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The last years of former President Václav Havel's life creating a multi-layered portrait of a world-famous political icon but also an ordinary man plagued by health problems.
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00:05:25United States can help today. The answer is paradoxical as the rest of my whole life.
00:05:33The best you can help, if you can help Soviet Union,
00:05:37on its unrighteousness, but also unrighteousness,
00:05:40complicated path to democracy.
00:05:44The best you can help, without any circumstances,
00:05:53on such a function will be able to get someone who has never been there for a little bit more than normal.
00:06:04On two of us, we have become an angel, so we have survived it,
00:06:08and we are happy that we have survived it.
00:06:10We are happy that we have survived it,
00:06:12and we are happy that we have survived it.
00:06:16In the morning, the Republic of the Republic will not be president.
00:06:19Václav Havel, who has been in his room for more than 12 years,
00:06:22today is Pražský hrad left.
00:06:29My friends, I am going to be with you as your president.
00:06:33I am going to be with you as your president.
00:06:35I am going to be with you as your partner.
00:06:40komo Kata
00:06:52Okay, got something to be sharing.
00:06:54We should have said nine more things,
00:06:56I haven't had enough that she will be with you at all,
00:06:58and it will never work,
00:07:00who is the president.
00:07:00So we're going to be able to do that.
00:07:07I'll do the same.
00:07:10I'll do the same.
00:07:12I'll do the same.
00:07:14I'll do the same.
00:07:15Here, I'll do the same.
00:07:17I'll do it.
00:07:19I'll do it.
00:07:30Ex-presidentity is worse than presidency, because he is in the life of life.
00:07:36President is a man for 5 or 10 years, so he is an ex-president.
00:07:41I thought that I will be free as a bird and I will do it until I end with the work I want
00:08:00and I will go to the hladel and read and so on.
00:08:04Thank you very much, thank you very much.
00:08:11I am happy to see you in a row.
00:08:14What have we done?
00:08:16It was a good one.
00:08:34I am from the people of the world, but I am very happy to see you in the sense of the world.
00:08:46From the evening to the people of the world, I want to be happy.
00:08:51When I travel on different continents, they have a great expectation,
00:08:56and I will be happy to see you in the future.
00:09:00I don't believe in any advice, which we take, but we don't have a lot.
00:09:06I must also say that the award will be honored by the prize of the year 2009.
00:09:14I am happy to see you in Schwarzenegger.
00:09:17I do not know why I will never do it.
00:09:19I am happy to see you in my neighborhood from my surroundings,
00:09:22from my friends.
00:09:23But I have always, finally, I will be able to do it.
00:09:29I have a hope to see you in the past.
00:09:33It is one thing, but the other thing is that a person must always
00:09:35say again, to articulate some ideals,
00:09:39articulate some values, about fighting them,
00:09:42and fighting them.
00:09:43that he has to, like Don Quixote, try to figure out what he is.
00:09:49And the worst is, when he says,
00:09:53that he doesn't change anything,
00:09:55what I've been trying to do.
00:09:57And that is the worst way of such a existential fear.
00:10:06How can I find the truth?
00:10:08Can I see the truth?
00:10:10It went well.
00:10:12Good, good, good.
00:10:14Good, good.
00:10:15Good, good.
00:10:18You are ugly, but still alive.
00:10:21With 73 years old,
00:10:23that you are not sure.
00:10:25You are ugly, but healthy.
00:10:29More than 4 years ago,
00:10:31you have been sitting in the community,
00:10:34that you are a political person,
00:10:37who you have been a normal politician,
00:10:39and you are not a political person.
00:10:40You are ugly.
00:10:41You are ugly.
00:10:42You are ugly.
00:10:43You are ugly.
00:10:44You are ugly.
00:10:45You are ugly.
00:10:46You are ugly.
00:10:47You are ugly.
00:10:48You are ugly.
00:10:49You are ugly.
00:10:50You are ugly.
00:10:52You are ugly.
00:10:53You are ugly.
00:10:54You are ugly.
00:10:55You are ugly.
00:10:56You are ugly.
00:10:57You are ugly.
00:10:58You are ugly.
00:10:59You are ugly.
00:11:00You are ugly.
00:11:01You are ugly.
00:11:02You are ugly.
00:11:03You are ugly.
00:11:04You are ugly.
00:11:05You are ugly.
00:11:06You are ugly.
00:11:07You are ugly.
00:11:08You are ugly.
00:11:09You are ugly.
00:11:10You are ugly.
00:11:11You are ugly.
00:11:12You are ugly.
00:11:13The poem is called One Sunday in the morning.
00:11:16You may be able to explain it well,
00:11:22because I stopped writing a poem.
00:11:27The slineous paper is slowly and slowly
00:11:32in the dark color of the main hall of Wilson.
00:11:40A ve stínu jeho tupějícího nože loučí se spolu tisíce opálených tváří a podávají si ruce, jejichž prsty zakrnyly v chmelové plody a jež si kupují melouny a měří je na věrtele.
00:11:59Snad za 365 dní uvidíme opět vlaky zlaté od chmelu, snad uvidíme opět věrtele básnických extazí.
00:12:10Těch věrtelů je na vás dneska přichystáno dost.
00:12:25Ty to ještě píšeš?
00:12:27Já jsem totiž v podstatě stydlivý člověk a lirik musí mít odvahu se svěřovat světu se svými pocity a já jsem brzy dospěl k názoru,
00:12:45že toho nejsem schopen a tak jsem se dal na jiné literární žádry, kde jsem skryl za dramatickými postavy a my nemluvím za sebe a tím méně o svých citech a pocitech.
00:12:58Hrčo, proč nechceš nikomu vydávat ty zatracené osobní evidenční materiály?
00:13:05Vydám je každému, kdo nedostal v poslední době vyrozumění o vysledcích inventarizace a každému, kdo je dostal, mě předloží.
00:13:11To tak to přeloží, maša.
00:13:13Překládám jen na Kuncovo povolení.
00:13:16Tak Kunco musí dávat povolení.
00:13:17Nemůžu, když nikdo nemá materiály odhaleny.
00:13:19Slyšiš to, hrčo? Ty přeci jenom musíš vydávat ty materiály.
00:13:22Teď ve s ním překládat.
00:13:23Tak to přeloží, maša.
00:13:25Překládám je na Kuncovo povolení.
00:13:28To já jsem ve svojich hrách vždycky tak dělal, že si vymyslím jakýsi svět.
00:13:33Ten svět má své zákonitosti, je trochu umělej, zvláštní, platí jen dvě hodiny, předtím ani potom není.
00:13:39A ten svět, to je nějakej stroječek, takovej zvláštní, který funguje svým vlastním způsobem a co si snad vypovídá o tom velkém stroji světa, že jo?
00:13:53Ani nevíš, jak strašné rád bych pro tebe udělal to, o če mě žádáš.
00:14:03Tím víc mi ovšem věsí, že pro tebe fakticky nemohu udělat takřka nic, protože jsem vlastně totálně odcizen sám sobě.
00:14:12On věří opravdu v této chvíli, že nemůže té Marii pomoct, protože je odcizena, protože je svět absurdní a protože jsme všichni jako Sisyphos.
00:14:23A nikdy si nepřesná, že to je jeho vlastní slabost.
00:14:28Tady někde?
00:14:29Takhle fotka, to jsem já za mláda tady.
00:14:39Oh, really?
00:14:40Takhle fotka, který je vlastní v této chvíli.
00:14:45Takhle fotka.
00:14:48Takhle fotka.
00:14:51Takhle fotka.
00:14:55A který je v této chvíli?
00:14:57V této chvíli jsou v této chvíli, takhle jsem nevím.
00:15:00To jablko je skutečný jablko, oddeleláme nebo je rozdobný, je.
00:15:27Zdače.
00:15:32A kdo mám si doma, trblé v městečka těbecká?
00:15:35Na co jsem při odhledá?
00:15:39Jak chtěl tady domať jste?
00:15:41Ale jak chce sebep
00:15:50ne, ne, prýč tím!
00:15:52Let's see what you're doing.
00:15:56You're going to be a good one.
00:15:59You're going to be a good one.
00:16:01You put me a paper in the Lams company
00:16:06that you want to run a 10-minute break.
00:16:09You don't know.
00:16:11You're going to be a good one.
00:16:13You're lying on the table.
00:16:15I don't think about it.
00:16:22They are already able to do alcohol beer, which is the same as the alcoholic beer.
00:16:39It's great.
00:16:46I've been 55 years old.
00:16:52I've been driving to the whole of Europe.
00:16:55Now, when I'm not driving, it's always a time for me.
00:17:16This is a game that I've been driving for about 17 years.
00:17:37He lost his role in some way.
00:17:43He has lost his role in some way.
00:17:45He has lost his role in a long period of time.
00:17:47He just doesn't run away.
00:17:49He has lost his whole world with his power.
00:17:53He has lost his role in the king of Víra.
00:17:59I was suddenly surprised how I didn't know any politics.
00:18:05I didn't see any politics.
00:18:07How I can see many things,
00:18:10which I can see in reality.
00:18:15In reality, I saw so many politics,
00:18:18who were very excited about it.
00:18:21And so, there were things,
00:18:25which were very surprised.
00:18:30And it was really a lot of tears.
00:18:33Given the event of the arc,
00:18:35which has first started a during the summer of 1989,
00:18:37the first-year-old had been opened in a few past days.
00:18:40And there was a long time in fact,
00:18:41although it's also a long time.
00:18:43And there was really cool.
00:18:45Imagine having a lot of things
00:18:46about the R.G. Davida Radoka
00:18:47as well asspray was done.
00:18:49And however,
00:18:50several lifakes are planned for a week.
00:18:56After a long time before,
00:18:57the first-week eclipse begins.
00:19:02It's been a long time for us to live just because of what we were talking about.
00:19:07It's been a long time for us to analyze it,
00:19:11to explain it and to ignore it.
00:19:13It's again and again to do what it is today
00:19:16and to look at what it was all better.
00:19:19It's simply just to put it on its own stop in history,
00:19:24its own pastures, its own pastures,
00:19:28and its own pastures at our world's journey.
00:19:35Thank you for being here.
00:19:38The workshop thanks to the viewers,
00:19:41that they had opened mobile phones.
00:19:44Truth and love must be defeated on the wrong and the wrong.
00:19:49Turn on the phone, good night and nice dreams.
00:19:58I started to play like a film film.
00:20:04I actually had a bad reason for three days,
00:20:11that I couldn't get to the film faculty
00:20:14without its employment.
00:20:16It wasn't possible to have anything to do with the film.
00:20:20My father was a business owner,
00:20:26and that meant that we had a certain comfort
00:20:31in the development of the garden.
00:20:36Stric Miloš was the god of our family.
00:20:39He was such a bon vivant,
00:20:41a designer of Czech cinematography,
00:20:44a designer of Barandowski ateliers,
00:20:46a owner of Lucerna Film.
00:20:48He was a young boy,
00:20:50but in the middle of my family,
00:20:51I knew him and remembered.
00:20:53I was a little boy,
00:20:54but in the middle of my family,
00:20:55I knew him and remembered.
00:21:00I was a little dance kid,
00:21:02who had some benefits
00:21:04compared to other children.
00:21:06It was very uncomfortable.
00:21:08It was very uncomfortable.
00:21:09It was very difficult.
00:21:10It was very difficult.
00:21:11And from that time,
00:21:12I felt like a sense for justice,
00:21:17or social justice,
00:21:19or support of not-saccessed
00:21:21or other non-righteousness.
00:21:24I have a somewhat of a utopia.
00:21:38I always wanted to be a filmmaker.
00:21:42It seems to me that it would be good,
00:21:44if I would have completed my career
00:21:48by completing my son's daughter's son
00:21:51and that I would have done a film
00:21:53according to my own story.
00:21:55And I want to ask you mainly, if it isn't a lie,
00:22:01but I still know about my husband, Miloš Forman,
00:22:07who told me that I have to do it completely on my mind,
00:22:11I don't let anyone talk about it,
00:22:13I don't know about it.
00:22:16Maybe I have some ideas,
00:22:19but I have a pretty concrete vision of this film.
00:22:23It's important to you,
00:22:25which is here, with the women.
00:22:27And here is the villa,
00:22:29where they come and come and come.
00:22:31I think it's a lot of thought.
00:22:35So, on your own.
00:22:37On your own.
00:22:39On your own.
00:22:41On your own.
00:22:43To, what I have to do for a moment,
00:22:45I am here,
00:22:47I am here.
00:22:49It's good, it's good.
00:22:51It's on 150 page.
00:22:53It's on how many pages are there.
00:22:55How many pages are there?
00:22:57I mean, I think it's a bit better.
00:22:59It's good.
00:23:01They told me that it's only 50 pages.
00:23:05So, are you still here as a technical scenario?
00:23:11I will do it so that I will try to make all the changes in this one.
00:23:18Yes.
00:23:21So it doesn't write.
00:23:24It will be like this, but it won't be written.
00:23:28No.
00:23:30What is this for?
00:23:33And you know what it says?
00:23:35Yes.
00:23:36Yes.
00:23:37Only if we have tried to do it,
00:23:39only if we had time to write.
00:23:42And I have one more question.
00:23:44Is there any chance,
00:23:45after our trip,
00:23:46in the 5th,
00:23:47that we have a car on the floor?
00:23:51You probably came to the table,
00:23:53so you can read it.
00:23:54It's just that you have read it,
00:23:56that you have participated in the first day.
00:23:59I don't know.
00:24:00I think I will...
00:24:02It's everything they have.
00:24:04I have a question.
00:24:05Where are you going?
00:24:06Yes.
00:24:07Your heart is Brian.
00:24:08You have a question from that,
00:24:09where are you going to go?
00:24:10Yes, it's a question from that.
00:24:11Where are you going to go?
00:24:12Yes, your heart is very good.
00:24:13Where are you going to go?
00:24:14I would go of that.
00:24:15I would love it.
00:24:16No, no, I would love it.
00:24:17I have no energy.
00:24:18I need to be with you,
00:24:19or with your hand.
00:24:21I'm not going to go of it.
00:24:22I can't go of it.
00:24:23I can't go of it.
00:24:24No, I can not go of it.
00:24:25I want to live just like a normal person.
00:24:28The angel has to be more than less, so for a creative person it can be quite difficult and uncomfortable.
00:24:43And it's true that I have saved my life a few times.
00:24:47These are years of old nature.
00:24:50However, it was worth it, because I have survived my feelings and managed to mobilize the doctors very well.
00:25:02When they told me that there is nothing important,
00:25:05and she felt that it can be something very dangerous.
00:25:20The angel has to be more than less than the other.
00:25:23The angel has to be more than the other.
00:25:28The angel has to be more than the other.
00:25:32I think you will choose the angel with us.
00:25:35The angel is a little longer.
00:25:39I think it is a little longer than the angel.
00:25:48I think it is a little longer than the angel.
00:25:51If you can see it, it doesn't worry too long.
00:25:54Then if I can get it in the back, I will take it up.
00:25:58I will take it up, and I will stay with my other side too.
00:26:01I will stay with my other side, what I think.
00:26:03I want to know.
00:26:04If you are able to write it, I will not see it.
00:26:08It's a great number.
00:26:09Look there please.
00:26:11I am so curious.
00:26:16and also I am a very social person, who is a very happy man.
00:26:24A conversation in the room, a conversation in the community.
00:26:30How can it coexist in one person? This is a paradox.
00:26:36And now we are going to go to the map.
00:26:40We are going to thank you all of the Czech students for everything you have done for our country.
00:26:49We love you very much.
00:26:52Thank you very much.
00:27:10Thank you very much.
00:27:30Where are we going?
00:27:32Where are we going?
00:27:33Where are we going?
00:27:35Where are we going?
00:27:37Where are we going?
00:27:39How can we do that?
00:27:40How can we do that?
00:27:41Hello.
00:27:42How can we go?
00:27:43How can we go?
00:27:45We can build it in the past 25 years.
00:27:48From the beginning, the first party of the Václavs, the older, the proud, most explosiveness of the rules, Heaven and Bazelina.
00:27:59Václavs, I am the most pleased to you.
00:28:04Come on, let's do it!
00:28:06I'm ready!
00:28:08This is a good time for all the people!
00:28:10Don't worry!
00:28:12Don't worry!
00:28:14I'm so too late!
00:28:16I'm so too late!
00:28:18I'm so too late!
00:28:20I'm so too late!
00:28:22What's up to you?
00:28:24What do you think?
00:28:26What do you think?
00:28:28What do you think?
00:28:30How do you think?
00:28:32Oh, my God.
00:29:02Here we go.
00:29:30I will be more comfortable.
00:30:00I don't know.
00:30:30Good morning.
00:30:35I'm happy to see you now, because it's time for us.
00:30:40We need to start to shoot.
00:30:43So we can say to each stage,
00:30:47so this is such an example of how Monica was going to solve.
00:30:50She has a skirt,
00:30:52which is here with a mask.
00:30:55I myself, as it relates to costumes,
00:30:58I have to choose from.
00:31:00I don't understand that much,
00:31:02but I can say what I like very much
00:31:06and what else more.
00:31:08That's right.
00:31:10The whole film is such a multi-cultural, postmodern,
00:31:15all around the world.
00:31:17Something will remember the period of the 19th century,
00:31:21something from the 20th century.
00:31:23What the hell?
00:31:24That's it?
00:31:25That's the other one.
00:31:27The other one.
00:31:28The other one did have to shoot.
00:31:30The other one.
00:31:31That's it.
00:31:32The other one did have to shoot.
00:31:33The other one do not even.
00:31:34He is the other one,
00:31:35the other one did.
00:31:36He has to see a little but it is right.
00:31:38It is a furry shirt.
00:31:39If someone has to meet someone with someone who has seen him before,
00:31:43so it is the way to use it,
00:31:45it can be used to what I am.
00:31:47No, it doesn't matter, it doesn't matter, it doesn't matter how many manipulations it will be.
00:31:51In other words, it will have to be with my sexual sex, especially...
00:31:57Yes, this one.
00:32:00I think I will be happy that it is used.
00:32:05Hello, nice to see you again.
00:32:09Hello.
00:32:10Somebody from production said, and so, Hava will carry your guitar.
00:32:21It must be some joke or something.
00:32:23I said, yes, it's our joke.
00:32:26Ladies and gentlemen, we are glad that today is a man who has a voice in this country.
00:32:38And we are grateful for it.
00:32:41Ladies and gentlemen, Mr. President Václava.
00:32:45My dear friends.
00:32:59Guitar in my hands.
00:33:02Don't be afraid.
00:33:03It doesn't mean that I'm going to play.
00:33:06With your permission, I will show my chef on stage, which I serve as a dancer here.
00:33:16And it's Joan Baez.
00:33:23In the past, which was the concert in Brazislavien.
00:33:29When I came to that concert, I was followed by police.
00:33:34And I knew that the police would want to stop my meeting with her.
00:33:39From the hotel.
00:33:41I was sent to her.
00:33:42She was closed.
00:33:43She was closed.
00:33:44She was closed.
00:33:45She was closed.
00:33:46She was afraid to have a publicist.
00:33:47She was afraid to have a publicist.
00:33:50She didn't have a publicist.
00:33:52If they were caught with Joan Baezo.
00:33:58In a situation where I carry guitar.
00:34:00chen Prevent.
00:34:01In a situation where they were able to stand,
00:34:07Or
00:34:20In addition, I welcome my friends of Tcharty, Václava Havla.
00:34:50You'll be here.
00:35:20My soul and love.
00:35:34You're the best man, I believe.
00:35:39I have a lot of love.
00:35:41Good luck, you're welcome.
00:35:50Pane Prezidente, Kapitán Letovnů Major Bartošek.
00:35:52Posádka je připravena k letu do Bruselu.
00:35:54Dobrý den.
00:36:02I chtěj se, že s tem pana prezentapora psal ještě taky takři.
00:36:06Nevíme jména, mě teda půdat kýtlet, čí dej, že tak.
00:36:08Vypadá teda pořád stejně.
00:36:38Vářený pane předsedo, paní poslankyně, paní poslanci,
00:36:50domnívám se, že Evropská unie má šanci inspirovat zbytek světa
00:36:55ještě něčím daleko hlubším než jen svým modelem spolupráce národů.
00:37:01To všechno je ovšem možné jen za předpokladu,
00:37:04že se začne cosi proměňovat v samotné duši soudového Evropana.
00:37:10Měl by být přeci jen trochu pokornější,
00:37:14měl by myslet i na to, co bude, až zemře,
00:37:18sklánět se před tajemstvím vesmíru a vytí samotného,
00:37:23zkrátka vztahovat se opět víc,
00:37:26tak, jak k tomu bývalo v prvních fázích evropského vývoje,
00:37:30k věčnosti a nekonečnou.
00:38:00Proč to všechno pořádá a dál dělám?
00:38:05Někde ve spod je asi jakýsi pěs,
00:38:07který mě vždy znovu do toho všeho žené.
00:38:13Asi bych nedokázal zodpovědět sám sobě otázku,
00:38:19proč se vždy znovu a znovu jako brouk potápník
00:38:25někde ponožím a jinde znovu se vynožím.
00:38:30Proč si vlastně nedám pokoj,
00:38:35tudíž asi mě ten záhadný vnitřní běsík
00:38:39zřejmě už do smrti pokoj nedá.
00:38:42Tady by se prošel na zázemí je ideální,
00:38:56tady v podstatě se můžou být jak maske na kostýme na produkce,
00:39:00že jo, catering bude tady bále, že jo,
00:39:02prostě tady v tom báně výfaláči,
00:39:03čili tam není úplně žádný problém.
00:39:05A oni to by měli ve dva mysíce povinná.
00:39:07Celý dva měsíce by to bylo pro nás, no.
00:39:09Oni by ty příchozí buď mohli chodit rovnou sem,
00:39:13a nebo by chodili takvá,
00:39:14tady vlastně by mohli křižovat ty schody.
00:39:16A tady jak odejdou, už není tak důležitý,
00:39:20pokud jedni odcházejí svojima dvěřmatáma,
00:39:22druhý svojima dvěřmatáma,
00:39:24vždycky se tak trošku o střed těch schodů křižujou.
00:39:27Tady by byl ten osval by stál vždycky tady,
00:39:38přicházel by o tamto křižem.
00:39:41Sem tady by stál a tady by vždycky musel zakopnout o ten kamínek.
00:39:46Ne, o ten kdyžel.
00:39:47Vždycky dovedou až sem.
00:39:48Má nadchodu.
00:39:50Vysoký patínky ještě, ne?
00:39:52No, tak by někde stál ten kamínek,
00:39:57tak kvůli svojima dvě a vždycky nebo vždycky zase ten kamínek.
00:40:02No, když tak se mě klipte.
00:40:04Má byl jim příště mě svojí pomoct.
00:40:27Třetí den, co jsme přistáli,
00:40:39tak Václav měl potiše s rukou a zhybností
00:40:44a trošku se jakoby umotál a poslézi se ukázalo,
00:40:48že měl mozkovou mrtvici nebo stav malé mozkové přívody.
00:40:52Je, ale od ní to číslo jsme jim dávali
00:40:54a oni nechtějí číslo.
00:40:55Oni chtějí toto fyzicky,
00:40:57jinak se s tebou nevaví.
00:40:59Káž mi to moje peněženku,
00:41:00ale podívám, jestli tam nemají do...
00:41:02Víš, číslo máme, jo?
00:41:04No, pojiště to nám Isabina nadiktovala všechno.
00:41:06To je.
00:41:06Mám ty krok máme, ale nemáme kartičky.
00:41:10A skip, to má...
00:41:12Je.
00:41:13Dej mě tu kartu, dej, dej mě tady,
00:41:15to, to, to číslo, jo.
00:41:20No, to to dá na seboj.
00:41:22A máš nějaký číslo?
00:41:24Ano.
00:41:25Moment, venoušku, já ne...
00:41:27Ale tak mám dvek,
00:41:30ale bez breví nic nezauženuju.
00:41:32Octl jsem se tu tak,
00:41:37že jsem na půl těla,
00:41:40jak si polo ochrnul.
00:41:43Zajímavé je, že to nebylo vůbec
00:41:45ani depresívní, ani nepříjemné,
00:41:48ani to nebudilo růzu.
00:41:50Docela mi to přišlo
00:41:52až téměř veselé.
00:41:57A spočívalo to z toho,
00:41:58že jsem mluvil
00:42:00a nerozuměl jsem sám sobě,
00:42:02co říkám.
00:42:03A tím méně mi rozuměla Dáša.
00:42:07Měl jsem po ruku jazyka
00:42:09a celé hemisféry
00:42:10asi nějakou nepatrnou,
00:42:11či co.
00:42:13Levou ruku jsem
00:42:14jí dával pokyny
00:42:16a ona dělala to,
00:42:18co jí říkám,
00:42:20ale zároveň byla cízí.
00:42:22Nepatřila mi.
00:42:24A bylo to velmi veselé,
00:42:25že já prostě cízí před mě
00:42:27na dálku takto jak si ovládám.
00:42:31Dobrý?
00:42:31Ano.
00:42:32Česka.
00:42:33Buděj, budlej.
00:42:34Děkují.
00:42:34Děkují.
00:42:35Děkují.
00:42:35Děkují.
00:42:35Děkují.
00:42:35Děkují.
00:42:35Děkují.
00:42:35Děkují.
00:42:35Děkují.
00:42:36Děkují.
00:42:36Děkují.
00:42:37Děkují.
00:42:38Děkují.
00:42:38Děkují.
00:42:39Děkují.
00:42:40Děkují.
00:42:44Děkují.
00:42:45Děkují.
00:42:46Děkují.
00:42:47Děkují.
00:42:48Děkují.
00:42:49Děkují.
00:42:52Děkují.
00:42:53Děkují.
00:42:54Děkují.
00:42:55Děkují.
00:42:56Děkují.
00:42:57Děkují.
00:42:58Děkují.
00:43:08It's almost all better. It's just this little thing. Before it was like that. You're good.
00:43:15Yeah, but this has never been shown before. Yeah, it's something very unusual.
00:43:20Yeah.
00:43:35Come here. Come in, come in.
00:43:38They want to see the miracle? Yeah, yeah. Come on.
00:43:42Oh, oh, it was really something.
00:43:45See you on Monday. Thank you very much.
00:43:48We're happy.
00:43:50Okay.
00:43:51Are you okay?
00:43:52Are you okay?
00:43:53Are you okay?
00:43:54Are you okay?
00:43:55Yes.
00:43:56He said it was someone else that it happened in other parts of the body, but...
00:44:00Yes, it was made of wine and beer, which I didn't drink.
00:44:03But you didn't drink it.
00:44:05Yes.
00:44:07First floor, going up.
00:44:10...
00:44:12...
00:44:13...
00:44:14...
00:44:16...
00:44:44...
00:44:46...
00:44:47...
00:45:14...
00:45:19...
00:45:20...
00:45:21...
00:45:22...
00:45:44...
00:45:50...
00:45:51...
00:45:52...
00:45:53...
00:45:54...
00:45:55...
00:46:05...
00:46:06...
00:46:07...
00:46:08...
00:46:17...
00:46:18...
00:46:19...
00:46:29...
00:46:30...
00:47:11...
00:47:12...
00:47:13...
00:47:14...
00:47:15...
00:47:16...
00:47:17...
00:47:18...
00:47:19...
00:47:20...
00:47:21...
00:47:22...
00:48:53...
00:48:55...
00:48:56...
00:48:57...
00:48:58...
00:48:59...
00:59:00I can hear it.
00:59:02How can I hear it?
00:59:04I can hear it without that, without the ampoule.
00:59:08You can hear it very well.
00:59:10Yes, I can hear it normally.
00:59:12I don't have to hear it on anyone.
00:59:14Just one more time.
00:59:16Here is Havel, here is Havel.
00:59:18Hear me, hear me.
00:59:20Did you hear it?
00:59:22Did you hear it or did you hear it?
00:59:24Did you hear it?
00:59:26No.
00:59:28There would be a good one.
00:59:30There would be a good one.
00:59:32Yes.
00:59:34I can hear it.
00:59:36You have to be a little bit closer.
00:59:38It looks like you are in one direction.
00:59:40Yes.
00:59:42We are in one direction.
00:59:44Please, Carl, a half a step back.
00:59:46You seem to be in the same direction.
00:59:50Yes.
00:59:52Yes.
00:59:54We are in one direction.
00:59:56Yes, I got it.
00:59:58I'm in one direction.
01:00:00Okay.
01:00:02Okay.
01:00:04You're in the direction.
01:00:06I will see the parking lot.
01:00:08Yes.
01:00:09He's in the direction.
01:00:11Okay.
01:00:12Yes, I'll see you.
01:00:14I'm in for the direction of the station.
01:00:15Why?
01:00:16Yes, sir.
01:00:17I will see you in the direction.
01:00:18What do you know, Mr. Deptel?
01:00:21Where?
01:00:23In the town.
01:00:24Why?
01:00:25To give us a gift to the world.
01:00:29I won't let you know anything.
01:00:31Please, no matter, there will be no harm!
01:00:34I don't like you on the front, Mr. Dich.
01:00:37.
01:00:47Stop!
01:00:49So let's go with another greeting.
01:00:52So tell him, Romulo. Let's go to another one.
01:00:54What is your greeting?
01:00:56Yes.
01:00:57Maria, please.
01:00:59Yes.
01:01:00Don't be angry with you.
01:01:02But do you do this?
01:01:04Yes.
01:01:05Yes.
01:01:06Yes.
01:01:07Yes, exactly.
01:01:08With your fingers?
01:01:09Yes.
01:01:10Yes.
01:01:11Yes.
01:01:12Yes.
01:01:13Yes.
01:01:14Yes, exactly.
01:01:15Mr. President, another one.
01:01:17What camera?
01:01:18Yes.
01:01:19Yes.
01:01:20It was probably the closest to my presentation.
01:01:25Yes.
01:01:26Yes.
01:01:27Yes.
01:01:28Yes.
01:01:29Yes.
01:01:30Yes.
01:01:31Yes.
01:01:33Yes.
01:01:34Yes.
01:01:35Yes.
01:01:36Yes.
01:01:37Machinery is much greater than I thought, and it's a lot of work.
01:01:43It's a lot of work to get a whole person out of the film.
01:01:46It's not a good thing, especially a good person.
01:02:02It would be good to make the right calendar.
01:02:07It's not a good one.
01:02:09It's a great day.
01:02:11I will not be able to make the right calendar.
01:02:13I will be able to do Františkovi Lásni.
01:02:16That's what I tell you.
01:02:18That's the first day, you will be able to wait for a minute.
01:02:22You will be able to watch the program and explain.
01:02:27I'm going to be able to move.
01:02:29We have a better camera.
01:02:31We have a camera so it will be fine.
01:02:34Thank you very much.
01:02:36Here we go.
01:03:06Can't wait!
01:03:21Stop!
01:03:22We're in the movie and the movie will come well and will have success.
01:03:26Aaaaaaaaaaaaah!
01:03:30I don't think about Cannes, Benátky or Oscars.
01:03:35I'm thinking about it to show that the commentator of one day wrote
01:03:43that my dream in this high age is a feeling of my senility.
01:03:51I would like to see it as one of the ways of fighting with senility.
01:04:01We're with you, be with us!
01:04:05We're with you!
01:04:07We're with you!
01:04:09We're with you!
01:04:11We're with you!
01:04:13We're with you!
01:04:15We're with you!
01:04:17We're with you!
01:04:19We're with you!
01:04:21We're with you!
01:04:23We're with you!
01:04:25We're with you!
01:04:27We're with you!
01:04:29We're with you!
01:04:31We're with you!
01:04:33We're with you!
01:04:34We're with you!
01:04:35We're with you!
01:04:36We're with you!
01:04:37We're with you!
01:04:38We're with you!
01:04:39We're with you!
01:04:40We're with you!
01:04:42We're with you!
01:04:46We're with you!
01:04:48We're with you!
01:04:49We're with you!
01:04:50We're with you!
01:04:51We're with you!
01:04:52We're with you!
01:04:54We're with you!
01:04:55We're with you!
01:04:56We're with you!
01:04:57We're with you!
01:05:11H daqui to saja!
01:05:12Politika je služba!
01:05:13Chceme vše straně zdělanou rodinu!
01:05:16Ať Ži je rúst!
01:05:18Jde o men 골�ost!
01:05:20Dluhuj vědře!
01:05:21Ať ti puknou tváře!
01:05:23The world is big, it's really crazy.
01:05:30The clouds are falling, the clouds are falling, the clouds are falling.
01:05:35I don't know, I don't know, I don't know.
01:05:38I'm thinking about the falling clouds.
01:05:40Yes.
01:05:41It can be a bit of a challenge for the whole world,
01:05:45as he said that the clouds are falling.
01:05:48It can be a reminder.
01:05:51The clouds are falling, the clouds are falling,
01:05:54and the clouds are falling.
01:05:57Can I talk about this?
01:06:00Two or three times?
01:06:02Yes.
01:06:03Let's try it.
01:06:07The important thing is that I want to work in this country
01:06:11where this country needs the most,
01:06:14and where I can work in this country.
01:06:19Political law is a church,
01:06:21we want to live to five,
01:06:22we want to live to a family.
01:06:24This country is a great country,
01:06:26and so forth and so forth,
01:06:28and so forth and so forth.
01:06:30Let's call it a lot.
01:06:32You can call me the phone.
01:06:34Please call me the phone.
01:06:44Hello? Is it a link?
01:06:46No, no.
01:06:48No.
01:06:50No, no.
01:06:52Do kanceláře.
01:06:54Okay.
01:06:58Hello, Dr. Satov, good morning. I will give you the President to you.
01:07:05Hello, yes, it's the best. Yes, it's okay.
01:07:10Let's talk to you soon, that we'll be in the 12th trip.
01:07:19Yes, we've talked to you. Thank you, thank you.
01:07:23We'll be in the 12th.
01:07:29Ike.
01:07:30End of the 19th.
01:07:32That's why they would want me to leave for the night and we don't want to leave for the night.
01:07:38So we've put a limit and the second day will be going to be a little longer.
01:07:44That's right.
01:07:54Thank you very much.
01:08:24The truth and love must win against the evil and the evil.
01:08:28Turn on the phone.
01:08:54Thank you very much.
01:09:24Thank you very much.
01:09:54Thank you very much.
01:11:52How are you?
01:11:58I'm going to keep going.
01:12:01I'm going to keep going.
01:12:02I'm going to keep going.
01:12:04I'm going to keep going.
01:12:06But it will be already dead.
01:12:09I'll meet you with the most important Lord.
01:12:11After a moment, the sisters will come with you.
01:12:14They'll put you a flexor.
01:12:16You'll be able to do the entire investigation.
01:12:22How are we able to have hope in the moment,
01:12:28when we have nothing more objective,
01:12:33visible, not any hope.
01:12:37We have hope in ourselves or not.
01:12:40Where do we take hope?
01:12:44It seems to be her last place
01:12:49where we are behind the horizon of the land.
01:12:53It has a transcendental tension.
01:12:56Whether we know it and admit it,
01:12:59or whether we support it vehemently.
01:13:03It's all the best.
01:13:20How did you get here?
01:13:23It doesn't look like that.
01:13:25It belongs in the righting of the last anchor.
01:13:28It is split between a plato.
01:13:31It's matched a washer.
01:13:33There's a great Milwaukee wheel.
01:13:34I'll give back two examras for two to میgela.
01:13:38There's dollar switches…
01:13:39I'll give it the guarantee of portraits.
01:13:40A Hubivities…
01:13:41I'll give it two more people.
01:13:42It should be лучше as one.
01:13:43I thought I'd ask you guys for two there.
01:13:44If you like my trumpets?
01:13:45You may not make Hampeliar…
01:13:46How do you taste that?
01:13:47What about yourwatch for a S-TVO?
01:13:49I've got too many日,
01:13:5275th life, one of the time.
01:13:58That is, that the more I'm older, the more I'm older.
01:14:05The person has to wait for the next time.
01:14:09We'll start with the 75th life and 75th life.
01:14:13He will be older than the whole world.
01:14:16It was a great thing.
01:14:18I am proud of everyone, and I am proud of all of them.
01:14:25I am proud of myself, I am proud of myself, I am proud of myself, I am proud of myself.
01:14:59I am very glad that I can actually get to thank you for the jacobin, very serious.
01:15:05I didnít know anything, what is an important earlier in the story about it.
01:15:10I think that most articles are the most important.
01:15:15In my case, it's really current with the health of us.
01:15:18We all feel that we've already experienced it.
01:15:23I don't have anything to do with it.
01:16:01I'm not sure about it.
01:16:03I'm not sure about it.
01:16:05I'm not sure about it.
01:16:07I'm not sure about it.
01:16:09Let's go.
01:16:11Mr. President, in the year Albina Polaška,
01:16:13I have a small gift.
01:16:15This is a gift that I have made in our year 1907.
01:16:17I'm not sure about it.
01:16:31Excuse me.
01:16:35Go to the side.
01:16:37Go to the side.
01:16:39Go to the side.
01:16:41No.
01:16:43No.
01:16:45Oh!
01:16:53Thank you for coming.
01:16:55I'm not sure about it.
01:16:57I'm not sure about it.
01:16:59I don't think I'm here.
01:17:02Did it?
01:17:03Did it?
01:17:04Did it?
01:17:05Did it?
01:17:06Did it?
01:17:07Did it?
01:17:08Did it?
01:17:11Oh, same room.
01:17:29I'm very, very happy and a great honor to see you once again.
01:18:07Thank you very much.
01:18:08Thank you, gentlemen.
01:18:24How many places are there?
01:18:26Yes, you still have.
01:18:27Here you have the jeans.
01:18:29Here you have a trick.
01:18:32Here you have three glasses.
01:18:35Here you have three glasses.
01:18:37Here you have another one.
01:18:40Yes.
01:18:41Here you have two glasses.
01:18:42Here you have two glasses.
01:18:44Yes.
01:18:45Here you have two glasses.
01:18:47Here you have one.
01:18:49Here you have one.
01:18:50Here you have one.
01:18:52Here you have two glasses.
01:18:54Here you have two glasses.
01:18:55Here you have one.
01:18:56Here you have two glasses.
01:18:57If you want to see it, it'll be fine.
01:18:59No.
01:19:00Okay.
01:19:01Do you want to put them in the bag?
01:19:03No, no.
01:19:31Thank you very much.
01:23:49I'll continue, I'll continue.
01:23:57We live in a very special time.
01:24:00In a time when the face of the human world changes,
01:24:05which are short and short,
01:24:08all the famous politological tachometry.
01:24:14The reality is nothing.
01:24:17Everything is special.
01:24:21My relationship to the Svintu
01:24:25is a slow, slow, slow.
01:24:28I think all of my life is not just so.
01:24:38Well, it's really the end of this moment.
01:24:43If something happened to me,
01:24:45I'll talk to you in a moment.
01:24:47Goodbye.
01:24:49Maybe.
01:24:50Maybe.
01:24:52Maybe.
01:24:53Think.
01:24:55Maybe.
01:24:57Maybe.
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