- hace 6 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
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00:01:30¡Gracias!
00:01:32¡Gracias!
00:01:34¡Gracias!
00:01:58¡Gracias, Sr. Turlock!
00:01:59¡Gracias por ver el video!
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00:05:41¿Quién? ¿Quién está listo?
00:05:43Oh, algún chico de la Comunidad.
00:05:45Send the wire to Pat Marvin, Iowa Daily Bugle.
00:05:48Council Point, Iowa.
00:05:55¿Están en mucho tiempo, Pat?
00:05:57Creo que podemos dejar en un poco más.
00:06:03Oh, no, Ben.
00:06:05Ben, ya sabes, porque estoy en tu cocina...
00:06:07no hay razón para tener cuidado.
00:06:09Si, Pat, me gustaría estar aquí siempre.
00:06:11¿Por qué, en la cocina?
00:06:12Oh, ya sabes lo que quiero decir.
00:06:16Hey, I banged on that front door
00:06:18until I ain't got no knuckles left.
00:06:19What you doing back here?
00:06:20Never mind.
00:06:21Who's the telegram for?
00:06:22Pat Marvin.
00:06:23Your old lady told me you was here.
00:06:25Hey, what's burning?
00:06:27Oh, whoa.
00:06:31They all right?
00:06:32Yeah, they're a little stiff,
00:06:33but they'll be all right.
00:06:34Cooking pictures?
00:06:35Who gave you that recipe?
00:06:37When are you two going to get married?
00:06:39Why don't you ask her?
00:06:41What's the matter?
00:06:42Are you scared to ask her?
00:06:43Oh.
00:06:44Oh, Ben.
00:06:45Ben, look.
00:06:46Look at this.
00:06:47Wait a minute.
00:06:48Outside.
00:06:49Outside.
00:06:50Now, what's all the excitement about?
00:06:51Oh, you...
00:06:52You remember the airplane picture?
00:06:53Yeah.
00:06:54Well, I just got an offer for a job from New York.
00:06:57Flick Magazine.
00:06:58You offered your job?
00:06:59I mean, offered your job?
00:07:00Oh, yes.
00:07:01Oh, Ben, isn't it wonderful?
00:07:02You know how I wanted this.
00:07:04Yeah.
00:07:05Haven't you forgotten something?
00:07:06What?
00:07:07The airplane picture.
00:07:08That was a fake.
00:07:09Oh, Ben.
00:07:10I just duped in the background for you for a gag.
00:07:12Just to make it look like it was crashing.
00:07:14Oh.
00:07:15Well, I'm still a good photographer anyway.
00:07:19What does it matter how I got the job?
00:07:21I'll hold on to it.
00:07:23And I'm a level, too.
00:07:24Well, what's the matter then?
00:07:25Don't you think I can?
00:07:27Yeah, that's the trouble.
00:07:28I do.
00:07:29Oh, Ben.
00:07:30It isn't because I'm not fond of you.
00:07:32You know that.
00:07:33But...
00:07:34Well, I've just got to have a try at it.
00:07:35That's all.
00:07:36If I don't, I'll turn into one of those women who keep talking about what a great career
00:07:40they would have had if they hadn't gotten married.
00:07:41I'll get fat and sour and...
00:07:42Not sour.
00:07:43Oh, Ben.
00:07:44I've just got to have a crack at New York.
00:07:46Okay, Pat.
00:07:47I'll get fat and sour and...
00:07:48Not sour.
00:07:49Oh, Ben.
00:07:50I've just got to have a crack at New York.
00:07:52Okay, Pat.
00:07:53I'll get fat and sour and...
00:07:54Not sour.
00:07:55Oh, Ben.
00:07:56Okay, Pat.
00:07:57You take a crack at it.
00:07:58I'll stay here and keep the oven hot.
00:07:59Oh, Ben.
00:08:00Well...
00:08:01If I'm leaving tonight, I...
00:08:02I have a lot of things to do.
00:08:03Oh.
00:08:04I've got my shoes.
00:08:05Oh, Ben.
00:08:06You're sweet.
00:08:07I get kissed more on the cheek.
00:08:08Oh, Ben.
00:08:09You're sweet.
00:08:10I get kissed more on the cheek.
00:08:13Oh, Ben.
00:08:14You're sweet.
00:08:15I get kissed more on the cheek.
00:08:17Oh, Ben.
00:08:18You're sweet.
00:08:19I get kissed more on the cheek.
00:08:24Yeah?
00:08:25Pat Marvin is here.
00:08:26Who?
00:08:27Pat Marvin is here.
00:08:28Oh, send him in.
00:08:31Mr. Burke?
00:08:32Yeah?
00:08:33I'm Pat Marvin.
00:08:34Oh, come in.
00:08:36Pat Marvin?
00:08:37Yes.
00:08:38Well...
00:08:39Won't you, uh...
00:08:40Won't you sit down, Miss Marvin?
00:08:41Oh, thank you.
00:08:42Well, so, uh...
00:08:43So, you're Pat Marvin.
00:08:44Well, what do you know?
00:08:45Pat Marvin.
00:08:46Yes.
00:08:47Well...
00:08:48Won't you, uh...
00:08:49Won't you sit down, Miss Marvin?
00:08:50Oh.
00:08:51Thank you.
00:08:52Well...
00:08:53So, uh...
00:08:54So, you're Pat Marvin.
00:08:55Well, what do you know?
00:08:56Pat Marvin.
00:08:57Well, yes.
00:08:58Is there anything so miraculous about that?
00:09:00Well, no.
00:09:01But to tell you the truth, I expect you to look a little different.
00:09:04Yes.
00:09:05Quite a little different.
00:09:06Well, I'm sorry not to live up to your expectations.
00:09:08Oh, not at all, Miss Marvin.
00:09:10It uh, it is Miss, isn't it?
00:09:11Yes.
00:09:12It's Miss, isn't it?
00:09:13Yes, it's Miss.
00:09:14Fine.
00:09:15You know, the minute I saw a picture of the plane crash in the paper...
00:09:16I said to myself...
00:09:17Now, there's a guy...
00:09:18a gal with plenty of moxie...
00:09:19who deserves a break in a big time.
00:09:20That's what I said to myself.
00:09:21And, uh...
00:09:22I thought I was the guy who decided to walk to a plane crash.
00:09:23Yes, it's Miss.
00:09:24Oh, Miss Marvin.
00:09:25That's the crazy thing.
00:09:26It's Miss.
00:09:27Yes, it's Miss, isn't it?
00:09:28I don't have fun.
00:09:29I don't have a dream.
00:09:30And I saw that plane crash in the paper, I said to myself...
00:09:32Now, there's a guy...
00:09:33Now, there's a guy, a gal, with plenty of moxie,
00:09:35who deserves a break in the big time.
00:09:36That's what I said to myself.
00:09:38And I thought I was the guy who could give it to her.
00:09:41But now I'm not so sure.
00:09:44Well, what do you mean?
00:09:45Well, you're pretty young.
00:09:46I mean, you're pretty and young.
00:09:48But I can see you've got a lot to learn.
00:09:50And if there's anybody who can teach you, it's me.
00:09:53Well, I don't want to cause you too much trouble.
00:09:57Oh, not at all.
00:09:58Now, the first thing I'm going to do
00:09:59is give you the benefit of my experience.
00:10:01Fall in front of you every day.
00:10:02You've got to hustle your own shots.
00:10:04Sometimes you've got to put your foot in the door
00:10:05and keep it in no matter how hard it's stamped on you.
00:10:08Of course, that's all right for a number 10 like mine.
00:10:10But yours...
00:10:12Now, to cut the mustard, you've got to have Glove.
00:10:15Glove?
00:10:15Mm-hmm.
00:10:16No woman could possibly have it.
00:10:18Well, it sounds like a goldfish could have it.
00:10:20What is it?
00:10:21Well, Glove's a combination of the four things
00:10:22you've got to be to get ahead in this business.
00:10:24You've got to be a go-getter, you've got to be lucky,
00:10:25you've got to be up and at them,
00:10:27and a bunco artist at heart.
00:10:28G-L-U-B, Glove.
00:10:30That's Uncle Larry's formula for success.
00:10:36Who's your expensive-looking friend?
00:10:38That's Dolores Latour,
00:10:40formerly Schultz, refugee from the chorus.
00:10:43She's now the sixth wife of Sonny Tucker.
00:10:45Oh, is that Sonny Tucker?
00:10:46Yes, the girl happy millionaire.
00:10:48But, honey, I have a very simple explanation.
00:10:50I'm not interested in any of your explanations.
00:10:52He's trying to beat Tommy Manville's record at the altar.
00:10:54Oh, well, they certainly look like
00:10:56they're getting on each other's nerves.
00:10:58Well, naturally, they've been married
00:10:59almost a couple of months now.
00:11:01Would you like to dance?
00:11:02Well, will you give me a few minutes for repairs?
00:11:04I'm getting that Airedale look.
00:11:08What kind of a scene are you figuring on this time?
00:11:10Hysterics or just throwing things?
00:11:12It'll be one you'll never forget.
00:11:13Hysterics or something?
00:11:15Dad?
00:11:15Mom?
00:11:16Oh, well, it's time.
00:11:17You won't be.
00:11:17You won't be.
00:11:18I'll take a breath.
00:11:19Well, he's going.
00:11:19Listen, you won't be.
00:11:20Oh, my God.
00:11:21There's only one you'll ever be
00:11:22looking at.
00:11:23Oh, my God.
00:11:24That's right.
00:11:25I'll take a breath.
00:11:26Oh, my God.
00:11:26My God.
00:11:27My God.
00:11:28Oh, my God.
00:11:30Oh, my God.
00:11:31Okay.
00:11:33Oh, my God.
00:11:34Oh, my God.
00:11:35Oh, my God.
00:11:36Oh, my God.
00:11:39Oh, my God.
00:11:39Oh, my God.
00:11:41Oh, my God.
00:11:41¡Gracias!
00:12:11What are you thinking about?
00:12:16Oh, I was just thinking how wonderful it is of a great big important man like you
00:12:21to take so much time teaching me the ropes.
00:12:26I don't guess you'd like to stop off at my place and have a nightcap.
00:12:31No, I guess not.
00:12:40Catching call?
00:12:41I think it's the change of climate.
00:12:43Okay.
00:12:45I suppose you have a boyfriend back home.
00:12:48Uh-huh.
00:12:50Engaged?
00:12:51Uh-uh.
00:12:53You're going to sort of have to have someone look after you.
00:12:55You know, a young girl kicking around New York alone is liable to run into a lot of wolves.
00:12:59Especially an attractive girl like you.
00:13:01You're 100% right about that, Mac.
00:13:03It's something awful.
00:13:05Okay, Mac.
00:13:06It's been a wonderful evening, Mr. Burke.
00:13:12Uh, the, uh, the first name is Larry.
00:13:14Larry.
00:13:15Uh, see you tomorrow.
00:13:16Oh, uh, I wonder if you'd mind if I used your telephone.
00:13:19I, uh, I'm supposed to check for the night board.
00:13:21Oh, no, no, I wouldn't mind at all.
00:13:26Except that it might disturb Ben.
00:13:30Ben?
00:13:31Yes.
00:13:32Ben.
00:13:33My, my, my brother.
00:13:35Oh.
00:13:36Yes, he's, uh, he's sleeping on the day bed in the, in the living room next to the phone.
00:13:42I say.
00:13:43You, uh, you didn't tell me you had a brother, would you?
00:13:45Oh, didn't I?
00:13:46No.
00:13:47No.
00:13:48What's he doing here?
00:13:49Well, he's, uh, he's sleeping on the day bed in the living room next to the telephone.
00:13:55No, I, I mean, does he work here in New York?
00:13:59Oh, no, no, he doesn't.
00:14:01He, uh, he just came along to see that everything was all right, you know.
00:14:06I see.
00:14:07Uh-huh.
00:14:08Uh, as a matter of fact, he thinks I was working tonight.
00:14:11You know, if he ever thought for a minute that I was out with a, with a strange man, unchaperoned, why he...
00:14:16Well, I'll be.
00:14:17Unchaperoned?
00:14:18You mean you actually do that sort of thing?
00:14:20Well, of course we do back home.
00:14:23You see, they're, they're very strict about those things back there.
00:14:26I see.
00:14:27Well, uh, uh, good night.
00:14:29Good night.
00:14:30Good night.
00:14:31Good night.
00:14:32Good night.
00:14:33Good night.
00:14:34Bye-bye.
00:14:35Bye-bye.
00:14:48Well, a hunch I'd better wait.
00:14:53Good morning.
00:14:54Am I late?
00:14:55No.
00:14:56Only about eight hours.
00:14:57Here you were in the same night club with this Delores dame.
00:14:58She tries to bump herself off and you don't even get a sniff at it.
00:15:00It just proves it.
00:15:01Women have no place in a job like this.
00:15:02They just haven't got glub.
00:15:03Oh, I suppose I should have guessed what she was going to do.
00:15:04Guessed it, smelled it, used a Ouija board.
00:15:05At least come up with something.
00:15:06Oh.
00:15:07Well, you must mean something like this.
00:15:08Yes, I must mean something like this.
00:15:09Yes, I must mean something.
00:15:10Wait a minute.
00:15:11Where'd you get...
00:15:12Where did you get...
00:15:13Glub.
00:15:14Darling, what a shot.
00:15:15Oh, I love you.
00:15:16Oh, no.
00:15:17Well, what are you...
00:15:18Get out of the way.
00:15:19Ow!
00:15:20Fuck.
00:15:21Wait.
00:15:22Wait.
00:15:23What?
00:15:24What?
00:15:25What?
00:15:26What?
00:15:27What?
00:15:28Oh, I love you.
00:15:29Oh, no.
00:15:30Well, what are you...
00:15:32Get out of the way.
00:15:33Ow!
00:15:34Fuck.
00:15:35Wait.
00:15:36Now, breathe.
00:15:38Just breathe.
00:15:39Come on.
00:15:44Well, Mr. Turlock.
00:15:47How's your doorman?
00:15:48Fine.
00:15:49Fine.
00:15:50Push-ups.
00:15:51That's what you need.
00:15:52Push-ups.
00:15:53Yes, sir.
00:15:54Oh, this is Pat Marvin, our new photographer.
00:15:55Mr. Turlock.
00:15:56How do you do?
00:15:57Can I...
00:15:58Can I stop breathing now?
00:15:59I'm breaking her in the Turlock way.
00:16:00She made those wonderful pictures of the airplane crash.
00:16:02I know.
00:16:03I know.
00:16:04That's why I told you to hire him.
00:16:05He was a herd.
00:16:06Well, how are you, young woman?
00:16:08How's the...
00:16:09Bowman?
00:16:10Uh...
00:16:11A little flabby.
00:16:13Soft.
00:16:14Can you touch the floor?
00:16:15Uh...
00:16:16Touch the floor.
00:16:17Touch the floor for Mr. Turlock.
00:16:20Well, I...
00:16:24No, no, no, no, no.
00:16:25Stiff knees.
00:16:26Like this.
00:16:27Stiff knees.
00:16:28Yes.
00:16:29Stiff knees.
00:16:30Yes, Stiff knees.
00:16:31Uh...
00:16:32Something snapped.
00:16:33You're a little stiff.
00:16:34Have a carrot.
00:16:35I was just complimenting Miss Marvin on the neat job she did last night.
00:16:42Delores Tucker right after she'd taken poison.
00:16:44Excellent.
00:16:45Why don't you go over to Tucker's apartment and get some shots of him and that fantastic love nest of his.
00:16:52We'll use it next week for a featured layout.
00:16:53Uh, Smitty will give you the address.
00:16:55Beat it before old Muscle Bustle gives you the complete workout.
00:16:57He insists on all employees following the Turlock diet and exercise course.
00:16:59Thanks.
00:17:00Goodbye, Mr. Turlock.
00:17:01It was nice meeting you.
00:17:02Oh.
00:17:03Oh.
00:17:04Oh.
00:17:05Oh.
00:17:06Oh.
00:17:07Oh.
00:17:08Oh.
00:17:09Oh.
00:17:10Oh.
00:17:11Oh.
00:17:12Oh.
00:17:13Oh.
00:17:14Oh.
00:17:15Oh.
00:17:16Oh.
00:17:17Oh.
00:17:18Oh.
00:17:19Oh.
00:17:20Oh.
00:17:21Oh.
00:17:22Oh.
00:17:23Oh.
00:17:24Oh.
00:17:25Sorry Mr. Turlock, but we have to strike while the iron is hot, you know.
00:17:27This suppressor always makes me feel like exercising.
00:17:28Ah.
00:17:30Oh, me too.
00:17:31Are you ready?
00:17:32Yes, sir.
00:17:33Here we go.
00:17:34Ready, pass.
00:17:35One, two, three, four.
00:17:37One, two, three.
00:17:39Come on.
00:17:40Let's go.
00:17:41Mr. Tucker is not seeing any newspaper persons.
00:17:43He isn't.
00:17:44Could you please tell Mr. Tucker...
00:17:49jem, please, please, please.
00:17:51He's expecting me.
00:17:52Uh, yes.
00:17:53Yes, ma'am.
00:17:53Yes.
00:17:54¿Qué tal?
00:17:58Me siento, pero la gente tiene que ver a la gente.
00:18:01No está bien. No se pierda en la cama como un jojo.
00:18:12Sit down, Bubbles.
00:18:15Pero...
00:18:16No soy realmente Bubbles.
00:18:18Soy un fotógrafo de la revista de la revista.
00:18:21¿Qué es lo que se ha hecho en el magazine?
00:18:23A trick chick from Flick.
00:18:25Help yourself.
00:18:27I'd pour it for you, but, uh, look.
00:18:29You mean you're not...
00:18:31You're not really angry because I'm a photographer?
00:18:33There's nothing wrong with working.
00:18:35My grandfather did.
00:18:37Oh.
00:18:39Well, uh, well then you won't mind if I just take a few pictures, will you?
00:18:42Fire away, Bubbles.
00:18:44Alright.
00:18:45You just stay that way.
00:18:47Keep the glass in your hand.
00:18:49Have you any pictures of your wife wrong?
00:18:54Which one?
00:18:55The last one, Dolores.
00:18:57Well, there should be one of her in here.
00:19:01Yes.
00:19:02No, that's Suzette.
00:19:04Hmm.
00:19:05I wonder what ever happened to her.
00:19:07Which one was she?
00:19:08Uh, second.
00:19:09No, third, I think.
00:19:11Yes, third.
00:19:13That was the year I had her and the measles.
00:19:16Oh, here's dear little Dolores.
00:19:19Hmm.
00:19:20Hold this.
00:19:22Right back a little.
00:19:24Hmm.
00:19:25There.
00:19:26How is she?
00:19:27Very affectionate in a revolting sort of way.
00:19:29No, I didn't mean...
00:19:31I mean, how is she after her experience last night?
00:19:34Oh, that.
00:19:35Oh, she'll be all right.
00:19:36A few days in the hospital.
00:19:37I think she dilutes her poison.
00:19:38Oh, really?
00:19:39Seventh time.
00:19:40It'd be cheaper if I got her a dress with a built-in stomach pump.
00:19:41Well, what was the fight about last night?
00:19:43Oh, same thing.
00:19:44Every time I go out with another girl, she gets jealous.
00:19:45Unreasonable woman.
00:19:46Why did you try to commit suicide?
00:19:47What are you going to do now?
00:19:48Are you going to get a divorce?
00:19:49There'll be no divorce.
00:19:50No divorce?
00:19:51No divorce.
00:19:52There was a little misunderstanding.
00:19:53But it's all made up now.
00:19:54You can say for me that we're very, very happy.
00:19:57Why don't you give us a lowdown on this thing?
00:19:58Let us see your husband.
00:19:59You don't want to hear me.
00:20:00Please, please.
00:20:01No, ma'am.
00:20:02Shall I announce you?
00:20:03My own house?
00:20:04You crazy?
00:20:05Yes, ma'am.
00:20:06Yes, ma'am.
00:20:07Well, I'm a deaf door.
00:20:08You're carrying on.
00:20:09You pain.
00:20:10This is Bubbles.
00:20:11She takes pictures.
00:20:12You dog.
00:20:13You hyena.
00:20:14This is the lorry.
00:20:15She throws high into the right.
00:20:16As for you.
00:20:17Now, look, Mrs. Tucker, I...
00:20:18really, you had this.
00:20:19All right, Mrs. Tucker.
00:20:20Now, look, Mrs. Tucker, I...
00:20:21really, you had this all off.
00:20:22All right.
00:20:23I've had this all off.
00:20:24This is with you.
00:20:25This is Bubbles. She takes pictures.
00:20:28You dog.
00:20:29You hyena.
00:20:30This is Delore. She throws high into the right.
00:20:33As for you.
00:20:34Now, look, Mrs. Tucker, I...
00:20:36Really, you've had this all wrong.
00:20:38But I get through with you. Nobody will look at you. Not even here.
00:20:40I'm only here on business.
00:20:41What kind of business?
00:20:42Yeah. Now I've got you.
00:20:55We'll call this flick goes to the Tuckers.
00:21:02Or how to duck in six easy lessons.
00:21:04That's a swell job, Pat.
00:21:06And I thought your foot was too small to get inside a door.
00:21:09Oh, I didn't use my foot or use my head.
00:21:11Mmm. And a very pretty head it is, too.
00:21:14Well, I'll get this over to the art department and have it captioned.
00:21:18Oh, swell. Tell the cashier to give you a $50 bonus.
00:21:21Well, thank you.
00:21:22I'll bet your brother will be pleased.
00:21:27He certainly will.
00:21:29You want to send him some prints?
00:21:31Oh, I won't have to. He's still here.
00:21:33Oh.
00:21:35Well, if he has any trouble getting his ticket back, maybe I can help.
00:21:39Oh, thank you.
00:21:41Of course, I'll have to know a little in advance.
00:21:43I mean, it's rather difficult to get, you know.
00:21:45When is he planning on leaving?
00:21:46Oh, he hasn't decided.
00:21:50Oh, he hasn't decided.
00:21:52You're welcome.
00:22:02Hello, Pat.
00:22:03Ben!
00:22:05Oh, Ben, it's good to see you.
00:22:09Surprised?
00:22:10I should say I am.
00:22:12What are you doing in New York?
00:22:13The minute you left, the old town wasn't the same.
00:22:16Oh, Ben...
00:22:17No, no, no, no, no, no, no, no.
00:22:47No, no, no, no, no, no, no.
00:23:17How about party tonight? Have you got time?
00:23:20Sure, I've got time.
00:23:21Well, that's fine, we'll make up for a little forcing.
00:23:23Know any numbers in New York?
00:23:25You mean girls?
00:23:27Just, Pat.
00:23:28But you do, don't you? You live here, after all.
00:23:31Oh, sure, which do you prefer, blondes, brunettes, or redheads?
00:23:33I don't see what difference it makes which I prefer.
00:23:37Now, that's what I like, an open mind.
00:23:38You leave everything to me.
00:23:40Pat, you should have brought your brother in sooner.
00:23:41He's a nice guy.
00:23:42See you later, Ben.
00:23:44Larry, I...
00:23:46Hey, what was he talking about?
00:23:49He said I was your brother.
00:23:50Did you tell him I was your brother?
00:23:53No, Ben.
00:23:55I didn't tell him you were my brother.
00:23:58I just said I had a brother named Ben.
00:24:01But you haven't any brother named anything.
00:24:03I know it.
00:24:03Well, why'd you say you did then?
00:24:05What's going on around here?
00:24:07Well, Ben, I...
00:24:08I thought it would be safe.
00:24:10Well, I thought it would be safe
00:24:13a girl in New York
00:24:15if they knew that
00:24:16in the other room
00:24:18there was a big brother lurking around.
00:24:21If who knew?
00:24:22Well, if they...
00:24:23Anybody.
00:24:25Him? Has he been annoying you?
00:24:26No, of course not. Oh, Ben, stop quibbling.
00:24:28I'm quite nibbling. I mean, I'm not quibbling.
00:24:31I had to say something
00:24:33and your name just popped out.
00:24:35Well, if you had to say something,
00:24:36why didn't you say I was your fellow?
00:24:37Because you're not. Well, we were not engaged.
00:24:40Well, I'm not your brother, either.
00:24:42At least then, when they met me,
00:24:43they wouldn't think...
00:24:45Hey, he thinks he's taking you out tonight.
00:24:48Well, what difference does it make?
00:24:50We're all going to be together.
00:24:51It makes a lot of difference.
00:24:52I'm going to put a stop to this right now.
00:24:54Oh, now, Ben, wait.
00:24:54Wait, nothing.
00:24:55Listen, think of my job.
00:24:56What's your job got to do with it?
00:24:58Do you have to go out with him to work for him?
00:24:59Is he that kind of a worm?
00:25:00No, he's not that kind of a worm.
00:25:02Well, then.
00:25:04Oh, Ben.
00:25:07Look, I lied to him.
00:25:09I lied to him.
00:25:10Now, think how you'd feel.
00:25:12I am.
00:25:13Oh, why did you come here at all?
00:25:16Well, it looks like it's about time I did.
00:25:19All right, then.
00:25:21All right, then.
00:25:23Go on.
00:25:24Tell him.
00:25:24Only if I get fired, I'll never talk to you again as long as I live.
00:25:31Oh, now, Pat.
00:25:33No, I mean it.
00:25:34I mean it.
00:25:36Go on.
00:25:37Tell him.
00:25:38You're sure it's your job you're worried about, not him.
00:25:43Well, if it was him, he, do you think I would have made it up in the first place?
00:25:48I don't know.
00:25:50This thing's got me all woosly.
00:25:52All right, Ben.
00:25:53Look, we've got to find you someplace to stay.
00:25:58We'd better get a room where I live.
00:26:01Come on.
00:26:02Here you are, Smitty.
00:26:03Thank you.
00:26:05I'll pick you up about eight.
00:26:13Nice to see a brother and sister so happy.
00:26:23Sorry, everything is reserved.
00:26:28Don't worry, honey child.
00:26:29We'll get here.
00:26:32You can get me a tip.
00:26:33Put it away.
00:26:34It will only snag up my income tax.
00:26:36Good evening, Carol.
00:26:37Hello, George.
00:26:37Big night, huh?
00:26:38Same thing.
00:26:39Too many people with too much letters.
00:26:41Oh, Henry.
00:26:41Thank you, Larry.
00:26:42Thank you, Larry.
00:26:43Thank you, Larry.
00:26:44Thank you, Larry.
00:26:45Really?
00:26:46I haven't had a bad sleep at all.
00:26:48Thank you, Larry.
00:26:50Thank you, Larry.
00:26:52Well, what do you have?
00:26:54Well, what do you have?
00:27:09Stinger.
00:27:10It's a cocktail.
00:27:11Drink, you know.
00:27:12Oh, oh, oh.
00:27:13How about you?
00:27:14I'd like some sherry.
00:27:14Some sherry?
00:27:15I've received two stingers and a glass of sherry.
00:27:17And how about you, Ben?
00:27:18Have you any vegetable juice?
00:27:21You and Turlock would get along very well.
00:27:23Oh, well, I've been taking his correspondence course of exercises for years.
00:27:27Has he sent you the muscles yet?
00:27:29Two stingers, one sherry and one vegetable cocktail.
00:27:33Yes, cigarettes?
00:27:34Thank you.
00:27:42You couldn't loan me a Boy Scout and a couple of sticks, could you?
00:27:45Oh, yes.
00:27:46Would you like to dance?
00:27:47I doubt if there are any suicides going on tonight.
00:27:50Excuse me.
00:27:51Thanks.
00:27:53Don't you believe in it, or is this, uh, dance this Tuesday?
00:27:58Oh, I don't waltz or one step.
00:28:00This isn't a waltz or one step, is it?
00:28:02No, but I appreciate your frankness.
00:28:04You've no idea how a good heart-to-heart talk about dancing saves a girl's shoes.
00:28:12Ben doesn't seem to care much for that date I got in.
00:28:14You know, she's a palace girl and one of the most popular gals in town.
00:28:17He doesn't seem to give her a tumble.
00:28:18I don't mean to pry, but have you read any good books lately?
00:28:23Huh?
00:28:23Why don't you just stay at home and send me a nice bottle of plasma?
00:28:27Oh, sorry.
00:28:28My mind was wandering.
00:28:29Lucky for you it can travel half-fair.
00:28:32I was wondering where she learned to rumba.
00:28:35We never rumbed at home.
00:28:37Would you like to join them?
00:28:38You could make it ring around the Rosie.
00:28:40Oh, Ben, you ought to learn how to rumba.
00:28:42It's fun.
00:28:43Where did you learn?
00:28:44Oh, it's easy, Ben.
00:28:44All you have to do is swing your rear turret and pretend you're scraping chewing gum off your feet.
00:28:48That's all.
00:28:49Well, here's to a pleasant trip home.
00:28:51Trip?
00:28:52Didn't Pat tell you?
00:28:53No, why?
00:28:54I'm not going home.
00:28:56Oh, well, that's just dandy.
00:28:59I decided to stick around and see what New York has to offer that Iowa hasn't.
00:29:03How about a job with your outfit?
00:29:05For years my hobby's been photography, you know, developing and printing.
00:29:08Well, I'd like to, Ben, but there's a great difference between a hobby and a profession.
00:29:11But my work's professional, isn't it, Pat?
00:29:14Ask Pat, she'll tell you.
00:29:16He's very good.
00:29:19Well, I guess I can find a spot for you.
00:29:21Thanks, pal.
00:29:22And now, how about a waltz with your big brother?
00:29:27I'd love it.
00:29:33Wait till the aunts and uncles arrive next week.
00:29:35You'll have quite a staff.
00:29:37Do you want to sit here and be sarcastic or would you rather dance?
00:29:40I'll bet they have a lot of unemployed cousins, too.
00:29:49Come here.
00:29:54Of all the dirty, underhanded tricks, taking advantage of me that way.
00:29:58I'm doing it for you.
00:29:59I think you're infatuated with that fellow.
00:30:01I am perfectly capable of taking care of myself.
00:30:04Is that why you made me up?
00:30:06That had nothing to do with it.
00:30:07That's completely different.
00:30:09You can't get rid of a brother that easily.
00:30:12Oh, the whole situation is completely ridiculous.
00:30:14All you have to do is tell them I'm not your brother.
00:30:18Then...
00:30:18Come on, let's dance.
00:30:22They'll be wondering what happened to us.
00:30:23Come on.
00:30:29Pardon, old sock.
00:30:30May I cut in?
00:30:31Hello there, Bubbles.
00:30:32Oh, Mr. Tucker.
00:30:34This is Mr.
00:30:36My brother.
00:30:37Thanks, old sock.
00:30:38Let's try it, Bubbles.
00:30:39But I tell you, my name isn't Bubbles.
00:30:44What's in a name?
00:30:45Almost all the women I know are named Mrs. Tucker.
00:30:48It's a pleasure to meet one who isn't.
00:30:50I see your point.
00:30:52Wait.
00:30:53There's a big black cat tearing around in my head.
00:30:56Has to have a drink to quiet him.
00:30:57Come on, have something.
00:31:07Nothing for me, thank you.
00:31:08Is the cat thirsty again, Mr. Tucker?
00:31:10Oh, food right.
00:31:11The usual, please.
00:31:12Well, where is Mrs. Tucker this evening?
00:31:15I'll tell you a little secret.
00:31:17We...
00:31:17Oh, well, I can't say I'm surprised.
00:31:22Bubbles, you're beautiful.
00:31:24Will you marry me?
00:31:25As soon as I get my divorce, I mean.
00:31:27Oh, but this is so sudden.
00:31:28All my proposals are.
00:31:30I see a woman, I go for her, I propose.
00:31:33You certainly do.
00:31:34It wouldn't be such a bad deal.
00:31:36Lots of laughs, plenty of champagne,
00:31:37and the usual $100,000 alimony.
00:31:40Well, don't tell me we've...
00:31:41already.
00:31:42I'm leaving tomorrow for Reno to divorce Dolores.
00:31:46You can use my apartment while I'm gone.
00:31:49Have it redecorated if you like.
00:31:50Most of them do.
00:31:51I believe you're serious.
00:31:54Of course I am.
00:31:55Here's the key.
00:31:55What do you say?
00:31:56Oh, I say I've got to get back to my party.
00:31:58Here, try it on for size.
00:32:00Oh, now, look.
00:32:01Fun is fun.
00:32:02Go.
00:32:02I follow you.
00:32:06What do I find?
00:32:07You again.
00:32:08You can't steal my husband and get away with it.
00:32:10Oh, lady, couldn't we talk this over in some nice public place
00:32:13like Madison Square Garden?
00:32:15We're going to stay right here.
00:32:16We're not going to talk either.
00:32:17You're fine.
00:32:18I'll scratch your eyes out.
00:32:20Look, you're asking for it.
00:32:21Don't let me go.
00:32:22How many times are you going to stand?
00:32:24And if the man has a wife like this...
00:32:25Would you boys like a steady job?
00:32:32Let's get out of here before that female tornado breaks loose again.
00:32:37Maybe slips the other way.
00:32:38You'll have to take a different cab.
00:32:40Good night.
00:32:41Madison 59.
00:32:53Flatbush and Hennessy.
00:32:55Is that far?
00:32:57It's Brooklyn, but I have my piggy bank with me.
00:32:59Oh.
00:33:02I never was so embarrassed in all my life.
00:33:08You don't really belong to cafe society until you've had at least one public brawl.
00:33:12Forget it.
00:33:14Well, what's so funny?
00:33:16Here I am trying to make a good impression on your brother.
00:33:19I wonder what he thought.
00:33:20I guess Larry's quite a ladies' man.
00:33:28Quite.
00:33:31Probably makes love to every girl he goes out with.
00:33:35Probably.
00:33:38I imagine a smart fellow like him has quite a smooth line.
00:33:43Quite.
00:33:43But I don't guess girls fall for that kind of stuff.
00:33:49Do they?
00:33:50Are you kidding?
00:33:52You mean they do?
00:33:54What is this?
00:33:55Information, please.
00:33:56Uh, driver, stop the cab.
00:33:58I just remembered.
00:33:59I've got to have my appendix out.
00:34:00I've got a cavity in it.
00:34:02Here.
00:34:03Take her to Hatbush and Flannessy.
00:34:05And good night.
00:34:06And then mad room Glatcher.
00:34:09Come on, stop it.
00:34:10Hey, Butch.
00:34:14What are you doing tonight?
00:34:21Oh, Larry, it's been such an exciting evening.
00:34:25Yeah.
00:34:26Is it all over?
00:34:27Well, I...
00:34:28I can't think of anything else that could happen.
00:34:31I can.
00:34:33Good night, Barry.
00:34:40Gee, Pat, I feel as if...
00:34:44Yes.
00:34:44Yes, Larry.
00:34:46I feel like...
00:34:47Oh, I made it.
00:34:49Sorry we can't ask you in, but tomorrow's a working day.
00:34:51Good night, old man.
00:34:52Good night.
00:34:55Drink it.
00:34:56Oh, come on, sis.
00:34:57Flick, the magazine is there when it happens.
00:35:19What's that?
00:35:20Your cat just gave birth to 12 kittens and you thought we might like to have a picture of them?
00:35:25I'm sorry, lady.
00:35:26No.
00:35:28Now, have you an answer?
00:35:33Good morning, Smitty.
00:35:35Good morning.
00:35:42Good morning, Smitty.
00:35:44You too?
00:35:45This is Mr...
00:35:46My brother, Ben.
00:35:48This is Miss Smith.
00:35:49Smitty to the office.
00:35:50Hello.
00:35:51How do you do?
00:35:51Will you tell Mr. Burke he's here?
00:35:54Hey, she always like that in the morning.
00:35:58Why wouldn't...
00:35:59Oh, yes, yes.
00:36:00She's always cheerful.
00:36:01I'll see you in a minute.
00:36:14I'll see you in a minute.
00:36:30Thank you.
00:36:31Thank you.
00:36:40Oh, Larry, it was such a sweet surprise.
00:36:43I'm glad you like them.
00:36:44There's a little speech that goes with them.
00:36:46Is it as pretty as the flowers?
00:36:48Well, I doubt it.
00:36:49I'm not very good at speech-making.
00:36:51Especially serious ones.
00:36:54Larry, I...
00:36:55Now, don't try to stop me.
00:36:56I've been up all night rehearsing.
00:36:58No, Larry, I've got to tell you something.
00:37:01It's about Ben.
00:37:02Yes, I know.
00:37:03He doesn't like me.
00:37:04No, no, it isn't.
00:37:05I've tried my best.
00:37:06I got him a date, got him a job.
00:37:07I don't know what else I can do.
00:37:09Well, Larry, it isn't anything that you have to do.
00:37:14Oh, everything's mixed up and it's all my fault.
00:37:17Oh, don't be upset, Pat.
00:37:19Maybe it's a good sign.
00:37:20Maybe you wouldn't be upset if you didn't like me.
00:37:23No, Larry, please let me tell you about it.
00:37:26Oh, here comes that dehydrated Herculean.
00:37:28Morning, morning.
00:37:36Good morning, Mr. Turlock.
00:37:37I was hoping I'd find you in, Miss Marvin.
00:37:38I'd like to put you on the mystery of the week next issue.
00:37:40Need some sparking up.
00:37:42Mystery?
00:37:42Yes, it's a series we're running.
00:37:44A murder story and a page of photos.
00:37:46You know, the crime and the victim and the clues.
00:37:48Can you solve this murder?
00:37:49If not, turn to page 63.
00:37:51Yeah, think of a good one.
00:37:52Maybe your brother could help you.
00:37:53I put a brother on, Mr. Turlock.
00:37:54Great technician, great.
00:37:56Fine, I'd like a girl to have a brother.
00:37:57Have you been taking your exercises?
00:37:59Oh, yes.
00:38:00Yes, I have.
00:38:01No, no carrots?
00:38:04Wednesday, turnips.
00:38:06Well, it's been nice seeing you, Mr. Turlock.
00:38:09I'll see about that mystery.
00:38:11Chin up.
00:38:12Chest down.
00:38:13You know that Navy deal we've been after?
00:38:24It came through.
00:38:26Authorization to send one of our men on a European convoy.
00:38:28They finally went for it, huh?
00:38:29Where there's a will, there's a way.
00:38:31That's what I always tell Mrs. Turlock.
00:38:33Yes, and what does Mrs. Turlock say to that?
00:38:34Nothing.
00:38:35We've been married 20 years.
00:38:36Keep this authorization.
00:38:37You won't get word until the last minute.
00:38:39I'll have one of our best men ready, packed, and waiting.
00:38:41Good, good.
00:38:42Here.
00:38:43Oh, thank you, sir.
00:38:46Let's see.
00:38:47First, we'll take the masked lover.
00:38:50Oh.
00:38:51And then we'll take the husband.
00:38:53Yeah.
00:38:54And then the hand with a gun.
00:38:56Mm-hmm.
00:38:57And finally, the last shot will be the girl lying on the bed murdered.
00:39:02It's exciting, isn't it?
00:39:04Yeah.
00:39:04Tell me what we can do.
00:39:05We can take the shots of the lover and the husband at the studio.
00:39:07Close shots.
00:39:08Mm-hmm.
00:39:08Yeah.
00:39:09Yeah, but for the victim, we're going to need a really plushy background.
00:39:12Oh, sure.
00:39:13You know, something very exciting.
00:39:14Yeah.
00:39:16Say.
00:39:19Yep.
00:39:20Yeah, Ben, this is it.
00:39:21What?
00:39:22The key to Sonny Tucker's apartment.
00:39:24Come on, let's hurry up, because the crowd will be there soon.
00:39:27There must be dozens of keys out.
00:39:29Come on, let's go.
00:39:29Oh, man.
00:39:30Oh, say, thanks for the assignment.
00:39:32We're working on it right now.
00:39:33Oh, I still have a little speech to make.
00:39:35Well, I have one, too.
00:39:37Dinner tonight?
00:39:38Uh-huh.
00:39:39All right.
00:39:39Good.
00:39:52You mean somebody lives here?
00:39:54Sure, lots of people.
00:39:56Oh, what a place for a murder.
00:40:01Well, imagine a guy giving out keys to this place.
00:40:04Yeah.
00:40:05Well, look, you get started, and I'll snoop around a bit.
00:40:08All right.
00:40:08Well, look, I hit the jackpot.
00:40:24Oh, you better leave those alone.
00:40:25Why?
00:40:26Why should I hire a model when these things are available?
00:40:29You go on and get set up.
00:40:30All right.
00:40:31Hello, big boy.
00:40:37Oh, madam, I'm sorry.
00:40:39We...
00:40:40Holy mackerel.
00:40:41Holy mackerel.
00:40:44Well, now, let's see.
00:40:46If the camera is here...
00:40:48Yeah, yeah.
00:40:49And, uh, she's shot from...
00:40:53From here?
00:40:53No, no, from...
00:40:55From this window.
00:40:59And, uh...
00:41:01Now, the murderer's here.
00:41:04And she walks towards the divan.
00:41:07He shoots her.
00:41:10Bang!
00:41:13Oh, that's good.
00:41:14Wait a minute.
00:41:15Take it before I suffocate.
00:41:17Okay.
00:41:19How'd they come out?
00:41:23Oh, fine.
00:41:28That one of you is a honey.
00:41:30Yeah.
00:41:31I'll get a print on it right away.
00:41:33Well, you better do a good job of it, Ben,
00:41:36because from tonight on, you're on your own, holding it.
00:41:41Jan, I'm going to tell him the truth about us.
00:41:45But you said you'd get fired if I told him.
00:41:47Well, maybe I will.
00:41:49Well...
00:41:50Well, there are worse things than getting fired, Ben.
00:41:54You didn't think so yesterday.
00:41:55Well, can't a woman change her mind?
00:42:02That's about all some women do.
00:42:07Are you nearly ready?
00:42:09We'll be in a jiffy.
00:42:11Why don't you sit down, make yourself comfortable.
00:42:13Well, what sort of a mystery did you cook up?
00:42:15Oh, the usual triangle, two men and a woman, you know.
00:42:18Yeah.
00:42:19What's the yarn?
00:42:20Well, I...
00:42:21I scribbled it there someplace.
00:42:22Oh, it's in my purse on the desk if you want to take a look at it.
00:42:26Find it?
00:42:27Yeah.
00:42:28Yeah.
00:42:32How do you like it?
00:42:34It's an unusual twist at the end, don't you think?
00:42:37Very.
00:42:38¿Cómo te gusta?
00:42:49Es un gran rito, ¿verdad?
00:42:53Muy bien.
00:42:54No te parece muy entusiasta.
00:42:57Creo que es genial.
00:42:58He tenido mi comida.
00:43:00No te lo dices, ¿verdad?
00:43:03Estoy en la carrera.
00:43:05No, no, no, no, no.
00:43:35No, no, no, no, no, no, no.
00:44:05No, no, no, no, no, no, no, no, no.
00:44:35No, no, no, no, no, no, no, no.
00:45:05No, no, no, no, no, no, no, no, no.
00:45:07No, no, no, no, no, no, no.
00:45:09No, no, no, no, no, no, no, no.
00:45:11No, no, no, no, no, no, no, no, no.
00:45:13No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:45:43¡Gracias!
00:46:13¡Gracias!
00:46:19Oh, Mr. Burke, that new guy, Ben, did he go on an assignment?
00:46:23Yeah.
00:46:24Well, he forgot his lenses. If he's gonna shoot anything...
00:46:27Oh, shove him in the lost and found.
00:46:29What?
00:46:30Shove him in the lost and found. He's on his way to Russia.
00:46:32Russia?
00:46:33Mm-hmm. But he doesn't know it.
00:46:40Click magazines, please.
00:46:43The new flick, please.
00:46:45Click magazines, please.
00:46:59Hey, come on, wake up. Another day, another carrot.
00:47:05What a nurse the matter with you?
00:47:07Hey, where is he? Over the window, do something.
00:47:09Hurry up, don't just stare at me.
00:47:11And where have you been for the past two days?
00:47:13Well, hold still, will you?
00:47:15I've been in a quiet little place, thinking.
00:47:17Thinking isn't the word for it, but it's close.
00:47:21Hey, um, what did you plant there?
00:47:23Petunias.
00:47:24Petunias, huh? That's nice.
00:47:27Thought you might like to look over this week's issue.
00:47:29Been out for quite some time now, almost as long as you have.
00:47:31You see?
00:47:32What?
00:47:33I said.
00:47:34See?
00:47:35I was gonna have to go back and look over this week's issue.
00:47:36Find out for quite some time now, almost as long as you have.
00:47:39I thought you might like to look over this week's issue.
00:47:44It's been out for quite some time now, almost as long as you have.
00:48:02I didn't know K. Discoller, was this your idea?
00:48:04What's so funny?
00:48:09Well, that's me. I pose for it myself.
00:48:14You mean this is a fake?
00:48:15Sure it is. We did it for the mystery. A pure 100% fake.
00:48:20I suppose that's your idea of revenge, putting a fake cover on the thing.
00:48:23No, no, it wasn't my idea.
00:48:26But you know all about everything. Why don't you try to explain it to Turlock?
00:48:29Listen, I can't explain a thing like that to Turlock.
00:48:32Are you Pat Marvin?
00:48:33Mm-hmm, yeah.
00:48:35How did you get that picture of Dolores Tucker?
00:48:38Well, that isn't a picture of Dolores Tucker. I pose for it myself.
00:48:41Yeah?
00:48:43I suppose you pose for this one, too.
00:48:52Well, it looks like the same picture, almost.
00:48:54It isn't.
00:48:56A police photographer took it an hour ago.
00:49:00I don't know what he's talking about.
00:49:02Oh, you don't?
00:49:03How come you got a shot of this Dolores in your magazine when we didn't run on to the murder till this morning?
00:49:07Murder?
00:49:08Say, who's getting who around here?
00:49:10Burke, there's been a murder.
00:49:11Your photographer knew about it before we did.
00:49:13I want to know how she knew.
00:49:16But, Larry, this is fantastic.
00:49:18I'm surprised at you, officer.
00:49:20You know a good newspaper man never divulges the source of his information.
00:49:23Okay.
00:49:23Maybe she'll divulge at headquarters.
00:49:25Oh, now, wait a minute. I'm not going to go...
00:49:27Just a minute. I think if I talk to her, maybe I can get her to cooperate with you.
00:49:31Okay. Five minutes.
00:49:32I'll be right here.
00:49:37Oh, now, look, Larry.
00:49:38Ben took this picture, and I'm going to have Ben tell him about it.
00:49:40Wait a minute, Pat. Ben isn't here right now.
00:49:42I sent him on an assignment for a couple of days.
00:49:44Well, then I'll tell him myself.
00:49:46Pat, look, this is the chance of a lifetime.
00:49:47Figure it out.
00:49:49You and Ben took the picture.
00:49:50After you left, somebody bumped off Delores.
00:49:52The duplication in pose is either accidental or on purpose.
00:49:54I don't know.
00:49:55But if you tell the truth now, all we'll get out of it is being shown up as publishing a phony picture.
00:50:00Well, it won't be the first time.
00:50:01Now, that's not true.
00:50:02We've never stood for a fake picture since the magazine started.
00:50:05Oh, come on. Play along with this.
00:50:06We can go to town.
00:50:08Think of it.
00:50:09Flick photographer beats police to scene of crime.
00:50:11Refuses to divulge source of mysterious tip.
00:50:14Mm-hmm.
00:50:15Think of it.
00:50:15Flick photographer rots in jail.
00:50:17No, thank you, Larry.
00:50:19I'm going to tell him about it.
00:50:20Oh, now, look, Pat.
00:50:21I'm not asking you to do this as a personal favor to me.
00:50:24It's just being loyal to the magazine you work for.
00:50:27Oh, no, Larry.
00:50:28I quit this morning.
00:50:30Oh, nonsense.
00:50:32We'll milk this thing for a couple of additions, and then we'll wash it all up.
00:50:35Oh, say you got a mysterious phone call or something.
00:50:38Hmm, I don't know.
00:50:40Oh, I know you'll see it our way.
00:50:41Even if you despise me, remember, Turlock's been very nice to you.
00:50:45Oh, yes, he certainly has.
00:50:47Think of all the carrots he's given me free.
00:50:49Oh, that a girl.
00:50:51You'll never regret it.
00:50:52I'll get you out before you can say Jack Robinson.
00:50:56Jack Robinson.
00:50:57What?
00:50:58Well, now I've said it.
00:50:59Get me out of here.
00:51:00Oh, don't worry, Pat.
00:51:01They can't bluff us.
00:51:11Oh.
00:51:23Larry.
00:51:24Larry, how long is this going to go on?
00:51:26Page one, column one.
00:51:27Not bad.
00:51:28Si te vas a pagar una venta de 20 dólares, yo hablé con Terloch.
00:51:31Sí, voy a ser el mayor de la casa de la casa de la muerte.
00:51:35No quiero una venta.
00:51:38No quiero publicidad. All I quiero es salir de aquí.
00:51:40All I quiero es salir de aquí.
00:51:42No, no te preocupes.
00:51:43Te preocupes.
00:51:46Estoy preocupada.
00:51:47Esto ha ido más allá de lo que yo pensé.
00:51:49Pero no me importa que me diga.
00:51:51He estado en la ruta de las semanas.
00:51:54Fijando sobre ti y Ben fue un jolto.
00:51:56I said a lot of things I didn't really believe.
00:51:59I'm nuts about your past.
00:52:01Larry.
00:52:03If only you could get me out of here, everything would be perfect.
00:52:06Okay.
00:52:07Turlock will kill me, but I'll tell the DA the picture was a fake.
00:52:10That'll fix everything.
00:52:13I hate to admit it, but I had that picture faked.
00:52:15Miss Marvin posed for it herself.
00:52:17Just happened that when Delores was killed, she fell in the same position.
00:52:20Rather coincidental, wasn't it?
00:52:22It doesn't make sense.
00:52:23If a woman kills another woman, she doesn't take a picture of her,
00:52:27let alone have it published.
00:52:28She might, because it sounds so insane, just to throw us off.
00:52:32That's psychological bug.
00:52:33You've got no case and you know it.
00:52:35Oh, no?
00:52:36She and the murdered woman had two fights over Tucker.
00:52:38Item two.
00:52:40Tucker gave her a key to his apartment and then left for Reno.
00:52:43We verified that.
00:52:44Three.
00:52:45She went to the apartment, was trapped by Mrs. Tucker, and killed her.
00:52:49But Miss Marvin knew that her fingerprints were all over the place,
00:52:52so she figured out this photographic angle as a cover-up.
00:52:55That's a ridiculous lie.
00:52:57Miss Marvin.
00:52:57It's a lie.
00:52:58I never killed her and I never took that photograph.
00:53:00Bring me some proof and I'll be glad to listen to you.
00:53:03Otherwise, she goes to trial for murder next Friday.
00:53:05Suppose I produce the man who shot that picture of Miss Marvin.
00:53:07We'll be glad to listen to his story and check it.
00:53:09I'll have him here before the trial.
00:53:11The matron is waiting outside for you, Miss Marvin.
00:53:13She'll take you back to your cell.
00:53:14Don't worry, Pat.
00:53:15We'll get Ben.
00:53:16I'll have Turlock move heaven and earth.
00:53:18And he can do it.
00:53:19I wonder what takes them so long.
00:53:33Maybe they don't know where his ship is.
00:53:35Oh, the Navy doesn't misplace the convoy.
00:53:37They send him out on it.
00:53:37All they have to do is send a radiogram.
00:53:40Hello?
00:53:41What?
00:53:43Hello?
00:53:44Yes, this is Burke.
00:53:45Yes, I've got to know.
00:53:47Mr. Turlock has arranged to send a plane for him.
00:53:50He's wanted as a witness in a murder trial.
00:53:56The ship was a torpedo.
00:54:05Ben wasn't among the survivors.
00:54:08How ghastly.
00:54:10He's dead, Mr. Turlock.
00:54:12He's dead and I killed him.
00:54:15Oh, it wasn't your fault.
00:54:16You didn't know anything was going to happen to him.
00:54:18Oh, how am I going to tell Pat?
00:54:20That's not all.
00:54:21How are you going to get her out of this now?
00:54:22We've got to find the real murderer.
00:54:24Oh, that's great.
00:54:24What do we do?
00:54:25Put an ad in the paper?
00:54:26Where do we start?
00:54:27First, you question the suspects.
00:54:28What suspects?
00:54:29Pat's the only one.
00:54:30Well, find some.
00:54:33Poor Ben.
00:54:35Oh, he wouldn't have wanted to go out any other way.
00:54:38He was doing his job.
00:54:40I wish I felt that way, Pat.
00:54:42Oh, Larry, it wasn't your fault.
00:54:45Well, you could have picked anyone else for the job, but you gave Ben the big assignment
00:54:50because you thought I was in love with him.
00:54:52You don't understand.
00:54:54Larry, it was a very unselfish thing you did for us.
00:54:57Then's your only chance, Pat.
00:54:59Turlock says he's getting Lowenthal to handle your case.
00:55:01Of course, he's never lost a client.
00:55:03Well, there's always a first time for everybody, even Lowenthal.
00:55:08Oh, Pat.
00:55:09I've got to get him some ammunition.
00:55:11I've interviewed all of Tucker's previous wives, but I...
00:55:14Well, Larry, what are you going to do now?
00:55:17I've got a date with Tucker in an hour.
00:55:19Maybe he can give me a lead.
00:55:20I don't know.
00:55:21Oh, come on, darling.
00:55:23I love you.
00:55:24Rest your hips, Pips, for just a minute.
00:55:32Hello, Sonny.
00:55:32Hi, Bert.
00:55:35Rather pleasant the way you mourn.
00:55:37Everybody knew Dolores and I had...
00:55:39I'm no hypocrite.
00:55:40What do you want to see me about?
00:55:41Did Dolores have any particular enemies?
00:55:43Plenty.
00:55:44They weren't particular.
00:55:44Yeah, for instance.
00:55:46Everybody, her masseuse, her couturier, even the kid that delivered the papers.
00:55:50They all needed her.
00:55:50No, no, I mean somebody who hated her enough to kill her.
00:55:53I thought Bubbles did.
00:55:56Well, we both know that Pat's getting a bad rap.
00:55:58I like that, Bubbles.
00:56:00But that, the picture of Dolores she took, the one on the cover.
00:56:03That wasn't Dolores, that was Pat.
00:56:05Awfully coincidental if it was.
00:56:07The same position as the way the police found her, even that one shoe off.
00:56:10The same negligee.
00:56:12Amazing if it wasn't Dolores.
00:56:15Yeah.
00:56:16Yeah, I guess you're right.
00:56:18I wish I could help you, Bert.
00:56:19Well, thanks just the same.
00:56:20Call me anytime.
00:56:21Hey, say, do you want a gal?
00:56:22I can't make up my mind, kids.
00:56:27You two will have to toss for me.
00:56:29Yeah, sir.
00:56:29Thank you.
00:56:31¡Gracias!
00:57:01¡Gracias!
00:57:31¡Gracias!
00:58:01¡Gracias!
00:58:10¡Gracias!
00:58:17The case comes up tomorrow, Burke.
00:58:19If you have anything to say, you can say it in court.
00:58:21When you see what I've got, it'll never get to court.
00:58:24No, it's new evidence.
00:58:27All right then, listen.
00:58:28I want to arrange a little meeting between Ms. Marvin and yourself
00:58:30para el día de 2.30.
00:58:33No, no, no, tu ofre no es el trabajo.
00:58:35Sonny Tucker de la casa,
00:58:36el escenario del crimen.
00:58:39Ahora, tú arrangas con él.
00:58:41Sí, bien, señor Merkle.
00:58:44Si esto no funciona, me ayudó.
00:58:46¿Puedo ayudarte?
00:58:47¿Puedo ayudarte a Pat Marvin?
00:58:54¿Sabes lo que es todo esto?
00:58:56Si me encuentro que es el tiempo,
00:58:58I'll have him jailed for, for...
00:58:59Withers.
00:59:00Well, I'll find something.
00:59:13Well, I'm glad you're all here.
00:59:14Hello, Pat.
00:59:14Hi, Burke.
00:59:16Disappear Withers.
00:59:17Oh, well, just a minute, Withers.
00:59:18Stick around.
00:59:18You may be of assistance to me.
00:59:20Come to the point, Burke.
00:59:21I'm a busy man.
00:59:21All right, Mr. Merkle.
00:59:22You were satisfied with your case,
00:59:24so I thought I'd do a little investigating on my own.
00:59:26And what did you find out?
00:59:28Nothing.
00:59:29Burke, if you brought me here...
00:59:30Well, that is, my investigating brought me nothing,
00:59:32except a slip of the tongue,
00:59:33which led me to further investigating,
00:59:35in our own photographic laboratory.
00:59:37Now, what do you think I found?
00:59:39Nothing.
00:59:41No, I found, uh, this.
00:59:47Well, all I can see is a blurry picture of this room.
00:59:49That's right.
00:59:50Blurred picture of this room.
00:59:52That's why it was discarded.
00:59:53It was the last print on your roll, Pat.
00:59:54Oh, but Larry, there wasn't...
00:59:55As I say, it's a blurred picture of this room,
00:59:57taken by Ben Scribner.
00:59:58The man who made the cover picture, Miss Marvin.
01:00:00The man who so conveniently disappeared.
01:00:02Well, not conveniently, Mr. Merkle.
01:00:04Rather tragically, I'd say.
01:00:06Of course, this meant nothing to me
01:00:07until I connected it with that slip of the tongue I mentioned.
01:00:10And it proved, uh...
01:00:11Well, wait.
01:00:14Well, where is?
01:00:15Will you remove that picture from the wall, please,
01:00:17and, uh, close those curtains?
01:00:18Mr. Tucker!
01:00:39Mr. Tucker!
01:00:39What does this mean?
01:00:45It means that Sonny Tucker hated his wife
01:00:48and wanted to divorce her.
01:00:49But unlike the others,
01:00:50Delores refused to give him an easy divorce
01:00:51and take his money.
01:00:52So he pretended to go to Reno,
01:00:54double back,
01:00:55and hid here in the apartment waiting for her.
01:00:57But Pat and Ben arrived first,
01:00:58so he...
01:00:59He hid over there.
01:01:00It's the butler's quarters, I think.
01:01:03And watched them shoot their pictures.
01:01:05This made it very convenient for him.
01:01:07When Delores arrived,
01:01:08he killed her and put her body on the couch.
01:01:09So it would look like the picture of Pat,
01:01:11thereby pinning the murder on her.
01:01:13What have you to say, Tucker?
01:01:14You heard him.
01:01:16What gets me is,
01:01:17what did I say that gave him the lead?
01:01:19Well, last night in the bar,
01:01:20you said,
01:01:20what an amazing coincidence
01:01:22that the picture should be so similar
01:01:23to the position in which they found Delores.
01:01:26Even with one shoe off.
01:01:27Well?
01:01:28Well, in the picture of Pat on the cover of Fleck,
01:01:30you couldn't see that one shoe was off.
01:01:32You could only see that from there.
01:01:35Larry, watch him.
01:01:37He may try to jump out.
01:01:38That only happens in movies, Bubbles.
01:01:40I've been using Winston for divorces.
01:01:43I wonder how he is on murders.
01:01:45You'll find out.
01:01:50Yes, but I still don't understand
01:01:51about that picture of Sonny Tucker.
01:01:54Now, I know there was no last print on that roll
01:01:56because we used it.
01:01:57I know.
01:01:58It was a fake.
01:01:58I duped it.
01:01:59But it worked.
01:02:00Oh, Larry, I could kiss you until...
01:02:02Wait a minute.
01:02:03Something more I've got to tell you.
01:02:04Right now, you think I'm a great guy.
01:02:07But when you hear what I've got to say,
01:02:08you'll go out that door
01:02:09and I'll never see you again.
01:02:10And I deserve it.
01:02:12Well, Larry, what is it?
01:02:14Well, it's Ben.
01:02:16I tricked him into going on that convoy
01:02:17because I was jealous.
01:02:19He didn't know that boat was going to sail.
01:02:22I killed him, Pat,
01:02:22just as if I'd shot him with a gun.
01:02:25So, now you know.
01:02:26Oh, please don't say anything.
01:02:29I couldn't stand anymore tonight.
01:02:31Just go.
01:02:31Oh, Ben, where have you been?
01:02:43You look wonderful in that car.
01:02:44Does he look wonderful?
01:02:45I just knocked you on the chair.
01:02:46Yes, now we're even.
01:02:47Oh, Ben, I'm glad to see you.
01:02:49Now you can tell me what you were going to before he...
01:02:51In front of Ben?
01:02:52Well, sure, he's got to know about us soon.
01:02:54Well, Ben, Larry and I are going...
01:03:00Well, who's that?
01:03:01Oh, this is Natasha, my wife.
01:03:04She doesn't speak English.
01:03:05Oh, Ben, how did it happen?
01:03:08When?
01:03:08Where?
01:03:08Well, after a tiny raise on a daft.
01:03:11I mean, 20 raise on a...
01:03:1420 days on a raft.
01:03:17Well...
01:03:18Oh, it's...
01:03:19Huh?
01:03:30Huh?
01:03:32Oh, um...
01:03:34Oh, oh.
01:03:34Oh, oh, oh, oh.
01:03:43Gracias por ver el video.
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