- hace 7 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de mucho
s actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de mucho
s actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
Categoría
🎥
CortometrajesTranscripción
00:00¡Gracias!
00:30¡Gracias!
01:00¡Gracias!
01:30¡Gracias!
02:00¡Gracias!
02:30¡Gracias!
02:32¡Gracias!
02:33¡Gracias!
02:34¡Gracias!
02:36¡Gracias!
02:38¡Gracias!
02:39¡Gracias!
02:41¡Gracias!
02:42¡Gracias!
02:43¡Gracias!
02:44What gives off here?
02:45Look Ed, as a so-called president of this alleged paternity of moo moo moos,
02:49you've got to do something.
02:50About what?
02:51Flash Casey's up in his room packing.
02:53Oh, what for?
02:54He's leaving his dear old Alma Mammy flat on her campus.
02:57Hey, that doesn't make sense.
02:58He can't shove off now.
02:59He graduates in a couple of months.
03:00Why is he leaving?
03:01Money.
03:02Money.
03:03What's that?
03:04I wouldn't know.
03:06All right.
03:07It's up to us guys to see him through.
03:09Come on, shell out.
03:10It's no use, Ed.
03:11We're all flat.
03:12A fine thing.
03:13A couple of shocks in economics and broke.
03:16Let's have a few moments of intense, silent concentration.
03:20Maybe we can figure out something.
03:22Come on, brain.
03:24Give.
03:24Thanks, Benny, old boy, old boy.
03:28I'll tell him.
03:30Nope.
03:31You can't.
03:32Flash Casey marches on.
03:33Yeah, when you ask the spirit of Benjamin Baxter Belmont what I'm going to use for money.
03:37Flash, I can't let you do this awful thing.
03:39I might be only a freshman and a pledge, but I got a heart.
03:42That's a handicap.
03:44Flash, if you don't mind my asking, what happened that you had to quit college?
03:47Oh, nothing much.
03:48My father lost a wrestling match with his bank balance, and I had to send him some money.
03:52Gee, that's tough.
03:54You sure deserve a lot of credit, Flash, for putting yourself through college taking pictures.
04:00Well, it was fun getting them.
04:02I've had to do everything but go over Niagara Falls and a thimble.
04:07Gee, you got some swell flashlights of the faculty.
04:09Ah, those old boys go for having their mugs and magnified.
04:12Well, college professors are human.
04:14That's what they think.
04:15Crawling imitation of a worm.
04:17You're a freshman.
04:18And you're my roommate.
04:20I know.
04:20I'm not worried that he'll become a moo-moo-moo.
04:26So you throw it away, huh?
04:29Get on with, Jeff.
04:33Oh, I threw away a letter of mine.
04:35I thought it was an ad.
04:36Pledge is not supposed to think.
04:38Hey, wait a minute.
04:40I haven't emptied this thing in a week.
04:44Here it is.
04:47Ah, you'll do it, Ed.
04:48I can't bear to look at it.
04:51Gee, Flash, you won some sort of contest.
04:53No kidding.
04:54It's true, but the great order of moo-moo-moo doesn't countenancely neglect the duty.
05:01Oh.
05:04Oh.
05:05Gosh, I'm always taking it on the chin.
05:06Thank you.
05:09Thank you very much.
05:22Thank you very much.
05:25Thank you.
05:28¡Gracias!
05:58¡Gracias!
06:28¡Gracias!
06:58¡Gracias!
07:28¡Gracias!
07:30¡Gracias!
07:34¡Gracias!
07:38Schiaen
07:40¡Gracias!
07:46O carved out
07:52un poco
07:55o
07:56No, no, no, no, no, no.
08:26No, no, no, no, no.
08:56I don't know, but it hasn't done my dignity any good.
08:59Well, I hope nothing develops.
09:01Well, only time will tell.
09:05Well, how will I know?
09:07Oh, I'll put an ad in the personal column.
09:09Well, how will I know it's you?
09:11I'll sign its broken card.
09:13Well, I'll pay for the ad.
09:15Won't cost anything.
09:16I work for this rag.
09:18You do?
09:19What's your name?
09:20I happen to be Kay Lanning.
09:22It's none of your business.
09:23You don't have to Kay Lanning that writes a special feature.
09:25Oh, just call me sob sister.
09:27But I also edit the society page.
09:29Oh, now I know I'm going to work on the Globe Press.
09:31Work here?
09:32At what?
09:33Oh, as a photographer.
09:34I was just talking to Mr. Blaine.
09:36Then that accounts for you walking around in a daze.
09:39Yeah, but he wasn't very encouraging.
09:41Well, cheer up.
09:42Somebody may shoot him yet.
09:44So long.
09:45And good luck.
09:54Honk your horn, bud.
09:56Honk, honk.
10:05Payton, where do you manage to hide yourself?
10:08I've been developing some stuff.
10:09Seems to me you do a lot of developing,
10:11considering how few pictures you'll get from me.
10:14Hey, listen, what kind of a crack is that?
10:15I'll get you everything I can.
10:17And the next thing I know,
10:18Blaine runs the best of what you get in the Globe Press.
10:20Go on, what are you getting at?
10:21Oh, never mind, never mind.
10:24But tomorrow is our deadline.
10:26You'll have to get me something else for the front cover today, sure?
10:29Or we are sunk.
10:30I can't pull him out of a hat.
10:34Yes?
10:35Lawrence, come into my office, will you?
10:37Yes, I'll be right in, Major Addison.
10:41I'll talk to you later about the front cover.
10:44I'll be here.
10:52Come in, Lawrence.
10:53How's your next issue coming along?
11:03I hope it will be all right.
11:05Don't you know?
11:06Not definitely, I'm sorry to say.
11:09Lawrence, when you came to me six months ago
11:11to tell me the idea of letting you put out a pictorial,
11:13I was very dubious.
11:15Now I'm convinced that pictorials are an experiment.
11:17Certainly, you've done nothing to prove there'll be a success.
11:20So far, each issue has been just a little bit worse than the one before.
11:23I'll grant you that, Major Addison,
11:25but I'm sure it will improve.
11:26With the Globe Press helping you,
11:28you shouldn't have all this difficulty.
11:29That's right, I shouldn't.
11:31Well, I must warn you.
11:33Snap News will have to snap out of it at once,
11:34or I'll have to discontinue it.
11:37That's all, Lawrence.
11:47What do you want, Lawrence?
12:05I'm busy.
12:05I want to know how I'm expected to get out a pictorial magazine
12:08when my best photographs disappear
12:10and show up in the Globe Press.
12:12What are you babbling about?
12:14That's the picture I was going to use
12:15for the front cover of the next issue of Snap News.
12:17Where did you get the idea
12:18that that cutie little thing you call a pictorial
12:20is more important than this newspaper?
12:21That isn't the point, Blaine.
12:24That photo was taken by my own cameraman,
12:26not by one of your staff.
12:27The picture was placed on my desk two days ago.
12:29By whom?
12:29How should I know?
12:31That isn't the first picture
12:32that disappeared mysteriously from my office.
12:34This has been going on
12:35ever since I started Snap News for Major Addison.
12:38What of it?
12:38The whole idea of a pictorial magazine is bunk.
12:41The Major thinks so, too.
12:42Now, bunk?
12:43You mocked my words, Blaine?
12:45The pictorial will sweep the country.
12:47Yours won't.
12:48Not if you can prevent it, evidently.
12:50And you've been trying hard enough.
12:58Well, top of the afternoon, Miss O'Hara.
13:01You're looking wonderful.
13:03Never mind the blarmy, Mr. Casey.
13:06You've got a job, I don't presume.
13:09Well, not exactly,
13:11but I've had a lot of encouragement.
13:13Well, that's fine.
13:16But I can't pay the butcher and the baker
13:18and the fuller brush man
13:19with encouragement more's the pity.
13:22And may I suggest that a young fellow
13:24with no money and no job
13:26has no business running around with a camera
13:27taking pictures like a nosy tourist.
13:30But taking pictures is my business, Miss O'Hara.
13:33That's, uh...
13:34I'm a freelance cameraman,
13:35one of the greatest in the world.
13:37And what is a freelance cameraman?
13:40Well, he's a cameraman that goes all around
13:43looking for pictures to take.
13:44I see.
13:45Just a fancy word meaning no job.
13:48There's a sample of the unjustice of life.
13:55Here I slave me daylights out
13:56of washing and ironing and cooking and scrubbing
13:59and trying to collect me room rents
14:01while this Liberty Gibbick
14:03insures her legs for one million dollars.
14:07Let's see.
14:10Let's see LaRue, famous French dancer
14:12whose beautiful legs are insured for a million dollars
14:14will arrive on Steamship, Ontario today.
14:18Say, that gives me an idea.
14:21It gives plenty of other men ideas, no doubt.
14:40What's your hurry?
14:41I gotta get in there.
14:42What for?
14:43Take some pictures.
14:44Why don't you buy yourself some postcards?
14:46I'm a new photographer.
14:48Yeah?
14:48What paper?
14:49Wall press.
14:50You can't get me.
14:51Those news, baby, guys boarded her, quarantine.
14:54Stand aside.
15:05Get a good gander at those stem owners, boys.
15:08Mighty pretty.
15:14Thank you, Hedder.
15:15Thank you, Hedder.
15:15Thank you, Hedder.
15:16Well, that's a pedagraph.
15:17Uh, just a minute, missy.
15:20You're not through yet.
15:20But I'm going to be carrying.
15:21Oh, yeah, so am I.
15:23But I have makes efficient pictures of both chairs.
15:24Lines.
15:25Now, don't get excited.
15:26Just sit right down there and let's see the Gams.
15:29Gams?
15:30Gams, what is Gams?
15:31The million-dollar party.
15:32The Gams, the pins, the transportation department.
15:34But I do not understand.
15:36Legs, legs, if you must know.
15:37Just sit there and cross.
15:40You make the big insult.
15:42Go, poo-poo.
15:43Poo-poo for you.
15:44Just a minute, son.
15:48You must have been reading them success story magazines.
15:51Come on, Vita.
16:08Darling.
16:09It's so good to see you again.
16:19It has been a thousand years since I've seen you in Paris.
16:21I'm sorry I couldn't meet you at the gangplank,
16:23but we mustn't be seen together.
16:24Oh, that is okay, darling.
16:25I understand.
16:35Did you take this?
16:36Well, yes, I thought if I told you what I could do,
16:38you might give me a job.
16:39That's a picture of Missy LaRue.
16:40You're telling me.
16:42And now I'll tell you something.
16:44The young sack is Rodney Anderson, Jr.,
16:46son of the man who owns this newspaper.
16:47Why, the major ordered him back from Europe
16:49to keep him away from her.
16:51Oh, doggone, just my luck.
16:53And I thought I had something.
16:54You've got something, all right.
16:55The swellest grounds for a breach of promise suit in history.
16:58Why, with that picture,
16:59the dame could put the B on Anderson's bankroll
17:00for a million bucks.
17:02Let me have that negative before it gets you in trouble.
17:05No, it won't get me in any trouble.
17:06I said, let me have that negative.
17:09Well, under the circumstances, Mr. Blaine,
17:11how about a job?
17:18All right.
17:19Let me have the negative, and you go to work.
17:21Jumpin' Jezebel.
17:29Who took that?
17:30Wade, meet our new staff photographer, Mr.
17:33Flash Casey.
17:33Sure glad to meet you.
17:34Nice going, Stroud.
17:36Thanks.
17:36How much is this big-hearted Bozo going to pay you?
17:39Fifty bucks a week.
17:41Gee, thanks our million, Mr. Blaine.
17:43Uh, eighteen bucks a week, then.
17:49That's right.
17:52You said fifty.
17:53That's before I got the negative.
17:55Eighteen bucks.
17:56Take it or leave it.
17:58I'll take it.
17:59You start tomorrow morning.
18:00Who is it?
18:12Flash Casey, in the flash.
18:14Well, come back in a flash with a flash.
18:16I'm busy.
18:17Okay, broken-hearted.
18:18Well, if it isn't Big Chief's bump in the garden, come in.
18:23Thanks for remembering me.
18:24Oh, I'll remember you for several days yet.
18:27I wish you could forget about that bump and remember me.
18:30Well, what brings you into this den of society, lions and lionesses?
18:34Well, I got news for you.
18:35For me?
18:36Yeah, about me.
18:36I got a job here.
18:37Not really.
18:38Cross my heart.
18:39Picture snatcher?
18:40Yep, I start tomorrow.
18:42Well, be careful you don't end tomorrow, too.
18:45Come in.
18:47Pardon me, Kate.
18:48I want to thank you again for that front cover.
18:50It saved my life this week.
18:52Well, I always wanted to be a lifeguard.
18:54Oh, Mr. Lawrence, this is Flash Casey, a new photographer on the Globe Press.
18:57How are you, my?
18:58Hello.
18:59It's a friend of yours.
19:00Well, we bump into each other occasionally.
19:02I see.
19:03I'm happy to know you, my boy.
19:05Friend of Casey's is a friend of mine.
19:06And let me wish you great success.
19:08Thank you, sir.
19:08And come in and see me anytime.
19:10Flash?
19:11Thank you, I will.
19:14Who's he?
19:15That's Pop Lawrence.
19:16He's editing Snap News.
19:17It's Major Addison's pictorial.
19:18Oh, I like him.
19:19And so do I.
19:22Candid camera.
19:23Oh, that's what I've always wanted.
19:25I carried with me on assignment.
19:26I pick up some swell pictures unexpectedly.
19:29Oh, you gave some to Miss Lawrence from his pictorial.
19:31Yes, but remember, Blaine doesn't know it.
19:33I get it.
19:33Well, you've got to run along.
19:36You've got a big day ahead tomorrow.
19:38Every day will be a big day from now on.
19:40Bye.
19:41So long.
19:47See who it is.
19:48Hello, Danny.
19:57Hi.
19:57The boss here.
19:58Yeah, he's inside.
20:03Hello, Rick.
20:04Hello.
20:05What's on your mind?
20:06Sit down.
20:08I'm getting around with that picture, Gary.
20:10Oh, all right, but it takes time.
20:13You can't work out a thing as big as that in a minute.
20:15You've been out of it for weeks now.
20:18I want some action.
20:19Listen, Rick.
20:20When I get this thing perfected,
20:21it's going to make your other rackets look like penny ante.
20:23Well, what's holding you back?
20:24I've got to go slow.
20:26You're liable to get wise to me at the office.
20:28The old man's already starting to beef
20:29about me spending so much time in the developing room.
20:31I want you to quit that piker job
20:32and put all your time on this thing.
20:34Yeah, but I've got to make my coffee and cakes, haven't I?
20:36In a few days, I'm going to set you up in business.
20:38What kind of business?
20:39A camera store where you sell stuff, do developing.
20:42One of those joints.
20:43What's the gag?
20:45It'll give you a swell front.
20:46You'll have a place to work this thing out.
20:48And you might get a hold of some pictures that you could use.
20:51Say, that's a good idea.
20:54Any idea I get is good.
20:55Remember that.
20:56Drink?
20:57Sure, why not?
21:02Wine?
21:03Well, sir.
21:16Are you waking on somebody?
21:17Yeah, Mr. Blaine.
21:19I'm starting here today.
21:20It's caramel.
21:20Flash paper's the name.
21:22Paper's mine.
21:23Nice for the Snap News.
21:24Glad to meet you.
21:24Yeah.
21:25See you around.
21:26Sure.
21:32Morning.
21:37Morning.
21:40Well, here I am, bright and early.
21:42It's not early, but your brightness may be open to doubt.
21:45Yeah.
21:46Then he thinks the same thing himself.
21:51Morning, Blaine.
21:52Miller takes City Hall this morning.
21:54Robinson had to meet his grandmother.
21:55Blonde or brunette?
21:56Never mind the dumb cracks.
21:58Get going.
21:59Gone.
22:00Say, Skipper, what about me doing something different for a change?
22:02All right.
22:03Try working.
22:04Oh, say, I've been hanging around gangsters so long that I'm talking on the side of my mouth like this.
22:08See?
22:09Say, what do you say, Tony?
22:10Should we give them the works?
22:11You'll get the works payday if you don't start coming out with some news.
22:14Mr. Blaine, just what is this news that I've been hearing so much about?
22:18Is it plural or singular?
22:20If you ever got any, it would be singular.
22:22Oh, no.
22:23I'm acquainted with the old newspaper, Nifty, about the man biting the dog.
22:26Say, I might get you a new angle on that.
22:28How about finding you a tree that bites a dog?
22:34Good morning.
22:35What's the idea of that?
22:37Well, you've got to have a camera to take pictures.
22:38I'll take the pictures, Sonny.
22:40Here, grab that.
22:41I've been needing a plucky to carry my stuff around for a long time.
22:44I get it.
22:46Maybe I should have kept the negative.
22:49The police look for some rioting at the docks, Wade.
22:51Hang around.
22:52You'd get my last drop of blood for dear old Globe Press, wouldn't you, sweetheart?
22:56Come on, Stu, let's get going.
22:57Come on.
23:05They ought to put a traffic cop at this end of section.
23:12No.
23:13You moving?
23:14Well, I don't know yet.
23:15Well, good luck anyhow.
23:17Thanks.
23:18I think I'll need it.
23:19Okay, Caliban, get going.
23:21Here we go.
23:22Here we go.
23:52Here we go.
24:22Here we go.
24:32Wade.
24:33Yeah?
24:33Bonus from the old man.
24:35A hundred bucks?
24:36What's the gag?
24:37Says that stuff you got of the balloon disaster was the greatest piece of newspaper photography
24:40you'd ever seen.
24:41And they all laughed when I told them I was the best picture snatcher in the world.
24:45By the way, I'll have to let Casey go.
24:47Why?
24:48My payroll's too heavy.
24:49Ah, you've been wanting an excuse to fire him ever since he put one over on you and got
24:52the job.
24:53Forget it.
24:55You ought to split that money with Casey, aren't you?
24:56No, why should I?
24:57Because it so happens that Casey took those balloon pictures.
25:01You're cracked.
25:02Oh, am I?
25:03I saw him.
25:04I was wearing Casey's coat when that gas bag blew up.
25:07See, you're not fooling anybody.
25:08I know Casey when I see him.
25:09All right.
25:10So what about it?
25:11So I'm getting tired of seeing Casey take pictures and you take the bows.
25:14How'd you like a smack in the puss?
25:15From you, I wouldn't even feel it.
25:17That's good enough for me.
25:19Boy, I'll scramble you all over the place.
25:20Hey, hey, cut it out, you lunatics.
25:23I'm able to fire you both.
25:24And wreck the paper?
25:25That's a cute idea.
25:27Go on outside and buy each other a drink and forget it.
25:30I'll buy them a drink.
25:32A nice cool Mickey pin.
25:33Thank you.
25:38Pardon me, honey.
25:55Hello?
25:57Hello, Flash.
25:58This is Kay.
25:59Kay!
26:00I guess this is the first time you have to call me up.
26:08Well, I have something very important to tell you.
26:11Will you meet me at the Paradise in half an hour?
26:13Lady, I'll meet you at the North Pole in ten minutes.
26:16Bring what?
26:17Okay!
26:26Hello.
26:27Hello.
26:27You haven't been waiting long, have you?
26:28Not very long.
26:30Flash, Pop Lawrence is in terrible trouble.
26:33Blaine's been pulling some more fast ones on him.
26:35And on top of that, Peyton quit in the day cold.
26:38Peyton quit?
26:38What for?
26:39Oh, he's going into business for himself.
26:40He's got a camera store.
26:42We've got to do something to help Pop.
26:44I know, but I can't do anything.
26:47You've got to do it tonight.
26:49What?
26:50Well, Sharon Lee, the movie star, is in Heidi at the Warren's Estate.
26:53The Warren's are friends of mine.
26:55Sharon Lee in town here?
26:56Yes.
26:57And she's going to be married secretly tonight.
26:59Married tonight?
27:00How do you know?
27:00Oh, never mind that.
27:01The point is, it's one of the biggest stories of the year.
27:04Not a newspaper knows about it.
27:05And you can't tell because the Warren's are friends of yours.
27:07Gee, that's tough.
27:08But I'm telling you so that you and I can help Pop Lawrence.
27:11What a story.
27:12A picture of that ceremony would be plastered on every newspaper.
27:15Yes, if they could get it, but they won't, because I want Pop Lawrence to have it exclusively for his front cover.
27:20You can count me in.
27:21Thanks, Flash.
27:23Remember, no one must know where you got the tip.
27:25Word of honor?
27:26Word of honor.
27:27Do you take this man for your lawfully wedded husband through sickness and unhealth,
27:32through love, cherish, and obey as long as ye both shall live?
27:37I do.
27:39And I now pronounce you man and wife.
27:45That's it.
27:46Hold it.
27:48Thanks, folks.
27:54It's a knockout.
27:55It's yours.
27:56It's exclusive.
27:57Mine?
27:57I don't understand.
27:59What about Blaine?
28:00Blaine doesn't even know I took it.
28:01He won't until Snap News comes out with that on its front cover.
28:04But Blaine will fire you.
28:05He can't.
28:06I took it on my own time.
28:07Son, I can't find words to tell you how grateful I am.
28:10Oh, don't mention it.
28:31I'd like to compliment you on the front cover, Lawrence.
28:33Who made this picture?
28:35I'd rather not say, Major.
28:36Okay, that's your business.
28:38But don't get coffee.
28:40You're not out of the woods yet, you know.
28:41Not by a mile.
28:44Oh, good morning, Miss Lanny.
28:45Good morning.
28:48Congratulations, Pop.
28:49It's the scoop of the ages.
28:51Young lady, did you have anything to do with this?
28:53How could you ever think such a thing?
28:57How did you ever let him put a thing like that over on you?
28:59I didn't even know there was going to be a way.
29:01Come in.
29:02Come in.
29:05Casey, did you take that picture?
29:08Well, did you?
29:10Yes, sir.
29:11Yes, sir.
29:12Why didn't you bring the picture to me?
29:15Well, I wanted to help Pop Lawrence.
29:16That's all I wanted to know.
29:18Casey, you're through.
29:20See the cashier.
29:21Get going.
29:23Okay, sir.
29:25If you need any references, Dogey, look me up.
29:27Keep him off every newspaper from Maine to California.
29:30Good God, Blaine is the biggest heel in the newspaper business.
29:33And the best editor.
29:35Yeah, he would be.
29:35If you wanted somebody to try to stick him with a knife.
29:37If they did, he'd only bleed printers, ain't it?
29:44Well, Pop, big news.
29:46Will Press and Flash, Casey and Dissolve.
29:48What?
29:49Yeah, Mr. Blaine and I disagreed about certain policies of running the newspaper.
29:53Flash, you got fired because of that picture.
29:55You're a reminder, isn't it?
29:56I'm going right to Major Addison.
29:58Oh, you're not.
29:59You got fired yourself.
30:00We're going to put Snap News on its feet.
30:02We?
30:02You and I.
30:03From now on, I'm going to work for you.
30:04Okay, son, but I can't pay you much.
30:07The only pay I want is a chance to lick Blaine.
30:11Flash, it's all my fault, and I think it's terrible.
30:13Oh, it's swell.
30:14It's terrific.
30:18Dad, you're all wrong about Mitzi.
30:20She's a swell girl.
30:21With all her escapades and affairs in Europe, she must be.
30:24Dad, you're a big newspaper man falling for that press agent stuff.
30:27Why don't you go up?
30:28We won't discuss the matter.
30:29And she's not a matter.
30:30She's an event.
30:32If you knew her, you'd like it.
30:34As a matter of fact, I was thinking about inviting her to your shim dig tomorrow.
30:38Now, you stay away from that young lady.
30:40Rodney, my boy, why don't you marry some not respectable girl?
30:43Settle down and go to work.
30:45If it's work you want, I think I'll go out and dig up the golf course.
30:48Well, carry on for dear old Globe Press.
30:54And after what happened, I hate to ask him to do me another favor.
30:57Oh, anything at all you want.
30:58Well, Major Addison's Society Bazaar will be held day after tomorrow.
31:01It's his pet charity, the hospital for crippled children.
31:04Yeah, I've heard plenty about it.
31:06Oh, it's very exclusive.
31:07To get in, you've got to have blue blood and green back.
31:10Sounds plenty colorful.
31:11You see, being society editor and knowing everybody, I'm in charge of admitting the guests.
31:16Oh, nobody gets in without a nod from you, huh?
31:18Well, what do you want me to do?
31:19Be a head bouncer?
31:21No, I'd like for you to be my escort, if you will.
31:24Oh, lady, for you, I'd fight fires, floods, and wildcats.
31:28Walk no traffic, cop.
31:29Oh, not if they're too tough.
31:31Gee, Flash, I wish we could take pictures.
31:33Major Addison won't allow cameras.
31:35Why not?
31:36Oh, just a whim.
31:37He says he wants his guests to enjoy themselves without someone snapping ridiculous pictures of them.
31:42Well, why do you want pictures?
31:43Well, for a long time, I wanted to get on a special page and call it the Candid Camera in Society.
31:48I could do a swell article.
31:50I'll say you could, and I could help you.
31:52Oh, well, perhaps some other time.
31:54Well, look.
31:56Oh, I guess you're right.
31:58Well, I'll see you at night, maybe, huh?
31:59All right.
32:10Say, this is Tart.
32:13Oh, it'll do.
32:17Peyton, could you, uh, could you rent me a camera for tomorrow?
32:21One I could sort of hide.
32:24What's the idea?
32:26Well, I want to go to Major Addison's Bazaar tomorrow, and I want to...
32:29Oh, sure, I get you.
32:31You want to snap some pictures of the big shots on the QT, huh?
32:34Well, yeah, but I only wanted to give him to Kay as a surprise for a Sunday feature she wanted to write.
32:39Well, wait a minute.
32:41Here's a baby for you.
32:42A new Candid Camera.
32:45You see?
32:46Slip right under your coat, like this.
32:49There you are.
32:50You can snap your stuff like this, and nobody gets wise.
32:53Boy, that's something.
32:55How much?
32:55Not a cent.
32:57Take it along and use it a couple of weeks and see how you like it.
33:00And, uh, if you want to make sure that Kay gets your stuff instead of Blaine, take my tip.
33:05Bring it to me to be developed.
33:06Thanks, I so will.
33:08And that's her with her husband.
33:19There she is with another man after I get through doing tricks with the pictures.
33:23Nice work.
33:24Something tells me the other guy will pay plenty to keep her husband from seeing this.
33:28Yeah, but she'll pay off herself to keep him from seeing it.
33:31Don't forget.
33:32That's right, Flo.
33:33We get him coming and going.
33:35You're a smart girl, honey.
33:36If I ain't, I wasted four years going to school.
33:39Now, that is the very snooty Mrs. Waldo Ranford.
33:42All harnessed up for the opera.
33:44There she is again, practically in her birthday clothes.
33:48Now, uh, if you were Mrs. Waldo Ranford, how much dough would you give to keep that out of circulation?
33:53If I was a Ranford, Dame, how much dough would I have?
33:55Oh, about five million smackers.
33:57Then I'd give at least a hundred grand and never miss it.
34:00Looks like I got a new way of shaking down the suckers.
34:02I got to have photographs to work with.
34:04Prominent people with heavy jack.
34:07Wait a minute.
34:10There's the answer to that.
34:17If a little camera could wander around that short a few minutes, we'd be fixed for life.
34:22Don't be a Girl Scout.
34:23The Addison place is guarded like a clink.
34:25That's all right.
34:26I think I took care of that little situation about an hour ago.
34:30Thanks to your little camera shop.
34:31That's where.
34:49Hey, how are you, dear?
34:50Thank you, Mrs. Barrett.
34:51Welcome.
34:57Hello.
34:58Hello, Paul.
34:59Hello, Kay.
34:59How are you?
35:00Fine, thank you.
35:03Well, it looks like a large afternoon.
35:05Yes, many a million passed through this gate.
35:07Maybe I ought to pass a hat around.
35:08I've got you.
35:13I'll see you.
35:26I've got you.
35:29¡Suscríbete al canal!
35:59¡Suscríbete al canal!
36:29¡Suscríbete al canal!
36:31¡Suscríbete al canal!
36:35¡Suscríbete al canal!
36:37¡Suscríbete al canal!
36:39¡Suscríbete al canal!
36:41¡Suscríbete al canal!
36:43¡Suscríbete al canal!
36:45¡Suscríbete al canal!
36:47¡Suscríbete al canal!
36:49¡Suscríbete al canal!
36:51¡Suscríbete al canal!
36:53¡Suscríbete al canal!
36:57¡Suscríbete al canal!
36:59¡Suscríbete al canal!
37:01¡Suscríbete al canal!
37:03¡Suscríbete al canal!
37:05¡Suscríbete al canal!
37:07¡Suscríbete al canal!
37:09¡Suscríbete al canal!
37:11Only $100 to kiss the world's most beautiful debutante.
37:15How about it, boys?
37:16Snip right up.
37:17How about three for $250?
37:19I'm sorry, but three snacks will cost you $500.
37:24Here you are.
37:24Thank you, Senator.
37:26Hello, Mr. Bill.
37:29That's all right, Senator.
37:30I'll kiss him myself for you.
37:31All right, boys, it'll be next.
37:33There's a gentleman right here.
37:34Have your choice.
37:41Oh, by the way, Countess, do you know Missy LaRue, the dancer?
37:59Oh, Missy LaRue?
38:00Oh, I know her very well.
38:01She is a lovely and charming girl and a great artist.
38:04But those stories about her in the papers.
38:07Lies.
38:08All of them, a package of lies.
38:09But why do you ask?
38:12Well, as a matter of fact, my son was quite interested in her at one time.
38:16Oh, so?
38:17I do not blame him.
38:19No?
38:19No?
38:20Well, of course, if she were a nice girl like you, I could understand his going overboard for her.
38:24Oh, Missy LaRue is very much like me.
38:27Oui, oui.
38:29Now we go play Roup-la, no?
38:30Yes, if you like.
38:31C'est true.
38:35I wish I had saw the money that's floating around here today.
38:38Why worry about money?
38:41You've got your height, health, good eyesight.
38:45Yeah, that's right.
38:46But I've got a certain ambition.
38:49As to what?
38:50As to getting married, if you must know.
38:53Well, don't forget to let me know when it happens.
38:55I'll give you a big write-up in my society column.
38:58Well, you'll be the first to find out, I hope.
39:04Oh, some people are coming.
39:06Oh, darn this traffic.
39:07Let's get out of this fire trap.
39:10Well, how's that the countess, Dad?
39:11Sonny, if you had any sense, you'd marry that girl.
39:14Well, maybe I will.
39:16That my fine-feathered father is...
39:19I know.
39:20Mitch Leroux.
39:24Hello.
39:25Got my stuff?
39:27No, I'm sorry, Casey.
39:28I had to leave the shop.
39:29Oh, Gene, I'm in a big rush for it.
39:31When will it be gone?
39:32Why, not till tomorrow.
39:34Did it turn out all right?
39:35Why, I don't know yet.
39:36I haven't developed it.
39:37Okay.
39:37So long.
39:38So long.
39:41What I said.
39:43Come on, let's get going.
39:44Wait a minute.
39:45Wait a minute.
39:49Here.
39:51That's what you use on Addison.
39:53And this is Casey's original negatives and also the phonics.
39:56I'll do my stuff while you're in with Addison.
40:00Yes, yes, we had a wonderful time.
40:02A marvelous party.
40:04At least 300 people.
40:06What?
40:08Excuse me, Charlie.
40:09I'll call you back.
40:11Major Addison?
40:12Yes, what can I do for you?
40:14I've got a little picture I'd like to send.
40:16I'm not interested.
40:17That's what you think.
40:18How you could take a perfectly innocent picture of Mitch Leroy and my sub-sfiancy and myself
40:30made at my party and turn it into a thing like this, I don't know.
40:34But I do know this is the lowest, vilest, most contemptible attempted extortion I've ever heard of.
40:40When you get all through raving, mister, we'll talk business.
40:43Business?
40:44My only business will be with the district attorney.
40:47So my picture ain't worth 25 grand to you, huh?
40:50Get out of here.
40:51Get out!
40:52Okay, mister.
40:53I'll read about what happened to you and the Globe Press.
40:56But you won't.
41:05Hey, come in here.
41:06Who was taking pictures of my party?
41:30Why, no one.
41:31Are you sure?
41:32I'm positive.
41:34Except...
41:35Except what?
41:35Now, go on.
41:36Well, Flash Casey was there.
41:37And who's Flash Casey?
41:38Well, he used to be Tom Wade's assistant.
41:40He's now Pop Lawrence's cameraman.
41:42Oh, that one.
41:43Well, how did he get here?
41:44Well, he came with me.
41:46Casey, your boyfriend?
41:47Well, not exactly.
41:50Though I do like him a lot.
41:53Miss Casey there.
41:54No, sir.
41:55I'm expecting him shortly.
41:56Oh.
41:57Well, come in here, Ernst, will you right away and bring Blaine with you.
42:00Major Addison, won't you please tell me what's wrong?
42:03This.
42:06What is it?
42:07What does it mean?
42:08You'll find out.
42:09Well, it looks like we're going to have a little trouble with Addison.
42:15Yeah?
42:16Well, I could have told you that.
42:19Boys, the Major wants to take a little ride.
42:21You better escort him to the car.
42:33Blaine, have you any reason to think Flash Casey might be mixed up in an extortion racket?
42:38I don't know why.
42:40Casey took a picture at my party.
42:41A man was just in here trying to blackmail me with this.
42:44But Flash wouldn't do anything like that.
42:46When a fellow will blackmail himself into a job, he'll do anything.
42:48What do you mean?
42:49Casey brought in a phony picking that LaRue girl.
42:51I had to hire him to get the negative.
42:52Well, why didn't you tell me?
42:54I didn't want to worry you.
42:55Then I fired him when he double-crossed me on the wedding picture that Lawrence used on his trunk cover.
42:59Major, I told Flash to take that picture.
43:01And I also told him about the wedding.
43:03We only wanted to help Mr. Lawrence.
43:04I didn't know that, Kay.
43:06You shouldn't have done it.
43:07Never mind that.
43:07Let's stick to the point.
43:08I'm convinced Casey is behind all this.
43:10I've suspected him from the first.
43:12That's absurd.
43:13Casey wouldn't get mixed up in a thing like that in a million years.
43:15Of course not.
43:16Flash isn't that type of boy.
43:18Excuse me, Major.
43:18I have an idea.
43:19So have I.
43:20Major, won't you please give Flash a chance to explain it?
43:23He'll do his explaining to the police.
43:24He'll do his explaining to the police.
43:44Get me the district attorney.
43:46Major, please don't do that.
43:48Look at this, Major.
43:49I found him in his desk.
43:55Hello, dear.
43:56I'm okay.
43:57How are you?
43:58I'm coming right down to your office.
44:00You're going with me, young lady.
44:02That's all for you two right now.
44:04Well, Lawrence, I think this will finish Snap News.
44:15All right, Major.
44:15Let's take a walk.
44:16Hey.
44:26Hey.
44:27Flash.
44:28Look, I want to tell you about it.
44:29Well, you're the young man.
44:29I want to see.
44:30I know.
44:37Flash, hey.
44:42Hey, Maxi.
44:46Follow that car.
45:00Now, let's have the story, brother, and make it funny.
45:16Lieutenant Logan, Flash, Casey, Globe Press.
45:21Remember me?
45:22Yeah, wait, Plunky.
45:23Hey, listen.
45:24A man's been shot and a girl kidnapped.
45:25They got away in a black sedan.
45:27Did you get the license numbers or anything?
45:29Yeah, I got pictures of the guy that did it.
45:31We've got to find him, Lieutenant.
45:32We've got to.
45:38Hello, Flash.
45:40Flash.
45:41Hello, Flash.
45:42Flash.
45:42Where's Pop Lawrence?
45:57Him and his hat went out someplace.
45:59You know where?
45:59No, I know Information Bureau.
46:01Oh, yeah, I nearly forgot.
46:02Blaine's been howling his head off.
46:04He wants you.
46:04What does he want?
46:05Why don't you see him and find out?
46:07Oh.
46:12Just taking Addison into the operating room.
46:14Is he going to be old?
46:15I think so.
46:16Well, I thought they'd have you in jail by now.
46:18Mr. Wade, Kay's been kidnapped.
46:20Are you crazy?
46:20Just about.
46:22What did you hang up for?
46:23I wasn't through talking to you.
46:24Gosh, Lieutenant, have you found him yet?
46:25Son, I'm a cop, not a magician.
46:27Where are those pictures you said you had?
46:29What is all this?
46:30Now, just what happened?
46:31Well, I got photos of those guys shooting Major Addison.
46:33Kay was standing near the car and the next thing I knew, they pulled Kay into the car
46:37and I called the cab and tried to follow him and I lost him.
46:41You mean you actually got pictures of Addison being shot?
46:43Yeah, the whole business.
46:44Three or four good shots.
46:45Hold the extra.
46:46Call you right back.
46:48Where are your pictures?
46:50Gosh, I must have left them in the phone booth.
46:52Where?
46:53A drugstore, 8th and Main.
46:55I know.
46:57Central Drug Company, Angel Puss, and make it fast.
46:59Wade, you know all the bad boys in town.
47:01Any idea who did this?
47:02Any one of about a thousand guys.
47:09Central Drugstore.
47:10Just a minute, I'll look.
47:18Nope.
47:19No camera here.
47:20Sorry.
47:23Gone.
47:23They should have shot Casey instead of the major.
47:25Lieutenant, isn't there something I could do to help?
47:28Could you identify him from pictures?
47:29Sure.
47:30Let's go.
47:31Hey, dial.
47:32Kate Lanning's been kidnapped.
47:34Story coming right up.
47:35Well, hello.
47:56Is this your new girlfriend, Gus?
48:02Keep out of this, Flo.
48:03Oh, maybe she's your girlfriend.
48:05Never mind whose girlfriend she is.
48:06Take her upstairs.
48:07That's easy.
48:08And keep her then.
48:10Come on.
48:13Swell mess you've got us in.
48:14All right, all right.
48:15Well, what are you going to do with us?
48:16You saw the whole works.
48:17We'll stop her mouth.
48:18Someone named Flash Casey work here?
48:27Yes.
48:29Well, here's his camera.
48:31I found it in the telephone booth.
48:33Well, we appreciate you returning it.
48:34Oh, that's all right.
48:35Me and the wife, we're traveling around the country in a trailer.
48:38We're making photos ourselves as we go along.
48:40That's all right.
48:41Yeah, you know, I...
48:42Oh, have you seen Flash?
48:43No, sir.
48:44I believe you take that to the dark room.
48:45Tell them if there are any explorers in there.
48:47Develop them and send them right by to me.
48:48Well, you're busy and I'm busy too.
48:52I've got to get home and cook the supper.
48:54Have a good time and thanks again for returning to camera.
48:57That's all right.
49:02Any luck, son?
49:04I don't know.
49:05I'm so worried I wouldn't know enough a song.
49:06Hey, get easy.
49:07I know how you feel.
49:08Well, if he only had my camera, we'd know, Brad.
49:10We'll get them.
49:11I'm going back.
49:12I've got to keep doing something.
49:14We'll phone you.
49:15If your camera shows up, don't lose a second getting those pictures here.
49:18Don't worry.
49:18Oh, you're sticking up with us, sister.
49:20Nothing will happen to you.
49:22Let me try this hat.
49:28You think that I got pictures of the guys that did it and then I lose my camera.
49:31Your camera was returned.
49:33What?
49:34Where is it?
49:34I sent it to the dark room to have yourself develop.
49:48What's that?
49:49That's for Mr. Lawrence.
49:50Lawrence, and I'll take care of that.
49:51But I...
49:52Get out.
49:56Jerry, kill the art stuff in the second extra.
49:59I'm sending down some real stuff.
50:00Send a boy up for it right away.
50:03Hank says Billy got my pictures.
50:05Then you've got to find me.
50:06Mr. Blaine...
50:07Where's my stuff?
50:08Mr. Blaine took it away from me.
50:09He wouldn't give it back.
50:10He says he's going to run it from the extra.
50:11Oh, no, he won't.
50:13Hey, what's all this running around for anyway?
50:16I've never seen any good pictures taken in this mad house.
50:21Give me my stuff.
50:21Get out of here.
50:22I am using this.
50:23Oh, you double-crossing polder.
50:26That's what pop lars.
50:27Yes.
50:27Hey, what goes on here?
50:29Holy jumping Jiminy.
50:30Hey, wait a minute.
50:31Hey, wait a minute.
50:33You ingrown idiot.
50:34I don't want your pictures.
50:35Well, then what do you want?
50:36Listen, kid, believe it or not, I'm your friend.
50:38I know who grabbed Kay and shot at us.
50:40The dude?
50:40Oh, King Richard.
50:41Oh, that's his picture you got there.
50:43I know where he hangs out.
50:44We'll find her.
50:44Well, then let's get to the police.
50:45The police, may I?
50:46You and I can handle this.
50:47We'll grab some pictures that'll be heard around the world.
50:49Well, let's do it.
50:50You got what it takes?
50:51Sure.
50:52Jay, pal.
50:53Okay.
50:54Let's go.
50:55Down.
50:58Hey, look.
50:59I told you we could handle this.
51:01Come on.
51:08Engine's hot.
51:09What a break.
51:09They're probably in the back room
51:10playing Honeymoon Bridge.
51:12Listen, doctor, you drive.
51:13I'll jump in the back and dress for the fight.
51:14Okay.
51:15Can you beat it?
51:33Some guys will steal a red-hot stove.
51:35We'll get them.
51:36Hey, car!
51:37Bob!
51:39Follow that ambulance.
51:40Hey!
51:59What?
52:00I was just thinking, if we crack up, we got an ambulance, Handy.
52:03Yeah.
52:04Yeah.
52:04Here.
52:13Here.
52:14What's that?
52:15My IOU.
52:17What for?
52:1850-50 on that balloon stuff you took.
52:20I got a bonus.
52:21I don't want it.
52:23Take it.
52:23How can I be an angel with 50 bucks on my conscience?
52:26I'll keep it.
52:27Buy a little bit with it.
52:29Oh, come on.
52:30Come on.
52:30Come on.
52:30Come on.
52:32Come on.
52:32Come on.
52:34Here you go, doc.
52:56Take a left at the next corner.
52:58Okay, doctor.
53:05You know, I don't get to go out very often.
53:08Sometimes on Saturday night, we go to the Paloma.
53:27We may not get out of here, kid.
53:32Yeah.
53:33I pushed you around plenty when you were with me, but I did it to make a real cameraman out of you.
53:37Well, did you?
53:37I'll tell the world I did.
53:39Now watch your step and let's go.
53:43Rick!
53:43Rick!
53:44The ambulance dropped out in front.
53:46They're coming in here.
53:47Just what the doctor ordered for a getaway.
53:49Let them in.
53:50Come here, Danny.
53:50Did you call for an ambulance, lady?
53:54Sure.
53:55Why not?
53:58We're just in time, boys.
54:01Feed it, Clove.
54:04Watch it, boss.
54:05They're ponies.
54:06Ponies, huh?
54:07I thought so.
54:09Wade, it looks like you and I are going on a long trip.
54:12Yeah, a long trip.
54:16Fine.
54:17I like trips.
54:18What are you two half-wits talking about?
54:20Drop that and put up your hand.
54:22Stay there and help him fight, you yellow egg.
54:27Not me.
54:27I'm getting out of here.
54:39Calling car 16.
54:40Car 16.
54:41Stole an ambulance, traveling at high speed.
54:43One two signals at Somerset Drive and Avalon Street.
54:46That is all.
54:46Hurry up.
54:47Get off the show there.
54:51Come back here.
54:53Get back up, Danny.
54:54Oh, no, you're not.
55:09Oh.
55:11Flash.
55:16Good luck.
55:18Take the next lift turn.
55:20I guess that's that.
55:28Bad man's here at last.
55:33An excellent idea, Doc.
55:34An excellent idea.
55:38Oh, he's a large one, isn't he, Doc?
55:40Oh, he tries for you upstairs.
55:44Okay.
55:45Look after him, boys.
55:49Take it easy on the way out, fellas.
55:51He's full of bumps.
55:55Hold it.
55:56This one's on you, Casey.
55:58Exclusive for Snap News.
55:59Thank you.
55:59This one's on you, Casey.
56:00Exclusive for Snap News.
56:03This one's on you, Casey.
56:04This one's on you, Casey.
56:04This one's on you, Casey.
56:04This one's on you, Casey.
56:05This one's on you, Casey.
56:06This one's on you, Casey.
56:06This one's on you, Casey.
56:07This one's on you, Casey.
56:07This one's on you, Casey.
56:08This one's on you, Casey.
56:08This one's on you, Casey.
56:09This one's on you, Casey.
56:09This one's on you, Casey.
56:09This one's on you, Casey.
56:10This one's on you, Casey.
56:10This one's on you, Casey.
56:11This one's on you, Casey.
56:11Gracias por ver el video.
56:41Gracias por ver el video.
Recomendada
1:09:45
|
Próximamente
Sé la primera persona en añadir un comentario