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00:10¡Suscríbete al canal!
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03:45No, no, no.
04:15No, no, no.
05:08No, no, no.
05:10Well, don't expect miracles at four in the morning.
05:13Can it be done?
05:14In time.
05:15Forty-eight hours?
05:17I can take the first step in two minutes.
05:20But the details, the teeth, the eyes, it's possible.
05:26Thanks for coming, honey.
05:28I'm still out to sleep.
05:29What's happening?
05:30I'll explain later, but it's very important.
05:32Howard Smith is Julie Barnes.
05:33Hi, Julie.
05:34He'll take it from here.
05:36Don't forget, two minutes, like you said.
05:52Ray, are you sleeping?
06:06Did you, uh, reach New York yet?
06:11Yeah, I told him everything went down to tubes.
06:14Two years' work.
06:16Life of a gutty little girl.
06:18All for nothing, because of some stupid moron.
06:22You said no one out here ever met Mickey.
06:26No.
06:28I just knew her as Eddie Pickett's girl from New York,
06:30coming out here as a top-level courier.
06:32And after contact, what was she supposed to do?
06:37She didn't have to do anything.
06:40We figured that take her to meet J.B.,
06:43find out who he was,
06:45pick up the delivery schedule, and leave.
06:49That was the easy part.
06:52An hour's time to pay off two years' hell.
06:55That sounds easy.
06:57If you're Mickey Moore,
06:58and you can answer any chance questions that come up,
07:02what are you talking about?
07:04We haven't reported the accident yet, Ray.
07:07And we've got the driver in custody.
07:08So as far as the world knows, Mickey Moore's still alive.
07:11So?
07:12So I want you to meet someone.
07:14Her name is Julie Barnes.
07:15She works for me undercover.
07:23Julie?
07:40Mickey drank tea.
07:45She said coffee stained her teeth.
07:55You like her in other ways, too.
07:58You seem vulnerable, like she was.
08:03Cigarette?
08:05No, I don't smoke.
08:11How did she start to work for you?
08:14No, she was one of the girls that ran with a mob.
08:17Kid brother got hooked on H.
08:20When he died of an overdose,
08:23Mickey figured it was her fault somehow.
08:27She came to the department,
08:30offered to work on the inside.
08:34She said she wouldn't stop until she could lead us to the top man.
08:38JB?
08:39It's a code name.
08:40There's only a handful of people know who he is.
08:44All we know is that he's the key to a hundred million dollars' worth of hard stuff.
08:47A year.
08:49Would I be out there alone?
08:51No, Julie.
08:51We'd set up a surveillance team.
08:54We'd be right behind you.
08:56But that's no guarantee, either.
08:58To be really safe, you'd have to almost become that girl.
09:03And there's only 48 hours to do it in.
09:06Would you teach me what I had to know?
09:09Julie, I got diaries, film, tapes of her voice.
09:12And everything that's in my head about her.
09:15But it means pounding you day and night.
09:17No rest.
09:19Catnaps, maybe.
09:20No sleep.
09:21Can you take that?
09:24I don't know.
09:27I think there's something so sad about the way she died.
09:31I mean, unfinished.
09:35It's like life owes her something.
09:41Like we owe her something.
09:45I'd like to try.
09:49All right, Mickey.
09:52Your first lesson.
09:54Get used to the sound of your name.
09:55You're Mickey now.
09:57All right.
10:00And you smoke when you're nervous.
10:13That's your boyfriend, Eddie Pickett, better known as Eddie the Tailor, top distributor of dope in the New York area.
10:21Recently, he's expanded into gambling, loan sharking, you name it.
10:27He's been going with Eddie for six months.
10:29Before that, it was Carl Schwartz.
10:31We'll get to the others later.
10:34Each one of them was a step closer to the top.
10:38Eddie's beginning to feel the squeeze.
10:40Almost nothing is getting through from Europe.
10:42He's talking about a guy called JB in L.A.
10:45He's making contact through a courier called The Monk.
10:48He's a friend of Carl Schwartz, and Eddie's uptight.
10:52Your mother's name was Edna.
10:54Edna Elizabeth Sullivan.
10:55Born in Cleveland, 1928.
10:58In 1946, she came to New York with a man.
11:02He left her.
11:03She got a job as a waitress where she met Terry Moore, your father.
11:06They were married at City Hall December 1949, four months before you were born.
11:11They call him Blackie.
11:13I don't know his real name yet.
11:15He's one of Eddie's buffers.
11:1732, about 5 foot 8, on the thin side.
11:20Brown hair, brown eyes.
11:22There's a scar on his left cheek.
11:25He's making contact with the Frenchman at O'Neill's at 8 tonight.
11:29Repeat the last sentence.
11:31He's making contact with the Frenchman at O'Neill's at 8 tonight.
11:34Higher pitch, more nasal.
11:35He's making contact with the Frenchman at O'Neill's tonight.
11:38That's better.
11:42Greer.
11:43Yeah, Pete.
11:44Captain, have you seen Julie?
11:45She's not at her place, and Link and I are getting uptight.
11:48Don't worry about it, Pete. She's all right.
11:50Well, where is she?
11:51She's busy. I'll explain it to you later.
11:57Kenneth Patrick Moore, your brother.
11:59He died in an alley, 9 p.m., May 7, 1968.
12:03It was a Tuesday.
12:04There were two other junkies with him.
12:06They left him there.
12:07You didn't find out about it for two days.
12:09You were in Miami with a hood named Marty.
12:12Eddie, call. Schwartz called.
12:14Oh? What'd he do, make a pass at you on the phone?
12:16No, Eddie. He said he had some Canadian imports he wanted to get rid of.
12:19Your mother was killed in an auto accident with a nightclub comic
12:23on the New Jersey Turnpike, November 1958.
12:25What was his name?
12:26Murray Lowden.
12:27Layden.
12:28Layden.
12:28Keep your voice high.
12:30Eddie? The fat man called.
12:32I'm not doing business with that creep. Didn't you tell him that?
12:35He says the weather's too hot.
12:36Eddie? Eddie?
12:38What were the names of your first foster parents?
12:41Philip and Margaret Stone.
12:43Address?
12:43Um, 3-0...
12:453-0...
12:48Um...
12:493...
12:493-6-4-0...
12:51Kingsbridge Road.
12:53You've been going with Eddie for six months.
12:55Before that, it was Carl Schwartz.
12:57We'll get to the others later.
12:59Who was Henny the Hat?
13:01He was Eddie's chauffeur.
13:02He was also his button man.
13:03We got his picture, Mickey.
13:06Okay.
13:12I'm not sure.
13:13Try to make some association.
13:15Where did you meet him?
13:16I met him in San Francisco with my mother.
13:18Mickey, you were never in San Francisco.
13:19Why did you say that?
13:20It slipped out.
13:21That's not good enough.
13:22I'm trying.
13:22Keep your voice high.
13:23I'm trying.
13:29I'm gonna go lie down.
13:38Bray, I'm scared.
13:41She's on the fine line.
13:43She's halfway to her own head and halfway to Mickey's.
13:47She'll be fine.
13:48She just needs a rest.
13:50Yeah, maybe.
13:52Maybe Mickey's too close for her to handle.
13:54No.
13:55She's tough at him.
13:57You'll see.
14:03I can't believe it's almost over.
14:05That I can plan and think about the future.
14:09About Ray and me.
14:12It frightens me to let myself care for someone again.
14:16I've locked so much away.
14:20What if I can't?
14:23What if it isn't there anymore?
14:43I'm sorry.
14:44I just needed a break.
14:47Let's get back to work.
14:56We're here.
14:57Yeah, Ray.
14:59How's it look?
15:00Well, you can judge for yourself.
15:01But I'm actually beginning to feel she can pull it off.
15:05Right.
15:05Be there in a minute.
15:07Fine.
15:13Hey, don't you guys even knock anymore?
15:15Not when it takes us an hour to get in to see you.
15:18It's a little like the CIA, Captain.
15:20Where's Julie?
15:21I told you I'd explain everything.
15:23So start explaining to us.
15:25When I'm ready.
15:27Captain.
15:30Sorry if I'm interrupting.
15:31Oh, come on in, Ray.
15:45Julie.
15:48No.
15:50My name is Mickey Moore.
16:26Red's your favorite color.
16:28Sorry, I should have knocked.
16:29Just wanted you to know we're staked out in the adjoining room.
16:37Mickey?
16:40Mickey, what's wrong?
16:42Eddie called yesterday.
16:44Did you know that?
16:45No.
16:47Well, you better call him back.
16:49Tell him you haven't heard anything yet.
16:51Play it by ear, but don't say more than you have to.
17:14Yeah.
17:16Eddie, it's Mickey.
17:17Well, where were you yesterday?
17:20Out.
17:22So what's happening?
17:24I'm still waiting.
17:25Well, that's what you wanted to.
17:26Enjoy it.
17:28Your voice sounds different.
17:30What's the matter?
17:30Oh, it's all this smog out here.
17:33What happened to all the sun?
17:35It comes in and out.
17:37Look, I better leave this line for you, okay?
17:40Hey, wait.
17:41What about the packing list?
17:45What about it?
17:47Are you losing your memory?
17:49What should I pack?
17:52Oh, pack anything you like.
17:54I'm sure it'll be fine.
17:54I'll call you later.
18:04Easy.
18:05I did everything wrong.
18:05No, you were fine, fine.
18:07Why am I so scared?
18:10Mickey.
18:10No, stop it.
18:11Now, pay attention.
18:12What?
18:13We met in October 69 in a club in a village.
18:15What's my name?
18:16I-
18:17Here.
18:17Here's my picture.
18:21Schwartz, call Schwartz.
18:22Go on.
18:24He poses a painter, but it was only a cover for a dough pusher for Eddie.
18:28What else?
18:30I was dancing at the Parcheesi.
18:33He took me to dinner at an Italian restaurant down on Mowbray Street.
18:36The Grand, the Grand, the Grand Frontana.
18:38And then he introduced you to a cat named Manny.
18:40Only you never called him that.
18:41You only called him the maestro.
18:42Good, Mickey.
18:43Good.
18:45All right.
18:53Oh.
18:55Oh.
18:56I almost forgot what I came in here for.
18:59Put this in your purse.
19:01What is it?
19:01It's a directional signal, or it's a way we'll keep track of you.
19:08Were you in love with her?
19:11Who?
19:12Mickey.
19:15You're Mickey.
19:16And don't you forget it.
19:17You're Mickey.
19:19And don't you?
19:27Joe.
19:28Oh.
19:30Oh.
19:41Oh my goodness.
20:13Gracias por ver el video
20:22Gracias por ver el video
20:44I'm alright
20:46I'll be alright
20:58How far are we going?
20:59Not very far
21:00Good
21:30I'll be right back
21:51Okay, let's go
22:21I'll be right back
22:51I'll be right back
23:20I'll be right back
23:50I'll be right back
23:55The beeps are losing me now
23:57She must be inside the house
23:58Right
23:59Pete
24:01Get us on the house phone
24:02Okay
24:15So where's J.B.?
24:17Don't be impatient
24:18He's sending his man
24:19His man?
24:22That wasn't the deal
24:23Relax
24:24First his man
24:26Then J.B.
24:28So where's his man?
24:30Right behind you, Mickey
24:37Well, I guess if you grew a mustache
24:39I might not recognize you either
25:10As far as we know
25:39Mickey, I can't get over you
25:41You know you got even better looking
25:44I mean it
25:47You're not easy to forget, you know
25:50We're wasting time
25:51You said you'd be out of the house
25:52a half an hour ago
25:53That half an hour is up
25:54Link should be in there doing his bit
25:58Okay, Link, let's go
26:10Hey, what was the name of that joint in the village?
26:15Had all the posters and stuff from old plays on the walls
26:20There was a blonde chick had big eyes for me
26:22Used to wait on table
26:24Clara
26:24Clara something
26:27You remember her
26:28She introduced me to you, remember?
26:31The Grand Fontana
26:33The Grand Fontana
26:35We had some good times there, didn't we?
26:38Carl, why are you stalling?
26:39Where's the man?
26:41It's a slight delay
26:43Relax and enjoy it
26:54Whoever it is, get rid of him
27:12I'm from the telephone company and I came to check your trouble
27:14Come back tomorrow
27:15Hey, you may not know about it, but we got a report that all your lines are dead
27:18And I might not be in the area tomorrow
27:19Look, I told you, come back tomorrow, all right?
27:23Look, man, I don't make the rules, I just go where they tell me
27:25That's terrific, only nobody calls you
27:27Well, somebody reported the trouble
27:28Excuse me
27:29Why don't you just pick up the phone and check for yourself
27:32What's the matter with you?
27:33Can't you take no for an answer?
27:34You make it sound like I'm trying to give you a hard time
27:36All I'm trying to do is help you out
27:37Look, I told you
27:39I know you told me
27:40Now I'm trying to tell you
27:41Hey, Jack, all I'm trying to do is my job
27:43Hey, if we have any troubles, we'll call you
27:45You understand?
27:46Hold it!
27:50What's going on?
27:52I'm trying to tell your boy
27:53The dispatcher called me and said all your phones are dead
27:56Check the phone
27:58Move
28:28He's right, it's dead
28:41Sorry to disturb you, miss
28:42That's okay
28:46How long's it been out?
28:48It's not my department
28:49All right, how long's it gonna take to fix?
28:52There's no way of telling till I check everything
28:53Well, do it quick
28:55Hey, why don't you check his ID?
28:58That's a pretty cool lady
29:00Let's see
29:02It's a funny thing
29:03Nobody ever asks
29:04Like I could be anybody, right?
29:16He's fine
29:18Thanks
29:18Now, will you fix the phone?
29:20Be right back
29:22Hey, where are you going?
29:23I gotta go to my truck and some equipment
29:25How long's this gonna take?
29:26I'm expecting a call
29:27I'll do it as fast as I can
29:29Stay cool, miss
29:50Carl, what are you so uptight about?
29:54You want to see JB, don't you?
29:56Of course I want to see JB
29:57Well, he was supposed to call
29:59He's probably been trying all this time
30:04Carl Schwartz
30:05Adam, we had no idea
30:06He was within a thousand miles of here
30:08Yeah, well, it doesn't matter now
30:10We've got to get her out of there
30:11Pete, give me the hand mic, William
30:16Attention all task force units
30:18This is Greer speaking
30:20Converge on our location within two minutes
30:22No sirens
30:23We're going in
30:25Oh, wait a minute
30:28You haven't heard from JB
30:30And I've been sitting there playing remember when
30:32Hey, where do you think you're going?
30:35Do you know what Eddie would do
30:36If he knew you laid a hand on me?
30:37About half of what JB will do to me
30:39If I let you out of here
30:57I guess he got tired of trying the phone
30:59Come on, we're going
31:00Put your stuff
31:27Put your stuff
31:54¡Suscríbete al canal!
32:19¡Suscríbete al canal!
32:22¡Suscríbete al canal!
32:32¡Suscríbete al canal!
32:34¡Suscríbete al canal!
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36:08La información que me dio es para memorizar.
36:11La información que me dio es para memorizar.
36:13La información que me dio es para un periodo de 30 de diciembre.
36:15No pueden cambiar o cambios.
36:19Si un contacto perdido o intercepto, la whole schedule es cancelada.
36:24¿Está claro?
36:26Sí, está claro.
36:50¡Gracias!
37:05You're more attractive, Miss Moore.
37:08Get it. I'm not taking calls.
37:16Now, I know you're anxious to leave,
37:18but you have earned some relaxation time,
37:22and I'm sure Eddie would be the first to agree that you should take it.
37:24JB, I'm sorry.
37:26Whatever it is, Carl, I'm sure it'll keep.
37:28Maybe, maybe not. It's Eddie.
37:36Eddie, there better be a very good reason for calling me here.
37:41Yeah.
37:43Huh?
37:46I see.
37:48Well, in that case, maybe you'd better talk to her yourself.
37:55Hi, Eddie. What's the matter?
37:57Nothing, sweetheart. I'm just kind of confused.
37:59I mean, the last call sort of threw me, you know.
38:02Well, can we talk about this later?
38:04No, now.
38:05See, I want to be ready for you when you come back.
38:07So I had the maid, uh, pack your swimsuits,
38:10the lights, summer dresses, stuff like that.
38:12Now, what about your fur coat?
38:14It'll be too hot, Eddie.
38:16Where?
38:21There.
38:21You mean the Bermuda?
38:24Of course I mean Bermuda.
38:26Right. Just wanted to be sure, Mickey.
38:28Put him back on.
38:32He wants to talk to you.
38:39Yes, Eddie?
38:43I see.
38:46Well, I, I hope you're wrong.
38:49Yes, yes, yes. I know how to handle it.
38:57Well, Miss Moore, I'm afraid we'll have to spend some more time together.
39:02Eddie's afraid that you may be an imposter.
39:06I knew it.
39:07I knew it.
39:08I knew there was something.
39:10What, are you crazy?
39:16Look, I'll just call Eddie again.
39:18Now, now, now.
39:19First we'll set up a little test.
39:21Then you can call Eddie.
39:24If you pass, of course.
39:26Well, you're all flipped out.
39:29Carl.
39:33What kind of a test?
39:35A truth test, my dear.
39:46Surely you're familiar with the effects of sodium pentothal.
39:56Actually, I hope you pass.
39:59Wouldn't that be something to tweak Eddie with?
40:11Captain, I got a reading.
40:12Where?
40:14Straight ahead.
40:16Attention all motor units.
40:18Peel off and drop back.
40:19We've got something.
40:25What?
40:2799.
40:2998.
40:3197.
40:3396.
40:3690.
40:3895.
40:4095.
40:44Yes, you've had a wonderfully massive dose.
40:46So just enjoy it.
40:50Enjoy it.
40:52Kenneth Patrick Moore, your brother.
40:54He died in an alley.
40:56It was a Tuesday.
40:57Eddie?
40:58The fat man called.
40:59He's got a problem.
41:00Your mother's name was Edna Elizabeth Sopa.
41:03You were in Miami with a hood named Marty.
41:06I can't believe that it's almost over.
41:09That I can plan and think about Ray and me.
41:12Can you hear me, my dear?
41:14Yes.
41:16Then tell us.
41:17Who are you?
41:20What?
41:21Who are you? Come on.
41:23Who are you? Tell us.
41:27You cannot lie now.
41:30You have to tell us the truth.
41:33Who are you?
41:35What is your name?
41:38Your mother was Edna Elizabeth Sopa.
41:40You were born on July 6th.
41:44Mickey Moore.
41:48My name is Mickey Moore.
41:52That stuff isn't working.
41:54Shhh.
41:56Has it ever occurred to you that Eddie could be wrong?
42:01Mickey Moore.
42:03Is that your real name?
42:06Yes.
42:08Mickey Moore.
42:11And who sent you here?
42:15Ray...
42:16...sent me.
42:19Ray?
42:21Ray who?
42:25Ray...
42:27Ray...
42:28...Apuzzi.
42:30Ray.
42:45¡Suscríbete al canal!
43:11¡Suscríbete al canal!
43:37¡Suscríbete al canal!
43:52¡Suscríbete al canal!
43:54¡Suscríbete al canal!
44:04¡Suscríbete al canal!
44:08¡Suscríbete al canal!
44:10¡Suscríbete al canal!
44:13¡Suscríbete al canal!
44:16¡Suscríbete al canal!
44:19¡Suscríbete al canal!
44:22¡Suscríbete al canal!
44:40¡Vamos!
44:41¡Police officers!
45:01¡Gracias!
45:39¡Gracias!
45:58Ray, es terminado ahora, ¿no?
46:00Sí, Mickey.
46:03Todo está bien ahora.
46:30No, no, no, no.
47:21No, no, no.
47:24No, no, no, no.
47:46No, no, no, no.
47:49No, no, no, no.
47:50Julie, I just want to say that...
48:06I think you're a fantastic girl.
48:21No, no, no, no.
48:38No, no, no, no, no.
49:04No, no, no, no, no, no, no, no.
49:34No, no, no, no, no, no.
50:03No, no, no, no, no, no.
50:29No, no, no, no, no, no.
50:58No, no, no, no, no, no, no.
51:02No, no, no, no, no, no.
51:03No, no, no, no, no, no, no.
51:04No, no, no, no, no, no.
51:04No, no, no, no, no, no.
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