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00:00J.R.
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04:33J.R.
04:35All your kid folks and all your fancy gals friends will marry me again.
04:42Rock here in South Fork!
04:54Okay, Mama, I will. Don't worry.
04:56Is it ready yet?
04:57No, it's not ready yet. Go on in.
04:59Okay, you give my love to Ray and Jenna and the kids, all right?
05:03Okay, bye-bye.
05:04Mama sends her love.
05:06Oh, good.
05:07Where are you off to in such a hurry?
05:08I got an early appointment.
05:09You're going to miss a great breakfast.
05:14Yeah, Kelly's fixing something special for breakfast this morning.
05:17Oh, great. Now she's playing Little Miss Homemaker?
05:19But it's your favorite, Ty R.
05:21At least you said it was at the farm.
05:24I lied.
05:27See you tonight, John Rawls.
05:28Okay, Daddy.
05:30You still mad about last night?
05:34Oh, by the way, Mama and Clayton send their love to everybody.
05:39Are they having a good time?
05:41They're having a wonderful time here.
05:43Take a little of that.
05:45Put it right on there.
05:48Come on, John Rawls.
05:49This is great.
05:51Looks yucky.
05:52I'm not going to eat it.
05:53Well, just try a bite, John Rawls.
05:55You might surprise yourself.
05:56No chance.
05:58Christopher, I'll meet you outside.
06:00Hurry up or we'll be late at school.
06:08Don't mind him, Callie.
06:09He'll come around in time.
06:11I sure they do hope you're right, Bobby.
06:14Boy, this is great, Callie.
06:16You really like it?
06:18That pleasures me.
06:20Now, I think the eggs would have been better if they was fresh, though.
06:22These store-bought eggs y'all get are damn right peaked.
06:27Okay, pal.
06:28You go off to school.
06:29You're going to have breakfast like this tomorrow.
06:31Okay.
06:31See you tonight, Dad.
06:32Bye, Callie.
06:32Bye, Christopher.
06:33Have a nice day.
06:40I'm thinking about raising some chickens if I stay.
06:45If you stay?
06:47I thought you were determined to win J.R. over.
06:49Well, I reckon I am, but it sure ain't easy.
06:56J.R. and John Ross barely talk to me, and when they do, it's just a fine fault.
07:01Does that mean you're going to give up?
07:04No.
07:06But it'd be nice to feel like I was gaining some ground.
07:08I know you're just doing your job, but I'm already in here, darling, so your services
07:21are really no longer required.
07:23Thank you very much.
07:24I'm sorry, Mrs. Ewing.
07:25That's all right, Callie.
07:26You can go now.
07:33Well, now that you're in, make it brief.
07:34I'm busy.
07:35That suits me fine.
07:36What do you know about your dearly departed boyfriend's connection with the mob?
07:42I don't know what you're talking about.
07:44Now, get out.
07:45This is important to me, Suella.
07:46Not to me.
07:47I know there's no love lost between us, Suella, but I can't believe you still want to see
07:51me dead.
07:53Dead?
07:55Nicholas Pierce's father is looking for me, and I don't think he wants to pat me on the
07:59back because his son took a nosedive off my balcony.
08:04Come on.
08:04You must know something.
08:06Don't stall.
08:09Under the circumstances, J.R., I think you can ask a lot nicer.
08:15All right.
08:16I'd appreciate any help you can give me.
08:18Nicholas Pierce's father, Joseph Lombardi, was involved in the rackets in New York, but
08:32when it got too dirty for him, he turned state's evidence.
08:36Then the FBI put the whole family under the witness protection program, which is when they got
08:43the name Pierce.
08:47That was a long time ago when Nicholas was just a little boy.
08:51You mean his family is here in Dallas?
08:54No.
08:54I don't know where they are.
08:56Oh, come on now.
08:57You two must have talked once in a while.
08:59You couldn't have spent all your time in the sack.
09:00Get the hell out of here, J.R.
09:08And if you want to know anything else, you ask your little playmate, April.
09:13She's the one that broke the cover on the Lombardis in the first place.
09:17She almost got all of them killed.
09:19And I'm sure she's more interested in saving her hide than I am.
09:23You could have told me that in the beginning.
09:26You never could get to the point.
09:27You get up at the crack of dawn, or are you left over after painting the town red with Tammy?
09:54No, no, I just decided to get an early start here, as far as Tammy's concerned, wife.
10:00Fresh out of paint, I'm afraid.
10:02Red or any other color.
10:04We're not seeing each other anymore.
10:06I thought you two were hitting it off.
10:08No, it just didn't work out.
10:11I'm sorry.
10:12No, don't worry about it.
10:14It happens.
10:15Knock, knock.
10:18Here you go.
10:19This is the last of them.
10:21Oh, J.R., look at all the dust.
10:24There's enough pollen in the air now.
10:26It's impossible to breathe.
10:29Sorry.
10:30Then unless there's something else you need me for, I'll just take my dust and go.
10:34Do it, please.
10:35Just go, hmm?
10:38Look, what is all this?
10:39These are all the old oil properties that Ewing Oil has.
10:42Some of these things go back 30, 40 years, some of them.
10:46So?
10:46Well, so, look, there's a lot of valuable land here, just sitting doing nothing.
10:51I mean, all the oil and gas has been sucked out ages ago.
10:54And some of this land is appreciated in value as much as ten times as what you originally paid for it.
10:59So I think you should just figure out what you need, sell the rest of it, make a tidy profit.
11:06Sounds like a good idea.
11:07You make a list of everything you think is expendable, and I'll go over it with you.
11:10Good deal.
11:11You can reach me at the ranch this afternoon.
11:26And here you are.
11:28You're a new home away from home.
11:32You've got to be kidding.
11:34I've been in the stables with more charm.
11:37Well, you won't be looking at the decor.
11:39You're here to learn.
11:40I'm not at all sure these surroundings are conducive to learning.
11:44They are.
11:46Okay.
11:47It's not that bad.
11:49So, what is it you want me to learn?
11:51Everything that you can about Westar, from its inception.
11:55I want you to know this company from the ground up.
12:00And all of these records are a history of that company.
12:03I don't know where to start.
12:05Start with the top book in this box.
12:07The first page reads,
12:09And in the beginning...
12:11Thanks and fun.
12:13And this is for you.
12:15And what's this?
12:16A book on how to refine oil to read in my spare time?
12:19No, it's something for you to use during your break.
12:22Well, it's nice to know that you're going to let me take a break.
12:26But with all of this information to plow through, it's going to be a long time before I lift another pool cue.
12:31Even one this size.
12:35Or is that the point?
12:37Uh, I don't need a thing.
12:45I'm not going to be here long.
12:50Charming place.
12:51Need your offer.
12:53Only when I have business in the area.
12:55Said you needed to talk to me right away.
12:57What's up?
12:57Well, if you could manage to stop feeding your face, I'd tell you.
13:03I need you to get in contact with whoever's in charge of the witness protection program.
13:09I've got to get a message to Lombardi.
13:10Now, do you think you can do that?
13:13Well, I don't know.
13:14That's the feds.
13:15And they're real closed mouth about the witnesses they've got stashed away.
13:19I'm not paying you as much as I am to do something easy.
13:22If it was easy, I'd have McSween back on my payroll.
13:24You understand that?
13:25Now, don't get all bent out of shape.
13:28I'll try.
13:29But I want you to know it's going to take some time.
13:31And I can't make any guarantees or any promises.
13:35Well, do the best you can.
13:37I want Lombardi to understand that what happened to his son was an accident.
13:42Pure and simple.
13:45I'll do my best.
13:47J.R., you want my personal opinion?
13:48You're damn right I do.
13:50Get yourself some bodyguards.
13:52Oh, wonderful.
13:53That bit of advice and watching you eat that burrito just made my day.
13:57That was really neat, Dad.
14:13We haven't gone riding in a long time.
14:15Yeah.
14:15It was kind of fun, wasn't it?
14:17Tell you what, maybe next time we'll see if Tracy can come with us.
14:20What do you say?
14:20If she wants.
14:22But I like it better when it's just the two of us.
14:24Well, I like spending time with you, too, pal.
14:27But I'd like you and Tracy to get to know each other a little better.
14:30Why?
14:31Are you and her getting serious?
14:32Well, I like her, and I hope you will, too.
14:37Sure, Dad.
14:39You've got to be a little careful coming down the hill here.
14:42Lean back a little.
14:44There you go.
14:45But it's ridiculous.
15:04I mean, Nicholas's family is in deep cover.
15:06He and his wife are supposed to be dead.
15:08But my police contact got it from a very reliable source.
15:11Lombardi is definitely out to get me.
15:16Here you are, Mr. Ewing.
15:18Will you be wanting a table in the dining room later?
15:20I haven't decided yet.
15:21I'll let you know.
15:22Yes, sir.
15:24Now, what makes you so sure he's mistaken?
15:26Well, to begin with, if he really was out to get you,
15:29why has he waited this long?
15:31Maybe the mob put out the rumor to see if Lombardi really was dead.
15:34Yeah, I suppose that's possible.
15:36Well, of course it is.
15:38Nicholas had the mob convinced that his family is dead.
15:40Why would his father surface now and put them in jeopardy again?
15:44Because he thinks I killed his son.
15:47J.R., all the newspapers said that there were no charges filed against you.
15:53Yeah.
15:54Well, that's true.
15:57Well, I feel a lot better after talking to you.
15:59Go get somebody.
16:00Great.
16:07Oh, sorry.
16:08My fault didn't see you.
16:09No, I'm done.
16:10Christopher, um, would you please get me some more soda water?
16:24Sure.
16:24Thanks.
16:26Hi, folks.
16:27I'm sorry I'm late.
16:28Hey, I'm glad you could make it.
16:30Can I get you a drink?
16:30Oh, yeah.
16:31I sure could use one.
16:32You got it.
16:32I'll get it.
16:34Scotch, honey.
16:34No ice.
16:35No ice.
16:35You got it.
16:41Hi.
16:42Hi, yourself.
16:44We haven't had much of a chance to talk tonight, have we?
16:47What do you want to talk about?
16:50Nothing in particular.
16:51I just thought that we should get better acquainted.
16:54So is my dad.
16:56But no one will tell me why.
16:57Is that drink ready yet?
17:00Uh, excuse me, Christopher.
17:02Sure.
17:07You're a drink, slave driver.
17:09Where have you been?
17:11Hmm.
17:11The assistant district attorney called just as I was leaving the office.
17:16Your past sins catching up to you, Mac?
17:19Something like that.
17:21They want me to testify at the Jeremy Wendell hearing.
17:24Have they contacted you yet?
17:26No, but they probably will.
17:28Dinner will be ready in a few minutes, Mr. Ewing.
17:30Oh, thank you, Tracy.
17:30Everybody, come on, let's go sit down.
17:32Tracy.
17:34Where's John Ross?
17:35He went to his room.
17:36He asked me to bring him up a tray.
17:39All right, thank you.
17:41Sean Ross?
18:06Where'd you disappear to?
18:09He sure is a beat-up old teddy bear.
18:11Where'd you get it?
18:13It's fine.
18:15My mom gave it to me when I was a kid.
18:18How come you're playing with it?
18:20I'm not playing with it.
18:22I'm just fooling around.
18:24Oh.
18:26You sure missed a good dinner.
18:28Callie fixed a great dessert.
18:30I'm sure tired of hearing you talk about her all the time.
18:35She's nothing but a dumb old hillbilly.
18:38No, she's not.
18:39Yeah, she is.
18:40She dresses funny, too.
18:41If you want to be my friend, you stop sticking up for her.
18:47Come on, John Ross.
18:50She's neat.
18:51I like her.
18:52Do you like your dad's girlfriend, too?
18:56She's all right.
18:58You wouldn't think so if your dad married her.
19:02So I would?
19:03Yeah, maybe.
19:04But it's different for you.
19:07Your mom's never coming back.
19:09Well, neither is yours.
19:11Your folks are divorced.
19:13That doesn't matter.
19:15She came back last time.
19:17She would this time, too.
19:19If I could just get rid of that dumb Callie.
19:22I gotta go to bed.
19:26Good night.
19:26Good night.
19:52I can't believe it.
20:03I own a motion picture studio.
20:06It leads to a little paint, but other than that, it's pretty impressive.
20:10I can't believe how fast we finalized the deal.
20:13If this was in Hollywood, it never would have happened.
20:14The lawyers would still be negotiating.
20:17Congratulations, Sue Ellis.
20:18May you never go over budget.
20:20Well, how about you sticking around to make sure that doesn't happen?
20:24What do you mean?
20:27Well, I'd like to stay in the background for a while.
20:29Keep a low profile.
20:31So I need someone to run this place for me.
20:34How does Worldwide Head of Production sound to you?
20:38When do I get started?
20:40Right away.
20:42Now, have you set up a meeting with that writer we discussed?
20:44I want to start on the script as soon as possible.
20:47I've already contacted his agent.
20:49He's finishing a film in Rome.
20:51He's on his way back.
20:51The agent tells me he has great ideas for our first picture.
20:56Bruce, I told you.
20:59The only great idea for this picture is coming from me.
21:04Whatever you say, boss.
21:05Now, I've called them, and they can just wait.
21:17I'm out of here.
21:18Okay.
21:19Here's your airplane ticket and your boarding pass.
21:21Okay.
21:22Now, as soon as I get to Washington, I'll call you.
21:24If anybody calls me before then, just tell them to leave word at the hotel desk.
21:27No problem.
21:28Is there something I should tell Bobby?
21:30Oh, yeah.
21:31You've got to tell Bobby that I'm following up on something he's going to find very interesting,
21:35and I'll fill him in when I get back.
21:36Okay.
21:37What are you looking for?
21:39My airline ticket.
21:40I just gave it to you.
21:42Are you sure you did?
21:43I don't think you did.
21:44Yes.
21:45I don't have it.
21:46Here it is.
21:47See?
21:48That's my ticket.
21:49You confuse me sometimes.
21:51Come on.
21:51Come on.
21:51Come on.
21:52Come on.
21:52Come on.
21:53Come on.
21:54Come on.
21:54Come on.
21:55Come on.
21:55Come on.
21:56Come on.
21:56Come on.
21:57Come on.
21:58Come on.
21:58Come on.
21:59Thanks.
22:09Hey, Mr. Elaine.
22:13Don't give me any trouble.
22:14Just get in the car.
22:15Listen, it's money.
22:16No, it's not.
22:18Just get in the car or you're a dead man.
22:26What's this all about?
22:27Where are you taking me?
22:27Oh, we're going to see a man about a murder, huh?
22:42How's school?
22:44Okay.
22:47Your new math teacher killing you with homework?
22:49John Ross, for the past hour, I have been dragging every word out of you.
23:03Are you angry at me for something?
23:05No.
23:07Is it your father?
23:09No.
23:10It's not your dad.
23:12It's her.
23:14You mean Kelly.
23:14I hate her being at South Park.
23:17I'm sure it's so stupid she left by now.
23:21Nobody wants her there.
23:25Well, I'm sorry that you're so unhappy, John Ross, but that's between her and your father.
23:30It has nothing to do with me.
23:32Yes, it does.
23:33How?
23:35Well, if she wasn't there, you could come back home.
23:39It could be a family again.
23:40What makes you think that I want to come back?
23:47You did last time.
23:50Come on down, sweetheart.
23:51Let's talk.
23:52Let's talk.
23:52You see, this time it's different, John Ross.
24:11The love I once had for your father is dead.
24:19I never want to live with him again.
24:20Not at South Fork.
24:23Not anywhere.
24:25That has nothing to do with him marrying Kelly.
24:29Your father and I are divorced.
24:32And we're going to stay that way.
24:35Yeah, but...
24:36You understand?
24:40John Ross, I know this is an easier thing to do.
24:46You do understand, don't you?
24:48Yes, ma'am.
24:49I understand.
24:49I understand.
24:50Yeah, it's Frank.
25:17We got him.
25:17No problem.
25:19No hurry.
25:20He ain't going nowhere.
25:22Yeah.
25:30I sure appreciate you helping me bring these clothes back Lucy and I bought.
25:35They say his ladies intimidate me.
25:37The trick is one-upsmanship.
25:40Well, what's that mean?
25:43Intimidate the clerk first.
25:44If you don't, they'll go right for your jugular.
25:46Oh, I don't think I can do that.
25:48Sure you can.
25:50I'll show you how it's done.
25:52Now, let's see.
25:54Oh, the shop's just across the way.
25:57Come on, you hold that.
25:58Okay.
25:59Yeah.
25:59All right.
26:00Thanks so much.
26:05Thank you so much.
26:05Was there something you wish to see?
26:27We wish to make a return.
26:29We have a very strict policy regarding returns.
26:33Is that because so many of your customers are forced to return your inferior merchandise?
26:38I beg your pardon?
26:39As well you should.
26:40Look at this.
26:41It's never been worn and already the seams are starting to come apart.
26:44The garment is completely unacceptable.
26:46Well, I suppose we could exchange it.
26:53There's nothing here we'd care to exchange it for.
26:58We want our money back.
27:11See how easy that was?
27:12I think I'm going to need a little more practice.
27:14I don't know.
27:15You were really getting the hang of it towards the end there.
27:18Here, let me get this.
27:20Are things any better between you and J.R.?
27:22Not so as you'd notice.
27:25He made me so mad the other night I crowned him with a pie.
27:28You didn't.
27:29I surely did.
27:30I would have given anything to see that.
27:32What happened?
27:34Well, I just had enough.
27:36He wants to act like a husband, but he doesn't want a wife, if you take my meaning.
27:40But I ain't giving up yet.
27:42J.R. was such a loving, sweet man to me back in Haleyville.
27:46There must still be some of that left in him somewhere.
27:49Well, for your sake, I hope you're right.
27:52My feet are killing me.
27:53Can we just sit down a minute?
27:54So, how are things between you and Bobby?
28:05Are you planning on getting married?
28:07Oh, it's too early to think about that.
28:09We're just dating right now.
28:12Bobby's a terrific guy, and we're really good together.
28:16But sometimes I wonder.
28:19Wonder what?
28:21Among other things, if we decided to marry, would Christopher start acting like John Ross?
28:27Oh, but Christopher's always been very sweet to me.
28:30Yes, but then you're not married to his daddy, are you?
28:32No, I'm sure not.
28:35Well, there's plenty of time to worry about that.
28:38For now, let's see what store we can attack next.
28:42Oh, this one's just up a ways.
28:44Come on, this time you go first, all right?
28:47Okay.
28:47Okay.
28:47Hello, Mike.
29:04Mr. Lombardi.
29:05Do you feel any trouble?
29:07Meek as a lamb.
29:17Do you know who I am?
29:25You're Nicholas Pierce's father.
29:28Your real name is Lombardi, isn't that right?
29:31He was my firstborn son.
29:33And I'm here to find out the truth about his death.
29:38Mr. Lombardi.
29:39You'll speak when you're spoken to.
29:42And when you do, my two friends are here to ensure your honesty.
29:47Believe me, they can be very convincing.
29:50Would you care for a little demonstration?
29:54No, I believe you.
29:56Good.
29:57Now we can talk.
29:59Mike.
30:03Dave Culver said it would be of interest to me, and I trust his judgment.
30:10I won't take much of your time.
30:12I'll get right to the point, Mr. Massey.
30:14You know, as we all know, the government has decided to build a super collider in North Texas.
30:19Ellis County, to be exact.
30:21Yes, I was involved in that project.
30:23And I know that land the collider is going to be built on has already been selected.
30:28But you're going to need a lot more land just to house and support facilities and businesses, right?
30:35To a certain extent.
30:38Ewing Oil would like to help you out.
30:40You know, we've always been a big supporter of alternate energy sources.
30:46And we'd like to work with you to find some choice sites.
30:51Ewing Oil owns thousands of acres down there in Ellis County.
30:54Good fact.
30:56How interesting.
30:58Matter of fact, I brought along some maps with some location sites.
31:01I thought I might leave them for you for your consideration.
31:03Yes, well, you know, this is a Texas project.
31:06All those decisions would be made by Texans.
31:10Well, why don't you give me some names of some people I can call?
31:15Ewing Oil never forgets a friend.
31:18And, of course, I don't need to remind you.
31:20The more valuable the information, the more valuable the reward.
31:27Yes, why don't you leave those maps here?
31:30Maybe I would get some time to take a look at them.
31:33Terrific.
31:35I think it would be great if we could help each other out.
31:38Yes, well, someone will be calling you from Austin, Mr. Barnes.
31:44I told you I wouldn't take much of your time.
31:52Look forward to hearing from you.
31:54Yes.
32:00And when I refused to tell them where my son was, he attacked me.
32:12I was just defending myself.
32:14And I wished a thousand times I could take back that awful night.
32:18It still haunts me.
32:21It haunts me.
32:24Your remorse will not bring back my son, Mr. Ewing.
32:28You're still to blame for his death.
32:32No.
32:33I'm not.
32:35If anybody's to blame, it's my ex-wife, Suella.
32:39She was the one who dragged your son into all of our problems.
32:44She was having...
32:45She was having an affair with you.
32:51And if it hadn't been for her,
32:54your boy would still be alive.
32:59And that's the truth.
33:00Honest to God, that's the truth.
33:02I'm going to check up on what you just told me.
33:18And it better be the truth, Mr. Ewing.
33:21Because if it's not,
33:22I want you to know now,
33:25I believe in an eye for an eye.
33:27And a life for a life.
33:30What were you doing in Washington?
33:41You heard of the super collider?
33:43You mean Ellis County's new atom smasher, huh?
33:46You remember all the old land leases I was going over?
33:49Cliff, is there a point to this whole quiz?
33:51Yeah.
33:51It just turns out that Ewing Oil owns thousands of acres in Ellis County,
33:55right near where the super collider's going in.
33:57So I thought this might be worth the trip to Washington,
34:01find out if anybody would be interested
34:02in taking some of those properties off our hands.
34:05And?
34:05And I talked to Kevin Massey, Department of Energy,
34:08dangled a few carrots under his nose,
34:10and I'm expecting a call from Austin.
34:13Looks like we might make a lot of money.
34:17That's a real good idea, except there is one problem.
34:20What's that?
34:21J.R.
34:22So what's now?
34:23He's always been a problem.
34:24You don't understand.
34:26That land is all part of original Ewing Oil assets
34:29that J.R. got back from Jeremy Wendell,
34:31and we can't touch them without his approval.
34:39Oh, boy.
34:40You think that's going to be around?
34:41Could be.
34:43Tell you what,
34:43why don't you let me know
34:44if Kevin Massey looks favorably on your little offer,
34:47and then I'll set up a meeting with J.R.
34:49Let me make a suggestion.
34:52Sure.
34:53Why don't you tell J.R. that this was your idea?
34:57See, because if he thinks it's my idea,
34:59he just might not be too enthusiastic.
35:03Good idea?
35:05You're right.
35:05Okay.
35:11Yes, Kelly?
35:12Mrs. Ewing?
35:13There's a Carter McKay here to see you.
35:17Oh, how nice.
35:18Send you in.
35:28Oh, what a lovely surprise.
35:30Come on in.
35:30Hi.
35:31Hi.
35:32I hope you'll forgive me for busting in on you like this.
35:35I just wanted to tell you
35:37how much I enjoyed meeting you
35:38at the Oil Barron's Wall.
35:40Well, thank you.
35:43Please sit down, Mr. McKay.
35:44Yeah, fine.
35:45Mack, please.
35:46I hate to be called Mr.
35:48It makes me feel older than my years,
35:50which is plenty old enough.
35:52Okay.
35:52Mack it is.
36:00Look, I feel very awkward coming here.
36:03I don't want you to think that I'm making a play for you
36:07or anything.
36:09I know you're not looking for a boyfriend
36:11any more than I'm looking for a girlfriend
36:13or whatever they're called nowadays.
36:15Significant other.
36:17Huh?
36:19Well, that's what they call them these days.
36:22Your significant other,
36:23and I'm not looking for one of those either.
36:25Well, well, good.
36:29Well, then what do you say?
36:32I mean, my office is just down the street.
36:36We're practically neighbors,
36:37so why can't we be neighborly?
36:42It'd certainly be nice to have some pleasant company
36:45from time to time.
36:49Well, I'd be charmed, neighbor.
36:52Just charmed.
36:53How about lunch?
36:59Today?
37:00Sure.
37:01Why not?
37:04Well, I can't think of a reason.
37:06Why not?
37:08Let's go.
37:13Thank you.
37:23Hi, Sly.
37:29How are we in the studio?
37:29Sly, did Phyllis leave the...
37:31Hi, April.
37:33Hi, Bobby.
37:37I was supposed to meet J.R. in the lobby
37:39at 12 o'clock for lunch.
37:41It's half past.
37:42Could you please tell him I'm waiting?
37:43Well, he's not here right now.
37:45I haven't seen him all morning.
37:47I haven't seen him either.
37:48He must have forgotten.
37:51Well, when you hear from him,
37:52please tell him to call me.
37:54Of course.
38:01April.
38:02What's going on between you and J.R.?
38:04What makes you think anything's going on?
38:07Well, you were at the oil baron's ball with him.
38:09Now you're having these cozy little lunches.
38:11April, he has a wife,
38:13and she's trying very hard
38:14to make this marriage work.
38:16You might find this difficult to believe,
38:18but J.R. and I are just friends.
38:21He has always been there for me.
38:22He has never lied to me,
38:24cheated me,
38:24and he has never judged me.
38:26And that in itself
38:27makes him very important to me.
38:29The problems he's having with his wife
38:31have nothing to do with me.
38:34And if you want to know anything else,
38:36I suggest you ask J.R.
38:38Hi.
38:51Hi.
38:52I was leaving,
38:53and I came by to tell you
38:54I talked to Tommy.
38:55Oh, how's he doing?
38:56He's doing real well.
38:57He's leaving the hospital soon.
38:59Oh, terrific news.
39:01How are you doing?
39:02I'm making all kinds of progress.
39:04I'm already up to 1911,
39:06and I'm only suffering
39:07from moderate eye strain.
39:09Pretty dry reading, huh?
39:11Yes.
39:12But I am getting to know
39:13something about the oil business,
39:15and I now even understand
39:17about half of the lingo
39:18that goes with it.
39:19Good.
39:20It'll not only be useful
39:21to you in business,
39:22but if you and Bobby
39:23should get together,
39:24it might even improve
39:25your love life.
39:27Hey, you and I
39:28just got back together
39:29and you're playing matchmaker?
39:30What are you trying to do?
39:32Marry me off?
39:32And lose Westar's newest,
39:34most promising junior executive?
39:37Not on your life.
39:39And now let's see
39:41what you can learn
39:41from that glorious year
39:43in Westar history,
39:451912.
39:47You're all heart, boss.
39:49Yes.
39:50I've set up the distribution deal
40:03with our German friends,
40:05and I'm still waiting to hear
40:06from our representative in France.
40:08Well, you have made
40:09lots of progress.
40:10Yep.
40:10And you'll be happy to know
40:11that I've heard from our writer.
40:12He is back and anxious
40:14to get started.
40:15Not any more than I.
40:16Right.
40:17I just know
40:18that you and he
40:18are going to make
40:19cinematic history together.
40:22Mrs. E,
40:23would you do me the honor?
40:26How about dinner?
40:27No, thank you, Bruce.
40:28Not tonight.
40:29Whatever you say.
40:31I'll call you tomorrow.
40:32Fine.
40:32Good night.
40:33Good night.
40:39Mrs. E,
40:40you should have told me
40:40that you were expecting someone.
40:42I could have left ages ago.
40:44Bruce, wait.
40:47Mrs. Ewing?
40:48Yes, uh,
40:50but the office hours are over.
40:53You are Mrs. J.R. Ewing,
40:55aren't you?
40:57I was.
40:58We're divorced,
40:58but as I said,
41:00you'll have to come back tomorrow.
41:03I'm Joseph Lombardi.
41:07Lombardi?
41:08Yes.
41:10I've come to talk to you
41:11about my son.
41:12Please, sit down.
41:25Mr. Lombardi,
41:26I, uh,
41:27I don't know what to say to you.
41:34I know how close
41:35you and Nicholas were,
41:36and you must know
41:39how much I loved him.
41:43But his, uh,
41:44death is a tragic loss
41:45for both of us.
41:48I have your husband,
41:49Mrs. Ewing.
41:52What do you mean?
41:54I've just had a very long talk
41:56with your husband.
41:58Two of my friends
41:59are detaining him
41:59for the time being.
42:03What are you going to do?
42:05That depends.
42:08He's just told me
42:09his version
42:09of the night
42:10Nicholas died.
42:13Now I want to hear
42:14what you have to say.
42:18You're the only one left
42:19who can speak for my son.
42:23And if J.R. did murder him?
42:25Mrs. Ewing.
42:33I'm from the old school.
42:35I take the Bible literally.
42:38I believe in revenge.
42:44I know how you feel.
42:47I wanted revenge for myself.
42:50I saw what happened to Nicholas.
42:55I hated J.R. so much.
42:58I shot him.
43:01And when he survived,
43:02I was furious.
43:04Yeah, I read about that
43:05in the newspapers.
43:07But now when I look back
43:09at that night,
43:09I...
43:10I realize that
43:13I'm just as much to blame
43:16as J.R. for what happened.
43:18In what way?
43:19In what way?
43:19Nicholas loved me.
43:27He would do anything for me.
43:30And because of that,
43:31he's dead.
43:35Do you know how many times
43:36I've thought
43:37if only
43:41I hadn't insisted on him
43:43helping me look for John Ross?
43:45If only we hadn't gone
43:49to J.R.'s condo that night.
43:53If only I had
43:54stopped the fight
43:57between J.R. and Nicholas
43:58before it got so violent.
44:05If only...
44:06If only...
44:08If only...
44:11There's such empty words.
44:12But it was J.R.
44:15who killed him?
44:20No, it was an accident.
44:25Nicholas would be alive today
44:27if he hadn't tried to help me.
44:31I have lived with that guilt
44:32for so long now
44:33and I...
44:33I wanted to shut it out
44:35and forget that
44:36that evening ever happened.
44:42as much as I loved him.
44:50I'm just as much to blame
44:51as J.R.
44:52for the death of your son.
45:02Mr. Ewing owes you a great deal.
45:09What do you mean?
45:10You could have had your revenge
45:13by telling me
45:14a different story.
45:16Instead,
45:16you saved his life.
45:17Next on Dallas,
45:38you take me back
45:38as a full partner.
45:39No way.
45:40You mean you're pulling out?
45:41Not if Bobby lets me back in
45:42all the way.
45:43Mr. Lockwood,
45:44you're not quite what I imagined.
45:45Better or worse?
45:46When we finally get married
45:47and go to bed again,
45:49I want you to be
45:50really happy with me.
45:51You could make me
45:51real happy right now.
45:52The man's an absolute monster.
45:54You, uh,
45:55ain't seen nothing yet.
45:56I thought we were
45:56in the oil business.
45:57You just do what I tell you.
45:59There he is.
46:00How are you, son?
46:01On the ambulance.
46:03He's not breathing.
46:04He's not breathing.
46:19He's not breathing.
46:20He's not breathing.
46:21Legenda Adriana Zanotto
46:51Legenda Adriana Zanotto
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