Tarzan é uma clássica série de aventura dos anos 60 que traz uma versão mais moderna e sofisticada do lendário herói da selva. Interpretado por Ron Ely, Tarzan é retratado como um homem culto e civilizado, que transita entre a sociedade moderna e a vida selvagem africana, sempre defendendo a justiça e protegendo os mais fracos.
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Categoria
📺
TVTranscrição
00:26THE NEW CITY
00:56THE NEW CITY
01:00THE NEW CITY
01:23THE NEW CITY
01:24THE NEW CITY
01:34THE NEW CITY
01:36THE NEW CITY
01:40THE NEW CITY
01:59THE NEW CITY
02:20THE NEW CITY
02:42THE NEW CITY
02:45THE NEW CITY
02:45THE NEW CITY
02:51THE NEW CITY
02:54THE NEW CITY
02:55THE NEW CITY
02:56THE NEW CITY
03:03THE NEW CITY
03:04THE NEW CITY
03:05THE NEW CITY
03:26THE NEW CITY
03:34THE NEW CITY
03:37THE NEW CITY
03:43THE NEW CITY
04:02THE NEW CITY
04:26THE NEW CITY
04:29THE NEW CITY
04:40THE NEW CITY
04:41THE NEW CITY
04:44THE NEW CITY
04:45THE NEW CITY
04:45THE NEW CITY
04:46THE NEW CITY
04:47THE NEW CITY
04:48THE NEW CITY
04:50THE NEW CITY
05:00No, no, no, no, no, no.
05:27No, no, no, no, no, no, no.
05:45Oh, yes, Commissioner East.
05:48West.
05:48West.
05:49You were speaking of the treaty.
05:51Ah, yes, yes.
05:54Hasim will sign for the Plateau people,
05:58Juana and Wanza for the Valley tribes.
06:01Of course, you sign for Her Majesty's government.
06:05Roger.
06:06Come in, Roger.
06:08General Sir Basil Bertram,
06:11Assistant Commissioner Bradley.
06:13How are you?
06:14Mr. Brazilian.
06:15Mr. Sgt. Major Nassam Ghali, reporting for duty, sir.
06:18Mr. Sgt. Major.
06:22Hmm.
06:26I hope it is clearly understood
06:28that you will not appear in this disheveled condition
06:31when you report to the detachment you are to lead.
06:35Yes, sir.
06:36That is.
06:38Commissioner East?
06:40West.
06:41Bradley?
06:42General?
06:49Basil of the Bulge.
06:51One month until they withdraw him.
06:54They did us a favor
06:56and gave him this trip as a final official gift.
07:00Well, after all, sir, it's only a pro forma treaty signing.
07:03Pro forma?
07:05Dozens of tribes, enmities,
07:07feud as old as time itself?
07:10Half a million natives embroiled in a power struggle?
07:14Oh, yes, Roger.
07:15Pro forma.
07:17Like throwing a lighted match into a powder keg.
07:21Basil of the Bulge, a light match?
07:24Him?
07:25And that treaty?
07:27King?
07:29King?
07:52And that treaty?
07:54King?
07:54You know?
08:23The
08:51THE CITY IN BRAZIL
08:54THE CITY IN BRAZIL
09:24THE CITY IN BRAZIL
09:26THE CITY IN BRAZIL
09:56THE CITY IN BRAZIL
10:01THE CITY IN BRAZIL
10:03THE CITY IN BRAZIL
10:10THE CITY IN BRAZIL
10:12THE CITY IN BRAZIL
10:25THE CITY IN BRAZIL
10:46THE CITY IN BRAZIL
10:49THE CITY IN BRAZIL
10:53THE CITY IN BRAZIL
10:55THE CITY IN BRAZIL
11:00THE CITY IN BRAZIL
11:04THE CITY IN BRAZIL
11:05THE CITY IN BRAZIL
11:06THE CITY IN BRAZIL
11:12THE CITY IN BRAZIL
11:15THE CITY IN BRAZIL
11:23THE CITY IN BRAZIL
11:25THE CITY IN BRAZIL
11:25THE CITY IN BRAZIL
11:39THE CITY IN BRAZIL
11:47THE CITY IN BRAZIL
12:04AMERICA
12:05Put them all here, tried.
12:07WASTED
12:07OUR HOPES
12:09Are they nothing?
12:10BUT EMPTY DREAMS
12:11Empty?
12:12NO, NOT AT ALL
12:13ON THE VERENTY BRINK
12:15OF FULFILLMENT
12:16CITY IN BRAZIL
12:16LITERALLY ONES
12:17ONES IN THE PALMS
12:18OF OUR HAND
12:19NOW
12:20Did you duplicate?
12:21That clothing?
12:22Yes, we have all that.
12:24MY MEN CAN NOW
12:25BE MISTAKEN
12:26FOR THE PLATOUS PIPER
12:27But when do we use them?
12:29BEFORE YOU USE THEM
12:30There's something else.
12:31YOU HAVE TO DO
12:33The new general disappears today.
12:34A meeting of the cipher and the tuning of the treaty.
12:37Be six soldiers with him. You stop them.
12:40It's easy.
12:42You're going to kill them all.
12:43No, no, no, no.
12:44No, no, no, no.
12:45No, no, no, no.
12:47No, no, no.
12:47No, no, no.
12:47And you will capture him.
12:48And you will move forward.
12:50How will I move forward?
12:52Not with the work, Wanzer.
12:54With the body, in the torture chamber, if necessary.
12:58Do you see?
12:59What is it?
13:33What is it?
14:06What is it?
14:19What is it?
14:19What is it?
14:20What is it?
14:22What is it?
14:34What is it?
14:35What is it?
14:36What is it?
14:38What is it?
14:53What is it?
15:13What is it?
15:14What is it?
15:17What is it?
15:23What is it?
15:25What is it?
15:27What is it?
15:28What is it?
15:29What is it?
15:32What is it?
15:33What is it?
15:33What is it?
15:36What is it?
15:36What is it?
15:46What is it?
15:49What is it?
15:52What is it?
15:55What is it?
16:09What is it?
16:19What is it?
16:30What is it?
16:33What is it?
16:56What is it?
16:57What is it?
16:59What is it?
17:00What is it?
17:01What is it?
17:05What is it?
17:06What is it?
17:06What is it?
17:07What is it?
17:07What is it?
17:08What is it?
17:10What is it?
17:11What is it?
17:11What is it?
17:12What is it?
17:13What is it?
17:14What is it?
17:18What is it?
17:23What is it?
17:24What is it?
17:25What is it?
17:25What is it?
17:25What is it?
17:25What is it?
17:26What is it?
17:26What is it?
17:27What is it?
17:27What is it?
17:28What is it?
17:28What is it?
17:28What is it?
17:28What is it?
17:30What is it?
17:31What is it?
17:32What is it?
18:07THE CITY IN BRAZIL
18:08THE CITY IN BRAZIL
18:39THE CITY IN BRAZIL
18:39Yes, sir.
19:08THE CITY IN BRAZIL
19:39THE CITY IN BRAZIL
19:43THE CITY IN BRAZIL
19:52THE CITY IN BRAZIL
20:21THE CITY IN BRAZIL
20:57THE CITY IN BRAZIL
21:11THE CITY IN BRAZIL
21:13THE CITY IN BRAZIL
21:17THE CITY IN BRAZIL
21:38THE CITY IN BRAZIL
21:40THE CITY IN BRAZIL
21:45THE CITY IN BRAZIL
21:48THE CITY IN BRAZIL
22:02THE CITY IN BRAZIL
22:33THE CITY IN BRAZIL
22:35THE CITY IN BRAZIL
22:35THE CITY IN BRAZIL
22:40THE CITY IN BRAZIL
22:53THE CITY IN BRAZIL
22:57THE CITY IN BRAZIL
22:59THE CITY IN BRAZIL
23:25THE CITY IN BRAZIL
23:25THE CITY IN BRAZIL
23:26THE CITY IN BRAZIL
23:27THE CITY IN BRAZIL
23:31THE CITY IN BRAZIL
23:37If I try to help you, Mr. General, I might actually succeed.
23:46But even if I go to help, can I find him?
23:52What would you say?
23:54Well, you say that you...
23:58But you're not, Tarzan. You're just a friend.
24:03Okay, friend. We know there's only one thing we can do.
24:12Hey there, Tarzan.
24:32Hey there, Tarzan.
24:34Hey there, Tarzan.
24:36Then we can see what the enemies are up to.
24:38The pain.
24:39He knows more pain than he's ever known.
24:43But I can stop the pain.
24:46All you have to do is march with my men.
24:51Say the word.
24:53Estimating the heavens,
24:55spill the blood.
24:58Regenerate.
24:59We are fighting and battling with many enemies.
25:03Regenerate.
25:07I asked for the word that I asked for.
25:11Let's talk about the people and the epitaphs.
25:21Honor me, and my life is over.
25:25Honor is a word.
25:32I asked for the word that I asked for.
25:35I asked for the word that I asked for.
25:37No.
25:39I will be the patent of all patents.
25:42I wouldn't say anything.
25:46Please.
25:48You speak in riddles.
25:54Now,
25:56That's more, General.
26:02What you have to do is march with my men.
26:08And you are lost.
26:11All you have to do is march with my men?
26:12There's not much left for your life.
26:16Sometimes we will die with men.
26:27Sometimes we go into your life.
26:34Now.
26:39I think that heroes has been everything.
26:41But he doesn't have any more for my sister.
26:43We don't need it. We have the uniform.
26:47If their warriors could represent the Plateau,
26:51I think I can portray Basil of the Bulge.
26:57We were able to achieve the same result.
26:59And the people who are surprised,
27:01They have in their hearts, I fear millions of excuses.
27:10Not bad, is it, Mr. Basil?
27:15I am Cue's father.
27:18Tell me, who are you?
27:23Delightful!
27:25Shakespeare, Alexander Pope.
27:27Duck, we don't have time to continue this.
27:30We could go all the way to the English ports.
27:35But, alas...
27:36How long will it take us to get to Valle People's Village?
27:39One day, two nights.
27:41We're starting now.
27:42What does it mean to him?
27:43I think we can find some use for a living Poet Laureate.
27:49The guard should be behind.
28:15Ink for the powerful C,
28:16The guard should be behind.
28:16Between people,
28:18We owe it to the mighty C,
28:18Yes, we should, moreover.
28:21They are elderly,
28:23young people,
28:23young people, young people, young people, young people, young people.
28:23Ink for the powerful C.
28:25But we don't have two important ones.
28:26Ink for the powerful C.
28:28But the powerful C.
28:31But it's not that you too.
28:31Ink for the powerful C,
29:00There won't be much time.
29:02Thank you very much, General.
29:04I think you're a young man.
29:05And I think you're unpleasant.
29:08Go, go.
29:10Talk, talk, talk.
29:12Big words that mean nothing.
29:15Like what you said about Monza.
29:17Are you familiar with these words for Shakespeare?
29:20Shakespeare? Is that good?
29:22Of course.
29:23Is it better than Tarzan?
29:25You unwashed illiterate.
29:28Dismiss.
29:29Go.
29:30Don't go, go.
29:31Because you're a young man, you think you're better than everyone else.
29:37But not you.
29:38You're just a young man.
29:40And you think you're a young man?
29:43You are a very young man.
29:44You are a very young man.
29:47You have to have your mouth watering with soup.
29:50You'll have to wait until I go.
29:53Go away from me.
29:55Nobody will listen to me because I'm a child.
29:59You are a very young man.
30:01You are a very young man.
30:04You are a young man, young man, young man.
30:06I hope you heard me.
30:10I hope.
30:10What do you think you're going for?
30:12I'm only going to buy this for a little while.
30:15A young man.
30:17A young man
30:19young young young young young young young young young young young young young young young young young young young young young young young young young young young young young
30:30young young young young young young young young young young young young young young young young young young young young young young young young young young young young young
30:35young young young young young young young young young young young young young young young young young young young young young young young young young young young young young
30:36young young young young young young young young young young young young young young young young young young young young young young young young young young young young young
30:38young young young young young young young young young young young young young young jo
30:53What is that?
31:16What is that?
31:46What is that?
32:04What is that?
32:19What is that?
32:21What is that?
32:25What is that?
32:26What is that?
32:27What is that?
32:53What is that?
32:55What is that?
32:56What is that?
32:58What is that?
33:02What is that?
33:03What is that?
33:03What is that?
33:06What is that?
33:12What is that?
33:13What is that?
33:21What is that?
33:36What is that?
33:50What is that?
34:02What is that?
34:14What is that?
34:37What is that?
34:38What is that?
34:41What is that?
34:47What is that?
34:53What is that?
35:04What is that?
35:06What is that?
35:07What is that?
35:14What is that?
35:18What is that?
35:20What is that?
35:50What is that?
36:26He'll tell you!
36:29He said.
36:31There, he said.
36:31What is that?
36:31The enemy is on our side, falling behind.
36:34Catch them.
36:35Catch them!
36:37Stop them!
36:39We're not going back!
36:40We're not going!
36:41Catch them!
36:42Catch them!
36:43Put them behind the sides!
36:44Grab them from behind the sides!
36:46It's already raining there!
36:48We don't have any more!
36:49Get those tanks in line. Fire on the left. Fire on the right. Fire. Fire. Fire.
37:02They're pulling back. They're pulling back.
37:07After them. After them.
37:10Forward. Attack. Attack. Attack.
37:19Attack.
37:32Mr. General. Mr. General.
37:57For a one, I thought you were dead.
38:00And lose the only grown-up you got. That'd be rather a shame, wouldn't it?
38:08I seem to remember being very careless and falling down a hill.
38:15You're a pretty heavy grown-up. I dragged you in here.
38:20You?
38:23What about the Valley Tribe Village?
38:28It's close. Just over the other side of the mountain.
38:34Better sleep now. Get some rest.
39:02The Valley Tribe is close.
39:05My scouts say the village is quiet while it sleeps.
39:08We should attack now.
39:09Well, that's very good. We attack at night.
39:12Nobody gets a good look at the headdress, the clothes, the weapons.
39:16And nobody gets a good look at this uniform.
39:22No good.
39:24Rather self-defeating.
39:27So we wait until morning.
39:29Then we attack.
39:49You don't like Mr. General, do you?
39:52Silly old duffer.
39:55You don't know. How could you know?
39:58I once had a boy like you many, many years ago.
40:04He and his mother both killed when they bombed London.
40:09All the friends I made over the years.
40:13One by one they died.
40:16I don't think you would understand, Jai.
40:20There comes a time when you're...
40:22You're afraid to reach out to another person.
40:28Afraid to touch.
40:30Afraid to let yourself be touched.
40:34I'm afraid you'll be hurt again.
40:38Chest full of ribbons.
40:40A lifetime of honors.
40:44I'd exchanged a whole lot of them for one word of acceptance from you.
40:52Or even a single smile.
40:57But for silly old Mr. General, there are still battles to fight.
41:10Good night, Jai.
41:18Good night, Jai.
41:20Chief Guani!
41:22Chief Guani!
41:24Chief Guani!
41:26Chief Guani!
41:26Chief Guani!
41:26The plateau people are tired.
41:27How many?
41:2830 or 40.
41:29In the meantime.
41:30By all those...
41:52Chief Guani!
41:58Got you.
42:14What is that?
42:2940, maybe more. He didn't stay to see.
42:33How many warriors do you say you are preparing to fight?
42:36To fight?
42:38No.
42:40No.
42:42We heard you, warrior!
42:44I'm going to ask how many men. Breathe me in.
42:51Most of my warriors were at a party that fell two days ago.
42:55Are they near the city of Plato?
42:58Clos, yes.
42:59Then send me not only to your warriors, but Tarzan and Plato's people as well.
43:04Here, as quickly as possible.
43:07You said that most of your warriors...
43:09What others are nearby?
43:10Yes, I sent myself to them.
43:12When they see this, we will join the women and children in listening.
43:15How many men?
43:17With me, there are 12.
43:19How many times as many?
43:21We must listen to each other.
43:22Nonsense!
43:24How many men?
43:27How many men?
43:29How many men?
43:30I am the lord, lord, lord, of your Mother, but my right to Arme, but my right to
43:33Arm,
43:34But my right to bear arms is always deplorable.
43:35But when we fight, please, we win.
44:07Music
44:22Music
44:45Attack!
45:19Music
45:49Music
46:1712 men against an entire tribe.
46:20You learn those kind of military tactics at Sanders?
46:23Nope.
46:25No, I couldn't have done it any differently.
46:29I'll tell you something.
46:31That new dam,
46:34it's going to mean an end to the flooding in this valley.
46:37Also means a new way of life for my people.
46:39No small measure of thanks to you, Sir Basil.
46:42He must feel the same way.
46:45May I beg your pardon?
46:47But Chai's only a boy, a young boy.
46:50He couldn't possibly know how much you liked him.
46:54I never meant to.
46:56Or how much you wanted him to like you.
46:58May I beg your pardon?
47:02Well, I was just saying
47:05how absolutely appropriate that uniform is for this occasion.
47:08I see.
47:10Not exactly regimental drill you have on yourself, sir.
47:14Not at all.
47:17Still,
47:19I suppose it'll have to.
47:47You have a boat and guide waiting.
47:48They'll take you back to the city.
47:50Thank you, sir.
47:52Sir Basil,
47:53thank you is really only a word.
47:54I wish there was some way
47:56we could express our gratitude
47:57for what you've done.
47:59All in the course of duty,
48:00Mr. Charger.
48:01A pleasure, I assure you.
48:03Sorry I called you a whippersnapper.
48:05You're quite a boy, really.
48:07Oh, a bit young for shaking hands, though.
48:15Oh, I say, steady on.
48:18Do you see civility between the two of you?
48:21Quite an experience, really.
48:25I'm going to miss you, Mr. General.
48:28Take good care of yourself.
48:29Is that an order?
48:31Yes, sir.
48:31The general shall carry on.
49:01The general shall carry on.
49:31The general shall carry on.
49:32The general shall carry on.
49:41The general shall carry on.
49:46The general shall carry on.
49:48The general shall carry on.
49:48The general shall carry on.
49:48The general shall carry on.
49:49The general shall carry on.
49:49The general shall carry on.
49:49The general shall carry on.
49:49The general shall carry on.
49:50The general shall carry on.
49:50The general shall carry on.
49:52The general shall carry on.
49:54The general shall carry on.
49:57THE CITY IN BRAZIL
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