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00:00is the chance of a lifetime the winner of Project Runway will receive a fashion
00:04spread in Marie Claire magazine an opportunity to sell their line on
00:08bluefly.com a $50,000 technology suites to create design and run their
00:13business from HP and Intel and $100,000 from L'Oreal Paris to launch their line
00:30losing Amy was really tough the only thing that's saving me from being
00:39completely overwrought by this is that she's so strong so it's game on from
00:43this point forward I am closer to Brian Park then I think most people probably
00:51ever expected me to get in this competition but my eye and my focus is
00:56still on the prize I'm a little jealous that you know Seth Aaron and Amelia won
01:04the challenge I'm one of two girls and I'm the youngest one you know it's it's
01:09definitely scary now that there's only a few of us left let's go I won yesterday
01:15but I'm normal today I'm normal
01:26hello now there are only seven of you left so for your next challenge we want
01:37you to take your creativity to the next level let's just say the next challenge
01:41will involve more than just choosing your fabric Tim and a special guest are
01:46waiting for you in the workroom to fill in on all of the details good luck and I
01:51see you on the runway this challenge will involve more than just choosing our
01:58fabric what does that mean are we gonna get a couple pocket L's delta so I mean
02:03what is what is it good morning designers I am thrilled to introduce Vivian's ham
02:12Vivian is a designer who understands how to marry the art of fashion with the
02:17science of technology you're going to be doing something that every fashion
02:21designer dreams about but seldom realizes you're going to be designing creating
02:28your own textile to serve as the core of the design that you develop for this
02:33challenge Wow yes very exciting I am so excited about creating fabric and I'm
02:41completely confident that I'm gonna be able to really create something that's me
02:44you've all been using your HP touch smart notebooks now you're going to carry it
02:49over into a touch smart all-in-one desktop to design your textile and that
02:54textile will be digitally printed for you working with HP they make the
02:58computer more personal today the challenge is all about fashion mid
03:02technology my vision started with this beautiful butterfly and it turned into
03:07this beautiful fabric my prints are my inspiration now is your turn to to make
03:13your designs HP and Intel are proud to bring you the technology now you have
03:18to supply the vision so designers you will have an hour to develop your design
03:22and your design will be manufactured by dynamics so you will receive it tomorrow
03:27morning it's so challenging huh so you have two days for this challenge we will be
03:35going to mood where you will buy supplementary fabric and then today you can
03:39prototype and Muslim and Vivian and we have you and HP and Intel to thank so
03:44thank you so much I'm looking forward to see your prints so we're gonna let you
03:47design I'm so excited about this because I've never designed my own fabric it's
03:53amazing absolutely amazing I've never made my own fabric before it's exciting but at the
04:00same time it's challenging and nerve-wracking prints don't typically work for
04:05Anthony so this is just a challenge however I'm trying to remain focused
04:09because ultimately we have like an hour to design a textile and print it out so
04:15here we go my idea is to create something that emulates giant drips of paint on a
04:24canvas I am using a paintbrush to create my design and it truly feels like I'm painting
04:30I've chosen to use a technique to create my pattern that's actually subtractive it's kind
04:36of scrolling organic very painterly this is fun I want one of these I wouldn't need a TV anymore
04:43as a designer I think branding is what we want to do so I chose to do a graffiti print with my initials
04:50Ryan Park here we go do we have time to print so I can see what it made all you have to do is press
04:56print oh and it'll automatically just go I want to you know show the judges that I can use color
05:11and I am using black again but I'm using red and a little bit of bright orange in this palette
05:18all right designers this is very exciting we're sending off your fabric to be manufactured and we're
05:26heading off to move to get supplemental fabric all right so come with me all right designers you
05:35have a hundred dollars and 20 minutes so surely after all this designing of the textile you know
05:41what you're doing I see looks of fear your 20 minutes starts now
05:48I design five to ten sketches really quickly and then I look for fabric the fabric that I find that
06:01best suits the design is what I go with yeah this look like algebra give me an eighth of that I'm using
06:11color this time I love yellow so I'm going with a British take on pop punk all right that's it time
06:21everyone you need to be at the counter ready to pay I'm like running like crazy oh my god
06:27I can't wait
06:28thank you thank you thank you come on everyone let's go back to Parsons
06:35I'm doing three pieces a jacket a skirt and a top with the more time the judges are gonna want to see
06:50more work my plan of attack is to first start drafting and designing a strapless dress with
06:58a v-neck I'm also using a giant piece of the print on one entire side of the dress oh my god that's the
07:08brightest yellow I've seen in my life so bright isn't it Mila there's just a lot of things wrong with the
07:15fabric that she designed I think that like when we were children we play with Legos I don't want to
07:20wear Legos I just want to play with them I'm just hoping well this is it but it's actually where is it
07:28it was so transparent it has to be oh this is it my print was so light that when I printed a mock-up
07:35of it I actually couldn't even see what it looked like so I'm worried that that could jeopardize my
07:41original vision what are you making a jacket a little foreign ass out of myself I figured I'd try
07:50something new this time around Anthony's trying separates again in this challenge I'm thinking
07:56about doing separates simply because I'm trying to create a more edgy look for myself but already I'm
08:03feeling a little iffy about it Lord I'm afraid now for this jacket because I've never made one ever in my
08:11life okay I'm gonna run with it but I'm fighting my viscera so I started draping a blue leather like
08:21bustier and then when I had it all completed I put on the dress form and I hate it do it this way if it
08:27was somebody else's garment coming down the runway what would you say about it it's now or never I'm not
08:32gonna have a second chance if I don't do this right coming up on project runway I'm having a
08:44little bit of a block on this challenge it's a pretty basic silhouette we do not listen to Tim
08:49whether he likes it or not Wow okay my viscera tells me to abandon the blue leather boots you don't
09:09like the blue I'm not crazy about the blue it's not talking to me as a designer I think I have the right
09:15or just the preference to change direction anytime I feel like it so I just took it apart and started
09:20over again my you must be dying something dying something no I'm having some difficulty with the
09:28print challenge because I don't normally work with prints I think I might be in trouble this time you
09:34know I blame Beyonce for everything that go wrong in my life it's something about her song that will
09:42make you think first of all that you are a size for that you can conquer the world and that I don't
09:49know you are all-powerful do you think Beyonce has a song for the people who can't find jobs or the
09:55interview that you didn't do so well then do she sing any songs about that I think everyone loves Anthony
10:01I don't even think he's he tries to be funny I love that about him I wouldn't like Oprah because
10:09that all the day she could book me for her show she booked me for the show where she'll be screaming
10:13you'll get a car you'll get a car you get a car Oprah don't book me owner my husband has a porn
10:20addiction no Oprah I don't want to be on that show because my uncle Leroy got that same problem I do not
10:26purposely try to be entertaining in the workroom even when I'm like pointing out my heart and
10:31like being like somber and all that people still laugh at me for some reason I can't wait to see my
10:45fabric you know if the colors are off it's gonna look like crap I feel great leaving the workroom
10:50tonight myself and all the designers included are so excited to see our printed fabrics now we can
10:56leave hey how are you happy birthday thanks so how's the puppy if I sit and think about how much I
11:15miss my family it will affect why I'm here I'm here to win project runaway season seven okay I'll call
11:24you again baby love you too bye
11:27oh my god all of us walking to the workroom and our textiles are ready for us now we're watching
11:46our beautiful creations unfold we made our own fabric oh my god I love you and I don't even know you yet
11:56oh oh my god I opened my roll and it's beautiful it's the most beautiful grayish blue there's this
12:06beautiful oil spot effect kind of going on and the sheer layers it's just really gorgeous fabric wow
12:13it's so vivid yeah the color did you want it to be this vivid yeah oh my god can we make out with our
12:19fabric this is amazing s-a-e-s-o-s-e-s-o-s-e-s-o-s-a okay I don't get it E Sosa E Sosa Emilio Sosa
12:34oh got it sorry it's early still Mercedes I think Emilio's print is probably one of the worst in the
12:44room Emilio is good at fitting things but I feel like his taste is questionable I am so freaking stoked
12:53on this my favorite looks freaking amazing so I think I have a very very powerful look in front of
12:59everything yours look like he's coming along beautiful thank you I like the print I just having
13:06a hard time with the dream well I just don't know how me it is I'm kind of you know wondering what I
13:14should do this isn't really a challenge where I can be very sculptural so I'm really trying to put
13:20something together that represents me all right designers I'm eager to see the outcomes of your
13:29custom textiles so I'm just here to check in with all of you and Milo I want to start with you okay
13:34great great I'm so happy with the way it turned out I know it looks kind of evening but the twill
13:40makes it feel you know more daytime to me so you want it to read evening I don't want it but isn't
13:46the length sort of by definition well yeah but I just thought it was like you know maxi dress kind
13:51of for a spring event kind of thing all right all right well I'll just uh carry on carry on thanks
13:58Mila thank you TG I did a three-piece suite I see it as being early spring so I'm doing um a
14:04lightweight leather jacket um it's a wrap jacket she'll have a prim little fitted dress with a blouse
14:11my one concern the proportion of this to this too much here just look at that when it's on her
14:18yeah thank you Tim thank you this is my textile which is a graphic what is it supposed to say
14:25uh it says E Sosa and S-A is Seth Aaron Seth Aaron Emilio Sosa S-O-S-A I see Seth Aaron Emilio
14:36Sosa oh I didn't see that that's all I say well I don't see that Emilio Sosa S-O-S-A I see wow all
14:46right I have to recalibrate my thinking that's not what I see at all so basically what I wanted to
14:52create was a 1940 silhouette combined with like a graffiti print that's why I did the text I wanted
14:59the print to be the thing and that is what it is because if you take the print away it's a pretty
15:05basic silhouette well I would say it's a classic silhouette Tim Gunn comes in and automatically he
15:10mocks it and I'm like okay great Tim but you know what I do not listen to Tim whether he likes it or not
15:18tell Seth Aaron this is my sketch when creating my textile I went for a British pop punk feel
15:25can I say oh absolutely it printed wonderfully the tiles are a little larger than I thought
15:30they would be this is fantastic thank you this needs to be just it's just as good all right all right
15:39thank you Seth Aaron thank you um so for this challenge um it's a little bit of a challenge for me
15:46because I'm not really a print type person really you'd fool me I mean I'm trying to make it as me as
15:53possible but I kind of had a block on this challenge to be honest I'm trying to work
15:57out I know unblock someone's going home you don't want it to be you I know I'll figure it out okay
16:04thank you thank you so much so talk to me about what you're designing um what I'm designing is just
16:11celebrating the lines that are in the pattern without being so literal like showing them in the
16:16skirt and showing a little detailing in the bodice I'm concerned that the judges may say to you that you
16:23weren't ambitious enough so work away well thank you to you thank you Anthony all right designers so
16:31you have until midnight tonight all right I'll see you tomorrow thank you thank you it's perfect good
16:41I hope they don't see that I got wet right there a lot of designers never get to get the chance to
16:47design their own fabric Carrie tries on the blouse we get the dress on her it's great there's minor
16:52alterations to it but overall the look looks fantastic on her you know I'm completely convinced
16:57that I've got a really great look on my hands this is like getting so hard like most of my work I like
17:04to be dimensional and prints are like so flat it was hard in the beginning but I feel like it's harder
17:10now and I really want to win a challenge that's like all I'm focusing on I don't want to be safe I
17:16don't want to be in the top and not win I want to win a challenge Mila and her white teepee of a dress
17:25I'm baffled by how can someone call themselves a designer and not be able to work in color I'm very
17:32confident in my color and fabric choices it's definitely taking a risk but I feel like at this
17:38point in the competition I have to take risks and I have to listen to what the judges are saying
17:42Anthony how was your fitting I'm trying to figure out if I want to keep working with this bodies or abort
17:55Anthony's taste is questionable sometimes I mean he's a joy to have around I'll be sad to see him go if
18:01he does before me but I just can't imagine him making a collection for Bryant Park Bidaboom Bidaboom
18:08so runway is tomorrow and I feel good I know it's totally me obviously I created the fabric
18:14how's it going oh it's going Maya the bodice it's just too big it's large and I just think that it's
18:21going to be really cumbersome to try to work through these alterations I basically scrapped my first top
18:27the fit wasn't incredible and it was one of those do I keep working on this top or do I go to
18:33something I know I can make fit and look fabulous it's giving me quite a conundrum trying to work
18:39through my reality and what may happen tomorrow what did I do to deserve this coming up on Project
18:52runway well wait there is something wrong I'm pushing it to the last second today I think Mila
18:57is in trouble we're off to the runway
19:00so tired I didn't sleep last night really I'm feeling so exhausted this morning this is definitely
19:17not the easiest challenge for me but just feels a lot more intense than it has so far you look like
19:24a gay Christmas ornament why'd you say that yeah now he's gonna want to change no you look beautiful
19:30I'm sorry babe I'm sorry it's gonna be a nice runway show today I feel so strong about my fabric and my
19:38design but you never know how the runway is actually going to go because in Project runway land anything can
19:45happen are we leaving I'm gonna change my pants oh my god thanks Anthony sabotage all right fellas we
19:57are leaving as three we're coming back as three returning as three
20:15I still think I have a great chance of going to Bryant Park I'm trying to focus a lot on being very
20:26consistent and pushing the boundaries with my design if I can't get sleeved on a jacket in an hour then
20:34there's just something wrong wait there's something wrong with me I did a lot of pieces I did a shirt a
20:39tie blazer pants so I'm pushing it to the last second today Anthony has a lot on his plate this
20:47morning right now I'm trying to figure out what can I do to make my dress a little more special
20:52I'm definitely ready for the runway show based on the amount of work I put in last night but you
21:02can't even tell anymore who is in trouble or who's going home it's such a tight competition at this
21:08point good morning everyone I'm about to send in your models you know the drill you'll have an hour to
21:16send them to the Garnier hair salon in the L'Oreal Paris makeup room use the bluefly.com wall very
21:21thoughtfully and strategically I will be back to take you down to the runway a little later thank
21:26you all right make it work everyone thank you can I try something on you real quick so I didn't do it
21:38just clean down a little take please tell me that nice I don't really care for Jonathan's look it's
21:44really pale and then when you look at the colors they're really pale and Jonathan's really pale
21:49and it's just like I just want to take a bucket of paint just throw it over on this side of the
21:53room because everything is pale as hell I'm so happy with this print too I couldn't be happier I
22:00think Mila is in trouble due to the fact that her dress is so stiff and that Brandeis can't walk
22:06and a little bit of black smoky at the top not at the bottom now really dark no color I just want to
22:29pull back and pull back on the tail and blend structure to the side designers in ten minutes we
22:42are all going down to the runway ten minutes thank you
22:54I think it's cool.
22:55I think it looks great on you.
22:56I love the way the dress came out.
22:58I think it's totally me,
22:59but it's gonna be a real matter of taste this time,
23:02so we'll see what the judges think.
23:04Go to J and Brittany.
23:09There's nothing else in that room that can top this.
23:12The print is smart, is bold.
23:15I feel good.
23:16I love the way that it's loose,
23:18because it is a day look, so.
23:20I don't wanna go home.
23:22My biggest fear is getting so close
23:24that I can see Bryant Park out of the corner of my eye
23:26and then losing it.
23:30Designers and models, we're off to the runway.
23:34Right here, right here, right here.
23:42Thank you, everyone.
23:45Coming up on Project Runway.
23:48It's too conceptual, it's too weird.
23:50It's like a disco straitjacket.
23:52Full on catastrophe.
24:03Welcome to the runway.
24:04As you know, in fashion, one day you're in,
24:06and the next day, you're out.
24:08You're out.
24:10For this challenge, we gave you the tools
24:12to design your own fabric.
24:13This is a Project Runway first,
24:16and an opportunity that a lot of designers dream of.
24:20I hope you'll wow us,
24:21because now, the competition is tougher than ever.
24:25Okay, let's meet the judges.
24:27First, we have top American designer, Michael Kors.
24:30Hey, guys.
24:30Hi, Michael.
24:31Hi, Michael.
24:31Hi, Michael.
24:32Fashion director for Marie Claire magazine, Nina Garcia.
24:35Hi, Nina.
24:36Hi, everyone.
24:37And fashion designer, Vivian Tam.
24:39Hi.
24:40Hi.
24:42We will score your designs as they come down the runway.
24:45One of you will be named the winner,
24:47and one of you will be out.
24:49Let's start the show.
24:50It's pretty amazing, because 24 hours ago,
24:57I was drawing this pop art on a computer screen,
25:01and now, it's walking down a runway.
25:07It's crisp.
25:08It's clean.
25:09It's fully finished, and it's just everything
25:11I wanted it to be.
25:17I think my garment has definitely achieved
25:20everything I set it out to achieve.
25:22The print is soft and subtle,
25:24and the mix of the textures is really beautiful,
25:26and the colors look great on Carrie.
25:39The dress looks very electric,
25:41and it looks like it's moving, which is what I wanted.
25:43It's very bold and powerful.
25:45There's the textural element and the print element.
25:49I love it.
25:50I love it.
25:57As I watch Lorena, I'm like, we got this.
26:00The print is graphic, it's bold, it's energetic.
26:05It says everything that we were challenged to do.
26:08My print is spot on.
26:11I love my dress, I love the little jacket with it.
26:21But then, Brandeis has picked the dress up on the side
26:25to walk with it, and I'm really freaking out about that.
26:29But I used print in a way that no one else did.
26:39I am very proud of the look that I created for Christina.
26:45She looks polished, and she looks feminine.
26:47She looks like a lady.
26:48That's everything that I try to exude as a designer.
26:53The whole look turned out the way I wanted it to be.
27:05It has this very military-inspired attitude,
27:08and the fabric has this tribal feeling to it,
27:11with the black and the green.
27:16I love it.
27:22Jay, congratulations.
27:25Your scores have qualified you to move on to the next challenge.
27:28You can leave the runway.
27:30The six of you have the highest and the lowest scores.
27:38One of you will be named the winner,
27:42and one of you will be out.
27:44Let's bring out your models.
27:46Emilio, tell us about your print and your design.
27:58For this challenge, I wanted to showcase
28:01two of my greatest influence,
28:03which is graffiti in 1940s French fashion.
28:06So I decided to create a print using text.
28:10It says E Sosa, which is my name,
28:13and the hearts represent the O's.
28:16I have to say, I am in love with the whole outfit.
28:19The coat is just a different, unique shape.
28:22She looks very sophisticated,
28:24and then the dress underneath is stunning.
28:26You nailed it.
28:27You nailed it.
28:28I mean, you nailed it.
28:30To come up with a signature pattern,
28:32and that it's abstract, how great is that?
28:36I would love to wear it, but I would love to see the heart shape
28:39in the neck or in the waist area with the black.
28:42So it ties back to the print.
28:44The unexpected juxtaposition of the 40s and the graffiti was fantastic.
28:50She looks great from head to toe.
28:52Thank you very much.
28:53Mila.
28:54Okay, I wanted to create something painterly for my print.
28:58I thought, because it was such a large scale,
29:00I wanted to show a big piece of it.
29:03I worked on the strap detailing, and I just made a little jacket
29:07to show some versatility in the way that it could be worn.
29:10I don't find anything intriguing about this print.
29:15It's like a Mexican Serape gay flag, and no matter how great your model is,
29:21she literally was hobbling down that runway.
29:24I love that it's finished, but this dress is definitely something that you've seen in the 70s before.
29:32It looks too stuck in time.
29:34This is not much of a print. You used it very modestly.
29:38This print, it doesn't go with this dress. It's like a mixed message.
29:43Anthony.
29:44I thought to myself, hmm, Anthony, let's try playing with color and geometric shapes
29:50to see if we can give you a little edge this time around.
29:52I wanted something that was structured but something that was a little festive at the same time.
29:56I think there's a few things that are going on that I don't quite understand.
30:01Is the shrug, is this a shrug?
30:03Um, that's an interesting question, Nina.
30:06The initial jacket that I created, honey, she died.
30:11So in the final hour, I had to create a different piece.
30:14Like, you stop explaining.
30:15Just say it was a shrug. I didn't know.
30:17It was a shrug. You're trying to go more modern.
30:19But you still hold on to some of the things, quite honestly, that make it look very normal.
30:25The sweetheart line may be too sweet for the architectural print.
30:28I can see your effort, but you didn't go further enough to develop it.
30:33I feel like I've seen this many times from you, this silhouette.
30:36I just would love to see something different.
30:41Seth Aaron, tell us about your design.
30:44I like to draw pop art.
30:45So this is hand-drawn and represents a vibe of a young lady's face.
30:51And then I gridded it in thick windowpane.
30:54This complete look represents me 100%.
30:57What I like about you, Seth Aaron, is that you're always true to yourself.
31:01You know, the whole color combination is wild and crazy, but it works at the same time.
31:06It's impeccable. It's got personality.
31:09And each piece on its own, they're great pieces.
31:13I thought your print was very charming.
31:16And I love the fact that you did this jacket.
31:19It looks sharp. It looks very well made. Adorable.
31:23Maya.
31:24Well, for this challenge, I wanted to create a textile that had a lot of movement.
31:29And I'm really trying to pull the flat and the textural quality to combine a total architectural, sculptural look.
31:37And I really like the way it came out. I think it's very me.
31:41I think you did a brilliant job with your print.
31:44It's almost like electricity. However, you have the print, the textured panel, and then you have her hair.
31:50There's a lot going on.
31:52The coolest thing about this is that this look has this weird juxtaposition going on.
31:59She's kind of like a romantic warrior.
32:02Every way I look at the dress, I'm intrigued.
32:05In general, I do love the print. And I think that you give, like, a textural effect to your designs.
32:10It's very, very good. Give it more three-dimensional. I like it.
32:14Thank you very much.
32:15Jonathan, tell us about your fabric and your overall design.
32:19I laid layers of sheer polka dots.
32:21And when they came over the different sheer fields of color, they almost gave, like, a watercolor effect.
32:26Instead of doing it a wrap jacket in the front, I chose to turn it around and give it a different twist.
32:30And then underneath, Carrie has a double-layered silk chiffon trapeze blouse under the cocktail dress,
32:36which is completely made out of the print.
32:37The jacket, first off, is just, it's like a disco straitjacket. It doesn't make any sense.
32:43Then I get to the print, which looks like a dirty tablecloth that food just kind of randomly spilled on.
32:52To refer to it as a dirty tablecloth, I think, is just preposterous.
32:55But there's nothing compelling about that print.
32:57I just can't see the emotional attachment that anyone would have.
33:02Oh, God, look at that.
33:04Your husband helps you back into your straitjacket.
33:07Oh, that's not a good thing, sweetie.
33:14This is a full-on catastrophe.
33:17That kick pleat on the back is beyond upsetting to me.
33:21It looks dirty, it looks poor, it looks soiled.
33:24The emotion that I get is sadness. I feel sad.
33:28But is sad not an emotion?
33:30I actually think there have been many clothes over the years, quite frankly,
33:34that are sad or melancholic, but in a beautiful way.
33:38But I definitely stand by my print. It's more organic.
33:41It is a different emotion than the other pieces on the stage.
33:44But I think that's okay.
33:46Okay, we've heard what you had to say.
33:49We're gonna have a little chat, and then I call you back.
33:52You can leave the runway.
33:54Let's talk about the designers that we didn't like.
34:05Let's start with Anthony.
34:06My problem with Anthony is that there is always an explanation.
34:11There's always an excuse.
34:13He always does this kind of silhouette every time over and over and over again.
34:18I mean, I think he just takes very basic forms, and he decorates them.
34:22Yeah, you need to be more adventurous.
34:27Let's move on to Mila.
34:29I feel she took the easy road in here.
34:31She could have given us something more creative.
34:33I mean, the poor model looked like she was walking in a striped teepee.
34:37And you know what?
34:39This is the sundress that everyone's mom wore in 1972 on a patio.
34:43Yeah, exactly.
34:44You know, there's nothing special about this dress.
34:49Let's talk about Jonathan's dress.
34:51He got very offended when he said that, you know, his print was reminding you of a dirty tablecloth.
34:56He was like...
34:58It looked poor.
34:59I think this was a total car crash today.
35:01We have told him in the past that, yes, we praise him for taking chances and being conceptual and all that.
35:07But this time around, that's what killed him here.
35:11It's too conceptual.
35:12It's too weird.
35:13Let's talk about the designers that we did like.
35:19Let's start with Seth Aaron.
35:21Talk about making clothes that look unbelievably polished on not a lot of money and not a lot of time.
35:30Seth Aaron, I feel like, is always full of ideas.
35:33Yep.
35:34He gets it.
35:35He gets it.
35:36He's true to himself, thinks outside of the box.
35:39I like the print.
35:40It's whimsical.
35:43Emilio.
35:44I love his print and I love the dress.
35:46I would love to have that dress.
35:48The slip shape and the jacket, the back drape.
35:50It's so beautiful.
35:51Yeah.
35:52Adorable.
35:53This print could work smaller, bigger, many colors, different fabrics.
35:59Doesn't matter what you would do it in.
36:01Exactly.
36:05Let's talk about Maya.
36:06The side silhouette of it I thought was really fabulous.
36:10I mean, when she said I wanted to give my print movement, she totally got me because, yes, you can totally see that in her print.
36:19She makes beautiful clothes and in terms of fabric, she probably did the nicest print.
36:23I agree.
36:24Maya's print is my favorite print today.
36:26It's flattering, easy to work with, and it's special.
36:32All right, so we've made our decision.
36:37Okay, let's bring them back out.
36:38One of you will be named the winner, and one of you will be out.
36:55One of you will be named the winner, and one of you will be out.
37:03Emilio, you are the winner of this challenge.
37:08He did a great job both with the print and the design.
37:12The final result was polished, spirited, and cool.
37:17Congratulations.
37:18You can leave the runway.
37:19Thank you very much.
37:25I win the challenge.
37:27That's cool.
37:29The third time.
37:30Three, baby.
37:31This one just showed everyone that I'm a force to be reckoned with.
37:36Seth Aaron, another great job.
37:37You're in.
37:38You can leave the runway.
37:39Thank you so much, guys.
37:43Maya, you're in.
37:44You can leave the runway.
37:45Thank you so much.
37:47It's definitely frustrating that I have been so close to having wins three times now.
37:53I was really hoping to win this challenge.
37:54Mila, you're in.
37:55You can leave the runway.
37:57Anthony, Jonathan, one of you will be out.
38:11Anthony, this was yet another simple cocktail dress.
38:15Your print was very safe.
38:16And again, with the excuses.
38:19You don't need to point out your mistakes.
38:22We do see them.
38:25Jonathan, despite your protests, this look was bizarre and quite sad.
38:31We appreciate that you take risks, but this was a complete and utter misfire.
38:36Anthony, you're out.
38:49We will miss you.
38:50Thank you for everything.
38:53Jonathan, that means you're in.
38:55You can leave the runway.
39:06If he doesn't.
39:15Hey, boo!
39:17What's going on?
39:18I think that life has taught us that you don't have to have the crown to be the queen.
39:24I don't know what's the only thing. Bye-bye birdie? Hell, I don't know.
39:29Ultimately, considering where I've come from and the type of people that I grew up with,
39:36never in a million years did I think I'd be in this place.
39:41Some levity.
39:43Good.
39:44Anthony, I hope you are as proud of what you've achieved as I am for you.
39:49Thank you, Tim, for everything.
39:52I have to send you to the workroom to clean up your space,
39:55but I want you to think about the legacy you're going to have.
39:57You're on the cover of Mary Claire magazine.
40:00I know, Tim.
40:03Y'all be good.
40:05We love you, Anthony.
40:06I got eliminated today, but I still have breath in my body to change my tomorrow.
40:11So, don't cry for Anthony, honey.
40:14Matter of fact, toss back one for me.
40:17I still think that greatness awaits.
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