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00:00It's Project Runway. The winner of Project Runway will receive a fashion
00:03spread in Marie Claire magazine, an opportunity to sell their line on
00:08bluefly.com, a $50,000 technology suite to create, design and run their
00:13business from HP and Intel, and $100,000 from L'Oreal Paris to launch their line.
00:21You know, now that Anthony's gone, a lot of chatter, a lot of singing, and a lot of jacked
00:37up bull will be missing, meaning a lot of fun. He had an amazing run. A lot of people wrote
00:45him off early, but he came through. There's six of us left. The competition is getting
00:52more and more intense. Mila, your toast is ready. In the prior challenge, the judges were extremely
00:59hard on everyone. I don't find anything intriguing about this print. It's like a disco straitjacket.
01:06This is a full-on catastrophe. And so I'm stressed out, just like everybody else. But I do think
01:14my age and experience have taught me that I just have to brush myself off and move on.
01:19Really starting to wear. I'm proud to be the youngest in the competition, but it's a little
01:25scary sometimes because I think everybody else has more experience than I do. It's definitely
01:30getting harder. I guess I haven't seen anything yet. Ready? Yep. Let's do it. Thank you.
01:37Hello. Hello. It's time for your next challenge. It's getting harder and harder for us to decide
01:49who will go each week. So now more than ever, your designs must set you apart from the competition.
01:56And with that in mind, I'm excited to tell you that you'll be designing a look for a celebrity.
02:04This person does have a little bit of a reputation for being opinionated, headstrong, and knowing
02:10what they want. And I'm glad that I'm not in your shoes. Tim will be waiting for you in the workroom
02:16to fill you in on all of the details. Good luck, and I'll see you on the runway. Bye. Bye.
02:21Bye. A very, very picky, opinionated celebrity. I'd just totally be making up if I said I wasn't
02:30nervous. A celebrity. We're all excited. Designers, I hope you're ready for this challenge. Okay.
02:39You'll be designing a red carpet look for a celebrity. Nice. Oh, yeah. Would you like
02:44to meet the celebrity? Yes. Yes.
02:52It's Heidi. Hi. Welcome to the workroom, Heidi. Hi. I love being here. You said that a celebrity
02:59is opinionated and picky. I am very, very, very opinionated and very, very, very picky. Yes,
03:05indeed. And we love that about you. No, but I'm very excited because I do want you to
03:09design for me, but I also do not want you to lose your point of view as a designer. You have to think
03:15more simple when you think about the red carpet because it has to work from all angles. I will not
03:20have a bump, so think of me without the bump. I also will show you some things that I've worn in the
03:27past. You'll have a dossier. Sounds good. Sounds great. I do want to be on the best dress list and not on the
03:33more stress list, please. Thank you, Heidi.
03:38All right. I'm going to give you 30 minutes to sketch. Then we're going shopping at Mood, where you'll have a budget of
03:43$300. I'll be back in 30 minutes. Thank you. Actually dressing Heidi Klum, not for a client, but for
03:51her, what she likes, this is a big deal. This is one you want to win. You got 30 minutes to make or break
03:59yourself.
04:17Being in the bottom last challenge was such a shock to me. I was so confident in my outfit
04:22that I've decided that I am in reverse world, and I have no idea how to be in the top unless I make
04:29something really ugly, and the judges would probably love it. I don't do red carpet dresses very often,
04:36so that worries me a little bit. But that said, she wants something that is simple and elegant,
04:43and I definitely know how to do that.
04:44I want to do what I do best, which is volume and texture, and it needs to have some special detail
04:57that could be captured easily by cameras. This is paparazzi. This is a hundred flash bulbs at the same
05:04time. This is not about being subtle. This has to be wow, bam, from the moment it steps off.
05:14Designers, may I have your attention, please? Maya has something very important to share with you.
05:26She and I have just had a talk.
05:32So, I've decided to leave the competition.
05:36Are you ready?
05:36No.
05:37No.
05:37Are you crazy?
05:39Oh my God.
05:40I just feel like I'm really not ready to, like, go all the way yet.
05:45We're all completely dumbfounded.
05:47Wow.
05:47Come on, y'all. Come on. You're so close.
05:49She's made it to the final six, and she's so talented. She really could make it to Bryan Park.
05:54I've done a lot, but I'm not quite ready to get to that point yet, so.
05:59In the beginning, I thought that I had really, really what it took, and I do think I have great
06:04ideas, but I just got out of school, and I'm feeling like I'm not fully developed as a designer yet.
06:12What worries me about you is that you are very referential. It's always drawing from another
06:18designer's point of view.
06:20The day you put a collection of the catwalk that we say, inspired by, and that will destroy you.
06:27You know, there's some things about my own point of view as a designer that I still need to work out.
06:32I don't want to put myself out there when I'm not completely ready to, and I'm having a hard time
06:39just, like, performing on command, you know?
06:42Do I want to just see it through for one more challenge?
06:46Yeah, I really think, I really think that it's my time, but I feel really, really happy that I've been here with you guys.
06:52You guys have been really inspiring to me.
06:54Well, we're desperately sorry to lose, Jemaya.
06:57Oh, my God, I'm going to miss you.
06:59I'm really shocked. I thought that she really wanted to go to Bryant Park.
07:04Perplexed, baffled, none of us really understand why she's decided to leave.
07:10I think a lot of it has to do with her age, to be that young and have this much pressure.
07:18That's a cop-out.
07:19If you're going to leave, say, okay, I'm going to design my ultimate outfit, and let them kick me out on that outfit.
07:26Good luck, September.
07:27Don't quit. Quitters never win.
07:30Bye, guys.
07:30Bye.
07:34I know my limits. I've made my decision, and I think it's time for me to go.
07:38Wow. I never expected that.
07:50I never expected that.
07:50I didn't either.
07:52You think it was just the moment, like, we're right here, it's the end, and what if I do make it, and I don't know what the hell to do once I get there?
07:57Yeah, I think so. I mean, I think she's been feeling the pressure a lot lately.
08:01You know, we work 18, 20 hours a day, seven days a week, and you're pretty much drained all the time.
08:09So, you know, anybody sitting at home saying, oh, my God, I can't believe Maya quit, you know what?
08:14F*** off. You have no clue. Don't judge. You come here and try it.
08:22Well, at least I'm coming in alone this time. That was a bit of a shock, yes?
08:26Yeah, that was just, wow, very shocking.
08:28Yeah, I'm as stunned as you all are.
08:31Yeah.
08:32But let's rally ourselves. I want to rally you, and let's head off to mood, because we still have a challenge.
08:38Mood.
08:38Let's go.
08:42All right, designers, don't disappoint Heidi.
08:45No pressure.
08:45Your 30 minutes starts now.
08:51Something's going to photograph beautifully. That looks like flesh.
08:55I want something that's going to really make her pop.
08:57This is beautiful.
09:00I'm going to look for a beautiful print that I can do my cut work between.
09:04I really want to do a brighter color so that the judges can really see it from the runway.
09:07Ten minutes.
09:08This time, instead of using such high-contrast materials, I'm using gunmetal gray with gold.
09:17You have two minutes remaining, everyone.
09:20Okay, Mila, you just need to commit.
09:21You know, other people are using colors, and that really represents who they are.
09:27But in Heidi's lookbook, half the dresses are black.
09:31Time.
09:32Come on, everyone.
09:33Let's go back to Parsons.
09:34Thank you, Mood.
09:35And then there were five.
09:44Since Maya has opted out, at least five of us.
09:48It's a lot to process.
09:50It's really hard to focus on the work, to be honest.
09:52How is that going to play into the challenges?
09:54Who's going next?
09:55I mean, any one of us could go, including myself.
09:58Not.
09:59But I could.
10:00Time to simplify.
10:07Designers, I have an announcement.
10:10There are five of you.
10:12We were fully expecting for there to be six.
10:15Therefore, we are bringing a designer back.
10:20All of our little worlds have just been turned upside down.
10:26Pratt, who could it be?
10:30Coming up on Project Runway.
10:35Seth, Aaron.
10:36Yes, sir.
10:36I need to have a word with you outside.
10:38Uh-oh.
10:39And the day keeps getting weirder and weirder.
10:41It's basically like the space in between your bra.
10:43There is no space in between the bra.
10:45Do you just want to have a quick look?
10:47But this reminds me a little bit of, like, curtains.
10:50Designers, there are five of you.
10:58We were fully expecting for there to be six.
11:00The stake of the competition was really hinging on the fact that there were six of us.
11:05So, Maya's place will need to be filled.
11:13Here she is, boys!
11:15I have a second chance at greatness.
11:19Hi!
11:20Who wants Anthony back?
11:22But, hell, who wouldn't want Anthony back?
11:24I like him.
11:25You should like him, too.
11:25We wanted to bring the last designer who was eliminated back.
11:29And I'm very glad to be back.
11:31All right, so it's anyone's game.
11:33I knew you'd figure out how to talk your way back in.
11:35We need a level playing field.
11:37And if someone goes home, someone's injured, you know, just like in a football game, they bring someone else in.
11:43Chocolate!
11:43Chocolate!
11:44I'm glad to be back.
11:45I'm actually really happy to have Anthony back.
11:47You know, it's a shame to lose Maya.
11:49But Anthony, he's a breath of fresh air in that work room.
11:52I'm going to give you 30 minutes to sketch.
11:53Okay.
11:54Then you'll be going to mood with a budget of $300 and 30 minutes to shop.
11:58And we will give you extra time that will correspond to the time that you've missed in the work room that the other designers have had.
12:04All right.
12:04So, it's a make it work moment for you, too.
12:07Yes.
12:07Thank you, Tim.
12:07Thanks, Anthony.
12:08Welcome back.
12:12I am an ambassador.
12:13I could be the representative of Second Chances.
12:16It would be wonderful if the judges have to take a deep breath and say, wait a minute.
12:21However, I just don't think that my ultimate goal is to prove something to them this time around.
12:27Now, one person I need to impress is myself.
12:30Anthony, time to go to mood.
12:32Though I'm sending you off on your own.
12:33Tim, who won't be right if you don't say, Anthony, don't pick that?
12:39I have to have a winning mind in order for me to make it all the way through.
12:43I can't doubt myself.
12:45I have to be able to show my best.
12:49How are they going, Jay?
12:50Good so far.
12:52I can't believe that it's Heidi's challenge that we only have one day.
12:55You're doing your cut work, right?
12:57Yeah.
12:57Anytime I do this cut work technique, I'm aware of how long it takes.
13:01I'm going to sew layers of fabric together and then cut away at them at different levels
13:05to create an open work filigree.
13:08I have nine and a half hours to finish a freaking masterpiece.
13:12The fabric is very, very drapey and kind of see-through.
13:16So my first thing is to build a fully boned understructure that will support the delicate fabric on top.
13:24So basically, I'm making two dresses.
13:26I hope my dress is interesting enough.
13:28Mine's pretty simple.
13:30I want to create a sleek silhouette that will teardrop onto the floor, and my fit proportion is an absolute must.
13:41It's a busy day for me in here, let me tell you.
13:43Dan!
13:44Seth Aaron.
13:45Yes, sir.
13:46I need to have a word with you outside.
13:48Uh-oh.
13:53Dan, the day just keeps getting weirder and weirder.
13:55Today really hurt me in the way that I am able to focus on my work.
14:01All of the events that have been happening, I feel like it's really putting me behind.
14:06What's up?
14:07Um, Valeria got offered Donna Karan.
14:10My model's been offered a job.
14:12Unfortunately, it takes place on runway day, so she's going.
14:16Oh, she is?
14:17Yeah.
14:18She took the job.
14:19So I get Carrie.
14:20I've never worked with Carrie.
14:22She is not Valeria's shape.
14:23But at this stage, I'm already so far into it, I don't know what's going to happen.
14:29Pass back.
14:30You're back.
14:36One day to make a freaking red carpet gown that's going to pass the scrutiny of the judges.
14:46I do feel some pressure, but I cannot allow the pressure that I'm feeling to consume me.
14:52Hi, guys.
14:53Hi, Heidi.
14:54Hi, Heidi.
14:54Oh, who are you?
14:55Hi, Heidi.
14:56Are you guys working hard?
14:57Yes.
14:58And Miss Fang is back.
15:00Yeah.
15:00Welcome back.
15:02I'm glad to be back, Heidi.
15:03Heidi's going to take a look around.
15:05What the hell?
15:06I want to see what you guys have been doing.
15:08Heidi's never been in the workroom before with us here anyways.
15:11All the designers are sweating bullets.
15:14Can we have a look?
15:15You're kidding me.
15:16Hello.
15:17Hello.
15:18Heidi is not a shy judge.
15:20Heidi is very particular about every little detail.
15:23I love black, obviously, but I didn't want to go black, black.
15:27So I found this great smoked black.
15:29Now, this looks like a short dress.
15:31You're taking it long, right?
15:32Oh, yeah.
15:32I got to fit it because I have a new girl.
15:35Oh, yeah.
15:35There's nothing wrong with black, simple, and long.
15:39I feel like something has to be a little bit more somewhere.
15:44Especially on the red carpet, you always have to have, like, some sort of showstopper.
15:48Thank you, Seth Aaron.
15:50You're back.
15:51Ooh, and you're going black and white.
15:53Yeah.
15:53What happens here?
15:54Is this all going to be, like, smooth and stuff?
15:57Well, after the waist, it kind of just falls.
15:59I'm not designing it to hug.
16:01I want it to move.
16:02I like black and white.
16:03So it's potentially something very exciting.
16:05Yeah.
16:06What are you doing?
16:06What I'm creating is, like, a long mermaid.
16:09And what's beautiful about this fabric is the further away you go from it, the less you
16:13see the individual sequins.
16:15And how do you make it go to the floor?
16:18I have to then just seam it on the bias.
16:21It's going to be very, very difficult.
16:24Mm-hmm.
16:24Which is a good thing.
16:25It is a good thing.
16:26Thank you so much.
16:27Thank you, Emilio.
16:28The whole idea is to kind of, like, continue these lines below the hip, which will kind of
16:33like, ruffle.
16:34So you're going to do this with this hard fabric and with the soft fabric?
16:37Yes.
16:38Just think about, you know, we don't want to look bigger than we are.
16:41Think about how to do it and make her not look like she has.
16:45A big ass.
16:45Than sitting around eating pie and cake.
16:47You know, this is a good thing.
16:49At the end of the day, she's wearing this piece that I'm designing for her.
16:53So her opinion matters.
16:55So there is the cleavage, but there is a block there.
16:58How does that look?
16:59It's basically like the space in between your bra.
17:02There is no space in between the bra.
17:04Do you just want to have a quick look?
17:05See, they're kind of the art together.
17:07Can I just show you?
17:08Look at this experience you're having.
17:10I know.
17:11Hi.
17:12How are you doing?
17:13Good.
17:13Tell us, what are you doing?
17:14Okay, so I've combined three different fabrics, and, you know, I was toying with the idea
17:19of doing some sort of combination of these two or even three fabrics for this strap area.
17:26Is it too simple?
17:28It's not too simple for me, but are the other ones better?
17:33Okay.
17:33Food for thought.
17:34Food for thought, for sure.
17:36I started with a color that wasn't in your dossier, but I thought would be beautiful on
17:40you, which was coral.
17:41No, I think your palette's wonderful.
17:43To be honest, I do like these together, but this reminds me a little bit of, like, curtains.
17:52She immediately hates the fabric that I've been working on for eight hours.
17:57I think, like, all this twisting and this stuff is really beautiful.
18:02I would say cut this bit off and do more with these three things.
18:06My feeling is if you can make this work in the next four hours, you will be driving a
18:11very important point home to our judge about how versatile you are as a designer and how
18:16well you can respond.
18:17Yeah.
18:18Let's let him work.
18:19Exactly.
18:21Bye, everybody.
18:22Bye, everyone.
18:23Be on the runway.
18:24I can't wait.
18:25Me too.
18:26Here we go.
18:27Heidi mentions that she wants all sorts of drapey pieces that all lay over each other and go
18:33into the skirt and swirl around the dress.
18:35That's a dress that would probably take about a week to make.
18:37So, um, if I start now, I should be done next Thursday.
18:44Bye.
18:45Bye.
18:45Bye.
18:48That's hot.
18:49Yeah, I'm happy for her and I'm happy I got you.
18:52You didn't know?
18:53No.
18:54Good evening.
18:56Bye.
18:57Why is Hans getting here?
18:59Because, um, Maya.
19:01Wait.
19:02You're kidding.
19:03Did you guys see that coming?
19:05No.
19:05It was just out of the blue.
19:06Bye.
19:12Since we haven't worked together, I just need to fit this.
19:14Because I know you're putting it through here than she is.
19:17I have not seen Carrie.
19:18I don't know her measurements, like where her back falls or anything.
19:21So, I'm working on having to revamp something I've already started.
19:25So, I'll pull that.
19:26This will be pulled already.
19:28I'm just going to go forward and hope it's enough to put me through.
19:32Okay.
19:33Thank you so much, Winnie Pie.
19:35I'll see you tomorrow.
19:36Good night.
19:37See ya.
19:39Oh, my gosh.
19:40A lot has gone down today.
19:42People are really trying to pull out the tricks.
19:44At the same time, balancing the time frame.
19:46Maya is leaving.
19:47Valeria is leaving.
19:48Oh, Lord.
19:48I'm sweating like a freaking pig here.
19:51It's insanity in here.
19:54It's definitely becoming a huge pressure cooker.
19:57What the hell is in here?
19:59Heidi's scared that I'm going to make her butt look big.
20:03I either need to change it or just go with my gut and just do what my original intention is.
20:10I just have to figure it out.
20:15If they don't give us any more time, I don't know if there's going to be a show tomorrow.
20:20So, the drapey dress that I'm making for Heidi is disgusting and looks horrifying on my mannequin.
20:30It's do or die time.
20:32Are you making a brand new dress?
20:33Yes.
20:34Wow.
20:34I tear the entire thing apart, pull out any extra yardage I have.
20:39I start a third dress.
20:41That's what you call...
20:43Making a park.
20:44I'm thinking really drapey, bias-cut panels.
20:47Shorts show off Heidi's legs.
20:51Hopefully Brandeis is wearing a dress tomorrow.
20:55Coming up on Project Runway...
20:57Are you going to be able to do it?
20:58You have to do it.
20:59A, it doesn't say Heidi, and B, it doesn't say red carpet.
21:03Oh!
21:04We're going down to the runway.
21:05I think it's just a matter of taste.
21:14Due to all the changes, my shutdown time is 2.30.
21:18So, I only was able to sleep for an hour, but I'm working through it.
21:25Oh, Lord.
21:29I'm feeling really tired and stressed, and I'm worried after Heidi's critique yesterday.
21:36I'm definitely sweating here.
21:38Fire.
21:40Oh, yeah.
21:40Everybody is a little unsure of where they are, you know?
21:44We just don't have enough time to pull out red carpet looks.
21:48It's always good when we're all in the same awful, horrible, sinking boat.
21:54God, be with me today.
21:56And I'm going to take this moment to send out a special message to Miss Maya.
22:08Thank you, and God bless you, too.
22:13I try to keep my momentum up.
22:23I'm kind of a spastic type person, so even me at half speed is way faster than the average person.
22:31I am feeling very, very, very, very rushed.
22:35There's so much to do.
22:36I am absolutely redesigning the front of my dress.
22:39Not because I sold it wrong, just because the interface is doing something weird,
22:43and I just do not have time to deal with it, so life is very interesting right now.
22:48This piece that I'm making, it's so intricate and tricky that I just have to finish it
22:53and show the judges that I can do other things besides the things that I've been doing over the past challenges.
22:58You can't go out there thinking, you know, anything about what they're thinking.
23:02Go out there, present something nice, and hope for this.
23:06Jonathan, he started over.
23:09He made an entire new dress last night at 11.30.
23:13I look over, and it's just got a funky hem on it,
23:17and it doesn't really look like good draping, unfortunately.
23:20Ooh.
23:21I do find some relief in seeing other designers struggling,
23:25because if I'm in the bottom, maybe somebody else's dress will tank worse than mine.
23:29I'm a little behind.
23:32I still have to do a zipper, and that always could be problematic.
23:36I need every second I can get.
23:40Good morning, everyone.
23:42Morning, Tim.
23:43How are you?
23:44We are stressed for time, Mr. Tim.
23:47Well, Tim, last night I get home to 2.35, and then I was back up at 5.
23:53Are you going to be able to do it?
23:54You have to do it.
23:55I have to do it, but I'm working through it.
23:58All right, designers, you have an hour to send your models
24:01to the L'Oreal Paris makeup room in the Garnier Hair Salon.
24:05Use the bluefly.com wall very thoughtfully.
24:08Red carpet, Heidi Klum, wow the judges.
24:13I mean, I hate to say it.
24:14Work like there's no tomorrow, because for one of you, there won't be.
24:16There won't be tomorrow.
24:17That's right.
24:18I'm going to send it to your models.
24:23So I want you to put this on so I can put it on the right height,
24:27and then while you're down getting makeup, I'm just...
24:30Not so polished?
24:31Yeah, not so polished.
24:35I'm a smoked black tight dress with a little boob with studs on it,
24:39and it's going to work.
24:42Pow.
24:43Pow.
24:43It'll be good to go.
24:55I like the look on her.
24:57It's almost vampire-looking, so we'll see how they react to that.
25:01What Seth Aaron has selected, A, it doesn't say Heidi,
25:04and B, it doesn't say red carpet.
25:08Designers, in 10 minutes, you and your models and I
25:11are going down to the runway.
25:13Thank you, Tam.
25:14Make it work.
25:15I think Heidi's going to look amazing in my dress.
25:18It's super sexy, sophisticated, and modern.
25:22Mila's dress fits a little strangely today.
25:25She may have a little bit of a problem.
25:30Designers and models, we're going down to the runway.
25:34Here we go.
25:35You look beautiful, baby.
25:36This is so different from anything else I've put down the runway
25:39that maybe the judges will love it because they hate what I usually do.
25:43This is it.
25:44It's at the end.
25:45There's six of us left, and I don't want to go home.
25:48I think it's just a matter of taste.
25:50Well done.
25:54Coming up on Project Runway.
25:56I think it is too simple.
25:57There isn't a woman on the planet who would say,
26:01oh, I want people to think I have a fat butt.
26:03We do not have a winner for this challenge.
26:09Welcome to the runway.
26:15As you know, in fashion, one day you're in,
26:18and the next day you're out.
26:20And then maybe the next day you're in again.
26:24Right, Anthony?
26:25There are six of you here, and after tonight, there will be five.
26:29For this challenge, we ask you to design a red carpet look for me.
26:34I'm looking for a design that I can wear
26:37to one of the many red carpet events that I go to.
26:41All right, let's meet the judges.
26:43First, we have top American designer Michael Kors.
26:46Hey, guys.
26:47Hi, Michael.
26:48Fashion director for Marie Claire magazine, Nina Garcia.
26:51Hi, Nina.
26:52We have a surprise guest judge today
26:54who has spent a lot of time on the red carpet.
26:58Internationally known actress and style icon,
27:02Jessica Alvarez.
27:05Hi.
27:05Hi, guys.
27:08Hi.
27:08Hi, I'm Jessica.
27:10Hi.
27:10Nice to meet y'all.
27:12Nice to meet you, too.
27:13I'm so happy to be here.
27:14I'm so happy to be on the show.
27:15We're happy to have you.
27:16We will score your designs as they come down the runway.
27:19One of you will be named the winner,
27:21and one of you will be out.
27:23Let's start the show.
27:24Let's start the show.
27:28There's something about me
27:32that likes to exaggerate certain areas of women,
27:37especially the butt area.
27:40I guess I like big butts.
27:49I made a really nice dress,
27:51but I think that it's not as well-constructed
27:54as I usually like my things to be.
27:58But the quality of the work is there,
28:00and I think the judges are going to see that.
28:07The gown is absolutely beautiful.
28:09It moves.
28:10It's not stiff.
28:12It's refreshing.
28:13She looks expensive.
28:15She exceeds my expectation
28:17as she walks down the runway.
28:18I love it.
28:19I absolutely love the dress.
28:25One thing I always do
28:27is look at it in awe
28:29and then look at Heidi's face.
28:30I can tell she's either mesmerized
28:33or she's curious.
28:35I am very happy.
28:37It's just everything that I want it to be.
28:39Seeing Brandeis in my dress
28:48makes me feel a little bit confident
28:50and a little bit scared at the same time.
28:52The front of the dress
28:53is appearing a little flat,
28:54but when she hits the end of the runway
28:56and she shows the judges her back,
28:58I can see that they're all
28:59a little bit taken by the detailing there.
29:00This is where I need to be
29:12for this competition.
29:15Spectacular, expensive,
29:17put together, polished,
29:19beautifully executed,
29:21knockout, wow moment, winner.
29:23We're going to talk to all of you today.
29:32One of you will be named the winner
29:33and one of you will be out.
29:37Seth Aaron,
29:38tell us about your red carpet look.
29:39I went for a more sleek,
29:41sophisticated look.
29:42When I designed this,
29:43I thought who I was designing it for,
29:45but wanted to keep it still me.
29:47I think you worry too much about you.
29:50I would be more worried
29:52about making something
29:53that would be flattering for Heidi.
29:56This almost looks like
29:58if you were at an awards ceremony,
29:59this would be the girl
30:00who actually came out
30:01and carried the statue when you won,
30:04but this isn't the winner.
30:05I like it.
30:07I do.
30:08I think it's me.
30:09Maybe I got wrapped up
30:10in who it was for, overwhelmed.
30:13My biggest thing is
30:13this is for Heidi
30:14for the red carpet.
30:17It just doesn't really seem
30:19like something that I've seen her in.
30:21I think it has to have
30:22some sort of sex appeal somewhere.
30:24Either it's the cleavage
30:26isn't done in a way
30:28that looks glorious,
30:29or I don't know
30:30where the wow effect is.
30:33Anthony, tell us about your look.
30:35I wanted to create
30:36a beautiful palette
30:38for you to accessorize,
30:40and there isn't a color palette
30:41more sophisticated
30:42than black and white
30:43have done properly.
30:44And I most definitely think
30:45that my design today
30:46speaks to my aesthetic.
30:48I love your dress.
30:51Oh, Jesus.
30:52It's very sexy,
30:53but it's not too sexy.
30:54It's not vulgar.
30:55It's very elegant.
30:56I love when she was walking
30:58and it flowed,
30:59and it's beautiful
31:00from all angles.
31:01I love it.
31:02I think it's great.
31:03I think you're finally
31:03in your zone.
31:05I think it's stunning.
31:06I think you really captured
31:08the glamour
31:09of the red carpet.
31:11Heidi would look fantastic in it.
31:12So would Jessica.
31:14So would many other celebrities.
31:15And it's nice that it's like
31:17one movie on one side
31:19and another movie
31:19on the other side,
31:20depending on how you feel.
31:23Mila, tell us about your look.
31:24I wanted to do something
31:25sleek and sexy for you
31:28with some modern lines,
31:30and I thought about jewelry again,
31:32because I know how much
31:32you love jewelry
31:33and how many options
31:34you might have.
31:35You know, I like this type
31:36of dress,
31:37and I wear them a lot.
31:38I just think it might be
31:39a little too wide
31:40in the bust area.
31:42I hate how the cups fit her.
31:44They're spreading out
31:45to the side,
31:46and the strap's
31:47in the wrong place,
31:48so it's not doing
31:48fabulous things
31:49for the chest,
31:50because quite honestly,
31:51if you wear this dress,
31:52it's about the cleavage.
31:54I think it is too simple.
31:55I feel like it is not
31:56a showstopper.
31:58Emilio, tell us
31:59about your look.
32:00I designed a very
32:01sophisticated silhouette,
32:02but the fabric
32:03was what inspired me.
32:04It was like liquid gold,
32:06because it's still
32:06metallic, but we wanted
32:07to keep the fluid lines
32:09to it.
32:09It's impeccable,
32:12and her hair
32:13is great with it.
32:15Great.
32:16It is simple,
32:17but it is sexy
32:19at the same time,
32:20and it has an amazing fit.
32:22This fabric could have
32:24looked really cheap.
32:26It looks very expensive,
32:27but very easily,
32:29it could have gone
32:30the opposite direction.
32:32I think it fits
32:33like a glove.
32:34The trick that you did
32:35that other designers
32:36do as well,
32:37because I've worn
32:38these glittery,
32:39strapless dresses,
32:41and it's building
32:42the entire dress
32:44underneath is key.
32:46Jay, tell us
32:46about your look.
32:47I wanted to design
32:48a strapless short dress,
32:50and I had in my mind
32:51I wanted to use
32:52color this time,
32:52but not too strong,
32:54and it's a 360 experience,
32:56so it's the same thing
32:57where you see
32:58as she turns around.
32:59The design of the corset
33:00I think is beautiful,
33:02and it is impeccable.
33:03I saw it like this close up.
33:05It's just the bottom
33:06needs to have
33:07a little different
33:07something, something.
33:09If you're going to play
33:10with volume on bottom,
33:12there isn't a woman
33:13on the planet
33:14who would say,
33:16oh, I want people
33:17to think I have a fat butt
33:18and big hips.
33:20Like, she just doesn't exist.
33:22Can you turn around?
33:24You have the horizontal pleating,
33:26and then you have the ruffles.
33:28She looks wide.
33:30She's tiny.
33:31My hips are bigger
33:32after I gave birth,
33:33but I'm still trying
33:34to disguise it, personally.
33:37I still try to wear things
33:38to keep that to a minimum.
33:40Jonathan, tell us
33:41about your look.
33:42I wanted to do something
33:43that was a little easier,
33:45a little sexier,
33:46maybe a little more fun.
33:48I love short,
33:49but boy, is this short.
33:50I think if she even
33:51takes a big enough step,
33:53you might see her butt cheek.
33:54It might be just
33:55a little too short.
33:56The back of the dress,
33:57there's something effortless
33:59about the way the back
34:00of that dress is draped.
34:01The front looks like
34:02you were like,
34:03I've got 10 minutes left,
34:04and I've got to jam
34:04this fabric in here.
34:06Did you run out of fabric?
34:07I ran out of coral, yes.
34:09This is the third dress.
34:11You made three?
34:12Yes.
34:13You made three.
34:13So this is the third version
34:15or the third dress?
34:16The second version
34:17of this dress,
34:18the third dress.
34:20So this really was
34:21an insane rush
34:22that we're looking at
34:24in the front.
34:24It looks it.
34:25The color choice
34:26for this dress
34:27makes her look waxy,
34:29plasticky,
34:30and it won't photograph.
34:33Okay, we've heard
34:33what you had to say.
34:35We're going to have
34:35a little chat,
34:36and then I'm going
34:36to call you back.
34:37You can leave the runway.
34:45Okay, let's talk
34:45about Seth Aaron.
34:46He just went super safe
34:48and quite boring.
34:50No sense of surprise.
34:51You're on the red carpet.
34:52You want some surprise.
34:53It looks like she was
34:54going to a funeral.
34:56You have an insane body.
34:58You should see that.
35:01Let's talk about Anthony.
35:03He was basically let go,
35:05and then we had
35:06another designer.
35:07Maya was her name.
35:08It was too much stress
35:09for her,
35:10so she left.
35:11The rules are
35:12the last person
35:13that was let go
35:13comes back.
35:14This is a tough show
35:16to be on,
35:17but this is nothing
35:18compared to the real world.
35:19But Anthony,
35:20that was quite a beautiful
35:21dress that he made.
35:22Gorgeous.
35:23Really chic
35:24and very elegant.
35:25Part of the allure
35:26of that dress
35:27is when you walk
35:28and there's the leg.
35:29Yes, the leg
35:30and the movement to it.
35:32I would wear that dress.
35:34Can I borrow it?
35:39It's really unfortunate
35:40with Jonathan.
35:41You know,
35:41I don't know
35:42what went wrong here.
35:44The terribly sloppy front,
35:46which I think
35:46was so unflattering,
35:47really did look like
35:48just a dull pillowcase
35:50that you'd have bunched.
35:52Waxy.
35:53Yeah, waxy.
35:54Plasticky.
35:54Color was really strange.
35:57It looked very amateur.
36:01Let's talk about Jay.
36:03If the skirt
36:04would have been fuller,
36:05in fact,
36:06it would have looked intentional.
36:08Even these ruffles,
36:10they need to go
36:11a different way.
36:12Like,
36:12they should have just
36:12been going a different way
36:13completely
36:14if you wanted volume
36:15in that skirt.
36:16I said,
36:17I don't want to look big.
36:18I mean,
36:18who does?
36:19You don't want to be
36:20big in the thighs
36:21or big on the booty.
36:22Not that you have
36:23a, you know,
36:24a big butt.
36:25I mean,
36:25that's the last thing
36:26you'd want.
36:29Let's talk about Emilio.
36:31He is the only one
36:32who knew to put
36:33the right structure
36:33into the dress.
36:34Amazing.
36:35I mean,
36:35look how perfect that was.
36:37He really worked
36:38that fabric
36:39to its best potential.
36:41I like glitter,
36:42but it is
36:42the right kind of glitter.
36:44It is not like
36:45crazy glitter.
36:47I love that.
36:51What about Mila?
36:52It looked like something
36:53the housewives
36:55of New Jersey
36:55would wear.
36:57And the cut
36:57was really
36:58so unflattering.
36:59Not for red carpet,
37:00it kind of seems
37:01more appropriate
37:01for like a cocktail.
37:03Go to dinner.
37:04Go to dinner
37:04with your husband,
37:05you know.
37:06Mila is talented
37:07and she has great skills,
37:09but do we want
37:09to see more from her?
37:10Have we made
37:14our decision?
37:17All right,
37:17let's bring them
37:18back up.
37:23The six of you
37:24represent the best
37:25and the worst.
37:27One of you
37:28will be named
37:28the winner
37:29and one of you
37:30will be out.
37:34The six of you
37:35represent the best
37:36and the worst
37:38and one of you
37:39will be out.
37:42Designers,
37:43we do not have
37:45a winner
37:45for this challenge.
37:49We have two winners.
37:53Emilio,
37:53you are the winner
37:54of this challenge.
37:57I absolutely
37:58adored your dress.
37:59It was impeccable.
38:01I really can't wait
38:01to wear it
38:02on the red carpet.
38:03Great.
38:03Looking forward to it.
38:06Jessica,
38:06would you like to tell us
38:07who the other winner is?
38:09I would.
38:14Anthony,
38:15you are the other winner.
38:19I would actually
38:20like to wear your dress
38:21if it's okay with you.
38:24Good.
38:26Anytime.
38:28Congratulations,
38:29you can leave the runway.
38:31We're getting it, everyone.
38:33Come on.
38:34Oh, I'm about to leave.
38:38Four total,
38:39three consecutive wins.
38:41This is where I
38:42want it to be
38:43at the end
38:44of the competition.
38:45Woo!
38:46Never in a million years
38:48did I think
38:49that I would be
38:50invited back
38:51only to win a challenge,
38:53and not just any challenge,
38:54a challenge that will
38:55allow my garment
38:56to be featured
38:57to be featured
38:57on Jessica Alvarez.
38:58Oh, my God.
38:59Wow.
39:02Seth Aaron,
39:04you're in.
39:05You can leave the runway.
39:13Mila,
39:14you're in.
39:17You can leave the runway.
39:18Thanks for another chance.
39:23Jay,
39:24this was not a flattering
39:26red carpet dress,
39:27and no woman
39:28wants to look bigger
39:29than she is.
39:30And I warned you
39:32about that.
39:34Jonathan,
39:35though there was
39:36some nice detail
39:37in the back,
39:39the front was a mess.
39:41This was another effort
39:43that fell short
39:44of your talent.
39:47Jay,
39:49you're in.
39:54You can leave the runway.
40:01Which means,
40:02Jonathan,
40:02you are out.
40:05If he doesn't.
40:08Good luck.
40:10Thank you all so much.
40:12I appreciate everything.
40:14Good luck.
40:15I wish I could lie
40:16and say that I'm more surprised
40:18that I'm eliminated.
40:19How could I ever compete
40:20with the kind of gown
40:21that Emilio created
40:23or Anthony created
40:24with a dress
40:25that I made in two hours?
40:28Oh, my roommate.
40:29Hi.
40:30My roommate.
40:32I'm very excited
40:33about where I got
40:34in this competition.
40:35Oh, my God.
40:39This is definitely
40:40closing a chapter.
40:41Jonathan,
40:42we are going to miss you
40:43so much.
40:44I have to send you
40:44to the work room
40:45to clean up your space.
40:46No problem.
40:47I did it.
40:47I came here.
40:48I kicked a little bit of ass.
40:49Not all ass,
40:51but I'm going home
40:52with my head held high.
40:53I'm going home
40:55with my head held high.
40:56I'm going home.
40:56I'm going home.
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