:55And then we will not return to Earth.
12:58That...
12:59That's not my problem.
13:02I just need to get the money.
13:04Because when Halley spoke
13:06that he wouldn't let me play the pitão anymore,
13:08He wasn't kidding.
13:10In my opinion, that would actually be good.
13:13What are you talking about?
13:14It turns out I'm a very good piston player.
13:17I regret to say, Mr. Baller,
13:18But you are awful.
13:20Horrible?
13:21That's because you haven't heard me play yet.
13:29We're just going to make him angry, Baller.
13:32That's the idea.
13:33The longer we delay,
13:35Steve will have more time to find us.
13:53Do you think he'll report you?
13:56Don't try to make me want you,
13:58but the stop, if it doesn't prevent it.
14:02I located the phone line and plugged another radio into it.
14:29I located the phone line and plugged another radio into it.
14:35Don't move.
14:42Charlie?
14:44Are you here?
14:49Charlie?
14:51Where are you?
14:55Oh, Charlie.
14:57Spoiled little boy.
15:00Oh, how many times have I told you not to leave this apartment?
15:06He doesn't realize he could hurt himself walking alone through that ugly basement.
15:24Now we know who Charlie is.
15:26Now we're going to change the phone number.
15:33Can you ring his phone?
15:36Sure, I just have to touch one wire to the other.
15:38Then pull over.
15:49Hold on.
16:07Hello?
16:09Mr. Bauer?
16:10Yes, this is Bauer's territory.
16:12This is Agent Hawkins from S.I.D.
16:15We know he arrested some little kids.
16:19Well, I...
16:20That is...
16:21Don't fool us, Mr. Bauer.
16:23Why didn't you hand them over?
16:24I was going to hand it over.
16:26That is, I...
16:27I was going to call S.I.D.
16:30Tell me something, how did you find out about that?
16:33Was that my neighbor's chatter?
16:35Nel Herp?
16:36She told you, didn't she?
16:38It doesn't matter how we found out.
16:40We have the means.
16:41I'm sure he does.
16:43And you want me to bring them to you?
16:45No.
16:47Stay right there.
16:48Don't go out or call.
16:51I'll send a man there to pick it up in an hour.
16:53But what about my reward?
16:55You will receive it.
16:56Everything you are entitled to.
17:01It no longer depends on me.
17:03I'm sorry.
17:06Now we have an hour.
17:08Which of the three geniuses has an idea of how to release them?
17:13I have.
17:15But I need the piston.
17:17Forget.
17:18The last time I saw your piston, I was on the floor of the nightclub.
17:22And two truly hideous giants took over the place.
17:25They must have left now.
17:27Let's go get it.
17:48Only a magician could profit from this place.
17:51But if anyone can do it, it's you.
17:56With these two here, it's best to give up where they found my piston.
18:00I already found it.
18:02Where did you find it?
18:04Look.
18:08AND.
18:09Goodbye piston.
18:11It's possible that it's not.
18:13What are you talking about?
18:15The only way to recover the piston is to separate Hanley from her pants.
18:19Not really.
18:21The radio.
18:30Mark.
18:32We're in trouble.
18:33I'm going to need help.
18:36Steve, I can barely hear you.
18:37Speak louder.
18:39I can't.
18:40Use the earpiece.
18:52Very good.
18:52You can speak, Steve.
18:53We did find the piston, but it's inconveniently placed on a keychain that sticks out of the giant's pocket.
19:03Listen to my suggestion.
19:09I think you're crazy, but we'll do this radio show.
19:12Excellent.
19:15You know I agree with Mark 200%?
19:18You've gone mad.
19:21Okay, let's come up with a little plan.
19:38Now.
19:42There must be another book around here, Lott.
19:45You've already looked everywhere.
19:47I think so, boss.
19:48But I'll look again.
20:18But I searched everywhere.
20:45Ah, Hayes?
20:51Ah.
21:16Now, Mark, play. Let's go.
21:30Operator, I need you to make a call for me.
21:39Yes. Yes, it's TG Halley. You what? But who's speaking?
21:50Alexander the Great is my name.
21:54How come you've never heard of me?
21:57Sir Halley will hear about me soon.
21:59I will seize your territory.
22:02This city is too small for the two of us.
22:05You'd better pack your bags, or my boys will be paying you a visit.
22:15Listen, if this is some kind of joke, it's one of the worst. Because when I found out who you are...
22:22How it is?
22:24Hey you clown, show yourself here right now, no matter how big or small you are.
22:29Hey, Lord, what kind of cup did you bring me here?
22:37It has nothing to do with a glass, Sir Halley. It's just a glass.
22:39Okay, okay. Go to my apartment and bring me some dry pants.
22:42Would you like another drink, sir?
22:43Oh, I prepare it myself.
23:17Okay.
23:23For me, 武la, we know each other.
23:24What a mess...
23:28You mean...
23:33So you mean there, therefore, it's a glass.
23:34Let me know about you, where I'll be talking about myself.
23:35You mean over there, I'm going to talk about myself.
23:38Your door is shaking.
23:38Your door rattles, you know me, the door rattles.
23:47Is what you want to pursue correct?
23:49Absolutely certain.
23:52A good artist always loves the chance to perform.
24:04Here, okay?
24:07Better.
24:11Melkistan?
24:12Thanks.
24:13Well, now I'm ready.
24:30What is it?
24:32And even.
24:33No one else on this planet could play like that.
24:41Hey, are you hearing this?
24:43Yes, we are listening.
24:46In my entire life, I've never heard a cornet player play like that.
24:57Where does this come from?
25:01It sounds like it's coming from the basement.
25:09Look, I'm sorry to bother you, but I need to find this musician.
25:32Hey, who is it?
25:35Who is playing?
25:55Hey, where did you learn to play like that?
26:01Wow, that's out of this world.
26:04I think you can say that.
26:11What do you call that?
26:14It's called jazz.
26:15And can you teach me how to play jazz?
26:18I heard you play and you're not exactly a big spider back.
26:22Who is he?
26:23Ah, nobody is.
26:24He's just a long-time piston player.
26:26You've never heard of it.
26:27Yes, but don't you see that nobody here plays what's it called, jazz?
26:33And I would be the only one.
26:35I would be a star tomorrow.
26:38Oh, I don't know.
26:40Please teach me.
26:41I will give you everything I have.
26:44He is well.
26:45If you promise to let the little ones who are in your apartment roam freely.
26:49Of course, you want them.
26:51They're yours.
26:53Except.
26:54Except what?
26:55The S.I.D. already knows about them.
26:57And they're going to send an agent here to catch them.
27:00It should arrive any minute now.
27:02That's not enough.
27:03It was a friend of mine on the phone who pretended to be an agent of the S.I.D.
27:08So you're going to teach me how to play?
27:09Yes.
27:10That is, if you promise to release us.
27:13I give you my word.
27:37Very good.
27:38So what do I do now?
27:40The first thing to do is release them from the cage.
27:52And now?
27:54Now you have to get a mute.
27:56Mute?
27:57What is that?
28:00That's it.
28:01A cone-shaped piece.
28:03To muffle the sound and make it sound sadder.
28:06But it has to be metal.
28:08If it's made of metal, even better.
28:10But it can be done practically from...
28:12Anything.
28:14You can even use a spool of thread.
28:16Is there anyone in the building we could borrow from?
28:21Oh yes.
28:23My old neighbor must have an empty coil.
28:25I'll be right back.
28:42A moment that I'm going to make sound even sadder.
28:57A moment that I'm going to make sound even sadder.
29:27This should do the trick, don't you think?
29:38What are you doing lying there on the ground?
29:50I asked what you're doing there on the ground.
29:53My mute fell off and I went downstairs to look for it.
29:56I'll help you look for her.
29:58Where did it fall?
29:59Somewhere around here, I don't know.
30:02Perhaps it went under the table.
30:07My mute fell off and I went downstairs to look for it.
30:22My mute fell off and I went downstairs to look for it.
30:33You can leave it to me, Steak.
30:35Here it is, I've found it.
30:53Very good.
30:54Then teach me.
31:03And now it's your turn, try it.
31:10No no.
31:11Hey, wait a minute.
31:14Man, you have no style.
31:16You need to feel it.
31:19Try again.
31:29Great, that's better.
31:30Now try this.
31:41You're not going to trust that giant horn player, are you, Steve?
31:45What if he decides not to release anyone?
31:48Well, Fitzhag, you know what this is for.
32:04And there
32:07And there
32:13And there
32:14And there
32:17And there
32:24What is that?
32:48Bravo!
32:50We didn't do badly, did we, Dan?
32:51No, not bad at all.
32:53And now I'm going to teach you a couple more numbers and then we'll go, okay?
32:58Okay.
32:59But first, I have to pay a visit to Halley.
33:02The three o'clock hour is almost over.
33:04I'll have to leave you here.
33:06It will only take a few minutes.
33:08To where?
33:09Sorry, Dan. I hope you don't mind.
33:11No...
33:14Let's go.
33:21It doesn't matter if you want to, Dr.
33:46Isaac
33:47You stay there in the hallway.
33:49If the bishop is not facing
33:51You give notice because it's rare.
33:55He must be right there at that table.
34:06That was great, friend.
34:08Very good
34:09Thanks
34:10See, Mr. Halley?
34:11You don't need to worry about your money right now.
34:13In a few days I'll be playing.
34:15In the best clubs in the city
34:17And then...
34:18Where did you learn to play the simbis?
34:21Well, it's my own style.
34:22I call it jazz.
34:24Jazz, huh?
34:26Weird name
34:27But you have your worth.
34:29Are you sure that's your style?
34:32Of course, Mr. Halley.
34:34What's that thing at the end of the piston?
34:37Ah, that's a little invention of mine.
34:38I call it a mute.
34:39I'm leaving the tone of class behind, right?
34:42Wouldn't it be better if it were made of metal?
34:46You know, Mr. Halley, I was thinking about that.
34:48He was
34:50Look, Biff
34:52I don't want to call him a liar.
34:55But this isn't the first time I've seen a muzzle.
34:59But it has to be, Mr. Halley.
35:01There is no one else like her anywhere.
35:04Come here
35:25Oh, how lovely you are!
35:41I think Pepe's old cage will serve you perfectly.
35:46There it is.
35:49So, you're not comfortable?
35:53To whom do you belong?
35:56I have to read the lost and found column in the newspaper.
35:59Just to see if anyone missed an an
36:01But what are you, after all?
36:05I am a person
36:06And he thinks he is a person
36:11But he speaks perfectly, doesn't he?
36:14I used to have a parrot.
36:17That bird had a vocabulary of 150 words.
36:22He choked on a watermelon seed and died, poor thing.
36:26Have you ever imagined, madam, that I am one of those nefarious little ones?
36:32Little ones?
36:33Yes, alien enemies.
36:35We came to destroy your planet.
36:37We are dangerous.
36:40If you don't let me go
36:41I azipo with my disintegrator ray.
36:44You remind me of my little monkey, Pepe.
36:48Oh, poor little Pepe
36:51It's only been three months since he died.
36:56He was eaten by that... that...
37:01Oh, heavens, no!
37:03Charley wouldn't hurt a rat, would he, Charley?
37:07If I weren't hungry
37:08Don't worry, Pepe
37:11If you can't find its owner
37:13I will take care of you.
37:15And you'll be overjoyed with Charley.
37:19With me and the rest of the family
37:23You know, Pepe
37:24Charley thinks my agent is going to call me today.
37:27What do you think?
37:29I'm sure he will.
37:30Charley and I invented a new number, Pepe.
37:33Would you like to listen?
37:35Of course, madam.
37:36The will
37:48Mark, Steve
37:50Answer, hurry!
37:52Answer, hurry!
37:53Go ahead and speak, Chipshag.
37:54He falls into the clutches of the snake woman who lives across the street.
37:57And she puts me in the cage.
37:58He thinks I'm a monkey.
38:02Hang in there, we'll get there as soon as possible.
38:09But a monkey?
38:10A very natural mistake
38:19It's leaving.
38:20Push a little more
38:23Don't make time
38:24Either you open the lot or you have the property broken into.
38:37Fast
38:38The thread of light
38:39Run to him
38:42Stop
38:52Don't run away, my little friends.
38:55I just came here to have a conversation with you all.
38:58About music
38:59Which one of you plays the piston?
39:03I
39:04You were the one who taught me how to play this jazz thing.
39:07That's right
39:08And is he any good?
39:10It's hard to say.
39:11Yes, she could be.
39:13What if I had a good teacher for a few years?
39:16Oh, but he has
39:18And who is it?
39:19And you
39:20You're going to teach my friend Biffen everything you know here.
39:24Every song, every note
39:25Oh, and what if he doesn't want to?
39:28Ah, but why do you want to talk about unpleasant things?
39:32Because I want to talk about them.
39:33Why don't you look on the bright side?
39:37As long as you cooperate with me, your little friends will continue to live.
39:41Listen, Hanley
39:42That would be illegal.
39:43That would be illegal.
39:44It is against the law to shelter small children.
39:46So I bend the law a little.
39:49Would you rather spend your time playing music or in a cage in the S&D office?
39:54It seems we have no choice.
39:56Exactly tiny
39:58There really isn't one.
39:58I think so, Hanley.
40:01I made a deal with Dan.
40:03I promised him that if he taught me some numbers
40:05They would be set free.
40:06And I intend to keep my word.
40:09What am I going to do with you, Biffen?
40:12He's nothing more than a poor, bad businessman.
40:15He lost his club, he owes money, and now he's throwing away the biggest opportunity he's ever had.
40:20That's because I don't want it that way.
40:22I want to win on my own.
40:25Oh, it doesn't win.
40:27Without me to guide you, you are nothing.
40:30Who are you trying to fool, Mr. Hanley?
40:31This is not a boxing match.
40:33It is not?
40:49Hello, Fred
40:50This is PG Hanley.
40:53Fred, I have a guy here who plays the trumpet like an angel.
40:56How come you've never listened?
40:58I want to put it on your TV program this afternoon.
41:03No, no, Fred
41:04It's not for next Sunday or the following Sunday either.
41:06It's for today.
41:07It doesn't matter what kind of number you have, but cut one off.
41:10And remember, Fred, you owe me a few favors.
41:17We will go next.
41:22It saw?
41:23Since your manager doesn't need talent
41:26We're going to make a fortune together.
41:28Hereafter partners
41:30You will be my partner with 30%.
41:34Nothing doing
41:35What does "nothing done" mean?
41:37It's more than you deserve.
41:38That means I don't want to.
41:43Lodge
41:45Crush one of those little ones
41:47Anyone but the piston driver
42:02No, don't faint, I'll play.
42:04I play
42:06You can leave it to me, Lodge.
42:12You were going to let him crush it, weren't you?
42:16We're old friends, kid.
42:18I think you know me better than anyone.
42:20Yes, I know.
42:22Go get your best suit, Biff.
42:24It will appear on television this afternoon.
42:32What are you waiting for?
42:33My star needs a repertoire, doesn't he?
42:36You have a recorder there, start recording.
42:39Have plenty of numbers ready for when we get back.
42:43They can be left out of the cage, but if they get down from the table
42:46Step on them
43:12I'll call you right away, Mrs. Halley.
43:14Biff is about to perform.
43:16Mr. Halley wants you to watch
43:18And then tell me if there were any mistakes.
43:33How's he doing, Dan?
43:35And what difference does it make?
43:37In this land he is the only one.
43:46The audience is really enjoying it.
43:49And I no longer knew what I was doing.
43:52Applause like that can make someone forget a promise quickly.
44:02Max, would you be able to set a trap on television?
44:05What does that mean?
44:06Increase the load
44:07And so anyone who touches it will receive a strong shock.
44:11Sure, I can connect the high-voltage rectifier to the chassis.
44:14But with him watching, what will I do?
44:17I'll take care of it.
44:19Go ahead.
44:21From the
44:33Hey, Loxe
44:35I think as a piston player he's worthless.
44:39What are you talking about?
44:40The boss said he's going to be a big star.
44:44Are you kidding?
44:45Look at those cheeks!
44:46They're about to burst.
44:50They are nothing.
44:57Listen to this.
44:58He has a tongue of lead.
45:02Try closing your eyes and listening for a minute.
45:16But who are you, anyway?
45:18Any crack addicts?
45:19Just listen to the applause.
45:21I would like to hear from you if I could.
45:22You can turn the volume down a little.
45:40He's fine, but he'll fall asleep in a few minutes.
45:43Listen, we're going to have to distract the woman to get our little friend out of the apartment.
45:48How about a fire?
45:49That basket is full of tapes and recordings.
45:52Great, let's go.
45:59We're going to use a trick to get the old lady out of the apartment.
46:02It is divided
46:03But hurry up!
46:04I'm still in the cage.
46:06She put a ridiculous monkey hat on me.
46:08And what about that snake?
46:10Oh my God, how awful!
46:24Puma
46:48Madam, don't leave me here alone with this awful squeal.
46:52I'm not going to die of fear.
47:10Get out of here
47:12Your evil snake
47:14Go away
47:15What are we going to do?
47:21We can't leave fitzag there.
47:22We will not be of any help to you in the belly of the snake.
47:25I read a movie script once and I think it'll work.
47:29It's worth a try.
47:30You can only try once.
47:32Yes, I know.
47:34Dan
47:36It cannot
48:04It cannot
48:33THE CITY IN BRAZIL
48:52THE CITY IN BRAZIL
49:24THE CITY IN BRAZIL
49:28THE CITY IN BRAZIL
50:03THE CITY IN BRAZIL
50:06THE CITY IN BRAZIL
50:09Thank you very much, partner.
50:40THE CITY IN BRAZIL
50:49THE CITY IN BRAZIL
50:51THE CITY IN BRAZIL
50:52THE CITY IN BRAZIL
50:54THE CITY IN BRAZIL