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00:18¡Gracias!
00:31You ladies go right in.
00:32I'll get someone to take care of your bags.
00:34Thank you.
00:45Five, six.
00:46You can't bring us down in one swallow.
00:48You gotta bet, baby.
01:10Hey, excuse me.
01:12Yes, ma'am.
01:12I'm like being in the middle of a cycle.
01:15This town is going to have one big headache in the morning.
01:19Sorry, I haven't even got a closet left for us.
01:21Oh, we have a reservation, the Barclays.
01:23Oh, Victoria and Audra.
01:25I never could get a reservation.
01:27What is all this?
01:28Cattle, Mrs. Barclays.
01:29Cattle, pure and simple.
01:32Every rancher with more than one steer is looking to make a sale.
01:35Buyers all the way from Denver fighting for the honor of paying top dollar.
01:38Well, congratulations.
01:44Tired?
01:44A little.
01:46Are these your bags, ma'am?
01:48Yes, that's right.
01:50Now, if there's anything you ladies want, just holler.
01:52Nobody will hear you, but it's good for the lungs.
01:54What time does the connecting stage just stop and leave?
01:57First thing in the morning.
01:59Room's 37-38 for Mrs. Barclay and her daughter.
02:02Thank you.
02:06Excuse me, but you two ladies wouldn't happen to be cattle buyers, would you?
02:10Sorry.
02:12So am I.
02:19Who's got 37?
02:20I do.
02:27I'll be out of your way in a minute.
02:30Well, let me know when you want to have dinner.
02:31In about an hour.
02:42I hope you'll be comfortable, Mrs. Barclay.
02:45Oh, this door leads directly to your daughter's room.
02:50Thank you.
02:53Thank you, ma'am.
02:59Thank you.
03:01Thank you.
03:11Thank you, ma'am.
03:20Thank you, ma'am.
03:31Woo-hoo!
03:32Mom!
03:33Come on, baby.
03:37Oh, my God!
03:41Oh, my God!
03:42Hey!
03:42You're in the yard!
03:49You're in the yard?!
04:06Oh, Audra, I'm sorry, I fell asleep and...
04:36Wait, I can't wait to see the proceedings.
04:38I can't wait, I can't wait.
05:02¡Gracias!
05:29¡Gracias!
05:38Audra, why didn't you tell me you changed your room?
05:42Oh, I'm sorry.
05:45Well, hello again, ma'am.
05:47I thought this young lady was my daughter.
05:49I didn't mean to intrude.
05:50Oh.
05:53Excuse me.
05:54Yes, Miss Barkley.
05:55Could you please tell me what room my daughter is in now?
05:58Who?
05:58My daughter, Audra.
06:00Your daughter?
06:01Well, she was in 37, the one next to mine,
06:03but I was just there and all her clothes are gone.
06:06No, ma'am.
06:08What does that mean?
06:09She wasn't in 37.
06:11Well, of course she was.
06:13That room's been empty for two days.
06:16Look, Mr., uh...
06:17Gates. George Gates.
06:19Mr. Gates, I realize everybody's in a playful mood,
06:21but I'm just a little too tired to join in now.
06:23What room is she in?
06:25Mrs. Barkley, I'm not as fresh as a daisy myself,
06:28so I suppose we both stop playing.
06:30You helped us check in just a few hours ago.
06:32A very pretty young girl with long blonde hair.
06:35Mrs. Barkley, if your daughter was in this hotel,
06:37thought she must have come in on a suitcase,
06:39I never forget a reservation.
06:41That's what you said when we registered.
06:50You won't find her name in there.
06:52Why not?
06:52Because she never signed it.
06:55Where is she?
06:58There must be some mistake.
07:00There is, and you made it.
07:02Mrs. Barkley,
07:04your daughter was never in that room
07:06or in this hotel.
07:08Why don't you get a good rest?
07:10Things will look a lot clearer in the morning.
07:13There's one thing you can't remove.
07:15What?
07:15Her perfume, the odor, is still in that room.
07:19Well, I was up in that room myself
07:20not more than an hour ago.
07:22I didn't smell a thing.
07:23I'm sure you didn't, but I did.
07:26Now, I know that perfume.
07:27I bought it for her.
07:29Do I have to go to the sheriff?
07:33Only if you want to cause trouble.
07:35That's exactly what I'm going to do
07:37until I find my daughter.
08:06I want to see the sheriff.
08:09You're looking at him.
08:12Oh, I need your help.
08:14People come banging through that door
08:16this time of night.
08:17Usually do.
08:18It's my daughter.
08:19She's missing.
08:21Lady half the world is missing something.
08:23The other half is looking for it.
08:24Something has happened to her.
08:26What?
08:27I don't know.
08:28That's why I came here.
08:29Calm down and tell me about it.
08:31Well, we were on our way to Stockton.
08:34That's where we...
08:34Would you like some coffee?
08:36Mind if I have some?
08:41Sheriff.
08:43You got the floor.
08:45We registered at the hotel
08:46to wait for the next stage.
08:48I fell asleep, and when I woke up,
08:50Audrey's room was empty.
08:51Not your daughter?
08:52Yes.
08:52Everything was gone.
08:53Her suitcase, her clothes, everything.
08:55I asked the desk clerk if she had changed her room,
08:58and he said...
08:59He said he didn't know who I was talking about,
09:02that I was alone when I checked in.
09:04Were you?
09:05I just told you.
09:07Well, sometimes a long, hot stage run...
09:10Oh, for heaven's sake, Sheriff, I'm not senile.
09:13Well, maybe she found a traveling companion she liked better.
09:17Is that your professional opinion?
09:18Lady, this town...
09:20Victoria Barkley.
09:21All right, Victoria Barkley.
09:24Now, right now, this town is high on cattle,
09:26and the money that cattle will bring.
09:28It's like, uh...
09:30It's like an avalanche.
09:31You don't stop to ask if you want to be part of it.
09:33It just kind of sweeps you along.
09:35But they're telling me she doesn't even exist.
09:38Now, why would anyone want to...
09:40I don't know!
09:43Well, I just can't go in there.
09:45Sheriff, people.
09:46A whole lobby full of people saw us when we checked in.
09:50Now, why are you sitting there questioning them?
09:52Make them tell you what happened to her.
09:54You're the sheriff!
09:59Well, no getting away from that, is there?
10:04Let's go.
10:21Satisfied?
10:22No.
10:25Well?
10:27I want to look at the room, and I want to talk to, uh...
10:30The porter and housekeeper.
10:33Sheriff, I don't have to...
10:34Humor me, George.
10:36Why don't you go out and arrest some drunks?
10:39It's more your speed, isn't it?
10:41After I see the room.
10:44Up kind of late, ain't you, Sheriff?
10:46A man your age ought to spend as much time as he can resting.
10:49Send up the porter and the housekeeper?
10:51Why?
10:53Because I told you to.
10:56Something going on, Sheriff?
10:58Maybe.
10:59This lady thinks the hotel ought to supply a family as well as clean sheets.
11:04Oh.
11:05Why don't you go back to bed, Sheriff?
11:07I can handle it.
11:08I'm up now, Herr, and I'll see it through.
11:10When you get tired, you holler.
11:13Bring them up to, uh...
11:14Thirty-seven.
11:43Looks empty to me.
11:44Exactly.
11:45A whole town is bursting at the seams.
11:47People are sleeping all over.
11:48Now, why?
11:49Why would there be a perfectly good room empty?
11:54You got a point.
11:55This closet.
11:57This closet.
12:00It was empty.
12:02This is Mel Trevor's room.
12:04He's been here for the past week.
12:05I told her that.
12:07No.
12:09This bureau here.
12:15But the bureau drawers, the car...
12:18It was empty.
12:21Mrs. Barclay.
12:22It was empty!
12:24All right, in here.
12:25I want you to help the lady.
12:27You remember my daughter, don't you?
12:30No, ma'am.
12:30Oh, yes, you do.
12:31You brought her bag in here, and you put mine in the other room.
12:34Yes, yes, ma'am.
12:36There.
12:36You gave me a dollar.
12:38That's right.
12:39I thought it was a lot of money for bringing up one bag.
12:42Oh, no, no.
12:43Two.
12:43Two bags.
12:45No.
12:45No, ma'am.
12:46One.
12:47One bag.
12:49Yours.
12:50I left it in room 38.
12:52Annie, did you see the lady's daughter?
12:56You were turning down the bed when we came in.
12:59I haven't worked this floor all day.
13:01But you talk to us.
13:03You smile.
13:17You saw her.
13:21All of you saw her.
13:25No, you tell him.
13:27Tell him you're lying.
13:44Oh.
13:48Oh.
13:50What are you doing to me?
13:57What are you trying to do to me?
14:19I'll be in the lobby.
14:21Having a good laugh with your friends over the feeble-minded lady from Stockton?
14:26Oh, maybe somebody down there has seen your daughter.
14:29Then, then you believe me.
14:32I didn't say that.
14:33Why, help me?
14:34As you said, I'm the sheriff.
14:36I'll go with you.
14:38Get some rest.
14:39I cannot.
14:40You come on as strong as you did up here, and people are bound to back off.
14:44Oh, I won't.
14:44I promise you.
14:45Oh, please, please, she's my daughter.
14:49All right.
14:51Just remember, you dragged me over here to ask the questions.
15:07You tired yet, Pop?
15:09I'll let you know.
15:16Hungry?
15:17No.
15:19When's the last time you ate?
15:21That doesn't seem very important, though.
15:23Things always look better on a full stomach.
15:25Take it from someone who's put in a lot of hungry hours.
15:28Come on, now, sheriff.
15:30Don't be a hog.
15:31Introduce us.
15:32We've met.
15:33Not formally, ma'am.
15:35It seems you two have adjoining rooms.
15:37Well, now, that's cozy, isn't it?
15:39What room would that be, Mel?
15:41Well, I'll tell you, sheriff.
15:43You, uh, you ask me to sit down, and, uh, maybe I'll let you force it out of me.
15:48My name is Mel Trevor, ma'am.
15:50The sheriff asked you what room you were in.
15:5337.
15:54I didn't know you were staying in town, Mel.
15:59And I didn't know I had to tell you every move I made, sheriff.
16:03Just making conversation.
16:09How long has it been?
16:10I'll tell you what.
16:12Why don't you give me a refill?
16:13Give a lady what she wants, and, uh, give us a chance to get acquainted.
16:18Gotta keep asking until you answer, Mel.
16:21How long have you been here?
16:22Oh, about a week, on or off.
16:25Get lonesome at the ranch?
16:28Listen, I got 4,000 head of cattle out there.
16:32Bidding starts tomorrow.
16:33I gotta line up the best prices I can going in.
16:36Oh, by the way, you ought to be at the pens by door.
16:38Don't think I can make it.
16:43Why not?
16:45You might have something a little more important than, uh, keeping the peace for a bunch of steers.
16:51There is nothing more important in this town than steers.
16:55If anybody ought to know that, it's you.
17:00Ma'am, do you have any children?
17:02Three sons and a daughter.
17:04Well, maybe you'll understand what I'm talking about.
17:06Cattle are a lot like, uh, some children.
17:09You, uh, spend your life taking care of them because they, uh, don't have enough sense to take care of
17:13themselves.
17:13You worry about their weight, what they eat, whether they're warm enough in the winter, cool enough in the summer.
17:18You don't really have much time for anything else, but, but if they grow into what you want them to
17:23be, why, I guess it was all worth it.
17:28Where is she?
17:29Uh, I beg your pardon, ma'am.
17:31Well, you're obviously in on it.
17:35Uh, Sheriff, uh, what is she talking about?
17:37I thought I was supposed to ask the questions.
17:40But you're not. You're just chatting.
17:43One swallow, that's the deal.
17:48Well, if you'll let me in on this, ma'am, maybe I can help.
18:02Steady as she goes, sailor.
18:04Oh, ain't no sailor, ma'am. It's just a plain everyday range bomb.
18:08Why did you say some of that?
18:10You thirsty, lady?
18:11No, but my daughter might be.
18:14The pretty blonde you danced with a few hours ago.
18:20Frank, did I dance with a blonde girl?
18:23Well, if you did, you sure kept it from your best friend.
18:29You know who I mean.
18:30No, ma'am, I don't.
18:32Why don't you bring on over? I know I'd like it.
18:45Now, what did that get you?
18:50Is the whole town in on this?
18:53Why?
18:55What did we do?
18:56Why don't you sit down?
19:00What did we do to them?
19:04What did we do to them?
19:11Now, you listen to me.
19:14You listen to me.
19:17My name is Victoria Barkley.
19:20My daughter's name is Audra Barkley.
19:24Now, she's missing.
19:27And a lot of you know what happened to her.
19:31And I'm going to find her.
19:34You think because I'm a woman that I'll give up,
19:36that I'll turn and run?
19:38Well, I won't!
19:39So you better get used to me.
19:41I'm staying right here until I find my daughter.
19:43I'm not leaving here until I find her.
19:45And I warn you.
19:46I warn you!
19:48I warn you!
19:50She better not be hurt.
19:56I'm a doctor, Miss Barkley.
19:58Try to calm yourself.
19:59Get her up to her room.
20:01No!
20:01No!
20:02No!
20:04Let her be, Hearn!
20:06She's giving the hotel a bad name.
20:07Well, it's better than the one it's got.
20:09Now, it's all right, Mrs. Barkley.
20:11No!
20:13Oh, no!
20:15I'm going to give you something to help you rest.
20:17No, no, I don't want to rest.
20:19Now, listen to me, ma'am.
20:20Just listen.
20:21Now, just dry your eyes and relax.
20:24No!
20:25Let her alone.
20:26Let her alone!
20:28You're in on this, too.
20:33No!
20:35Ah!
20:42It's all right, folks.
20:43It's all right.
20:43If the lady's a little disturbed,
20:45the doc will take care of her.
20:46Go ahead with what you're doing.
20:47Oh, she's moving all the time.
20:49She's moving on!
20:50She's moving on!
20:54She's moving on!
21:07Good to come, girl!
21:12Shy, man!
21:14All right, thanks!
21:39¡Suscríbete al canal!
22:08¡Suscríbete al canal!
22:25¡Suscríbete al canal!
22:36¡Suscríbete al canal!
22:40¡Suscríbete al canal!
22:43¡Suscríbete al canal!
23:16¡Suscríbete al canal!
23:46¡Suscríbete al canal!
23:56¡Suscríbete al canal!
24:00¡Suscríbete al canal!
24:01¡Suscríbete al canal!
24:05¡Suscríbete al canal!
24:08¡Suscríbete al canal!
24:30¡Suscríbete al canal!
24:33¡Suscríbete al canal!
24:36¡Suscríbete al canal!
24:51¡Suscríbete al canal!
24:52¡Suscríbete al canal!
24:54¡Suscríbete al canal!
24:55¡Suscríbete al canal!
24:58¡Suscríbete al canal!
25:01¡Suscríbete al canal!
25:04¡Suscríbete al canal!
25:16¡Suscríbete al canal!
25:20Es correcto.
25:22Todo el que está en este hotel debe registrar, ¿verdad?
25:25Es la norma, Sheriff.
25:28Mel Trevor's name ain't in your book.
25:32¿Dónde significa que no estaba en este hotel?
25:36No tiene que registrarse.
25:38Es la norma, Mr. Gates.
25:40Quizás en todo el rush de hacer sus cosas en el cuarto de la habitación,
25:42se deslizó todo el mundo.
25:46No hay nada.
25:46Perdón, tengo trabajo que hacer.
25:50I hope you can do it in my office, George.
25:52¿Qué?
25:53You're under arrest.
25:54¿En qué charge?
25:57Keeping sloppy books.
25:58No, no.
26:01No, no.
26:03No, no.
26:12No, no.
26:12No, no, no.
26:12No, no.
26:13No, no.
26:13No.
26:13No.
26:18No.
26:18Let's wait.
26:20No.
26:20No, no.
26:20No, no, no.
26:20I can't figure it out.
26:21No, no.
26:22I can't figure it out.
26:22We're gonna find the way out.
26:27No.
26:38No.
26:41No.
26:41No.
26:42No.
26:43No, no.
26:43No.
26:44No, no.
26:45No, no, no, no, no, no, no.
27:26No, no, no, no, no.
27:45No, no, no, no, no.
27:48No, no, no, no.
27:54No, no, no.
27:55No, no.
27:57No, no.
28:01No.
28:02No.
28:05No.
28:08No.
28:09No.
28:11No.
28:14No.
28:14No.
28:16No.
28:18No.
28:23No.
28:24No.
28:28No.
28:39No.
28:40No.
28:45No.
28:46No.
29:13No.
29:14No.
29:19No.
29:26No.
29:29No.
29:42No.
29:43No.
29:51No.
29:54No.
29:56No.
29:57No.
30:02No.
30:02No.
30:06No.
30:17No.
30:25No.
30:35No.
30:37No.
30:37No.
30:38No.
30:39No.
30:42No.
30:43No.
31:03No.
31:04No.
31:05No.
31:10No.
31:11No.
31:12No.
31:12El Horrockeshicto me ha en la postal.
31:15¿Pero接as un señor coleccion.
31:16¿Pero escucharte en la casa?
31:18¡De одна vez!
31:19¡T scoopes!
31:25¡No, no, es un pomaporío!
31:27No, su nombre es Gerard, ¿no?
31:29No, pero si headó para...
31:30Mafe, healthy y!
31:31¡La safe y50mahamosTON!
31:33¡Vamos a seguir volver's!сп€ed
31:360". Mira Gerard
31:37Barkley.
31:41Oh, they finally got to you, too, didn't they?
31:46What?
31:49Nothing.
31:51Nothing.
32:05Oh, Audrey.
32:08Oh, why, why?
32:15Why did you do this to me?
32:18Mrs. Barkley?
32:22She's done this before.
32:25Done what?
32:27Run away.
32:29Your daughter ran away?
32:33In Salt Springs, the last stop we made.
32:38I refused to believe it because I didn't want to believe it.
32:49It's very hard sometimes for a mother to admit the truth about her daughter.
33:00Well, it's not so bad.
33:02After all, she's home now.
33:04Everything's all right.
33:06Yes.
33:09Yes, she's home.
33:13And I want to go home, too.
33:17What time does the next stage, please?
33:21A couple of hours.
33:23I'll be on.
33:25You sure?
33:29I just want to go home.
33:33I don't want to go home.
33:35I haven't seen her out for a while.
33:41Oh, well...
34:00let's go home now.
34:10I'm sorry I caused all this trouble.
34:12Oh, we understand, Mrs. Barkley.
34:14It was foolish of me.
34:15Well, we all let our imaginations run away from us sometime.
34:21Sheriff, thank you.
34:23Thank you very much for everything.
34:43Well, Roy, everything's fine, and nobody got hurt.
34:48You don't count Gates.
34:52I don't.
35:02I don't.
35:35All right, why that strained yellow bow, you keep bending it like that, Roy.
35:43Mrs. Barkley's still stuck in his crawl.
35:50We had to do it, you know that.
35:54Sure, I know that.
35:56Then why fight it?
35:57It'll be over soon.
35:58That's supposed to make it any easier?
36:00Keep your voice down.
36:01Oh, come on, Mel.
36:02We don't have any secrets around here.
36:04We're just one big, happy family.
36:08Listen to me, you drunken bum.
36:11In three months, you're going to come crawling to me, begging for those 25 acres.
36:16Trying to forget that.
36:17Well, don't you forget it.
36:18Because I can still say no.
36:23Look at you.
36:24You're an old man.
36:26What are you going to do?
36:27Where are you going to go without me, without my land, without my charity?
36:33Think that over.
36:44I'll be in the office.
36:45Sheriff, don't you, uh, fall apart again, because there'll be nobody around to pick up the pieces.
37:05We should have taken care of him a long time ago.
37:08You'll get his badge soon enough.
37:16Oh, boy.
37:18Oh, boy.
37:22Oh, boy.
37:25Come, boy.
37:30Mow.
37:35Come, boy.
37:38Come, boy.
37:39Come, boy.
37:40No, no.
38:23Is this her food?
38:24Yes, doctor.
38:25Where's Mr. Trevor?
38:27I don't know.
38:28All right, well, take the tray on down to her.
38:31I'm not going down there.
38:33Take it down.
38:42I'll be right back.
38:42I'll be right back.
38:44I'll be right back.
38:45I'll be right back.
38:45I'll be right back.
38:46I'll be right back.
38:46I'll be right back.
38:46I'll be right back.
38:47I'll be right back.
38:48I'll be right back.
39:45I'll be right back.
40:17I'll be right back.
40:25I'll be right back.
40:54I'll be right back.
40:56I'll be right back.
40:57I'll be right back.
41:08I'll be right back.
41:09I'll be right back.
41:26I'll be right back.
41:27I'll be right back.
41:40I'll be right back.
41:43I'll be right back.
41:51I'll be right back.
41:53I'll be right back.
42:22I'll be right back.
42:22I'll be right back.
42:22I'll be right back.
42:29I'll be right back.
44:33I don't see why we have to move her.
44:36Hmm.
44:36Doc says one more night down here might finish her.
44:39But supposing somebody sees us?
44:42Anybody's drunk or tired,
44:44all we have to do is be careful.
44:55No, no, no, no, no.
45:24Oh, please, please, let us go.
45:27She's very ill.
45:28So are you, Mrs. Barkley.
45:32Don't hold out too much hope for your recovery.
45:36You're not like them.
45:38Look again.
46:01If you let go of that thing, you'll wake up everybody.
46:06Right.
46:07We'll take them out of town.
46:09Nobody will hear anything out at the old fear mine.
46:12We'll keep them out of circulation for a few days.
46:14That was the deal.
46:15Mrs. Barkley just canceled that deal.
46:17She's one of the most respected women in the state.
46:19When she talks, everybody listens.
46:23But you just can't kill two people.
46:27Well, how can we kill them, Roy?
46:29Mrs. Barkley left town hours ago.
46:31Her daughter wasn't even here.
46:32Isn't that what she told you?
46:33Yeah, but I...
46:34We don't know where they went.
46:36Nobody else will either.
46:37Oh, you're quite a businessman, aren't you, Mr. Trevor?
46:41Tell me, how do you buy a man's soul
46:43for 25 acres of land near the river?
46:45That's all I've got.
46:46But is it all you want?
46:48Get the rig and bring it out back.
46:52Unlock the rear door.
46:53Go ahead, Sheriff.
46:54Go ahead, do it.
46:55Pretend we never existed.
46:56You can do that.
46:57What do two strangers mean to a man
46:59who doesn't even care about himself?
47:01All it takes is...
47:02Shut up!
47:07Back off, Mel!
47:08Get the rig!
47:12It's a hard you go, Hearn.
47:17She's trying to save herself.
47:20That's what we're all trying to do, ain't it?
47:22Roy, the girl has anthrax.
47:28You know what that means.
47:30Nobody will touch our cattle.
47:32We'll be right back where we were a year ago,
47:35starving to death.
47:37A full belly ain't worth their lives.
47:40A few more days and it'll all be over.
47:44Cattle will be sold.
47:46And nobody would know.
47:48I'll know, Mel.
47:49It'll be aah資ist.
47:49Or are you still that many others?
47:49I might be aah資ist.
47:55I'd be aah at aah資ist.
48:09I'd be aah資ist.
48:12Of course, Mel.
48:13I'd be aah資ist.
48:15I'd be aah資ist.
48:17¿Qué?
48:18Me siento bien.
48:19Tú te sientes mejor cuando Nick y Jared llegan aquí mañana, si te quedan.
48:24¿Qué voy a hacer con ella?
48:27Listen.
48:30¿Dónde me dieron el cátel anthrax?
48:32No, señor. No, no. No pueden.
48:34No, no, no. No, no, no, no.
48:35¿Por qué me dieron?
48:37Si los buyers sabían que había anthrax en el área,
48:40no les dieron los cátel.
48:42Los cátelos de aquí se rompieron.
48:44¿Por qué no te dieron que te dieron?
48:45Mi respectively, por lo que pasó con ella, José José José José Montalbíégara
48:46No, qué solo Bot llególeildo, jrjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjph,
48:51...so I asked the desk clerk to send up the doctor.
48:53After he examined me, he gave me a shot...
48:56...and I went to sleep and woke up in that cellar.
48:58Well, it's over now.
49:00And as long as we have to stay here for a couple of days...
49:02...we might as well be comfortable.
49:04I'll see you before you leave.
49:05Thank you, Sheriff.
49:07Thank you, Mother.
49:08She's got a painful sense of right and wrong.
49:12Are you sorry?
49:13No.
49:15Gave me another chance.
49:17You know, there are three fellas riding around out there...
49:19...with something that don't belong to.
49:22And I've got three months to get it back.
49:26You will, Sheriff.
49:29I think you're right.
49:30Now.
50:10You will, Sheriff.
50:11You will, Sheriff.
50:11Gracias.
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