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00:00O que é isso?
00:30O que é isso?
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01:30O que é isso?
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03:51O que é isso?
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04:01O que é isso?
04:03O que é isso?
04:05O que é isso?
04:35Let me show you something.
04:44I brought these in for you to read.
04:47I think, uh...
04:48I think they'll clarify a lot of things.
04:53Your diaries.
04:58You'll know more about me than any other person alive.
05:03Kristen?
05:05Yes.
05:06My sister.
05:13So, Ellen, I brought you things.
05:15Regular angel of mercy, aren't you?
05:18So supportive.
05:20Keeping my secrets, taking me in.
05:23What happened? What are you talking about?
05:25I have finally figured everything out, that's all.
05:29You have been trying to frame me.
05:34You're crazy.
05:35Well, you were right.
05:41I was at that condo that night, looking for J.R.
05:44And yes, I did have his gun.
05:48But you saw how drunk I was, and you still gave me a drink.
05:51knowing I'd put the gun down to take it.
06:01Who's there?
06:01You went to the office that night with J.R.'s gun.
06:08It was you, Kristen, who shot J.R.
06:21You think you've got it all figured out.
06:23You think you've got it all figured out?
06:24Get me the police.
06:25You think you've got it all figured out.
06:26You think you've got it all figured out?
06:27You think you've got it all figured out?
06:28You think you've got it all figured out?
06:29I wouldn't do that if I were you, J.R.
06:30Not unless you want your child born in prison.
06:39Now, wouldn't that be a scandal?
06:41J.R.
06:42J.R.
06:43J.R.
06:44J.R.
06:45J.R.
06:46J.R.
06:47J.R.
06:48J.R.
06:49J.R.
06:50I think I'll write my memoirs there.
06:51J.R.
06:52J.R.
06:53J.R.
06:54J.R.
06:55J.R.
06:56I think I'll write my memoirs there.
06:57J.R.
06:58Call Dr.
06:59Gibson.
07:00I saw him yesterday.
07:01He'll tell you.
07:02J.R.
07:03Don't get me to jail for a woman.
07:04Give me that phone.
07:05I'm not going to jail for her.
07:07When he's going to jail?
07:08Alguém está indo à jail?
07:12Eu vou lidar com a Cristina minha própria maneira.
07:21Wow.
07:24Vou ler o resto?
07:27I bet.
07:37April!
07:38Foda!
07:48Oh, man!
07:51I think you're a little out of shape.
07:54Oh, God, you noticed?
07:56You're gonna have to make time for a regular workout program.
07:59I don't have any time, I'm busy.
08:02I'm gonna see to it that you exercise.
08:03Oh, I don't want to put up with you telling me what to do.
08:08Good friends are hard to find.
08:09I want to keep you around.
08:11Well, I was getting a break.
08:13I gotta get this blood out of my eyes.
08:16I don't know, I think I broke a vessel.
08:18You know, if you really want to take care of your health, you ought to get out of Ewing Oil.
08:25No.
08:25J.R. is gonna chop you into little pieces, and I don't think Bobby has the smarts to stop him.
08:31I've been thinking about it, and I like working with Bobby, and I like having the Ewing's and the Farlows for relatives, except for J.R., of course.
08:39And I am not gonna let J.R. muscle me out of a great partnership.
08:44I just don't want to see you hurt.
08:46Well, don't worry about it.
08:47I take care of myself.
08:48I'm going back in the office tomorrow.
08:50Oh.
08:51I'm going back in the office tomorrow.
09:21Hello, Callie.
09:24Oh, you gave me quite a start.
09:26I'm sorry.
09:28What a beautiful painting.
09:31Oh, you're just being kind.
09:33No, I'm not.
09:34You have a wonderful sense of color.
09:37Well, thanks.
09:39I do it because it gives me a real peace of mind.
09:43I didn't see you when Clayton and I got in.
09:46I thought you were out.
09:49No, ma'am.
09:50I was right here.
09:51I just didn't want to get in the way.
09:57Well, how could you think that you'd be in the way?
10:03I think I've been a burden since I got here.
10:05J.R. won't take supper with me or breakfast.
10:11I even prepared special down-home cooking for him, but he just runs out of the house in the morning and he doesn't come home till we're asleep.
10:21That's just rude.
10:23I know.
10:27But I've been doing a whole lot of thinking while you were gone, and I don't think I rightly belong in Dallas.
10:34I don't speak good, and you and Lucy and then Tracy had to help me with clothes.
10:41Well, you'll learn about that.
10:44I don't know.
10:46I think different than most folks around here.
10:51Even Bobby thought it was funny, me wanting to raise chickens for fresh eggs.
10:57Well, Callie, I think you're sensitive because J.R. hasn't been treating you well.
11:02And I don't think it's funny about raising chickens.
11:06They kept my daddy and me alive during hard times.
11:10You'll fit in.
11:12Callie, I belong to an organization called the Daughters of the Alamo, and they're going to be having a meeting here in a couple of days.
11:19I'd like you to be with me.
11:20I think that you'd get a better feeling about the people here in Dallas.
11:27Oh, Miss Ellie, I'm just going to feel double dumb.
11:30Nonsense. You'll be with me.
11:34Okay.
11:37Then I'm going to be scared.
11:42Callie, when you finish that painting, I'd love to have it.
11:48Well, sure.
11:51Nobody's ever fancied one of my paintings before.
12:00Henry, I want to make sure that when you set up this corporation, nobody will ever be able to trace it back to April, or myself, for that matter.
12:11J.R., you know that dummy corporations are my specialty.
12:14There'll be such a confusing trail of paper, an army of IRS auditors and CPAs won't be able to trace it.
12:19That's what I'd like to hear.
12:21Mr. Geister, I'd like to speak to J.R. alone for a few minutes, please.
12:24Sure, I'll, uh, wait outside. Let me know when you're done.
12:32Well, what's going on?
12:34I really don't like the idea of buying all those Ewing land holdings.
12:38Hmm. Are you suddenly against making money?
12:41No. It's just not the kind of business I thought I'd be in.
12:45April, with that super collider going in next to that property, we are going to make millions.
12:50It is a once-in-a-lifetime opportunity.
12:54Can I be honest?
12:55If it doesn't take too much time, we gotta get moving on this.
12:58I really don't like the idea of double-crossing Cliff and Bobby.
13:04Well, I thought you were a businesswoman, not some bleeding-heart social worker.
13:09I've never let you down, April. Don't you start with me.
13:12Say, Henry, come on in here.
13:21We gotta get to work.
13:23Time is money.
13:35Ned.
13:35Ned.
13:42I brought you your supper, John Ross.
13:45I'm not hungry.
13:47Your grandma made it special for you in honor of her and Clayton being home.
13:52Okay, I'll leave it here.
13:55I think your grandma's a little hurt you ain't with her first night home.
14:00You're just hurting yourself because you don't have the pleasure of being with the family.
14:04So?
14:07So I don't think you really hate me as much as you used to.
14:12You said you were gonna tell your daddy it's me or you and you ain't done it.
14:16You know what I think?
14:19I think you're like a deer stuck in the headlights of a car and you don't know which way to go.
14:25Well, I got an idea for a truce.
14:28A truce?
14:29Yeah.
14:31When you're talking to me with the family, you don't have to talk to me.
14:35That's dumb.
14:37Not as dumb as missing out on all the fun.
14:39And I never have to call you mother.
14:44Well, I ain't your mama, so that's easy.
14:48Well, I'm not coming down tonight.
14:54Maybe I'll try for breakfast.
14:58Fine.
14:59Fine.
14:59Fine.
14:59Fine.
14:59Fine.
14:59Fine.
15:01Fine.
15:01Fine.
15:01Fine.
15:03Fine.
15:03Fine.
15:03Fine.
15:03Fine.
15:04Fine.
15:05Fine.
15:05Fine.
15:06Fine.
15:07Fine.
15:07Fine.
15:08Fine.
15:09Fine.
15:11Hey, Sly, I want you to send these down the hall to Juanita.
15:13All right.
15:14Senator Hunsacker, what a pleasant surprise, sir!
15:17Well, nice to see you again.
15:19Well, how's everything down in Austin?
15:20Well smooth as glass.
15:21Yeah, and what are you doing here?
15:23Well, I was supposed to have a meeting with Cliff Barnes.
15:26And he let an important man like you cool your heels out here?
15:29You come on into my office.
15:30Well, that's very friendly of you.
15:31I tell you, I think that boy was born without any manners whatsoever.
15:35Tchau, tchau.
16:05Tchau, tchau.
16:35Tchau, tchau.
17:05Tchau, tchau.
17:35Tchau, tchau.
18:05Tchau, tchau.
18:35Tchau, tchau.
19:05Tchau, tchau.
19:07Tchau, tchau.
19:09Tchau, tchau.
19:11Tchau, tchau.
19:41Tchau, tchau.
19:43Tchau, tchau.
19:45Tchau, tchau.
19:47Tchau, tchau.
19:49Tchau, tchau.
19:51Tchau, tchau.
19:53Tchau.
19:55Tchau, tchau.
19:57Tchau, tchau.
19:59Tchau, tchau.
20:01Tchau, tchau.
20:03Tchau, tchau.
20:05Tchau.
20:07Tchau, tchau.
20:09Tchau, tchau.
20:11O que você está fazendo com ele?
20:34Você não pode manter um homem como Hunsaker esperando.
20:37O que você está fazendo com Hunsaker?
20:47Você era suposto que ele, mas você não.
20:49Então eu fiz.
20:51Clif, você era alienando um homem que pode fazer um bom.
20:54Eu gosto de ficar em contacto com os representantes.
20:58Não.
20:59Você gosta de ficar em seu bíblio.
21:00Não.
21:07Sim, Clif?
21:15Jacky, me vou Ed Lancelot.
21:17O que é o senhor?
21:18O que é o senhor?
21:19O senhor.
21:20Ok.
21:31Lancelot?
21:32Clif Barnes.
21:33I have a hot tip for you.
21:38J.R. Ewing is cuddling up to Senator Hunsaker.
21:42Hmm.
21:43Sticky finger Hunsaker.
21:45Uh, I don't really know.
21:49Maybe the Collider Project.
21:52You kind of have to figure if those two are involved, there's got to be a payoff going down.
21:58Thank you.
22:00Hmm.
22:01Yeah, happy hunting.
22:02Oh, I don't know.
22:31Yeah.
22:32Oh, I don't know.
22:42Uh, I don't know.
22:44Oh.
22:44Yeah.
22:44Yeah, that was a poor spot.
22:45Oh.
22:46O que você está fazendo aqui?
23:05Eu trouxe algumas roupas.
23:08E eu encontrei essas.
23:12Então?
23:12O que mais você quer?
23:20Diz-me sobre o cocain.
23:22Nada a dizer.
23:25Você ainda usa?
23:27Não.
23:29Eu keepo como um alcohólico.
23:31Só para me lembrar o que o que isso foi.
23:40Flação.
23:42Flação.
24:00Flação.
24:01Flação.
24:01Flação.
24:02Flação.
24:04Flação.
24:05O que é isso?
24:35O que é isso?
25:05O que é isso?
25:35O que é isso?
26:05O que é isso?
26:35O que é isso?
26:37O que é isso?
26:39O que é isso?
26:41O que é isso?
26:43O que é isso?
26:45O que é isso?
26:47O que é isso?
26:49O que é isso?
26:51O que é isso?
26:53O que é isso?
26:55O que é isso?
26:57O que é isso?
26:59O que é isso?
27:01O que é isso?
27:03O que é isso?
27:05O que é isso?
27:07O que é?
27:09O que é isso?
27:11O que é isso?
27:13O que é isso?
27:15O que é isso?
27:17O que é isso?
27:19O que é isso?
27:21O que é isso?
27:23O que é isso?
27:25O que é isso?
27:27O que é isso?
27:29O que é isso?
27:31O que é isso?
27:33O que é isso?
27:35O que é isso?
27:37O que é isso?
27:39O que é isso?
27:41O que é isso?
27:43O que é isso?
28:13O que é isso?
28:39Sensacional, maravilhoso...
28:41Aren't they the greatest, huh?
28:42Let's hear it for them.
28:49Hi, I'm Billy.
28:50And I own this joint.
28:53I think I know most of you.
28:54And you still came.
28:57Isn't that terrific?
28:58That's terrific.
28:59We're going to have a lot of fun here tonight at Club Metroplex.
29:02Now, why don't you all stop listening to me
29:04and everyone get up and dance, huh?
29:11You want to dance?
29:31Dance with me, Tracy. I'm doing fine.
29:33In that case, I'd be the lady.
29:41Cliff, I think Dallas is too small.
29:46What do you mean?
29:47Everywhere we go, Bobby Ewing.
29:49Ah.
29:51There's a phone call for you.
29:53What? How do you know it's for me?
29:54The waiter told me to tell you.
29:57Oh, wow, okay. Excuse me, excuse me.
30:00Why don't I finish this dance?
30:02Okay.
30:03I'm Tommy.
30:04I'm April.
30:05I have a feeling one of these is the key to my heart.
30:08Oh, is that a fact?
30:10Mm-hmm.
30:11Don't worry. He's going to be all right.
30:15Yeah, but he's new in town. He doesn't know anyone.
30:18Ha. Oh, yeah?
30:19Hi.
30:20I got lucky.
30:21How do you two know each other?
30:23We just met. I'm here with Cliff.
30:26Cliff?
30:27He found out he couldn't live without me.
30:30Hey, do you get around?
30:34Mm-hmm.
30:37There you are.
30:39Hey, thank you.
30:40You're welcome.
30:49Uh, hey.
30:51You want to dance?
30:52Oh, maybe later.
30:58Hey.
30:59Hey, Cliff.
31:00Why don't you come and sit with us?
31:02No, I'm waiting on April.
31:04Uh, she'll find us. Trust me. Come on.
31:08Hey, come on.
31:10Wow.
31:10We're right over here.
31:18We're right over here.
31:22So, does, uh, everybody know everybody?
31:25Uh, not by name, no. Hey, there was no phone call.
31:28I'm sorry. I guess I got the wrong guy.
31:33I'm Tommy.
31:34I'm Cliff.
31:36He's my brother.
31:37See a pool hustler, too.
31:40I think I've been waiting for you my whole life.
31:43When I was in a South American prison, I kept myself alive by thinking about you.
31:47Well, actually, Cliff, he is a hustler.
31:53He just has a different specialty.
31:54Look who's here.
31:59Either my eyes are playing tricks on me, or that's J.R.'s ex-wife and my daddy.
32:03Well, your eyes are just fine.
32:05J.R.?
32:26J.R.?
32:28Hi, Mom.
32:32It would have been nice to have had your company at dinner tonight, J.R.
32:35Or have you forgotten that this family still eats dinner together?
32:41Oh, I had a meeting in town.
32:44I hear you had a meeting practically every night I was in Europe.
32:48And that you no longer take time for breakfast.
32:51Oh, I don't think I have to account for my time, do I?
32:55That's not the point, J.R., and you know it.
32:57You don't want to sit down with Callie.
33:01Well, that's my business.
33:03No, damn it. It's not.
33:04It's mine, as long as you live here.
33:07And I'm not going to have you abuse Callie.
33:09I saw enough of that with Sue Ellen.
33:11That little hillbilly been complaining to you.
33:15That's nasty, J.R.
33:17No, Callie has not been complaining to me.
33:20I also don't like John Ross following your example with her.
33:23You know, I swear, I honestly don't know what's going on in your head.
33:28Well, I have my reasons.
33:30Well, I don't care what your reasons are.
33:32I want you to go upstairs and tell Callie that you accept her as your wife.
33:38Or...
33:39Divorce her has gone on long enough.
33:54Well, this is quite a night.
33:55I haven't been dancing in years.
33:58Well, you haven't forgotten.
33:59Well, it's like riding a bicycle.
34:01Except with dancing, they change the music every once in a while.
34:06Your son is a very handsome man.
34:14With a roving eye.
34:17Like his father?
34:18No, I was never like that.
34:21I was too much in love with one woman.
34:32My old man still likes the ladies.
34:35I'm sure they're just good friends.
34:38I don't think a man and a woman can be just friends.
34:41Isn't that what we're becoming?
34:43No.
34:45I'm courting you.
34:48What an old-fashioned thing for a young man to say.
34:52How about seducing?
34:55I'm going home with the man who brought me.
34:58That's a lot of loyalty.
34:59It's called friendship.
35:01Mm-hmm.
35:01Yeah.
35:11Tracy.
35:13What's the matter?
35:13It was only a few weeks ago that I saw April with J.R.
35:18She used to date you.
35:20Now she has Cliff as her date, and she's making a move on my brother.
35:24I think it's the other way around.
35:26Bobby, I'm serious.
35:27I don't think Tommy's ready for April.
35:31And I'm worried about Sue Ellen and my father.
35:34That, too.
35:36You think it's Joe?
35:38Didn't she try to kill J.R.?
35:39Yes.
35:41Yes, she did.
35:44I don't know if I'm ready for a life as complicated as this.
35:47What's going on?
35:58I'm leaving.
36:00I'm going home.
36:02Oh.
36:03Is that a fact?
36:05I'm going to beg Jeff and Boaz to take me in.
36:08And I'm ready to work my fingers to the bone for them.
36:12What made you change your mind?
36:13A body can only take so much.
36:18You've made me feel cheap and trashy.
36:20And no matter how hard it was to make ends meet in Haleyville, I've never felt like that before.
36:25Well, I'll get Teresa up here and help you pack your bag.
36:28Maybe bring up a couple more suitcases.
36:30I ain't taking anything else.
36:32Only what it brought with me.
36:34I want to forget I ever came here.
36:37And I sure don't want that baby to be rejected the way I was.
36:41What?
36:41Nothing.
36:44You said something about a baby?
36:46Yeah, so?
36:47What baby is that?
36:48Our baby.
36:51I'm pregnant.
36:54So you can just get out of here because I want to finish packing.
36:57Well, how do you know you're pregnant?
37:06Because I'm a woman, I can tell.
37:09Oh, Kelly.
37:10And I saw a doctor.
37:11He gave me a test.
37:13Well, what kind of doctor?
37:14What was the name?
37:16J.R., you're going on like it's important.
37:19I'll take care of the baby.
37:20There's nothing for you to do.
37:21And I'm sure Jackie and Boaz will make loving uncles.
37:25Oh, God forbid.
37:27J.R., I'd like to finish now.
37:30Well, I don't think it's good for you to leave like this.
37:35We've got to think of your health.
37:37And the health of the child.
37:38I can take care of them.
37:41Well, I think I ought to talk to your doctor.
37:44What did you say his name was?
37:45I didn't.
37:47What's the doctor's name, Kelly?
37:50Dr. Pfeffer.
37:52You're going to see if I'm lying, ain't you?
37:55Of course not.
37:56Having a baby is much too important for me not to get involved.
38:00You're not getting involved.
38:02I'm having this baby in Haleyville.
38:04And old Mrs. Wicked is a good midwife and she'll deliver him.
38:07That child is not going to be delivered by old Mrs. Wicked.
38:11You're going to have the baby here in Dallas in a proper hospital.
38:14I told you I'm not staying unless we get married.
38:16And I'm not getting married just because I'm pregnant.
38:18I've got too much pride for that.
38:20Now, listen, you just sit down here.
38:20We've got to talk about this, honey.
38:22What is going on?
38:23I swear I don't understand you.
38:25Well, things have changed.
38:28John Ross tells me that you saved his life.
38:30Is that right?
38:31I did what anybody do.
38:32Well, he's starting to like you and Mama cares for you a lot, too.
38:38How about you, J.R.?
38:41I think we could make a life together.
38:47If it's not just because of the baby.
38:48Have you told anybody else about the baby?
38:55No one?
38:57While you and me have been getting on, I was too embarrassed to tell anyone else.
39:01And I think you shouldn't.
39:05I'd like you to stay with me.
39:08Let's try for a while.
39:09Okay.
39:14For a little while.
39:24I was starting to trouble you.
39:26You've been awfully quiet.
39:28I'm sorry.
39:28I didn't realize.
39:30Something you care to talk about?
39:35Actually, Clayton, I think there's a little trouble in paradise.
39:37Tracy?
39:41Well, not so much Tracy.
39:43It's Tommy.
39:46There's something about that guy.
39:47I don't know what it is, but it worries me.
39:51Like what?
39:52I don't know.
39:53He's trying too hard to be charming.
39:55He's all flash.
39:57Her complete focus is on him right now.
40:01You think she's pulling away from your relationship because of him?
40:05I don't know.
40:05I know things are not too solid between us right now, and she was troubled by my family.
40:11Well, nothing wrong with your family, except for J.R., maybe.
40:14But that has nothing to do with you.
40:16I don't know.
40:18I think maybe we just came too far too fast.
40:23Bobby, don't be too quick to end it.
40:27Yeah, it may be that you're just not ready to commit to any one woman.
40:30Well, I thought I was.
40:35Now I don't know.
40:42Damn.
40:42Who is it?
40:59The Reverend McKay.
41:07What are you doing?
41:08I'm taking you to a wedding.
41:12What wedding?
41:13Ours.
41:14I can't go.
41:15I have a meeting.
41:17I'd really appreciate it if you'd cancel that meeting.
41:20I'd hate for those to go to waste.
41:24They won't.
41:26They help me get from one place to another.
41:29What are you doing?
41:30Fixing a snag.
41:32But you don't have to do that.
41:33I heard that you're very rich.
41:34I'm also very thrifty.
41:38Okay, how about after the meeting?
41:40Are we back to marriage?
41:42Yes.
41:43When I got up this morning, I told myself,
41:46I don't want to get married today.
41:48Tomorrow?
41:50I have a full calendar.
41:52Well, you're involved, right?
41:54Wrong.
41:54How about that oil man?
41:55You're with the club.
41:58Cliff is just a friend.
42:00A friend that you sleep with?
42:02No.
42:05And I really have to be going.
42:08I'll walk you out.
42:10Dinner tonight?
42:12What?
42:13With dinner.
42:13If you won't get married, then dinner's the next best thing.
42:18All right, dinner it is.
42:19I hope you're a good cook.
42:20I have a sensitive stomach.
42:23Don't you just take the cake.
42:25Well, I'm aware that my wife was here to see you.
42:35Is there anything I should know about?
42:38Mr. Ewing, I don't know what you mean.
42:41Well, is there any special thing I should do for her now that she's pregnant?
42:45Oh, no, I'll just see that she has regular checkups.
42:50Your wife's a very healthy young woman.
42:52Congratulations.
42:53You're a very lucky man.
42:57Well, thank you.
42:58The point is, I don't know if I can write your damn movie.
43:11Why?
43:12I know too much about you.
43:14I know your frustrations.
43:16I know your dreams.
43:18I know how you felt as a bride.
43:20I know your anger.
43:21Hell, I even know what turns you on in bed.
43:23I feel like I'm living inside your skin.
43:29I never should have shown you my diaries.
43:33I usually make up all my own characters, Sue Ellen.
43:36All of them, in one way or another, an extension of me.
43:40I've never known this much about another human being.
43:44But am I so bad that you can't accept me or work with me?
43:48No, you're not bad.
43:49You're a loving, giving person.
43:51I'm totally frustrated by that deadly marriage to J.R.
43:56So much to give.
43:58Not allowed to give it.
44:00Are you going to give up on me, too?
44:02I'm bewildered.
44:05How did you get away from him?
44:06How did you get out on your own?
44:09So you didn't find my strength in the diaries?
44:11All I saw was the pain.
44:16So there's something left for you to discover.
44:21Yeah, I suppose there is.
44:25Will you reconsider?
44:28Yes.
44:30Yeah, I'll reconsider.
44:33But I know so much about you.
44:37Like right now, you want to be kissed?
44:42Do I?
44:43Of course you do.
44:44Then why don't you?
44:49Got to stay objective.
44:55But you were right.
44:56Of course I have.
44:57Come on.
44:58You need to walk.
44:59Well, I...
45:19Well, I...
45:24I haven't seen you all day.
45:28I thought things were going to be different.
45:31I'm sorry.
45:32I had to go into town early this morning.
45:35You having supper with the family?
45:39Wouldn't miss it.
45:42Well, that's a change.
45:44Look at this place, Callie.
45:49Great place for children.
45:52I can see the future, honey.
45:55Generations of Ewings.
45:57And all raised right here on South Fork.
46:01My little baby's going to be raised in Haleyville.
46:04Our little boy is going to be raised right here on South Fork.
46:07Might be a girl.
46:09Whatever.
46:12Got something for you.
46:13I'm telling you, Mama,
46:17you call the caterers and all our friends.
46:20We're going to have the biggest wedding you have ever seen.
46:24Wow.
46:30Come on.
46:30Come on.
46:43We're going to have the biggest wedding you have ever seen.
46:48We're going to have the biggest wedding you have ever seen.
46:48We're going to have the biggest wedding you have ever seen.
46:48We're going to have the biggest wedding you have ever seen.
46:49We're going to have the biggest wedding you have ever seen.
46:50We're going to have the biggest wedding you have ever seen.
46:51We're going to have the biggest wedding you have ever seen.
46:52We're going to have the biggest wedding you have ever seen.
46:53We're going to have the biggest wedding you have ever seen.
46:54We're going to have the biggest wedding you have ever seen.
46:55We're going to have the biggest wedding you have ever seen.
46:56We're going to have the biggest wedding you have ever seen.
46:57We're going to have the biggest wedding you have ever seen.
46:58We're going to have the wedding you have ever seen.
46:59Transcrição e Legendas Pedro Negri
47:29Legendas Pedro Negri
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