- hace 7 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:02:14Remember that under our Constitution
00:02:17all men are born equals
00:02:19and that you are the jury
00:02:21of the defendant's equal.
00:02:23Many points were brought up
00:02:25by the District Attorney
00:02:26to which the Counsel
00:02:27for the Defense rightfully objected.
00:02:29La pregunta es que esa descripción puede crear bias contra el defendiente.
00:02:33Así que, por supuesto, no se olvidó, debe ser guardado en tu opinión.
00:02:39La evidencia que se presenta por la prosecution es de una circunstancial natureza.
00:02:43Debo decidir si el defendiente, Cassidy,
00:02:47en la razón de la duda,
00:02:49en la escena de la crime cuando el diseased met su muerte.
00:02:54La evidencia es también circunstancial.
00:02:57Y, nuevamente, debes decidir si esos eventos,
00:03:01esos exhibidores que han visto,
00:03:03pueden ser una serie de coincidencias o absolutos proofs de la defendiente.
00:03:08Keeping estas cosas en cuenta,
00:03:10ustedes ahora van a retirar y consideran su verdict.
00:03:13Todos van a seguir, hasta que el juez ha retirado.
00:03:27¡Gracias!
00:03:28¡Gracias!
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00:04:03¡Gracias!
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00:04:17¡Gracias!
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00:04:49¡Ah, Brian Doak could see that Chastie is guilty!
00:04:52But that is not Jim's point.
00:04:54The man could be innocent.
00:04:55Well, that's what juries are for.
00:04:57And if they find him guilty, it's up to the judge to hang.
00:05:00And that's what I object to.
00:05:02Oh, get a soapbox.
00:05:04You've gone bugs on the subject.
00:05:05Yeah, why lose your head over an execution?
00:05:08Yeah, I guess I am a bit loony on the subject.
00:05:11Uh-oh.
00:05:19Well, it looks like a dude lock.
00:05:34Come on, let's go out to the lock.
00:05:36Uh-oh, I suspected it.
00:05:37Well, here's where Lucky Baldwin does not pay.
00:05:40Odd man out.
00:05:42Head.
00:05:42Head.
00:05:43Head.
00:05:44Tail.
00:05:47Tail.
00:05:48Head.
00:05:48Tail.
00:05:50Looks like you and me, Adrian.
00:05:51Send me your lucky coin, Jim.
00:05:52No, you don't.
00:05:53You call.
00:05:55No, head.
00:05:57As it is.
00:05:58Looks like I'm a lucky kid.
00:05:59Oh, no, you don't.
00:06:00No, you don't.
00:06:00We heard Spike the first time.
00:06:02What do you mean, the first time?
00:06:03I can change my mind, can't I?
00:06:05Providing you have one.
00:06:07Ah, baloney.
00:06:08Come on out, shoot you some food.
00:06:09Oh, give me that thing.
00:06:10Oh, no.
00:06:11Don't you know the woman always says?
00:06:13Well, we'll make this the exception that proves the rule.
00:06:15Oh, but I'm not an exceptional woman.
00:06:18Well, I think you are.
00:06:19Ouch.
00:06:20I left myself wide open for that one.
00:06:40You're not usually in such a hurry to get back.
00:06:42Well, I'll tell you.
00:06:43I got some serious talk for you, young lady.
00:06:45And after all, where is a better place for calling than a courtroom?
00:06:48I feel strangely interested.
00:06:50Come on, see.
00:06:51Well, will you be serious for a minute?
00:06:53You know, you seem to be the only one in the world who doesn't know I'm in love with you.
00:06:57Well, how could I know?
00:06:58You've never mentioned it.
00:06:59I thought women were supposed to have intuition.
00:07:01Well, there were times that I may have suspected it.
00:07:03Ah, you didn't.
00:07:04But then I said, no.
00:07:06No.
00:07:06Not Jim Baldwin.
00:07:07Not that dyed in the wool bachelor.
00:07:09Say, are you trying to kid me out of proposing to you?
00:07:11No, I'm trying to kid you into it.
00:07:14Do you mean that?
00:07:15Mm-hmm.
00:07:15Well, remember where you are.
00:07:19Well, sure.
00:07:20Well, didn't I say that a courtroom was a place for courting?
00:07:26Well, what's the matter?
00:07:27Didn't you like it?
00:07:28Yes, but I was thinking of something else.
00:07:31Well, that's fine.
00:07:33Um, you're very fond of Fred Stevens, aren't you?
00:07:36Certainly.
00:07:37Why?
00:07:38Well, he proposed to me last night and I refused him.
00:07:41Fred?
00:07:42Yes.
00:07:42Do you think it'll make any difference?
00:07:44Well, I knew the guy liked you, but I had no idea it was serious.
00:07:49So you turned on a guy with national fame for me?
00:07:52Ah, you're worth a dozen columnists.
00:07:54Oh, no.
00:07:56Fred's a sweetheart if there ever was one.
00:07:58We'll have to tell him when we go back to the office.
00:08:01Here comes the jury.
00:08:02They must have reached a verdict.
00:08:21Everybody rise.
00:08:29Be seated.
00:08:40You may proceed.
00:08:46Mr. Foreman, has the jury agreed upon a verdict?
00:08:50We have.
00:08:51And what is the verdict?
00:08:53We, the jury, find the defendant, John Cassidy, guilty of murder in the first degree.
00:09:02We, the jury, find the defendant, John Cassidy, guilty of murder in the first degree.
00:09:07So say you all?
00:09:08We do.
00:09:08We do.
00:09:12Prisoner will rise.
00:09:16John Cassidy, have you anything to say before I pronounce sentence upon you?
00:09:20I am innocent.
00:09:21The court will now proceed to impose sentence.
00:09:25It is therefore the sentence of this court that the prisoner, John Cassidy, shall be put
00:09:30to death during the week beginning June the 12th, 1935.
00:09:34In the manner and place indicated by law.
00:09:37You are remanded to the custody of the sheriff.
00:09:41Everybody rise.
00:09:45The court is dead.
00:09:47The court is dead.
00:10:12Quite as well.
00:10:12He's got to know sooner or later.
00:10:13take a trouble to Mexico such is not the case it's Reno
00:10:19oh hello there grab yourself a chair you're just in time to break the monotony
00:10:27well what's the matter
00:10:32I don't know how to start
00:10:36it's about me you've got some bad news for you
00:10:39you don't mean to tell me you're engaged
00:10:41but why come to me like a couple of criminals congratulations Jim
00:10:46thanks Fred and all the happiness in the world of you Adrian Jim was so afraid
00:10:50you'd feel badly well naturally I feel a loss but if it couldn't be me well the
00:10:56best man won Cupid's notebook Miss Adrian Gray the beautiful young lady who
00:11:03spirited drawing to becoming known from coast to coast has murmured yes to Jim
00:11:08Baldwin the boy who makes the stars shine oh lucky Jim
00:11:14hey cut out that lucky Jim stuff well as you are aren't you sure but in the song
00:11:19Jim went to an early grave and his pal married the widow oh so that's why you
00:11:22sang lucky Jim oh pardon the crash the boss wants you in his office George or Mr. Winters
00:11:29Mr. Winters George is in with him Sidney the city editor's name is Malone to you not George oh that's
00:11:36just the freedom of the prayer Fred tell her what a lovable character I am
00:11:41oh I'm very happy for your sake thank you
00:11:49I'm going to try that's what I want Baldwin for Mr. Winters well did you get the Cassidy case out of your system not
00:11:57fine I'm working on a special with circumstantial evidence oh still harping
00:11:59on that eh Kim I'm just telling George about a new plan of mine but before telling you
00:12:04what do you see to a little drink no thank you I'm on the way oh I don't want to save
00:12:10my money when a reporter goes on the wagon it's new and when you want to find the
00:12:13cause seek the woman well you won't have far to look it's Adrian Gray well
00:12:20congratulations thank you sir reporters got no business getting married well you
00:12:26did that's why I know that life isn't always easy Jim we only get out of it what we put
00:12:34into it the best I can wish you is that you'll be as happy as mrs. Winters and I
00:12:39have been thank you again sir now this calls for a little celebration I'll send
00:12:44Sir Adrian ask Mr. Eddie come in would you mind asking Fred Stevens also and Mr.
00:12:51Stevens you know I always thought Stevens had his eye on Adrian well that's why I
00:12:56wanted you to ask him I mean we've told him but I don't want him to feel that he's
00:12:59left out and both Mrs. Winters be thrilled you know how women are over waiting I'm
00:13:05afraid she would have favored Fred oh she's very fond of you too I know she
00:13:09won't give a party to announce her engagement my very best wishes Adrian what's
00:13:15this what's this goodness does everyone know already who's been doing all the
00:13:21broadcasting well I said I was going on the wagon and George has such a fit I had to
00:13:25tell him my reason yeah he had to tell deeply shameful I suppose yeah on his
00:13:31head like a turkey goblin well here's my sympathy to both of you just ignore him I
00:13:36asked you in to wish you both every happiness and posterity that thing around
00:13:41the corner yes George the call that they both decided to turn to a happy future
00:13:46thank you
00:14:16hello chief I got the lowdown on mrs. goodwin and if I don't work quick I
00:14:32shall lose I didn't know you were the Marian kind huh here get out get out
00:14:40more glue more glue where's my dinner jacket
00:14:47you're wrong Mrs. Winters I was just wondering how much these gowns cost you
00:14:53know in the future I'll have to buy them I'm not surprised Mr. Baldwin can't take his eyes off you
00:14:59oh you're wrong Mrs. Winters I was just wondering how much these gowns cost you know in the future I'll have to buy them
00:15:05you will not do you think I'm going to stop drawing the only things a wife draws are checks
00:15:20well I'll leave it any married man in this room will you get a wife's bank I'm afraid the only thing she'll draw will be a blank
00:15:26oh yeah
00:15:29oh thanks kid I don't know what we do without you darling
00:15:32oh it's the same in the office I often wonder how they got the paper out before I went to work there
00:15:37you want to know what secret said we were always late but then we got the latest news and that's what made us famous
00:15:43now I'll tell one
00:15:46excuse me please
00:15:49excuse me please
00:15:52here at last
00:15:57trying to be fashionable or pretending that you're overworked
00:16:00hello Fred
00:16:02what's there to catch you
00:16:03oh garnering gossip
00:16:05oh about the perennial frailty of woman
00:16:07did you say frailty
00:16:09I think the modern woman shows a lot of backbone
00:16:14we pay him money for things like that
00:16:17Fred come to my sitting room a few minutes
00:16:31let me see your ring
00:16:32oh I think it's lovely
00:16:34are you going to have a church Maddie?
00:16:36I think I'd like to
00:16:37the men seem to be regarded as purely a civil ceremony
00:16:40I hope you're going to forgive me for being late
00:16:42that is that you knew I wasn't here
00:16:44oh yes we knew
00:16:45because everybody spoke without fear of being quoted
00:16:50but listen George
00:16:51we can have the whole country talking about the star
00:16:53every other paper quoting it
00:16:55I'm looking for my wife
00:16:57then there must be something wrong with you
00:16:59oh you don't know her
00:17:01she's pretty as a picture
00:17:02she's French
00:17:03come on let's go someplace where we can talk without being disturbed
00:17:06there was no necessity to hang over Adrian Gray all evening you know
00:17:23there was no necessity to hang over Adrian Gray all evening you know
00:17:36my dear Denise
00:17:37she is the guest of honor
00:17:38I have to pay my respects
00:17:39he respects
00:17:44Ralph said he thought you were in love with her
00:17:47husbands are easily divisive
00:17:50under the circumstances
00:17:52that's just cheap for gadgets
00:17:56oh I see
00:17:58bad morals are forgivable
00:18:01but not bad manners
00:18:11oh dear Mr. Chair
00:18:13you must behave yourself
00:18:16should we tell that guy where his wife is
00:18:19well ignorance is bliss and a burden of hand is worth two and the
00:18:21Oh, bueno, you know the old saying.
00:18:23Sure.
00:18:23The rolling stone gathers no moss.
00:18:25That's it.
00:18:33Oh, I beg your pardon, Mrs. Winters.
00:18:35I thought this was the dressing room.
00:18:36Oh, that's perfectly all right.
00:18:38We were just discussing that etching I bought today.
00:18:40Frank considers himself an authority.
00:18:42But I like your opinion.
00:18:44It's a relais, isn't it?
00:18:45Yes, but it's worth.
00:18:46He is usually more decorative than good.
00:18:49Oh, you are critic.
00:18:50Well, I like it.
00:18:52Now run along, Fred.
00:18:53Adrian wants a powder her nose.
00:18:54But don't put that in your column.
00:18:56Powder doesn't interest people.
00:18:58They want dynamite.
00:19:00Come along, darling.
00:19:03Go easy with the propaganda first.
00:19:05Hit him with cases in history where justice is miscarried.
00:19:07That'd be good stuff for any favors.
00:19:08Hey, can't you fellas stop talking to yourself for one evening?
00:19:11Nobody can stop Jim when he gets on his favorite subject.
00:19:13Mr. Winters, we have to put an end of the death sentence on Circumstant 11th.
00:19:16Well, they seldom are the murders actually seen.
00:19:19Certainly.
00:19:20But there could be other proofs.
00:19:21Circumstantial evidence is no proof.
00:19:23The name itself admits that.
00:19:24And death is too final.
00:19:25It's supposed to be.
00:19:26But when a mistake has been made and the innocent man is in jail, the state can do something to rectify the injustice.
00:19:31But what can you do when the guy is dead?
00:19:33Well, he has an argument.
00:19:34Take a recent case where the man was in the penitentiary for 12 years before the real murder was found.
00:19:38Did the state apologize?
00:19:40It made generous amends.
00:19:41It could because the man was a lion.
00:19:42Then again, take one of the most famous cases in history.
00:19:44The case of the lion's male.
00:19:46Yeah, I can just remember for him the other thing, please.
00:19:48There never was a tighter chain forged around any man.
00:19:51The real murderer and the accused might have been twins.
00:19:53They dressed alike, even with the exact buttons on their coat.
00:19:55Endless incriminating circumstances dovetailed into apparent proof that sent the doomed man to the guillotine.
00:20:00Another innocent victim of Circumstance 11.
00:20:03Jim, make me think about it.
00:20:05It would be a great boost to the circulation of the star.
00:20:08That may start people talking.
00:20:09And thinking.
00:20:11Fred, come here.
00:20:12I've got an idea.
00:20:13And is it a honey?
00:20:14It'll make it twice as famous.
00:20:15How?
00:20:16Your name will be on everybody's lips and the circulation of the style double.
00:20:20Suppose you come on down to earth.
00:20:22Now, what do you want me to do?
00:20:24Disappear.
00:20:25We'll stage what looks like a murder.
00:20:28Why?
00:20:28Then I'll be tried and sentenced to hang.
00:20:30I don't see what you're getting at.
00:20:32I want to build up a case of circumstantial evidence against myself for your supposed murder.
00:20:37Huh?
00:20:38Then you'll show up and that'll prove my point and end capital punishment on circumstantial evidence.
00:20:42It would never work.
00:20:43Somebody would be sure to give us away.
00:20:45No one will know.
00:20:46We won't tell a soul.
00:20:48What is your plan?
00:20:50Well, first we'll pretend to quarrel and everybody will think it's open, Adrian.
00:20:54I could have thought of a better scheme myself.
00:20:58Let's start it now.
00:21:01The setup is perfect.
00:21:01We'll work on the other details later.
00:21:09You're just a rotten double-crossing rat.
00:21:12Adrian knows you're nothing but a muckraker.
00:21:25I'll get you for this if I have to swing for her.
00:21:28Jim.
00:21:30Jim.
00:21:31What in the world has come over you?
00:21:33Well, you must apologize.
00:21:34That was an awful thing to say.
00:21:36Apologize for what?
00:21:37I had no idea you could be like this.
00:21:41So you're taking his part.
00:21:42Well, I wouldn't apologize for you or anybody else.
00:21:45Jim.
00:21:46I'll give you one more chance.
00:21:48Will you apologize to Fred?
00:21:49No.
00:21:59Oh, now wait a minute, honey.
00:22:00Too bad Adrian had to take this attitude.
00:22:12Yeah, it kind of hurts.
00:22:14Where's that guy Mooglu?
00:22:15Tell him to give me another drink.
00:22:16Oh, I had to fire him.
00:22:17I'll get you one myself.
00:22:18Make it straight this time, will you?
00:22:20You know, I'm going to go through with this thing.
00:22:21I'm not going to back up now.
00:22:23Well, then let's get it over with.
00:22:24I think we played for effect long enough.
00:22:26Yeah.
00:22:27Everybody's talking about the bad blood between us.
00:22:29If it weren't for Adrian, it would be funny.
00:22:32Well, success.
00:22:39Well, I'll run down to the office when you come in with the glad tidings.
00:22:43Some actors, we ought to be unpickered.
00:22:46So long, Barrymore.
00:22:48Hi there, boy.
00:23:15Is there a brewery in the neighborhood?
00:23:16No, but I think Jim's buying one on the installment plan.
00:23:23Getting any dope for the boss?
00:23:25Plenty.
00:23:30What's the idea of the gun?
00:23:32Oh, I've been to some pretty queer places lately.
00:23:35Is that the only reason?
00:23:37Sure.
00:23:37What other reason would it be?
00:23:39You don't think I'd bump myself off over a gal, do you?
00:23:43No, but we all heard you threatened to get Stevens.
00:23:45Well, maybe I will yet.
00:23:49But don't worry.
00:23:50When I do, I'll have a good alibi.
00:23:53Ah, slaves.
00:23:55Behold the newest member of the landed gentry of America.
00:23:57That's nothing.
00:23:58My father's a member of the woodman of the world.
00:24:01Now I know where he got the material for your head.
00:24:04Now what about this landed gentry stuff?
00:24:08Wait till you see my country is safe.
00:24:10Ah, Adrian.
00:24:12Squire Stevens at your service.
00:24:13Squire?
00:24:14Oh, yes.
00:24:15I just went to the lovely place in the country.
00:24:17Adrian.
00:24:18Could you give us a cartoon of Stevens as a country gentleman?
00:24:22That would be a laugh.
00:24:23Ormit the country and it'll be a bigger laugh.
00:24:26You said a mouthful.
00:24:29Of course, it's not spectacular, but it has a lot of character.
00:24:33But it'll soon lose that.
00:24:34I, uh, I suppose you fill it with skeletons and mummies.
00:24:40Oh, yes.
00:24:42I thought of inviting you all.
00:24:44Ouch.
00:24:45Oh, enough of this.
00:24:46Make it Saturday and the gang will all be there.
00:24:48Now get back to work.
00:24:49I'll look at it.
00:24:50Adrian?
00:24:54Yes, Fred.
00:24:55I'd be glad to.
00:24:58Jim?
00:25:01You couldn't paint it, too.
00:25:04I'll look at it.
00:25:34This is very indiscreet.
00:25:44I'm giving a party tonight.
00:25:46Why didn't you answer my last note?
00:25:48That's another indiscretion.
00:25:49You seem to have a sudden concern for my reputation.
00:25:52My dear Bernice, why is it a woman can't reach the end of a liaison gracefully?
00:25:56Because when a woman begins a love affair, she feels somehow there'll be no end.
00:26:02Well, now you know there is.
00:26:03Oh.
00:26:04And after all that I've...
00:26:06Well, that's easily rectified.
00:26:08Press.
00:26:11Here's the watch.
00:26:14Here, quick, this way.
00:26:15Two travelers dying of service.
00:26:25Welcome.
00:26:26You have any trouble finding the place?
00:26:28Half mile past the gas station.
00:26:30Here we are.
00:26:31Six and a half road houses, exactly.
00:26:33Pardon me.
00:26:34But what's half a road house?
00:26:36Well, we only saw the front of the last one, and you said it was a flop.
00:26:39I want a vacuum.
00:26:42But you stopped at the other six.
00:26:44Oh, yes.
00:26:44It's unlucky to pass a road house.
00:26:46You always get a flat tire or something.
00:26:48You always get a flat tire if you pass a road house.
00:26:52Who told you that?
00:26:53A man who owns one.
00:26:56Well, I'm going to have a drink.
00:26:57I don't know what you guys are going to do.
00:26:59Say, do you know where the guy by the name of Stevens lives?
00:27:21Yes, half a mile down the road.
00:27:23Say, you're the second car that's been in here tonight asking for him.
00:27:27Yeah.
00:27:27Was it a woman?
00:27:29I'll say.
00:27:30Class to her.
00:27:31Driving a special job that must have cost ten grand.
00:27:35Yeah, he knows them all.
00:27:37One of these days, he's going to get his.
00:27:43Can't be much farther.
00:27:45There's the gas station now.
00:27:47Yep.
00:27:48Only half a mile more.
00:27:51Look.
00:27:52There's Jim.
00:27:53Stop.
00:27:53It looked like his car.
00:28:09Oh, what, he wouldn't come within a hundred miles of this place.
00:28:11Oh, I don't suppose so, but I could have sworn it was he.
00:28:21Oh, here you are.
00:28:23I thought you were lost.
00:28:24How did you ever find such a beautiful place, Fred?
00:28:31He probably looked through a keyhole and there it was.
00:28:34Spike, remember, you're supposed to be on your good behavior.
00:28:37Ladies, right.
00:28:39Gentlemen, left.
00:28:41Oh, it's all right.
00:28:41You can go in there, too.
00:28:55I'm sorry Jim didn't change his mind and come to the party.
00:28:57I can't understand him.
00:29:00Is there anything I can do?
00:29:03To me, there's only one thing that matters, Adrian.
00:29:06And that is your happiness.
00:29:09Oh, you've been splendid, Fred.
00:29:11I don't think there's a jealous thought in your whole makeup.
00:29:23Oh, come on.
00:29:24Let's play cat's dick, huh?
00:29:27What's the matter?
00:29:30Oh, a man at the window.
00:29:32I think it was Tim Baldwin.
00:29:33Baldwin?
00:29:35Then it must have been Jim you saw.
00:29:38Who saw him?
00:29:39Where?
00:29:40We thought we'd pass him at the gas station.
00:29:42Yeah, I believe I saw him, too.
00:29:44That's strange.
00:29:45Very strange.
00:29:46But don't let's worry about him.
00:29:47Let's have some laughs.
00:29:48Come on.
00:29:57He told me to tell you goodnight.
00:30:15¡Suscríbete al canal!
00:30:45¡Suscríbete al canal!
00:31:15¡Suscríbete al canal!
00:31:45¡Suscríbete al canal!
00:31:47¡Suscríbete al canal!
00:31:49¡Suscríbete al canal!
00:31:51¡Suscríbete al canal!
00:31:53¡Suscríbete al canal!
00:31:55¡Suscríbete al canal!
00:31:57¡Suscríbete al canal!
00:31:59¡Suscríbete al canal!
00:32:01¡Suscríbete al canal!
00:32:03¡Suscríbete al canal!
00:32:05¡Suscríbete al canal!
00:32:07¡Suscríbete al canal!
00:32:11¡Gracias!
00:32:41¡Gracias!
00:33:11¡Gracias!
00:33:41¡Gracias!
00:34:11¡Gracias!
00:34:16¡Gracias!
00:34:37Did you read about Stephen?
00:34:38Yeah, yeah, his house burned down.
00:34:41He just moved in, too.
00:34:42Yeah, we found his remains in the ruins.
00:34:44Is that so?
00:34:45You don't seem to care much.
00:34:47Why should I? He was no friend of mine.
00:34:48So we understand.
00:34:51Stevens was murdered, Jim.
00:34:54Well, that wouldn't surprise me, either.
00:34:56You were seen around there last night.
00:34:59If you're trying to pin this on me, you're crazy.
00:35:01Sit down. Take the load off your mind.
00:35:08You don't seem to take this seriously, Jim.
00:35:14But I tell you, you're in trouble.
00:35:17Don't make me laugh.
00:35:19Just because I have a quarrel with a guy and his house burns down and you find a few bones, I'm a murderer.
00:35:24I'm not talking about just bones.
00:35:26Look at this.
00:35:27We found one half of the cuff link beside the body.
00:35:30The other half in your room.
00:35:34What of it?
00:35:35I admit I was there last night.
00:35:37I went down to patch up with him.
00:35:38He's been drinking.
00:35:39We got a little nasty.
00:35:39We got a scuffle and I lost the cuff link.
00:35:41But when I left him, he was just as much alive as you are.
00:35:44In fact, I'll even make it stronger.
00:35:46As I am.
00:35:48Can the sarcasm.
00:35:49You were seen sneaking around the house.
00:35:51And when the party was over, you shot him in the back and set fire to the place.
00:35:56Come on.
00:35:57Admit it.
00:35:58You threatened to get him and you did.
00:36:01We got the gun.
00:36:02What gun?
00:36:03Don't try to kid me.
00:36:04The only gun I ever owned in my life was right in there.
00:36:06Have you traced that gun yet?
00:36:13Save yourself a lot of trouble, Jim, if you'll confess.
00:36:16You mean I'll save you a lot of trouble trying to prove a case?
00:36:20I think it'll be pretty easy.
00:36:22Hello.
00:36:23This is Taylor.
00:36:24Have you traced the gun in Stephen's case?
00:36:26Okay.
00:36:30The gun was bought by Baldwin ten days ago.
00:36:33That was just after he threatened to get Stephen.
00:36:35So you found my gun?
00:36:38He didn't tell me about that.
00:36:39What's that?
00:36:40Oh, nothing.
00:36:41And I suppose you found the bullet lodged in his brain?
00:36:44No, it went right through him.
00:36:45We haven't found it.
00:36:46Well, that gives me some hope.
00:36:48Yeah, but not much.
00:36:49Jim, I think you better come along with us.
00:36:51I hope you boys would step out a nice room and bath for me.
00:36:54You got me beat.
00:36:55I didn't think you were a tough monk like this.
00:36:58Say, an innocent man has no right to fear the law.
00:37:00Right?
00:37:01Right.
00:37:02Well, then, let's go.
00:37:08Jim.
00:37:10It's all right, Jim.
00:37:12What's the matter?
00:37:13Been questioning you?
00:37:14Yes.
00:37:15Black and I were the last to see Fred alive.
00:37:16We had to identify the body.
00:37:18Couldn't have been much left but a lot of charred bones.
00:37:20Jim, how can you?
00:37:23Fred, it was God's name.
00:37:25The back was horribly burned, but not his face.
00:37:30What are you talking about?
00:37:31Talk sense, Adrian.
00:37:33You mean to tell me that Fred's body was actually found in the fire?
00:37:36That you could recognize it?
00:37:38Well, I thought you knew.
00:37:40Knew what?
00:37:41There were only supposed to be some bones.
00:37:43Don't tell me that Fred is dead.
00:37:45Better come along, Jim.
00:37:46Oh, get away.
00:37:47You're crazy.
00:37:48Don't you realize somebody killed my pal?
00:37:49Shut it up, kid.
00:37:50Come along with that.
00:37:52Oh, you're nothing but a bunch of numbskulls.
00:37:53You've never had any brains you never will have.
00:37:55I can clear myself.
00:37:56I'm not worried about that.
00:37:58We staged the appearance of a murder.
00:37:59We never quarreled.
00:38:00That was all a frame.
00:38:01Sure, I was seen around the house in the gas station,
00:38:04and we planted some old bones of a skeleton.
00:38:06A cufflink was my idea.
00:38:07Fred must have thought of the gun afterwards.
00:38:09I left him when he was to set fire to the house.
00:38:11Then he was to go to San Francisco and hide out until I was to be hanged.
00:38:14Oh, yeah.
00:38:14Well, what was all it for, Jim?
00:38:16To prove the weakness of circumstantial evidence.
00:38:18Don't you remember the argument?
00:38:19That's a new alibi, all right.
00:38:21Who's going to believe it?
00:38:22Well, I was prepared.
00:38:23Not for this, of course.
00:38:24But something else might have happened.
00:38:25Well, can you prove this, Jim?
00:38:26Certainly.
00:38:27Run over to Hope Hardwell and Williams
00:38:28and engage them to handle the case.
00:38:30I left a sealed document with them
00:38:31where it explains the whole thing.
00:38:32And it's signed by Fred.
00:38:34So long, honey, and don't worry about a thing.
00:38:36Pretty clever.
00:38:37How would you know?
00:38:40Come on, lock me up and get busy looking for the real guy.
00:38:52Ladies and gentlemen of the jury,
00:38:54this is the cleverest,
00:38:56the most diabolically conceived crime
00:38:58in the annals of criminal history.
00:39:00You have heard the extraordinary defense of the accused.
00:39:06The devilish cunning with which he obtained his victim's signature
00:39:09to that now famous document.
00:39:12That is, if it is not a forgery.
00:39:14Now, even if you believe the testimony of the handwriting experts,
00:39:18handsomely paid by the defense,
00:39:20that the signature is genuine,
00:39:22can Fred Stevens bring his foully murdered and burned body back to life
00:39:26to tell you that he knew what he was signing?
00:39:28Or knowing it,
00:39:30have we any reason to believe
00:39:31that he did not walk blindly into a trap
00:39:34contrived with hellish cunning
00:39:35by this friend who threatened to kill him?
00:39:39No, ladies and gentlemen.
00:39:41That famous document upon which this prisoner bases his defense
00:39:45is not worth the paper on which it is written.
00:39:48All in fun.
00:39:50Yes, of course, it was all in fun
00:39:52that he took the girl his victim loved
00:39:54with a pure, unselfish devotion.
00:39:56All in fun.
00:39:59It was all in fun that they quarreled about her.
00:40:02He asked us to believe that
00:40:04so that he can prove that you and you and you
00:40:07are mettle incompetent.
00:40:09That the juries of our nation
00:40:11are incapable of distinguishing
00:40:13between guilt and innocence.
00:40:16You are on trial as well as this prisoner.
00:40:19You are on trial for your intelligence.
00:40:26The state rests.
00:40:27The prisoner will rise.
00:40:55James Richard Baldwin,
00:41:01you have heard a jury of your peers
00:41:03find you guilty of murder in the first degree.
00:41:06Anything to say before I pronounce sentence upon you?
00:41:09Your Honor,
00:41:10there is only one sentence you can impose,
00:41:13but before you do,
00:41:14I beg the courtesy of the court.
00:41:16In spite of all the circumstantial evidence
00:41:20I built up to prove a point,
00:41:22I am innocent.
00:41:23It was a stunt.
00:41:25An attempt that joked people
00:41:26into realizing the viciousness
00:41:27of this kind of evidence.
00:41:29And I still hope it's going to work.
00:41:30It seems a strange time to say that I'm happy,
00:41:33but I am.
00:41:34I'm very happy
00:41:35over the fate shown by my friends.
00:41:38And I know that one at least
00:41:39will never let up
00:41:40until the actual murderer
00:41:41is brought to justice.
00:41:42Two things must be changed.
00:41:45First, the elective office
00:41:46of district attorney,
00:41:47where regardless of justice,
00:41:49it becomes the politician's
00:41:50sole object in life
00:41:52to obtain convictions,
00:41:53whether they're right or wrong.
00:41:56Justice has no place
00:41:57in the DA's thoughts,
00:41:58only convictions.
00:42:00And through convictions,
00:42:01publicity and political advancement.
00:42:03And the second is the change
00:42:04in the penal code,
00:42:05making it impossible
00:42:06for an innocent man
00:42:07to be sent to the scandal.
00:42:08If these things are done
00:42:11as a result of this trial,
00:42:13well,
00:42:14then I won't have been
00:42:14a total flop.
00:42:16That's all, Your Honor.
00:42:19The court will now proceed
00:42:21to impose sentence.
00:42:23The defendant
00:42:24will be put to death
00:42:26during the week beginning
00:42:27October 18, 1935
00:42:29in a manner and place
00:42:31prescribed by law.
00:42:33You are remanded
00:42:34to the custody of the sheriff.
00:42:35The court is dismissed.
00:42:37The court is dismissed.
00:42:37The court is dismissed.
00:43:05a gentleman to see Baldwin.
00:43:27Someone to see you, Baldwin?
00:43:28Oh, tell him I'm not home.
00:43:29Hey, wait a minute.
00:43:34Give me a little argument. I'll come out.
00:43:50All right.
00:43:53Adrian.
00:43:57Good old Spike.
00:43:59How's the sour stomach?
00:44:00Okay, Jim.
00:44:01Jim, we filed an appeal.
00:44:03And it won't be long now.
00:44:05And Mr. Winters is getting the best detectives in the country.
00:44:08And we're doing some investigating ourselves.
00:44:10I've been doing a little figuring, too.
00:44:12You know, all I do in here is eat and sleep.
00:44:14And while I figured if I ate enough, I'd get too fat,
00:44:17they wouldn't be able to get me through the doors.
00:44:20If you get too fat, I won't love you.
00:44:22I'll go on a diet right away.
00:44:24Make a note of that, Garg.
00:44:25From now on, lamb chops and pineapple.
00:44:27Oh, yeah.
00:44:29Don't lose your sex appeal.
00:44:31Or any other kind of appeal.
00:44:34When is that motion for appeal going to be heard?
00:44:36Next Monday.
00:44:38Say, did you find that mug glue, that slant-eyed servant that Fred used to have?
00:44:42No, but we will.
00:44:44He disappeared very mysteriously.
00:44:46You know, I can't figure it out.
00:44:48Somebody must have bumped that off by mistake.
00:44:51Oh, well, we'll find out.
00:44:53And when we do, we'll...
00:44:54You and I will...
00:44:56Won't we?
00:44:57Oh, God, we will.
00:44:59Time's up.
00:45:01Say, Kelly, if I stick my face through there, will it be all right if she kisses it?
00:45:05Come on, kid.
00:45:32There must be something you can do.
00:45:57Surely you could spare the life of a man against whom no crime has been proved.
00:46:02We've gone over all that, Miss Gray.
00:46:05Has any new evidence been uncovered?
00:46:07But what can I do?
00:46:12Mr. Winters has tried to hire the best he takes, and they won't even take his money.
00:46:16His is a sadly misplaced friendship.
00:46:19He's offered me every inducement that a publisher can offer a politician to commute the sentence.
00:46:25But I can see no extenuating circumstances.
00:46:31One more week.
00:46:32I'm sorry, Miss Gray.
00:46:35Oh, please, please, not tomorrow.
00:46:38Kindly escort Miss Gray to her car.
00:46:49I know, it's terrible.
00:46:51But how can I be flippin' when my pal is in the death house?
00:46:54Oh, you write it.
00:46:59Go on, strand.
00:46:59A Mr. Harris to see you.
00:47:23Harris?
00:47:23Harris?
00:47:24That's me?
00:47:25I'd like to have a little talk with you.
00:47:27All right, there'll be all.
00:47:31What's on your mind?
00:47:32Well, I never had the pleasure to meet you, but I was an old friend of Stevens.
00:47:36You were?
00:47:37Well, I don't recall Stevens ever having mentioned you.
00:47:40He wouldn't.
00:47:41I'll tell you why.
00:47:44I used to get a lot of information for Stevens, and I can do the same for you.
00:47:49Where do you suppose Stevens got all his jacks?
00:47:51I'm afraid I...
00:47:57So that was it.
00:48:00And there was a side to Stevens I didn't know.
00:48:02There was a side to Stevens that nobody knew.
00:48:04Did you ever see that ammonite servant of his?
00:48:08Do you know that guy they called Muggy or something like that?
00:48:11Oh, yes, yes.
00:48:13We tried to find him.
00:48:15See, we thought he...
00:48:16Has he bumped off Stevens?
00:48:17No, no.
00:48:18He was too scared.
00:48:22Guess you're right.
00:48:24Now, to get back to this racket, who was Stevens' last victim?
00:48:31Well, the last big one was Mrs. Charlotte Goodwin.
00:48:34I got the dope on her.
00:48:39Jacob Goodwin's wife?
00:48:42When was the last time you saw Stevens?
00:48:56All right.
00:48:59Any idea who bumped them off?
00:49:03Maybe.
00:49:09Have a little drink?
00:49:13Now, just what was the lowdown on this Goodwin dame?
00:49:30Hello?
00:49:33It's a reporter for the South calling, Mrs. Goodwin.
00:49:36Tell him I'm not in.
00:49:38Now, wait a minute.
00:49:38I don't know.
00:49:45Mrs. Goodwin speaking.
00:49:47This is Mr. Horton speaking.
00:49:50Mrs. Goodwin, it'd be to your advantage to get over here just as soon as possible.
00:49:58Hello?
00:50:00Hello?
00:50:00Hello?
00:50:01I'm going out.
00:50:10They're getting my clothes.
00:50:16Mrs. Goodwin, you see me, Mr. Horton.
00:50:18Did you come in?
00:50:26Why did you stand for me?
00:50:27Just a couple of...
00:50:28No.
00:50:29You're just out of the frying pan and into the fire.
00:50:32The police have framed a clear case against you for his murder.
00:50:35But I had nothing to do with it.
00:50:37I didn't say you did.
00:50:39I only want to make amends for what Stevens did.
00:50:42If I'm guilty of innocence, the safest thing for you to do is to get out of the country.
00:50:45But I'd tell you I'm innocent.
00:50:48It's much easier to fight these things from a distance.
00:50:51But they've proven Baldwin guilty.
00:50:53That's just a bluff.
00:50:55They're trying to throw you off your guard.
00:50:58I didn't do it.
00:51:00I swear I didn't do it.
00:51:02All right, Mrs. Goodwin.
00:51:05Think it over.
00:51:06Think it over.
00:51:06Think it over.
00:51:15Come in.
00:51:34Why didn't you say it was you?
00:51:41I was just about to have a little snifter.
00:51:43From the looks of things, you need one.
00:51:45Governor turned me down again.
00:51:48Well, I'm on the right track.
00:51:50You know, Stevens wasn't a fair-haired boy we all thought he was.
00:51:53What do you mean?
00:51:55I was just talking to a guy that did all the dirty work for Stevens.
00:51:58Some mug named Harris.
00:52:00Oh, I heard about that connection, but I didn't know how far it went.
00:52:03Well, it went plenty far.
00:52:05Stevens' men were out to get Jim.
00:52:07He told Harris.
00:52:11His latest victim was Mrs. Goodwin.
00:52:13And I think she did it.
00:52:15I've got a couple of the boys on her trail.
00:52:17And if she makes a break to get away, they'll grab her.
00:52:20Where in heck is that bottle?
00:52:32Spike!
00:52:35Huh?
00:52:35Look at this!
00:52:51B.
00:52:51B.
00:52:54Spike!
00:52:55Mrs. Winter's name is Bernice.
00:52:58Oh, Adrian, after all...
00:53:00Oh, I have a reason.
00:53:01At the party that night, I came across them together in her sitting room.
00:53:05Now that I think of it, it did look suspicious.
00:53:08Gee, that would be tough on old man Winter.
00:53:09Oh, but we can't help that.
00:53:11Jim's life is at stake, and only a few short hours left.
00:53:15Well, what are we going to do?
00:53:17There's a desk in her sitting room, which she keeps locked.
00:53:21I'm going to rifle it tonight.
00:53:23There may be evidence.
00:53:24Her own writing.
00:53:25Letters from Stevens.
00:53:26You're going to break into their house?
00:53:29Certainly.
00:53:30Certainly.
00:53:30Certainly.
00:53:56The desk declines.
00:54:04There's a seat.
00:54:05Can you see?
00:54:06Can you see?
00:54:11Here's an agreed.
00:54:14You're not there.
00:54:14We'll review a lot of events.
00:54:15I'm gonna be doing this.
00:54:17You'reppen.
00:54:18I'm gonna be doing this.
00:54:19I'm gonna be doing this again.
00:54:20iony...
00:54:21I'm looking for you guys.
00:54:22I'm gonna be doing that.
00:54:23I'm looking for you.
00:54:24I have Fitzpatrick.
00:54:24I'm looking for you.
00:54:26Gracias.
00:54:56So it's you.
00:55:08Is this part of your profession or merely an avocation?
00:55:12This is no time for the niceties of sarcasm.
00:55:14I came here to pin the murder of Fred Stevens on you, and I've succeeded.
00:55:19I think you exaggerate.
00:55:21Not a bit.
00:55:22I can prove that he was your lover.
00:55:23And a very deceitful one.
00:55:29You wrote a note to him saying you would do something desperate.
00:55:33You wrote here that you were going to have it out with him.
00:55:36You were off at the gas station the way to his house the night he was murdered.
00:55:40And there is the watch he wore until that night.
00:55:43It's true.
00:55:45I did go there that night.
00:55:47But before the party, I had every reason to want to kill Fred Stevens.
00:55:51But someone robbed me of a chance.
00:55:55I left before the first guest arrived.
00:55:58And I never saw him again.
00:56:01If you want proof, I had charge of the store at a charity bazaar that night.
00:56:06And after I left him, I went there.
00:56:08And was seen by hundreds of people at the time the murder was committed.
00:56:11Here it is.
00:56:12It must have been three in the morning when we left.
00:56:17Long after the fire was discovered.
00:56:24I've been perfectly frank with you, Agent.
00:56:27Because it is best.
00:56:30But I want you to guard my confidence.
00:56:35I know, dear.
00:56:36It's ghastly.
00:56:37Oh, good evening, Mr. Winters.
00:56:41Good evening, Agent.
00:56:43Hello, my dear.
00:56:45I met Mrs. Winters in the elevator and she asked me to come up.
00:56:48I suppose it was because I look so miserable.
00:56:50But I can't help it.
00:56:52That was very nice of you, Bernice.
00:56:55The strain is tearing on all of us.
00:56:57Let's go into the living room.
00:56:59I think a drink would do us a lot of good.
00:57:01Good.
00:57:07You want a drink, Baldwin?
00:57:20You can have as much as you like tonight.
00:57:22No, thanks.
00:57:25You look like you need one more than I do.
00:57:27My nerves are all right.
00:57:30Boy, but this place has sure made me change my thoughts.
00:57:33You want to make a confession?
00:57:35No, I have nothing to confess.
00:57:38Well, I don't see why I have to die to prove something that will be forgotten the moment another murder is committed.
00:57:44Meaning which?
00:57:45Mob hysteria, that's what.
00:57:47Do you know that they cheered in the theaters when that Cassidy verdict was announced?
00:57:52Why not?
00:57:53He had it coming to them.
00:57:54All right, say he did.
00:57:56But is that an excuse for cheering?
00:57:58Hysterical blind lust?
00:57:59A yelping, howling, packed hurrying at their quarry?
00:58:02They should have prayed for his soul.
00:58:03But no!
00:58:05Kill him!
00:58:06A Roman holiday!
00:58:07Ha, ha!
00:58:08Hooray!
00:58:11Oh, well.
00:58:13It's a grand old country, and I hope they remember.
00:58:18Nos moratora te salut, Thomas.
00:58:21What lingo is that?
00:58:25Well, it's a little Latin I still happen to remember.
00:58:28Caesar's victim said it 2,000 years ago.
00:58:33We who were about to die salute thee.
00:58:37Appropriate, isn't it?
00:58:39Ha, ha, ha.
00:58:43Hello, Mojo.
00:58:43I thought you were fired.
00:58:45They took me back.
00:58:46I just started.
00:58:47That's swell.
00:58:48Order for Kelly.
00:58:48Hello, Kelly.
00:59:06Well, it ain't Mojo.
00:59:07What do you want?
00:59:08Warden wants to see Baldwin.
00:59:09Come on out.
00:59:17The warden wants to see you.
00:59:19Do you think it's a reprieve?
00:59:20It might be, but I don't think so.
00:59:22The warden doesn't send for a guy to tell him that.
00:59:24Thanks.
00:59:25Thanks.
00:59:26Get going.
00:59:36Hey, Baldwin.
00:59:37Keep looking ahead.
00:59:38Now, do just as I kill you, and we'll be out of here in no time.
00:59:40What do you mean?
00:59:40This is a break.
00:59:42Shut up.
00:59:42We're coming to Hennessy, and he's coming.
00:59:51What are you doing with Baldwin?
00:59:52Warden wants to see him.
00:59:54I'll sign the book.
01:00:04Let's go.
01:00:24Hello, warden's office.
01:00:28Say, did you send Mosher for Baldwin?
01:00:31Mosher?
01:00:32What are you talking about?
01:00:34He'd have to break in to get back here.
01:00:36Well, that's what he did then.
01:00:38And now he's breaking out with Baldwin.
01:00:39I'm going to get back here.
01:00:40I'm going to get back here.
01:00:41I'm going to get back here.
01:00:41I'm going to get back here.
01:00:42I'm going to get back here.
01:00:42I'm going to get back here.
01:00:43I'm going to get back here.
01:00:43I'm going to get back here.
01:00:44I'm going to get back here.
01:00:44I'm going to get back here.
01:00:45I'm going to get back here.
01:00:45I'm going to get back here.
01:00:46I'm going to get back here.
01:00:46I'm going to get back here.
01:00:46I'm going to get back here.
01:00:47I'm going to get back here.
01:00:48I'm going to get back here.
01:00:48I'm going to get back here.
01:00:49¡Gracias!
01:01:19¡Gracias!
01:01:21¡Gracias!
01:01:22¡Gracias!
01:01:23¡Gracias!
01:01:24¡Gracias!
01:01:25¡Gracias!
01:01:26¡Gracias!
01:01:27¡Gracias!
01:01:28¡Gracias!
01:01:29¡Gracias!
01:01:30¡Gracias!
01:01:31We're okay now.
01:01:34Where are you taking me?
01:01:36I know a quiet spot just outside the city.
01:01:38I'll have the driver drop you off and you go right to the Winters penthouse.
01:01:42Winters?
01:01:43Yeah, that's the guy that's putting up the dough.
01:01:45Sure pays to have wealthy friends.
01:01:49Hurry up and get in your clothes.
01:01:51We'll soon be there.
01:02:14Well, dear, that is hardly beautiful music.
01:02:17Adrienne especially is in no mood to listen to jazz.
01:02:21Oh, I didn't even hear it.
01:02:23I've been thinking, thinking.
01:02:25There must be something we can do.
01:02:28If Mrs. Goodwin is guilty, we must delay the execution until we can prove her guilt.
01:02:34News flash.
01:02:35Pardon the interruption, ladies and gentlemen, but we have just received the following dispatch from the Press Radio Bureau.
01:02:39Baldwin, the murderer, escaped from the state's beneficiary tonight on the eve of his execution.
01:02:43Further details in the late edition of the news.
01:02:45He's escaped.
01:02:46Oh, I must find him.
01:02:47He'll need help.
01:02:48Jim's on his way here.
01:02:51Was it your plan?
01:02:53I mean, you helped him to escape?
01:02:55Oh.
01:03:05It worked, it worked.
01:03:06Mrs. Goodwin made a break for Europe and they grabbed her.
01:03:08We'll have our confession any minute now.
01:03:10Oh, Spike.
01:03:11Jim has escaped.
01:03:12No.
01:03:13Yes.
01:03:14And if Mrs. Goodwin confessed, he'd never go back.
01:03:22Hello?
01:03:23Yes, he's here.
01:03:25Spike.
01:03:32Mr. Horton speaking.
01:03:33Aye, you dumb cluck.
01:03:35Mrs. Goodwin wasn't even in the state the night Stevens was murdered.
01:03:39I don't know.
01:03:40Won't you confess?
01:03:41No.
01:03:42.
01:03:44.
01:03:45.
01:03:46.
01:03:47.
01:03:48.
01:03:49.
01:03:51.
01:03:52¡Gracias!
01:04:22¿Taking a little trip, Monser?
01:04:24What's it to you?
01:04:26What do you want?
01:04:26Oh, just a little talk.
01:04:30You dicks are getting too fast for me.
01:04:44Jim!
01:04:46Jim!
01:04:50It's okay, honey.
01:04:52I'm out.
01:04:52That's the main thing.
01:04:53There's not a chance I'm following me here, thanks to Mr. Winters.
01:04:56There's no use in me trying to tell you how grateful I am to you, sir.
01:04:58Everything went out as a race.
01:05:00Perfectly.
01:05:01I think you'll be safe as here until the first human cry is over.
01:05:05After that, we shall arrange to smug you out of the country.
01:05:08Well, but the important thing is to prove his innocence.
01:05:10And if we fail, well, they'll never take me back there.
01:05:12Oh.
01:05:16Dear Lucky Baldwin.
01:05:18How's the oldest step thing?
01:05:19Say, you know that Bird Stevens must have been an absolute Jekyll and Hyde.
01:05:26Why, any one of a hundred could have had a good reason to bump him off.
01:05:29Yeah, but only one did it.
01:05:30We got to find that one before the cops find me.
01:05:32That's right.
01:05:44What's the matter with you?
01:05:45You got the jitters?
01:05:46Oh, no.
01:05:47I just forgot to shake my medicine bottle.
01:05:54Hello, Jim.
01:05:55Stay where you are, Baldwin.
01:06:02Oh, yeah?
01:06:04Don't, Jim.
01:06:05Don't.
01:06:07Up.
01:06:10Oh.
01:06:11Mr. Winters.
01:06:12Mr. Winters.
01:06:13Oh, come on.
01:06:17Oh.
01:06:20Ralph.
01:06:21Ralph.
01:06:22Someone get a doctor.
01:06:23Too late, my dear.
01:06:24Come on, Baldwin.
01:06:26Officer.
01:06:28You got the wrong man.
01:06:30I shot Stevens.
01:06:34Ralph.
01:06:35You're delirious.
01:06:36You don't know what you're saying.
01:06:37He didn't do it.
01:06:38Don't believe him.
01:06:39It's a noble thing to give your life for a friend, Mr. Winters.
01:06:42But you're just taking the rap because you're dying.
01:06:45We'll send up a doctor.
01:06:46Come on, Baldwin.
01:06:49Wait.
01:06:50That's no use.
01:06:52There's always a motive for a murder.
01:06:54We've proved Baldwin.
01:06:56I killed Stevens.
01:06:58You know what you're saying.
01:07:00You're branding yourself as a murderer.
01:07:02Why should you kill Stevens?
01:07:05But there is a motive.
01:07:09She's right.
01:07:12I am the motive.
01:07:14I didn't think my husband knew.
01:07:16Bernice.
01:07:18Bernice.
01:07:19Don't.
01:07:22Everything is all right now.
01:07:26If Jim will forgive me.
01:07:31Jim.
01:07:32I never thought anyone would be accused.
01:07:38It's all right.
01:07:40I understand.
01:07:41Oh, stop.
01:07:44Don't worry, Mrs. Winters.
01:07:45The doctor will be up in a few minutes.
01:07:48Okay, Chief.
01:07:50Take it easy.
01:07:55Well, Jim.
01:07:57You proved everything you said about circumstantial evidence.
01:08:00Yes.
01:08:02But the cost was too great.
01:08:03You proved everything you said about circumstantial evidence.
01:08:05You proved everything you said about circumstantial evidence.
01:08:07You proved everything you said about circumstantial evidence.
01:08:08You proved everything you said about circumstantial evidence.
01:08:09You proved everything you said about circumstantial evidence.
01:08:10You proved everything you said about circumstantial evidence.
01:08:11You proved everything you said about circumstantial evidence.
01:08:12You proved everything you said about circumstantial evidence.
01:08:13You proved everything you said about circumstantial evidence.
01:08:14You proved everything you said about circumstantial evidence.
01:08:15You proved everything you said about circumstantial evidence.
01:08:16You proved everything you said about circumstantial evidence.
01:08:17You proved everything you said about circumstantial evidence.
01:08:18You proved everything you said about circumstantial evidence.
01:08:19You proved everything you said about circumstantial evidence.
01:08:20You proved everything you said about circumstantial evidence.
01:08:21You proved everything you said about circumstantial evidence.
01:08:22¡Gracias!
01:08:52¡Gracias!
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